(Vv. 5669-5738.) All that night they talked of it, until the beds were prepared and they went to rest. In the morning, when it was daylight, Erec, who was on the watch, saw the clear dawn and the sun, and quickly rising, clothed himself. Enide again is in distress, very sad and ill at ease; all night she is greatly disquieted with the solicitude and fear which she felt for her lord, who is about to expose himself to great peril. But nevertheless he equips himself, for no one can make him change his mind. For his equipment the King sent him, when he arose, arms which he put to good use. Erec did not refuse them, for his own were worn and impaired and in bad state. He gladly accepted the arms and had himself equipped with them in the hall. When he was armed, he descends the steps and finds his horse saddled and the King who had mounted. Every one in the castle and in the houses of the town hastened to mount. In all the town there remained neither man nor woman, erect or deformed, great or small, weak or strong, who is able to go and does not do so. When they start, there is a great noise and clamour in all the streets; for those of high and low degree alike cry out: "Alas, alas! oh knight, the Joy that thou wishest to win has betrayed thee, and thou goest to win but grief and death." And there is not one but says: "God curse this joy! which has been the death of so many gentlemen. To-day it will wreak the worst woe that it has ever yet wrought." Erec hears well and notes that up and down they said of him: "Alas, alas, ill-starred wert thou, fair, gentle, skilful knight! Surely it would not be just that thy life should end so soon, or that harm should come to wound and injure thee." He hears clearly the words and what they said; but notwithstanding, he passes on without lowering his head, and without the bearing of a craven. Whoever may speak, he longs to see and know and understand why they are all in such distress, anxiety, and woe. The King leads him without the town into a garden that stood near by; and all the people follow after, praying that from this trial God may grant him a happy issue. But it is not meet that I should pass on, from weariness and exhaustion of tongue, without telling you the whole truth about the garden, according as the story runs.
(Vv. 5739-5826.)138The garden had around it no wall or fence except of air: yet, by a spell, the garden was on all sides so shut in by the air that nothing could enter there any more than if the garden were enclosed in iron, unless it flew in over the top. And all through the summer and the winter, too, there were flowers and ripe fruits there; and the fruit was of such a nature that it could be eaten inside; the danger consisted in carrying it out; for whoever should wish to carry out a little would never be able to find the gate, and never could issue from the garden until he had restored the fruit to its place. And there is no flying bird under heaven, pleasing to man, but it sings there to delight and to gladden him, and can be heard there in numbers of every kind. And the earth, however far it stretch, bears no spice or root of use in making medicine, but it had been planted there, and was to be found in abundance. Through a narrow entrance the people entered—King Evrain and all the rest. Erec went riding, lance in rest, into the middle of the garden, greatly delighting in the song of the birds which were singing there; they put him in mind of his Joy the thing he most was longing for. But he saw a wondrous thing, which might arouse fear in the bravest warrior of all whom we know, be it Thiebaut the Esclavon,139or Ospinel, or Fernagu. For before them, on sharpened stakes, there stood bright and shining helmets, and each one had beneath the rim a man's head. But at the end there stood a stake where as yet there was nothing but a horn.140He knows not what this signifies, yet draws not back a step for that; rather does he ask the King, who was beside him at the right, what this can be. The King speaks and explains to him: "Friend," he says, "do you know the meaning of this thing that you see here? You must be in great terror of it, if you care at all for your own body; for this single stake which stands apart, where you see this horn hung up, has been waiting a very long time, but we know not for whom, whether for you or someone else. Take care lest thy head be set up there; for such is the purpose of the stake. I had warned you well of that before you came here. I do not expect that you will escape hence, but that you will be killed and rent apart. For this much we know, that the stake awaits your head. And if it turns out that it be placed there, as the matter stands agreed, as soon as thy head is fixed upon it another stake will be set up beside it which will await the arrival of some one else—I know not when or whom. I will tell you nothing of the horn; but never has any one been able to blow it.141However, he who shall succeed in blowing it his fame and honour will grow until it distance all those of his country, and he shall find such renown that all will come to do him honour, and will hold him to be the best of them all. Now there is no more of this matter. Have your men withdraw; for 'the Joy' will soon arrive, and will make you sorry, I suspect."
(Vv. 5827-6410.) Meanwhile King Evrain leaves his side, and Erec stoops over before Enide, whose heart was in great distress, although she held her peace; for grief on lips is of no account unless it also touch the heart. And he who well knew her heart, said to her: "Fair sister dear, gentle, loyal, and prudent lady, I am acquainted with your thoughts. You are in fear, I see that well, and yet you do not know for what; but there is no reason for your dismay until you shall see that my shield is shattered and that my body is wounded, and until you see the meshes of my bright hauberk covered with blood, and my helmet broken and smashed, and me defeated and weary, so that I can no longer defend myself, but must beg and sue for mercy against my will; then you may lament, but now you have begun too soon. Gentle lady, as yet you know not what this is to be; no more do I. You are troubled without cause. But know this truly: if there were in me only so much courage as your love inspires, truly I should not fear to face any man alive. But I am foolish to vaunt myself; yet I say it not from any pride, but because I wish to comfort you. So comfort yourself, and let it be! I cannot longer tarry here, nor can you go along with me; for, as the King has ordered, I must not take you beyond this point." Then he kisses her and commends her to God, and she him. But she is much chagrined that she cannot follow and escort him, until she may learn and see what this adventure is to be, and how he will conduct himself. But since she must stay behind and cannot follow him, she remains sorrowful and grieving. And he went off alone down a path, without companion of any sort, until he came to a silver couch with a cover of gold-embroidered cloth, beneath the shade of a sycamore; and on the bed a maiden of comely body and lovely face, completely endowed with all beauty, was seated all alone. I intended to say no more of her; but whoever could consider well all her attire and her beauty might well say that never did Lavinia of Laurentum, who was so fair and comely, possess the quarter of her beauty. Erec draws near to her, wishing to see her more closely, and the onlookers go and sit down under the trees in the orchard. Then behold, there comes a knight armed with vermilion arms, and he was wondrous tall; and if he were not so immeasurably tall, under the heavens there would be none fairer than he; but, as every one averred, he was a foot taller than any knight he knew. Before Erec caught sight of him, he cried out: "Vassal, vassal! You are mad, upon my life, thus to approach my damsel. I should say you are not worthy to draw near her. You will pay dearly for your presumption, by my head! Stand back!" And Erec stops and looks at him, and the other, too, stood still. Neither made advance until Erec had replied all that he wished to say to him. "Friend," he says, "one can speak folly as well as good sense. Threaten as much as you please, and I will keep silence; for in threatening there is no sense. Do you know why? A man sometimes thinks he has won the game who afterward loses it. So he is manifestly a fool who is too presumptuous and who threatens too much. If there are some who flee there are plenty who chase, but I do not fear you so much that I am going to run away yet. I am ready to make such defence, if there is any who wishes to offer me battle, that he will have to do his uttermost, or otherwise he cannot escape." "Nay," quoth he, "so help me God! know that you shall have the battle, for I defy and challenge you." And you may know, upon my word, that then the reins were not held in. The lances they had were not light, but were big and square; nor were they planed smooth, but were rough and strong. Upon the shields with mighty strength they smote each other with their sharp weapons, so that a fathom of each lance passes through the gleaming shields. But neither touches the other's flesh, nor was either lance cracked; each one, as quickly as he could, draws back his lance, and both rushing together, return to the fray. One against the other rides, and so fiercely they smite each other that both lances break and the horses fall beneath them. But they, being seated on their steeds, sustain no harm; so they quickly rise, for they were strong and lithe. They stand on foot in the middle of the garden, and straightway attack each other with their green swords of German steel, and deal great wicked blows upon their bright and gleaming helmets, so that they hew them into bits, and their eyes shoot out flame. No greater efforts can be made than those they make in striving and toiling to injure and wound each other. Both fiercely smite with the gilded pommel and the cutting edge. Such havoc did they inflict upon each other's teeth, cheeks, nose, hands, arms, and the rest, upon temples, neck, and throat that their bones all ache. They are very sore and very tired; yet they do not desist, but rather only strive the more. Sweat, and the blood which flows down with it, dim their eyes, so that they can hardly see a thing; and very often they missed their blows, like men who did not see to wield their swords upon each other. They can scarcely harm each other now; yet, they do not desist at all from exercising all their strength. Because their eyes are so blinded that they completely lose their sight, they let their shields fall to the ground, and seize each other angrily. Each pulls and drags the other, so that they fall upon their knees. Thus, long they fight until the hour of noon is past, and the big knight is so exhausted that his breath quite fails him. Erec has him at his mercy, and pulls and drags so that he breaks all the lacing of his helmet, and forces him over at his feet. He falls over upon his face against Erec's breast, and has not strength to rise again. Though it distresses him, he has to say and own: "I cannot deny it, you have beaten me; but much it goes against my will. And yet you may be of such degree and fame that only credit will redound to me; and insistently I would request, if it may be in any way, that I might know your name, and he thereby somewhat comforted. If a better man has defeated me, I shall be glad, I promise you; but if it has so fallen out that a baser man than I has worsted me, then I must feel great grief indeed." "Friend, dost thou wish to know my name?" says Erec; "Well, I shall tell thee ere I leave here; but it will be upon condition that thou tell me now why thou art in this garden. Concerning that I will know all what is thy name and what the Joy; for I am very anxious to hear the truth from beginning to end of it." "Sire," says he, "fearlessly I will tell you all you wish to know." Erec no more withholds his name, but says: "Didst thou ever hear of King Lac and of his son Erec?" "Yea, sire, I knew him well; for I was at his father's court for many a day before I was knighted, and, if he had had his will, I should never have left him for anything." "Then thou oughtest to know me well, if thou weft ever with me at the court of my father, the King." "Then, upon my faith, it has turned out well. Now hear who has detained me so long in this garden. I will tell the truth in accordance with your injunction, whatever it may cost me. That damsel who yonder sits, loved me from childhood and I loved her. It pleased us both, and our love grew and increased, until she asked a boon of me, but did not tell me what it was. Who would deny his mistress aught? There is no lover but would surely do all his sweet-heart's pleasure without default or guile, whenever he can in any way. I agreed to her desire; but when I had agreed, she would have it, too, that I should swear. I would have done more than that for her, but she took me at my word. I made her a promise, without knowing what. Time passed until I was made a knight. King Evrain, whose nephew I am, dubbed me a knight in the presence of many honourable men in this very garden where we are. My lady, who is sitting there, at once recalled to me my word, and said that I had promised her that I would never go forth from here until there should come some knight who should conquer me by trial of arms. It was right that I should remain, for rather than break my word, I should never have pledged it. Since I knew the good there was in her, I could nor reveal or show to the one whom I hold most dear that in all this I was displeased; for if she had noticed it, she would have withdrawn her heart, and I would not have had it so for anything that might happen. Thus my lady thought to detain me here for a long stay; she did not think that there would ever enter this garden any vassal who could conquer me. In this way she intended to keep me absolutely shut up with her all the days of my life. And I should have committed an offence if I had had resort to guile and not defeated all those against whom I could prevail; such escape would have been a shame. And I dare to assure you that I have no friend so dear that I would have feigned at all in fighting with him. Never did I weary of arms, nor did I ever refuse to fight. You have surely seen the helmets of those whom I have defeated and put to death; but the guilt of it is not mine, when one considers it aright. I could not help myself, unless I were willing to be false and recreant and disloyal. Now I have told you the truth, and be assured that it is no small honour which you have gained. You have given great joy to the court of my uncle and my friends; for now I shall be released from here; and because all those who are at the court will have joy of it, therefore those who awaited the joy called it 'Joy of the Court'. They have awaited it so long that now it will be granted them by you who have won it by your fight. You have defeated and bewitched my prowess and my chivalry. Now it is right that I tell you my name, if you would know it. I am called Mabonagrain; but I am not remembered by that name in any land where I have been, save only in this region; for never, when I was a squire, did I tell or make known my name. Sire, you knew the truth concerning all that you asked me. But I must still tell you that there is in this garden a horn which I doubt not you have seen. I cannot issue forth from here until you have blown the horn; but then you will have released me, and then the Joy will begin. Whoever shall hear and give it heed no hindrance will detain him, when he shall hear the sound of the horn, from coming straight-way to the court. Rise up, sire! Go quickly now! Go take the horn right joyfully; for you have no further cause to wait; so do that which you must do." Now Erec rose, and the other rises with him, and both approach the horn. Erec takes it and blows it, putting into it all his strength, so that the sound of it reaches far. Greatly did Enide rejoice when she heard the note, and Guivret was greatly delighted too. The King is glad, and so are his people; there is not one who is not well suited and pleased at this. No one ceases or leaves off from making merry and from song. Erec could boast that day, for never was such rejoicing made; it could not be described or related by mouth of man, but I will tell you the sum of it briefly and with few words. The news spreads through the country that thus the affair has turned out. Then there was no holding back from coming to the court. All the people hasten thither in confusion, some on foot and some on horse, without waiting for each other. And those who were in the garden hastened to remove Erec's arms, and in emulation they all sang a song about the Joy; and the ladies made up a lay which they called 'the Lay of Joy',142but the lay is not well known. Erec was well sated with joy and well served to his heart's desire; but she who sat on the silver couch was not a bit pleased. The joy which she saw was not at all to her taste. But many people have to keep still and look on at what gives them pain. Enide acted graciously; because she saw her sitting pensive, alone on the couch, she felt moved to go and speak with her and tell her about her affairs and about herself, and to strive, if possible, to make her tell in return about herself, if it did not cause her too great distress. Enide thought to go alone, wishing to take no one with her, but some of the most noble and fairest dames and damsels followed her out of affection to bear her company, and also to comfort her to whom the joy brings great chagrin; for she assumed that now her lover would be no longer with her so much as he had been, inasmuch as he desired to leave the garden. However disappointing it may be, no one can prevent his going away, for the hour and the time have come. Therefore the tears ran down her face from her eyes. Much more than I can say was she grieving and distressed; nevertheless she sat up straight. But she does not care so much for any of those who try to comfort her that she ceases her moan. Enide salutes her kindly; but for a while the other could not reply a word, being prevented by the sighs and sobs which torment and distress her. Some time it was before the damsel returned her salutation, and when she had looked at her and examined her for a while, it seemed that she had seen and known her before. But not being very certain of it, she was not slow to inquire from whence she was, of what country, and where her lord was born; she inquires who they both are. Enide replies briefly and tells her the truth, saying: "I am the niece of the Count who holds sway over Lalut, the daughter of his own sister; at Lalut I was born and brought up." The other cannot help smiling, without hearing more, for she is so delighted that she forgets her sorrow. Her heart leaps with joy which she cannot conceal. She runs and embraces Enide, saying: "I am your cousin! This is the very truth, and you are my father's niece; for he and your father are brothers. But I suspect that you do not know and have never heard how I came into this country. The Count, your uncle, was at war, and to him there came to fight for pay knights of many lands. Thus, fair cousin, it came about, that with these hireling knights there came one who was the nephew of the king of Brandigan. He was with my father almost a year. That was, I think, twelve years ago, and I was still but a little child. He was very handsome and attractive. There we had an understanding between us that pleased us both. I never had any wish but his, until at last he began to love me and promised and swore to me that he would always be my lover, and that he would bring me here; that pleased us both alike. He could not wait, and I was longing to come hither with him; so we both came away, and no one knew of it but ourselves. In those days you and I were both young and little girls. I have told you the truth; so now tell me in turn, as I have told you, all about your lover, and by what adventure he won you." "Fair cousin, he married me in such a way that my father knew all about it, and my mother was greatly pleased. All our relatives knew it and rejoiced over it, as they should do. Even the Count was glad. For he is so good a knight that better cannot be found, and he does not need to prove his honour and knighthood, and he is of very gentle birth: I do not think that any can be his equal. He loves me much, and I love him more, and our love cannot be greater. Never yet could I withhold my love from him, nor should I do so. For is not my lord the son of a king? For did he not take me when I was poor and naked? Through him has such honour come to me that never was any such vouchsafed to a poor helpless girl. And if it please you, I will tell you without lying how I came to be thus raised up; for never will I be slow to tell the story." Then she told and related to her how Erec came to Lalut; for she had no desire to conceal it. She told her the adventure word for word, without omission. But I pass over it now, because he who tells a story twice makes his tale now tiresome. While they were thus conversing, one lady slipped away alone, who sent and told it all to the gentlemen, in order to increase and heighten their pleasure too. All those who heard it rejoiced at this news. And when Mabonagrain knew it he was delighted for his sweetheart because now she was comforted. And she who bore them quickly the news made them all happy in a short space. Even the King was glad for it; although he was very happy before, yet now he is still happier, and shows Erec great honour. Enide leads away her fair cousin, fairer than Helen, more graceful and charming. Now Erec and Mabonagrain, Guivret and King Evrain, and all the others run to meet them and salute them and do them honour, for no one is grudging or holds back. Mabonagrain makes much of Enide, and she of him. Erec and Guivret, for their part, rejoice over the damsel as they all kiss and embrace each other. They propose to return to the castle, for they have stayed too long in the garden. They are all prepared to go out; so they sally forth joyfully, kissing each other on the way. All go out after the King, but before they reached the castle, the nobles were assembled from all the country around, and all those who knew of the Joy, and who could do so, came hither. Great was the gathering and the press. Every one, high and low, rich and poor, strives to see Erec. Each thrusts himself before the other, and they all salute him and bow before him, saying constantly: "May God save him through whom joy and gladness come to our court! God save the most blessed man whom God has ever brought into being!" Thus they bring him to the court, and strive to show their glee as their hearts dictate. Breton zithers, harps, and viols sound, fiddles, psalteries, and other stringed instruments, and all kinds of music that one could name or mention. But I wish to conclude the matter briefly without too long delay. The King honours him to the extent of his power, as do all the others ungrudgingly. There is no one who does not gladly offer to do his service. Three whole days the Joy lasted, before Erec could get away. On the fourth he would no longer tarry for any reason they could urge. There was a great crowd to accompany him and a very great press when it came to taking leave. If he had wished to reply to each one, he would not have been able in half a day to return the salutations individually. The nobles he salutes and embraces; the others he commends to God in a word, and salutes them. Enide, for her part, is not silent when she takes leave of the nobles. She salutes them all by name, and they in turn do the like. Before she goes, she kisses her cousin very tenderly and embraces her. Then they go and the Joy is over.
(Vv. 6411-6509.) They go off and the others return. Erec and Guivret do not tarry, but keep joyfully on their way, until they came in nine days to Robais, where they were told the King was. The day before he had been bled privately in his apartments; with him he had only five hundred nobles of his household. Never before at any time was the King found so alone, and he was much distressed that he had no more numerous suite at his court. At that time a messenger comes running, whom they had sent ahead to apprise the King of their approach. This man came in before the assembly, found the King and all his people, and saluting him correctly, said: "I am a messenger of Erec and of Guivret the Little." Then he told him how they were coming to see him at his court. The King replies: "Let them be welcome, as valiant and gallant gentlemen! Nowhere do I know of any better than they two. By their presence my court will be much enhanced." Then he sent for the Queen and told her the news. The others have their horses saddled to go and meet the gentlemen. In such haste are they to mount that they did not put on their spurs. I ought to state briefly that the crowd of common people, including squires, cooks, and butlers, had already entered the town to prepare for the lodgings. The main party came after, and had already drawn so near that they had entered the town. Now the two parties have met each other, and salute and kiss each other. They come to the lodgings and make themselves comfortable, removing their hose and making their toilet by donning their rich robes. When they were completely decked out, they took their way to the court. They come to court, where the King sees them, and the Queen, who is beside herself with impatience to see Erec and Enide. The King makes them take seats beside him, kisses Erec and Guivret; about Enide's neck he throws his arms and kisses her repeatedly, in his great joy. Nor is the Queen slow in embracing Erec and Enide. One might well rejoice to see her now so full of joy. Every one enters with spirit into the merry-making. Then the King causes silence to be made, and appeals to Erec and asks news of his adventures. When the noise had ceased, Erec began his story, telling him of his adventures, without forgetting any detail. Do you think now that I shall tell you what motive he had had in starting out? Nay, for you know the whole truth about this and the rest, as I have revealed it to you. To tell the story again would burden me; for the tale is not short, that any one should wish to begin it afresh and re-embelish it, as he told and related it: of the three knights whom he defeated, and then of the five, and then of the Count who strove to do him harm, and then of the two giants—all in order, one after the other, he told him of his adventures up to the point where he met Count Oringle of Limors. "Many a danger have you gone through, fair gentle friend," said the King to him; "now tarry in this country at my court, as you are wont to do." "Sire, since you wish it, I shall remain very gladly three or four years entire. But ask Guivret to remain here too a request in which I would fain join." The King prays him to remain, and he consents to stay. So they both stay: the King kept them with him, and held them dear and honoured them.
(Vv. 6510-6712.) Erec stayed at court, together with Guivret and Enide, until the death of his father, the king, who was an old man and full of years. The messengers then started out: the nobles who went to seek him, and who were the greatest men of the land, sought and searched for him until they found him at Tintagel three weeks before Christmas; they told him the truth what had happened to his old, white-haired father, and how he now was dead and gone. This grieved Erec much more than he showed before the people. But sorrow is not seemly in a king, nor does it become a king to mourn. There at Tintagel where he was, he caused vigils for the dead and Masses to be sung; he promised and kept his promises, as he had vowed to the religious houses and churches; he did well all that he ought to do: he chose out more than one hundred and sixty-nine of the wretched poor, and clothed them all in new garments. To the poor clerks and priors he gave, as was right, black copes and warm linings to wear beneath. For God's sake he did great good to all: to those who were in need he distributed more than a barrel of small coins. When he had shared his wealth, he then did a very wise thing in receiving his land from the King's hand; and then he begged the King to crown him at his court. The King bade him quickly be prepared; for they shall both be crowned, he together with his wife, at the approaching Christmastide; and he added: "You must go hence to Nantes in Brittany; there you shall carry a royal ensign with crown on head and sceptre in hand; this gift and privilege I bestow upon you." Erec thanked the King, and said that that was a noble gift. At Christmas the King assembles all his nobles, summoning them individually and commanding them to come to Nantes. He summoned them all, and none stayed behind. Erec, too, sent word to many of his followers, and summoned them to come thither; but more came than he had bidden, to serve him and do him honour. I cannot tell you or relate who each one was, and what his name; but whoever came or did not come, the father and mother of my lady Enide were not forgotten. Her father was sent for first of all, and he came to court in handsome style, like a great lord and a chatelain. There was no great crowd of chaplains or of silly, gaping yokels, but of excellent knights and of people well equipped. Each day they made a long day's journey, and rode on each day with great joy and great display, until on Christmas eve they came to the city of Nantes. They made no halt until they entered the great hall where the King and his courtiers were. Erec and Enide see them, and you may know how glad they were. To meet them they quickly make their way, and salute and embrace them, speaking to them tenderly and showing their delight as they should. When they had rejoiced together, taking each other by the hand, they all four came before the King, saluting him and likewise the Queen, who was sitting by his side. Taking his host by the hand, Erec said: "Sire, behold my good host, my kind friend, who did me such honour that he made me master in his own house. Before he knew anything about me, he lodged me well and handsomely. All that he had he made over to me, and even his daughter he bestowed upon me, without the advice or counsel of any one." "And this lady with him," the King inquires, "who is she?" Erec does not conceal the truth: "Sire," says he, "of this lady I may say that she is the mother of my wife." "Is she her mother?" "Yes, truly, sire." "Certainly, I may then well say that fair and comely should be the flower born of so fair a stem, and better the fruit one picks; for sweet is the smell of what springs from good. Fair is Enide and fair she should be in all reason and by right; for her mother is a very handsome lady, and her father is a goodly knight. Nor does she in aught belie them; for she descends and inherits directly from them both in many respects." Then the King ceases and sits down, bidding them be seated too. They do not disobey his command, but straightway take seats. Now is Enide filled with joy when she sees her father and mother, for a very long time had passed since she had seen them. Her happiness now is greatly increased, for she was delighted and happy, and she showed it all she could, but she could not make such demonstration but that her joy was yet greater. But I wish to say no more of that, for my heart draws me toward the court which was now assembled in force. From many a different country there were counts and dukes and kings, Normans, Bretons. Scotch, and Irish: from England and Cornwall there was a very rich gathering of nobles; for from Wales to Anjou, in Maine and in Poitou, there was no knight of importance, nor lady of quality, but the best and the most elegant were at the court at Nantes, as the King had bidden them. Now hear, if you will, the great joy and grandeur, the display and the wealth, that was exhibited at the court. Before the hour of nones had sounded, King Arthur dubbed four hundred knights or more all sons of counts and of kings. To each one he gave three horses and two pairs of suits, in order that his court may make a better showing. Puissant and lavish was the King; for the mantles he bestowed were not of serge, nor of rabbit-skins, nor of cheap brown fur, but of heavy silk and ermine, of spotted fur and flowered silks, bordered with heavy and stiff gold braid. Alexander, who conquered so much that he subdued the whole world, and who was so lavish and rich, compared with him was poor and mean. Caesar, the Emperor of Rome, and all the kings whose names you hear in stories and in epic songs, did not distribute at any feast so much as Arthur gave on the day that he crowned Erec; nor would Caesar and Alexander dare to spend so much as he spent at the court. The raiment was taken from the chests and spread about freely through the halls; one could take what he would, without restraint. In the midst of the court, upon a rug, stood thirty bushels of bright sterlings;143for since the time of Merlin until that day sterlings had currency throughout Britain. There all helped themselves, each one carrying away that night all that he wanted to his lodging-place. At nine o'clock on Christmas day, all came together again at court. The great joy that is drawing near for him had completely filched Erec's heart away. The tongue and the mouth of no man, however skilful, could describe the third, or the fourth, or the fifth part of the display which marked his coronation. So it is a mad enterprise I undertake in wishing to attempt to describe it. But since I must make the effort, come what may, I shall not fail to relate a part of it, as best I may.
(Vv. 6713-6809.) The King had two thrones of white ivory, well constructed and new, of one pattern and style. He who made them beyond a doubt was a very skilled and cunning craftsman. For so precisely did he make the two alike in height, in breadth, and in ornamentation, that you could nor look at them from every side to distinguish one from the other and find in one aught that was not in the other. There was no part of wood, but all of gold and fine ivory. Well were they carved with great skill, for the two corresponding sides of each bore the representation of a leopard, and the other two a dragon's shape. A knight named Bruiant of the Isles had made a gift and present of them to King Arthur and the Queen. King Arthur sat upon the one, and upon the other he made Erec sit, who was robed in watered silk. As we read in the story, we find the description of the robe, and in order that no one may say that I lie, I quote as my authority Macrobius,144who devoted himself to the description of it. Macrobius instructs me how to describe, according as I have found it in the book, the workmanship and the figures of the cloth. Four fairies had made it with great skill and mastery.145One represented there geometry, how it estimates and measures the extent of the heavens and the earth, so that nothing is lacking there; and then the depth and the height, and the width, and the length; then it estimates, besides, how broad and deep the sea is, and thus measures the whole world. Such was the work of the first fairy. And the second devoted her effort to the portrayal of arithmetic, and she strove hard to represent clearly how it wisely enumerates the days and the hours of time, and the water of the sea drop by drop, and then all the sand, and the stars one by one, knowing well how to tell the truth, and how many leaves there are in the woods: such is the skill of arithmetic that numbers have never deceived her, nor will she ever be in error when she wishes to apply her sense to them. The third design was that of music, with which all merriment finds itself in accord, songs and harmonies, and sounds of string: of harp, of Breton violin, and of viol. This piece of work was good and fine; for upon it were portrayed all the instruments and all the pastimes. The fourth, who next performed her task, executed a most excellent work; for the best of the arts she there portrayed. She undertook astronomy, which accomplishes so many marvels and draws inspiration from the stars, the moon, and the sun. Nowhere else does it seek counsel concerning aught which it has to do. They give it good and sure advice. Concerning whatever inquiry it make of them, whether in the past or in the future, they give it information without falsehood and without deception. This work was portrayed on the stuff of which Erec's robe was made, all worked and woven with thread of gold. The fur lining that was sewed within, belonged to some strange beasts whose heads are all white, and whose necks are as black as mulberries, and which have red backs and green bellies, and dark blue tail. These beasts live in India and they are called "barbiolets". They eat nothing but spices, cinnamon, and fresh cloves. What shall I tell you of the mantle? It was very rich and fine and handsome; it had four stones in the tassels—two chrysolites on one side, and two amethysts on the other, which were mounted in gold.
(Vv. 6810-6946.) As yet Enide had not come to the palace. When the King sees that she delays, he bids Gawain go quickly to bring her and the Queen. Gawain hastens and was not slow, and with him King Cadoalant and the generous King of Galloway. Guivret the Little accompanies them, followed by Yder the son of Nut. So many of the other nobles ran thither to escort the two ladies that they would have sufficed to overcome a host; for there were more than a thousand of them. The Queen had made her best effort to adorn Enide. Into the palace they brought her the courteous Gawain escorting her on one side, and on the other the generous King of Galloway, who loved her dearly on account of Erec who was his nephew. When they came to the palace, King Arthur came quickly toward them, and courteously seated Enide beside Erec; for he wished to do her great honour. Now he orders to be brought forth from his treasure two massive crowns of fine gold. As soon as he had spoken and given the command, without delay the crowns were brought before him, all sparkling with carbuncles, of which there were four in each. The light of the moon is nothing compared with the light which the least of the carbuncles could shed. Because of the radiance which they shed, all those who were in the palace were so dazzled that for a moment they could see nothing; and even the King was amazed, and yet filled with satisfaction, when he saw them to be so clear and bright. He had one of them held by two damsels, and the other by two gentlemen. Then he bade the bishops and priors and the abbots of the Church step forward and anoint the new King, as the Christian practice is. Now all the prelates, young and old, came forward; for at the court there were a great number of bishops and abbots. The Bishop of Nantes himself, who was a very worthy and saintly man, anointed the new King in a very holy and becoming manner, and placed the crown upon his head. King Arthur had a sceptre brought which was very fine. Listen to the description of the sceptre, which was clearer than a pane of glass, all of one solid emerald, fully as large as your fist. I dare to tell you in very truth that in all the world there is no manner of fish, or of wild behest, or of man, or of flying bird that was not worked and chiselled upon it with its proper figure. The sceptre was handed to the King, who looked at it with amazement; then he put it without delay into King Erec's right hand; and now he was King as he ought to be. Then he crowned Enide in turn. Now the bells ring for Mass, and they go to the main church to hear the Mass and service; they go to pray at the cathedral. You would have seen weeping with joy the father of Queen Enide and her mother, Carsenefide. In truth this was her mother's name, and her father's name was Liconal. Very happy were they both. When they came to the cathedral, the procession came out from the church with relics and treasures to meet them. Crosses and prayerbooks and censers and reliquaries, with all the holy relics, of which there were many in the church, were all brought out to meet them; nor was there any lack of chants made. Never were seen so many kings, counts, dukes, and nobles together at a Mass, and the press was so great and thick that the church was completely filled. No low-born man could enter there, but only ladies and knights. Outside the door of the church a great number still remained, so many were there come together who could not get inside the church. When they had heard all the Mass they returned to the palace. It was all prepared and decorated: tables set and cloths spread five hundred tables and more were there; but I do not wish to make you believe a thing which does not seem true. It would seem too great a lie were I to say that five hundred tables were set in rows in one palace, so I will not say it; rather were there five hails so filled with them that with great difficulty could one make his way among the tables. At each table there was in truth a king or a duke or a count; and full a hundred knights were seated at each table. A thousand knights served the bread, and a thousand served the wine, and a thousand the meat—all of them dressed in fresh fur robes of ermine. All are served with divers dishes. Even if I did not see them, I might still be able to tell you about them; but I must attend to something else than to tell you what they had to eat. They had enough, without wanting more; joyfully and liberally they were served to their heart's desire.
(Vv. 6947-6958.) When this celebration was concluded, the King dismissed the assemblage of kings, dukes, and counts, of which the number was immense, and of the other humble folk who had come to the festival. He rewarded them liberally with horses, arms and silver, cloths and brocades of many kinds, because of his generosity, and because of Erec whom he loved so much. Here the story ends at last.
——Endnotes: Erec Et Enide
NOTE: Endnotes supplied by Prof. Foerster are indicated by "(F.)"; all other endnotes are supplied by W.W. Comfort.
11 (return)[ A Welsh version, "Geraint the Son of Erbin", included in Lady Charlotte Guest's translation of "The Mabinogion" (London, 1838-49; a modern edition will be found in Everyman Library, London, 1906), tells the same story as "Erec et Enide" with some variations. This Welsh version has also been translated into modern French by J. Loth ("Les Mabinogion", Paris, 1889), where it may be consulted with the greatest confidence. The relation of the Welsh prose to the French poem is a moot point. Cf. E. Philipot in "Romania", XXV. 258-294, and earlier, K. Othmer, "Ueber das Verhaltnis Chrestiens Erec und Enide zu dem Mabinogion des rothen Buch von Hergest" (Koln, 1889); G. Paris in "Romania", XIX. 157, and id. XX. 148-166.]
12 (return)[ We frequently read in the romances of a hunt at Easter (F.). As here, so in "Fergus" (ed. Martin, Halle, 1872), p. 2 f., the knights hunt a white stag, which Perceval finally slays, but there is no mention of the ceremony of the bestowal of a kiss.]
13 (return)[ Chrétien nowhere gives any description of the nature of the Round Table. With him, it is an institution. Layamon in "Brut" and Wace in "Le Roman de Brut" are more specific in their accounts of this remarkable piece of furniture. From their descriptions, and from other sources in Welsh and Irish literature, it is reasonable to suppose that the Round Table had a place in primitive Celtic folk-lore. Cf. L.F. Mott, "The Round Table" in "Pub. of the Modern Language Association of America", XX. 231-264; A.C.L. Brown, "The Round Table before Wace" in "Harvard Studies and Notes in Philology and Literature", vii. 183-205 (Boston, 1900); Miss J.L Weston, "A Hitherto Unconsidered Aspect of the Round Table" in "Melanges de philologie romane offerts a M. Wilmotte", ii. 883-894, 2 vols. (Paris, 1910).]
14 (return)[ There exists a romance devoted to Yder, of which G. Paris printed a resume in "Hist. Litt. de la France", XXX., and which has been recently edited by Heinrich Gelzer: "Der altfranzosische Yderroman" (Dresden, 1913). There are apparently three different knight of this name in the old French romances (F.).]
15 (return)[ The word "chastel" (from "castellum") is usually to be translated as "town" or strong place within fortifications. Only where it plainly refers to a detached building will the word "castle" be used.]
16 (return)[ A "tercel" is a species of falcon, of which the male bird is one-third smaller than the female.]
17 (return)[ A "vavasor" (from "vassus vassallorum") was a low order of vassal, but a freeman. The vavasors are spoken of with respect in the old French romances, as being of honourable character, though not of high birth.]
18 (return)[ The numerous references to the story of King Mark, Tristan, and Iseut in the extant poems of Chrétien support his own statement, made at the outset of "Cligés", that he himself composed a poem on the nephew and wife of the King of Cornwall. We have fragments of poems on Tristan by the Anglo-Norman poets Beroul and Thomas, who were contemporaries of Chrétien. Foerster's hypothesis that the lost "Tristan" of Chrétien antedated "Erec" is doubtless correct. That the poet later treated of the love of Cligés and Fenice as a sort of literary atonement for the inevitable moral laxity of Tristan and Iseut has been held by some, and the theory is acceptable in view of the references to be met later in "Cligés". For the contrary opinion of Gaston Paris see "Journal des Savants" (1902), p. 297 f.]
19 (return)[ In the Mabinogi "Geraint the Son of Erbin", the host explains that he had wrongfully deprived his nephew of his possessions, and that in revenge the nephew had later taken all his uncle's property, including an earldom and this town. See Guest, "The Mabinogion".]
110 (return)[ The hauberk was a long shirt of mail reaching to the knees, worn by knights in combat. The helmet, and the "coiffe" beneath it, protected the head; the "ventail" of linked meshes was worn across the lower part of the face, and was attached on each side of the neck to the "coiffe", so that it protected the throat; the greaves covered the legs. The body of the knight was thus well protected against blow of sword or lance. Cf. Vv.711 f.]
111 (return)[ This passage seems to imply that charms and enchantments were sometimes used when a knight was armed (F.).]
112 (return)[ The "loges", so often mentioned in old French romances, were either window-balconies or architectural points of vantage commanding some pleasing prospect. The conventional translation in the old English romances is "bower".]
113 (return)[ Tristan killed Morholt, the uncle of Iseut, when he came to claim tribute form King Mark (cf. Bedier, "Le Roman de Tristan", etc., i. 85 f., 2 vols., Paris, 1902). The combat took place on an island, unnamed in the original text (id. i. 84), but later identified with St. Samson's Isle, one of the Scilly Isles.]
114 (return)[ The same act of feeding a hunting-bird with a plover's wing is mentioned in "Le Roman de Thebes", 3857-58 (ed. "Anciens Textes").]
115 (return)[ For such figurative expressions used to complement the negative, cf. Gustav Dreyling, "Die Ausdruckweise der ubertriebenen Verkleinerung im altfranzosischen Karlsepos", in Stengel's "Ausgaben und Abhandlungen", No. 82 (Marsburg, 1888); W.W. Comfort in "Modern Language Notes" (Baltimore, February 1908).]
116 (return)[ Chrétien in his later romances will avoid compiling such a prosaic blue-book as is found in this passage, though similar lists of knights occur in the old English romances as late as Malory, though of some of them but little is known. Unfortunately, we have for the old French romances no such complete work as that furnished for the epic poems by E. Langois, "Table des noms propres de toute nature compris dans les chansons de geste" (Paris, 1904).]
117 (return)[ The only mention by Chrétien of this son of Arthur, whose role is absolutely insignificant in the Arthurian romances.]
118 (return)[ What was this drinking-cup, and who sent it to Arthur? We have "Le Lai du cor" (ed. Wulff, Lund, 1888), which tells how a certain King Mangount of Moraine sent a magic drinking-cup to Arthur. No one could drink of this cup without spilling the contents if he were a cuckold. Drinking from this cup was, then, one of the many current tests of chastity. Further light may be thrown on the passage in our text by the English poem "The Cokwold's Daunce" (in C.H. Hartshorne's "Ancient Metrical Ballads", London, 1829), where Arthur is described as a cuckold himself and as having always by him a horn (cup) which he delights in trying on his knights as a test of their ladies' chastity. For bibliography see T.P. Cross, "Notes on the Chastity-Testing Horns and Mantle" in "Modern Philology", x. 289-299.]
119 (return)[ A unique instance of such a division of the material in Chrétien's poems (F.).]
120 (return)[ Outre-Gales=Estre-Gales (v.3883)=Extra-Galliam.]
121 (return)[ Such fanciful descriptions of men and lands are common in the French epic poems, where they are usually applied to the Saracens (F.). Cf. W.w. Comfort, "The Saracens in Christian Poetry" in "The Dublin Review", July 1911; J. Malsch, "Die Charakteristik der Volker im altfranzosischen nationalen Epos" (Heidelberg, 1912).]
122 (return)[ With what seems to us mistaken taste, Chrétien frequently thus delays mentioning the name of his leading charecters. The father and mother of Enide remain anonymous until the end of this poem. The reader will remark other instances of this peculiarity in "Yvain" and "Lancelot".]
123 (return)[ The maid Brangien was substituted for Iseut, the bride, upon the first night after her marriage with Mark. Similar traditions are associated with the marriage of Arthur and Guinevere, and of Pepin and Berte aus grans pies, the parents of Charlemagne. Adenet le Roi toward the end of the 13th century is the author of the most artistic treatments of Berte's history (ed. A. Scheler, Bruxelles, 1874). Cf. W.W. Comfort, "Adenet le Roi: The End of a Literary Era" in "The Quarterly Review", April 1913.]
124 (return)[ The reading "Sanson" (=Samson) is Foerster's most recent (1904) suggestion to replace the word "lion" which stands in all the MSS. Solomon's name has always been synonymous with wisdom, and Alexander's generosity was proverbial in the Middle Ages. For Alexander, cf. Paul Meyer, "Alexandre le Grand dans la litterature francaise du moyen age", 2 vols. (Paris, 1886), vol ii., pp. 372-376, and Paget Toynbee, "Dante Studies and Researches" (London, 1902), p. 144.]
125 (return)[ Of Arthur's several nephews, Gawain is represented by Chrétien as peerless in respect of courage and courtesy. In the English romances his character steadily deteriorates.]
126 (return)[ This sentence contains the motive for all the action in the sequel. The same situation is threatened in "Yvain", but there Gawain rescues the hero from the lethargy, ignoble in the eyes of a feudal audience, into which he was falling. Cf. also "Marques de Rome" ("Lit. Verein in Stuttgart", Tubingen, 1889), p. 36, where the Empress of Rome thus incites her husband to the chase: "Toz jors cropez vos a Postel; vos n'estes point chevalereus, si come vos deussiez estre, si juenes hom come vos estes"; also J. Gower, "Le Mirour de l'omme, 22, 813 ff.:
"Rois est des femmes trop decu, Qant plus les ayme que son dieu, Dont laist honour pour foldelit: Cil Rois ne serra pas cremu, Q'ensi voet laisser sou escu Et querre le bataille ou lit."]
127 (return)[ This brusque command, implying so sudden a change in Erec's attitude toward his wife, initiates a long series of tests of Enide's devotion, which fill the rest of the romance. Why did Erec treat his wife with such severity? In the Mabinogi of "Geraint the Son of Erbin", it is plain that jealousy was the hero's motive. The reader of "Erec" may judge whether, as we believe, the hero's sudden resolve is not rather that of a man piqued at being justly reproved by his wife for a delinquency he had not himself remarked; irate at his wife's imputation, and fearful of having forfeited her respect, he starts out to redeem his reputation in her eyes, and to maker her retract any insinuation she had made. Erec is simply angry with himself, but he expends his wrath upon his defenceless wife until he is reassured of her love and respect for him.]
128 (return)[ The situation here is a common one. Parallels will be found in the "Voyage de Charlemagne", in the first tale of the "Arabian Nights", in the poem "Biterolf and Dietlieb", and in the English ballad of "King Arthur and King Cornwall". Professor Child, in his "English and Scotch Ballads", indexes the ballads in his collection, which present this motive, under the following caption: "King who regards himself as the richest, most magnificent, etc., in the world, is told that there is one who outstrips him, and undertakes to see for himself whether this is so, threatening death to the person who has affirmed his inferiority in case this is disproved."]
129 (return)[ The presence of the Irish in this connection is explained by G. Paris in "Romania", xx. 149.]
130 (return)[ Kay the Seneschal appears here for the first time in Chrétien's poems with the character which he regularly ascribes to him. Readers of Arthurian romance are all familiar with Sir Kay; they will find that in Chrétien, the seneschal, in addition to his undeniable qualities of bravery and frankness, has less pleasing traits; he is foolhardy, tactless, mean, and a disparager of others' merit. He figures prominently in "Yvain" and "Lancelot". His poetic history has not yet been written. His role in the German romances has been touched upon by Dr. Friedrich Sachse, "Ueber den Ritter Kei" (Berlin, 1860).]
131 (return)[ No meat was eaten because it was the eve of Sunday.]
132 (return)[ In the French epic poems and romances of adventure alike it is customary for giants and all manner of rustic boors to carry clubs, the arms of knighthood being appropriate for such ignoble creatures. Other instances of this convention will be remarked in the text.]
133 (return)[ There follows and excellent example of an old French lament for the dead. Such a wail was known in old French as a "regret", a word which has lost its specific meaning in English.]
134 (return)[ Many examples will be met of women skilled in the practice of medicine and surgery. On the subject, cf. A. Hertel, "Versauberte Oertlichkeiten und Gegenstande in der altfranzosschen Dichtung" (Hanover, 1908); Georg Manheimer, "Etwas liber die Aerzte im alten Frankreich" in "Romanische Forschungen", vi. 581-614.]
135 (return)[ The reference here and in v.5891 is probably suggested by the "Roman d'Eneas", which tells the same story as Virgil's "Aeneid", in old French eight-syllable rhymed couplets, and which is dated by the most recent scholarship 1160 circ. Cf. F.M. Warren in "Modern Philology", iii. 179-209; iii. 513-539; iv. 655-675. Also M. Wilmotte, "L'Evolution du roman francais aux environs de 1150" (Paris, 1903). Scenes from classical and medieval romance were for a long time favourite subject of portrayal upon cloths and tapestries, as well as of illuminations for manuscripts.]
136 (return)[ Various conjectures have been advanced concerning the significance of this strange adventure and its mysterious name "La Joie de la cour". It is a quite extraneous episode, and Tennyson in his artistic use of our hero and heroine in the Idyl of "Geraint and Enid" did well to omit it. Chrétien's explanation, a little farther on, of "La Joie de la cour" is lame and unsatisfactory, as if he himself did not understand the significance of the matter upon which he was working. Cf. E. Philipot in "Romania", xxv. 258-294; K. Othmer, "Ueber das Verhaltnis Chrestiens Erec und Enide zu dem Mabinogion des rothen Buch von Hergest" (Bonn, 1889); G. Paris in "Romania", xx. 152 f.]
137 (return)[ The following description of Erec's reception is repeated with variations at the time of Yvain's entrance in the "Chastel de Pesme Avanture" ("Yvain", 5107 f.) (F.).]
138 (return)[ For such conventional mediaeval descriptions of other-world castles, palaces, and landscapes, cf. O.M. Johnston in "Ztsch fur romanische Philologie", xxxii. 705-710.]
139 (return)[ Tiebaut li Esclavon, frequently mentioned in the epic poems, was a Saracen king, the first husband of Guibourne, who later married the Christian hero Guillaume d'Orange. Opinel was also a Saracen, mentioned in "Gaufrey", p. 132, and the hero of a lost epic poem (see G. Paris, "Historie poetique de Charlemagne", p. 127). Fernagu was another Saracen king, killed in a famous encounter by Roland, "Otinel", p. 9 (F.). For further references to these characters, see E. Langlois, "Table des noms propres de toute nature compris dans les chansons de geste" (Paris, 1904).]
140 (return)[ There is a similar picket fence topped with helmets in the "Las de la Mule sanz frain", v. 433 (ed. By R.T. Hill, Baltimore, 1911).]
141 (return)[ For such magic horns, cf. A. Hertel, "Verzauberte Oertlichkeiten", etc. (Hanover, 1908).]
142 (return)[ In fact, nothing is known of this "lai", if, indeed, it ever existed. For a recent definition of "lai", se L. Foulet in "Ztsch. fur romanische Philologie", xxxii. 161 f.]
143 (return)[ The sterling was the English silver penny, 240 of which equalled 1 Pound Sterling of silver of 5760 grains 925 fine. It is early described as "denarius Angliae qui vocatur sterlingus" ("Ency. Brit").]
144 (return)[ Macrobius was a Neoplatonic philosopher and Latin grammarian of the early part of the 5th century A.D. He is best known as the author of the "Saturnalia" and of a commentary upon Cicero's "Somnium Scipionis" in that author's "De republica". It is this latter work that is probably in the mind of Chrétien, as well as of Gower, who refers to him in his "Mirour l'omme", and of Jean de Meun, the author of the second part of the "Roman de la Rose".]
145 (return)[ For fairies and their handiwork in the Middle Ages, cf. L.F.A. Maury, "Les Fees du moyen age" (Paris, 1843); Keightley, "Fairy Mythology" (London, 1860); Lucy A. Paton, "Studies in the Fairy Mythology of Arthurian Romance", Radcliffe Monograph (Boston, 1903); D.B. Easter, "The Magic Elements in the romans d'aventure and the romans bretons" (Baltimore, 1906).]