The evening lights had just been turned on. The little congregation, relaxed, weary, weak from hunger, many of them, sat rapt and still except at those times when the prayer book demanded spoken responses. The voice of the little rabbi, rather weak now, had in it a timbre that made it startlingly sweet and clear and resonant. Fanny slid very quietly into the seat beside Mrs. Brandeis, and slipped her moist and cold little hand into her mother's warm, work-roughened palm. The mother's brown eyes, very bright with unshed tears, left their perusal of the prayer book to dwell upon the white little face that was smiling rather wanly up at her. The pages of the prayer book lay two-thirds or more to the left. Just as Fanny remarked this, there was a little moment of hush in the march of the day's long service. The memorial hour had begun.
Little Doctor Thalmann cleared his throat. The congregation stirred a bit, changed its cramped position. Bella, the guilty, came stealing in, a pink-and-gold picture of angelic virtue. Fanny, looking at her, felt very aloof, and clean, and remote.
Molly Brandeis seemed to sense what had happened.
“But you didn't, did you?” she whispered softly.
Fanny shook her head.
Rabbi Thalmann was seated in his great carved chair. His eyes were closed. The wheezy little organ in the choir loft at the rear of the temple began the opening bars of Schumann's Traumerei. And then, above the cracked voice of the organ, rose the clear, poignant wail of a violin. Theodore Brandeis had begun to play. You know the playing of the average boy of fifteen—that nerve-destroying, uninspired scraping. There was nothing of this in the sounds that this boy called forth from the little wooden box and the stick with its taut lines of catgut. Whatever it was—the length of the thin, sensitive fingers, the turn of the wrist, the articulation of the forearm, the something in the brain, or all these combined—Theodore Brandeis possessed that which makes for greatness. You realized that as he crouched over his violin to get his cello tones. As he played to-day the little congregation sat very still, and each was thinking of his ambitions and his failures; of the lover lost, of the duty left undone, of the hope deferred; of the wrong that was never righted; of the lost one whose memory spells remorse. It felt the salt taste on its lips. It put up a furtive, shamed hand to dab at its cheeks, and saw that the one who sat in the pew just ahead was doing likewise. This is what happened when this boy of fifteen wedded his bow to his violin. And he who makes us feel all this has that indefinable, magic, glorious thing known as Genius.
When it was over, there swept through the room that sigh following tension relieved. Rabbi Thalmann passed a hand over his tired eyes, like one returning from a far mental journey; then rose, and came forward to the pulpit. He began, in Hebrew, the opening words of the memorial service, and so on to the prayers in English, with their words of infinite humility and wisdom.
“Thou hast implanted in us the capacity for sin, but not sin itself!”
Fanny stirred. She had learned that a brief half hour ago. The service marched on, a moving and harrowing thing. The amens rolled out with a new fervor from the listeners. There seemed nothing comic now in the way old Ben Reitman, with his slower eyes, always came out five words behind the rest who tumbled upon the responses and scurried briskly through them, so that his fine old voice, somewhat hoarse and quavering now, rolled out its “Amen!” in solitary majesty. They came to that gem of humility, the mourners' prayer; the ancient and ever-solemn Kaddish prayer. There is nothing in the written language that, for sheer drama and magnificence, can equal it as it is chanted in the Hebrew.
As Rabbi Thalmann began to intone it in its monotonous repetition of praise, there arose certain black-robed figures from their places and stood with heads bowed over their prayer books. These were members of the congregation from whom death had taken a toll during the past year. Fanny rose with her mother and Theodore, who had left the choir loft to join them. The little wheezy organ played very softly. The black-robed figures swayed. Here and there a half-stifled sob rose, and was crushed. Fanny felt a hot haze that blurred her vision. She winked it away, and another burned in its place. Her shoulders shook with a sob. She felt her mother's hand close over her own that held one side of the book. The prayer, that was not of mourning but of praise, ended with a final crescendo from the organ, The silent black-robed figures were seated.
Over the little, spent congregation hung a glorious atmosphere of detachment. These Jews, listening to the words that had come from the lips of the prophets in Israel, had been, on this day, thrown back thousands of years, to the time when the destruction of the temple was as real as the shattered spires and dome of the cathedral at Rheims. Old Ben Reitman, faint with fasting, was far removed from his everyday thoughts of his horses, his lumber mills, his farms, his mortgages. Even Mrs. Nathan Pereles, in her black satin and bugles and jets, her cold, hard face usually unlighted by sympathy or love, seemed to feel something of this emotional wave. Fanny Brandeis was shaken by it. Her head ached (that was hunger) and her hands were icy. The little Russian girl in the seat just behind them had ceased to wriggle and squirm, and slept against her mother's side. Rabbi Thalmann, there on the platform, seemed somehow very far away and vague. The scent of clove apples and ammonia salts filled the air. The atmosphere seemed strangely wavering and luminous. The white satin of the Ark curtain gleamed and shifted.
The long service swept on to its close. Suddenly organ and choir burst into a paeon. Little Doctor Thalmann raised his arms. The congregation swept to its feet with a mighty surge. Fanny rose with them, her face very white in its frame of black curls, her eyes luminous. She raised her face for the words of the ancient benediction that rolled, in its simplicity and grandeur, from the lips of the rabbi:
“May the blessing of the Lord our God rest upon you all. God bless thee and keep thee. May God cause His countenance to shine upon thee and be gracious unto thee. May God lift up His countenance unto thee, and grant thee peace.”
The Day of Atonement had come to an end. It was a very quiet, subdued and spent little flock that dispersed to their homes. Fanny walked out with scarcely a thought of Bella. She felt, vaguely, that she and this school friend were formed of different stuff. She knew that the bond between them had been the grubby, physical one of childhood, and that they never would come together in the finer relation of the spirit, though she could not have put this new knowledge into words.
Molly Brandeis put a hand on her daughter's shoulder.
“Tired, Fanchen?”
“A little.”
“Bet you're hungry!” from Theodore.
“I was, but I'm not now.”
“M-m-m—wait! Noodle soup. And chicken!”
She had intended to tell of the trial in the Weinberg's pantry. But now something within her—something fine, born of this day—kept her from it. But Molly Brandeis, to whom two and two often made five, guessed something of what had happened. She had felt a great surge of pride, had Molly Brandeis, when her son had swayed the congregation with the magic of his music. She had kissed him good night with infinite tenderness and love. But she came into her daughter's tiny room after Fanny had gone to bed, and leaned over, and put a cool hand on the hot forehead.
“Do you feel all right, my darling?”
“Umhmph,” replied Fanny drowsily.
“Fanchen, doesn't it make you feel happy and clean to know that you were able to do the thing you started out to do?”
“Umhmph.”
“Only,” Molly Brandeis was thinking aloud now, quite forgetting that she was talking to a very little girl, “only, life seems to take such special delight in offering temptation to those who are able to withstand it. I don't know why that's true, but it is. I hope—oh, my little girl, my baby—I hope——”
But Fanny never knew whether her mother finished that sentence or not. She remembered waiting for the end of it, to learn what it was her mother hoped. And she had felt a sudden, scalding drop on her hand where her mother bent over her. And the next thing she knew it was morning, with mellow September sunshine.
It was the week following this feat of fasting that two things happened to Fanny Brandeis—two seemingly unimportant and childish things—that were to affect the whole tenor of her life. It is pleasant to predict thus. It gives a certain weight to a story and a sense of inevitableness. It should insure, too, the readers's support to the point, at least, where the prediction is fulfilled. Sometimes a careless author loses sight altogether of his promise, and then the tricked reader is likely to go on to the very final page, teased by the expectation that that which was hinted at will be revealed.
Fanny Brandeis had a way of going to the public library on Saturday afternoons (with a bag of very sticky peanut candy in her pocket, the little sensualist!) and there, huddled in a chair, dreamily and almost automatically munching peanut brittle, her cheeks growing redder and redder in the close air of the ill-ventilated room, she would read, and read, and read. There was no one to censor her reading, so she read promiscuously, wading gloriously through trash and classic and historical and hysterical alike, and finding something of interest in them all.
She read the sprightly “Duchess” novels, where mad offers of marriage were always made in flower-scented conservatories; she read Dickens, and Thelma, and old bound Cosmopolitans, and Zola, and de Maupassant, and the “Wide, Wide World,” and “Hans Brinker, or The Silver Skates,” and “Jane Eyre.” All of which are merely mentioned as examples of her catholicism in literature. As she read she was unaware of the giggling boys and girls who came in noisily, and made dates, and were coldly frowned on by the austere Miss Perkins, the librarian. She would read until the fading light would remind her that the short fall or winter day was drawing to a close.
She would come, shivering a little after the fetid atmosphere of the overheated library, into the crisp, cold snap of the astringent Wisconsin air. Sometimes she would stop at the store for her mother. Sometimes she would run home alone through the twilight, her heels scrunching the snow, her whole being filled with a vague and unchildish sadness and disquiet as she faced the tender rose, and orange, and mauve, and pale lemon of the winter sunset. There were times when her very heart ached with the beauty of that color-flooded sky; there were times, later, when it ached in much the same way at the look in the eyes of a pushcart peddler; there were times when it ached, seemingly, for no reason at all—as is sometimes the case when one is a little Jew girl, with whole centuries of suffering behind one.
On this day she had taken a book from the library Miss Perkins, at sight of the title, had glared disapprovingly, and had hesitated a moment before stamping the card.
“Is this for yourself?” she had asked.
“Yes'm.”
“It isn't a book for little girls,” snapped Miss Perkins.
“I've read half of it already,” Fanny informed her sweetly. And went out with it under her arm. It was Zola's “The Ladies' Paradise” (Au Bonheur des Dames). The story of the shop girl, and the crushing of the little dealer by the great and moneyed company had thrilled and fascinated her.
Her mind was full of it as she turned the corner on Norris Street and ran full-tilt, into a yowling, taunting, torturing little pack of boys. They were gathered in close formation about some object which they were teasing, and knocking about in the mud, and otherwise abusing with the savagery of their years. Fanny, the fiery, stopped short. She pushed into the ring. The object of their efforts was a weak-kneed and hollow-chested little boy who could not fight because he was cowardly as well as weak, and his name (oh, pity!) was Clarence—Clarence Heyl. There are few things that a mischievous group of small boys cannot do with a name like Clarence. They whined it, they catcalled it, they shrieked it in falsetto imitation of Clarence's mother. He was a wide-mouthed, sallow and pindling little boy, whose pipe-stemmed legs looked all the thinner for being contrasted with his feet, which were long and narrow. At that time he wore spectacles, too, to correct a muscular weakness, so that his one good feature—great soft, liquid eyes—passed unnoticed. He was the kind of little boy whose mother insists on dressing him in cloth-top, buttoned, patent-leather shoes for school. His blue serge suit was never patched or shiny. His stockings were virgin at the knee. He wore an overcoat on cool autumn days. Fanny despised and pitied him. We ask you not to, because in this puny, shy and ugly little boy of fifteen you behold Our Hero.
He staggered to his feet now, as Fanny came up. His school reefer was mud-bespattered. His stockings were torn. His cap was gone and his hair was wild. There was a cut or scratch on one cheek, from which the blood flowed.
“I'll tell my mother on you!” he screamed impotently, and shook with rage and terror. “You'll see, you will! You let me alone, now!”
Fanny felt a sick sensation at the pit of her stomach and in her throat. Then:
“He'll tell his ma!” sneered the boys in chorus. “Oh, mamma!” And called him the Name. And at that a she wildcat broke loose among them. She pounced on them without warning, a little fury of blazing eyes and flying hair, and white teeth showing in a snarl. If she had fought fair, or if she had not taken them so by surprise, she would have been powerless among them. But she had sprung at them with the suddenness of rage. She kicked, and scratched, and bit, and clawed and spat. She seemed not to feel the defensive blows that were showered upon her in turn. Her own hard little fists were now doubled for a thump or opened, like a claw, for scratching.
“Go on home!” she yelled to Clarence, even while she fought. And Clarence, gathering up his tattered school books, went, and stood not on the order of his going. Whereupon Fanny darted nimbly to one side, out of the way of boyish brown fists. In that moment she was transformed from a raging fury into a very meek and trembling little girl, who looked shyly and pleadingly out from a tangle of curls. The boys were for rushing at her again.
“Cowardy-cats! Five of you fighting one girl,” cried Fanny, her lower lip trembling ever so little. “Come on! Hit me! Afraid to fight anything but girls! Cowardy-cats!” A tear, pearly, pathetic, coursed down her cheek.
The drive was broken. Five sullen little boys stood and glared at her, impotently.
“You hit us first,” declared one boy. “What business d' you have scratching around like that, I'd like to know! You old scratch cat!”
“He's sickly,” said Fanny. “He can't fight. There's something the matter with his lungs, or something, and they're going to make him quit school. Besides, he's a billion times better than any of you, anyway.”
At once, “Fanny's stuck on Clar-ence! Fanny's stuck on Clar-ence!”
Fanny picked up her somewhat battered Zola from where it had flown at her first onslaught. “It's a lie!” she shouted. And fled, followed by the hateful chant.
She came in at the back door, trying to look casual. But Mattie's keen eye detected the marks of battle, even while her knife turned the frying potatoes.
“Fanny Brandeis! Look at your sweater! And your hair!”
Fanny glanced down at the torn pocket dangling untidily. “Oh, that!” she said airily. And, passing the kitchen table, deftly filched a slice of cold veal from the platter, and mounted the back stairs to her room. It was a hungry business, this fighting. When Mrs. Brandeis came in at six her small daughter was demurely reading. At supper time Mrs. Brandeis looked up at her daughter with a sharp exclamation.
“Fanny! There's a scratch on your cheek from your eye to your chin.”
Fanny put up her hand. “Is there?”
“Why, you must have felt it. How did you get it?”
Fanny said nothing. “I'll bet she was fighting,” said Theodore with the intuitive knowledge that one child has of another's ways.
“Fanny!” The keen brown eyes were upon her. “Some boys were picking on Clarence Heyl, and it made me mad. They called him names.”
“What names?”
“Oh, names.”
“Fanny dear, if you're going to fight every time you hear that name——”
Fanny thought of the torn sweater, the battered Zola, the scratched cheek. “It is pretty expensive,” she said reflectively.
After supper she settled down at once to her book. Theodore would labor over his algebra after the dining-room table was cleared. He stuck his cap on his head now, and slammed out of the door for a half-hour's play under the corner arc-light. Fanny rarely brought books from school, and yet she seemed to get on rather brilliantly, especially in the studies she liked. During that winter following her husband's death Mrs. Brandeis had a way of playing solitaire after supper; one of the simpler forms of the game. It seemed to help her to think out the day's problems, and to soothe her at the same time. She would turn down the front of the writing desk, and draw up the piano stool.
All through that winter Fanny seemed to remember reading to the slap-slap of cards, and the whir of their shuffling. In after years she was never able to pick up a volume of Dickens without having her mind hark back to those long, quiet evenings. She read a great deal of Dickens at that time. She had a fine contempt for his sentiment, and his great ladies bored her. She did not know that this was because they were badly drawn. The humor she loved, and she read and reread the passages dealing with Samuel Weller, and Mr. Micawber, and Sairey Gamp, and Fanny Squeers. It was rather trying to read Dickens before supper, she had discovered. Pickwick Papers was fatal, she had found. It sent one to the pantry in a sort of trance, to ransack for food—cookies, apples, cold meat, anything. But whatever one found, it always fell short of the succulent sounding beefsteak pies, and saddles of mutton, and hot pineapple toddy of the printed page.
To-night Mrs. Brandeis, coming in from the kitchen after a conference with Mattie, found her daughter in conversational mood, though book in hand.
“Mother, did you ever read this?” She held up “The Ladies' Paradise.”
“Yes; but child alive, what ever made you get it? That isn't the kind of thing for you to read. Oh, I wish I had more time to give——”
Fanny leaned forward eagerly. “It made me think a lot of you. You know—the way the big store was crushing the little one, and everything. Like the thing you were talking to that man about the other day. You said it was killing the small-town dealer, and he said some day it would be illegal, and you said you'd never live to see it.”
“Oh, that! We were talking about the mail-order business, and how hard it was to compete with it, when the farmers bought everything from a catalogue, and had whole boxes of household goods expressed to them. I didn't know you were listening, Fanchen.”
“I was. I almost always do when you and some traveling man or somebody like that are talking. It—it's interesting.”
Fanny went back to her book then. But Molly Brandeis sat a moment, eyeing her queer little daughter thoughtfully. Then she sighed, and laid out her cards for solitaire. By eight o'clock she was usually so sleepy that she would fall, dead-tired, asleep on the worn leather couch in the sitting-room. She must have been fearfully exhausted, mind and body. The house would be very quiet, except for Mattie, perhaps, moving about in the kitchen or in her corner room upstairs. Sometimes the weary woman on the couch would start suddenly from her sleep and cry out, choked and gasping, “No! No! No!” The children would jump, terrified, and come running to her at first, but later they got used to it, and only looked up to say, when she asked them, bewildered, what it was that wakened her, “You had the no-no-nos.”
She had never told of the thing that made her start out of her sleep and cry out like that. Perhaps it was just the protest of the exhausted body and the overwrought nerves. Usually, after that, she would sit up, haggardly, and take the hairpins out of her short thick hair, and announce her intention of going to bed. She always insisted that the children go too, though they often won an extra half hour by protesting and teasing. It was a good thing for them, these nine o'clock bed hours, for it gave them the tonic sleep that their young, high-strung natures demanded.
“Come, children,” she would say, yawning.
“Oh, mother, please just let me finish this chapter!”
“How much?”
“Just this little bit. See? Just this.”
“Well, just that, then,” for Mrs. Brandeis was a reasonable woman, and she had the book-lover's knowledge of the fascination of the unfinished chapter.
Fanny and Theodore were not always honest about the bargain. They would gallop, hot-cheeked, through the allotted chapter. Mrs. Brandeis would have fallen into a doze, perhaps. And the two conspirators would read on, turning the leaves softly and swiftly, gulping the pages, cramming them down in an orgy of mental bolting, like naughty children stuffing cake when their mother's back is turned. But the very concentration of their dread of waking her often brought about the feared result. Mrs. Brandeis would start up rather wildly, look about her, and see the two buried, red-cheeked and eager, in their books.
“Fanny! Theodore! Come now! Not another minute!”
Fanny, shameless little glutton, would try it again. “Just to the end of this chapter! Just this weenty bit!”
“Fiddlesticks! You've read four chapters since I spoke to you the last time. Come now!”
Molly Brandeis would see to the doors, and the windows, and the clock, and then, waiting for the weary little figures to climb the stairs, would turn out the light, and, hairpins in one hand, corset in the other, perhaps, mount to bed.
By nine o'clock the little household would be sleeping, the children sweetly and dreamlessly, the tired woman restlessly and fitfully, her overwrought brain still surging with the day's problems. It was not like a household at rest, somehow. It was like a spirited thing standing, quivering for a moment, its nerves tense, its muscles twitching.
Perhaps you have quite forgotten that here were to be retailed two epochal events in Fanny Brandeis's life. If you have remembered, you will have guessed that the one was the reading of that book of social protest, though its writer has fallen into disfavor in these fickle days. The other was the wild and unladylike street brawl in which she took part so that a terrified and tortured little boy might escape his tormentors.
There was no hard stock in Brandeis' Bazaar now. The packing-room was always littered with straw and excelsior dug from hogsheads and great crates. Aloysius lorded it over a small red-headed satellite who disappeared inside barrels and dived head first into huge boxes, coming up again with a lamp, or a doll, or a piece of glassware, like a magician. Fanny, perched on an overturned box, used to watch him, fascinated, while he laboriously completed a water set, or a tea set. A preliminary dive would bring up the first of a half dozen related pieces, each swathed in tissue paper. A deft twist on the part of the attendant Aloysius would strip the paper wrappings and disclose a ruby-tinted tumbler, perhaps. Another dive, and another, until six gleaming glasses stood revealed, like chicks without a hen mother. A final dip, much scratching and burrowing, during which armfuls of hay and excelsior were thrown out, and then the red-headed genie of the barrel would emerge, flushed and triumphant, with the water pitcher itself, thus completing the happy family.
Aloysius, meanwhile, would regale her with one of those choice bits of gossip he had always about him, like a jewel concealed, and only to be brought out for the appreciative. Mrs. Brandeis disapproved of store gossip, and frowned on Sadie and Pearl whenever she found them, their heads close together, their stifled shrieks testifying to his wit. There were times when Molly Brandeis herself could not resist the spell of his tongue. No one knew where Aloysius got his information. He had news that Winnebago's two daily papers never could get, and wouldn't have dared to print if they had.
“Did you hear about Myrtle Krieger,” he would begin, “that's marryin' the Hempel boy next month? The one in the bank. She's exhibiting her trewsow at the Outagamie County Fair this week, for the handwork and embroid'ry prize. Ain't it brazen? They say the crowd's so thick around the table that they had to take down the more pers'nal pieces. The first day of the fair the grand-stand was, you might say, empty, even when they was pullin' off the trottin' races and the balloon ascension. It's funny—ain't it?—how them garmints that you wouldn't turn for a second look at on the clothesline or in a store winda' becomes kind of wicked and interestin' the minute they get what they call the human note. There it lays, that virgin lawnjerie, for all the county to look at, with pink ribbons run through everything, and the poor Krieger girl never dreamin' she's doin' somethin' indelicate. She says yesterday if she wins the prize she's going to put it toward one of these kitchen cabinets.”
I wish we could stop a while with Aloysius. He is well worth it. Aloysius, who looked a pass between Ichabod Crane and Smike; Aloysius, with his bit of scandal burnished with wit; who, after a long, hard Saturday, would go home to scrub the floor of the dingy lodgings where he lived with his invalid mother, and who rose in the cold dawn of Sunday morning to go to early mass, so that he might return to cook the dinner and wait upon the sick woman. Aloysius, whose trousers flapped grotesquely about his bony legs, and whose thin red wrists hung awkwardly from his too-short sleeves, had in him that tender, faithful and courageous stuff of which unsung heroes are made. And he adored his clever, resourceful boss to the point of imitation. You should have seen him trying to sell a sled or a doll's go-cart in her best style. But we cannot stop for Aloysius. He is irrelevant, and irrelevant matter halts the progress of a story. Any one, from Barrie to Harold Bell Wright, will tell you that a story, to be successful, must march.
We'll keep step, then, with Molly Brandeis until she drops out of the ranks. There is no detouring with Mrs. Brandeis for a leader. She is the sort that, once her face is set toward her goal, looks neither to right nor left until she has reached it.
When Fanny Brandeis was fourteen, and Theodore was not quite sixteen, a tremendous thing happened. Schabelitz, the famous violinist, came to Winnebago to give a concert under the auspices of the Young Men's Sunday Evening Club.
The Young Men's Sunday Evening Club of the Congregational Church prided itself (and justifiably) on what the papers called its “auspices.” It scorned to present to Winnebago the usual lyceum attractions—Swiss bell ringers, negro glee clubs, and Family Fours. Instead, Schumann-Heink sang her lieder for them; McCutcheon talked and cartooned for them; Madame Bloomfield-Zeisler played. Winnebago was one of those wealthy little Mid-Western towns whose people appreciate the best and set out to acquire it for themselves.
To the Easterner, Winnebago, and Oshkosh, and Kalamazoo, and Emporia are names invented to get a laugh from a vaudeville audience. Yet it is the people from Winnebago and Emporia and the like whom you meet in Egypt, and the Catalina Islands, and at Honolulu, and St. Moritz. It is in the Winnebago living-room that you are likely to find a prayer rug got in Persia, a bit of gorgeous glaze from China, a scarf from some temple in India, and on it a book, hand-tooled and rare. The Winnebagoans seem to know what is being served and worn, from salad to veilings, surprisingly soon after New York has informed itself on those subjects. The 7:52 Northwestern morning train out of Winnebago was always pretty comfortably crowded with shoppers who were taking a five-hour run down to Chicago to get a hat and see the new musical show at the Illinois.
So Schabelitz's coming was an event, but not an unprecedented one. Except to Theodore. Theodore had a ticket for the concert (his mother had seen to that), and he talked of nothing else. He was going with his violin teacher, Emil Bauer. There were strange stories as to why Emil Bauer, with his gift of teaching, should choose to bury himself in this obscure little Wisconsin town. It was known that he had acquaintance with the great and famous of the musical world. The East End set fawned upon him, and his studio suppers were the exclusive social events in Winnebago.
Schabelitz was to play in the evening. At half past three that afternoon there entered Brandeis' Bazaar a white-faced, wide-eyed boy who was Theodore Brandeis; a plump, voluble, and excited person who was Emil Bauer; and a short, stocky man who looked rather like a foreign-born artisan—plumber or steam-fitter—in his Sunday clothes. This was Levine Schabelitz.
Molly Brandeis was selling a wash boiler to a fussy housewife who, in her anxiety to assure herself of the flawlessness of her purchase, had done everything but climb inside it. It had early been instilled in the minds of Mrs. Brandeis's children that she was never to be approached when busy with a customer. There were times when they rushed into the store bursting with news or plans, but they had learned to control their eagerness. This, though, was no ordinary news that had blanched Theodore's face. At sight of the three, Mrs. Brandeis quietly turned her boiler purchaser over to Pearl and came forward from the rear of the store.
“Oh, Mother!” cried Theodore, an hysterical note in his voice. “Oh, Mother!”
And in that moment Molly Brandeis knew. Emil Bauer introduced them, floridly. Molly Brandeis held out her hand, and her keen brown eyes looked straight and long into the gifted Russian's pale blue ones. According to all rules he should have started a dramatic speech, beginning with “Madame!” hand on heart. But Schabelitz the great had sprung from Schabelitz the peasant boy, and in the process he had managed, somehow, to retain the simplicity which was his charm. Still, there was something queer and foreign in the way he bent over Mrs. Brandeis's hand. We do not bow like that in Winnebago.
“Mrs. Brandeis, I am honored to meet you.”
“And I to meet you,” replied the shopkeeper in the black sateen apron.
“I have just had the pleasure of hearing your son play,” began Schabelitz.
“Mr. Bauer called me out of my economics class at school, Mother, and said that——”
“Theodore!” Theodore subsided. “He is only a boy,” went on Schabelitz, and put one hand on Theodore's shoulder. “A very gifted boy. I hear hundreds. Oh, how I suffer, sometimes, to listen to their devilish scraping! To-day, my friend Bauer met me with that old plea, `You must hear this pupil play. He has genius.' `Bah! Genius!' I said, and I swore at him a little, for he is my friend, Bauer. But I went with him to his studio—Bauer, that is a remarkably fine place you have there, above that drug store; a room of exceptional proportions. And those rugs, let me tell you——”
“Never mind the rugs, Schabelitz. Mrs. Brandeis here——”
“Oh, yes, yes! Well, dear lady, this boy of yours will be a great violinist if he is willing to work, and work, and work. He has what you in America call the spark. To make it a flame he must work, always work. You must send him to Dresden, under Auer.”
“Dresden!” echoed Molly Brandeis faintly, and put one hand on the table that held the fancy cups and saucers, and they jingled a little.
“A year, perhaps, first, in New York with Wolfsohn.”
Wolfsohn! New York! Dresden! It was too much even for Molly Brandeis' well-balanced brain. She was conscious of feeling a little dizzy. At that moment Pearl approached apologetically. “Pardon me, Mis' Brandeis, but Mrs. Trost wants to know if you'll send the boiler special this afternoon. She wants it for the washing early to-morrow morning.”
That served to steady her.
“Tell Mrs. Trost I'll send it before six to-night.” Her eyes rested on Theodore's face, flushed now, and glowing. Then she turned and faced Schabelitz squarely. “Perhaps you do not know that this store is our support. I earn a living here for myself and my two children. You see what it is—just a novelty and notion store in a country town. I speak of this because it is the important thing. I have known for a long time that Theodore's playing was not the playing of the average boy, musically gifted. So what you tell me does not altogether surprise me. But when you say Dresden—well, from Brandeis' Bazaar in Winnebago, Wisconsin, to Auer, in Dresden, Germany, is a long journey for one afternoon.”
“But of course you must have time to think it over. It must be brought about, somehow.”
“Somehow——” Mrs. Brandeis stared straight ahead, and you could almost hear that indomitable will of hers working, crashing over obstacles, plowing through difficulties. Theodore watched her, breathless, as though expecting an immediate solution. His mother's eyes met his own intent ones, and at that her mobile mouth quirked in a sudden smile. “You look as if you expected pearls to pop out of my mouth, son. And, by the way, if you're going to a concert this evening don't you think it would be a good idea to squander an hour on study this afternoon? You may be a musical prodigy, but geometry's geometry.”
“Oh, Mother! Please!”
“I want to talk to Mr. Schabelitz and Mr. Bauer, alone.” She patted his shoulder, and the last pat ended in a gentle push. “Run along.”
“I'll work, Mother. You know perfectly well I'll work.” But he looked so startlingly like his father as he said it that Mrs. Brandeis felt a clutching at her heart.
Theodore out of the way, they seemed to find very little to discuss, after all. Schabelitz was so quietly certain, Bauer so triumphantly proud.
Said Schabelitz, “Wolfsohn, of course, receives ten dollars a lesson ordinarily.”
“Ten dollars!”
“But a pupil like Theodore is in the nature of an investment,” Bauer hastened to explain. “An advertisement. After hearing him play, and after what Schabelitz here will have to say for him, Wolfsohn will certainly give Theodore lessons for nothing, or next to nothing. You remember”—proudly—“I offered to teach him without charge, but you would not have it.”
Schabelitz smote his friend sharply on the shoulder “The true musician! Oh, Bauer, Bauer! That you should bury yourself in this——”
But Bauer stopped him with a gesture. “Mrs. Brandeis is a busy woman. And as she says, this thing needs thinking over.”
“After all,” said Mrs. Brandeis, “there isn't much to think about. I know just where I stand. It's a case of mathematics, that's all. This business of mine is just beginning to pay. From now on I shall be able to save something every year. It might be enough to cover his musical education. It would mean that Fanny—my daughter—and I would have to give up everything. For myself, I should be only too happy, too proud. But it doesn't seem fair to her. After all, a girl——”
“It isn't fair,” broke in Schabelitz. “It isn't fair. But that is the way of genius. It never is fair. It takes, and takes, and takes. I know. My mother could tell you, if she were alive. She sold the little farm, and my sisters gave up their dowries, and with them their hopes of marriage, and they lived on bread and cabbage. That was not to pay for my lessons. They never could have done that. It was only to send me to Moscow. We were very poor. They must have starved. I have come to know, since, that it was not worth it. That nothing could be worth it.”
“But it was worth it. Your mother would do it all over again, if she had the chance. That's what we're for.”
Bauer pulled out his watch and uttered a horrified exclamation. “Himmel! Four o'clock! And I have a pupil at four.” He turned hastily to Mrs. Brandeis. “I am giving a little supper in my studio after the concert to-night.”
“Oh, Gott!” groaned Schabelitz.
“It is in honor of Schabelitz here. You see how overcome he is. Will you let me bring Theodore back with me after the concert? There will be some music, and perhaps he will play for us.”
Schabelitz bent again in his queer little foreign bow. “And you, of course, will honor us, Mrs. Brandeis.” He had never lived in Winnebago.
“Oh, certainly,” Bauer hastened to say. He had.
“I!” Molly Brandeis looked down at her apron, and stroked it with her fingers. Then she looked up with a little smile that was not so pleasant as her smile usually was. There had flashed across her quick mind a picture of Mrs. G. Manville Smith. Mrs. G. Manville Smith, in an evening gown whose decolletage was discussed from the Haley House to Gerretson's department store next morning, was always a guest at Bauer's studio affairs. “Thank you, but it is impossible. And Theodore is only a schoolboy. Just now he needs, more than anything else in the world, nine hours of sleep every night. There will be plenty of time for studio suppers later. When a boy's voice is changing, and he doesn't know what to do with his hands and feet, he is better off at home.”
“God! These mothers!” exclaimed Schabelitz. “What do they not know!”
“I suppose you are right.” Bauer was both rueful and relieved. It would have been fine to show off Theodore as his pupil and Schabelitz's protege. But Mrs. Brandeis? No, that would never do. “Well, I must go. We will talk about this again, Mrs. Brandeis. In two weeks Schabelitz will pass through Winnebago again on his way back to Chicago. Meanwhile he will write Wolfsohn. I also. So! Come, Schabelitz!”
He turned to see that gentleman strolling off in the direction of the notion counter behind which his expert eye had caught a glimpse of Sadie in her white shirtwaist and her trim skirt. Sadie always knew what they were wearing on State Street, Chicago, half an hour after Mrs. Brandeis returned from one of her buying trips. Shirtwaists had just come in, and with them those neat leather belts with a buckle, and about the throat they were wearing folds of white satin ribbon, smooth and high and tight, the two ends tied pertly at the back. Sadie would never be the saleswoman that Pearl was, but her unfailing good nature and her cheery self-confidence made her an asset in the store. Besides, she was pretty. Mrs. Brandeis knew the value of a pretty clerk.
At the approach of this stranger Sadie leaned coyly against the stocking rack and patted her paper sleevelets that were secured at wrist and elbow with elastic bands. Her method was sure death to traveling men. She prepared now to try it on the world-famous virtuoso. The ease with which she succeeded surprised even Sadie, accustomed though she was to conquest.
“Come, come, Schabelitz!” said Bauer again. “I must get along.”
“Then go, my friend. Go along and make your preparations for that studio supper. The only interesting woman in Winnebago—” he bowed to Mrs. Brandeis—“will not be there. I know them, these small-town society women, with their imitation city ways. And bony! Always! I am enjoying myself. I shall stay here.”
And he did stay. Sadie, talking it over afterward with Pearl and Aloysius, put it thus:
“They say he's the grandest violin player in the world. Not that I care much for the violin, myself. Kind of squeaky, I always think. But it just goes to show they're all alike. Ain't it the truth? I jollied him just like I did Sam Bloom, of Ganz & Pick, Novelties, an hour before. He laughed just where Sam did. And they both handed me a line of talk about my hair and eyes, only Sam said I was a doll, and this Schabelitz, or whatever his name is, said I was as alluring as a Lorelei. I guess he thought he had me there, but I didn't go through the seventh reader for nothing. `If you think I'm flattered,' I said to him, `you're mistaken. She was the mess who used to sit out on a rock with her back hair down, combing away and singing like mad, and keeping an eye out for sailors up and down the river. If I had to work that hard to get some attention,' I said, `I'd give up the struggle, and settle down with a cat and a teakettle.' At that he just threw back his head and roared. And when Mrs. Brandeis came up he said something about the wit of these American women. `Work is a great sharpener of wit—and wits,' Mrs. Brandeis said to him. `Pearl, did Aloysius send Eddie out with that boiler, special?' And she didn't pay any more attention to him, or make any more fuss over him, than she would to a traveler with a line of samples she wasn't interested in. I guess that's why he had such a good time.”
Sadie was right. That was the reason. Fanny, coming into the store half an hour later, saw this man who had swayed thousands with his music, down on his hands and knees in the toy section at the rear of Brandeis' Bazaar. He and Sadie and Aloysius were winding up toy bears, and clowns, and engines, and carriages, and sending them madly racing across the floor. Sometimes their careening career was threatened with disaster in the form of a clump of brooms or a stack of galvanized pails. But Schabelitz would scramble forward with a shout and rescue them just before the crash came, and set them deftly off again in the opposite direction.
“This I must have for my boy in New York.” He held up a miniature hook and ladder. “And this windmill that whirls so busily. My Leo is seven, and his head is full of engines, and motors, and things that run on wheels. He cares no more for music, the little savage, than the son of a bricklayer.”
“Who is that man?” Fanny whispered, staring at him.
“Levine Schabelitz.”
“Schabelitz! Not the—”
“Yes.”
“But he's playing on the floor like—like a little boy! And laughing! Why, Mother, he's just like anybody else, only nicer.”
If Fanny had been more than fourteen her mother might have told her that all really great people are like that, finding joy in simple things. I think that is the secret of their genius—the child in them that keeps their viewpoint fresh, and that makes us children again when we listen to them. It is the Schabelitzes of this world who can shout over a toy engine that would bore a Bauer to death.
Fanny stood looking at him thoughtfully. She knew all about him. Theodore's talk of the past week had accomplished that. Fanny knew that here was a man who did one thing better than any one else in the world. She thrilled to that thought. She adored the quality in people that caused them to excel. Schabelitz had got hold of a jack-in-the-box, and each time the absurd head popped out, with its grin and its squawk, he laughed like a boy. Fanny, standing behind the wrapping counter, and leaning on it with her elbows the better to see this great man, smiled too, as her flexible spirit and her mobile mind caught his mood. She did not know she was smiling. Neither did she know why she suddenly frowned in the intensity of her concentration, reached up for one of the pencils on the desk next the wrapping counter, and bent over the topmost sheet of yellow wrapping paper that lay spread out before her. Her tongue-tip curled excitedly at one corner of her mouth. Her head was cocked to one side.
She was rapidly sketching a crude and startling likeness of Levine Schabelitz as he stood there with the ridiculous toy in his hand. It was a trick she often amused herself with at school. She had drawn her school-teacher one day as she had looked when gazing up into the eyes of the visiting superintendent, who was a married man. Quite innocently and unconsciously she had caught the adoring look in the eyes of Miss McCook, the teacher, and that lady, happening upon the sketch later, had dealt with Fanny in a manner seemingly unwarranted. In the same way it was not only the exterior likeness of the man which she was catching now—the pompadour that stood stiffly perpendicular like a brush; the square, yellow peasant teeth; the strong, slender hands and wrists; the stocky figure; the high cheek bones; the square-toed, foreign-looking shoes and the trousers too wide at the instep to have been cut by an American tailor. She caught and transmitted to paper, in some uncanny way, the simplicity of the man who was grinning at the jack-in-the-box that smirked back at him. Behind the veneer of poise and polish born of success and adulation she had caught a glimpse of the Russian peasant boy delighted with the crude toy in his hand. And she put it down eagerly, wetting her pencil between her lips, shading here, erasing there.
Mrs. Brandeis, bustling up to the desk for a customer's change, and with a fancy dish to be wrapped, in her hand, glanced over Fanny's shoulder. She leaned closer. “Why, Fanny, you witch!”
Fanny gave a little crow of delight and tossed her head in a way that switched her short curls back from where they had fallen over her shoulders. “It's like him, isn't it?”
“It looks more like him than he does himself.” With which Molly Brandeis unconsciously defined the art of cartooning.
Fanny looked down at it, a smile curving her lips. Mrs. Brandeis, dish in hand, counted her change expertly from the till below the desk, and reached for the sheet of wrapping paper just beneath that on which Fanny had made her drawing. At that moment Schabelitz, glancing up, saw her, and came forward, smiling, the jack-in-the-box still in his hand.
“Dear lady, I hope I have not entirely disorganized your shop. I have had a most glorious time. Would you believe it, this jack-in-the-box looks exactly—but exactly—like my manager, Weber, when the box-office receipts are good. He grins just—”
And then his eye fell on the drawing that Fanny was trying to cover with one brown paw. “Hello! What's this?” Then he looked at Fanny. Then he grasped her wrist in his fingers of steel and looked at the sketch that grinned back at him impishly. “Well, I'm damned!” exploded Schabelitz in amusement, and surprise, and appreciation. And did not apologize. “And who is this young lady with the sense of humor?”
“This is my little girl, Fanny.”
He looked down at the rough sketch again, with its clean-cut satire, and up again at the little girl in the school coat and the faded red tam o' shanter, who was looking at him shyly, and defiantly, and provokingly, all at once.
“Your little girl Fanny, h'm? The one who is to give up everything that the boy Theodore may become a great violinist.” He bent again over the crude, effective cartoon, then put a forefinger gently under the child's chin and tipped her glowing face up to the light. “I am not so sure now that it will work. As for its being fair! Why, no! No!”
Fanny waited for her mother that evening, and they walked home together. Their step and swing were very much alike, now that Fanny's legs were growing longer. She was at the backfisch age.
“What did he mean, Mother, when he said that about Theodore being a great violinist, and its not being fair? What isn't fair? And how did he happen to be in the store, anyway? He bought a heap of toys, didn't he? I suppose he's awfully rich.”
“To-night, when Theodore's at the concert, I'll tell you what he meant, and all about it.”
“I'd love to hear him play, wouldn't you? I'd just love to.”
Over Molly Brandeis's face there came a curious look. “You could hear him, Fanny, in Theodore's place. Theodore would have to stay home if I told him to.”
Fanny's eyes and mouth grew round with horror. “Theodore stay home! Why Mrs.—Molly—Brandeis!” Then she broke into a little relieved laugh. “But you're just fooling, of course.”
“No, I'm not. If you really want to go I'll tell Theodore to give up his ticket to his sister.”
“Well, my goodness! I guess I'm not a pig. I wouldn't have Theodore stay home, not for a million dollars.”
“I knew you wouldn't,” said Molly Brandeis as they swung down Norris Street. And she told Fanny briefly of what Schabelitz had said about Theodore.
It was typical of Theodore that he ate his usual supper that night. He may have got his excitement vicariously from Fanny. She was thrilled enough for two. Her food lay almost untouched on her plate. She chattered incessantly. When Theodore began to eat his second baked apple with cream, her outraged feelings voiced their protest.
“But, Theodore, I don't see how you can!”
“Can what?”
“Eat like that. When you're going to hear him play. And after what he said, and everything.”
“Well, is that any reason why I should starve to death?”
“But I don't see how you can,” repeated Fanny helplessly, and looked at her mother. Mrs. Brandeis reached for the cream pitcher and poured a little more cream over Theodore's baked apple. Even as she did it her eyes met Fanny's, and in them was a certain sly amusement, a little gleam of fun, a look that said, “Neither do I.” Fanny sat back, satisfied. Here, at least, was some one who understood.
At half past seven Theodore, looking very brushed and sleek, went off to meet Emil Bauer. Mrs. Brandeis had looked him over, and had said, “Your nails!” and sent him back to the bathroom, and she had resisted the desire to kiss him because Theodore disliked demonstration. “He hated to be pawed over,” was the way he put it. After he had gone, Mrs. Brandeis went into the dining-room where Fanny was sitting. Mattie had cleared the table, and Fanny was busy over a book and a tablet, by the light of the lamp that they always used for studying. It was one of the rare occasions when she had brought home a school lesson. It was arithmetic, and Fanny loathed arithmetic. She had no head for mathematics. The set of problems were eighth-grade horrors, in which A is digging a well 20 feet deep and 9 feet wide; or in which A and B are papering two rooms, or building two fences, or plastering a wall. If A does his room in 9 1/2 days, the room being 12 feet high, 20 feet long, and 15 1/2 feet wide, how long will it take B to do a room 14 feet high, 11 3/4 feet, etc.
Fanny hated the indefatigable A and B with a bitter personal hatred. And as for that occasional person named C, who complicated matters still more—!
Sometimes Mrs. Brandeis helped to disentangle Fanny from the mazes of her wall paper problems, or dragged her up from the bottom of the well when it seemed that she was down there for eternity unless a friendly hand rescued her. As a rule she insisted that Fanny crack her own mathematical nuts. She said it was good mental training, not to speak of the moral side of it. But to-night she bent her quick mind upon the problems that were puzzling her little daughter, and cleared them up in no time.
When Fanny had folded her arithmetic papers neatly inside her book and leaned back with a relieved sigh Molly Brandeis bent forward in the lamplight and began to talk very soberly. Fanny, red-cheeked and bright-eyed from her recent mental struggles, listened interestedly, then intently, then absorbedly. She attempted to interrupt, sometimes, with an occasional, “But, Mother, how—” but Mrs. Brandeis shook her head and went on. She told Fanny a few things about her early married life—things that made Fanny look at her with new eyes. She had always thought of her mother as her mother, in the way a fourteen-year-old girl does. It never occurred to her that this mother person, who was so capable, so confident, so worldly-wise, had once been a very young bride, with her life before her, and her hopes stepping high, and her love keeping time with her hopes. Fanny heard, fascinated, the story of this girl who had married against the advice of her family and her friends.
Molly Brandeis talked curtly and briefly, and her very brevity and lack of embroidering details made the story stand out with stark realism. It was such a story of courage, and pride, and indomitable will, and sheer pluck as can only be found among the seemingly commonplace.
“And so,” she finished, “I used to wonder, sometimes, whether it was worth while to keep on, and what it was all for. And now I know. Theodore is going to make up for everything. Only we'll have to help him, first. It's going to be hard on you, Fanchen. I'm talking to you as if you were eighteen, instead of fourteen. But I want you to understand. That isn't fair to you either—my expecting you to understand. Only I don't want you to hate me too much when you're a woman, and I'm gone, and you'll remember—”
“Why, Mother, what in the world are you talking about? Hate you!”
“For what I took from you to give to him, Fanny. You don't understand now. Things must be made easy for Theodore. It will mean that you and I will have to scrimp and save. Not now and then, but all the time. It will mean that we can't go to the theater, even occasionally, or to lectures, or concerts. It will mean that your clothes won't be as pretty or as new as the other girls' clothes. You'll sit on the front porch evenings, and watch them go by, and you'll want to go too.”
“As if I cared.”
“But you will care. I know. I know. It's easy enough to talk about sacrifice in a burst of feeling; but it's the everyday, shriveling grind that's hard. You'll want clothes, and books, and beaux, and education, and you ought to have them. They're your right. You ought to have them!” Suddenly Molly Brandeis' arms were folded on the table, and her head came down on her arms and she was crying, quietly, horribly, as a man cries. Fanny stared at her a moment in unbelief. She had not seen her mother cry since the day of Ferdinand Brandeis' death. She scrambled out of her chair and thrust her head down next her mother's, so that her hot, smooth cheek touched the wet, cold one. “Mother, don't! Don't Molly dearie. I can't bear it. I'm going to cry too. Do you think I care for old dresses and things? I should say not. It's going to be fun going without things. It'll be like having a secret or something. Now stop, and let's talk about it.”
Molly Brandeis wiped her eyes, and sat up, and smiled. It was a watery and wavering smile, but it showed that she was mistress of herself again.
“No,” she said, “we just won't talk about it any more. I'm tired, that's what's the matter with me, and I haven't sense enough to know it. I'll tell you what. I'm going to put on my kimono, and you'll make some fudge. Will you? We'll have a party, all by ourselves, and if Mattie scolds about the milk to-morrow you just tell her I said you could. And I think there are some walnut meats in the third cocoa can on the shelf in the pantry. Use 'em all.”