"Good evening," said Ole-Luk-Oie.
Hjalmar nodded, and then sprang out of bed, and turned his great-grandfather's portrait to the wall, so that it might not interrupt them as it had done yesterday. "Now," said he, "you must tell me some stories about five green peas that lived in one pod; or of the chickseed that courted the chickweed; or of the darning needle, who acted so proudly because she fancied herself an embroidery needle."
"You may have too much of a good thing," said Ole-Luk-Oie. "You know that I like best to show you something, so I will show you my brother. He is also called Ole-Luk-Oie but he never visits any one but once, and when he does come, he takes him away on his horse, and tells him stories as they ride along. He knows only two stories. One of these is so wonderfully beautiful, that no one in the world can imagine anything at all like it; but the other is just as ugly and frightful, so that it would be impossible to describe it." Then Ole-Luk-Oie lifted Hjalmar up to the window. "There now, you can see my brother, the other Ole-Luk-Oie; he is also called Death. You perceive he is not so bad as they represent him in picture books; there he is a skeleton, but now his coat is embroidered with silver, and he wears the splendid uniform of a hussar, and a mantle of black velvet flies behind him, over the horse. Look, how he gallops along." Hjalmar saw that as this Ole-Luk-Oie rode on, he lifted up old and young, and carried them away on his horse. Some he seated in front of him, and some behind, but always inquired first, "How stands the mark-book?"
"Good," they all answered.
"Yes, but let me see for myself," he replied; and they were obliged to give him the books. Then all those who had "Very good," or "Exceedingly good," came in front of the horse, and heard the beautiful story; while those who had "Middling," or "Tolerably good," in their books, were obliged to sit behind, and listen to the frightful tale. They trembled and cried, and wanted to jump down from the horse, but they could not get free, for they seemed fastened to the seat.
"Why, Death is a most splendid Luk-Oie," said Hjalmar. "I am not in the least afraid of him."
"You need have no fear of him," said Ole-Luk-Oie, "if you take care and keep a good conduct book."
"Now I call that very instructive," murmured the great-grandfather's portrait. "It is useful sometimes to express an opinion;" so he was quite satisfied.
These are some of the doings and sayings of Ole-Luk-Oie. I hope he may visit you himself this evening, and relate some more.
"In the world it's always going up and down; and now I can't go up any higher!" So said Ole the tower-keeper. "Most people have to try both the ups and the downs; and, rightly considered, we all get to be watchmen at last, and look down upon life from a height."
Such was the speech of Ole, my friend, the old tower-keeper, a strange, talkative old fellow, who seemed to speak out everything that came into his head, and who for all that had many a serious thought deep in his heart. Yes, he was the child of respectable people, and there were even some who said that he was the son of a privy councillor, or that he might have been. He had studied, too, and had been assistant teacher and deputy clerk; but of what service was all that to him? In those days he lived in the clerk's house, and was to have everything in the house—to be at free quarters, as the saying is; but he was still, so to speak, a fine young gentleman. He wanted to have his boots cleaned with patent blacking, and the clerk could only afford ordinary grease; and upon that point they split. One spoke of stinginess, the other of vanity, and the blacking became the black cause of enmity between them, and at last they parted.
This is what he demanded of the world in general, namely, patent blacking, and he got nothing but grease. Accordingly, he at last drew back from all men, and became a hermit; but the church tower is the only place in a great city where hermitage, office and bread can be found together. So he betook himself up thither, and smoked his pipe as he made his solitary rounds. He looked upward and downward, and had his own thoughts, and told in his own way of what he read in books and in himself. I often lent him books—good books; and you may know by the company he keeps. He loved neither the English governess novels nor the French ones, which he called a mixture of empty wind and raisin-stalks: he wanted biographies, and descriptions of the wonders of, the world. I visited him at least once a year, generally directly after New Year's day, and then he always spoke of this and that which the change of the year had put into his head.
I will tell the story of three of these visits, and will reproduce his own words whenever I can remember them.
Among the books which I had lately lent Ole, was one which had greatly rejoiced and occupied him. It was a geological book, containing an account of the boulders.
"Yes, they're rare old fellows, those boulders!" he said; "and to think that we should pass them without noticing them! And over the street pavement, the paving stones, those fragments of the oldest remains of antiquity, one walks without ever thinking about them. I have done the very thing myself. But now I look respectfully at every paving-stone. Many thanks for the book! It has filled me with thought, and has made me long to read more on the subject. The romance of the earth is, after all, the most wonderful of all romances. It's a pity one can't read the first volume of it, because it is written in a language that we don't understand. One must read in the different strata, in the pebble-stones, for each separate period. Yes, it is a romance, a very wonderful romance, and we all have our place in it. We grope and ferret about, and yet remain where we are; but the ball keeps turning, without emptying the ocean over us; the clod on which we move about, holds, and does not let us through. And then it's a story that has been acting for thousands upon thousands of years and is still going on. My best thanks for the book about the boulders. Those are fellows indeed! They could tell us something worth hearing, if they only knew how to talk. It's really a pleasure now and then to become a mere nothing, especially when a man is as highly placed as I am. And then to think that we all, even with patent lacquer, are nothing more than insects of a moment on that ant-hill the earth, though we may be insects with stars and garters, places and offices! One feels quite a novice beside these venerable million-year-old boulders. On last New Year's eve I was reading the book, and had lost myself in it so completely, that I forgot my usual New Year's diversion, namely, the wild hunt to Amack. Ah, you don't know what that is!
"The journey of the witches on broomsticks is well enough known—that journey is taken on St. John's eve, to the Brocken; but we have a wild journey, also which is national and modern, and that is the journey to Amack on the night of the New Year. All indifferent poets and poetesses, musicians, newspaper writers, and artistic notabilities,—I mean those who are no good,—ride in the New Year's night through the air to Amack. They sit backwards on their painting brushes or quill pens, for steel pens won't bear them—they're too stiff. As I told you, I see that every New Year's night, and could mention the majority of the riders by name, but I should not like to draw their enmity upon myself, for they don't like people to talk about their ride to Amack on quill pens. I've a kind of niece, who is a fishwife, and who, as she tells me, supplies three respectable newspapers with the terms of abuse and vituperation they use, and she has herself been at Amack as an invited guest; but she was carried out thither, for she does not own a quill pen, nor can she ride. She has told me all about it. Half of what she said is not true, but the other half gives us information enough. When she was out there, the festivities began with a song; each of the guests had written his own song, and each one sang his own song, for he thought that the best, and it was all one, all the same melody. Then those came marching up, in little bands, who are only busy with their mouths. There were ringing bells that rang alternately; and then came the little drummers that beat their tattoo in the family circle; and acquaintance was made with those who write without putting their names, which here means as much as using grease instead of patent blacking; and then there was the beadle with his boy, and the boy was worst off, for in general he gets no notice taken of him; then, too, there was the good street sweeper with his cart, who turns over the dust-bin, and calls it 'good, very good, remarkably good.' And in the midst of the pleasure that was afforded by the mere meeting of these folks, there shot up out of the great dirt-heap at Amack a stem, a tree, an immense flower, a great mushroom, a perfect roof, which formed a sort of warehouse for the worthy company, for in it hung everything they had given to the world during the Old Year. Out of the tree poured sparks like flames of fire; these were the ideas and thoughts, borrowed from others, which they had used, and which now got free and rushed away like so many fireworks. They played at 'the stick burns,' and the young poets played at 'heart-burns,' and the witlings played off their jests, and the jests rolled away with a thundering sound, as if empty pots were being shattered against doors. 'It was very amusing!' my niece said; in fact, she said many things that were very malicious but very amusing, but I won't mention them, for a man must be good-natured, and not a carping critic. But you will easily perceive that when a man once knows the rights of the journey to Amack, as I know them, it's quite natural that on the New Year's night one should look out to see the wild chase go by. If in the New Year I miss certain persons who used to be there, I am sure to notice others who are new arrivals; but this year I omitted taking my look at the guests, I bowled away on the boulders, rolled back through millions of years, and saw the stones break loose high up in the north, saw them drifting about on icebergs, long before Noah's ark was constructed, saw them sink down to the bottom of the sea, and re-appear with a sand-bank, with that one that peered forth from the flood and said, 'This shall be Zealand!' I saw them become the dwelling-place of birds that are unknown to us, and then become the seat of wild chiefs of whom we know nothing, until with their axes they cut their Runic signs into a few of these stones, which then came into the calendar of time. But as for me, I had gone quite beyond all lapse of time, and had become a cipher and a nothing. Then three or four beautiful falling stars came down, which cleared the air, and gave my thoughts another direction. You know what a falling star is, do you not? The learned men are not at all clear about it. I have my own ideas about shooting stars, as the common people in many parts call them, and my idea is this: How often are silent thanksgivings offered up for one who has done a good and noble action! The thanks are often speechless, but they are not lost for all that. I think these thanks are caught up, and the sunbeams bring the silent, hidden thankfulness over the head of the benefactor; and if it be a whole people that has been expressing its gratitude through a long lapse of time, the thankfulness appears as a nosegay of flowers, and at length falls in the form of a shooting star over the good man's grave. I am always very much pleased when I see a shooting star, especially in the New Year's night, and then find out for whom the gift of gratitude was intended. Lately a gleaming star fell in the southwest, as a tribute of thanksgiving to many—many! 'For whom was that star intended?' thought I. It fell, no doubt, on the hill by the Bay of Plensberg, where the Danebrog waves over the graves of Schleppegrell, Lasloes, and their comrades. One star also fell in the midst of the land, fell upon Soro, a flower on the grave of Holberg, the thanks of the year from a great many—thanks for his charming plays!
"It is a great and pleasant thought to know that a shooting star falls upon our graves. On mine certainly none will fall—no sunbeam brings thanks to me, for here there is nothing worthy of thanks. I shall not get the patent lacquer," said Ole, "for my fate on earth is only grease, after all."
It was New Year's day, and I went up on the tower. Ole spoke of the toasts that were drunk on the transition from the Old Year into the New—from one grave into the other, as he said. And he told me a story about the glasses, and this story had a very deep meaning. It was this:
"When on the New Year's night the clock strikes twelve, the people at the table rise up with full glasses in their hands, and drain these glasses, and drink success to the New Year. They begin the year with the glass in their hands; that is a good beginning for drunkards. They begin the New Year by going to bed, and that's a good beginning for drones. Sleep is sure to play a great part in the New Year, and the glass likewise. Do you know what dwells in the glass?" asked Ole. "I will tell you. There dwell in the glass, first, health, and then pleasure, then the most complete sensual delight; and misfortune and the bitterest woe dwell in the glass also. Now, suppose we count the glasses—of course I count the different degrees in the glasses for different people.
"You see, the first glass, that's the glass of health, and in that the herb of health is found growing. Put it up on the beam in the ceiling, and at the end of the year you may be sitting in the arbor of health.
"If you take the second glass—from this a little bird soars upward, twittering in guileless cheerfulness, so that a man may listen to his song, and perhaps join in 'Fair is life! no downcast looks! Take courage, and march onward!'
"Out of the third glass rises a little winged urchin, who cannot certainly be called an angel child, for there is goblin blood in his veins, and he has the spirit of a goblin—not wishing to hurt or harm you, indeed, but very ready to play off tricks upon you. He'll sit at your ear and whisper merry thoughts to you; he'll creep into your heart and warm you, so that you grow very merry, and become a wit, so far as the wits of the others can judge.
"In the fourth glass is neither herb, bird, nor urchin. In that glass is the pause drawn by reason, and one may never go beyond that sign.
"Take the fifth glass, and you will weep at yourself, you will feel such a deep emotion; or it will affect you in a different way. Out of the glass there will spring with a bang Prince Carnival, nine times and extravagantly merry. He'll draw you away with him; you'll forget your dignity, if you have any, and you'll forget more than you should or ought to forget. All is dance, song and sound: the masks will carry you away with them, and the daughters of vanity, clad in silk and satin, will come with loose hair and alluring charms; but tear yourself away if you can!
"The sixth glass! Yes, in that glass sits a demon, in the form of a little, well dressed, attractive and very fascinating man, who thoroughly understands you, agrees with you in everything, and becomes quite a second self to you. He has a lantern with him, to give you light as he accompanies you home. There is an old legend about a saint who was allowed to choose one of the seven deadly sins, and who accordingly chose drunkenness, which appeared to him the least, but which led him to commit all the other six. The man's blood is mingled with that of the demon. It is the sixth glass, and with that the germ of all evil shoots up within us; and each one grows up with a strength like that of the grains of mustard-seed, and shoots up into a tree, and spreads over the whole world: and most people have no choice but to go into the oven, to be re-cast in a new form.
"That's the history of the glasses," said the tower-keeper Ole, "and it can be told with lacquer or only with grease; but I give it you with both!"
On this occasion I chose the general "moving-day" for my visit to Ole, for on that day it is anything but agreeable down in the streets in the town; for they are full of sweepings, shreds, and remnants of all sorts, to say nothing of the cast-off rubbish in which one has to wade about. But this time I happened to see two children playing in this wilderness of sweepings. They were playing at "going to bed," for the occasion seemed especially favorable for this sport. They crept under the straw, and drew an old bit of ragged curtain over themselves by way of coverlet. "It was splendid!" they said; but it was a little too strong for me, and besides, I was obliged to mount up on my visit to Ole.
"It's moving-day to day," he said; "streets and houses are like a dust-bin—a large dust-bin; but I'm content with a cartload. I may get something good out of that, and I really did get something good out of it once. Shortly after Christmas I was going up the street; it was rough weather, wet and dirty—the right kind of weather to catch cold in. The dustman was there with his cart, which was full, and looked like a sample of streets on moving-day. At the back of the cart stood a fir tree, quite green still, and with tinsel on its twigs; it had been used on Christmas eve, and now it was thrown out into the street, and the dustman had stood it up at the back of his cart. It was droll to look at, or you may say it was mournful—all depends on what you think of when you see it; and I thought about it, and thought this and that of many things that were in the cart: or I might have done so, and that comes to the same thing. There was an old lady's glove, too: I wonder what that was thinking of? Shall I tell you? The glove was lying there, pointing with its little finger at the tree. 'I'm sorry for the tree,' it thought; 'and I was also at the feast, where the chandeliers glittered. My life was, so to speak, a ball night—a pressure of the hand, and I burst! My memory keeps dwelling upon that, and I have really nothing else to live for!' This is what the glove thought, or what it might have thought. 'That's a stupid affair with yonder fir tree,' said the potsherds. You see, potsherds think everything is stupid. 'When one is in the dust-cart,' they said, 'one ought not to give one's self airs and wear tinsel. I know that I have been useful in the world—far more useful than such a green stick.' This was a view that might be taken, and I don't think it quite a peculiar one; but for all that, the fir tree looked very well: it was like a little poetry in the dust-heap; and truly there is dust enough in the streets on moving-day. The way is difficult and troublesome then, and I feel obliged to run away out of the confusion; or, if I am on the tower, I stay there and look down, and it is amusing enough.
"There are the good people below, playing at 'changing houses.' They toil and tug away with their goods and chattels, and the household goblin sits in an old tub and moves with them. All the little griefs of the lodging and the family, and the real cares and sorrows, move with them out of the old dwelling into the new; and what gain is there for them or for us in the whole affair? Yes, there was written long ago the good old maxim: 'Think on the great moving-day of death!' That is a serious thought. I hope it is not disagreeable to you that I should have touched upon it? Death is the most certain messenger, after all, in spite of his various occupations. Yes, Death is the omnibus conductor, and he is the passport writer, and he countersigns our service-book, and he is director of the savings bank of life. Do you understand me? All the deeds of our life, the great and the little alike, we put into this savings bank; and when Death calls with his omnibus, and we have to step in, and drive with him into the land of eternity, then on the frontier he gives us our service-book as a pass. As a provision for the journey, he takes this or that good deed we have done, and lets it accompany us; and this may be very pleasant or very terrific. Nobody has ever escaped the omnibus journey. There is certainly a talk about one who was not allowed to go—they call him the Wandering Jew: he has to ride behind the omnibus. If he had been allowed to get in, he would have escaped the clutches of the poets.
"Just cast your mind's eye into that great omnibus. The society is mixed, for king and beggar, genius and idiot, sit side by side. They must go without their property and money; they have only the service-book and the gift out of the savings bank with them. But which of our deeds is selected and given to us? Perhaps quite a little one, one that we have forgotten, but which has been recorded—small as a pea, but the pea can send out a blooming shoot. The poor bumpkin who sat on a low stool in the corner, and was jeered at and flouted, will perhaps have his worn-out stool given him as a provision; and the stool may become a litter in the land of eternity, and rise up then as a throne, gleaming like gold and blooming as an arbor. He who always lounged about, and drank the spiced draught of pleasure, that he might forget the wild things he had done here, will have his barrel given to him on the journey, and will have to drink from it as they go on; and the drink is bright and clear, so that the thoughts remain pure, and all good and noble feelings are awakened, and he sees and feels what in life he could not or would not see; and then he has within him the punishment, the gnawing worm, which will not die through time incalculable. If on the glasses there stood written 'oblivion,' on the barrel 'remembrance' is inscribed.
"When I read a good book, an historical work, I always think at last of the poetry of what I am reading, and of the omnibus of death, and wonder, which of the hero's deeds Death took out of the savings bank for him, and what provisions he got on the journey into eternity. There was once a French king—I have forgotten his name, for the names of good people are sometimes forgotten, even by me, but it will come back some day;—there was a king who, during a famine, became the benefactor of his people; and the people raised up to his memory a monument of snow, with the inscription, 'Quicker than this melts didst thou bring help!' I fancy that Death, looking back upon the monument, gave him a single snow-flake as provision, a snow-flake that never melts, and this flake floated over his royal head, like a white butterfly, into the land of eternity. Thus, too, there was Louis XI. I have remembered his name, for one remembers what is bad—a trait of him often comes into my thoughts, and I wish one could say the story is not true. He had his lord high constable executed, and he could execute him, right or wrong; but he had the innocent children of the constable, one seven and the other eight years old, placed under the scaffold so that the warm blood of their father spurted over them, and then he had them sent to the Bastille, and shut up in iron cages, where not even a coverlet was given them to protect them from the cold. And King Louis sent the executioner to them every week, and had a tooth pulled out of the head of each, that they might not be too comfortable; and the elder of the boys said, 'My mother would die of grief if she knew that my younger brother had to suffer so cruelly; therefore pull out two of my teeth, and spare him.' The tears came into the hangman's eyes, but the king's will was stronger than the tears; and every week two little teeth were brought to him on a silver plate; he had demanded them, and he had them. I fancy that Death took these two teeth out of the savings bank of life, and gave them to Louis XI, to carry with him on the great journey into the land of immortality; they fly before him like two flames of fire; they shine and burn, and they bite him, the innocent children's teeth.
"Yes, that's a serious journey, the omnibus ride on the great moving-day! And when is it to be undertaken? That's just the serious part of it. Any day, any hour, any minute, the omnibus may draw up. Which of our deeds will Death take out of the savings bank, and give to us as provision? Let us think of the moving-day that is not marked in the calendar."
You ought to have known our aunt; she was charming! That is to say, she was not charming at all as the word is usually understood; but she was good and kind, amusing in her way, and was just as any one ought to be whom people are to talk about and to laugh at. She might have been put into a play, and wholly and solely on account of the fact that she only lived for the theatre and for what was done there. She was an honorable matron; but Agent Fabs, whom she used to call "Flabs," declared that our aunt was stage-struck.
"The theatre is my school," said she, "the source of my knowledge. From thence I have resuscitated Biblical history. Now, 'Moses' and 'Joseph in Egypt'—there are operas for you! I get my universal history from the theatre, my geography, and my knowledge of men. Out of the French pieces I get to know life in Paris—slippery, but exceedingly interesting. How I have cried over 'La Famille Roquebourg'—that the man must drink himself to death, so that she may marry the young fellow! Yes, how many tears I have wept in the fifty years I have subscribed to the theatre!"
Our aunt knew every acting play, every bit of scenery, every character, every one who appeared or had appeared. She seemed really only to live during the nine months the theatre was open. Summertime without a summer theatre seemed to be only a time that made her old; while, on the other hand, a theatrical evening that lasted till midnight was a lengthening of her life. She did not say, as other people do, "Now we shall have spring, the stork is here," or, "They've advertised the first strawberries in the papers." She, on the contrary, used to announce the coming of autumn, with "Have you heard they're selling boxes for the theatre? now the performances will begin."
She used to value a lodging entirely according to its proximity to the theatre. It was a real sorrow to her when she had to leave the little lane behind the playhouse, and move into the great street that lay a little farther off, and live there in a house where she had no opposite neighbors.
"At home," said she, "my windows must be my opera-box. One cannot sit and look into one's self till one's tired; one must see people. But now I live just as if I'd go into the country. If I want to see human beings, I must go into my kitchen, and sit down on the sink, for there only I have opposite neighbors. No; when I lived in my dear little lane, I could look straight down into the ironmonger's shop, and had only three hundred paces to the theatre; and now I've three thousand paces to go, military measurement."
Our aunt was sometimes ill, but however unwell she might feel, she never missed the play. The doctor prescribed one day that she should put her feet in a bran bath, and she followed his advice; but she drove to the theatre all the same, and sat with her feet in bran there. If she had died there, she would have been very glad. Thorwaldsen died in the theatre, and she called that a happy death.
She could not imagine but that in heaven there must be a theatre too. It had not, indeed, been promised us, but we might very well imagine it. The many distinguished actors and actresses who had passed away must surely have a field for their talent.
Our aunt had an electric wire from the theatre to her room. A telegram used to be dispatched to her at coffee-time, and it used to consist of the words, "Herr Sivertsen is at the machinery;" for it was he who gave the signal for drawing the curtain up and down and for changing the scenes.
From him she used to receive a short and concise description of every piece. His opinion of Shakspeare's "Tempest," was, "Mad nonsense! There's so much to put up, and the first scene begins with 'Water to the front of the wings.'" That is to say, the water had to come forward so far. But when, on the other hand, the same interior scene remained through five acts, he used to pronounce it a sensible, well-written play, a resting play, which performed itself, without putting up scenes.
In earlier times, by which name our aunt used to designate thirty years ago, she and the before-mentioned Herr Sivertsen had been younger. At that time he had already been connected with the machinery, and was, as she said, her benefactor. It used to be the custom in those days that in the evening performances in the only theatre the town possessed, spectators were admitted to the part called the "flies," over the stage, and every machinist had one or two places to give away. Often the flies were quite full of good company; it was said that generals' wives and privy councillors' wives had been up there. It was quite interesting to look down behind the scenes, and to see how the people walked to and fro on the stage when the curtain was down.
Our aunt had been there several times, as well when there was a tragedy as when there was a ballet; for the pieces in which there were the greatest number of characters on the stage were the most interesting to see from the flies. One sat pretty much in the dark up there, and most people took their supper up with them. Once three apples and a great piece of bread and butter and sausage fell down right into the dungeon of Ugolino, where that unhappy man was to be starved to death; and there was great laughter among the audience. The sausage was one of the weightiest reasons why the worthy management refused in future to have any spectators up in the flies.
"But I was there seven-and-thirty times," said our aunt, "and I shall always remember Mr. Sivertsen for that."
On the very last evening when the flies were still open to the public, the "Judgment of Solomon" was performed, as our aunt remembered very well. She had, through the influence of her benefactor, Herr Sivertsen, procured a free admission for the Agent Fabs, although he did not deserve it in the least, for he was always cutting his jokes about the theatre and teasing our aunt; but she had procured him a free admission to the flies, for all that. He wanted to look at this player-stuff from the other side.
"Those were his own words, and they were just like him," said our aunt.
He looked down from above on the 'Judgment of Solomon,' and fell asleep over it. One would have thought that he had come from a dinner where many toasts had been given. He went to sleep, and was locked in. And there he sat through the dark night in the flies, and when he woke, he told a story, but our aunt would not believe it.
"The 'Judgment of Solomon' was over," he said, "and all the people had gone away, up stairs and down stairs; but now the real play began, the after-piece, which was the best of all," said the agent. "Then life came into the affair. It was not the 'Judgment of Solomon' that was performed; no, a real court of judgment was held upon the stage." And Agent Fabs had the impudence to try and make our aunt believe all this. That was the thanks she got for having got him a place in the flies.
What did the agent say? Why, it was curious enough to hear, but there was malice and satire in it.
"It looked dark enough up there," said the agent; "but then the magic business began—a great performance, 'The Judgment in the Theatre.' The box-keepers were at their posts, and every spectator had to show his ghostly pass-book, that it might be decided if he was to be admitted with hands loose or bound, and with or without a muzzle. Grand people who came too late, when the performance had begun, and young people, who could not always watch the time, were tied up outside, and had list slippers put on their feet, with which they were allowed to go in before the beginning of the next act, and they had muzzles too. And then the 'Judgment on the Stage' began."
"All malice, and not a bit of truth in it," said our aunt.
The painter, who wanted to get to Paradise, had to go up a staircase which he had himself painted, but which no man could mount. That was to expiate his sins against perspective. All the plants and buildings, which the property-man had placed, with infinite pains, in countries to which they did not belong, the poor fellow was obliged to put in their right places before cockcrow, if he wanted to get into Paradise. Let Herr Fabs see how he would get in himself; but what he said of the performers, tragedians and comedians, singers and dancers, that was the most rascally of all. Mr. Fabs, indeed!—Flabs! He did not deserve to be admitted at all, and our aunt would not soil her lips with what he said. And he said, did Flabs, that the whole was written down, and it should be printed when he was dead and buried, but not before, for he would not risk having his arms and legs broken.
Once our aunt had been in fear and trembling in her temple of happiness, the theatre. It was on a winter day, one of those days in which one has a couple of hours of daylight, with a gray sky. It was terribly cold and snowy, but aunt must go to the theatre. A little opera and a great ballet were performed, and a prologue and an epilogue into the bargain; and that would last till late at night. Our aunt must needs go; so she borrowed a pair of fur boots of her lodger—boots with fur inside and out, and which reached far up her legs.
She got to the theatre, and to her box; the boots were warm, and she kept them on. Suddenly there was a cry of "Fire!" Smoke was coming from one of the side scenes, and streamed down from the flies, and there was a terrible panic. The people came rushing out, and our aunt was the last in the box, "on the second tier, left-hand side, for from there the scenery looks best," she used to say. "The scenes are always arranged that they look best from the King's side." Aunt wanted to come out, but the people before her, in their fright and heedlessness, slammed the door of the box; and there sat our aunt, and couldn't get out, and couldn't get in; that is to say, she couldn't get into the next box, for the partition was too high for her. She called out, and no one heard her; she looked down into the tier of boxes below her, and it was empty, and low, and looked quite near, and aunt in her terror felt quite young and light. She thought of jumping down, and had got one leg over the partition, the other resting on the bench. There she sat astride, as if on horseback, well wrapped up in her flowered cloak with one leg hanging out—a leg in a tremendous fur boot. That was a sight to behold; and when it was beheld, our aunt was heard too, and was saved from burning, for the theatre was not burned down.
That was the most memorable evening of her life, and she was glad that she could not see herself, for she would have died with confusion.
Her benefactor in the machinery department, Herr Sivertsen, visited her every Sunday, but it was a long time from Sunday to Sunday. In the latter time, therefore, she used to have in a little child "for the scraps;" that is to say, to eat up the remains of the dinner. It was a child employed in the ballet, one that certainly wanted feeding. The little one used to appear, sometimes as an elf, sometimes as a page; the most difficult part she had to play was the lion's hind leg in the "Magic Flute;" but as she grew larger she could represent the fore-feet of the lion. She certainly only got half a guilder for that, whereas the hind legs were paid for with a whole guilder; but then she had to walk bent, and to do without fresh air. "That was all very interesting to hear," said our aunt.
She deserved to live as long as the theatre stood, but she could not last so long; and she did not die in the theatre, but respectably in her bed. Her last words were, moreover, not without meaning. She asked,
"What will the play be to-morrow?"
At her death she left about five hundred dollars. We presume this from the interest, which came to twenty dollars. This our aunt had destined as a legacy for a worthy old spinster who had no friends; it was to be devoted to a yearly subscription for a place in the second tier, on the left side, for the Saturday evening, "for on that evening two pieces were always given," it said in the will; and the only condition laid upon the person who enjoyed the legacy was, that she should think, every Saturday evening, of our aunt, who was lying in her grave.
This was our aunt's religion.
There was once a king's son who had a larger and more beautiful collection of books than any one else in the world, and full of splendid copper-plate engravings. He could read and obtain information respecting every people of every land; but not a word could he find to explain the situation of the garden of paradise, and this was just what he most wished to know. His grandmother had told him when he was quite a little boy, just old enough to go to school, that each flower in the garden of paradise was a sweet cake, that the pistils were full of rich wine, that on one flower history was written, on another geography or tables; so those who wished to learn their lessons had only to eat some of the cakes, and the more they ate, the more history, geography, or tables they knew. He believed it all then; but as he grew older, and learnt more and more, he became wise enough to understand that the splendor of the garden of paradise must be very different to all this. "Oh, why did Eve pluck the fruit from the tree of knowledge? why did Adam eat the forbidden fruit?" thought the king's son: "if I had been there it would never have happened, and there would have been no sin in the world." The garden of paradise occupied all his thoughts till he reached his seventeenth year.
One day he was walking alone in the wood, which was his greatest pleasure, when evening came on. The clouds gathered, and the rain poured down as if the sky had been a waterspout; and it was as dark as the bottom of a well at midnight; sometimes he slipped over the smooth grass, or fell over stones that projected out of the rocky ground. Every thing was dripping with moisture, and the poor prince had not a dry thread about him. He was obliged at last to climb over great blocks of stone, with water spurting from the thick moss. He began to feel quite faint, when he heard a most singular rushing noise, and saw before him a large cave, from which came a blaze of light. In the middle of the cave an immense fire was burning, and a noble stag, with its branching horns, was placed on a spit between the trunks of two pine-trees. It was turning slowly before the fire, and an elderly woman, as large and strong as if she had been a man in disguise, sat by, throwing one piece of wood after another into the flames.
"Come in," she said to the prince; "sit down by the fire and dry yourself."
"There is a great draught here," said the prince, as he seated himself on the ground.
"It will be worse when my sons come home," replied the woman; "you are now in the cavern of the Winds, and my sons are the four Winds of heaven: can you understand that?"
"Where are your sons?" asked the prince.
"It is difficult to answer stupid questions," said the woman. "My sons have plenty of business on hand; they are playing at shuttlecock with the clouds up yonder in the king's hall," and she pointed upwards.
"Oh, indeed," said the prince; "but you speak more roughly and harshly and are not so gentle as the women I am used to."
"Yes, that is because they have nothing else to do; but I am obliged to be harsh, to keep my boys in order, and I can do it, although they are so head-strong. Do you see those four sacks hanging on the wall? Well, they are just as much afraid of those sacks, as you used to be of the rat behind the looking-glass. I can bend the boys together, and put them in the sacks without any resistance on their parts, I can tell you. There they stay, and dare not attempt to come out until I allow them to do so. And here comes one of them."
It was the North Wind who came in, bringing with him a cold, piercing blast; large hailstones rattled on the floor, and snowflakes were scattered around in all directions. He wore a bearskin dress and cloak. His sealskin cap was drawn over his ears, long icicles hung from his beard, and one hailstone after another rolled from the collar of his jacket.
"Don't go too near the fire," said the prince, "or your hands and face will be frost-bitten."
"Frost-bitten!" said the North Wind, with a loud laugh; "why frost is my greatest delight. What sort of a little snip are you, and how did you find your way to the cavern of the Winds?"
"He is my guest," said the old woman, "and if you are not satisfied with that explanation you can go into the sack. Do you understand me?"
That settled the matter. So the North Wind began to relate his adventures, whence he came, and where he had been for a whole month. "I come from the polar seas," he said; "I have been on the Bear's Island with the Russian walrus-hunters. I sat and slept at the helm of their ship, as they sailed away from North Cape. Sometimes when I woke, the storm-birds would fly about my legs. They are curious birds; they give one flap with their wings, and then on their outstretched pinions soar far away.
"Don't make such a long story of it," said the mother of the winds; "what sort of a place is Bear's Island?"
"A very beautiful place, with a floor for dancing as smooth and flat as a plate. Half-melted snow, partly covered with moss, sharp stones, and skeletons of walruses and polar-bears, lie all about, their gigantic limbs in a state of green decay. It would seem as if the sun never shone there. I blew gently, to clear away the mist, and then I saw a little hut, which had been built from the wood of a wreck, and was covered with the skins of the walrus, the fleshy side outwards; it looked green and red, and on the roof sat a growling bear. Then I went to the sea shore, to look after birds' nests, and saw the unfledged nestlings opening their mouths and screaming for food. I blew into the thousand little throats, and quickly stopped their screaming. Farther on were the walruses with pig's heads, and teeth a yard long, rolling about like great worms.
"You relate your adventures very well, my son," said the mother, "it makes my mouth water to hear you.
"After that," continued the North Wind, "the hunting commenced. The harpoon was flung into the breast of the walrus, so that a smoking stream of blood spurted forth like a fountain, and besprinkled the ice. Then I thought of my own game; I began to blow, and set my own ships, the great icebergs sailing, so that they might crush the boats. Oh, how the sailors howled and cried out! but I howled louder than they. They were obliged to unload their cargo, and throw their chests and the dead walruses on the ice. Then I sprinkled snow over them, and left them in their crushed boats to drift southward, and to taste salt water. They will never return to Bear's Island."
"So you have done mischief," said the mother of the Winds.
"I shall leave others to tell the good I have done," he replied. "But here comes my brother from the West; I like him best of all, for he has the smell of the sea about him, and brings in a cold, fresh air as he enters."
"Is that the little Zephyr?" asked the prince.
"Yes, it is the little Zephyr," said the old woman; "but he is not little now. In years gone by he was a beautiful boy; now that is all past."
He came in, looking like a wild man, and he wore a slouched hat to protect his head from injury. In his hand he carried a club, cut from a mahogany tree in the American forests, not a trifle to carry.
"Whence do you come?" asked the mother.
"I come from the wilds of the forests, where the thorny brambles form thick hedges between the trees; where the water-snake lies in the wet grass, and mankind seem to be unknown."
"What were you doing there?"
"I looked into the deep river, and saw it rushing down from the rocks. The water drops mounted to the clouds and glittered in the rainbow. I saw the wild buffalo swimming in the river, but the strong tide carried him away amidst a flock of wild ducks, which flew into the air as the waters dashed onwards, leaving the buffalo to be hurled over the waterfall. This pleased me; so I raised a storm, which rooted up old trees, and sent them floating down the river."
"And what else have you done?" asked the old woman.
"I have rushed wildly across the savannahs; I have stroked the wild horses, and shaken the cocoa-nuts from the trees. Yes, I have many stories to relate; but I need not tell everything I know. You know it all very well, don't you, old lady?" And he kissed his mother so roughly, that she nearly fell backwards. Oh, he was, indeed, a wild fellow.
Now in came the South Wind, with a turban and a flowing Bedouin cloak.
"How cold it is here!" said he, throwing more wood on the fire. "It is easy to feel that the North Wind has arrived here before me."
"Why it is hot enough here to roast a bear," said the North Wind.
"You are a bear yourself," said the other.
"Do you want to be put in the sack, both of you?" said the old woman. "Sit down, now, on that stone, yonder, and tell me where you have been."
"In Africa, mother. I went out with the Hottentots, who were lion-hunting in the Kaffir land, where the plains are covered with grass the color of a green olive; and here I ran races with the ostrich, but I soon outstripped him in swiftness. At last I came to the desert, in which lie the golden sands, looking like the bottom of the sea. Here I met a caravan, and the travellers had just killed their last camel, to obtain water; there was very little for them, and they continued their painful journey beneath the burning sun, and over the hot sands, which stretched before them a vast, boundless desert. Then I rolled myself in the loose sand, and whirled it in burning columns over their heads. The dromedarys stood still in terror, while the merchants drew their caftans over their heads, and threw themselves on the ground before me, as they do before Allah, their god. Then I buried them beneath a pyramid of sand, which covers them all. When I blow that away on my next visit, the sun will bleach their bones, and travellers will see that others have been there before them; otherwise, in such a wild desert, they might not believe it possible."
"So you have done nothing but evil," said the mother. "Into the sack with you;" and, before he was aware, she had seized the South Wind round the body, and popped him into the bag. He rolled about on the floor, till she sat herself upon him to keep him still.
"These boys of yours are very lively," said the prince.
"Yes," she replied, "but I know how to correct them, when necessary; and here comes the fourth." In came the East Wind, dressed like a Chinese.
"Oh, you come from that quarter, do you?" said she; "I thought you had been to the garden of paradise."
"I am going there to-morrow," he replied; "I have not been there for a hundred years. I have just come from China, where I danced round the porcelain tower till all the bells jingled again. In the streets an official flogging was taking place, and bamboo canes were being broken on the shoulders of men of every high position, from the first to the ninth grade. They cried, 'Many thanks, my fatherly benefactor;' but I am sure the words did not come from their hearts, so I rang the bells till they sounded, 'ding, ding-dong.'"
"You are a wild boy," said the old woman; "it is well for you that you are going to-morrow to the garden of paradise; you always get improved in your education there. Drink deeply from the fountain of wisdom while you are there, and bring home a bottleful for me."
"That I will," said the East Wind; "but why have you put my brother South in a bag? Let him out; for I want him to tell me about the phoenix-bird. The princess always wants to hear of this bird when I pay her my visit every hundred years. If you will open the sack, sweetest mother, I will give you two pocketfuls of tea, green and fresh as when I gathered it from the spot where it grew."
"Well, for the sake of the tea, and because you are my own boy, I will open the bag."
She did so, and the South Wind crept out, looking quite cast down, because the prince had seen his disgrace.
"There is a palm-leaf for the princess," he said. "The old phoenix, the only one in the world, gave it to me himself. He has scratched on it with his beak the whole of his history during the hundred years he has lived. She can there read how the old phoenix set fire to his own nest, and sat upon it while it was burning, like a Hindoo widow. The dry twigs around the nest crackled and smoked till the flames burst forth and consumed the phoenix to ashes. Amidst the fire lay an egg, red hot, which presently burst with a loud report, and out flew a young bird. He is the only phoenix in the world, and the king over all the other birds. He has bitten a hole in the leaf which I give you, and that is his greeting to the princess."
"Now let us have something to eat," said the mother of the Winds. So they all sat down to feast on the roasted stag; and as the prince sat by the side of the East Wind, they soon became good friends.
"Pray tell me," said the prince, "who is that princess of whom you have been talking! and where lies the garden of paradise?"
"Ho! ho!" said the East Wind, "would you like to go there? Well, you can fly off with me to-morrow; but I must tell you one thing—no human being has been there since the time of Adam and Eve. I suppose you have read of them in your Bible."
"Of course I have," said the prince.
"Well," continued the East Wind, "when they were driven out of the garden of paradise, it sunk into the earth; but it retained its warm sunshine, its balmy air, and all its splendor. The fairy queen lives there, in the island of happiness, where death never comes, and all is beautiful. I can manage to take you there to-morrow, if you will sit on my back. But now don't talk any more, for I want to go to sleep;" and then they all slept.
When the prince awoke in the early morning, he was not a little surprised at finding himself high up above the clouds. He was seated on the back of the East Wind, who held him faithfully; and they were so high in the air that woods and fields, rivers and lakes, as they lay beneath them, looked like a painted map.
"Good morning," said the East Wind. "You might have slept on a while; for there is very little to see in the flat country over which we are passing unless you like to count the churches; they look like spots of chalk on a green board." The green board was the name he gave to the green fields and meadows.
"It was very rude of me not to say good-bye to your mother and your brothers," said the prince.
"They will excuse you, as you were asleep," said the East Wind; and then they flew on faster than ever.
The leaves and branches of the trees rustled as they passed. When they flew over seas and lakes, the waves rose higher, and the large ships dipped into the water like diving swans. As darkness came on, towards evening, the great towns looked charming; lights were sparkling, now seen now hidden, just as the sparks go out one after another on a piece of burnt paper. The prince clapped his hands with pleasure; but the East Wind advised him not to express his admiration in that manner, or he might fall down, and find himself hanging on a church steeple. The eagle in the dark forests flies swiftly; but faster than he flew the East Wind. The Cossack, on his small horse, rides lightly o'er the plains; but lighter still passed the prince on the winds of the wind.
"There are the Himalayas, the highest mountains in Asia," said the East Wind. "We shall soon reach the garden of paradise now."
Then, they turned southward, and the air became fragrant with the perfume of spices and flowers. Here figs and pomegranates grew wild, and the vines were covered with clusters of blue and purple grapes. Here they both descended to the earth, and stretched themselves on the soft grass, while the flowers bowed to the breath of the wind as if to welcome it. "Are we now in the garden of paradise?" asked the prince.
"No, indeed," replied the East Wind; "but we shall be there very soon. Do you see that wall of rocks, and the cavern beneath it, over which the grape vines hang like a green curtain? Through that cavern we must pass. Wrap your cloak round you; for while the sun scorches you here, a few steps farther it will be icy cold. The bird flying past the entrance to the cavern feels as if one wing were in the region of summer, and the other in the depths of winter."
"So this then is the way to the garden of paradise?" asked the prince, as they entered the cavern. It was indeed cold; but the cold soon passed, for the East Wind spread his wings, and they gleamed like the brightest fire. As they passed on through this wonderful cave, the prince could see great blocks of stone, from which water trickled, hanging over their heads in fantastic shapes. Sometimes it was so narrow that they had to creep on their hands and knees, while at other times it was lofty and wide, like the free air. It had the appearance of a chapel for the dead, with petrified organs and silent pipes. "We seem to be passing through the valley of death to the garden of paradise," said the prince.
But the East Wind answered not a word, only pointed forwards to a lovely blue light which gleamed in the distance. The blocks of stone assumed a misty appearance, till at last they looked like white clouds in moonlight. The air was fresh and balmy, like a breeze from the mountains perfumed with flowers from a valley of roses. A river, clear as the air itself, sparkled at their feet, while in its clear depths could be seen gold and silver fish sporting in the bright water, and purple eels emitting sparks of fire at every moment, while the broad leaves of the water-lilies, that floated on its surface, flickered with all the colors of the rainbow. The flower in its color of flame seemed to receive its nourishment from the water, as a lamp is sustained by oil. A marble bridge, of such exquisite workmanship that it appeared as if formed of lace and pearls, led to the island of happiness, in which bloomed the garden of paradise. The East Wind took the prince in his arms, and carried him over, while the flowers and the leaves sang the sweet songs of his childhood in tones so full and soft that no human voice could venture to imitate. Within the garden grew large trees, full of sap; but whether they were palm-trees or gigantic water-plants, the prince knew not. The climbing plants hung in garlands of green and gold, like the illuminations on the margins of old missals or twined among the initial letters. Birds, flowers, and festoons appeared intermingled in seeming confusion. Close by, on the grass, stood a group of peacocks, with radiant tails outspread to the sun. The prince touched them, and found, to his surprise, that they were not really birds, but the leaves of the burdock tree, which shone with the colors of a peacock's tail. The lion and the tiger, gentle and tame, were springing about like playful cats among the green bushes, whose perfume was like the fragrant blossom of the olive. The plumage of the wood-pigeon glistened like pearls as it struck the lion's mane with its wings; while the antelope, usually so shy, stood near, nodding its head as if it wished to join in the frolic. The fairy of paradise next made her appearance. Her raiment shone like the sun, and her serene countenance beamed with happiness like that of a mother rejoicing over her child. She was young and beautiful, and a train of lovely maidens followed her, each wearing a bright star in her hair. The East Wind gave her the palm-leaf, on which was written the history of the phoenix; and her eyes sparkled with joy. She then took the prince by the hand, and led him into her palace, the walls of which were richly colored, like a tulip-leaf when it is turned to the sun. The roof had the appearance of an inverted flower, and the colors grew deeper and brighter to the gazer. The prince walked to a window, and saw what appeared to be the tree of knowledge of good and evil, with Adam and Eve standing by, and the serpent near them. "I thought they were banished from paradise," he said.
The princess smiled, and told him that time had engraved each event on a window-pane in the form of a picture; but, unlike other pictures, all that it represented lived and moved,—the leaves rustled, and the persons went and came, as in a looking-glass. He looked through another pane, and saw the ladder in Jacob's dream, on which the angels were ascending and descending with outspread wings. All that had ever happened in the world here lived and moved on the panes of glass, in pictures such as time alone could produce. The fairy now led the prince into a large, lofty room with transparent walls, through which the light shone. Here were portraits, each one appearing more beautiful than the other—millions of happy beings, whose laughter and song mingled in one sweet melody: some of these were in such an elevated position that they appeared smaller than the smallest rosebud, or like pencil dots on paper. In the centre of the hall stood a tree, with drooping branches, from which hung golden apples, both great and small, looking like oranges amid the green leaves. It was the tree of knowledge of good and evil, from which Adam and Eve had plucked and eaten the forbidden fruit, and from each leaf trickled a bright red dewdrop, as if the tree were weeping tears of blood for their sin. "Let us now take the boat," said the fairy: "a sail on the cool waters will refresh us. But we shall not move from the spot, although the boat may rock on the swelling water; the countries of the world will glide before us, but we shall remain still."
It was indeed wonderful to behold. First came the lofty Alps, snow-clad, and covered with clouds and dark pines. The horn resounded, and the shepherds sang merrily in the valleys. The banana-trees bent their drooping branches over the boat, black swans floated on the water, and singular animals and flowers appeared on the distant shore. New Holland, the fifth division of the world, now glided by, with mountains in the background, looking blue in the distance. They heard the song of the priests, and saw the wild dance of the savage to the sound of the drums and trumpets of bone; the pyramids of Egypt rising to the clouds; columns and sphinxes, overthrown and buried in the sand, followed in their turn; while the northern lights flashed out over the extinguished volcanoes of the north, in fireworks none could imitate.
The prince was delighted, and yet he saw hundreds of other wonderful things more than can be described. "Can I stay here forever?" asked he.
"That depends upon yourself," replied the fairy. "If you do not, like Adam, long for what is forbidden, you can remain here always."
"I should not touch the fruit on the tree of knowledge," said the prince; "there is abundance of fruit equally beautiful."
"Examine your own heart," said the princess, "and if you do not feel sure of its strength, return with the East Wind who brought you. He is about to fly back, and will not return here for a hundred years. The time will not seem to you more than a hundred hours, yet even that is a long time for temptation and resistance. Every evening, when I leave you, I shall be obliged to say, 'Come with me,' and to beckon to you with my hand. But you must not listen, nor move from your place to follow me; for with every step you will find your power to resist weaker. If once you attempted to follow me, you would soon find yourself in the hall, where grows the tree of knowledge, for I sleep beneath its perfumed branches. If you stooped over me, I should be forced to smile. If you then kissed my lips, the garden of paradise would sink into the earth, and to you it would be lost. A keen wind from the desert would howl around you; cold rain fall on your head, and sorrow and woe be your future lot."
"I will remain," said the prince.
So the East Wind kissed him on the forehead, and said, "Be firm; then shall we meet again when a hundred years have passed. Farewell, farewell." Then the East Wind spread his broad pinions, which shone like the lightning in harvest, or as the northern lights in a cold winter.
"Farewell, farewell," echoed the trees and the flowers.
Storks and pelicans flew after him in feathery bands, to accompany him to the boundaries of the garden.
"Now we will commence dancing," said the fairy; "and when it is nearly over at sunset, while I am dancing with you, I shall make a sign, and ask you to follow me: but do not obey. I shall be obliged to repeat the same thing for a hundred years; and each time, when the trial is past, if you resist, you will gain strength, till resistance becomes easy, and at last the temptation will be quite overcome. This evening, as it will be the first time, I have warned you."
After this the fairy led him into a large hall, filled with transparent lilies. The yellow stamina of each flower formed a tiny golden harp, from which came forth strains of music like the mingled tones of flute and lyre. Beautiful maidens, slender and graceful in form, and robed in transparent gauze, floated through the dance, and sang of the happy life in the garden of paradise, where death never entered, and where all would bloom forever in immortal youth. As the sun went down, the whole heavens became crimson and gold, and tinted the lilies with the hue of roses. Then the beautiful maidens offered to the prince sparkling wine; and when he had drank, he felt happiness greater than he had ever known before. Presently the background of the hall opened and the tree of knowledge appeared, surrounded by a halo of glory that almost blinded him. Voices, soft and lovely as his mother's sounded in his ears, as if she were singing to him, "My child, my beloved child." Then the fairy beckoned to him, and said in sweet accents, "Come with me, come with me." Forgetting his promise, forgetting it even on the very first evening, he rushed towards her, while she continued to beckon to him and to smile. The fragrance around him overpowered his senses, the music from the harps sounded more entrancing, while around the tree appeared millions of smiling faces, nodding and singing. "Man should know everything; man is the lord of the earth." The tree of knowledge no longer wept tears of blood, for the dewdrops shone like glittering stars.
"Come, come," continued that thrilling voice, and the prince followed the call. At every step his cheeks glowed, and the blood rushed wildly through his veins. "I must follow," he cried; "it is not a sin, it cannot be, to follow beauty and joy. I only want to see her sleep, and nothing will happen unless I kiss her, and that I will not do, for I have strength to resist, and a determined will."
The fairy threw off her dazzling attire, bent back the boughs, and in another moment was hidden among them.
"I have not sinned yet," said the prince, "and I will not;" and then he pushed aside the boughs to follow the princess. She was lying already asleep, beautiful as only a fairy in the garden of paradise could be. She smiled as he bent over her, and he saw tears trembling out of her beautiful eyelashes. "Do you weep for me?" he whispered. "Oh weep not, thou loveliest of women. Now do I begin to understand the happiness of paradise; I feel it to my inmost soul, in every thought. A new life is born within me. One moment of such happiness is worth an eternity of darkness and woe." He stooped and kissed the tears from her eyes, and touched her lips with his.
A clap of thunder, loud and awful, resounded through the trembling air. All around him fell into ruin. The lovely fairy, the beautiful garden, sunk deeper and deeper. The prince saw it sinking down in the dark night till it shone only like a star in the distance beneath him. Then he felt a coldness, like death, creeping over him; his eyes closed, and he became insensible.
When he recovered, a chilling rain was beating upon him, and a sharp wind blew on his head. "Alas! what have I done?" he sighed; "I have sinned like Adam, and the garden of paradise has sunk into the earth." He opened his eyes, and saw the star in the distance, but it was the morning star in heaven which glittered in the darkness.
Presently he stood up and found himself in the depths of the forest, close to the cavern of the Winds, and the mother of the Winds sat by his side. She looked angry, and raised her arm in the air as she spoke. "The very first evening!" she said. "Well, I expected it! If you were my son, you should go into the sack."
"And there he will have to go at last," said a strong old man, with large black wings, and a scythe in his hand, whose name was Death. "He shall be laid in his coffin, but not yet. I will allow him to wander about the world for a while, to atone for his sin, and to give him time to become better. But I shall return when he least expects me. I shall lay him in a black coffin, place it on my head, and fly away with it beyond the stars. There also blooms a garden of paradise, and if he is good and pious he will be admitted; but if his thoughts are bad, and his heart is full of sin, he will sink with his coffin deeper than the garden of paradise has sunk. Once in every thousand years I shall go and fetch him, when he will either be condemned to sink still deeper, or be raised to a happier life in the world beyond the stars."