NATURE CRITICISED BY ART.

NATURE CRITICISED BY ART.

JENNY LIND’S PROPITIATORY ACCEPTANCE OF ONE INVITATION FROM NEW YORK FASHIONABLE SOCIETY—THE HISTORY OF THE DAY OF WHICH IT WAS THE EVENING—HER MARTYRDOM BY CHARITY-SEEKERS AND OTHER WANTERS OF MONEY AND GRATIFIERS OF THEIR OWN IMPERTINENT CURIOSITY—THE CRITICISM OF HER MANNERS AT THE PARTY, AS GIVEN IN THE ‘COURIER DES ETATS UNIS’—A COUNTER-PICTURE OF HER CONVERSATION AND APPEARANCE—SINGULAR ACCIDENTAL ‘TABLEAU VIVANT,’ &C. &C.

The stars shine by the light their elevation still enables them to receive from the day that has gone past; and—though there would be a severity in limiting ordinary belles to shine in the evening only according to the lofty position given them by their course through the morning—it is but just that those whose mornings so lift them above us that they would shine in heaven itself, should at least be looked up to with that appreciating deference, which we give more to stars than to lights we can trim and brighten. We have expressed, in this similitude, why a late severe criticism of Jenny Lind’s manners and appearance at an evening party in New York society, seems to us as inappreciative and irreverent as it is inaccordant with our own observation of what it describes. Our friend M. de Trobriand, who wrote it, has, in many previous articles, expressed the same national pique and national want of sympathy with the Northern Songstress and Benefactress. She has refused to sing in Paris, it is true. She has openly avowed her distaste for French customs and standards. She knew, doubtless, when our friend was presented to her, that he was a Frenchman, and the editor of a French paper which had invariably disparaged and ridiculed her; and, when he spoke to her in three languages, (as he did,) and she answered only in monosyllables, (as was the case,) he could (reasonably, we think) have attributed it to something beside dullness. A fashionable belle might have put aside a national prejudice, to be agreeable to an elegant nobleman brought up at a Court—but it would have been very unlike honest and simple Jenny Lind. For the monosyllables to our friend it is easy to account, thus, without blame to her. For those she gave to others, there is still a better apology, if one were needed—but, let us precede what we wish to say of this, by translating the passage to which we are replying:—

“Jenny Lind danced very little—but once, if I remember rightly, and without evincing any of that ardor of movement which people had pleased themselves by gratuitously according to her. She talked as little, and, take it altogether, her celebrity would not have been so great, if her singing had been as disappointing as her personal appearance. We must be excused if we follow her, with pen in hand, even into the drawing-rooms, where she found herself in contact with a less numerous but more select, and if we put upon their guard for the future, those who believe, upon hearsay, in the brilliant sayings, the enchanting graces, the affable reception of courtesies, etc. etc. of Miss Lind, as seen by the naked eye, and without the illusion of an opera-glass. When she ceases to sing, and begins to converse, the celebrated Swede becomes extremely national again. She has, in her voice, but two favorite notes, which she never varies, they say, but for the privileged, and to which she adheres, with a persistence which ordinary martyrs cannot break through—and these two notes areYesandNo.”

“Jenny Lind danced very little—but once, if I remember rightly, and without evincing any of that ardor of movement which people had pleased themselves by gratuitously according to her. She talked as little, and, take it altogether, her celebrity would not have been so great, if her singing had been as disappointing as her personal appearance. We must be excused if we follow her, with pen in hand, even into the drawing-rooms, where she found herself in contact with a less numerous but more select, and if we put upon their guard for the future, those who believe, upon hearsay, in the brilliant sayings, the enchanting graces, the affable reception of courtesies, etc. etc. of Miss Lind, as seen by the naked eye, and without the illusion of an opera-glass. When she ceases to sing, and begins to converse, the celebrated Swede becomes extremely national again. She has, in her voice, but two favorite notes, which she never varies, they say, but for the privileged, and to which she adheres, with a persistence which ordinary martyrs cannot break through—and these two notes areYesandNo.”

In all the countries where she has been, Miss Lind has invariably avoided gay and fashionable society, dividing what leisure she could command, between a few friends chosen with reference to nothing but their qualities of heart, and the visits of charity to institutions or individuals she could benefit. Pleasure, as pursued in “the first society,” seems wholly distasteful to her. In New York, however, great dissatisfaction had been expressed at her refusals of invitations, her non-delivery of letters of introduction which were known to have been given to her in England, and her inaccessibility by “the first people.” This troubled her, for she feels grateful to our country for the love poured forth to her, and is unwilling to offend any class of its citizens, high or low. From a lady, therefore, with whom she had formed a very intimate and confiding friendship, she accepted an invitation to an evening party, to be given the day after her last concert in this city. It was at this party that M. de Trobriand describes her, in the article from which we have quoted above. The country villa at which it was given is the most tasteful and sumptuous residence in the neighborhood of New York, and a select company from the most refined circles of society was there to meet her. Before giving our own impression of how she appeared at this party, it may be, not only just but instructive, to tell how she had passed the day of which this was the evening.

It was the morning after her closing Concert, and among the business to be attended to, (in the winding up of a visit to a city where she had given away $30,000 in charity,) was the result certified to in the following report:

“The undersigned, a Committee named by Miss Lind to divide the appropriation of the sum of five thousand and seventy-three dollars and twenty cents, [$5,073 20] the proceeds of the Morning Concert recently given by that lady for charitable purposes, have distributed the said fund as follows:New York. Nov. 26, 1850.C. S. WOODHULL,R. BAIRD,R. B. MINTURN,WM. H. ASPINWALL,JOHN JAY.”To the society for improving the condition of the poor,$1,000 00To the society for relief of widows with poor children,300 00To the Roman Catholic Orphan Asylum,300 00To the Female Assistance Society,300 00To the Eastern Dispensary,250 00To the Northern Dispensary,250 00To the Eye and Ear Infirmary,250 00To the Hebrew Benevolent Society,200 00To the Home Branch of the Prison Association,200 00To the Home for destitute children of Seamen200 00To the Institution for education and care of homeless and destitute boys,100 00To the relief of poor Swedes and Norwegians in the city of New York, per the Rev. Mr. Hedstrom,273 20To the distribution of Swedish Bibles and Testaments in New York200 00To the Brooklyn Orphan Asylum,250 00To the relief of the poor of Williamsburgh,100 00To the relief of the poor of Newark,100 00To the relief of the poor of Jersey City,100 00To the National Temperance Society, $200; to the relief of the poor at the Five Points, by the Temperance Association, Rev. Mr. Pease, President, $200; to the American Temperance Union500 00To the St. George’s Society500 00————Total,$5,073 20

“The undersigned, a Committee named by Miss Lind to divide the appropriation of the sum of five thousand and seventy-three dollars and twenty cents, [$5,073 20] the proceeds of the Morning Concert recently given by that lady for charitable purposes, have distributed the said fund as follows:

New York. Nov. 26, 1850.

There was also another matter which formed an item in the “squaring up” of the New York accounts on that day. A paragraph had reached her, making mention of a Swedish sailor who had perished in endeavoring to save the lives of passengers, on the wreck of a vessel. Jenny Lind had sent to the Swedish Consul to make inquiries whether he had left a family. His widow and children were found by Mr. Habicht, and Jenny had sent him five hundred dollars for their use. This was mentioned by the Consul to a lady, who mentioned it to us, and by this chance alone it becomes public.

But, while all these sufferers were receiving her bounty, and she was settling with Banks and Managers for the payments—what else was her life made up of, on that day?

It was half-past nine in the morning, and three servants of the hotel, and two of her own servants, had been ordered to guard her rooms till she could eat her breakfast. Well-dressed ladies cannot be stopped by men servants, in this country, however, and her drawing-room was already half full of visiters “on particular business,” who had crowded past, insisting on entrance. Most of them were applicants for charities, some for autographs, some to offer acquaintance, but none, of course, with the least claim whatever on her pocket or her time. A lady-friend, who was admitted by her servant, saw the onslaught of these intruders, as she rose from her breakfast,—(fatigued and dispirited as she always is after the effort and nervous excitement of a concert)—and this friend was not a little astonished at her humble and submissive endurance.

First came a person who had sent a musical box for her to look at, and, as “she had kept it,” he wanted the money immediately. Jenny knew nothing of it, but the maid was called, who pointed to one which had been left mysteriously in the room, and the man was at liberty to take it away, but would not do it, of course, without remonstrance and argument. Then advanced the lady-beggars, who, in so many instances, have “put the screw to her” in the same way, that, without particularizing, we must describe them as a class. To such unexamined and unexpected applications, Miss Lind has usually offered twenty or thirty dollars, as the shortest way to be left to herself. In almost every instance, she has had this sum returned to her, with some reproachful and disparaging remark, such as—“We did not expect this pittance fromyou!” “We have been mistaken in your character, Madam, for we had heard you were generous!” “This from Miss Lind, is too little to accept, and not worthy of you!” “Excuse us, we came for a donation, not for alms!”—these and similar speeches, of which, we are assured, Jenny Lind has had one or more specimens, every day of her visit to New York! With one or two such visiters on the morning we speak of, were mingled applicants for musical employment; passionate female admirers who had come to express their raptures to her; a dozen ladies with albums; one or two with things they had worked for her, for which, by unmistakable tokens, they expected diamond rings in return; one who had come indignantly to know why a note containing a poem had not been answered; and constant messages, meantime, from those who had professional and other authorized errands requiring answers. Letters and notes came in at the rate of one every other minute.

This sort of “audience” lasted, at Miss Lind’s rooms,all day. To use her own expression, she was “torn in pieces”—and it was by those whom nothing would keep out. A police force would have protected her, but, while she habitually declined the calls and attentions of fashionable society, she was in constant dread of driving more humble claimants from her door. She submitted,every day, to the visits of strangers, as far as strength, and her professional duties, would any way endure—but, as her stay in a place drew to a close, the pressure became so pertinacious and overwhelming as to exceed what may be borne by human powers of attention, human spirits and human nerves. Her imperfect acquaintance with our language, of course, very materially increased the fatigue—few people speaking simply and distinctly enough for a foreigner, and the annoyance of answering half-understood remarks from strangers, or of requesting from them a repetition of a question, being a nervous exercise, for six or eight hours together, which the reader will easily allow to be “trying.”

But—though we have thus explained how there were excuse enough for ever so monosyllabic a reception of introductions, by Jenny Lind, that evening—our own impression of her address and manners was very different from that of the gay Baron. Let us tell, in turn, whatwesaw, though our discourse is getting long, and though our rule is never to put private society into print except as hominy comes to market—the kernel of the matter, with no clue to the stalk that bore it, or thefieldin which it grew.

The party was at a most lovely villa, ten miles from town on the bank of the Hudson, and the invitations were to an “At Home, at five P. M.” We were somewhat late, and were told, on reaching the drawing-room, that Jenny Lind had just danced in a quadrille, and was receiving introductions in a deep alcove of one of the many apartments opening from the hall. The band was playing delightfully in a central passage from which the principal rooms radiated; and, while the dance was still going on beyond, and the guests were rambling about in the labyrinths of apartments crowded with statuary, pictures, and exotic trees laden with fruits and flowers, there was a smaller crowd continually renewed at the entrance of the alcove which caged the beloved Nightingale.

Succeeding, after a while, in getting near her, we found her seated in lively conversation with a circle of young ladies, and, (to balance M. de Trobriand’s account of her monosyllabic incommunicativeness,) we may venture to add, that she received us with a merry inquiry as to which world we came from. This wasaproposof the “spirit-knockings” which we had accompanied her to visit a few days before; and a remark of her own, a moment or two after, was characteristic enough to be also worth recording. We had made a call on the same “Spirit” since, and proceeded to tell her of the interview, and of a question we asked them concerning herself—her love of fun and ready wit commenting with droll interruptions as the narrative went on. We named the question at last:—“Has Jenny Lind any special talent which she would have developed but for the chance possession of a remarkable voice; and if so what is it?”

“And the spirit said it was making frocks for poor little children, I suppose,” was her immediate anticipation of the reply—uttered with an expression of arch earnestness, which confirmed us in the opinion we have gradually formed, that the love of the comic and joyous is the leading quality in her temperament.

Miss Lind complained repeatedly of great exhaustion and fatigue, during the evening, and, (as a lady remarked who had seen her frequently in private,) looked “as if she could hardly sustain herself upon her feet.” During the time that we remained near her, there were constant introductions, and she was constantly conversing freely—though, of course, when three or four were listening at a time, there must have been some who received only “monosyllables” of reply. We noticed one thing, however, which we had noticed before, and which we safely record as a peculiarity of Miss Lind’s—perhaps the one which has jarred upon the Parisian perceptions of our courtly friend. She is a resolute non-conformist to the flattering deceptions of polite society. She bandies no compliments. If a remark is made which has no rebound to it, she drops it with a “monosyllable,” and without gracing its downfall with an insincere smile. She affects no interest which she does not feel—puts an abrupt end to a conversation which could only be sustained by mutual pretence of something to say—differs suddenly and uncompromisingly when her sense of truth prompts her so to do—repels, (instead of even listening silently to,) complimentary speeches—in fact is, at all times, so courageously and pertinaciously honest and simple, that “society,” as carried on in “the first circles,” is no atmosphere for her. If she were an angel in disguise on a mission to this world, (which we are by no means sure she is not,) we should expect the elegant M. de Trobriand—l’homme comme il faut, belonging to a Court of Exiled Royalty—to describe her precisely as he does.

But our friend has written one more sentence, against which he must put atableau en vis-à-vis. He says:—“Her celebrity would not have been what it is, very certainly, if her singing had ever produced as much disappointment as her personal appearance.” Let us conclude this very long discourse, (which we hope our friends have Niblo-fied with a “half hour for refreshment” at some convenient betweenity,) with a picture of Jenny Lind, as we saw her, a few minutes before she took leave, on the evening of the party:—

The dancing and drawing-rooms were deserted, and the company were at supper. Miss Lind, too tired to stand up with the crowd, had been waited on by one of the gentlemen of the family, and now sat, in one of the deep alcoves of the saloon farthest removed from the gay scene, with one of the trellised windows, which look out upon the park, forming a background to her figure. We sought her to make our adieux, presuming we should not see her again before her departure for the South, and chance presented her to our eye with a combination of effect that we shall remember, certainly, till the dawn of another light throws a twilight over this. An intimate friend, with kind attentiveness, was rather preserving her from interruption than talking with her, and she sat in a posture of careless and graceful repose, with her head wearily bent on one side, her eyes drooped, and her hands crossed before her in the characteristic habit which has been seized by the painters who have drawn her. There was an expression of dismissed care replaced by a kind of child-like and innocent sadness, that struck us as inexpressibly sweet—which we mentally treasured away, at the time, as another of the phases of excessive beauty of which that strong face is capable—and, as we looked at her, there suddenly appeared, through the window behind, half concealed by her shoulder, the golden edge of the just risen moon. It crept to her cheek, before she had changed the attitude in which she indolently listened to her friend, and, for a moment, the tableau was complete, (to our own eye as we stood motionless)—of a drooping head pillowed on the bosom of the Queen of Night. It was so startling, and at the same time so apt and so consistent, that, for an instant, it confused our thoughts, as the wonders of fairy transitions confuse realities in the perceptions of a child—but the taking of a step forward disturbed the tableau, and we could, then, only call her own attention and that of one or two gentlemen who had come up, to the bright orb lifting behind her. The moment after, she had said good-night, and was gone—little dreaming, in her weary brain, that she had been made part, by Nature, at one of the fatigued instants just past in a picture—than which an angel, thoughtfully reposing in heaven, could scarce have been more beautiful.

Parts of the foregoing, of course, we should never have unlocked from our casket of memories, but as a counter-balance to different impressions of the same admired object, recorded by a pen we are fond of. There is another purpose that portions of the article may serve, however—the making the Public aware how pretended charity-seekers, and intrusive visitors, persecute and weary the noble creature who is now sojourning in the country, and the showing through how much difficulty and hinderance she accomplishes her work. We would aid, if we could, in having her rightly understood while she is among us.

JENNY LIND.

An engraving ordered upon the inside of a wedding ring—Otto Goldschmidt to Jenny Lind—gave the news of a certain event to “Ball, Tompkins & Black,” a week before it was telegraphed to the papers. Jewellers keep secrets. The ring went to its destiny, unwhispered of. Its spring—for it is fastened with a spring—has closed over the blue vein that has so oft carried to that third finger the news of the heart’s refusal to surrender.Jenny Lind loves.She who filled more place in the world’s knowledge and attention than Sweden itself—the Swede greater than Sweden—has acknowledged “the small, sweet need of woman to be loved.” Her star-name, which she had spent half a life, with energy unequalled, in placing bright and alone in the heaven of renown, is merged after all in the Via Lactea of common humanity. “Jenny Lind” is awife.

A year or more ago, Jenny Lind stood by the cradle of a sleeping and beautiful infant. She looked at it, long and thoughtfully, stooped and kissed its heel and the back of its neck, (the Swedish geography, we believe, for a kiss with a blessing to a child) and, turning to its mother, said, with a deep sigh, “Youhave something to live for!” She was, at this time, in the busiest tumult of a welcome by half a world. Her ambition—so athirst from the first dawn of her mind that it seemed to have absorbed her entire being—had a full cup at its lips. She was, with unblemished repute, the most renowned of living women, and with the fortune and moral power of a queen. Yet, up from the heart under it all—a heart so deep down under pyramids of golden laurels—the outermost approach to which was apparently hidden in clouds of incense—comes a sigh over the cradle of a child!

At one of the concerts of Jenny Lind, at Tripler Hall—we forget just how long ago—a newly arrived pianist made his first appearance. There was little curiosity about him. The songstress, whom the thousands present had gone only to hear, sang—lifting all hearts into the air she stirred, to drop back with an eternal memory of her, when she ceased. And then came—according to programme—“HerrOtto Goldschmidt.” He played, and the best-educated musical critic in New-York said to a lady sitting beside him, “The audience don’t know what playing that is!” But the audience had another object for their attention. The side door of the stage had opened, and Jenny Lind, breaking through her accustomed rule of reserving her personal presence for her own performances, stood in full view as a listener. The eyes of the audience were on her, but hers were on the player. She listened with absorbed attention, nodding approbation at the points of artistic achievement, and, when he closed, (four thousand people will remember it,) she took a step forward upon the stage, and beat her gloved hands together with enthusiasm unbounded. The audience put it down to her generous sympathy for a modest young stranger; and so, perhaps did the recording angel—with a prophetic smile!

We are sorry we can give our far-away readers no assistance in their efforts to form an idea of the Nightingale’s mate. Ladies are good observers, and one who remembers to have looked to see the effect of Jenny Lind’s compliment, on the new-comer, tells us he was “a pale, thin, dreamy, poetical-looking youth.” He will soon be seen and described, however, if newspapers live; but, meantime, if we were to give a guess at the sort of man he is, we should begin with one probability—that he is the most unworldly, unaffected, and truth-loving, of all the mates that have ever offered to fold wing beside her. With what she has seen of the world and of the stuff for husbands, Jenny Lind has probably come round to whence she started—choosing, like a child, by the instinct of the heart. HerOtto-biography will show how wisely.

The interest in Jenny Lind’s marriage is as varied as it is tender and respectful. There is scarce a woman in the land, probably, who, if she felt at liberty to do so, would not send her a bridal token. But there is more than a sisterly well-wishing, in the general excitement among her own sex on the subject. The power, in one person, of trying, purely and to such completeness, the two experiments for happiness—love and fame—were interesting enough; but it is strange and exciting to see the usual order reversed—fame first, and love afterwards. To turn unsatisfied from love to fame, has been a common transit in the history of gifted women. To turn unsatisfied from fame to love—and that, too, with no volatile caprice of disappointment, but with fame’s most brimming cup fairly won and fully tasted—is a novelty indeed. Simple every day love, with such experience on the heart’s record before it, has never been pictured, even in poetry.

Jenny Lind has genius, and the impulses and sensibilities of genius are an eternal Spring. She is more right and wise than would seem probable at a first glance, in marrying one younger than herself. The Summer and Autumn of a heart that observes the common Seasons of life, will pass and leave her the younger. Her prospect for happiness seems to us, indeed, all brightness. The “world without” well tried, and found wanting—public esteem wherever she may be, and fortune ample and of her own winning—the tastes of both bride and bridegroom cultured for delightful appreciation, and the lessons of the school of adversity in the memory of both—it seems as if “circumstances,” that responsible committee of happiness, could scarce do more. Frau Goldschmidt will be happier than Jenny Lind, we venture to predict. God bless her!

THE KOSSUTH DAY.

THE MAGYAR AND THE AZTEC, OR THE TWO EXTREMES OF HUMAN DEVELOPMENT.

The great Magyar’s first impression of Broadway—if he was cool enough to lay it away with tolerable distinctness—will be as peculiar material for future dream and remembrance as any spectacle in which he could have taken part. The excessive brilliancy of the weather made a novel portion of it, to him. They do not see such sunshine nor breathe such elastic air where the world is older. It was an American day, juicy and fruity—a slice, full of flavor, from the newly-cut side of a planet half eaten. But there were features in the pageant, beside, which were probably new to the Magyar. A town all dressed with flags and transparencies, and streets crowded with people, he may have been welcomed by, before. Poles and bunting are easily made enthusiastic, and so are the crowds afloat in a large city. We went out, for one, expecting these demonstrations only. What was new—what gave the Magyar a welcome unforeseen and peculiar—was the two miles of French bonnets and waving cambric pocket-handkerchiefs through which he passed—two miles of from three to six-story houses, and every window crowded with fair faces, and alive with gloved hands waving the perfumed white flags of individual admiration.

Theladiesof America have received Kossuth as their hero—and this is not a trifle. It might readily have been foreseen, however. The dominant intellect and purpose that can control the mind of a nation, and the perseverance that can follow its cause to imprisonment and exile, make a statesman and patriot worth seeing—even if that were all. But Kossuth is,besides, “potent with sword and pen”—he is,besides, eloquent beyond all living men—he is,besides, heroic-looking, courteous and high-bred—and he is,besides all this, a faultless husband and parent. That he dresses picturesquely in furs and velvet, wears “light kid gloves” and a moustache, and has a carefully set feather in his hat, may be disparagements among the men—but not among the ladies. He is, to them, all that he could be or should be—nothing that he should not be. And when we remember what the ladies are, in our country—free to read, and expand in intellect, while their husbands and brothers drudge and harrow—we can safely repeat what we say above, that thelady-constituencywhich welcomed Kossuth to America, and will sustain him here, is by no means a trifle.

It was really curious, (to leave speculation and confine ourself to description, that is more amusing,) to be one in the crowd on the reception day, and observe the character of the enthusiasm. We followed the carriage of Kossuth, ourself, from the Astor House to Leonard street—half-a-mile—and can speak of Broadway for that much of his progress. In this country (where there is no window tax, and every house is as full of windows as a sieve is full of holes,) the houses look like flat-sided beehives, to a foreigner’s eye; and the sudden outbreak, apparently, of every brick with a pocket-handkerchief, as he rode along, must have seemed to Kossuth very extraordinary. The houses looked hidden in snowflakes of immense size. It was an aisle between walls of waving cambric—and, either from the oddity of this phenomenon, or from the attractive glimpses of the smiles behind them, all eyes were on the windows and handkerchiefs, none on the sidewalks and soldiers. As far as we saw, it was a show of elegantly-dressed ladies, throughout; and, of the beauty and taste of the city, the discriminating Magyar can have received no indifferent idea. We did not know, (or had “forgotten, in the press of business,”) that so much loveliness was around us, and we are very sure that Kossuth will never see so much assembled in any city of Europe.

The rest of the show—the troops, flags, arches and civic ceremonies—are over-described in the other papers; and, of Kossuth himself we omit any special mention till we have seen him closer and heard him speak. In our next number, perhaps, we shall be able to portray him for our distant readers, with some material for accuracy.

At the same time that the “greatestspecimen of humanity” was thus passing in triumph on one side of the Park, thesmallestspecimen of humanity was comfortably lodged upon the other. We crossed over—partly to astonish the same ten minutes with a sight of the two extremes of human nature, (contrasts so help one to realize things,) and partly in the way of humble servant to our readers, for whom we are bound to take every means to be astonished—and called upon theAztec Children, at the Clinton. We will precede our account of the visit, by a sketch of the facts concerning them, which we find in theEvening Post:

“The two children of the South American race, commonly called the Aztec Children, have recently been brought to this city. They are altogether the most remarkable specimens of the human species we have seen—decidedly human, yet so variant from the common type of our race, so peculiar in conformation of features, in size, attitude and gesture, that they impress one at first with a feeling for which surprise is hardly the true name. One can hardly help at first looking upon them as belonging to the race of gnomes with which the superstition of former times once peopled the chambers of the earth—a tradition which some have referred to the existence of an ancient race, of diminutive stature, dwelling in caverns, and structures of unhewn stones, which have long since disappeared.“The race to which they appear to belong—with precisely the remarkable conformation of skull—has hitherto been thought to be extinct. That it did once exist, and was a numerous and populous race, is proved, not so much by the sculptures of Yucatan—though these furnish corroborative proof—as by the skulls found in the ancient burial places of Peru and Brazil. These skulls have much occupied the attention of ethnologists, to whom they have furnished arguments and difficulties in the controversy concerning the unity of the human race. Until now, however, it has been agreed that no living sample of this extraordinary variety was remaining on the surface of the globe.“The manner in which these specimens of a race supposed no longer to exist have been procured, is related in a pamphlet just printed, entitled ‘A Memoir of an Eventful Expedition in Central America,’ partly compiled and partly translated from the Spanish of Pedro Velasquez, of San Salvador. Our readers will remember the account given in Stevens’s Travels in Central America, of a large city among the mountains of Central America, inhabited by a race which had never been subdued by the white man, and the inhabitants of which slew every white man who penetrated into their country.“Two young men, Mr. Huertis, of Baltimore, and Mr. Hammond, a civil engineer, of Upper Canada, determined to visit this city. They landed at Balize, in the autumn of 1848, and proceeded to Copan, where they were joined by Velasquez, the author of the narrative. He accompanied them to Santa Cruz del Quiche, where the curate lived who gave Mr. Stevens the account of the mysterious and inaccessible city, the white limits of which he had seen from the mountains, glittering in the sun.“They obtained a guide, climbed the mountains, and were rewarded with a view of the city—the city of Ivimaya. It was of vast dimensions, with lofty walls and domes of temples. They were not permitted to enter, however, without fighting for it, and an engagement took place between the inhabitants and the visiters, in which the former, who were without the use of fire-arms, were worsted, and consented to admit the strangers into the city.“It was not expected, however, that the guests would ever leave the city, and accordingly they were carefully watched. Hammond died at Iximaya, but Huertis and Velasquez made their escape, carrying with them two orphan children—the children who are now in this city—of the ancient priestly race, who are described in the following paragraph—“The place of residence assigned to our travellers, was the vacant wing of a spacious and sumptuous structure at the western extremity of the city, which had been appropriated, from time immemorial, to the surviving remnant of an ancient and singular order of priesthood, called Kaanas, which it was distinctly asserted, in their annals and traditions, had accompanied the first migration of this people from the Assyrian plains. Their peculiar and strongly distinctive lineaments, it is now perfectly well ascertained are to be traced in many of the sculptured monuments of the central American ruins, and were found still more abundantly on those of Iximaya. Forbidden, by inviolably sacred laws, from intermarrying with any persons but those of their own caste, they had dwindled down in the course of many centuries, to a few insignificant individuals, diminutive in stature, and imbecile in intellect. They were, nevertheless, held in high veneration and affection by the whole Iximayan community, probably as living specimens of an antique race so nearly extinct. Their position, as an order of priesthood, it is now known, had not been higher, for many ages, if ever, than that of religious mimes and bacchanals in a certain class of pagan ceremonies, highly popular with the multitude.”

“The two children of the South American race, commonly called the Aztec Children, have recently been brought to this city. They are altogether the most remarkable specimens of the human species we have seen—decidedly human, yet so variant from the common type of our race, so peculiar in conformation of features, in size, attitude and gesture, that they impress one at first with a feeling for which surprise is hardly the true name. One can hardly help at first looking upon them as belonging to the race of gnomes with which the superstition of former times once peopled the chambers of the earth—a tradition which some have referred to the existence of an ancient race, of diminutive stature, dwelling in caverns, and structures of unhewn stones, which have long since disappeared.

“The race to which they appear to belong—with precisely the remarkable conformation of skull—has hitherto been thought to be extinct. That it did once exist, and was a numerous and populous race, is proved, not so much by the sculptures of Yucatan—though these furnish corroborative proof—as by the skulls found in the ancient burial places of Peru and Brazil. These skulls have much occupied the attention of ethnologists, to whom they have furnished arguments and difficulties in the controversy concerning the unity of the human race. Until now, however, it has been agreed that no living sample of this extraordinary variety was remaining on the surface of the globe.

“The manner in which these specimens of a race supposed no longer to exist have been procured, is related in a pamphlet just printed, entitled ‘A Memoir of an Eventful Expedition in Central America,’ partly compiled and partly translated from the Spanish of Pedro Velasquez, of San Salvador. Our readers will remember the account given in Stevens’s Travels in Central America, of a large city among the mountains of Central America, inhabited by a race which had never been subdued by the white man, and the inhabitants of which slew every white man who penetrated into their country.

“Two young men, Mr. Huertis, of Baltimore, and Mr. Hammond, a civil engineer, of Upper Canada, determined to visit this city. They landed at Balize, in the autumn of 1848, and proceeded to Copan, where they were joined by Velasquez, the author of the narrative. He accompanied them to Santa Cruz del Quiche, where the curate lived who gave Mr. Stevens the account of the mysterious and inaccessible city, the white limits of which he had seen from the mountains, glittering in the sun.

“They obtained a guide, climbed the mountains, and were rewarded with a view of the city—the city of Ivimaya. It was of vast dimensions, with lofty walls and domes of temples. They were not permitted to enter, however, without fighting for it, and an engagement took place between the inhabitants and the visiters, in which the former, who were without the use of fire-arms, were worsted, and consented to admit the strangers into the city.

“It was not expected, however, that the guests would ever leave the city, and accordingly they were carefully watched. Hammond died at Iximaya, but Huertis and Velasquez made their escape, carrying with them two orphan children—the children who are now in this city—of the ancient priestly race, who are described in the following paragraph—

“The place of residence assigned to our travellers, was the vacant wing of a spacious and sumptuous structure at the western extremity of the city, which had been appropriated, from time immemorial, to the surviving remnant of an ancient and singular order of priesthood, called Kaanas, which it was distinctly asserted, in their annals and traditions, had accompanied the first migration of this people from the Assyrian plains. Their peculiar and strongly distinctive lineaments, it is now perfectly well ascertained are to be traced in many of the sculptured monuments of the central American ruins, and were found still more abundantly on those of Iximaya. Forbidden, by inviolably sacred laws, from intermarrying with any persons but those of their own caste, they had dwindled down in the course of many centuries, to a few insignificant individuals, diminutive in stature, and imbecile in intellect. They were, nevertheless, held in high veneration and affection by the whole Iximayan community, probably as living specimens of an antique race so nearly extinct. Their position, as an order of priesthood, it is now known, had not been higher, for many ages, if ever, than that of religious mimes and bacchanals in a certain class of pagan ceremonies, highly popular with the multitude.”

“The place of residence assigned to our travellers, was the vacant wing of a spacious and sumptuous structure at the western extremity of the city, which had been appropriated, from time immemorial, to the surviving remnant of an ancient and singular order of priesthood, called Kaanas, which it was distinctly asserted, in their annals and traditions, had accompanied the first migration of this people from the Assyrian plains. Their peculiar and strongly distinctive lineaments, it is now perfectly well ascertained are to be traced in many of the sculptured monuments of the central American ruins, and were found still more abundantly on those of Iximaya. Forbidden, by inviolably sacred laws, from intermarrying with any persons but those of their own caste, they had dwindled down in the course of many centuries, to a few insignificant individuals, diminutive in stature, and imbecile in intellect. They were, nevertheless, held in high veneration and affection by the whole Iximayan community, probably as living specimens of an antique race so nearly extinct. Their position, as an order of priesthood, it is now known, had not been higher, for many ages, if ever, than that of religious mimes and bacchanals in a certain class of pagan ceremonies, highly popular with the multitude.”

Shown, unannounced, into a private room where these Aztec children were playing, we came upon them rather suddenly. The surprise was mostly on our own part, however. Two strange-looking little creatures jumped up from the floor and ran to shake hands with us, then darted quickly to a washstand and seized comb and hair-brush to give to the attendant, that they might be made presentable to strangers—and, with the entire novelty of the impression, we were completely taken aback. If we had been suddenly dropped upon another planet and had rang at the first door we came to, we should not have expected to see things more peculiar. There was nothing monstrous in their appearance. They were not even miraculously small. But they were of an entirely new type—a kind of human being which we had never before seen—with physiognomies formed by descent through ages of thought and association of which we had no knowledge—moving, observing and gesticulating differently from all other children—and somehow, with an unexplainable look of authenticity and conscious priority, as iftheywere of the “old family” of human nature, andwewere the mushrooms of to-day. Their size and form—but we will save labor by copying a literal description of their appearance from theJournal of Commerce:—

“The race of priests to which they belong is supposed to have become Lilliputian by the degeneracy which results from limiting intermarriage to those of their own caste. The specimens brought here are perfect in form, though slight. Maximo, the boy, is only thirty-three inches in height, and Bartola, the girl, three or four inches shorter. Their ages can only be conjectured, but there are indications of maturity about the boy, that are seldom, if ever, witnessed at so early an age as twelve. The girl is supposed to be about nine. Their skin is of the Indian hue, hair and eyes jet black, the latter, large, brilliant and expressive. The hair is wavy and very beautiful. Their neat little figures were exhibited to great advantage, in black stockinet dresses, fitting closely to their bodies and limbs, and short fanciful tunics. They received us with easy gayety. Indeed, they seem to have perfect confidence in all who approach them. Nothing restrains their lively, juvenile propensities. They seemed to derive infinite amusement from their tin cups, presenting them, as in giving water, to all who were present, and finally to the cane on which they seemed to think it fun alive to ride horseback fashion. They are exceedingly docile and affectionate, and the little girl seemed quite emulous of receiving as much notice as her companion. Their heads are singularly formed—the forehead forming nearly a straight line with the nose, and receding to an apex which it forms with the back of the head—strikingly similar to the sculptured figures on Central American monuments. Nor are they less peculiar in their manners and carriage. In general, their attitudes exhibit perfect grace; but we noticed that whenever the boy sat upon the floor, as he frequently did, he invariably sat upon the inside of his legs and thighs, bending his knees outwards, and forming with his legs on the floor the letter W inverted. This attitude we have frequently seen exhibited in drawings from Egyptian sculptures.”

“The race of priests to which they belong is supposed to have become Lilliputian by the degeneracy which results from limiting intermarriage to those of their own caste. The specimens brought here are perfect in form, though slight. Maximo, the boy, is only thirty-three inches in height, and Bartola, the girl, three or four inches shorter. Their ages can only be conjectured, but there are indications of maturity about the boy, that are seldom, if ever, witnessed at so early an age as twelve. The girl is supposed to be about nine. Their skin is of the Indian hue, hair and eyes jet black, the latter, large, brilliant and expressive. The hair is wavy and very beautiful. Their neat little figures were exhibited to great advantage, in black stockinet dresses, fitting closely to their bodies and limbs, and short fanciful tunics. They received us with easy gayety. Indeed, they seem to have perfect confidence in all who approach them. Nothing restrains their lively, juvenile propensities. They seemed to derive infinite amusement from their tin cups, presenting them, as in giving water, to all who were present, and finally to the cane on which they seemed to think it fun alive to ride horseback fashion. They are exceedingly docile and affectionate, and the little girl seemed quite emulous of receiving as much notice as her companion. Their heads are singularly formed—the forehead forming nearly a straight line with the nose, and receding to an apex which it forms with the back of the head—strikingly similar to the sculptured figures on Central American monuments. Nor are they less peculiar in their manners and carriage. In general, their attitudes exhibit perfect grace; but we noticed that whenever the boy sat upon the floor, as he frequently did, he invariably sat upon the inside of his legs and thighs, bending his knees outwards, and forming with his legs on the floor the letter W inverted. This attitude we have frequently seen exhibited in drawings from Egyptian sculptures.”

You do not charge to the original race, as you look at these little creatures, either their diminutive size, or their deficiency of room for brain. The type of a noble breed is in the aquiline nose and soft lustrous eye, and in the symmetrical frame and peculiar and indescribablepresence; and, while you remember the intermarriage by which they have been kept sacred, and become thus homœopathic in size, you cannot but feel that the essence is still there, and the quality still recognizable and potent. With little intelligence, and skulls of such shape that no hope can be entertained of their being ever self-relying or responsible, they still inspire an indefinable feeling of interest, and a deference for the something they vaguely after-shadow.

We sat a half hour, studying these little wonders. The little girl, Bartola, held our hand, and looked us full in the eye with affectionate confidingness, while the boy backed in between the open knees of our partner, Gen. Morris, and signified his wish, with the careless authority of a little Emperor, to be taken into the lap. With no words of their own, they understood what the attendant said to them, and seemed to be relieved of their loneliness by our company. A band of music approaching while we were there, the little Aztecs showed the greatest excitement. We held the boy up to the window while the military company went by, and his little kitten frame trembled and jumped nervously to the measure of the march—music happily being of no language, and stirring brains of all stages of progress, from Kossuth’s, at the noon of a race’s developement, to the Iximayan’s, in its fading twilight.

Our readers will not expect, in our columns, the details of Kossuth’s Progress, nor a literal report of his speeches. They overwhelm even the double sheets of the daily papers. But we shall chronicle a distinct outline of his movements, and see that the readers of theHome Journallose none of theideas, either of his producing or suggesting. He has begun with magnificent frankness and boldness, and is unquestionably a magnanimous and admirable man, equal to, and embarked upon, a great errand. We wish him success—not with the legislators, but with thedollarsof our country.Money enough will set Hungary free.We trust the enlistment of these gold and silver recruits will be organized and in progress while his eloquence is thundering an accompaniment. Many ways will be devised for raising contributions. Let us close our present remarks byproposing one—as a natural sequent to the peculiarity of which we have spoken in his reception. The Magyar’slady constituencyin America—each one giving but the price of a pair of gloves—a dollar from each of the fair admirers of Kossuth and his cause—might, almost of itself, secure the independence of Hungary. The dollars are willing and waiting—who can doubt? Will not some ruling spirit devise a way to reach and enrol them?

NEAR VIEW OF KOSSUTH.

The eye has opinions of its own. Pour into the mind, by all its other avenues, the most minute and authentic knowledge of a man, and, when yousee him, your opinion is more or less changed or modified. This is our apology for adding another to the numberless descriptions of Kossuth. Having been favored with an opportunity to stand near him during the delivery of one of his most stirring speeches, we found that our previous impression of him was altered, or, rather, perhaps, somewhat added to. Trifling as the difference of our view from that of others may be, Kossuth is a star about whom the astronomy can scarce be too minute; and our distant readers, who are in the habit of hearing of new planets from us, may be willing to see how also the Magyar looks, through the small telescope of our quill.

With our distant readers mainly in view, we shall be excused for describing Kossuth’s surroundings, as well as himself, with a particularity unnecessary for the city reader.

It has been difficult, without some official errand, to approach near enough to the Magyar to distinguish the finer lines of his face, and we were beginning to despair of this privilege when the Delegation arrived from Baltimore, and, from friends among them, we received an invitation to go in at the presentation of thesilver book. This, we may anticipatorily explain, was the “freedom of the city” in a written address, of folio size, and bound between two leaves of massive silver; the whole enclosed in a case of red velvet. It was suitably and creditably magnificent; and its history would not all be told without mentioning that it received a kiss from Madame Kossuth—Mr. Brantz Mayer having mindfully and courteously presented it to that lady—the Governor’s Secretary insisting on taking charge of it—and she refusing to release it before pressing it to her lips. Baltimore’s blood will warm with the compliment.

On reaching the Irving House at the hour when the silver book was to be presented, we found the hotel in a state of siege, inside and out. Broadway was packed with people, and the staircases of the hotel were hardly passable. One Hungarian officer, in brilliant uniform, stood sentry at the drawing-room door, and here and there a Magyar hat, with its go-against-the-wind-looking black feather, wound through the crowd; but by the numerous “highly respectables” in body coats and important expressions of countenance, there were evidently uncounted Committees waiting to get audiencewithin, while flags and bands of music indicated the more popular deputations whose hopes were on the balconywithout.

There seemed little chance of any special reception by the Magyar, when Howard sent word that he could give the Baltimore Delegation his own private parlor, where Kossuth would presently come to them. We took advantage of the “presently” to get a look into the street, from one of the front windows. It was a sea of upturned faces, with hats all falling one way, like shadows—Kossuth the light. He stood on the balcony. The many colored flags of the “European Democracy” throbbed over the crowd—Italians, Germans, Frenchmen, Poles—the refugees of all nations standing gazing on the prophet of Liberty. It was a scene, and had a meaning, for history. Yet it was but theone hour’s event, in a day all occupied with such. A band of one hundred of the clergy had linked an imperishable testimonial tothe hour before. The reply to the Baltimore Delegation contained truths that will radiate through all timefrom the hour after. Truly, a man’s life may be so high and so deep, that, to measure it by its length, is meaningless.

The Baltimoreans made their way to the room appointed, which was immediately crowded by privileged spectators, and reporters for the press, with a small party of ladies in the corner. We were kindly urged to take our place directly behind Judge Le Grand, who was the central figure of the Delegation group, and, as Kossuth stood but four or five feet distant, during his reply to the addresses, and with his eye upon the Judge almost unvaryingly, we were so fortunate as to see him with every advantage of the closest observation.

Madam Kossuth was presently introduced with Madam Pulzky, her companion, and seated a little in advance of the lady spectators. She is an invalid, pale and slightly bent—her figure fragile, and her expression of face a mingled imprint of bodily suffering and conscious belonging to greatness. Her countenance, we observed, though earnestly attentive, was profoundly tranquil, alike through the more even flow of her husband’s eloquence and its overwhelming and impassioned outbreaks.

The crowd near the door parted at last, and Kossuth entered. The gentleman on whose arm he leaned led him to the centre of the room, and presented him to the Delegation.

The reader must remember the tumultuous scene, of which Kossuth had been the centre a moment before, when we say that he entered and was presented to the Committee, with a face as calm as if he had just risen from his morning prayer. He bowed, with grave and deliberate deference, at each introduction. It had been communicated to the gentlemen in the room, that, from the injury of movement to his chest after the hemorrhage of the morning, he must be excused from shaking hands, and he bowed only—assuming the attitude of a listener, with an immediate earnestness which showed that he felt little strength for more than the main purpose of the interview. He stood in the centre of the room, motionless, and the reading of the Addresses proceeded.

The surprise of a man who had placed himself at a window to watch for the coming of a stranger, but discovers, after a while, that the stranger has been for some time enjoying the welcome of the household within, may vaguely express the feeling to which we awoke, after looking for five minutes at Kossuth. He had been, from the first instant, in full possession of our heart, and yet the eyes that we had set to scrutinize him had not noted a single feature. It was the strongest instance we had ever experienced, of what we knew to be true, by lesser examples, that the soul,with neighborhood only, makes recognitions of what could neither be painted nor sculptured, neither uttered nor written. His merepresenceopened to him the door, told who he was, and set the heart, like Mary, to the washing of his feet. We loved and revered the man—why, or with what beginning or progress, we could not have explained. But—let us describe what we afterwards called upon the eye to take note of.

Kossuth is of medium height, with hollow chest and the forward-brought shoulders of a sedentary life. His head is set firmly, not proudly or aristocratically erect, upon his neck. He stood so long and so tranquilly immovable in single postures, that it raised a question in our mind whether he could be of the nervous construction which men of great intellect oftenest are; and, on looking at the hand, that tablet of nervous action, we saw that he was not. The broad smooth back of it was unwritten with needless suffering, and the thumb joint projected, like that of a man used to manual labor. It was a hand, had we seen its like elsewhere, from whose owner we should have expected nothing more poetical or heroic than a well-considered vote. We found a subsequent confirmation of this, we may mention, in the singular immovableness of the sockets, and lids of his eyes, during the eloquent outpourings of his heart which followed. When his lips were compressed, and a quivering movement in his chin showed that emotion was restrained with difficulty, his eye was immovably serene, and its largely spread lids were as tranquil as the sky around a moon unclouded. We were strongly impressed with these outer signs of the two natures of Kossuth. He has a heart like other men—his exquisitely moulded chin and lips of exceeding physical beauty and expression sufficiently show. But, from all that can reach these, his intellect is islanded away. The upper part of his face is calmly separate, not only from the movement, but from the look, of emotion. It is a mind unreachable by nerves—a brain that thinks on, as the sun pursues its way across the heavens, unhindered by the clouds that may gather beneath. A face, in the lower part of which, sensuous beauty is so remarkably complete—and, around the temples, and beneath the brow of which, is so stamped the divine impress of an intellect high above weakness and human by limit only—we had never before seen.

It was quite evident that Kossuth had entered the room, simply to fulfil a duty—feeling unequal to it, from his illness of the morning and the fatigues he had already undergone—and with no idea of making more than the briefest acknowledgment of courtesy for what he should hear from the Committee. Even his dress showed that he was not prepared for “an occasion.” He wore a brown cut-away coat, (which must have been selected for him by a waiter, sent to a ready made clothes shop with a verbal description of the gentleman to be fitted,) a black waistcoat buttoned to the throat, no shirt visible, and trousers of uninfluenceable salt-and-pepper. That the mien and bearing of an Oriental gentleman, as well as the dignity of a prophet, were as fully and impressively recognizable through these Edward-P.-Fox-ables, as through the braided cloak and under the black plume of the Magyar, is a standard, though a homely one, by which some may be helped to an estimate of the man.

We have seen repeated mention of the “perpetual smile” of Kossuth. This conveys a wrong impression. He may smile often and easily when receiving introductions or bowing to the cheers of a crowd; but it is a demonstration which, habitually, he keeps very much in reserve, and which, of all the visible weapons of his eloquence, is the most rarely and aptly introduced, the most captivating and effective. We are inclined to think his heavy mustache accidentally favors this, by aiding the unexpectedness of the smile, and by leaving its fading glow to the imagination—but, at moments when the lips of another orator would be cloud-wrapt in the darkest expression of solemnity, a gleam, like the breaking away for a transfiguration, comes suddenly over the lips of Kossuth—as beautiful and inspired a smile certainly as was ever seen on the face of a human being—and the effect is in the peculiar triumph that he achieves. Love irresistibly follows conviction.

As we said before, Kossuth had evidently no idea of making the speech which was drawn from him by the Baltimore Delegation—drawn from him, we think, by the superior cast of the gentlemen who formed it, and by the fitness, both of the manner and accompaniments of the honors they paid him. He spoke altogether extemporaneously, and with difficulty and hesitation, at first; but, with one or two brilliant and successful illustrations, his words grew more fluent, and, in the following passage, he became fully and gloriously aroused. It was the first mention he had yet made to the world of his intention to return to Hungarya soldier!


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