Chapter 23

By the Author of ‘Life at the Zoo.’

By the Author of ‘Life at the Zoo.’

By the Author of ‘Life at the Zoo.’

WILD ENGLAND OF TO-DAYAND THE WILD LIFE IN IT.By C. J. CORNISH.With Sixteen Illustrations, demy 8vo., 12s. 6d.

WILD ENGLAND OF TO-DAYAND THE WILD LIFE IN IT.By C. J. CORNISH.With Sixteen Illustrations, demy 8vo., 12s. 6d.

WILD ENGLAND OF TO-DAY

AND THE WILD LIFE IN IT.

By C. J. CORNISH.

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‘The scenes by sea or land, on the rivers of the south or the moors of the north, are vividly drawn by one who knows them.’—Manchester Guardian.

Uniform with this Volume.LIFE AT THE ZOONOTES AND TRADITIONS OF THE REGENT’SPARK GARDENS.By C. J. CORNISH.Illustrated from Photographs by Gambier Bolton.Opinions of the Press.

Uniform with this Volume.LIFE AT THE ZOONOTES AND TRADITIONS OF THE REGENT’SPARK GARDENS.By C. J. CORNISH.Illustrated from Photographs by Gambier Bolton.Opinions of the Press.

Uniform with this Volume.

LIFE AT THE ZOO

NOTES AND TRADITIONS OF THE REGENT’S

PARK GARDENS.

By C. J. CORNISH.

Illustrated from Photographs by Gambier Bolton.

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‘He gives in short compass the results of long and patient observation, and in doing so displays to an envious degree the faculty of critical, but easy, exposition.’—Standard.

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STUDIES IN MODERN MUSIC

STUDIES IN MODERN MUSIC

STUDIES IN MODERN MUSIC

HECTOR BERLIOZ, ROBERT SCHUMAN, RICHARD WAGNER.SECOND EDITION.By W. H. HADOW, M.A.,Fellow of Worcester College, Oxon.

HECTOR BERLIOZ, ROBERT SCHUMAN, RICHARD WAGNER.SECOND EDITION.By W. H. HADOW, M.A.,Fellow of Worcester College, Oxon.

HECTOR BERLIOZ, ROBERT SCHUMAN, RICHARD WAGNER.

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BY THE SAME AUTHOR.STUDIES IN MODERN MUSICSECOND SERIES.FREDERICK CHOPIN, ANTONIN DVORÁK, JOHANNES BRAHMS.Preceded by an Essay on Musical Form.

BY THE SAME AUTHOR.STUDIES IN MODERN MUSICSECOND SERIES.FREDERICK CHOPIN, ANTONIN DVORÁK, JOHANNES BRAHMS.Preceded by an Essay on Musical Form.

BY THE SAME AUTHOR.

STUDIES IN MODERN MUSIC

SECOND SERIES.

FREDERICK CHOPIN, ANTONIN DVORÁK, JOHANNES BRAHMS.

Preceded by an Essay on Musical Form.

OPINIONS OF THE PRESS.

OPINIONS OF THE PRESS.

OPINIONS OF THE PRESS.

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Transcriber’s NoteErrors deemed most likely to be the printer’s have been corrected, and are noted here. The references are to the page and line in the original, or, if in a footnote, to the original page, the resequenced note number and the line with it.19.7“How you remind me of my father![’”/”’]Transposed.33.34being hooted at[.]Added.70.31as well acquainted with them as herself[.]Added.78.6her Smiths and her Branghtons![”/’]Replaced.98.5“[‘]Oh, sir!’ cried I;Inserted.99.2to confound these outpouring[s]Added.106.23[‘/“]Let him be tormented,Replaced.106.25‘Evelina’![”]Added.115.23though far inferior[.]Added.123.29in Fanny’s [l]iterary career.Restored.124.54.5died on the 30th of May 1840[.]Added.129.22a history of the Bristol milk-woman,[’]Removed.131.12have encouraged me.[’/”]Replaced.139.13was only six miles from Chesington[,/.]Replaced.168.12[‘]There is no need,’Added.177.29No, no; not come to that neither.[’]Added.190.22Immediately below the Great Chambe[r]lain’s BoxInserted.221.1I am extremely obliged to Mr. Digby indeed.[’]Added.211.24“[‘]No, ma’am!’ was all I dared answer.Inserted.231.26‘fine, lively, natural, independent characters.[’]Added.242.23[‘/“]I thanked him;Replaced.271.3after seventy-three of accusation.[’/”]Replaced.272.10[‘]for it is kind,Added.

Transcriber’s Note

Transcriber’s Note

Transcriber’s Note

Errors deemed most likely to be the printer’s have been corrected, and are noted here. The references are to the page and line in the original, or, if in a footnote, to the original page, the resequenced note number and the line with it.


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