A couple of large gateways offer access to the spacious courtyard of Messrs. Bollinger’s establishment; a handsome dwelling-house standing on the right, and a small pavilion, in which the offices are installed, while on the left hand and in the rear of the courtyard rises a range of buildings of characteristic aspect, appropriated to the business of the firm. In one of the celliers, which has its open-raftered roof supported by slim metal columns, we found the tirage going on, the gang of workmen engaged in it filling, corking, and lowering into the cellars some 20,000 bottles a day. In one corner of the apartment stood the largecuvéetun—capable of holding some 50 hogsheads—in which the blending of the wine is effected, and in an adjoining cellier women were briskly labelling and wrapping up the completed bottles of champagne. The cellars, constructed some fifty years ago at a cost of nearly £12 the superficial yard, are faced entirely with stone, and arealike wide and lofty; this is especially the case with four of the more modern galleries excavated in 1848, and each 160 feet in length. Besides the foregoing, Messrs. Bollinger possess other cellars in Ay, where they store their reserve wines both in bottle and in the wood.On the northern side of Ay, some little distance from the vineyard owned by them, the firm of Pfungst frères & Cie. have their cellars, the entrance to which lies just under the lofty vine-clad ridge. Messrs. Pfungst frères lay themselves out exclusively for the shipment of high-class champagnes, and the excellent growths of the Ay district necessarily form an important element in their carefully-composedcuvées. A considerable portion of their stock consists of reserves of old wine, and we tasted here a variety of samples of finely-matured champagnes of 1868 and ’70, as well as the vintages of 1872 and ’74. All of these wines were of superior quality, combining delicacy and fragrance with dryness, the latter being their especial feature. In addition to their business with England, Messrs. Pfungst frères ship largely to India and the United States.sculpture on church: see adjoining textIt is on this side of the town that the fine old Gothic church, dating as far back as the twelfth century, is situated. Many of the mouldings and the capitals of the columns both inside and outside the building are covered over with grape-laden vine-branches, and the sculptured figure of a boy bearing a basket of grapes upon his head surmounts the handsome Renaissance doorway, seemingly to indicate the honour in which thevine—the source of all the prosperity of the little town—was held both by the mediæval and later architects of the edifice. Nigh to the church stands the old house with its obliterated carved escutcheons, known traditionally as the Vendangeoir of Henri Quatre. This monarch loved the wine of the place almost as well as his favourite vintage of Arbois, and dubbed himself, as we have already mentioned, Seigneur of Ay, whose inhabitants he sought to gratify by confirming the charter which centuries before had been granted to the town.detail of decorated capitalWithin half-an-hour’s walk of Ay, in an easterly direction, is the village of Mareuil, a long straight street of straggling houses, bounded by trees andgarden-plats, with vine-clad hills rising abruptly behind on the one side, and the Marne canal flowing placidly by on the other. The archaic church, a mixture of the Romanesque and Early Gothic, stands at the farther end of the village, and some little distance on this side of it is a massive-looking eighteenth-century building, spacious enough to accommodate a regiment of horse, but conventual rather than barrack-like in aspect, from the paucity of windows looking on to the road. A broad gateway leads into a spacious courtyard to the left of which stands a grand château, while on the right there rises an ornate round tower of three stories, from the gallery on the summit of which a fine view over the valley of the Marne is obtained. The buildings inclosing the court on three sides comprise press-houses, celliers, and packing-rooms,an antiquated sundial marking the hour on the blank space above the vines that climb beside the entrance gateway. The more ancient of these tenements formed the vendangeoir of the Dukes of Orleans at the time they owned the château of Mareuil, purchased in 1830 by the Duke de Montebello, son of the famous Marshal Lannes, and minister and ambassador of Louis Philippe and Napoleon III.see captionTHE MONTEBELLO ESTABLISHMENT AT MAREUIL. (p. 126)The acquisition of this property, to which were attached some important vineyards, led, several years later, to the duke’s founding, in conjunction with his brothers, the Marquis and General Count de Montebello, a champagne firm, whose brand speedily acquired a notable popularity. To-day the business is carried on by their sons and heirs, for all the original partners in the house have followed their valiant father to the grave. Struck down by an Austrian cannon-ball in the zenith of his fame, the career of Marshal Lannes, brief as it was, furnishes one of the most brilliant pages in French military annals. Joining the army of Italy as a volunteer in 1796, he was made a colonel on the battle-field in the gorges of Millesimo, when Augereau’s bold advance opened Piedmont to the French. He fought at Bassano and Lodi, took part in the assault of Pavia and the siege of Mantua, and at Arcola, when Napoleon dashed flag in hand upon the bridge, Lannes was seriously wounded whilst shielding his general from danger. He afterwards distinguished himself in Egypt, and led the van of the French army across the Alps, displaying his accustomed bravery both at Montebello and Marengo. At Austerlitz, where he commanded the right wing of the army, he greatly contributed to the victory, and at Jena, Friedland, and Eylau his valour was again conspicuous. Sent to Spain, he defeated the Spaniards at Tudela, and took part in the operations against Saragossa. Wounded at the battle of Essling, when the Archduke Charles inflicted upon Napoleon I. the first serious repulse he had met with on the field of battle, the valiant Lannes expired a few days afterwards in the Emperor’s arms.see captionCHÂTEAU OF MAREUIL, BELONGING TO THE DUKE OF MONTEBELLO. (p. 127.)We were met at Mareuil, on the occasion of our visit, byCount Alfred Ferdinand de Montebello, the present manager of the house, and conducted by him over the establishment. In the press-house, to the left of the courtyard, were two of the ponderous presses used in the Champagne, for, like all other large firms, the house makes its own wine. Grapes grown in the Mareuil vineyards arrive here in baskets slung across the backs of mules, muzzled so that while awaiting their loads they may not devour the fruit within reach. In a cellier adjoining the press-house stands a large vat, capable of holding 50 pièces of wine, with a crane beside it for hauling up the casks when thecuvéeis made. Here the tirage likewise takes place, and in the range of buildings, roofed with glass, in the rear of the tower, the bottled wine is labelled, capped with foil, and packed in cases for transmission to Paris, England, and other places abroad.A double flight of steps, decorated with lamps and vases, leads to the handsome offices of the firm, situated on the first floor of the tower, while above is an apartment with a panelled ceiling, gracefully decorated with groups of Cupids engaged in the vintage and the various operations which the famous wines of the Mountain and the River undergo during their conversion into champagne. On the ground floor of the tower a low doorway conducts to the spacious cellars, which, owing to the proximity of the Marne, are all on the same level as well as constructed in masonry. The older vaults, where the Marquis de Pange, a former owner of the château, stored the wine which he used to sell to the champagne manufacturers, are somewhat low and tortuous compared with the broad and lofty galleries of more recent date, which have been constructed as the growing connection of the firm obliged them to increase their stocks. Spite, however, of numerous additions, portions of their reserves have to be stored in other cellars in Mareuil. Considerable stocks of each of the four qualities of wine supplied by the firm are being got ready for disgorgement, including Cartes Noires and Bleues, with the refined Carte Blanche and the delicate Crêmant, which challenge comparison with brands of the highest repute.In the adjacent château, the gardens of which slope downto the Marne canal, there are various interesting portraits, with one or two relics of the distinguished founder of the Montebello family, notably Marshal Lannes’s gold-embroidered velvet saddle trappings, his portrait and that of Marshal Gerard, as well as one of Napoleon I., by David, with a handsome clock and candelabra of Egyptian design, a bust of Augustus Cæsar, and a portrait of the Regent d’Orléans.Another champagne house of standing at Mareuil is that of Bruch-Foucher and Co., whose establishment is situated near the village mairie. Entering by a lofty porte-cochère, we notice on the left hand a spacious packing-room, where men and women are expeditiously completing some shipping order, while beyond are the offices, looking on to a terraced garden whence a pleasant view is gained of the verdant valley of the Marne. From the packing-room a broad staircase leads to the cellars beneath, which can also be reached from a venerable range of buildings on the opposite side of the road, where young wines and old cognac spirit, used in the preparation of the liqueur, are stored in the wood.In one of these ancient celliers is a vast tun, capable of containing nearly 5,000 gallons, carved over with an elaborate device of vineleaves and bunches of grapes entwined around overflowing cornucopia and bottles of champagne. This handsome cask, in which the firm make theircuvée, is a worthy rival of the sole antique ornamental tun that still reposes in the Royal cellars at Wurzburg. In Messrs. Bruch-Foucher and Co.’s capacious cellars, faced and vaulted with stone, from eight to nine hundred thousand bottles of wine are stored. The cellars form a single story, and extend partly under the adjacent vineyard slopes, deriving light and ventilation from numerous shafts which are occasionally no less than 150 feet in height. Messrs. Bruch-Foucher and Co., who are owners of vineyards at Mareuil, ship three qualities of champagne, the finest being their Carte d’Or and their Monogram Carte Blanche. Their chief business is with England, Germany, and the United States, where their brands enjoy considerable repute.see captionDOORWAY OF AVIZE CHURCH.XII.—Champagne Establishments at Avize and Rilly.Avize the Centre of the White Grape District—Its Situation and Aspect—The Establishment of Giesler and Co.—The Tirage and the Cuvée—Vin Brut in Racks and on Tables—The Packing-Hall, the Extensive Cellars, and the Disgorging Cellier—Bottle Stores and Bottle-Washing Machines—Messrs. Giesler’s Wine-Presses at Avize and Vendangeoir at Bouzy—Their Vineyards and their Purchases of Grapes—Reputation of the Giesler Brand—The Establishment of M. Charles de Cazanove—A Tame Young Boar—Boar-Hunting in the Champagne—M. de Cazanove’s Commodious Cellars and Carefully-Selected Wines—Vineyards Owned by Him and His Family—Reputation of his Wines in Paris and their Growing Popularity in England—Interesting View from M. de Cazanove’s Terraced Garden—The Vintaging of the White Grapes in the Champagne—Roper frères’ Establishment at Rilly-la-Montagne—Their Cellars Penetrated by Roots of Trees—Some Samples of Fine Old Champagnes—The Principal Châlons Establishments—Poem on Champagne by M. Amaury de Cazanove.Avize,situated in the heart of the Champagne white grape district, may be reached from Epernay by road through Pierry and Cramant or by the Châlons Railway to Oiry Junction, between which station and Romilly there runs a local line, jocularly termed thechemin de fer de famille, from the general disregard displayed by the officials for anything approaching to punctuality. Avize can scarcely be styled a town, and yet its growing proportions are beyond those of an ordinary village. It lies pleasantly nestled among the vines, sheltered by bold ridges on the north-west, with the monotonous plains of La Champagne pouilleuse, unsuited to the cultivation of the vine, stretching away eastward in the direction of Châlons. Avize cannot pretend to the same antiquity as its neighbour Vertus, and lacks the many picturesque vestiges of which the latter can boast. Its church dates back only to the 15th century, although the principal doorway in the Romanesque style evidently belongs to a much earlier epoch. There is a general air of trim prosperity about the place, and the villagers have that well-to-do appearance common to the inhabitants of the French wine districts. Only at vintage time, however, are there any particular outdoor signs of activity, although half a score of champagne firms have their establishments here, giving employment to the bulk of the population, and sending forth their two or three million bottles of the sparkling wine of the Marne annually.see captionMAKING THE CUVÉE AT MESSRS. GIESLER’S, AT AVIZE. (p.131)Proceeding along the straight level road leading from the station to the village we encounter on our right hand the premises of Messrs. Giesler and Co., the reputation of whose brand is universal. When M. Giesler quitted the firm of P. A. Mumm, Giesler, and Co., at Reims, in 1838, he removed to Avize and founded the present extensive establishment. Entering through a large open gateway we find ourselves within a spacious courtyard with a handsome dwelling-house in the rear, and all the signs of a champagne business of magnitude apparent. A spiral staircase conducts to the counting-house on the first story of a range of buildings on the left hand, the ground floor of which is divided into celliers. Passing througha door by the side of this staircase we enter a large hall where the operation of bottling the wine is going on. Four tuns, each holding five ordinary pièces of wine, and raised upon large blocks of wood, are standing here, and communicating with them are bottling syphons of the type commonly employed in the Champagne. Messrs. Giesler do not usually consign the newly-bottled wine at once to the cellars, but retain it aboveground for about a fortnight in order that it may develop its effervescent qualities more perfectly. We find many thousands of these bottles stacked horizontally in the adjoining celliers, in one of which stands the greatcuvéetun wherein some fifty hogsheads of the finest Champagne growths are blended together at one time, two hundred hogsheads being thus mingled daily while thecuvéesare in progress. The casks of wine having been hoisted from the cellars to the first floor by a crane, and run on to a trough, their bungs are removed, and the wine flows through an aperture in the floor into the huge tun beneath, its amalgamation being accomplished by the customary fan-shaped appliances, set in motion by the turning of a wheel. In an adjacent room is the machine used for mixing the liqueur which Messrs.Giesleradd so sparingly to their light and fragrant wines.There are a couple of floors above these celliers, the uppermost of which is used as a general store, while in the one beneath many thousands of bottles ofvin brutreposesur pointe, either in racks or on tables as at the Clicquot-Werlé establishment. This latter system requires ample space, for as theremueur, or workman who shakes the bottles, is only able to use one hand, the operation of dislodging the sediment necessarily occupies a much longer time than is requisite when the bottles rest in racks.see captionPREPARING THE LIQUEUR AT MESSRS. GIESLER’S.The buildings on the opposite side of the courtyard comprise a large packing-hall, celliers where the wine is finished off, and rooms where corks and such-like things are stored. Here, too, is the entrance to the cellars, of which there are three tiers, all lofty and well-ventilated galleries, very regular in their construction, and faced with either stone or brick. In these extensive vaults are casks of fine reserved wines for blending with youthful vintages, and bottles ofvin brut, built up in solid stacks, that may be reckoned by their hundreds of thousands. At Messrs. Giesler’s the disgorging of the wine is accomplished ina small cellier partially underground, and the temperature of which is very cool and equable. Thedégorgeurs, isolated from the rest of the workpeople, are carrying on their operations here by candlelight. So soon as the sediment is removed the bottles are raised in baskets to the cellier above, where the liqueuring, re-corking, stringing, and wiring are successively accomplished. By pursuing this plan the loss sustained by the disgorgement is believed to be reduced to a minimum.Extensive as these premises are they are still insufficient for the requirements of the firm, and across the road is a spacious building where new bottles are stored and the washing of the bottles in preparation for the tirage takes place. By the aid of the machinery provided, sixteen women, assisted by a couple of men, commonly wash some fifteen or sixteen thousand bottles in the course of a day. Here, too, stands one of the two large presses with which at the epoch of the vintage a hundred pièces of wine are pressed every four-and-twenty hours. The remaining press is installed in a cellier at the farther end of the garden on the other side of the road. Messrs. Giesler possess additional presses at their vendangeoir at Bouzy, and during the vintage have the command of presses at Ay, Verzenay, Vertus, Le Mesnil, &c., it being a rule of theirs always to press the grapes within a few hours after they are gathered to obviate their becoming bruised by their own weight and imparting a dark colour to the wine, a contingency difficult to guard against in seasons when the fruit is over-ripe. The firm own vineyards at Avize, and have agreements with vine-proprietors at Ay, Bouzy, Verzenay, and elsewhere, to purchase their crops regularly every year. Messrs. Giesler’s brand has secured its existing high repute solely through the fine quality of the wines shipped by the house—wines which are known and appreciated by all real connoisseurs of champagne.From Messrs. Giesler’s it is merely a short walk to the establishment of M. Charles de Cazanove, situated in the principal street of Avize. On entering the court we encountered a tame young boar engaged in the lively pursuit of chasing someterrified hens, while a trio of boarhounds, basking on the sunny flagstones, contemplated his proceedings with lazy indifference. Boars abound in the woods hereabouts, and hunting them is a favourite pastime with the residents, and the young boar we had noticed proved to be one of the recent captures of the sons of M. de Cazanove, who are among the warmest partisans of the exciting sport. Many of the boars found in the woods around Reims journey thither, it is said, by night from the famous forest of the Ardennes—the scene of Rosalind’s wanderings and Touchstone’s eccentricities as set forth inAs You Like It, and whose gloomy depths and tangled glens shelter to-day not merely boars but wolves as well.In the Champagne it is no longer the fashion“With javelin’s point a churlish swine to gore,”nor to hunt the boar on horseback, as is still the case in Burgundy. When the presence of one or more of these animals is signalled in the neighbourhood, a party starts off accompanied by dogs and armed with double-barrelled rifles. A circle having been formed round the boar’s lair the dogs are set to draw him out, while thechasseurskeep on the alert so as not to allow him to escape through their circle alive. In this manner a few score of boars are killed every year in the woods round about Reims and Epernay.see captionVINEYARDS OF AVIZE AND CRAMANT FROM THE GARDEN OF M. C. DE CAZANOVE. (p. 135.)The house of M. Charles de Cazanove was established in 1843 by its present proprietor on the foundation of a business which had been in existence since 1811. Compared with the monumental grandeur of some of the great Reims and Epernay establishments the premises present a simple and modest aspect, nevertheless they are capacious and commodious, besides which the growing business of the house has led to the acquisition of additional cellarage in other parts of Avize. More important than all, however, is the quality of the wine with which these cellars are stocked, and following the rule observed by champagne firms of the highest repute, it has been a leading principle with M. de Cazanove always to rely upon the choicer growths—thoselight, delicate, and fragrant wines of the Marne which throw out the true aroma of the flower of the vine. M. de Cazanove, who is distinguished for his knowledge of viticulture, occupies an influential position at Avize, being Vice-President of the Horticultural Society of the Marne, and a member of the committee charged with guarding the Champagne vineyards against the invasion of the phylloxera. His own vines include only those fine varieties to which the crûs of the Marne owe their great renown. He possesses an excellent vineyard at Grauves, near Avize, and his mother-in-law, Madame Poultier, of Pierry, is one of the principal vine-growers of the district.M. de Cazanove’s wines are much appreciated in Paris, where his business is very extensive. His shipments to England are also considerable, but from the circumstance of some of his principal customers importing the wine under special brands of their own, the brand of the house is not so widely known as we should have expected.From M. de Cazanove’s terraced garden in the rear of his establishment a fine view is obtained of one of the most famous viticultural districts of the Champagne, yielding wines of remarkable delicacy and exquisite bouquet. On the left hand rises up the mountain of Avize, its summit fringed with dense woods, where in winter the wild boar has his lair. In front stretch the long vine-clad slopes of Cramant, with orchards at their base, and the housetops of the village and the spire of the quaint old church just peeping over the brow of the hill. To the right towers the bold forest-crowned height of Saran with M. Moët’s château perched half-way up its north-eastern slope, and fading away in the hazy distance are the monotonous plains of the Champagne.We have already explained that the wines of Avize and Cramant rank aspremiers crûsof the white grape district, and that every champagne manufacturer of repute mingles one or the other in hiscuvée. The white grapes are usually gathered a fortnight or three weeks later than the black varieties, but in other respects the vintaging of them is the same. The grapesundergo the customary minute examination by theéplucheuses, and all unripe, damaged, and rotten berries being thrown aside, the fruit is conveyed with due care to the press-houses in the large baskets known aspaniers mannequins. The pressing takes place under exactly the same conditions as the pressing of the black grapes; the must, too, is drawn off into hogsheads to ferment, and by the end of the year, when the active fermentation has terminated, the wine is usually clear and limpid.At Rilly-la-Montagne, on the line of railway between Reims and Epernay, Roper frères & Cie., late of Epernay, now have their establishment. Starting from the latter place we pass Ay and Avenay, and then the little village of Germaine in the midst of the forest, and nigh the summit of the mountain of Reims, with its “Rendezvous des Chasseurs” in immediate proximity to the station. Finally we arrive at Rilly, which, spite of its isolated situation, has about it that aspect of prosperity common to the more favourable wine districts of France. This is scarcely surprising when the quality of its wines is taken into consideration. The still red wine of Rilly has long enjoyed a high local reputation, and to-day the Rilly growths are much sought after for conversion into champagne. White wine of 1874 from black grapes fetched, we were informed, as much as from 600 to 700 francs the pièce, while the finer qualities from white grapes realised from 300 to 400 francs. Messrs. Roper frères & Cie. are the owners of some productive vineyards situated on the high road to Chigny and Ludes.The establishment of Roper frères is adjacent to a handsome modern house standing back from the road in a large and pleasant garden, bounded by vineyards on two of its sides. In the celliers all the conveniences pertaining to a modern champagne establishment are to be found, while extending beneath the garden are the extensive cellars of the firm, comprising two stories of long and spacious galleries excavated in the chalk, their walls and roofs being supported whenever necessary by masonry. A curious feature about these cellars is that the roots of the larger trees in the garden above have penetrated throughthe roof of the upper story and hang pendent overhead like innumerable stalactites. Here after the comparatively new wine of 1874 had been shown to us—including samples of theVin Brutor natural champagne of which the firm make a speciality at a moderate price—some choice old champagnes were brought forth, including the fine vintages of 1865, 1857, and 1846. The latter wine had of course preserved very little of its effervescence, still its flavour was exceedingly fine, being soft and delicate to a degree. At the Vienna Exhibition of 1873 and the London Exhibition of 1874 the collection of champagnes exhibited by Roper frères met with favourable recognition from the international juries.cherub with champagne bottleOur tour through the Champagne vineyards and wine-cellars here comes to an end. It is true there are important establishments at Châlons, notably those of Jacquesson et fils, the Perriers, Freminet et fils, and Jacquard frères, the cellars of the first-named being, perhaps, unrivalled in the Champagne. As, however, any description of these establishments would be little else than a recapitulation of something we have already said, we content ourselves with merely notifying their existence, and bring our Facts about Champagne to a close with the translation of a poem from the pen of M. Amaury de Cazanove of Avize:—CHAMPAGNE.Lessfor thy grace and glory, land of ours,Than for thy dolour, dear;Let the grief go, and here—Here’s to thy skies, thy women and thy flowers!France! take the toast, thy women and thy roses,France! to thy wine, more wealth unto thy store!And let the lips a grievous memory closesSmile their proud smile once more!Swarthy Falernian, Massica the Red,Were ye the nectars pouredAt the great gods’ broad board?No, poor old wines, all but in name long dead,Nectar’s Champagne, the sparkling soul of mirth,That bubbling o’er with laughing gas,Flashes gay sunbeams in the glass,And like our flag goes proudly round the earth.“I am the blood Burgundian sunshine makes;A fine old feudal knightOf bluff and boisterous might,Whose casque feels—ah, so heavy when one wakes!”“And I, the dainty Bordeaux, violets’Perfume, and whose rare rubies gourmets prize.My subtile savour getsIn partridge wings its daintiest allies.”Ah, potent chiefs, Bordeaux and Burgundy.If we must answer make,This sober counsel take:Messeigneurs, sing your worth less haughtily,For ’tis Champagne, the sparkling soul of mirth,That bubbling o’er with laughing gas,Flashes gay sunbeams in the glass,And like our flag goes proudly round the earth.Aye, ’tis the true, the typic wine of France;Aye, ’tis our heart that sparkles in our eyes,And higher beats for every dire mischance;It was the wit that made our fathers wise,That made their valour gallant, gay,When plumes were stirr’d by winds of waving swords,And chivalry’s defiance spoke the words:“À vous, Messieurs les Anglais, les premiers!”Let the dull beer-apostle till he’s hoarseVent his small spleen and spite,Fate fill his sleepless nightWith nightmares of invincible remorse!We sing Champagne, the sparkling soul of mirth,That bubbling o’er with laughing gas,Flashes gay sunbeams in the glass,And like our flag goes proudly round the earth.see captionPEASANT WOMEN OF THE ENVIRONS OF SAUMUR.XIII.—Sparkling Saumur and Sparkling Sauternes.The Sparkling Wines of the Loire often palmed off as Champagnes—The Finer qualities Improve with Age—Anjou the Cradle of the Plantagenet Kings—Saumur and its Dominating Feudal Château and Antique Hôtel de Ville—Its Sinister Rue des Payens and Steep Tortuous Grande Rue—The Vineyards of the Coteau of Saumur—Abandoned Stone Quarries converted into Dwellings—The Vintage in Progress—Old-fashioned Pressoirs—The Making of the Wine—The Vouvray Vineyards—Balzac’s Picture of La Vallée Coquette—The Village of Vouvray and the Château of Moncontour—Vernou with its Reminiscences of Sully and Pépin-le-Bref—The Vineyards around Saumur—Remarkable Ancient Dolmens—Ackerman-Laurance’s Establishment at Saint-Florent—Their ExtensiveCellars, Ancient and Modern—Treatment of the Newly-Vintaged Wine—The Cuvée—Proportions of Wine from Black and White Grapes—The Bottling and Disgorging of the Wine and Finishing Operations—The Château of Varrains and the Establishment of M. Louis Duvau aîné—His Cellars a succession of Gloomy Galleries—The Disgorging of the Wine accomplished in a Melodramatic-looking Cave—M. Duvau’s Vineyard—His Sparkling Saumur of Various Ages—Marked Superiority of the more Matured Samples—M. Alfred Rousteaux’s Establishments at Saint-Florent and Saint-Cyr—His convenient Celliers and extensive Cellars—Mingling of Wine from the Champagne with the finer Sparkling Saumur—His Vineyard at La Perrière—M. E. Normandin’s Sparkling Sauternes Manufactory at Châteauneuf—Angoulême and its Ancient Fortifications—Vin de Colombar—M. Normandin’s Sparkling Sauternes Cuvée—His Cellars near Châteauneuf—High recognition accorded to the Wine at the Concours Régional d’Angoulême.Afterthe Champagne Anjou is the French province which ranks next in importance for its production of sparkling wines. Vintaged on the banks of the Loire, these are largely consigned to the English and other markets, labelled Crême de Bouzy, Sillery and Ay Mousseux, Cartes Noires and Blanches, and the like, while their corks are branded with the names of phantom firms, supposed to be located at Reims and Epernay. As a rule these wines come from around Saumur, but they are not necessarily the worse on that account, for the district produces capital sparkling wines, the finer qualities of which improve greatly by being kept for a few years. One curious thing shown to us at Saumur was the album of a manufacturer of sparkling wines containing examples of the many hundred labels ticketed with which his produce had for years past been sold. Not one of these labels assigned to the wines the name of their real maker or their true birthplace, but introduced them under the auspices of mythical dukes and counts, as being manufactured at châteaux which are so many “castles in Spain,” and as coming from Ay, Bouzy, Châlons, Epernay, Reims, and Verzenay, but never by any chance from Saumur.see captionTHE VINEYARDS OF THE COTEAU DE SAUMUR. (p. 141)Being produced from robuster growths than the sparkling wines of the Department of the Marne, sparkling saumur will always lack that excessive lightness which is the crowning graceof fine champagne, still it has only to be kept for a few years instead of being drunk shortly after its arrival from the wine-merchant for its quality to become greatly improved and its intrinsic value to be considerably enhanced. We have drunk sparkling saumur that had been in bottle for nearly twenty years, and found the wine not only remarkably delicate, but, singular to say, with plenty of effervescence.To an Englishman Anjou is one of the most interesting of the ancient provinces of France. It was the cradle of the Plantagenet Kings, and only ten miles from Saumur still repose the bones of Henry, the first Plantagenet, and Richard of the Lion Heart, in the so-called Cimetière des Rois of the historic abbey of Fontevrault. The famous vineyards of the Coteau de Saumur, eastward of the town and bordering the Loire, extend as far as here, and include the communes of Dampierre, Souzay, Varrains, Chacé, Parnay, Turquant, and Montsoreau, the last-named within three miles of Fontevrault, and chiefly remarkable through its seigneur of ill-fame, Jean de Chambes, who instigated his wife to lure Boissy d’Amboise to an assignation in order that he might more surely poignard him. Saumur is picturesquely placed at the foot of this bold range of heights near where the little river Thouet runs into the broad and rapid Loire. A massive-looking old château perched on the summit of an isolated crag stands out grandly against the clear sky and dominates the town, the older houses of which crouch at the foot of the lofty hill and climb its steepest sides. The restored antique Hôtel de Ville, in the pointed style, with its elegant windows, graceful belfry, and florid wrought-iron balconies, stands back from the quay bordering the Loire. In the rear is the Rue des Payens, whither the last of the Huguenots of this “metropolis of Protestantism,” as it was formerly styled, retired, converting their houses into so many fortresses to guard against being surprised by their Catholic adversaries. Adjacent is the steep tortuous Grande Rue, of which Balzac—himself a Tourangeau—has given such a graphic picture in hisEugénie Grandet, the scene of which is laid at Saumur. To-day, however,only a few of its ancient carved timber houses, quaint overhanging corner turrets, and fantastically-studded massive oak doors have escaped demolition.The vineyards of the Coteau de Saumur, yielding the finest wines, are reached by the road skirting the river, the opposite low banks of which are fringed with willows and endless rows of poplars, which at the time of our visit were already golden with the fading tints of autumn. Numerous fantastic windmills crown the heights, the summit of which is covered with vines, varied by dense patches of woodland. Here, as elsewhere along the banks of the Loire, the many abandoned quarries along the face of the hill have been turned by the peasants into cosy dwellings by simply walling-up the entrances while leaving, of course, the necessary apertures for doors and windows. Dampierre, the first village reached, has many of these cave-dwellings, and numbers of its houses are picturesquely perched up the sides of the slope. The holiday costumes of the peasant women encountered in the neighbourhood of Saumur are exceedingly quaint, their elaborate and varied head-dresses being counterparts ofcoiffuresin vogue so far back as three and four centuries ago.Quitting the banks of the river, we ascend a steep tortuous road shut in on either side by high stone walls—for hereabouts all the best vineyards are scrupulously inclosed—and finally reach the summit of the heights, whence a view is gained over what the Saumurois proudly style the grand valley of the Loire. Everywhere around the vintage is going on. The vines are planted rather more than a yard apart, and those yielding black grapes are trained, as a rule, up tall stakes, although some few are trained espalier fashion. Women dexterously detach the bunches with pruning-knives and throw them into theseilles—small squat buckets with wooden handles—the contents of which are emptied from time to time into baskets—the counterpart of the chiffonnier’shotte, and coated with pitch inside so as to close all the crevices of the wickerwork—which theportes-bastescarry slung to their backs. When white wine is being made from blackgrapes for sparkling saumur the grapes are conveyed in these baskets forthwith to the underground pressoirs in the neighbouring villages before their skins get at all broken in order that the wine may be as pale as possible in colour.The black grape yielding the best wine in the Saumur district is the breton, said to be the same as the carbinet-sauvignon, the leading variety in the grand vineyards of the Médoc. Other species of black grapes cultivated around Saumur are the varennes, yielding a soft and insipid wine of no kind of value, and the liverdun, or large gamay, the prevalent grape in the Mâconnais, and the same which in the days of Philippe-le-Hardi theparlementsof Metz and Dijon interdicted the planting and cultivation of. The prevalent white grapes are the large and small pineau blanc, the bunches of the former being of an intermediate size, broad and pyramidal in shape, and with the berries close together. These have fine skins, are oblong in shape, and of a transparent yellowish-green hue tinged with red, are very sweet and juicy, and as a rule ripen late. As for the small pineau, the bunches are less compact, the berries are round and of a golden tint, are finer as well as sweeter in flavour, and ripen somewhat earlier than the fruit of the larger variety.We noticed as we drove through the villages of Champigny and Varrains—the former celebrated for its fine red wines, and more especially its crû of the Clos des Cordeliers—that hardly any of the houses had windows looking on to the narrow street, but that all were provided with low openings for shooting the grapes into the cellar where, when making red wine, they are trodden, but when making white wine, whether from black or white grapes, they are invariably pressed. Each of the houses had its ponderous porte-cochère and low narrow portal leading into the large inclosed yard at its side, and over the high blank walls vines were frequently trained and pleasantly varied their dull grey monotony.The grapes on being shot into the openings just mentioned fall through a kind of tunnel into a reservoir adjacent to the heavy press, which is invariably of wood and of the old-fashionedcumbersome type. They are forthwith placed beneath the press and usually subjected to five separate squeezes, the must from the first three being reserved for sparkling wine, while that from the two latter, owing to its being more or less deeply tinted, only serves for table wine. The must is at once run off into casks in order that it may not ferment on the grape-skins and imbibe any portion of their colouring matter. Active fermentation speedily sets in and lasts for a fortnight or three weeks according to whether the temperature chances to be high or low.The vintaging of the white grapes takes place about a fortnight later than the black grapes, and is commonly a compound operation, the best and ripest bunches being first of all gathered just as the berries begin to get shrivelled and show symptoms of approaching rottenness. It is these selected grapes that yield the best wine. The second gathering, which follows shortly after the first, includes all the grapes remaining on the vines, and yields a wine perceptibly inferior in quality. The grapes on their arrival at the press-house are generally pressed immediately and the must is run off into tuns to ferment. At the commencement these tuns are filled up every three or four days to replace the fermenting must which has flowed over; afterwards any waste is made good at the interval of a week, and then once a fortnight, the bungholes of the casks being securely closed towards the end of the year, by which time the first fermentation is over.It should be noted that the Saumur sparkling wine manufacturers draw considerable supplies of the white wine required to impart lightness and effervescence to theirvin préparéfrom the Vouvray vineyards. Vouvray borders the Loire a few miles from the pleasant city of Tours, which awakens sinister recollections of truculent Louis XI., shut up in his fortified castle of Plessis-lez-Tours, around which Scott has thrown the halo of his genius in his novel ofQuentin Durward. On proceeding to Vouvray from Tours we skirt a succession of poplar-fringed meadows stretching eastward in the direction of Amboise alongthe right bank of the Loire; and after a time a curve in the river discloses to view a range of vine-clad heights extending some distance beyond the village of Vouvray. Our route lies past the picturesque ruins of the abbey of Marmoûtier and the Château des Roches—one of the most celebrated castles of the Loire—the numerous excavations in the soft limestone ridge on which they are perched being converted as usual into houses, magazines, and wine-cellars. We proceed through the village of Rochecorbon, and along a road winding among the spurs of the Vouvray range, past hamlets, half of whose inhabitants live in these primitive dwellings hollowed out of the cliff, and finally enter the charming Vallée Coquette, hemmed in on all sides with vine-clad slopes. Here a picturesque old house, half château half homestead, was pointed out to us as a favourite place of sojourn of Balzac, who speaks of this rocky ridge as “inhabited by a population of vine-dressers, their houses of several stories being hollowed out in the face of the cliff, and connected by dangerous staircases hewn in the soft stone. Smoke curls from most of the chimneys which peep above the green crest of vines, while the blows of the cooper’s hammer resound in several of the cellars. A young girl trips to her garden over the roofs of these primitive dwellings, and an old woman, tranquilly seated on a ledge of projecting rock, supported solely by the thick straggling roots of the ivy which spreads itself over the disjointed stones, leisurely turns her spinning-wheel regardless of her dangerous position.” The picture sketched by the author ofLa Comédie Humaine, some forty years ago, has scarcely changed at the present day.At the point where the village of Vouvray climbs half-way up the vine-crested ridge the rapid-winding Cise throws itself into the Loire, and on crossing the bridge that spans the tributary stream we discern on the western horizon, far beyond the verdant islets studding the swollen Loire, the tall campaniles of Tours Cathedral, which seem to rise out of the water like a couple of Venetian towers. Vouvray is a trim little place, clustered round about with numerous pleasant villas in the midst of charming gardens. The modern château of Moncontour heredominates the slope, and its terraced gardens, with, their fantastically-clipped trees and geometric parterres, rise tier above tier up the face of the picturesque height that overlooks the broad fertile valley, with its gardens, cultivated fields, patches of woodland, and wide stretches of green pasture which, fringed with willows and poplars, border the swollen waters of the Loire. Where the river Brenne empties itself into the Cise the Coteau de Vouvray slopes off towards the north, and there rise up the vine-clad heights of Vernou, yielding a similar but inferior wine to that of Vouvray. The village of Vernou is nestled under the hill, and near the porch of its quaint little church a venerable elm tree is pointed out as having been planted by Sully, Henry IV.’s able Minister. Here, too, an ancient wall, pierced with curious arched windows, and forming part of a modern building, is regarded by popular tradition as belonging to the palace in which Pépin-le-Bref, father of Charlemagne, lived at Vernou.The communes of Dampierre, Souzay, and Parnay, in the neighbourhood of Saumur, produce still red wines rivalling those of Champigny, besides which all the finest white wines are vintaged hereabouts—in the Perrière, the Poilleux, and the Clos Morain vineyards, and in the Rotissans vineyard at Turquant. Wines of very fair quality are also grown on the more favourable slopes extending southwards along the valley of the Thouet, and comprised in the communes of Varrains, Chacé, St. Cyr-en-Bourg, and Brézé. The whole of this district, by the way, abounds with interesting archæological remains. While visiting the vineyards of Varrains and Chacé we came upon a couple of dolmens—vestiges of the ancient Celtic population of the valley of the Loire singularly abundant hereabouts. Brézé, the marquisate of which formerly belonged to Louis XVI.’s famous grand master of the ceremonies—immortalized by the rebuff he received from Mirabeau—boasts a noble château on the site of an ancient fortress, in connection with which there are contemporary excavations in the neighbouring limestone, designed for a garrison of 500 or 600 men. Beyond the vineyards of Saint-Florent, westward of Saumur and on the banksof the Thouet, is an extensive plateau partially overgrown with vines, where may be traced the remains of a Roman camp. Moreover, in the southern environs of Saumur, in the midst of vineyards producing exclusively white wines, is one of the most remarkable dolmens known. This imposing structure, perfect in all respects save that one of the four enormous stones which roof it in has been split in two, and requires to be supported, is no less than 65 feet in length, 23 feet in width, and 10 feet high.see captionDOLMEN AT BAGNEUX, NEAR SAUMUR.At Saint-Florent, the pleasant little suburb of Saumur, skirting the river Thouet, and sheltered by steep hills formed of soft limestone, offering great facilities for the excavation of extensive cellars, the largest manufacturer of Saumur sparkling wines has his establishment. Externally this offers but little to strike the eye. A couple of pleasant country houses, half hidden by spreading foliage, stand at the two extremities of a spacious and well-kept garden, beyond which one catches a glimpse of some outbuildings sheltered by the vine-crowned cliff, in which a labyrinth of gloomy galleries has been hollowed out. HereM. Ackerman-Laurance, the extent of whose business ranks him as second among the sparkling wine manufacturers of the world, stores something like 10,000 casks and several million bottles of wine.At the commencement of the present century, in the days when, as Balzac relates in hisEugénie Grandet, the Belgians bought up entire vintages of Saumur wine, then largely in demand with them for sacramental purposes, the founder of the Saint-Florent house commenced to deal in the ordinary still wines of the district. Nearly half a century ago he was led to attempt the manufacture of sparkling wines, but his efforts to bring them into notice failed, and he was on the point of abandoning his enterprise when an order for one hundred cases revived his hopes, and led to the foundation of the present vast establishment. As already mentioned, for many miles all the heights along the Loire have been more or less excavated for stone for building purposes, so that every one hereabouts who grows wine or deals in it has any amount of cellar accommodation ready to hand. It was the vast extent of the galleries which M. Ackermanpèrediscovered already excavated at Saint-Florent that induced him to settle there in preference to Saumur. Extensive, however, as the original vaults were, considerable additional excavations have from time to time been found necessary; and to-day the firm is still further increasing the area of its cellars, which already comprise three principal avenues, each the third of a mile long, and no fewer than sixty transverse galleries, the total length of which is several miles. One great advantage is that the whole are on the ordinary level.Ranged against the black uneven walls of the more tortuous ancient vaults which give access to these labyrinthine corridors are thousands of casks of wine—some in single rows, others in triple tiers—forming the reserve stock of the establishment. As may be supposed, a powerful vinous odour permeates these vaults, in which the fumes of wine have been accumulating for the best part of a century. After passing beneath a massive stone arch which separates the old cellars from the new, a series ofbroad and regularly-proportioned galleries are reached, having bottles stacked in their tens of thousands on either side. Overhead the roof is perforated at regular intervals with circular shafts, affording both light and ventilation, and enabling the temperature to be regulated to a nicety. In these lateral and transverse galleries millions of bottles of wine in various stages of preparation are stacked.see captionTHE CELLARS OF M. ACKERMAN-LAURANCE AT SAINT-FLORENT.LABELLING AND PACKING SPARKLING SAUMUR.(p. 150.)We have explained that in the Champagne it is the custom for the manufacturers of sparkling wine to purchase considerable quantities of grapes from the surrounding growers, and to press these themselves, or have them pressed under their own superintendence. At Saumur only those firms possessing vineyards make their ownvin brut, the bulk of the wine used for conversion into sparkling wine being purchased from the neighbouring growers. On the newly-expressed must arriving at M. Ackerman-Laurance’s cellars it is allowed to rest until the commencement of the ensuing year, when half of it is mixed with wine in stock belonging to last year’s vintage, and the remaining half is reserved for mingling with the must of the ensuing vintage. The blending is accomplished in a couple of colossal vats hewn out of the rock, and coated on the inside with cement. Each of these vats is provided with 200 paddles for thoroughly mixing the wine, and with five pipes for drawing it off when the amalgamation is complete. Usually thecuvéewill embrace 1,600 hogsheads, or 80,000 gallons of wine, almost sufficient for half a million bottles. A fourth of this quantity can be mixed in each vat at a single operation, and this mixing is repeated again and again until the last gallon run off is of precisely the same type as the first. For the finer qualities of sparkling saumur the proportion of wine from the black grapes to that from white is generally at the rate of three or four to one. For the inferior qualities more wine from white than from black grapes is invariably used. Only in the wine from white grapes is the effervescent principle retained to any particular extent; but, on the other hand, the wine from black grapes imparts both quality and vinous character to the blend.The blending having been satisfactorily accomplished, the wine is stored in casks, never perfectly filled, yet with their bungholes tightly closed, and slowly continues its fermentation, eating up its sugar, purging itself, and letting fall its lees. Three months later it is fined. It is rarely kept in the wood for more than a year, though sometimes the superior qualities remain for a couple of years in cask. Occasionally it is even bottled in the spring following the vintage; still, as a rule, the bottling of sparkling saumur takes place during the ensuing summer months, when the temperature is at the highest as this insures to it a greater degree of effervescence. At the time of bottling its saccharine strength is raised to a given degree by the addition of the finest sugar-candy, and henceforward the wine is subjected to precisely the same treatment as is pursued with regard to champagne.It is in a broad but sombre gallery of the more ancient vaults—the roughly-hewn walls of which are black from the combined action of alcohol and carbonic acid gas—that the processes of disgorging the wine of its sediment, adding the syrup, filling up the bottles with wine to replace that which gushes out when the disgorging operation is performed, together with the re-corking, stringing, and wiring of the bottles, are carried on. The one or two adjacent shafts impart very little light, but a couple of resplendent metal reflectors, which at a distance one might fancy to be some dragon’s flaming eyes, combined with the lamps placed near the people at work, effectually illuminate the spot.see captionTHE CELLARS OF M. LOUIS DUVAU AÎNÉ AT THE CHÂTEAU OF VARRAINS.Another considerable manufacturer of sparkling saumur is M. Louis Duvau aîné, owner of the château of Varrains, in the village of the same name, at no great distance from the Coteau de Saumur. His cellars adjoin the château, a picturesque but somewhat neglected structure of the last century, with sculptured medallions in high relief above the lower windows, and florid vases surmounting the mansards in the roof. In front is a large rambling court shaded with acacia and lime trees, and surrounded by outbuildings, prominent among which is a picturesquedovecote, massive at the base as a martello tower, and having an elegant open stone lantern springing from its bell-shaped roof. The cellars are entered down a steep incline under a low stone arch, the masonry above which is overgrown with ivy in large clusters and straggling creeping plants. We soon come upon a deep recess to the right, wherein stands a unique cumbersome screw-press, needing ten or a dozen men to work the unwieldy capstan which sets the juice flowing from the crushed grapes into the adjacent shallow trough. On our left hand are a couple of ancient reservoirs, formed out of huge blocks of stone, with the entrance to a long vaulted cellar filled with wine in cask. We advance slowly in the uncertain light along a succession of gloomy galleries with moisture oozing from their blackened walls and roofs, picking our way between bottles of wine stacked in huge square piles and rows of casks ranged in tiers. Suddenly a broad flood of light shooting down a lofty shaft throws a Rembrandtish effect across a spacious and most melodramatic-looking cave, roughly hewn out of the rock, andtowards which seven dimly-lighted galleries converge. On all sides a scene of bustling animation presents itself. From one gallery men keep arriving with baskets of wine ready for the disgorger; while along another bottles of wine duly dosed with syrup are being borne off to be decorated with metal foil and their distinctive labels. Groups of workmen are busily engaged disgorging, dosing, and re-corking the newly-arrived bottles of wine; corks fly out with a succession of loud reports suggestive of the irregular fire of a party of skirmishers; a fizzing, spurting, and spluttering of the wine next ensues, and is followed by the incessant clicking of the various apparatus employed in the corking and wiring of the bottles.Gradual inclines conduct to the two lower tiers of galleries, for the cellars of M. Duvau consist of as many as three stories. Down below there is naturally less light, and the temperature, too, is sensibly colder. Advantage is taken of this latter circumstance to remove the newly-bottled wine to these lower vaults whenever an excessive development of carbonic acid threatens the bursting of an undue proportion of bottles, a casualty which among the Saumur sparkling wine manufacturers ranges far higher than with the manufacturers of champagne. For the economy of time and labour a lift, raised and lowered by means of a capstan worked by horses, is employed to transfer the bottles of wine from one tier of cellars to another.The demand for sparkling saumur is evidently on the increase, for M. Duvau, at the time of our visit, was excavating extensive additional cellarage. The subsoil at Varrains being largely composed of marl, which is much softer than the tufa of the Saint-Florent coteau, necessitated the roofs of the new galleries being worked in a particular form in order to avoid having recourse to either brickwork or masonry. Tons of this excavated marl were being spread over the soil of M. Duvau’s vineyard in the rear of the château, greatly, it was said, to the benefit of the vines, whose grapes were all of the black variety; indeed, scarcely any wine is vintaged from white grapes in the commune of Varrains.At M. Duvau’s we went through a complete scale of sparkling saumurs, commencing with the younger and less matured samples, and ascending step by step to wines a dozen and more years old. Every year seemed to produce an improvement in the wine, the older varieties gaining greatly in delicacy and softening very perceptibly in flavour.Another sparkling saumur manufacturer of note is M. Alfred Rousteaux, to-day the sole proprietor of the well-known brand of Morlet and Rousteaux, a firm established for many years at Saint-Florent. M. Rousteaux’s cellars here are excavated in the tufa cliff which rises behind the little suburban village, and are all on one level. The galleries, though somewhat winding and irregular, are broad and roomy, and in them about 400,000 bottles of wine undergoing the necessary treatment are piled up in stacks or placedsur pointe. The original firm had only been in existence a few years when they found that their Saint-Florent establishment was inadequate to the requirements of a largely-increasing business, and they started the branch establishment of La Perrière at Saint-Cyr, near Tours, but on the opposite bank of the Loire. Here are a handsome residence and gardens, a spacious court, and convenient celliers where the bottling of the wine is effected, together with extensive and well-constructed cellars in which a like quantity of wine to that contained in the cellars at Saint-Florent is stored. With his finer sparkling wines M. Rousteaux mixes a certain proportion of wine from the Champagne district, and thus secures a degree of lightness unattainable when thecuvéeis exclusively composed of Saumur vintages. At La Perrière M. Rousteaux has a vineyard of upwards of sixty acres, yielding the best wine of the district, which is noted, by the way, for its excellent growths. Hereabouts a succession of vineyard slopes stretch from one to another of the many historic châteaux along this portion of the Loire, the romantic associations of which render the Touraine one of the most interesting provinces of France. Near Tours besides the vineyards of Saint-Cyr are those of Joué and Saint-Avertin; the two last situate on the oppositebank of the Cher, where the little town of Joué, perched on the summit of a hill in the midst of vineyards, looks over a vast plain known by the country people as the Landes de Charlemagne, the scene, according to local tradition, of Charles Martel’s great victory over the Saracens. The Saint-Avertin vineyards extend towards the east, stretching almost to the forest of Larçay, on the borders of the Cher, where Paul Louis Courier, the famous vigneron pamphleteer of the Restoration, noted alike for his raillery, wit, and satire, fell beneath the balls of an assassin. A noticeable crû in the neighbourhood of Tours is that of Cinq Mars, the ruined château of which survives as a memorial of the vengeance of Cardinal Richelieu, who, after having sent its owner to the scaffold, commanded its massive walls and towers to be razed “à hauteur d’infamie” as we see them now.Finding that sparkling wines were being made in most of the wine-producing districts of France, where the growths were sufficiently light and of the requisite quality, Messrs. E. Normandin and Co. conceived the idea of laying the famous Bordeaux district under contribution for a similar purpose, and, aided by a staff of experienced workmen from Epernay, they have succeeded in producing a sparkling sauternes. Sauternes, as is well known, is one of the finest of white wines, soft, delicate, and of beautiful flavour, and its transformation into a sparkling wine has been very successfully accomplished. Messrs. Normandin’s head-quarters are in the thriving little town of Châteauneuf, in the pleasant valley of the Charente, and within fifteen miles of Angoulême, a famous old French town, encompassed by ancient ramparts and crumbling corner towers, and which, dominated by the lofty belfry of its restored semi-Byzantine cathedral, rising in a series of open arcades, spreads itself picturesquely out along a precipitous height, watered at its base by the rivers Anguienne and Charente. Between Angoulême and Châteauneuf vineyard plots dotted over with walnut trees, or simple rows of vines divided by strips of ripening maize, and broken up at intervals by bright green pastures, line both banks of the river Charente. The surrounding country isundulating and picturesque. Poplars and elms fringe the roadsides, divide the larger fields and vineyards, and screen the cosy-looking red-roofed farmhouses, which present to the eyes of the passing tourist a succession of pictures of quiet rural prosperity.woman picking grapesChâteauneuf communicates with the Sauternes district by rail, so that supplies of wine from there are readily obtainable. Vin de Colombar—a famous white growth which English and Dutch cruisers used to ascend the Charente to obtain cargoes of when the Jerez wines were shut out from England by the Spanish War of Succession—vintaged principally at Montignac-le-Coq, also enters largely into Messrs. Normandin and Co.’s sparkling sauternescuvée. This colombar grape is simply the semillon—one of the leading varieties of the Sauternes district—transported to the Charente. The remarkably cool cellarswhere the firm store their wine, whether in wood or bottle, have been formed from some vast subterranean galleries whence centuries ago stone was quarried, and which are situated about a quarter of an hour’s drive from Châteauneuf, in the midst of vineyards and cornfields. The wine is invariably bottled in a cellier at the head establishment, but it is in these cellars where it goes through the course of careful treatment similar to that pursued with regard to champagne.woman with basketIn order that the delicate flavour of the wine may be preserved the liqueur is prepared with the finest old sauternes, without any addition of spirit, and the dose is administered with the most improved modern appliance, constructed of silver, and provided with crystal taps. At the Concours Régional d’Angoulême of 1877, the jury, after recording that they had satisfied themselves by the aid of a chemical analysis that the samples of sparkling sauternes submitted to their judgment were free from any foreign ingredient, awarded to Messrs. Normandin and Co. the only gold medal given in the Group of Alimentary Products.Encouraged, no doubt, by the success obtained by Messrs. Normandin and Co. with their sparkling sauternes, the house of Lermat-Robert and Co., of Bordeaux, have recently introduced a sparkling barsac, samples of which were submitted to the jury at the Paris Exhibition of 1878.see captionVINTAGER OF THE CÔTE D’ORXIV.—The Sparkling Wines of Burgundy and the Jura.Sparkling Wines of the Côte d’Or at the Paris Exhibition—Chambertin, Romanée, and Vougeot—Burgundy Wines and Vines formerly the Presents of Princes—Vintaging Sparkling Burgundies—Their After-Treatment in the Cellars—Excess of Breakage—Similarity of Proceeding to that followed in the Champagne—Principal Manufacturers of Sparkling Burgundies—Sparkling Wines of Tonnerre, the birthplace of the Chevalier d’Eon—The Vin d’Arbanne of Bar-sur-Aube—Death there of the Bastard de Bourbon—Madame de la Motte’s Ostentatious Display and Arrest there—Sparkling Wines of the Beaujolais—The Mont-Brouilly Vineyards—Ancient Reputation of the Wines of the Jura—The Vin Jaune of Arbois beloved of Henri Quatre—Rhymes by him in its Honour—Lons-le-Saulnier—Vineyards yielding the Sparkling Jura Wines—Their Vintaging and Subsequent Treatment—Their High Alcoholic Strength and General Drawbacks.Sparklingwines are made to a considerable extent in Burgundy, notably at Beaune, Nuits, and Dijon, and though as arule heavier and more potent than the subtile and delicate-flavoured wines of the Marne, still some of the higher qualities, both of the red and white varieties, exhibit a degree of refinement which those familiar only with the commoner kinds can scarcely form an idea of. At the Paris Exhibition of 1878 we tasted, among a large collection of the sparkling wines of the Côte d’Or, samples of Chambertin, Romanée, and Vougeot of the highest order. Although red wines, they had the merit of being deficient in that body which forms such an objectionable feature in sparkling wines of a deep shade of colour. M. Regnier, the exhibitor of sparkling red vougeot, sent, moreover, a white sparkling wine from the species of grape known locally as the clos blanc de Vougeot. These wines, as well as the Chambertin, came from the Côte de Nuits, the growths of which are generally considered of too vigorous a type for successful conversion into sparkling wine, preference being usually given to the produce of the Côte de Beaune. Among the sparkling burgundies from the last-named district were samples from Savigny, Chassagne, and Meursault, all famous for their fine white wines.man with basket of grapes on his backBurgundy ranks as one of the oldest viticultural regions of Central Europe, and for centuries its wines have been held in the highest renown. In the Middle Ages both the wines and vines of this favoured province passed as presents from one royal personage to another, just as grandcordonsare exchanged between them now-a-days. The fabrication of sparkling wine, however, dates no further back than some sixty years or so. The system of procedure is much the same as in the Champagne, and, as there, the wine is mainly the produce of the pineau noir and pineau blanc varieties of grape. At the vintage, in order to avoid bruising the ripened fruit and to guard against premature fermentation, the grapes are conveyed to the pressoirs in baskets instead of the large oval vats termedbalonges, common to the district. They are placed beneath the press as soon as possible, and for superior sparkling wines only the juice resulting from the first pressure and known as themère goutte, or mother drop, is employed. For the ordinarywines that expressed at the second squeezing of the fruit is mingled with the other. The must is at once run off into casks which have been previously sulphured to check, in a measure, the ardour of the first fermentation and lighten the colour of the newly-made wine. Towards the end of October, when this first fermentation is over, the wine is removed to the cellars, or to some other cool place, and in December it is racked into other casks. In the April following it is again racked to insure its being perfectly clear at the epoch of bottling in the month of May. The sulphuring of the original casks having had the effect of slightly checking the fermentation and retaining a certain amount of saccharine in the wine, it is only on exceptional occasions that the latter is artificially sweetened previous to being bottled.A fortnight after the tirage the wine commonly attains the stage known asgrand mousseux, and by the end of September the breakage will have amounted to between 5 and 8 per cent., which necessitates the taking down the stacks of bottles and piling them up anew. The wine as a rule remains in the cellars for fully a couple of years from the time of bottling until it is shipped. Posing the bottlessur pointe, agitating them daily, together with the disgorging and liqueuring of the wine, is accomplished precisely as in the Champagne.Among the principal manufacturers of sparkling burgundies are Messrs. André and Voillot, of Beaune, whose sparkling white Romanée, Nuits, and Volnay are well and favourably known in England; M. Louis Latour, also of Beaune, and equally noted for his sparkling red Volnay, Nuits, and Chambertin, as for hissparkling white varieties; Messrs. Maire et fils, likewise of Beaune; M. Labouré-Goutard and Messrs. Geisweiller et fils, of Nuits; Messrs. Marey and Liger-Belair, of Nuits and Vôsne; and M. Regnier, of Dijon.In the department of the Yonne—that is, in Lower Burgundy—sparkling wines somewhat alcoholic in character have been made for the last half-century at Tonnerre, where the Chevalier d’Eon, that enigma of his epoch, was born. The Tonnerre vineyards are of high antiquity, and for sparkling wines the produce of the black and white pineau and the white morillon varieties of grape is had recourse to. The vintaging is accomplished with great care, and only the juice which flows from the first pressure is employed. This is run off immediately into casks which are hermetically closed when the fermentation has subsided. The after-treatment of the wine is the same as in the Champagne. Sparkling wines are likewise made at Epineuil, a village in the neighbourhood of Tonnerre, and at Chablis, so famous for its white wines, about ten miles distant.An effervescing wine known as the Vin d’Arbanne is made at Bar-sur-Aube, some fifty miles north-east of Tonnerre, on the borders of Burgundy, but actually in the province of Champagne, although far beyond the limits to which the famed viticultural district extends. It was at Bar-sur-Aube where the Bastard de Bourbon, chief of the sanguinary gang ofécorcheurs(flayers), was sewn up in a sack and flung over the parapet of the old stone bridge into the river beneath by order of Charles VII.; and here, too, Madame de la Motte, of Diamond Necklace notoriety, was married, and in after years made a parade of the ill-gotten wealth she had acquired by successfully fooling that infatuated libertine the Cardinal Prince de Rohan, until her ostentatious display was cut short by her arrest. This Vin d’Arbanne is produced from pineaux and white gamay grapes, which, after being gathered with care at the moment the dew falls, are forthwith pressed. The wine is left on its lees until the following February, when it is racked and fined, the bottling taking place when the moon is at the full in March.
A couple of large gateways offer access to the spacious courtyard of Messrs. Bollinger’s establishment; a handsome dwelling-house standing on the right, and a small pavilion, in which the offices are installed, while on the left hand and in the rear of the courtyard rises a range of buildings of characteristic aspect, appropriated to the business of the firm. In one of the celliers, which has its open-raftered roof supported by slim metal columns, we found the tirage going on, the gang of workmen engaged in it filling, corking, and lowering into the cellars some 20,000 bottles a day. In one corner of the apartment stood the largecuvéetun—capable of holding some 50 hogsheads—in which the blending of the wine is effected, and in an adjoining cellier women were briskly labelling and wrapping up the completed bottles of champagne. The cellars, constructed some fifty years ago at a cost of nearly £12 the superficial yard, are faced entirely with stone, and arealike wide and lofty; this is especially the case with four of the more modern galleries excavated in 1848, and each 160 feet in length. Besides the foregoing, Messrs. Bollinger possess other cellars in Ay, where they store their reserve wines both in bottle and in the wood.
On the northern side of Ay, some little distance from the vineyard owned by them, the firm of Pfungst frères & Cie. have their cellars, the entrance to which lies just under the lofty vine-clad ridge. Messrs. Pfungst frères lay themselves out exclusively for the shipment of high-class champagnes, and the excellent growths of the Ay district necessarily form an important element in their carefully-composedcuvées. A considerable portion of their stock consists of reserves of old wine, and we tasted here a variety of samples of finely-matured champagnes of 1868 and ’70, as well as the vintages of 1872 and ’74. All of these wines were of superior quality, combining delicacy and fragrance with dryness, the latter being their especial feature. In addition to their business with England, Messrs. Pfungst frères ship largely to India and the United States.
sculpture on church: see adjoining text
It is on this side of the town that the fine old Gothic church, dating as far back as the twelfth century, is situated. Many of the mouldings and the capitals of the columns both inside and outside the building are covered over with grape-laden vine-branches, and the sculptured figure of a boy bearing a basket of grapes upon his head surmounts the handsome Renaissance doorway, seemingly to indicate the honour in which thevine—the source of all the prosperity of the little town—was held both by the mediæval and later architects of the edifice. Nigh to the church stands the old house with its obliterated carved escutcheons, known traditionally as the Vendangeoir of Henri Quatre. This monarch loved the wine of the place almost as well as his favourite vintage of Arbois, and dubbed himself, as we have already mentioned, Seigneur of Ay, whose inhabitants he sought to gratify by confirming the charter which centuries before had been granted to the town.
detail of decorated capital
Within half-an-hour’s walk of Ay, in an easterly direction, is the village of Mareuil, a long straight street of straggling houses, bounded by trees andgarden-plats, with vine-clad hills rising abruptly behind on the one side, and the Marne canal flowing placidly by on the other. The archaic church, a mixture of the Romanesque and Early Gothic, stands at the farther end of the village, and some little distance on this side of it is a massive-looking eighteenth-century building, spacious enough to accommodate a regiment of horse, but conventual rather than barrack-like in aspect, from the paucity of windows looking on to the road. A broad gateway leads into a spacious courtyard to the left of which stands a grand château, while on the right there rises an ornate round tower of three stories, from the gallery on the summit of which a fine view over the valley of the Marne is obtained. The buildings inclosing the court on three sides comprise press-houses, celliers, and packing-rooms,an antiquated sundial marking the hour on the blank space above the vines that climb beside the entrance gateway. The more ancient of these tenements formed the vendangeoir of the Dukes of Orleans at the time they owned the château of Mareuil, purchased in 1830 by the Duke de Montebello, son of the famous Marshal Lannes, and minister and ambassador of Louis Philippe and Napoleon III.
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THE MONTEBELLO ESTABLISHMENT AT MAREUIL. (p. 126)
The acquisition of this property, to which were attached some important vineyards, led, several years later, to the duke’s founding, in conjunction with his brothers, the Marquis and General Count de Montebello, a champagne firm, whose brand speedily acquired a notable popularity. To-day the business is carried on by their sons and heirs, for all the original partners in the house have followed their valiant father to the grave. Struck down by an Austrian cannon-ball in the zenith of his fame, the career of Marshal Lannes, brief as it was, furnishes one of the most brilliant pages in French military annals. Joining the army of Italy as a volunteer in 1796, he was made a colonel on the battle-field in the gorges of Millesimo, when Augereau’s bold advance opened Piedmont to the French. He fought at Bassano and Lodi, took part in the assault of Pavia and the siege of Mantua, and at Arcola, when Napoleon dashed flag in hand upon the bridge, Lannes was seriously wounded whilst shielding his general from danger. He afterwards distinguished himself in Egypt, and led the van of the French army across the Alps, displaying his accustomed bravery both at Montebello and Marengo. At Austerlitz, where he commanded the right wing of the army, he greatly contributed to the victory, and at Jena, Friedland, and Eylau his valour was again conspicuous. Sent to Spain, he defeated the Spaniards at Tudela, and took part in the operations against Saragossa. Wounded at the battle of Essling, when the Archduke Charles inflicted upon Napoleon I. the first serious repulse he had met with on the field of battle, the valiant Lannes expired a few days afterwards in the Emperor’s arms.
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CHÂTEAU OF MAREUIL, BELONGING TO THE DUKE OF MONTEBELLO. (p. 127.)
We were met at Mareuil, on the occasion of our visit, byCount Alfred Ferdinand de Montebello, the present manager of the house, and conducted by him over the establishment. In the press-house, to the left of the courtyard, were two of the ponderous presses used in the Champagne, for, like all other large firms, the house makes its own wine. Grapes grown in the Mareuil vineyards arrive here in baskets slung across the backs of mules, muzzled so that while awaiting their loads they may not devour the fruit within reach. In a cellier adjoining the press-house stands a large vat, capable of holding 50 pièces of wine, with a crane beside it for hauling up the casks when thecuvéeis made. Here the tirage likewise takes place, and in the range of buildings, roofed with glass, in the rear of the tower, the bottled wine is labelled, capped with foil, and packed in cases for transmission to Paris, England, and other places abroad.
A double flight of steps, decorated with lamps and vases, leads to the handsome offices of the firm, situated on the first floor of the tower, while above is an apartment with a panelled ceiling, gracefully decorated with groups of Cupids engaged in the vintage and the various operations which the famous wines of the Mountain and the River undergo during their conversion into champagne. On the ground floor of the tower a low doorway conducts to the spacious cellars, which, owing to the proximity of the Marne, are all on the same level as well as constructed in masonry. The older vaults, where the Marquis de Pange, a former owner of the château, stored the wine which he used to sell to the champagne manufacturers, are somewhat low and tortuous compared with the broad and lofty galleries of more recent date, which have been constructed as the growing connection of the firm obliged them to increase their stocks. Spite, however, of numerous additions, portions of their reserves have to be stored in other cellars in Mareuil. Considerable stocks of each of the four qualities of wine supplied by the firm are being got ready for disgorgement, including Cartes Noires and Bleues, with the refined Carte Blanche and the delicate Crêmant, which challenge comparison with brands of the highest repute.
In the adjacent château, the gardens of which slope downto the Marne canal, there are various interesting portraits, with one or two relics of the distinguished founder of the Montebello family, notably Marshal Lannes’s gold-embroidered velvet saddle trappings, his portrait and that of Marshal Gerard, as well as one of Napoleon I., by David, with a handsome clock and candelabra of Egyptian design, a bust of Augustus Cæsar, and a portrait of the Regent d’Orléans.
Another champagne house of standing at Mareuil is that of Bruch-Foucher and Co., whose establishment is situated near the village mairie. Entering by a lofty porte-cochère, we notice on the left hand a spacious packing-room, where men and women are expeditiously completing some shipping order, while beyond are the offices, looking on to a terraced garden whence a pleasant view is gained of the verdant valley of the Marne. From the packing-room a broad staircase leads to the cellars beneath, which can also be reached from a venerable range of buildings on the opposite side of the road, where young wines and old cognac spirit, used in the preparation of the liqueur, are stored in the wood.
In one of these ancient celliers is a vast tun, capable of containing nearly 5,000 gallons, carved over with an elaborate device of vineleaves and bunches of grapes entwined around overflowing cornucopia and bottles of champagne. This handsome cask, in which the firm make theircuvée, is a worthy rival of the sole antique ornamental tun that still reposes in the Royal cellars at Wurzburg. In Messrs. Bruch-Foucher and Co.’s capacious cellars, faced and vaulted with stone, from eight to nine hundred thousand bottles of wine are stored. The cellars form a single story, and extend partly under the adjacent vineyard slopes, deriving light and ventilation from numerous shafts which are occasionally no less than 150 feet in height. Messrs. Bruch-Foucher and Co., who are owners of vineyards at Mareuil, ship three qualities of champagne, the finest being their Carte d’Or and their Monogram Carte Blanche. Their chief business is with England, Germany, and the United States, where their brands enjoy considerable repute.
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DOORWAY OF AVIZE CHURCH.
Avize the Centre of the White Grape District—Its Situation and Aspect—The Establishment of Giesler and Co.—The Tirage and the Cuvée—Vin Brut in Racks and on Tables—The Packing-Hall, the Extensive Cellars, and the Disgorging Cellier—Bottle Stores and Bottle-Washing Machines—Messrs. Giesler’s Wine-Presses at Avize and Vendangeoir at Bouzy—Their Vineyards and their Purchases of Grapes—Reputation of the Giesler Brand—The Establishment of M. Charles de Cazanove—A Tame Young Boar—Boar-Hunting in the Champagne—M. de Cazanove’s Commodious Cellars and Carefully-Selected Wines—Vineyards Owned by Him and His Family—Reputation of his Wines in Paris and their Growing Popularity in England—Interesting View from M. de Cazanove’s Terraced Garden—The Vintaging of the White Grapes in the Champagne—Roper frères’ Establishment at Rilly-la-Montagne—Their Cellars Penetrated by Roots of Trees—Some Samples of Fine Old Champagnes—The Principal Châlons Establishments—Poem on Champagne by M. Amaury de Cazanove.
Avize,situated in the heart of the Champagne white grape district, may be reached from Epernay by road through Pierry and Cramant or by the Châlons Railway to Oiry Junction, between which station and Romilly there runs a local line, jocularly termed thechemin de fer de famille, from the general disregard displayed by the officials for anything approaching to punctuality. Avize can scarcely be styled a town, and yet its growing proportions are beyond those of an ordinary village. It lies pleasantly nestled among the vines, sheltered by bold ridges on the north-west, with the monotonous plains of La Champagne pouilleuse, unsuited to the cultivation of the vine, stretching away eastward in the direction of Châlons. Avize cannot pretend to the same antiquity as its neighbour Vertus, and lacks the many picturesque vestiges of which the latter can boast. Its church dates back only to the 15th century, although the principal doorway in the Romanesque style evidently belongs to a much earlier epoch. There is a general air of trim prosperity about the place, and the villagers have that well-to-do appearance common to the inhabitants of the French wine districts. Only at vintage time, however, are there any particular outdoor signs of activity, although half a score of champagne firms have their establishments here, giving employment to the bulk of the population, and sending forth their two or three million bottles of the sparkling wine of the Marne annually.
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MAKING THE CUVÉE AT MESSRS. GIESLER’S, AT AVIZE. (p.131)
Proceeding along the straight level road leading from the station to the village we encounter on our right hand the premises of Messrs. Giesler and Co., the reputation of whose brand is universal. When M. Giesler quitted the firm of P. A. Mumm, Giesler, and Co., at Reims, in 1838, he removed to Avize and founded the present extensive establishment. Entering through a large open gateway we find ourselves within a spacious courtyard with a handsome dwelling-house in the rear, and all the signs of a champagne business of magnitude apparent. A spiral staircase conducts to the counting-house on the first story of a range of buildings on the left hand, the ground floor of which is divided into celliers. Passing througha door by the side of this staircase we enter a large hall where the operation of bottling the wine is going on. Four tuns, each holding five ordinary pièces of wine, and raised upon large blocks of wood, are standing here, and communicating with them are bottling syphons of the type commonly employed in the Champagne. Messrs. Giesler do not usually consign the newly-bottled wine at once to the cellars, but retain it aboveground for about a fortnight in order that it may develop its effervescent qualities more perfectly. We find many thousands of these bottles stacked horizontally in the adjoining celliers, in one of which stands the greatcuvéetun wherein some fifty hogsheads of the finest Champagne growths are blended together at one time, two hundred hogsheads being thus mingled daily while thecuvéesare in progress. The casks of wine having been hoisted from the cellars to the first floor by a crane, and run on to a trough, their bungs are removed, and the wine flows through an aperture in the floor into the huge tun beneath, its amalgamation being accomplished by the customary fan-shaped appliances, set in motion by the turning of a wheel. In an adjacent room is the machine used for mixing the liqueur which Messrs.Giesleradd so sparingly to their light and fragrant wines.
There are a couple of floors above these celliers, the uppermost of which is used as a general store, while in the one beneath many thousands of bottles ofvin brutreposesur pointe, either in racks or on tables as at the Clicquot-Werlé establishment. This latter system requires ample space, for as theremueur, or workman who shakes the bottles, is only able to use one hand, the operation of dislodging the sediment necessarily occupies a much longer time than is requisite when the bottles rest in racks.
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PREPARING THE LIQUEUR AT MESSRS. GIESLER’S.
The buildings on the opposite side of the courtyard comprise a large packing-hall, celliers where the wine is finished off, and rooms where corks and such-like things are stored. Here, too, is the entrance to the cellars, of which there are three tiers, all lofty and well-ventilated galleries, very regular in their construction, and faced with either stone or brick. In these extensive vaults are casks of fine reserved wines for blending with youthful vintages, and bottles ofvin brut, built up in solid stacks, that may be reckoned by their hundreds of thousands. At Messrs. Giesler’s the disgorging of the wine is accomplished ina small cellier partially underground, and the temperature of which is very cool and equable. Thedégorgeurs, isolated from the rest of the workpeople, are carrying on their operations here by candlelight. So soon as the sediment is removed the bottles are raised in baskets to the cellier above, where the liqueuring, re-corking, stringing, and wiring are successively accomplished. By pursuing this plan the loss sustained by the disgorgement is believed to be reduced to a minimum.
Extensive as these premises are they are still insufficient for the requirements of the firm, and across the road is a spacious building where new bottles are stored and the washing of the bottles in preparation for the tirage takes place. By the aid of the machinery provided, sixteen women, assisted by a couple of men, commonly wash some fifteen or sixteen thousand bottles in the course of a day. Here, too, stands one of the two large presses with which at the epoch of the vintage a hundred pièces of wine are pressed every four-and-twenty hours. The remaining press is installed in a cellier at the farther end of the garden on the other side of the road. Messrs. Giesler possess additional presses at their vendangeoir at Bouzy, and during the vintage have the command of presses at Ay, Verzenay, Vertus, Le Mesnil, &c., it being a rule of theirs always to press the grapes within a few hours after they are gathered to obviate their becoming bruised by their own weight and imparting a dark colour to the wine, a contingency difficult to guard against in seasons when the fruit is over-ripe. The firm own vineyards at Avize, and have agreements with vine-proprietors at Ay, Bouzy, Verzenay, and elsewhere, to purchase their crops regularly every year. Messrs. Giesler’s brand has secured its existing high repute solely through the fine quality of the wines shipped by the house—wines which are known and appreciated by all real connoisseurs of champagne.
From Messrs. Giesler’s it is merely a short walk to the establishment of M. Charles de Cazanove, situated in the principal street of Avize. On entering the court we encountered a tame young boar engaged in the lively pursuit of chasing someterrified hens, while a trio of boarhounds, basking on the sunny flagstones, contemplated his proceedings with lazy indifference. Boars abound in the woods hereabouts, and hunting them is a favourite pastime with the residents, and the young boar we had noticed proved to be one of the recent captures of the sons of M. de Cazanove, who are among the warmest partisans of the exciting sport. Many of the boars found in the woods around Reims journey thither, it is said, by night from the famous forest of the Ardennes—the scene of Rosalind’s wanderings and Touchstone’s eccentricities as set forth inAs You Like It, and whose gloomy depths and tangled glens shelter to-day not merely boars but wolves as well.
In the Champagne it is no longer the fashion
“With javelin’s point a churlish swine to gore,”
nor to hunt the boar on horseback, as is still the case in Burgundy. When the presence of one or more of these animals is signalled in the neighbourhood, a party starts off accompanied by dogs and armed with double-barrelled rifles. A circle having been formed round the boar’s lair the dogs are set to draw him out, while thechasseurskeep on the alert so as not to allow him to escape through their circle alive. In this manner a few score of boars are killed every year in the woods round about Reims and Epernay.
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VINEYARDS OF AVIZE AND CRAMANT FROM THE GARDEN OF M. C. DE CAZANOVE. (p. 135.)
The house of M. Charles de Cazanove was established in 1843 by its present proprietor on the foundation of a business which had been in existence since 1811. Compared with the monumental grandeur of some of the great Reims and Epernay establishments the premises present a simple and modest aspect, nevertheless they are capacious and commodious, besides which the growing business of the house has led to the acquisition of additional cellarage in other parts of Avize. More important than all, however, is the quality of the wine with which these cellars are stocked, and following the rule observed by champagne firms of the highest repute, it has been a leading principle with M. de Cazanove always to rely upon the choicer growths—thoselight, delicate, and fragrant wines of the Marne which throw out the true aroma of the flower of the vine. M. de Cazanove, who is distinguished for his knowledge of viticulture, occupies an influential position at Avize, being Vice-President of the Horticultural Society of the Marne, and a member of the committee charged with guarding the Champagne vineyards against the invasion of the phylloxera. His own vines include only those fine varieties to which the crûs of the Marne owe their great renown. He possesses an excellent vineyard at Grauves, near Avize, and his mother-in-law, Madame Poultier, of Pierry, is one of the principal vine-growers of the district.
M. de Cazanove’s wines are much appreciated in Paris, where his business is very extensive. His shipments to England are also considerable, but from the circumstance of some of his principal customers importing the wine under special brands of their own, the brand of the house is not so widely known as we should have expected.
From M. de Cazanove’s terraced garden in the rear of his establishment a fine view is obtained of one of the most famous viticultural districts of the Champagne, yielding wines of remarkable delicacy and exquisite bouquet. On the left hand rises up the mountain of Avize, its summit fringed with dense woods, where in winter the wild boar has his lair. In front stretch the long vine-clad slopes of Cramant, with orchards at their base, and the housetops of the village and the spire of the quaint old church just peeping over the brow of the hill. To the right towers the bold forest-crowned height of Saran with M. Moët’s château perched half-way up its north-eastern slope, and fading away in the hazy distance are the monotonous plains of the Champagne.
We have already explained that the wines of Avize and Cramant rank aspremiers crûsof the white grape district, and that every champagne manufacturer of repute mingles one or the other in hiscuvée. The white grapes are usually gathered a fortnight or three weeks later than the black varieties, but in other respects the vintaging of them is the same. The grapesundergo the customary minute examination by theéplucheuses, and all unripe, damaged, and rotten berries being thrown aside, the fruit is conveyed with due care to the press-houses in the large baskets known aspaniers mannequins. The pressing takes place under exactly the same conditions as the pressing of the black grapes; the must, too, is drawn off into hogsheads to ferment, and by the end of the year, when the active fermentation has terminated, the wine is usually clear and limpid.
At Rilly-la-Montagne, on the line of railway between Reims and Epernay, Roper frères & Cie., late of Epernay, now have their establishment. Starting from the latter place we pass Ay and Avenay, and then the little village of Germaine in the midst of the forest, and nigh the summit of the mountain of Reims, with its “Rendezvous des Chasseurs” in immediate proximity to the station. Finally we arrive at Rilly, which, spite of its isolated situation, has about it that aspect of prosperity common to the more favourable wine districts of France. This is scarcely surprising when the quality of its wines is taken into consideration. The still red wine of Rilly has long enjoyed a high local reputation, and to-day the Rilly growths are much sought after for conversion into champagne. White wine of 1874 from black grapes fetched, we were informed, as much as from 600 to 700 francs the pièce, while the finer qualities from white grapes realised from 300 to 400 francs. Messrs. Roper frères & Cie. are the owners of some productive vineyards situated on the high road to Chigny and Ludes.
The establishment of Roper frères is adjacent to a handsome modern house standing back from the road in a large and pleasant garden, bounded by vineyards on two of its sides. In the celliers all the conveniences pertaining to a modern champagne establishment are to be found, while extending beneath the garden are the extensive cellars of the firm, comprising two stories of long and spacious galleries excavated in the chalk, their walls and roofs being supported whenever necessary by masonry. A curious feature about these cellars is that the roots of the larger trees in the garden above have penetrated throughthe roof of the upper story and hang pendent overhead like innumerable stalactites. Here after the comparatively new wine of 1874 had been shown to us—including samples of theVin Brutor natural champagne of which the firm make a speciality at a moderate price—some choice old champagnes were brought forth, including the fine vintages of 1865, 1857, and 1846. The latter wine had of course preserved very little of its effervescence, still its flavour was exceedingly fine, being soft and delicate to a degree. At the Vienna Exhibition of 1873 and the London Exhibition of 1874 the collection of champagnes exhibited by Roper frères met with favourable recognition from the international juries.
cherub with champagne bottle
Our tour through the Champagne vineyards and wine-cellars here comes to an end. It is true there are important establishments at Châlons, notably those of Jacquesson et fils, the Perriers, Freminet et fils, and Jacquard frères, the cellars of the first-named being, perhaps, unrivalled in the Champagne. As, however, any description of these establishments would be little else than a recapitulation of something we have already said, we content ourselves with merely notifying their existence, and bring our Facts about Champagne to a close with the translation of a poem from the pen of M. Amaury de Cazanove of Avize:—
Lessfor thy grace and glory, land of ours,
Than for thy dolour, dear;Let the grief go, and here—
Here’s to thy skies, thy women and thy flowers!France! take the toast, thy women and thy roses,
France! to thy wine, more wealth unto thy store!
And let the lips a grievous memory closes
Smile their proud smile once more!
Swarthy Falernian, Massica the Red,
Were ye the nectars pouredAt the great gods’ broad board?
No, poor old wines, all but in name long dead,Nectar’s Champagne, the sparkling soul of mirth,
That bubbling o’er with laughing gas,Flashes gay sunbeams in the glass,
And like our flag goes proudly round the earth.
“I am the blood Burgundian sunshine makes;
A fine old feudal knightOf bluff and boisterous might,
Whose casque feels—ah, so heavy when one wakes!”“And I, the dainty Bordeaux, violets’
Perfume, and whose rare rubies gourmets prize.
My subtile savour gets
In partridge wings its daintiest allies.”
Ah, potent chiefs, Bordeaux and Burgundy.
If we must answer make,This sober counsel take:
Messeigneurs, sing your worth less haughtily,For ’tis Champagne, the sparkling soul of mirth,
That bubbling o’er with laughing gas,Flashes gay sunbeams in the glass,
And like our flag goes proudly round the earth.
Aye, ’tis the true, the typic wine of France;
Aye, ’tis our heart that sparkles in our eyes,
And higher beats for every dire mischance;
It was the wit that made our fathers wise,
That made their valour gallant, gay,
When plumes were stirr’d by winds of waving swords,And chivalry’s defiance spoke the words:
“À vous, Messieurs les Anglais, les premiers!”
Let the dull beer-apostle till he’s hoarse
Vent his small spleen and spite,Fate fill his sleepless night
With nightmares of invincible remorse!We sing Champagne, the sparkling soul of mirth,
That bubbling o’er with laughing gas,Flashes gay sunbeams in the glass,
And like our flag goes proudly round the earth.
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PEASANT WOMEN OF THE ENVIRONS OF SAUMUR.
The Sparkling Wines of the Loire often palmed off as Champagnes—The Finer qualities Improve with Age—Anjou the Cradle of the Plantagenet Kings—Saumur and its Dominating Feudal Château and Antique Hôtel de Ville—Its Sinister Rue des Payens and Steep Tortuous Grande Rue—The Vineyards of the Coteau of Saumur—Abandoned Stone Quarries converted into Dwellings—The Vintage in Progress—Old-fashioned Pressoirs—The Making of the Wine—The Vouvray Vineyards—Balzac’s Picture of La Vallée Coquette—The Village of Vouvray and the Château of Moncontour—Vernou with its Reminiscences of Sully and Pépin-le-Bref—The Vineyards around Saumur—Remarkable Ancient Dolmens—Ackerman-Laurance’s Establishment at Saint-Florent—Their ExtensiveCellars, Ancient and Modern—Treatment of the Newly-Vintaged Wine—The Cuvée—Proportions of Wine from Black and White Grapes—The Bottling and Disgorging of the Wine and Finishing Operations—The Château of Varrains and the Establishment of M. Louis Duvau aîné—His Cellars a succession of Gloomy Galleries—The Disgorging of the Wine accomplished in a Melodramatic-looking Cave—M. Duvau’s Vineyard—His Sparkling Saumur of Various Ages—Marked Superiority of the more Matured Samples—M. Alfred Rousteaux’s Establishments at Saint-Florent and Saint-Cyr—His convenient Celliers and extensive Cellars—Mingling of Wine from the Champagne with the finer Sparkling Saumur—His Vineyard at La Perrière—M. E. Normandin’s Sparkling Sauternes Manufactory at Châteauneuf—Angoulême and its Ancient Fortifications—Vin de Colombar—M. Normandin’s Sparkling Sauternes Cuvée—His Cellars near Châteauneuf—High recognition accorded to the Wine at the Concours Régional d’Angoulême.
Afterthe Champagne Anjou is the French province which ranks next in importance for its production of sparkling wines. Vintaged on the banks of the Loire, these are largely consigned to the English and other markets, labelled Crême de Bouzy, Sillery and Ay Mousseux, Cartes Noires and Blanches, and the like, while their corks are branded with the names of phantom firms, supposed to be located at Reims and Epernay. As a rule these wines come from around Saumur, but they are not necessarily the worse on that account, for the district produces capital sparkling wines, the finer qualities of which improve greatly by being kept for a few years. One curious thing shown to us at Saumur was the album of a manufacturer of sparkling wines containing examples of the many hundred labels ticketed with which his produce had for years past been sold. Not one of these labels assigned to the wines the name of their real maker or their true birthplace, but introduced them under the auspices of mythical dukes and counts, as being manufactured at châteaux which are so many “castles in Spain,” and as coming from Ay, Bouzy, Châlons, Epernay, Reims, and Verzenay, but never by any chance from Saumur.
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THE VINEYARDS OF THE COTEAU DE SAUMUR. (p. 141)
Being produced from robuster growths than the sparkling wines of the Department of the Marne, sparkling saumur will always lack that excessive lightness which is the crowning graceof fine champagne, still it has only to be kept for a few years instead of being drunk shortly after its arrival from the wine-merchant for its quality to become greatly improved and its intrinsic value to be considerably enhanced. We have drunk sparkling saumur that had been in bottle for nearly twenty years, and found the wine not only remarkably delicate, but, singular to say, with plenty of effervescence.
To an Englishman Anjou is one of the most interesting of the ancient provinces of France. It was the cradle of the Plantagenet Kings, and only ten miles from Saumur still repose the bones of Henry, the first Plantagenet, and Richard of the Lion Heart, in the so-called Cimetière des Rois of the historic abbey of Fontevrault. The famous vineyards of the Coteau de Saumur, eastward of the town and bordering the Loire, extend as far as here, and include the communes of Dampierre, Souzay, Varrains, Chacé, Parnay, Turquant, and Montsoreau, the last-named within three miles of Fontevrault, and chiefly remarkable through its seigneur of ill-fame, Jean de Chambes, who instigated his wife to lure Boissy d’Amboise to an assignation in order that he might more surely poignard him. Saumur is picturesquely placed at the foot of this bold range of heights near where the little river Thouet runs into the broad and rapid Loire. A massive-looking old château perched on the summit of an isolated crag stands out grandly against the clear sky and dominates the town, the older houses of which crouch at the foot of the lofty hill and climb its steepest sides. The restored antique Hôtel de Ville, in the pointed style, with its elegant windows, graceful belfry, and florid wrought-iron balconies, stands back from the quay bordering the Loire. In the rear is the Rue des Payens, whither the last of the Huguenots of this “metropolis of Protestantism,” as it was formerly styled, retired, converting their houses into so many fortresses to guard against being surprised by their Catholic adversaries. Adjacent is the steep tortuous Grande Rue, of which Balzac—himself a Tourangeau—has given such a graphic picture in hisEugénie Grandet, the scene of which is laid at Saumur. To-day, however,only a few of its ancient carved timber houses, quaint overhanging corner turrets, and fantastically-studded massive oak doors have escaped demolition.
The vineyards of the Coteau de Saumur, yielding the finest wines, are reached by the road skirting the river, the opposite low banks of which are fringed with willows and endless rows of poplars, which at the time of our visit were already golden with the fading tints of autumn. Numerous fantastic windmills crown the heights, the summit of which is covered with vines, varied by dense patches of woodland. Here, as elsewhere along the banks of the Loire, the many abandoned quarries along the face of the hill have been turned by the peasants into cosy dwellings by simply walling-up the entrances while leaving, of course, the necessary apertures for doors and windows. Dampierre, the first village reached, has many of these cave-dwellings, and numbers of its houses are picturesquely perched up the sides of the slope. The holiday costumes of the peasant women encountered in the neighbourhood of Saumur are exceedingly quaint, their elaborate and varied head-dresses being counterparts ofcoiffuresin vogue so far back as three and four centuries ago.
Quitting the banks of the river, we ascend a steep tortuous road shut in on either side by high stone walls—for hereabouts all the best vineyards are scrupulously inclosed—and finally reach the summit of the heights, whence a view is gained over what the Saumurois proudly style the grand valley of the Loire. Everywhere around the vintage is going on. The vines are planted rather more than a yard apart, and those yielding black grapes are trained, as a rule, up tall stakes, although some few are trained espalier fashion. Women dexterously detach the bunches with pruning-knives and throw them into theseilles—small squat buckets with wooden handles—the contents of which are emptied from time to time into baskets—the counterpart of the chiffonnier’shotte, and coated with pitch inside so as to close all the crevices of the wickerwork—which theportes-bastescarry slung to their backs. When white wine is being made from blackgrapes for sparkling saumur the grapes are conveyed in these baskets forthwith to the underground pressoirs in the neighbouring villages before their skins get at all broken in order that the wine may be as pale as possible in colour.
The black grape yielding the best wine in the Saumur district is the breton, said to be the same as the carbinet-sauvignon, the leading variety in the grand vineyards of the Médoc. Other species of black grapes cultivated around Saumur are the varennes, yielding a soft and insipid wine of no kind of value, and the liverdun, or large gamay, the prevalent grape in the Mâconnais, and the same which in the days of Philippe-le-Hardi theparlementsof Metz and Dijon interdicted the planting and cultivation of. The prevalent white grapes are the large and small pineau blanc, the bunches of the former being of an intermediate size, broad and pyramidal in shape, and with the berries close together. These have fine skins, are oblong in shape, and of a transparent yellowish-green hue tinged with red, are very sweet and juicy, and as a rule ripen late. As for the small pineau, the bunches are less compact, the berries are round and of a golden tint, are finer as well as sweeter in flavour, and ripen somewhat earlier than the fruit of the larger variety.
We noticed as we drove through the villages of Champigny and Varrains—the former celebrated for its fine red wines, and more especially its crû of the Clos des Cordeliers—that hardly any of the houses had windows looking on to the narrow street, but that all were provided with low openings for shooting the grapes into the cellar where, when making red wine, they are trodden, but when making white wine, whether from black or white grapes, they are invariably pressed. Each of the houses had its ponderous porte-cochère and low narrow portal leading into the large inclosed yard at its side, and over the high blank walls vines were frequently trained and pleasantly varied their dull grey monotony.
The grapes on being shot into the openings just mentioned fall through a kind of tunnel into a reservoir adjacent to the heavy press, which is invariably of wood and of the old-fashionedcumbersome type. They are forthwith placed beneath the press and usually subjected to five separate squeezes, the must from the first three being reserved for sparkling wine, while that from the two latter, owing to its being more or less deeply tinted, only serves for table wine. The must is at once run off into casks in order that it may not ferment on the grape-skins and imbibe any portion of their colouring matter. Active fermentation speedily sets in and lasts for a fortnight or three weeks according to whether the temperature chances to be high or low.
The vintaging of the white grapes takes place about a fortnight later than the black grapes, and is commonly a compound operation, the best and ripest bunches being first of all gathered just as the berries begin to get shrivelled and show symptoms of approaching rottenness. It is these selected grapes that yield the best wine. The second gathering, which follows shortly after the first, includes all the grapes remaining on the vines, and yields a wine perceptibly inferior in quality. The grapes on their arrival at the press-house are generally pressed immediately and the must is run off into tuns to ferment. At the commencement these tuns are filled up every three or four days to replace the fermenting must which has flowed over; afterwards any waste is made good at the interval of a week, and then once a fortnight, the bungholes of the casks being securely closed towards the end of the year, by which time the first fermentation is over.
It should be noted that the Saumur sparkling wine manufacturers draw considerable supplies of the white wine required to impart lightness and effervescence to theirvin préparéfrom the Vouvray vineyards. Vouvray borders the Loire a few miles from the pleasant city of Tours, which awakens sinister recollections of truculent Louis XI., shut up in his fortified castle of Plessis-lez-Tours, around which Scott has thrown the halo of his genius in his novel ofQuentin Durward. On proceeding to Vouvray from Tours we skirt a succession of poplar-fringed meadows stretching eastward in the direction of Amboise alongthe right bank of the Loire; and after a time a curve in the river discloses to view a range of vine-clad heights extending some distance beyond the village of Vouvray. Our route lies past the picturesque ruins of the abbey of Marmoûtier and the Château des Roches—one of the most celebrated castles of the Loire—the numerous excavations in the soft limestone ridge on which they are perched being converted as usual into houses, magazines, and wine-cellars. We proceed through the village of Rochecorbon, and along a road winding among the spurs of the Vouvray range, past hamlets, half of whose inhabitants live in these primitive dwellings hollowed out of the cliff, and finally enter the charming Vallée Coquette, hemmed in on all sides with vine-clad slopes. Here a picturesque old house, half château half homestead, was pointed out to us as a favourite place of sojourn of Balzac, who speaks of this rocky ridge as “inhabited by a population of vine-dressers, their houses of several stories being hollowed out in the face of the cliff, and connected by dangerous staircases hewn in the soft stone. Smoke curls from most of the chimneys which peep above the green crest of vines, while the blows of the cooper’s hammer resound in several of the cellars. A young girl trips to her garden over the roofs of these primitive dwellings, and an old woman, tranquilly seated on a ledge of projecting rock, supported solely by the thick straggling roots of the ivy which spreads itself over the disjointed stones, leisurely turns her spinning-wheel regardless of her dangerous position.” The picture sketched by the author ofLa Comédie Humaine, some forty years ago, has scarcely changed at the present day.
At the point where the village of Vouvray climbs half-way up the vine-crested ridge the rapid-winding Cise throws itself into the Loire, and on crossing the bridge that spans the tributary stream we discern on the western horizon, far beyond the verdant islets studding the swollen Loire, the tall campaniles of Tours Cathedral, which seem to rise out of the water like a couple of Venetian towers. Vouvray is a trim little place, clustered round about with numerous pleasant villas in the midst of charming gardens. The modern château of Moncontour heredominates the slope, and its terraced gardens, with, their fantastically-clipped trees and geometric parterres, rise tier above tier up the face of the picturesque height that overlooks the broad fertile valley, with its gardens, cultivated fields, patches of woodland, and wide stretches of green pasture which, fringed with willows and poplars, border the swollen waters of the Loire. Where the river Brenne empties itself into the Cise the Coteau de Vouvray slopes off towards the north, and there rise up the vine-clad heights of Vernou, yielding a similar but inferior wine to that of Vouvray. The village of Vernou is nestled under the hill, and near the porch of its quaint little church a venerable elm tree is pointed out as having been planted by Sully, Henry IV.’s able Minister. Here, too, an ancient wall, pierced with curious arched windows, and forming part of a modern building, is regarded by popular tradition as belonging to the palace in which Pépin-le-Bref, father of Charlemagne, lived at Vernou.
The communes of Dampierre, Souzay, and Parnay, in the neighbourhood of Saumur, produce still red wines rivalling those of Champigny, besides which all the finest white wines are vintaged hereabouts—in the Perrière, the Poilleux, and the Clos Morain vineyards, and in the Rotissans vineyard at Turquant. Wines of very fair quality are also grown on the more favourable slopes extending southwards along the valley of the Thouet, and comprised in the communes of Varrains, Chacé, St. Cyr-en-Bourg, and Brézé. The whole of this district, by the way, abounds with interesting archæological remains. While visiting the vineyards of Varrains and Chacé we came upon a couple of dolmens—vestiges of the ancient Celtic population of the valley of the Loire singularly abundant hereabouts. Brézé, the marquisate of which formerly belonged to Louis XVI.’s famous grand master of the ceremonies—immortalized by the rebuff he received from Mirabeau—boasts a noble château on the site of an ancient fortress, in connection with which there are contemporary excavations in the neighbouring limestone, designed for a garrison of 500 or 600 men. Beyond the vineyards of Saint-Florent, westward of Saumur and on the banksof the Thouet, is an extensive plateau partially overgrown with vines, where may be traced the remains of a Roman camp. Moreover, in the southern environs of Saumur, in the midst of vineyards producing exclusively white wines, is one of the most remarkable dolmens known. This imposing structure, perfect in all respects save that one of the four enormous stones which roof it in has been split in two, and requires to be supported, is no less than 65 feet in length, 23 feet in width, and 10 feet high.
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DOLMEN AT BAGNEUX, NEAR SAUMUR.
At Saint-Florent, the pleasant little suburb of Saumur, skirting the river Thouet, and sheltered by steep hills formed of soft limestone, offering great facilities for the excavation of extensive cellars, the largest manufacturer of Saumur sparkling wines has his establishment. Externally this offers but little to strike the eye. A couple of pleasant country houses, half hidden by spreading foliage, stand at the two extremities of a spacious and well-kept garden, beyond which one catches a glimpse of some outbuildings sheltered by the vine-crowned cliff, in which a labyrinth of gloomy galleries has been hollowed out. HereM. Ackerman-Laurance, the extent of whose business ranks him as second among the sparkling wine manufacturers of the world, stores something like 10,000 casks and several million bottles of wine.
At the commencement of the present century, in the days when, as Balzac relates in hisEugénie Grandet, the Belgians bought up entire vintages of Saumur wine, then largely in demand with them for sacramental purposes, the founder of the Saint-Florent house commenced to deal in the ordinary still wines of the district. Nearly half a century ago he was led to attempt the manufacture of sparkling wines, but his efforts to bring them into notice failed, and he was on the point of abandoning his enterprise when an order for one hundred cases revived his hopes, and led to the foundation of the present vast establishment. As already mentioned, for many miles all the heights along the Loire have been more or less excavated for stone for building purposes, so that every one hereabouts who grows wine or deals in it has any amount of cellar accommodation ready to hand. It was the vast extent of the galleries which M. Ackermanpèrediscovered already excavated at Saint-Florent that induced him to settle there in preference to Saumur. Extensive, however, as the original vaults were, considerable additional excavations have from time to time been found necessary; and to-day the firm is still further increasing the area of its cellars, which already comprise three principal avenues, each the third of a mile long, and no fewer than sixty transverse galleries, the total length of which is several miles. One great advantage is that the whole are on the ordinary level.
Ranged against the black uneven walls of the more tortuous ancient vaults which give access to these labyrinthine corridors are thousands of casks of wine—some in single rows, others in triple tiers—forming the reserve stock of the establishment. As may be supposed, a powerful vinous odour permeates these vaults, in which the fumes of wine have been accumulating for the best part of a century. After passing beneath a massive stone arch which separates the old cellars from the new, a series ofbroad and regularly-proportioned galleries are reached, having bottles stacked in their tens of thousands on either side. Overhead the roof is perforated at regular intervals with circular shafts, affording both light and ventilation, and enabling the temperature to be regulated to a nicety. In these lateral and transverse galleries millions of bottles of wine in various stages of preparation are stacked.
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THE CELLARS OF M. ACKERMAN-LAURANCE AT SAINT-FLORENT.LABELLING AND PACKING SPARKLING SAUMUR.(p. 150.)
We have explained that in the Champagne it is the custom for the manufacturers of sparkling wine to purchase considerable quantities of grapes from the surrounding growers, and to press these themselves, or have them pressed under their own superintendence. At Saumur only those firms possessing vineyards make their ownvin brut, the bulk of the wine used for conversion into sparkling wine being purchased from the neighbouring growers. On the newly-expressed must arriving at M. Ackerman-Laurance’s cellars it is allowed to rest until the commencement of the ensuing year, when half of it is mixed with wine in stock belonging to last year’s vintage, and the remaining half is reserved for mingling with the must of the ensuing vintage. The blending is accomplished in a couple of colossal vats hewn out of the rock, and coated on the inside with cement. Each of these vats is provided with 200 paddles for thoroughly mixing the wine, and with five pipes for drawing it off when the amalgamation is complete. Usually thecuvéewill embrace 1,600 hogsheads, or 80,000 gallons of wine, almost sufficient for half a million bottles. A fourth of this quantity can be mixed in each vat at a single operation, and this mixing is repeated again and again until the last gallon run off is of precisely the same type as the first. For the finer qualities of sparkling saumur the proportion of wine from the black grapes to that from white is generally at the rate of three or four to one. For the inferior qualities more wine from white than from black grapes is invariably used. Only in the wine from white grapes is the effervescent principle retained to any particular extent; but, on the other hand, the wine from black grapes imparts both quality and vinous character to the blend.
The blending having been satisfactorily accomplished, the wine is stored in casks, never perfectly filled, yet with their bungholes tightly closed, and slowly continues its fermentation, eating up its sugar, purging itself, and letting fall its lees. Three months later it is fined. It is rarely kept in the wood for more than a year, though sometimes the superior qualities remain for a couple of years in cask. Occasionally it is even bottled in the spring following the vintage; still, as a rule, the bottling of sparkling saumur takes place during the ensuing summer months, when the temperature is at the highest as this insures to it a greater degree of effervescence. At the time of bottling its saccharine strength is raised to a given degree by the addition of the finest sugar-candy, and henceforward the wine is subjected to precisely the same treatment as is pursued with regard to champagne.
It is in a broad but sombre gallery of the more ancient vaults—the roughly-hewn walls of which are black from the combined action of alcohol and carbonic acid gas—that the processes of disgorging the wine of its sediment, adding the syrup, filling up the bottles with wine to replace that which gushes out when the disgorging operation is performed, together with the re-corking, stringing, and wiring of the bottles, are carried on. The one or two adjacent shafts impart very little light, but a couple of resplendent metal reflectors, which at a distance one might fancy to be some dragon’s flaming eyes, combined with the lamps placed near the people at work, effectually illuminate the spot.
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THE CELLARS OF M. LOUIS DUVAU AÎNÉ AT THE CHÂTEAU OF VARRAINS.
Another considerable manufacturer of sparkling saumur is M. Louis Duvau aîné, owner of the château of Varrains, in the village of the same name, at no great distance from the Coteau de Saumur. His cellars adjoin the château, a picturesque but somewhat neglected structure of the last century, with sculptured medallions in high relief above the lower windows, and florid vases surmounting the mansards in the roof. In front is a large rambling court shaded with acacia and lime trees, and surrounded by outbuildings, prominent among which is a picturesquedovecote, massive at the base as a martello tower, and having an elegant open stone lantern springing from its bell-shaped roof. The cellars are entered down a steep incline under a low stone arch, the masonry above which is overgrown with ivy in large clusters and straggling creeping plants. We soon come upon a deep recess to the right, wherein stands a unique cumbersome screw-press, needing ten or a dozen men to work the unwieldy capstan which sets the juice flowing from the crushed grapes into the adjacent shallow trough. On our left hand are a couple of ancient reservoirs, formed out of huge blocks of stone, with the entrance to a long vaulted cellar filled with wine in cask. We advance slowly in the uncertain light along a succession of gloomy galleries with moisture oozing from their blackened walls and roofs, picking our way between bottles of wine stacked in huge square piles and rows of casks ranged in tiers. Suddenly a broad flood of light shooting down a lofty shaft throws a Rembrandtish effect across a spacious and most melodramatic-looking cave, roughly hewn out of the rock, andtowards which seven dimly-lighted galleries converge. On all sides a scene of bustling animation presents itself. From one gallery men keep arriving with baskets of wine ready for the disgorger; while along another bottles of wine duly dosed with syrup are being borne off to be decorated with metal foil and their distinctive labels. Groups of workmen are busily engaged disgorging, dosing, and re-corking the newly-arrived bottles of wine; corks fly out with a succession of loud reports suggestive of the irregular fire of a party of skirmishers; a fizzing, spurting, and spluttering of the wine next ensues, and is followed by the incessant clicking of the various apparatus employed in the corking and wiring of the bottles.
Gradual inclines conduct to the two lower tiers of galleries, for the cellars of M. Duvau consist of as many as three stories. Down below there is naturally less light, and the temperature, too, is sensibly colder. Advantage is taken of this latter circumstance to remove the newly-bottled wine to these lower vaults whenever an excessive development of carbonic acid threatens the bursting of an undue proportion of bottles, a casualty which among the Saumur sparkling wine manufacturers ranges far higher than with the manufacturers of champagne. For the economy of time and labour a lift, raised and lowered by means of a capstan worked by horses, is employed to transfer the bottles of wine from one tier of cellars to another.
The demand for sparkling saumur is evidently on the increase, for M. Duvau, at the time of our visit, was excavating extensive additional cellarage. The subsoil at Varrains being largely composed of marl, which is much softer than the tufa of the Saint-Florent coteau, necessitated the roofs of the new galleries being worked in a particular form in order to avoid having recourse to either brickwork or masonry. Tons of this excavated marl were being spread over the soil of M. Duvau’s vineyard in the rear of the château, greatly, it was said, to the benefit of the vines, whose grapes were all of the black variety; indeed, scarcely any wine is vintaged from white grapes in the commune of Varrains.
At M. Duvau’s we went through a complete scale of sparkling saumurs, commencing with the younger and less matured samples, and ascending step by step to wines a dozen and more years old. Every year seemed to produce an improvement in the wine, the older varieties gaining greatly in delicacy and softening very perceptibly in flavour.
Another sparkling saumur manufacturer of note is M. Alfred Rousteaux, to-day the sole proprietor of the well-known brand of Morlet and Rousteaux, a firm established for many years at Saint-Florent. M. Rousteaux’s cellars here are excavated in the tufa cliff which rises behind the little suburban village, and are all on one level. The galleries, though somewhat winding and irregular, are broad and roomy, and in them about 400,000 bottles of wine undergoing the necessary treatment are piled up in stacks or placedsur pointe. The original firm had only been in existence a few years when they found that their Saint-Florent establishment was inadequate to the requirements of a largely-increasing business, and they started the branch establishment of La Perrière at Saint-Cyr, near Tours, but on the opposite bank of the Loire. Here are a handsome residence and gardens, a spacious court, and convenient celliers where the bottling of the wine is effected, together with extensive and well-constructed cellars in which a like quantity of wine to that contained in the cellars at Saint-Florent is stored. With his finer sparkling wines M. Rousteaux mixes a certain proportion of wine from the Champagne district, and thus secures a degree of lightness unattainable when thecuvéeis exclusively composed of Saumur vintages. At La Perrière M. Rousteaux has a vineyard of upwards of sixty acres, yielding the best wine of the district, which is noted, by the way, for its excellent growths. Hereabouts a succession of vineyard slopes stretch from one to another of the many historic châteaux along this portion of the Loire, the romantic associations of which render the Touraine one of the most interesting provinces of France. Near Tours besides the vineyards of Saint-Cyr are those of Joué and Saint-Avertin; the two last situate on the oppositebank of the Cher, where the little town of Joué, perched on the summit of a hill in the midst of vineyards, looks over a vast plain known by the country people as the Landes de Charlemagne, the scene, according to local tradition, of Charles Martel’s great victory over the Saracens. The Saint-Avertin vineyards extend towards the east, stretching almost to the forest of Larçay, on the borders of the Cher, where Paul Louis Courier, the famous vigneron pamphleteer of the Restoration, noted alike for his raillery, wit, and satire, fell beneath the balls of an assassin. A noticeable crû in the neighbourhood of Tours is that of Cinq Mars, the ruined château of which survives as a memorial of the vengeance of Cardinal Richelieu, who, after having sent its owner to the scaffold, commanded its massive walls and towers to be razed “à hauteur d’infamie” as we see them now.
Finding that sparkling wines were being made in most of the wine-producing districts of France, where the growths were sufficiently light and of the requisite quality, Messrs. E. Normandin and Co. conceived the idea of laying the famous Bordeaux district under contribution for a similar purpose, and, aided by a staff of experienced workmen from Epernay, they have succeeded in producing a sparkling sauternes. Sauternes, as is well known, is one of the finest of white wines, soft, delicate, and of beautiful flavour, and its transformation into a sparkling wine has been very successfully accomplished. Messrs. Normandin’s head-quarters are in the thriving little town of Châteauneuf, in the pleasant valley of the Charente, and within fifteen miles of Angoulême, a famous old French town, encompassed by ancient ramparts and crumbling corner towers, and which, dominated by the lofty belfry of its restored semi-Byzantine cathedral, rising in a series of open arcades, spreads itself picturesquely out along a precipitous height, watered at its base by the rivers Anguienne and Charente. Between Angoulême and Châteauneuf vineyard plots dotted over with walnut trees, or simple rows of vines divided by strips of ripening maize, and broken up at intervals by bright green pastures, line both banks of the river Charente. The surrounding country isundulating and picturesque. Poplars and elms fringe the roadsides, divide the larger fields and vineyards, and screen the cosy-looking red-roofed farmhouses, which present to the eyes of the passing tourist a succession of pictures of quiet rural prosperity.
woman picking grapes
Châteauneuf communicates with the Sauternes district by rail, so that supplies of wine from there are readily obtainable. Vin de Colombar—a famous white growth which English and Dutch cruisers used to ascend the Charente to obtain cargoes of when the Jerez wines were shut out from England by the Spanish War of Succession—vintaged principally at Montignac-le-Coq, also enters largely into Messrs. Normandin and Co.’s sparkling sauternescuvée. This colombar grape is simply the semillon—one of the leading varieties of the Sauternes district—transported to the Charente. The remarkably cool cellarswhere the firm store their wine, whether in wood or bottle, have been formed from some vast subterranean galleries whence centuries ago stone was quarried, and which are situated about a quarter of an hour’s drive from Châteauneuf, in the midst of vineyards and cornfields. The wine is invariably bottled in a cellier at the head establishment, but it is in these cellars where it goes through the course of careful treatment similar to that pursued with regard to champagne.
woman with basket
In order that the delicate flavour of the wine may be preserved the liqueur is prepared with the finest old sauternes, without any addition of spirit, and the dose is administered with the most improved modern appliance, constructed of silver, and provided with crystal taps. At the Concours Régional d’Angoulême of 1877, the jury, after recording that they had satisfied themselves by the aid of a chemical analysis that the samples of sparkling sauternes submitted to their judgment were free from any foreign ingredient, awarded to Messrs. Normandin and Co. the only gold medal given in the Group of Alimentary Products.
Encouraged, no doubt, by the success obtained by Messrs. Normandin and Co. with their sparkling sauternes, the house of Lermat-Robert and Co., of Bordeaux, have recently introduced a sparkling barsac, samples of which were submitted to the jury at the Paris Exhibition of 1878.
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VINTAGER OF THE CÔTE D’OR
Sparkling Wines of the Côte d’Or at the Paris Exhibition—Chambertin, Romanée, and Vougeot—Burgundy Wines and Vines formerly the Presents of Princes—Vintaging Sparkling Burgundies—Their After-Treatment in the Cellars—Excess of Breakage—Similarity of Proceeding to that followed in the Champagne—Principal Manufacturers of Sparkling Burgundies—Sparkling Wines of Tonnerre, the birthplace of the Chevalier d’Eon—The Vin d’Arbanne of Bar-sur-Aube—Death there of the Bastard de Bourbon—Madame de la Motte’s Ostentatious Display and Arrest there—Sparkling Wines of the Beaujolais—The Mont-Brouilly Vineyards—Ancient Reputation of the Wines of the Jura—The Vin Jaune of Arbois beloved of Henri Quatre—Rhymes by him in its Honour—Lons-le-Saulnier—Vineyards yielding the Sparkling Jura Wines—Their Vintaging and Subsequent Treatment—Their High Alcoholic Strength and General Drawbacks.
Sparklingwines are made to a considerable extent in Burgundy, notably at Beaune, Nuits, and Dijon, and though as arule heavier and more potent than the subtile and delicate-flavoured wines of the Marne, still some of the higher qualities, both of the red and white varieties, exhibit a degree of refinement which those familiar only with the commoner kinds can scarcely form an idea of. At the Paris Exhibition of 1878 we tasted, among a large collection of the sparkling wines of the Côte d’Or, samples of Chambertin, Romanée, and Vougeot of the highest order. Although red wines, they had the merit of being deficient in that body which forms such an objectionable feature in sparkling wines of a deep shade of colour. M. Regnier, the exhibitor of sparkling red vougeot, sent, moreover, a white sparkling wine from the species of grape known locally as the clos blanc de Vougeot. These wines, as well as the Chambertin, came from the Côte de Nuits, the growths of which are generally considered of too vigorous a type for successful conversion into sparkling wine, preference being usually given to the produce of the Côte de Beaune. Among the sparkling burgundies from the last-named district were samples from Savigny, Chassagne, and Meursault, all famous for their fine white wines.
man with basket of grapes on his back
Burgundy ranks as one of the oldest viticultural regions of Central Europe, and for centuries its wines have been held in the highest renown. In the Middle Ages both the wines and vines of this favoured province passed as presents from one royal personage to another, just as grandcordonsare exchanged between them now-a-days. The fabrication of sparkling wine, however, dates no further back than some sixty years or so. The system of procedure is much the same as in the Champagne, and, as there, the wine is mainly the produce of the pineau noir and pineau blanc varieties of grape. At the vintage, in order to avoid bruising the ripened fruit and to guard against premature fermentation, the grapes are conveyed to the pressoirs in baskets instead of the large oval vats termedbalonges, common to the district. They are placed beneath the press as soon as possible, and for superior sparkling wines only the juice resulting from the first pressure and known as themère goutte, or mother drop, is employed. For the ordinarywines that expressed at the second squeezing of the fruit is mingled with the other. The must is at once run off into casks which have been previously sulphured to check, in a measure, the ardour of the first fermentation and lighten the colour of the newly-made wine. Towards the end of October, when this first fermentation is over, the wine is removed to the cellars, or to some other cool place, and in December it is racked into other casks. In the April following it is again racked to insure its being perfectly clear at the epoch of bottling in the month of May. The sulphuring of the original casks having had the effect of slightly checking the fermentation and retaining a certain amount of saccharine in the wine, it is only on exceptional occasions that the latter is artificially sweetened previous to being bottled.
A fortnight after the tirage the wine commonly attains the stage known asgrand mousseux, and by the end of September the breakage will have amounted to between 5 and 8 per cent., which necessitates the taking down the stacks of bottles and piling them up anew. The wine as a rule remains in the cellars for fully a couple of years from the time of bottling until it is shipped. Posing the bottlessur pointe, agitating them daily, together with the disgorging and liqueuring of the wine, is accomplished precisely as in the Champagne.
Among the principal manufacturers of sparkling burgundies are Messrs. André and Voillot, of Beaune, whose sparkling white Romanée, Nuits, and Volnay are well and favourably known in England; M. Louis Latour, also of Beaune, and equally noted for his sparkling red Volnay, Nuits, and Chambertin, as for hissparkling white varieties; Messrs. Maire et fils, likewise of Beaune; M. Labouré-Goutard and Messrs. Geisweiller et fils, of Nuits; Messrs. Marey and Liger-Belair, of Nuits and Vôsne; and M. Regnier, of Dijon.
In the department of the Yonne—that is, in Lower Burgundy—sparkling wines somewhat alcoholic in character have been made for the last half-century at Tonnerre, where the Chevalier d’Eon, that enigma of his epoch, was born. The Tonnerre vineyards are of high antiquity, and for sparkling wines the produce of the black and white pineau and the white morillon varieties of grape is had recourse to. The vintaging is accomplished with great care, and only the juice which flows from the first pressure is employed. This is run off immediately into casks which are hermetically closed when the fermentation has subsided. The after-treatment of the wine is the same as in the Champagne. Sparkling wines are likewise made at Epineuil, a village in the neighbourhood of Tonnerre, and at Chablis, so famous for its white wines, about ten miles distant.
An effervescing wine known as the Vin d’Arbanne is made at Bar-sur-Aube, some fifty miles north-east of Tonnerre, on the borders of Burgundy, but actually in the province of Champagne, although far beyond the limits to which the famed viticultural district extends. It was at Bar-sur-Aube where the Bastard de Bourbon, chief of the sanguinary gang ofécorcheurs(flayers), was sewn up in a sack and flung over the parapet of the old stone bridge into the river beneath by order of Charles VII.; and here, too, Madame de la Motte, of Diamond Necklace notoriety, was married, and in after years made a parade of the ill-gotten wealth she had acquired by successfully fooling that infatuated libertine the Cardinal Prince de Rohan, until her ostentatious display was cut short by her arrest. This Vin d’Arbanne is produced from pineaux and white gamay grapes, which, after being gathered with care at the moment the dew falls, are forthwith pressed. The wine is left on its lees until the following February, when it is racked and fined, the bottling taking place when the moon is at the full in March.