A list of the various devices of different countries, by which characters could be legibly portrayed with a scratching implement, is best recapitulated by Mr. Knight, who presents them in the following order:
"The tabula or wooden board smeared with wax, upon which a letter was written by a stylus.
"The Athenian scratched his vote upon a shell as did the lout when he voted to ostracize Aristides.
"The records of Ninevah were inscribed upon tablets of clay, which were then baked.
"The laws of Rome were engraved on brass and laid up in the Capitol.
"The decalogue was graven upon the tables of stone.
"The Egyptians used papyrus and granite.
"The Burmese, tablets of ivory and leaves.
"Pliny mentions sheets of lead, books of linen, and waxed tablets of wood.
"The Hebrews used linen and skins.
"The Persians, Mexicans, and North AmericanIndians used skins.
"The Greeks, prepared skins called membrana.
"The people of Pergamus, parchment and vellum.
"The Hindoos, palm-leaves."
The written deeds of biblical time were kept in various styles of pottery (Jeremiah xxxii. 14). Handwriting on tiles was common in Egypt, Assyria and Palestine (Ezekiel iv. I). Such handwritings were on tablets of terra-cotta or common baked clay bricks. One of the kind was fashioned by inscribing directly with a "stylus" on the clay, before baking. Another, were "moulds" made from older inscriptions or duplicates from the first kind.
The Hebrew term sepher, translated into English
means a "book," and some authorities claim it is derived
from the same root as the Greek
Long before the use of papyrus, or any like substance was known as a material for writing on, thin bricks were frequently utilized for such purposes. The Chinese wrote on slips of bamboo which had been previously scraped to be afterwards submitted to intense heat which so hardened them, that a graver would cut lines with the same facility, as could be accomplished on soft metal like lead. These bamboo tablets were joined together by means of cords made of bark and when folded formed a "book." Different nations adopted other modes in their preparation of surfaces to engrave on. Many original specimens have come down to us which present definite evidence of the variety of materials and methods employed in their manufacture.
Hilprecht, "Explorations in Bible Lands," 1903, mentions many discoveries of such specimens. He says that more than four thousand clay tablets were discovered during the excavations of 1889 and 1900.
These relics call attention only to a very few discoveries of this character. There were other explorers who preceded Hilprecht in this direction, and who with him have thus secured tangible evidence which fully confirms all that has been said about the employment of the most ancient of writing instruments, the "stylus."
The diamond is also to be classified under the head of "scratching implements" and many historical incidents are recorded of its use. One of the most interesting relates to Sir Walter Raleigh and Queen Elizabeth and to be found in Scott's "Kenilworth." Sir Walter, using his diamond ring, wrote on a pane of glass in her summer-house at Greenwich:
"Fain would I climb, but that I fear to fall."
The maiden Queen adding the words:
"If thy mind fail thee, do not climb at all."
Biblical mention of the diamond, employed as a pen, is found in Jeremiah xvii. 1.
"The sin of Judah is written with a pen of iron,and with the point of a diamond."
It has not always been possible to decipher and interpret the character values of the most ancient hieroglyphics or picture writings inscribed on bricks, stone and metal slabs, and the Egyptian monuments. The means to do so were furnished as the result of a very fortunate accident or "find."
A French artillery officer in 1799 while excavating the foundations for a fortification near the Rosetta mouth of the Nile, found a curious black tablet of stone. On it were engraved three inscriptions, each of different characters and dialects.
The first of the three inscriptions was in hieroglyphic, then unreadable; the second in demotic or shorter script, also unknown, and the third in a living language pertaining to the time of Ptolemy Epiphanes, who reigned about 200 B. C.
This relic of antiquity is called the Rosetta stone.
Jean Francois Champollion, who with Dr. Thomas Young studied the intricacies of these writings, first established the fact that the three inscriptions on this stone were translations of each other. Dr. Young's investigations caused him to study the language included in the second inscription, and made his deductions, it is said, "by dint of thousands of scientific guesses, all but a few of which were eliminated by tests which he invented and applied; he at last discovered and put together the set of fundamental principles that govern the ancient writings."
Champollion, however, began at the bottom and having successfully translated the LIVING language, established a "key" or alphabet. Hence it became possible, although requiring some years, to solve the mystery of writings of 4000 or more years old.
Champollion pursued his discoveries so thoroughly in this direction as to be able to complete in 1829 an Egyptian vocabulary and grammar.
The Rosetta stone after remaining in the possession of the French for many years was captured by the English on the defeat of the French forces in Egypt and is now in the British museum.
As writing with liquid colors on papyrus or analogous materials which could be used in the form of rolls, gradually came into vogue, the calamus or reed pen, pencil brush (hair pencil), or the juncas, a pen formed from a kind of cane, were more or less employed.
The "calamus" followed the "brush," just as
phonographic writing which denotes arbitrary sounds or the language of symbols, came after the picture or ideographic writing.
The places where the calamus grew and the modes of preparing them are variously discussed by different ancient and modern writers. Some claim that the best reeds for pen purposes formerly grew near Memphis on the Nile, near Cnidus of Caria, in Asia Minor, and in Armenia. Those grown in Italy were estimated to have been of but poor quality. Chardin calls attention to a kind to be found, "in a large fen or tract of soggy land supplied with water by the river Helle, a place in Arabia formed by the united arms of the Euphrates and Tigris. They are cut in March, tied in bundles, laid six months in a manure heap, where they assume a beautiful color, mottled yellow and black." Tournefort saw them growing in the neighborhood of Teflis in Georgia. Miller describes the cane as "growing no higher than a man, the stem three or four lines in thickness and solid from one knot to another, excepting the central white pith." The incipient fermentation in the manure heap dries up the pith and hardens the cane. The pens were about the size of the largest swan's quills. They were cut and slit like a quill pen but with much larger nibs.
In the far East the calamus is still used, the best being gathered in the month of March, near Aurac, on the Persian Gulf, and still prepared after the old method of immersing them for about six months in fermenting manure which coats them with a sort of dark varnish and the darker their color the more they are prized.
The "brush" also holds its career of usefulness, more especially in China and Japan.
The earliest examples of reed pen writing are the ancient rolls of papyrus which have been found buried with the Egyptian dead. Some of these old relics of antiquity are claimed to have been prepared fully twenty centuries or more before the Christian era.
The "reed" pen for ink writing held almost undisputed sway until the sixth century after the Christian era, when the quill (penna) came into vogue.
Reed pens preserved in excellent condition were found in the ruins of Herculaneum.
"When he had finished, he dried the bamboo-pen on his hair, and replaced it behind his ear, saying, 'Yak pose' (That is well). 'Temou chu' (Rest in peace), we replied; and, after politely putting out our tongues, withdrew." Abbe Hue at Lha-Ssa.
THE quills belonging to the feathers of birds seem to have been the most successful and fitting of all materials for pens, for, though steel and other metals are now used for this purpose to an immense extent, there is a power of adaptation in a quill pen which has never yet been equalled in metal. Quills, however, like other things, have a tendency to "wear out," and the trouble resulting from the necessity of frequently mending quill pens and a desire to write with more rapidity have been the main causes of the introduction of steel substitutes. A kind of affection has often been felt by an author or official, or their admirers, for the pen with which he has written any large or celebrated work or signed some important document; old worn-out pens, as well as new ones, have been preserved as memorials in connection with such matters, and Dr. Holland, who translated Pliny's "Natural History" in the sixteenth century, recorded an exploit connected with it in the following lines:
"With one sole pen I wrote this book,Made of a gray goose-quill:A pen it was when it I tookA pen I leave it still."
The quills employed for pens were generally those of the goose, although the crow, the swan, and other birds yielded feathers which were occasionally available for this purpose. Each wing produced about five good quills, but the number thus yielded was so small that the geese reared in England could not furnish nearly enough for the demand, hence the importation of goose quills from the Continent was very large. The process surrounding the manufacture of a quill pen proves of considerable interest.
"The geese are plucked of their feathers three or four times a year, the first time for the sake both of the quills and the feathers, but the other times for the feathers only. The pen quills are generally taken from the ends of the wings. When plucked the quills are found to be covered with a membranous skin, resulting from a decay of a kind of sheath which had enveloped them; the interior vascular membrane, too, resulting from the decay of the vascular pith, adheres so strongly to the barrel of the quill as to be with difficulty separated, while, at the same time, the barrel itself is opaque, soft, and tough. To remove these various defects the quills undergo several processes. In the first instance, as a means of removing the membraneous skin, the quills are plunged into heated sand, the high temperature of which causes the external skin of the barrel to crack and peel off, and the internal membrane to shrivel up. The outer membrane is then scraped off with a sharp instrument, while the inner membrane remains in a state to be easily detached. For the finest quills the heating is repeated two or three times. The heat of the sand, by consuming or drying up the natural moisture of the barrel, renders it harder and more transparent. In order to give the barrel a yellow color, and a tendency to split more readily and clearly, it is dipped in weak nitric acid, but this was considered to render the quill more brittle and less durable, and was therefore a sacrifice of utility for the sake of appearance."
"Oh! nature's noblest gift—my gray goose quill!Slave of my thoughts, obedient to my will,Torn from thy parent bird to form a pen,That mighty instrument of little men!"BYRON.
To locate an exact period for the invention of the quill pen is impossible. It could hardly have been in use before the fourth century, probably not earlier than two centuries later. Some writers have assumed that it was employed by the Romans, but as no distinct mention is made of them by early classical authors we must accept the only information at hand.
Isidore (died A. D. 636) and contemporaries state that the quills of birds came into use as pens only in the sixth century. It is also known, St. Brovverus being the authority, that in his time (seventh century) the calamus or reed pen and the quill pen were employed together, the calamus being used in the writing of the uncial (inch) letters and capitals, and the quill for smaller letters. Mention is also made by many writers of the five centuries which followed Isidore's time of the calamus, indicating that notwithstanding it had been superseded by the quill it was still a favorite writing implement in some places.
The use of the "steel pen" did not spring immediately from that of the "quill pen." There were several intermediate stages adopted before the fitness of steel for this purpose was sufficiently known, From about 1800 to 1835 the number of proposed substitutes for the quill pen was very considerable. Horn pens, tortoise-shell pens, nibs of diamond or ruby imbedded in tortoise shell, nibs of ruby set in fine gold, nibs of rhodium and of iridium imbedded in gold,— all have been adopted at different times, but most of them have been found too costly for general adoption. Steel is proved to be sufficiently elastic and durable to form very good pens, and the ingenuity of manufacturers has been exerted to give to such pens as many as possible of the good qualities possessed by the quill pen.
The original flexible iron pen of modern times was an experimental affair probably, being mentioned by Chamberlayne as far back as 1685.
The first steel pens in regular use were made byWise, in London, in 1803, and for many years thereafter.
His pen was made with a barrel, by which it was slipped upon a straight handle. In its portable form it was mounted in a bone case for the pocket. Prejudice, however, was strong against them, and up to 1835 or thereabouts quills maintained their full sway, and much later among the old-fashioned folks. To him, however, is due the credit of being the inventor of the modern steel pen.
It has been the thought of some people that Gillott was the progenitor of the steel pen, but he was not. Arnoux, a French mechanic, made metallic pens with side slits in 1750. Samuel Harrison, an Englishman, made a steel pen for Dr. Priestly in 1780. Peregrine Williamson, a native of New York, while engaged as a jeweler in the city of Baltimore, made steel pens in 1800.
Perry's first pens were of steel, rolled from wire, the material costing seven shillings a pound. Five shillings each was paid the workman for making them; this was afterward reduced to thirty-six shillings per gross, which price was continued for several years.
It was Joseph Gillott, however, originally a Sheffield cutler, and afterwards a workman in light steel articles, as buckles, chains, and other articles of that class, who in 1822 gave impulse to the steel-pen manufacture. Previous to his entering the business the pens were cut out with shears and finished with the file. Gillott adapted the stamping press to the requirements of the manufacture, as cutting out the blanks, forming the slits, bending the metal, and impressing the maker's name on the pens. He also devised improved modes of preparing the metal for the action of the press, tempering, cleansing, and polishing, and, in short, many little details of manufacture necessary to give them the required flexibility to enable them to compete with the quill pen. One great difficulty to be overcome was their extreme hardness and stiffness; this was effected by making slits at the side in addition to the central one, which had previously been solely used. A further improvement, that of cross grinding the points, was subsequently adopted. The first gross of pens with three slits was sold for seven pounds. In 1830 the price was $2.00; in 1832, $1.50; in 1861, 12 cents, and a common variety for 4 cents a gross. About 9,300 tons of steel are annually consumed, the number of pens produced in England alone being about 8,000,000,000.
Bramah patented quill nibs made by splitting quills and cutting the semicylinders into sections which were shaped into pens and adapted to be placed in a holder. These were, perhaps, the first nibs, the progenitors of a host of steel, gold, and other pens.
Hawkins and Mordan, in 1823, made nibs of horn and tortoise shell, instead of quill. The tortoise shell being softened, points of ruby and diamond were imbedded. Metallic points were also cemented to the shell nibs.
Doughty, about 1825, made gold pens with ruby points.
Gold pens with rhodium or iridium points were introduced soon afterwards.
Mordan's oblique pen, English patent, 1831, was designed to present the nibs in the right direction while preserving the customary positions of the pen and hand.
The fountain pen carries a supply of ink, fed gradually to the point of the instrument. The first made by Scheffer was introduced about 1835 by Mordan. The pressure of the thumb on a stud in a holder caused a continuous supply of ink to flow from the reservoir to the pen.
The "stylographic" is a reservoir pen shaped like a pencil, in which the flow of ink is regulated by pressure of a style or fine needle with blunt point upon the paper. It must be held in a vertical position. All marks made with one, both up and down strokes, are equal in width.
Gold pens are now usually tipped with iridium, making what are commonly known as diamond points.
"The iridium for this purpose is found in small grains of platinum, slightly alloyed with this latter metal. The gold for pens is alloyed with silver to about sixteen carats fineness, rolled into thin strips, from which the blanks are struck. The under side of the point is notched by a small circular saw to receive the iridium point, which is selected with the aid of a microscope. A flux of borax and a blowpipe secure it to its place. The point is then ground on a copper wheel of emery. The pen-blank is next rolled to the requisite thinness by the means of rollers especially adapted for the purpose, and tempered by blows from a hammer. It is then trimmed around the edges, stamped, and formed in a press. The slit is next cut through the solid iridium point by means of a thin copper wheel fed with fine emery, and a saw extends the aperture along the pen itself. The inside edges of the slit are smoothed and polished by the emery wheel; burnishing and hammering produce the proper degree of elasticity."
It is asserted that more steel is used in the manufacture of pens than in all the swords and guns in the world. This fact partly verifies the old saying, "The pen is mightier than the sword."
"Three things bear mighty sway with men,The Sword, the Sceptre, and the Pen;Who can the least of these command,In the first rank of Fame will stand."
THE black-lead pencil, under many circumstances, is a very useful substitute for the pen, in that it requires no liquid ink for marking the characters on paper or other materials. The peculiar substance which fills the central channel of the stick of cedar has the property of marking when it touches paper; and, as the marks thus made are susceptible to easy removal, a pencil of this kind is available for purposes which would not be answered by the use of pen and ink.
The substance misnamed "black-lead" contains NO LEAD and is a carburet of iron, being composed of carbon and iron. It generally occurs in Mountain districts, in small kidney-shaped pieces, varying in size from that of a pea upwards, which are interspersed among various strata, and is met with in different parts of the world.
Its principal source of supply until about 1845, when it became exhausted, was the Borrowdale mine in Cumberland, England, which was discovered in 1564. About 1852 a number of mines were opened containing this substance in Siberia and from which place the best products are now obtained.
The accidental discovery of this mineral at Borrowdale was during the reign of Queen Elizabeth who made many inquiries about it. The name of this mineral was locally known as wad (graphite). So valuable was it regarded that it commanded a very high price, and this price acted as in inducement to the workmen and others to pilfer pieces from the mine. For a number of years scenes of great commotion took place, arising out of these depredations; and the result was that the proprietors adopted such stringent rules that hardly anything was known of the internal economy of the mine till about sixty years ago, when Mr. Parkes gave a description of it, from which I may condense a few particulars.
The mine is in the midst of a mountain about two thousand feet high, which rises at in angle of about 45 degrees; and, as that part of the mine which has been worked during the last century is near the middle of the mountain, the present entrance is about a thousand feet from the summit. The opening by which the workmen enter descends by a flight of steps; and in order to guard the treasure within, the proprietors have erected a strong brick building of four rooms, one of which is immediately over the entrance into the mine. This entrance is secured by a trap-door, and the room connected with it serves as a dressing-room for the men when they enter and leave the mine. The men work in gangs, which relieve each other every six hours, and when the hour of relief comes, a steward or foreman attends the dressing- room to see the men change their dresses as they come up one by one out of the mine. The clothes are examined by the steward to see that no black-lead is concealed in them; and when the men have dressed they leave the mine, making room for another gang, who change their clothes, enter the mine, and are fastened in for six hours. In one of the four rooms of which the house consists there is a table, at which men are employed in sorting and dressing the mineral. This is necessary, because it is usually divided into two qualities, the finest of which have generally pieces of iron- ore or other impurity attached to them, which must be dressed off. These men, who are strictly watched while at work, put the dressed black-lead into casks holding about one hundred-weight each, in which state it leaves the mine. The casks are conveyed down the side of the mountain in a curious manner. Each cask is fixed upon a light sledge with two wheels, and a man, who is well used to the precipitous path, walks down in front of the sledge, taking care that it does not acquire momentum enough to overpower him. When the cask has been thus guided safely to the bottom, the man carries the sledge up hill upon his shoulders, and prepares for another descent.
Up to about the middle of the eighteenth century the mine was opened only once in seven years, the quantity taken out at each time of opening being such as was deemed sufficient to serve the market for seven years; but when, at a later period, it was found that the demand was increasing and the supply decreasing, it was deemed necessary to work the mine six or seven weeks every year. During the time of working, the mine is guarded night and day; and when a quantity sufficient for one year's consumption has been taken out, the mine is secured until the following year. Several hundred cartloads of rubbish are wheeled into the mine, so as to block up the entrance completely; and this rubbish acts as a dam to prevent the springs and land waters from flowing out, so that the mine gradually becomes flooded.
When the Year's mining is concluded, the barrels of black-lead are brought to market, and the mode of effecting the sales was described by Dr. Faraday some years ago to be as follows: A market is held on the first Monday of every month at a house in London, where the buyers, who are generally only seven or eight in number, examine each piece with a sharp instrument to ascertain its hardness, those which are too soft being rejected. The person who has the first choice pays 45s. per pound, the others 30s. But, as there is no addition made to the first quantity in the market, the residual portions are examined over and over again until they are exhausted. At one time the annual sale was said to amount to the value of L40,000 per annum, but it has been greatly reduced since.
A mode of applying manufacturing processes to the preparation of black-lead is described by Dr. Ure as being adopted in Paris. The mineral, being reduced to a fine powder, is mixed with very pure powdered clay, and the two are calcined in a crucible at a white heat; the proportion of clay employed is greater as the pencil is required to be harder, the average being equal parts of both. The ingredients are ground with a muller on a porphyry slab and then made into balls, which are preserved in a moist atmosphere in the form of paste. The paste is pressed into grooves cut in a smooth board, and another board, previously greased, is pressed down upon it. When the paste has had time to dry, the mould or grooved board is put into a moderately heated oven, by which the paste, now in the form of square pencils, shrinks sufficiently to fall out of the grooves. In order to give solidity to the pencils they are set upright in a crucible and surrounded with pounded charcoal, fine sand, or sifted ashes; the crucible, being covered, is exposed to a degree of heat proportionate to the hardness required in the pencils, the harder pencils requiring the higher degree of heat. Some of the pencils are shaped in a curious manner: models of the pencils, made of iron, are stuck upright upon an iron tray, having edges raised as high as the intended length of the pencils; and a metallic alloy, made of tin, lead, antimony and bismuth is poured into the sheet-iron tray. When the alloy has cooled, it is inverted and shaken off from the model-rods, so as to form a mass of metal perforated throughout with tubular cavities corresponding in size with the intended pencil pieces; the pencil paste is introduced by pressure into these cavities, and when nearly dry the pieces shrink sufficiently to be easily removed from the cavities.
The pencils just described are alike throughout all their thickness, but in the majority of English pencils there is a wooden holder to contain a narrow filament of black lead running down the middle. So long ago as the year 1618 this mode was adopted; for Sir John Pettus, who was deputy governor of the Borrowdale mine under Charles II, in his "Fleta Minor," while, speaking of black-lead says, that "Of late it is curiously formed into cases of deal or cedar and so sold as dry pencils, something more useful than pen and ink." In a general way modern black-lead pencils, are made by sawing cedar first into long planks, and then into smaller rods; grooves are cut out by means of a cutting machine moved by a fly- wheel to such a depth as will receive a small layer of black-lead; the pieces of the mineral are cut into thin slabs and then into rods the same size as the grooves, into which they are inserted; the two halves of the case are then glued together, and the whole is turned into a cylindrical form by means of a guage.
The kind of pencil called "crayon" is a mixture of some kind of earth with a coloring substance. The earth employed is sometimes chalk, and at other times pipe-clay, gypsum, starch-flour, or ochre. The coloring substance is yellow ochre, mineral yellow, chrome, red chalk, vermilion, indigo—indeed, any of the usual dry colors, according to the tint required. Besides the earth and the color, there is a gummy liquid required to combine them together; gum arabic, gum tragacanth, and in some cases oil, wax, or suet, are used as the third ingredient. The crayons here alluded to are employed rather for drawing than for writing, but they obviously belong to the class of pencils in their mode of action.
The ancients drew lines and letters with wooden styles, and afterward an alloy of lead and tin was used. Pliny refers to the use of lead for ruling lines on papyrus. La Moine cites a document of 1387 ruled with graphite. Slips of graphite in wooden sticks (pencils) are mentioned by Gesner, of Zurich, in 1565; he credits England with the production. They are doubtless the product of the Borrowdale mine, then lately discovered. In the early part of the seventeenth century black-lead pencils are distinctly described by several writers. They are noticed by Ambrosinus, 1648; spoken of by Pettus, in 1683, as inclosed in fir or cedar.
Red and black chalk pencils were used in Germany in 1450; in fact, fragments of chalk, charcoal, and shaped sticks of colored minerals had been in use since times previous to all historic mention.
When Cortez landed in Mexico, in 1520, he found the Aztecs using graphite crayons, which were probably made from a mineral found in Sonora.
The firm of A. W. Faber are the largest manufacturers of lead pencils in the world. They have compiled a history of this implement of handwriting which they have permitted me to use in the story which follows.
The lead pencil is an invention of modern times, and its introduction may deservedly be ranked with the large number of technical innovations in which more especially the last three centuries have been so rich; nor can it be denied that pencils have played an important part in the diffusion of arts and sciences and in facilitating study and intellectual intercourse.
To the classic ages and their art the pencil, and in general every application of lead as a writing material, was entirely unknown, and it was not till the advent of the middle ages that it began to be used for this purpose. This lead, i. e. metallic lead, however, was in no way equivalent to the graphite or black-lead of our pencils, which are only honored with the prefix of "lead," owing to the leaden color of the writing done with them.
Moreover, in those days, lead was used exclusively for ruling and in no way for writing or drawing; it was employed in the form of round, sharp-edged discs, similar to those which, it is said, were already used for the same purpose in ancient classic times. It is only with the development and growth of modern painting that traces of pencil-like drawings first begin to be met. At so early a period even as the fourteenth century, mention is made by the masters of that time, more especially by the brothers Van Eyck, and again in the fifteenth century by Menlink and others, of studies or compositions which were made with an instrument similar to a lead pencil, upon a paper with chalk prepared surface.
This type of drawing was commonly classed as "silver- style," a term, however, which was no doubt erroneous, as there could be no question of the use of pure silver in this connection.
In the same way it is also reported of the later mediaeval Italian artists that they drew their subjects in "silver-style," upon planished fig-tree wood, the surface of which had been prepared with the powder obtained from calcined bones,—a method, however, which seems only to have been employed in exceptional instances.
But in the fourteenth century, drawings were frequently done in Italy with pencils consisting of a mixture cast from lead and tin; these drawings could easily be erased with bread crumbs.
Petrarch's "Laura" was portrayed in this manner by one of his contemporaries, and the method was still in vogue in the days of Michael Angelo. From Italy these pencils subsequently found their way to Germany, but it is not apparent under what particular name. In Italy itself they were called "stili," the equivalent of the word stylus. At no time, however, do these varieties seem to have been the predominating material used for drawing purposes.
In conjunction with these, pens were used for writing and drawing, and at the zenith of the art period of those days black and red crayons were also used on a large scale. The Italians imported the best qualities of red crayons from Germany, the best black chalk being obtained from Spain.
Vasari writes of a certain sixteenth century artist, that he was equally skillful in handling the stylus or the pen, black chalk or red crayon.
It was this period which witnessed the discovery of plumbago, a mineral which was soon worked up into an entirely new material for writing and drawing,— the lead pencil.
This discovery, which was destined to confer such great benefits not only upon practical life, but also upon art, was made in England during the reign of Queen Elizabeth, for in the year 1564 the celebrated black-lead mines of Borrowdale, in Cumberland, were discovered. With the opening of this mine, the first material steps were taken to implant on English soil a lead pencil industry which in the course of time was to assume important dimensions.
The first lead pencils are supposed to have been manufactured in England in the second half of the sixteenth century. The raw plumbago, or "wad," as it was locally termed, was subjected to the following treatment: "On reaching the surface it was sawn into strips of the required size, and these, without any further manipulation, were inserted into the wood. Strange though it may appear, the lead pencils first manufactured in this manner are acknowledged to have been the best—and even at the beginning of the present century they remained unsurpassed upon the score of the softness and fine tone of the lead. Although the Cumberland lead pencils were in great demand owing to the fact that they were the first to successfully meet a long-felt want, they nevertheless owed their permanent and wide-spread reputation— more especially in artistic circles—to their excellent quality.
Towards the end of the last century the black-lead pencil industry was introduced into France, where with some restrictions it soon developed.
With the removal of all restrictions on industrial freedom in 1795, the idea was entertained of using clay as a binding medium for black-lead. This method offered several advantages, for not only did the addition of clay cause a saving of a large percentage of the valuable mineral, but it greatly facilitated the method of manufacture, so that lead pencils could now be offered at greatly reduced prices.
By these improvements a new era in the manufacture of lead pencils was begun in France. Still, there remained much to be done in the field of black- lead pencil making in order to do justice to the increasing demands of art and the requirements of more civilized life.
It is true, different kinds of lead pencils of various degrees were produced, but they did not comply by a long way with the different uses for which they were needed. The manipulation of the brittle material required not only deep study, but also conscientious and skillful workmen, in order to impart the necessary standard of perfection to the lead pencil.
Among the various German industries the manufacture of black-lead pencils occupied but a very modest place.
The first traces of its existence are to be found at Stein, a village not far from Nuremberg. As far back as the year 1726 the church registers mention marriages between "black-lead pencil makers," and, at a later date references are found in the same registers to "black-lead cutters" of both sexes.
The manufacture of black-lead pencils, however, occupied a position on the very lowest rung of the industrial ladder.
But is time proceeded the Bavarian government directed their attention to this branch of industry, and did all in their power to encourage it; and, as early as the year 1766, a Count von Kronsfeld obtained a concession to establish a lead pencil factory at Jettenbach. Later on, in the year 1816, the Bavarian government established a royal lead pencil manufactory at Obernzell (Hafnerzell), and introduced into it the French process, described above, of using clay as a binding medium for graphite.
FROM WHENCE COMES THE NAME PAPER—FIRST CENTURYCOMMENT ABOUT IT—KNIGHT'S COMMENTS MORE THAN1,800 YEARS LATER—PAPYRUS AN EGYPTIANREED—NAMES BESTOWED BY ANCIENT WRITERS—THESAME NAMES AS EMPLOYED IN MODERN TIMES—LEAVESOF PLANTS PRECEDED THE INVENTION OF PAPYRUS—WHEN IT WAS THAT ROLLED RECORDS CAME INTOVOGUE—VARRO'S ESTIMATION AS TO THE ORIGINAL USEOF PAPYRUS NOT CORRECT—REAL FACTS RESPECTINGTHE INTRODUCTION OF PAPYRUS BEYOND THE LIMITS OFEGYPT—CHARACTER OF MATERIALS EMPLOYED BY THEGREEKS BEFORE THAT EPOCH—EMPLOYMENT OF ITFOR LITERARY PURPOSES—ADOPTION OF PARCHMENTAND VELLUM—PAPYRUS MSS. EMPLOYED IN THE FORMOF ROLLS AND THE REASON FOR SAME—ANCIENTMANUFACTURE OF PAPYRUS IN EGYPT—SOME OF THE NAMESUSED TO DESIGNATE DIFFERENT KINDS—PLINY'SDESCRIPTION OF THE MANUFACTURE OF PAPYRUS AND HISMISINFORMATION ABOUT IT—WHERE IT FLOURISHEDBEST—PAPYRUS AS KNOWN TO THE HEBREWS AND ITSBIBLICAL MENTION—MANUFACTURE OF PAPYRUS INTHE ANCIENT CITY OF MEMPHIS—CHARACTERISTICS OFTHE PAPER EMPLOYED BY THE MEXICANS—MR. HARRIS'SDISCOVERY OF ANCIENT FRAGMENTS OF PAPYRUS—THE STORY ABOUT IT AS TOLD BY THE LONDONATHENaeUM—DATES OF THE OLDEST KNOWN SPECIMENSOF GREEK PAPYRI—DATE OF THE FIRST DISCOVERYOF GREEK PAPYRI—USE OF OTHER PLIABLE MATERIALSWITH PAPYRUS—HOW THEY WERE PREPAREDFOR WRITING PURPOSES—DOUBTS AS TO TIME THATROLLED RECORDS SUPERSEDED TABLET FORMS—SUGGESTIONSBY NOEL HUMPHREYS—VIEWS ENTERTAINEDBY EARLIER WRITERS.
THE name paper is derived from papyrus, a reed grown in Egypt, whose stalk furnished for so many centuries the principal material for writing upon to the people of that country and those bordering on the Mediterranean Sea. In the first century of the Christian era the younger Pliny remarks:
"All the usages of civilized life depend in a remarkable degree upon the employment of paper. At all events, the remembrance of past events."
A statement which has caused Mr. Knight to make the following comment:
"This observation, undoubtedly true 1,800 years ago, is much more remarkably so now; indeed, in considering that paper as we now understand it was entirely unknown to Europe in the time of Pliny, the expression of the great dependence upon what seems to us so fragile and inefficient a substitute for real paper appears strange."
Mr. Knight also says that the Greek name papuros, mentioned by Theophrastus, a contemporary of Aristotle and Alexander, was probably the Egyptian name of the reed with a Greek termination. It was also called biblos by Homer and Herodotus, whence our term bible. The term volumen, a scroll, indicates the early form of a book of bark, papyrus, skin, or parchment, as the term liber (Latin, a book, or the inner bark of a tree) does the use of the bark itself. Hence also our terms library and librarian. "Book" is also derived from the Danish word bog, the bark of the beech. Pliny quoting Varro, who preceded him some two centuries, asserts that before the invention of papyrus, the large leaves of certain plants were prepared so that they could be written upon. Hence originates our term "leaves" of a book which in the Latin form folium has also given us the modern term folio.
When, however, the reed pen and the pencil brush and their kindred substances denominated colored liquids or inks, came into vogue, some material on which characters could be inscribed and preserved in the shape of continuous rolls for record and other uses became necessary. The papyrus plant seems to have met every requirement. It is a noteworthy fact that all information which can be derived from any source, specifically calls attention to papyrus and sometimes the inner barks of trees as being coexistent with pen and ink.
Varro has been credited with many statements which in the light of investigation and discovery are proved to be incorrect. One of these is in effect that the use of papyrus was an incident pertaining to the expeditions of Alexander the Great. This assertion is not only contradicted by Pliny, the historian, who calls attention to "books of papyrus found in the tomb of Numa " (Numa Pompilius, the second king of Rome, B. C. 716-672,) but even at this late day many monuments of ancient papyri are still extant and belonging to periods more than a thousand years before Alexander's time.
The real facts in respect to this matter are, that the introduction of the use of papyrus to nations beyond the limits of Egypt was an event that did not take place until after the reign of the first Macedonian sovereign of Egypt, Ptolemy Lagus (B. C. 323) when, in return for Greek literature, Egypt gave back her papyrus. Before this epoch the Greeks had been in the habit of employing such materials as linen, wax, bark and leaves for ordinary writing purposes, while their public records were inscribed on stone, brass, lead or other metals.
Papyrus as then introduced into those western countries was the only substance for a long period employed for literary purposes.
Parchment and vellum, which were adopted there as writing materials about two centuries later, were too costly to be used so long as papyrus was within reach.
When the use of this ancient paper had become established in the countries bordering on the Mediterranean, all the MSS. assumed the form of rolls, being rolled on cylinders of wood, ivory, bronze, glass and other substances. Sometimes, the ends were decorated by various ornaments. As a rule only one side of the material was written upon. This was due largely to the fact of its brittle character which would cause it to break if rolled or bent the wrong way.
The ancient manufacture of papyrus for export was carried on in Egypt on an extensive scale and in the most systematic manner. A gradual improvement in quality was the result, some of the kinds being given well-known Roman names which are mentioned by contemporary writers. The kind employed by the Romans for ordinary use was designated Charta. More expensive qualities were known as "Augusta," "Livinia," "Hieratica," etc., the latter being reserved for religious books. Some kinds were sold by weight and employed by the tradesmen for wrapping purposes, while the bark of the plant was manufactured into cord and rope.
The methods of the manufacture of papyrus as a writing material Pliny undertakes to describe at great length, and while he asserts many things from probable knowledge and the information at hand in his time, yet he is not always correct. He says that the reed stalks were cut into lengths and separated "by splitting the successive folds of the stalk with a fine metal point."
Mr. Knight, who investigated this matter with care, is authority for the statement, that the papyrus stalk as seen under the microscope shows that it does not possess successive folds, but is a triangular stalk with a single envelope with a pith on the inside, which could only be divided into slices with a knife, either in stripes of a width permitted by the sides of the prism, or else shaved round and round, like the operation of cork making, and producing a long spiral shaving.
In the description which Pliny gives of the various homes of this plant in Egypt, he calls particular attention to its abundance in marshy places where the Nile overflows and stagnates: "It grows like a great bulrush from fibrous, reedy roots, and runs up in several triangular stalks to a considerable height." They possessed large tufted heads, but only the stem was fit for making into paper. After the pellicles or thin coats were removed from the stalk, they were laid upon tables two or more over each other and glued together with the muddy and glutinous water of the Nile or with fine paste made of wheat flour; after being pressed and dried they were made smooth with a ruler and then rubbed over with a glass hemisphere. The size of the paper seldom exceeded two feet.
Papyrus was also known to the Hebrews.
The Prophet Isaiah (B. C. 752) refers to this plant when he says:
"The paper reeds by the brooks, and everything sown by the brooks, shall wither, be driven away and be no more."
Which prediction seems to have been long ago fulfilled as the plant is now exceedingly rare.
The manufacture of Egyptian paper from papyrusit is said was quite an industry in the ancient city ofMemphis more than six hundred years before theChristian era.
The Mexicans employed for writing a paper which somewhat resembled the Egyptian papyrus. It was prepared from the aloe, called by the natives Maguey which grows wild over the tablelands of Mexico. It could be easily colored and seemed to bind to ink very closely. It could be rolled up in scrolls just like the more ancient rolls of papyrus.
The following account of an interesting discovery of a fragment of one of the "Orations of Hyperides," by Mr. Harris, the well-known Oriental scholar, is derived from the London Athenaeum:
"In the winter of 1847 Mr. Harris was sitting in his boat, under the shade of the well-known sycamore, on the western bank of the Nile, at Thebes, ready to start for Nubia, when an Arab brought him a fragment of a papyrus roll, which he ventured to open sufficiently to ascertain that it was written in the Greek language, and which he bought before proceeding further on his journey. Upon his return to Alexandria, where circumstances were more favorable to the difficult operation of unrolling a fragile papyrus, he discovered that be possessed a fragment of the oration of Hyperides against Demosthenes, in the matter of Harpalus, and also a very small fragment of another oration, the whole written in extremely legible characters, and of a form or fashion which those learned in Greek MSS. consider to be of the time of the Ptolemies. With these interesting fragments of orations of an orator so celebrated is Hyperides, of whose works nothing, is extant but a few quotations in other Greek writers, he embarked for England. Upon his arrival there he submitted the precious relics to the inspection of the Council and members of the Royal Society of Literature, who were unanimous in their judgment as to the importance and genuineness of the MSS.; and Mr. Harris immediately set to work, and with his own hand made a lithographic facsimile of each piece. Of this performance a few copies were printed and distributed among the savants of Europe,—and Mr. Harris returned to Alexandria, whence he has made more than one journey to Thebes in the hope of discovering some other portion of the volume, of which he already had a part. In the same year (1847) another English gentleman, Mr. Joseph Arden, of London, bought at Thebes a papyrus, which he likewise brought to England. Induced by the success of Mr. Harris, Mr. Arden submitted his roll to the skilful and experienced hands of Mr. Hogarth; and upon the completion of the operation of unrolling, the MSS. was discovered to be the terminating portion of the very same volume of which Mr. Harris had bought a fragment of the former part in the very same year, and probably of the very same Arabs. No doubt now existed that the volume, when entire, consisted of a collection of, or a selection from, the orations of the celebrated Athenian orator, Hyperides.
"The portion of the volume which has fallen into the possession of Mr. Arden contains 'fifteen continuous columns of the "Oration for Lycophron," to which work three of Mr. Harris's fragments appertained; and likewise the "Oration for Euxenippus," which is quite complete and in beautiful preservation. Whether, as Mr. Babington observes in his preface to the work, any more scraps of the "Oration for Lycophron" or of the "Oration against Demosthenes" remain to be discovered, either in Thebes or elsewhere, may be doubtful, but is certainly worth the inquiry of learned travellers.' The condition, however, of the fragments obtained by Mr. Harris but too significantly indicate the hopelessness of success. The scroll had evidently been more frequently rolled and unrolled in that particular part, namely, the speech of Hyperides in a matter of such peculiar interest as that involving the honor of the most celebrated orator of antiquity; it had been more read and had been more thumbed by ancient fingers than any other speech in the whole volume; and hence the terrible gap between Mr. Harris's and Mr. Arden's portions Those who are acquainted with the brittle, friable nature of a roll of papyrus in the dry climate of Thebes, after being buried two thousand years or more and then coming first into the hands of a ruthless Arab, who, perhaps, had rudely snatched it out of the sarcophagus of the mummied scribe, will well understand how dilapidations occur. It frequently happens that a single roll, or possibly an entire box, of such fragile treasures is found in the tomb of some ancient philologist or man of learning, and that the possession is immediately disputed by the company of Arabs who may have embarked on the venture. To settle the dispute, when there is not a scroll for each member of the company, an equitable division is made by dividing the papyrus and distributing the portions. Thus, in this volume of Hyperides, it seems that it has fallen into two pieces at the place where it had most usually been opened, and where, alas! it would have been most desirable to have kept it whole; and that the smaller fragments have been lost amid the dust and rubbish of the excavation, while the two extremities have been made distinct properties, which have been sold, as we have seen, to separate collectors. So, at all events, such matters are managed at Thebes.
"Mr. Harris mentions fragments of the 'Iliad,' which he had purchased of some of the Arab disturbers of the dead in the sacred cemeteries of Middle Egypt, most probably Saccara."
The oldest known specimens of the Greek papyri and which were found in Egypt, have a range of one thousand years; that is, from the third century B. C. to the seventh century A. D.
The first discovery of Greek papyri was made at Herculaneum in 1752. Papyrus, however, in the most ancient, periods was not the only pliable material used to write on which could be rolled on cylinders. Linen or cloth, which had been first treated with substances which filled the interstices and characteristic of our oil-cloth, the inner bark of certain trees, or in fact any material which would receive ink and roll around a cylinder was in vogue. This form of manuscript was later termed by the Romans rolles, to roll round, or more commonly volvere, to roll over.
It is not certain, however, that this character of manuscript immediately superseded the tablet form of records inscribed on wood or metal. Noel Humphreys is one of several to suggest:
"The reference to the 'pen of a ready writer,' mentioned in the Psalms of David (B. C. 1086- 1016) could scarcely be the sharp point, or stilus, by means of which characters were engraved upon wood or metal, but rather the calamus or juncas, used for writing with a dark fluid upon bark or linen. The word volume indeed occurs in Psalms xxxix., and these volumina or volumes must have been either rolls of leaves, or bark, or Egyptian papyrus."
Some writers like Casley, Purcelli, Haygen, Calmet, and others, who also more or less discuss this subject, do not view it entirely the same.
THE PERGAMUS LIBRARY COMPOSED PRINCIPALLY OFPARCHMENT VOLUMES—CAUSES WHICH CONTRIBUTEDTO THE SUBSTITUTION OF PARCHMENT FOR PAPYRUS—ANECDOTE ABOUT EUMENES AND PTOLEMY PHILADELPHUS—INVENTION OF METHOD WHICH MADE SKINSAVAILABLE FOR FLUID INK WRITING—INTRODUCTIONOF DRESSED SKINS THE FIRST STEP TOWARDS THEMODERN FORM OF BOOKS—WHEN PARCHMENT ANDVELLUM SUPERSEDED OTHER SUBSTANCES AS A GENERALMATERIAL FOR WRITING UPON—MANUFACTUREOF BARK PAPER PREVIOUS TO THE INTRODUCTION OFTHE LINEN PAPER OF THE EAST—SOME OBSERVATIONSABOUT CHINESE PAPER—ALLUSIONS OF CLASSICALWRITERS TO INSCRIPTIONS ON SKINS AND DISCOVERYOF SPECIMENS—EMPLOYMENT OF PARCHMENT BY THEHEBREWS—OLD SCRIPTURAL MSS. DISCOVERED ONPARCHMENT—NAMES OF THE MOST VALUABLE NEWTESTAMENT CODICES—STORY OF THE DISCOVERY OFTHE SINAITIC CODEX AS TOLD BY MADAN—ASSERTIONOF SIMONIDES THAT HE FORGED IT—PAMLIMPSESTSTHE LINK BETWEEN CLASSICAL TIMES AND THE MIDDLEAGES—OBSERVATIONS ABOUT THEM AND SOME DISCOVERIESOF THE MORE FAMOUS ONES—USE OF PAPYRUS,PARCHMENT AND VELLUM TOGETHER IN MSS.BOOKS—OBSERVATIONS BY THOMPSON—CHARACTEROF THE ROLLS AND RECORDS BELONGING TO EARLYPARLIAMENTARY TIMES IN ENGLAND—COMPARATIVEMETHODS OF THEIR PREPARATION—MODES OF DEPOSITINGAND CARRYING ANCIENT ENGLISH RECORDS—METHOD OF FINDING PARTICULAR DOCUMENTS—THE INDIVIDUALS WHO HANDLED THE BOOKS OF THOSEEPOCHS—CITATIONS FROM KNIGHT'S "LIFE OFCAXTON"—REMARKS BY WARTON—EXPENSE ACCOUNT OFSIR JOHN HOWARD—METHODS OF THE TRANSCRIBERSAND LIMNERS OF THOSE TIMES—MODERN METHODSOF PREPARING PARCHMENT AND VELLUM—CITATIONFROM THE PENNY CYCLOPaeDIA—PASSAGE FROM ASERMON OF THE ARCHBISHOP OF TOURS—ANECDOTEABOUT THE COUNT OF NEVERS.
THE great abundance of papyrus in Egypt, the chief source of its supply, the genius and magnificence of the rulers of that country, and the army of learned men who resorted thither, caused it to become the principal home of those immense libraries of antiquity already mentioned as having perished by fire and tumults included in periods between B. C. 48 and A. D. 640.
The Pergamus library which was deposited by Cleopatra, B. C. 32, in the city of Alexandria, is said to have been composed almost wholly of parchment written volumes. The reason or cause of such employment, of parchment in preference to papyrus is attributed to jealousies existing between Eumenes, King of Pergamus, and Ptolemy Philadelphus, the ruler of Egypt, contemporaries of each other.
This Ptolemy, B. C. 202, issued an edict prohibiting the exportation of papyrus from Egypt, and hoped thereby to rid himself of foreign rivals in the formation of libraries; also that he might never be subject to the inconvenience of wanting paper for the multitude of scribes whom he kept constantly employed, both to write original manuscripts as well as to multiply them by duplication.
Before this period the exportation of papyrus had been a very considerable article of Egyptian commerce, but thereafter it became much curtailed, and about A. D. 950 had ceased altogether.
Eumenes, it appears, was not to be deterred from his favorite study and pastime, so lie contrived a peculiar mode of dressing skins, which seems to have answered very fully the requirements of fluid-ink writing methods and thus avoiding the necessity of employing paints, the only material which would "bind" to undressed parchment (skins).
That the refined and luxurious Romans, after the introduction of parchment, vellum, and paper, insisted on an improvement in quality and appearance is certain. This appears from various passages in their best authors. Ovid, writing to Rome from his place of exile, complains bitterly that his letter must be sent plain, simple, and without the customary embellishments.
We can safely date the first step towards the modern form of books to the introduction of dressed skins (parchment and vellum), as surfaces to receive ink writing. These materials could be formed into leaves, instead of metal, wood, ivory, or wax tablets, a use to which papyrus could not be put on account of its brittleness. Thus originated the libri quadrali, or square books, which eventually superseded the ancient volumina (rolls).
Parchment and vellum gradually superseded all other substances in Europe as a general material for writing upon, after the third or fourth century. The employment of papyrus, however, in ecclesiastical centers continued even as late as the eleventh century.
A kind of bark paper was manufactured in Europe previous to the introduction of linen ("cotton," "Bombycina") paper from the East. The ancient Chinese made various kinds of paper and had a method of producing pieces sometimes forty feet in length. The Chinese record, called "Sou kien tchi pou," states that a kind of paper was made from hemp, and another authority (Du Halde) observes, "that old pieces of woven hemp were first made into paper in that country about A. D. 95, by a great mandarin of the palace." Linen rags were afterwards employed by the Chinese.
The introduction of "linen" paper into Europe did not materially affect or interfere with the use of parchment or vellum until after the invention of printing in the fifteenth century.
The class of substances to which parchment and vellum belong has already received some consideration but is a subject well worth some further discussion.
Allusions are found in some of the classical writers to inscriptions written on the skins of goats and sheep; it has, indeed, been asserted by some scholars that the Books of Moses were written on such skins. Dr. Buchanan many years ago discovered, in the record chest of some Hebrews at Malabar, a manuscript copy of the greater part of the Pentateuch, written in Hebrew on goat's skins. The goat skins were thirty-seven in number, dyed red, and were sewn together, so as to form a roll forty-eight feet in length by twenty-two inches in width. At what date this was written cannot be now determined, but it is supposed to be extremely ancient.
The Hebrews began, early after the invention of parchment, to write their scriptures on this material, of which the rolls of the law used in their synagogues are still composed.
Scriptural, like many other classes of MSS. originating previous to the eighth century and ink written either on parchment or vellum, or both, are in capital letters without spaces between words and exceedingly rare. The more important and valuable of them which apply to the New Testament are respectively known as the Sinaitic, the Vatican and the Alexandrian, many of whose various translations and readings are incorporated by Tischendorf in his Leipzig edition of the English New Testament. The stories relating to the discovery and obtaining of these relics of the first centuries of our era are startling ones. The reputation and standing, however, of the discoverers, and the investigations subsequently made by known scholars of their time, serves to invest them with a certain degree of truthfulness. The most interesting is the story about the Sinaitic codex, the oldest of any extant and which is best told by Madan:
"The story of the discovery of this famous manuscript of the Bible in Greek, the oldest existing of all the New Testament codexes, and in several points the most interesting, reads like a romance. Constantine Tischendorf, the well- known editor of the Greek Testament, started on his first mission litteraire in April, 1844, and in the next month found himself at the Convent of St. Catherine, at the foot of Mount Sinai. There, in the middle of the hall, as he crossed it, he saw a basket full of old parchment leaves on their way to the burning, and was told that two baskets had already gone! Looking at the leaves more closely, he perceived that they were parts of the Old Testament in Greek, written in an extremely old handwriting. He was allowed to take away forty-three leaves; but the interest of the monks was aroused, and they both stopped the burning, and also refused to part with any more of the precious fragments. Tischendorf departed, deposited the forty- three leaves in the Leipsig Library, and edited them under the title of the Codex Friderico-Au- gustanus, in compliment to the King of Saxony, in 1846. But he wisely kept the secret of their provenance, and no one followed in his track until he himself went on a second quest to the monastery in 1853. In that year he could find no traces whatever of the remains of the MSS. except a few fragments of Genesis, and returned unsuccessful and disheartened. At last, he once more took a journey to the monastery, under the patronage of the Russian Emperor, who was popular throughout the East as the protector of the Oriental Churches. Nothing could he find, however; and he had ordered his Bedouins to get ready for departure, when, happening to have taken a walk with the steward of the house, and to be invited into his room, in the course of conversation the steward said: 'I, too, have read a Septuagint,' and produced out of a wrapper of red cloth, 'a bulky kind of volume,' which turned out to be the whole of the New Testament, with the Greek text of the Epistle of Barnabas, much of which was hitherto unknown, and the greater part of the Old Testament, all parts of the very MSS. which had so long been sought! In a careless tone Tischendorf asked if he might have it in his room for further inspection, and that night (February 4-5, 1859) it 'seemed impiety to sleep.' By the next morning the Epistle of Barnabas was copied out, and a course of action was settled. Might he carry the volume to Cairo to transcribe? Yes, if the Prior's leave was obtained; but, unluckily the Prior had already started to Cairo on his way to Constantinople. By the activity of Tischendorf he was caught up at Cairo, gave the requisite permission, and a Bedonin was sent to the convent, and returned with the book in nine days. On the 24th of February, Tischendorf began to transcribe it; and when it was done, conceived the happy idea of asking for the volume as a gift to the Emperor of Russia. Probably this was the only possible plea which would have gained the main object in view, and even as it was there was great delay; but at last, on the 28th of September, the gift was formally made, and the MSS. soon after deposited in St. Petersburg, where it now lies. The date of this MSS. is supposed to be not later than A. D. 400, and has been the subject of minute inquiry in consequence of the curious statement of Simonides in 1862, that he had himself written it on Mount Athos in 1839-40."
Constantine Simonides was a Greek who was born in 1824 and is believed to have been the most versatile forger of the nineteenth century. From 1843 until 1856 he was in evidence all over Europe offering for sale fraudulent MSS. purporting to be of ancient origin.
In 1861 Madan says:
"He boldly asserted that he himself had written the whole of the Codex Sinaiticus which Tischendorf had bought in 1856 from the monastery of St. Catherine on Mount Sinai. The statement was, of course, received with the utmost incredulity; but Simionides asserted, not only that he had written it, but that, in view of the probable skepticism of the scholars, he had placed certain private signs on particular leaves of the codex. When pressed to specify these marks he gave a list of the leaves on which were to be found his initials or other monogram. The test was a fair one, and the MSS., which was at St. Petersburg, was carefully inspected. Every leaf designated by Simonides was found to be imperfect at the part where the mark was to have been found. Deliberate mutilation by an enemy, said his friends. But many thought that the wily Greek had acquired through private friends a note of some imperfect leaves in the MSS., and had made unscrupulous use of the information."
A curious kind of document, which links the classical times with the middle ages, in respect to the we of parchment, is afforded by the "palimpsests," or manuscripts from which old writing had been erased in order to make way for new. A well-prepared leaf of parchment was so costly an article in the middle ages, that the transcribers who were employed by the monastic establishments in writing often availed themselves of some old manuscript, from which they scraped off the writing; such a doubly-used piece of parchment was called a "palimpsest." This practice seems to have been followed long before, but not to so great an extent as about the fourteenth and fifteenth centuries, at which time there were persons regularly employed as "parchment-restorers." The transcribers had a regular kind of knife, with which they scratched out the old writing, and they rubbed the surface with powdered pumice stone, to prepare it for receiving the new ink. So common was this practice that when one of the emperors of Germany established the office of imperial notary, it was one of the articles or conditions attached to the holding of the office that the notary should not use "scraped vellum" in drawing deeds. Sometimes the original writing, by a careful treatment of the parchment, has been so far restored as to be visible, and it is found to be parallel, diagonal, and sometimes at right angles to the writing afterwards introduced. In many cases the ancient writing restored beneath is found to be infinitely more valuable than the monkish legends written afterwards.
Cicero's De Republica was discovered by Angelo Mai in the Vatican library written under a commentary of St. Augustine on the Psalms; and the Institutions of Gains, in the library of the chapter of Verona, were deciphered in like manner under the works of St. Jerome.
Papyrus, parchment, and vellum were sometimes used together in the MSS. books. Thompson, author of "Greek and Latin Palaeography," observes:
"Examples, made up in book form, sometimes with a few vellum leaves incorporated to give stability, are found in different libraries of Europe. They are: The Homilies of St. Avitus, of the 6th century, at Paris; Sermons and Epistles of St. Augustine, of the 6th or 7th century, at Paris and Genoa; works of Hilary, of the 6th century, at Vienna; fragments of the Digests, of the 6th century, at Pommersfeld; the Antiquities of Josephus, of the 7th century, at Milan; an Isidore, of the 7th century, at St. Gall. At Munich, also, is the register of the Church of Ravenna, written on this material in the 10th century."
The rolls and records connected with the early parliamentary and legal proceedings in England furnish interesting examples of the use of parchment in writing. The "Records," so often alluded to in such matters, are statements or details, written upon rolls of parchment, of the proceedings in those higher courts of law which are distinguished as "Courts of Record." It has been stated that "our stores of public records are justly reckoned to excel in age, beauty, correctness, and authority whatever the choicest archives abroad can boast of the like sort."
The records are generally made of several skins or sheets of parchment or vellum, each sheet being about three feet long and often nine to fourteen inches in width. They are either all fastened together at one end, so as to form a kind of book, or are stitched end to end, so as to constitute an extended roll. These two methods appear each to have had its particular advantages, according to the way in which, and the time at which, the manuscript was filled up. Some of the records of the former of these two kinds contain so many skins of parchment that they form a huge roll equal in size to a large bass drum, and requiring the strength of two men to lift them. Some of these on the continuous plan are also said to be of immense size; one, of modern date, is nine hundred feet in length and employs a man three hours to unroll it. The invaluable old record, known by the name of "Doomsday Book," is shaped like a book, and is much more convenient to open than most of the others. Various other legal documents, to an immense amount, are "filed," or fastened together by a string passing through them.
It seems a very strange contradiction, but it is positively asserted as a fact, that the parchment employed for these records was of very fine quality down to the time of Elizabeth, but that it gradually deteriorated afterwards, insomuch that the latest are the worst. Some of these records and rolls are written in Latin, some in Norman French, and some in English.
The modes of depositing and carrying the ancient records were curious, and there seems to have been no very definite arrangement in this respect. Great numbers were kept in pouches or bags made of leather, canvas, cordovan, or buckram; they were tied like modern reticules. When such pouches have escaped damp they have preserved the parchment records for centuries perfectly clean and uninjured. Another kind of receptacle for records was a small turned box, called a "skippet," and another was the "hanaper," or hamper, a basket made of twigs or wicker-work. Chests, coffers, and cases of various shapes and sizes formed other receptacles for the records. The mode of finding the particular document required was not by a system of paging and an index, as in a modern book, because the arrangement of the written sheets did not admit of this, but there were letters, signs, and inscriptions, or labels for this purpose; they constitute an odd assemblage, comprising ships, scales, balances, castles, plants, animals, etc.; in most instances the signs or symbols bear some analogy, or supposed analogy, with the subject of the record, such as an oak on a record relating to the forest laws, a head in a cowl on one relating to a monastery, scales on one relating to coining, etc.
At a time when books were prepared by hand instead of by printing, and when each copy became very valuable, books were treated with a degree of respect which can be hardly understood at the present day. The clergy and the monks were almost exclusively the readers of those days, and they held the other classes of society in such contempt, in all that regarded literature and learning, that Bishop de Burg, who wrote about five centuries ago, expresses an opinion that "Laymen, to whom it matters not whether they look at a book turned wrong side upwards or spread before them in natural order, are altogether unworthy of any communion with books."