IXBRITISH FERTILITY

"Where the deer's swift leapStartles the wild bee from the fox-glove bell,"

"Where the deer's swift leapStartles the wild bee from the fox-glove bell,"

"Where the deer's swift leap

Startles the wild bee from the fox-glove bell,"

and this from Coleridge:—

"The fox-glove tallSheds its loose purple bells or in the gust,Or when it bends beneath the upspringing lark,Or mountain finch alighting."

"The fox-glove tallSheds its loose purple bells or in the gust,Or when it bends beneath the upspringing lark,Or mountain finch alighting."

"The fox-glove tall

Sheds its loose purple bells or in the gust,

Or when it bends beneath the upspringing lark,

Or mountain finch alighting."

Coleridge perhaps knew that the lark did not perch upon the stalk of the foxglove, or upon any other stalk or branch, being entirely a ground bird and not a percher, but he would seem to imply that it did, in these lines.

A London correspondent calls my attention to these lines from Wordsworth,—

"Bees that soarHigh as the highest peak of Furness Fells,Yet murmur by the hour in foxglove bells;"

"Bees that soarHigh as the highest peak of Furness Fells,Yet murmur by the hour in foxglove bells;"

"Bees that soar

High as the highest peak of Furness Fells,

Yet murmur by the hour in foxglove bells;"

and adds: "Less poetical, but as graphic, was a Devonshire woman's comparison of a dull preacher to a 'Drummle drane in a pop;' Anglicè, A drone in a foxglove,—called a pop from children amusing themselves with popping its bells."

The prettiest of all humble roadside flowers I saw was the little blue speedwell. I was seldom out of sight of it anywhere in my walks till near the end of June; while its little bands and assemblages of deep blue flowers in the grass by the roadside, turning a host of infantile faces up to the sun, often made me pause and admire. It is prettier than the violet, and larger and deeper colored than our houstonia. It is a small and delicate edition of our hepatica, done in indigo blue and wonted to the grass in the fields and by the waysides.

"The little speedwell's darling blue,"

"The little speedwell's darling blue,"

"The little speedwell's darling blue,"

sings Tennyson. I saw it blooming, with the daisy and the buttercup, upon the grave of Carlyle. The tender human and poetic element of this stern rocky nature was well expressed by it.

In the Lake district I saw meadows purple with a species of wild geranium, probablyGeranium pratense. It answered well to our wild geranium, which in May sometimes covers wettish meadows in the same manner, except that this English species was of a dark blue purple. Prunella, I noticed, was of a much deeper purple there than at home. The purple orchids also were stronger colored, but less graceful and pleasing, than our own. One species which I noticed in June, with habits similar to our purple fringed-orchis, perhaps the pyramidal orchis, had quite a coarse, plebeian look. Probably the most striking blue and purple wild flowers we have are of European origin, as succory, blue-weed or bugloss, vervain, purple loosestrife, and harebell. These colors, except with the fall asters and gentians, seem rather unstable in our flora.

It has been observed by the Norwegian botanist Schübeler that plants and trees in the higher latitudes have larger leaves and larger flowers than farther south, and that many flowers which are white in the south become violet in the far north. This agrees with my own observation. The feebler light necessitates more leaf surface, and the fewer insects necessitate larger and more showy flowers to attract them and secure cross-fertilization. Blackberry blossoms, so white with us, are a decided pink in England. The same is true of the water-plantain. Our houstonia and hepatica would probably become a deep blue in that country. The marine climate probably has something to do alsowith this high color of the British flowers, as I have noticed that on our New England coast the same flowers are deeper tinted than they are in the interior.

A flower which greets all ramblers to moist fields and tranquil watercourses in midsummer is the meadow-sweet, called also queen of the meadows. It belongs to the Spiræa tribe, where our hardhack, nine-bark, meadow-sweet, queen of the prairie, and others belong, but surpasses all our species in being sweet-scented,—a suggestion of almonds and cinnamon. I saw much of it about Stratford, and in rowing on the Avon plucked its large clusters of fine, creamy white flowers from my boat. Arnold is felicitous in describing it as the "blond meadow-sweet."

They cultivate a species of clover in England that gives a striking effect to a field when in bloom,Trifolium incarnatum, the long heads as red as blood. It is grown mostly for green fodder. I saw not one spear of timothy grass in all my rambles. Though this is a grass of European origin, yet it seems to be quite unknown among English and Scotch farmers. The horse bean, or Winchester bean, sown broadcast, is a new feature, while its perfume, suggesting that of apple orchards, is the most agreeable to be met with.

I was delighted with the furze, or whin, as the Scotch call it, with its multitude of rich yellow, pea-like blossoms exhaling a perfume that reminded me of mingled cocoanut and peaches. It is aprickly, disagreeable shrub to the touch, like our ground juniper. It seems to mark everywhere the line of cultivation; where the furze begins the plow stops. It covers heaths and commons, and, with the heather, gives that dark hue to the Scotch and English uplands. The heather I did not see in all its glory. It was just coming into bloom when I left, the last of July; but the glimpses I had of it in North Wales, and again in northern Ireland, were most pleasing. It gave a purple border or fringe to the dark rocks (the rocks are never so lightly tinted in this island as ours are) that was very rich and striking. The heather vies with the grass in its extent and uniformity. Until midsummer it covers the moors and uplands as with a dark brown coat. When it blooms, this coat becomes a royal robe. The flower yields honey to the bee, and the plant shelter to the birds and game, and is used by the cottagers for thatching, and for twisting into ropes, and for various other purposes.

Several troublesome weeds I noticed in England that have not yet made their appearance in this country. Coltsfoot invests the plowed lands there, sending up its broad fuzzy leaves as soon as the grain is up, and covering large areas. It is found in this country, but, so far as I have observed, only in out-of-the-way places.

Sheep sorrel has come to us from over seas, and reddens many a poor worn-out field; but the larger species of sorrel,Rumex acetosa, so common in English fields, and shooting up a stem two feethigh, was quite new to me. Nearly all the related species, the various docks, are naturalized upon our shores.

On the whole the place to see European weeds is in America. They run riot here. They are like boys out of school, leaping all bounds. They have the freedom of the whole broad land, and are allowed to take possession in a way that would astonish a British farmer. The Scotch thistle is much rarer in Scotland than in New York or Massachusetts. I saw only one mullein by the roadside, and that was in Wales, though it flourishes here and there throughout the island. The London correspondent, already quoted, says of the mullein: "One will come up in solitary glory, but, though it bears hundreds of flowers, many years will elapse before another is seen in the same neighborhood. We used to say, 'There is a mullein coming up in such a place,' much as if we had seen a comet; and its flannel-like leaves and the growth of its spike were duly watched and reported on day by day." I did not catch a glimpse of blue-weed, Bouncing Bet, elecampane, live-for-ever, bladder campion, and others, of which I see acres at home, though all these weeds do grow there. They hunt the weeds mercilessly; they have no room for them. You see men and boys, women and girls, in the meadows and pastures cutting them out. A species of wild mustard infests the best grain lands in June; when in bloom it gives to the oat-fields a fresh canary yellow. Then men and boys walk carefully throughthe drilled grain and pull the mustard out, and carry it away, leaving not one blossom visible.

On the whole, I should say that the British wild flowers were less beautiful than our own, but more abundant and noticeable, and more closely associated with the country life of the people; just as their birds are more familiar, abundant, and vociferous than our songsters, but not so sweet-voiced and plaintively melodious. An agreeable coarseness and robustness characterize most of their flowers, and they more than make up in abundance where they lack in grace.

The surprising delicacy of our first spring flowers, of the hepatica, the spring beauty, the arbutus, the bloodroot, the rue-anemone, the dicentra,—a beauty and delicacy that pertains to exclusive wood forms,—contrasts with the more hardy, hairy, hedge-row look of their firstlings of the spring, like the primrose, the hyacinth, the wood spurge, the green hellebore, the hedge garlic, the moschatel, the daffodil, the celandine, and others. Most of these flowers take one by their multitude; the primrose covers broad hedge banks for miles as with a carpet of bloom. In my excursions into field and forest I saw nothing of the intense brilliancy of our cardinal flower, which almost baffles the eye; nothing with the wild grace of our meadow or mountain lilies; no wood flower so taking to the eye as our painted trillium and lady's-slipper; no bog flower that compares with our calopogon and arethusa, so common in southeastern New England;no brookside flower that equals our jewel-weed; no rock flower before which one would pause with the same feeling of admiration as before our columbine; no violet as striking as our bird's-foot violet; no trailing flower that approaches our matchless arbutus; no fern as delicate as our maiden-hair; no flowering shrub as sweet as our azaleas. In fact, their flora presented a commoner type of beauty, very comely and pleasing, but not so exquisite and surprising as our own. The contrast is well shown in the flowering of the maples of the two countries,—that of the European species being stiff and coarse compared with the fringe-like grace and delicacy of our maple. In like manner the silken tresses of our white pine contrast strongly with the coarser foliage of the European pines. But what they have, they have in greatest profusion. Few of their flowers waste their sweetness on the desert air; they throng the fields, lanes, and highways, and are known and seen of all. They bloom on the housetops, and wave from the summits of castle walls. The spring meadows are carpeted with flowers, and the midsummer grain-fields, from one end of the kingdom to the other, are spotted with fire and gold in the scarlet poppies and corn marigolds.

I plucked but one white pond-lily, and that was in the Kew Gardens, where I suppose the plucking was trespassing. Its petals were slightly blunter than ours, and it had no perfume. Indeed, in the matter of sweet-scented flowers, our flora shows byfar the more varieties, the British flora seeming richer in this respect by reason of the abundance of specimens of any given kind.

It is, indeed, a flowery land; a kind of perpetual spring-time reigns there, a perennial freshness and bloom such as our fierce skies do not permit.

In crossing the Atlantic from the New World to the Old, one of the first intimations the traveler has that he is nearing a strange shore, and an old and populous one, is the greater boldness and familiarity of the swarms of sea-gulls that begin to hover in the wake of the ship, and dive and contend with each other for the fragments and parings thrown overboard from the pantry. They have at once a different air and manner from those we left behind. How bold and tireless they are, pursuing the vessel from dawn to dark, and coming almost near enough to take the food out of your hand as you lean over the bulwarks. It is a sign in the air; it tells the whole story of the hungry and populous countries you are approaching; it is swarming and omnivorous Europe come out to meet you. You are near the sea-marge of a land teeming with life, a land where the prevailing forms are indeed few, but these on the most copious and vehement scale; where the birds and animals are not only more numerous than at home, but more dominating and aggressive, more closely associated with man,contending with him for the fruits of the soil, learned in his ways, full of resources, prolific, tenacious of life, not easily checked or driven out,—in fact, characterized by greater persistence and fecundity. This fact is sure, sooner or later, to strike the American in Britain. There seems to be an aboriginal push and heat in animate nature there, to behold which is a new experience. It is the Old World, and yet it really seems the New in the virility and hardihood of its species.

The New Englander who sees with evil forebodings the rapid falling off of the birth-rate in his own land, the family rills shrinking in these later generations, like his native streams in summer, and who consequently fears for the perpetuity of the race, may see something to comfort him in the British islands. Behold the fecundity of the parent stock! The drought that has fallen upon the older parts of the New World does not seem to have affected the sources of being in these islands. They are apparently as copious and exhaustless as they were three centuries ago. Britain might well appropriate to herself the last half of Emerson's quatrain:—

"No numbers have counted my tallies,No tribes my house can fill;I sit by the shining Fount of Life,And pour the deluge still."

"No numbers have counted my tallies,No tribes my house can fill;I sit by the shining Fount of Life,And pour the deluge still."

"No numbers have counted my tallies,

No tribes my house can fill;

I sit by the shining Fount of Life,

And pour the deluge still."

For it is literally a deluge; the land is inundated with humanity. Thirty millions of people within the area of one of our larger States, and who shallsay that high-water mark is yet reached? Everything betokens a race still in its youth, still on the road to empire. The full-bloodedness, the large feet and hands, the prominent canine teeth, the stomachic and muscular robustness, the health of the women, the savage jealousy of personal rights, the swarms upon swarms of children and young people, the delight in the open air and in athletic sports, the love of danger and adventure, a certain morning freshness and youthfulness in their look, as if their food and sleep nourished them well, together with a certain animality and stupidity,—all indicate a people who have not yet slackened speed or taken in sail. Neither the land nor the race shows any exhaustion. In both there is yet the freshness and fruitfulness of a new country. You would think the people had just come into possession of a virgin soil. There is a pioneer hardiness and fertility about them. Families increase as in our early frontier settlements. Let me quote a paragraph from Taine's "Notes:"—

"An Englishman nearly always has many children,—the rich as well as the poor. The Queen has nine, and sets the example. Let us run over the families we are acquainted with: Lord —— has six children; the Marquis of ——, twelve; Sir N——, nine; Mr. S——, a judge, twenty-four, of whom twenty-two are living; several clergymen, five, six, and up to ten and twelve."

Thus is the census kept up and increased. The land, the towns and cities, are like hives in swarmingtime; a fertile queen indeed, and plenty of brood-comb! Were it not for the wildernesses of America, of Africa, and Australia, to which these swarms migrate, the people would suffocate and trample each other out. A Scotch or English city, compared with one of ours, is a kind of duplex or compound city; it has a double interior,—the interior of the closes and alleys, in which and out of which the people swarm like flies. Every country village has its closes, its streets between streets, where the humbler portion of the population is packed away. This back-door humanity streams forth to all parts of the world, and carries the national virtues with it. In walking through some of the older portions of Edinburgh, I was somehow reminded of colonies of cliff swallows I had seen at home, packed beneath the eaves of a farmer's barn, every inch of space occupied, the tenements crowding and lapping over each other, the interstices filled, every coign of vantage seized upon, the pendent beds and procreant cradles ranked one above another, and showing all manner of quaint and ingenious forms and adaptability to circumstances. In both London and Edinburgh there are streets above streets, or huge viaducts that carry one torrent of humanity above another torrent. They utilize the hills and depressions to make more surface room for their swarming myriads.

One day, in my walk through the Trosachs in the Highlands, I came upon a couple of ant-hills that arrested my attention. They were a type ofthe country. They were not large, scarcely larger than a peck measure, but never before had I seen ant-hills so populous and so lively. They were living masses of ants, while the ground for yards about literally rustled with their numbers. I knew ant-hills at home, and had noted them carefully, hills that would fill a cart-box; but they were like empty tenements compared with these, a fort garrisoned with a company instead of an army corps. These hills stood in thin woods by the roadside. From each of them radiated five main highways, like the spokes of a wheel. These highways were clearly defined to the eye, the grass and leaves being slightly beaten down. Along each one of them there was a double line of ants,—one line going out for supplies and the other returning with booty,—worms, flies, insects, a constant stream of game going into the capitol. If the ants, with any given worm or bug, got stuck, those passing out would turn and lend a helping hand. The ground between the main highways was being threaded in all directions by individual ants, beating up and down for game. The same was true of the surface all about the terminus of the roads, several yards distant. If I stood a few moments in one place, the ants would begin to climb up my shoes and so up my legs. Stamping them off seemed only to alarm and enrage the whole camp, so that I would presently be compelled to retreat. Seeing a big straddling beetle, I caught him and dropped him upon the nest. The ants attacked him as wolvesmight attack an elephant. They clung to his legs, they mounted his back, and assaulted him in front. As he rushed through and over their ranks, down the side of the mound, those clinging to his legs were caught hold of by others, till lines of four or five ants were being jerked along by each of his six legs. The infuriated beetle cleared the mound, and crawled under leaves and sticks to sweep off his clinging enemies, and finally seemed to escape them by burying himself in the earth. Then I took one of those large, black, shelless snails with which this land abounds, a snail the size of my thumb, and dropped it upon the nest. The ants swarmed upon it at once, and began to sink their jaws into it. This woke the snail up to the true situation, and it showed itself not without resources against its enemies. Flee, like the beetle, it could not, but it bore an invisible armor; it began to excrete from every pore of its body a thick, whitish, viscid substance, that tied every ant that came in contact with it, hand and foot, in a twinkling. When a thick coating of this impromptu bird-lime had been exuded, the snail wriggled right and left a few times, partly sloughing it off, and thus ingulfing hundreds of its antagonists. Never was army of ants or of men bound in such a Stygian quagmire before. New phalanxes rushed up and tried to scale the mass; most of them were mired like their fellows, but a few succeeded and gained the snail's back; then began the preparation of another avalanche of glue; the creature seemed to dwindle insize, and to nerve itself to the work; as fast as the ants reached him in any number he ingulfed them; he poured the vials of his glutinous wrath upon them till he had formed quite a rampart of cemented and helpless ants about him; fresh ones constantly coming up laid hold of the barricade with their jaws, and were often hung that way. I lingered half an hour or more to see the issue, but was finally compelled to come away before the closing scene. I presume the ants finally triumphed. The snail had nearly exhausted its ammunition; each new broadside took more and more time and was less and less effective; while the ants had unlimited resources, and could make bridges of their sunken armies. But how they finally freed themselves and their mound of that viscid, sloughing monster I should be glad to know.

But it was not these incidents that impressed me so much as the numbers and the animation of the ants, and their raiding, buccaneering propensities. When I came to London, I could not help thinking of the ant-hill I had seen in the North. This, I said, is the biggest ant-hill yet. See the great steam highways, leading to all points of the compass; see the myriads swarming, jostling each other in the streets, and overflowing all the surrounding country. See the underground tunnels and galleries and the overground viaducts; see the activity and the supplies, the whole earth the hunting-ground of these insects and rustling with their multitudinous stir. One may be pardoned, in thepresence of such an enormous aggregate of humanity as London shows, for thinking of insects. Men and women seem cheapened and belittled, as if the spawn of blow-flies had turned to human beings. How the throng stream on interminably, the streets like river-beds, full to their banks! One hardly notes the units,—he sees only the black tide. He loses himself, and becomes an insignificant ant with the rest. He is borne along through the galleries and passages to the underground railway, and is swept forward like a drop in the sea. I used to make frequent trips to the country, or seek out some empty nook in St. Paul's, to come to my senses. But it requires no ordinary effort to find one's self in St. Paul's, and in the country you must walk fast or London will overtake you. When I would think I had a stretch of road all to myself, a troop of London bicyclists would steal up behind me and suddenly file by like spectres. The whole land is London-struck. You feel the suction of the huge city wherever you are. It draws like a cyclone; every current tends that way. It would seem as if cities and towns were constantly breaking from their moorings and drifting thitherward and joining themselves to it. On every side one finds smaller cities welded fast. It spreads like a malignant growth, that involves first one organ and then another. But it is not malignant. On the contrary, it is perhaps as normal and legitimate a city as there is on the globe. It is the proper outcome and expression of that fertile and bountiful land,and that hardy, multiplying race. It seems less the result of trade and commerce, and more the result of the domestic home-seeking and home-building instinct, than any other city I have yet seen. I felt, and yet feel, its attraction. It is such an aggregate of actual human dwellings that this feeling pervades the very air. All its vast and multiplex industries, and its traffic, seem domestic, like the chores about the household. I used to get glimpses of it from the northwest borders, from Hampstead Heath, and from about Highgate, lying there in the broad, gentle valley of the Thames, like an enormous country village—a village with nearly four million souls, where people find life sweet and wholesome, and keep a rustic freshness of look and sobriety of manner. See their vast parks and pleasure grounds; see the upper Thames, of a bright Sunday, alive with rowing parties; see them picnicking in all the country adjacent. Indeed, in summer a social and even festive air broods over the whole vast encampment. There is squalor and misery enough, of course, and too much, but this takes itself away to holes and corners.

A fertile race, a fertile nature, swarm in these islands. The climate is a kind of prolonged May, and a vernal lustiness and raciness are characteristic of all the prevailing forms. Life is rank and full. Reproduction is easy. There is plenty of sap, plenty of blood. The salt of the sea prickles inthe veins; the spawning waters have imparted their virility to the land. 'Tis a tropical and an arctic nature combined, the fruitfulness of one and the activity of the other.

The national poet is Shakespeare. In him we get the literary and artistic equivalents of this teeming, racy, juicy land and people. It needs just such a soil, just such a background, to account for him. The poetic value of this continence on the one hand, and of this riot and prodigality on the other, is in his pages.

The teeming human populations reflect only the general law: there is the same fullness of life in the lower types, the same push and hardiness. It is the opinion of naturalists that the prevailing European forms are a later production than those of the southern hemisphere or of the United States, and hence, according to Darwin's law, should be more versatile and dominating. That this last fact holds good with regard to them, no competent observer can fail to see. When European plants and animals come into competition with American, the latter, for the most part, go to the wall, as do the natives in Australia. Or shall we say that the native species flee before the advent of civilization, the denuding the land of its forests, and the European species come in and take their place? Yet the fact remains, that that trait or tendency to persist in the face of obstacles, to hang on by tooth and nail, ready in new expedients, thriving where others starve, climbing where others fall, multiplyingwhere others perish, like certain weeds, which if you check the seed, will increase at the root, is more marked in the forms that have come to us from Europe than in the native inhabitants. Nearly everything that has come to this country from the Old World has come prepared to fight its way through and take possession. The European or Old World man, the Old World animals, the Old World grasses and grains, and weeds and vermin, are in possession of the land, and the native species have given way before them. The honey-bee, with its greed, its industry, and its swarms, is a fair type of the rest. The English house sparrow, which we were at such pains to introduce, breeds like vermin and threatens to become a plague in the land. Nearly all our troublesome weeds are European. When a new species gets a foothold here, it spreads like fire. The European rats and mice would eat us up, were it not for the European cats we breed. The wolf not only keeps a foothold in old and populous countries like France and Germany, but in the former country has so increased of late years that the government has offered an additional bounty upon their pelts. When has an American wolf been seen or heard in our comparatively sparsely settled Eastern or Middle States? They have disappeared as completely as the beavers. Yet is it probably true that, in a new country like ours, a tendency slowly develops itself among the wild creatures to return and repossess the land under the altered conditions. It is so with theplants, and probably so with the animals. Thus, the chimney swallows give up the hollow trees for the chimneys, the cliff swallows desert the cliffs for the eaves of the barns, the squirrels find they can live in and about the fields, etc. In my own locality, our native mice are becoming much more numerous about the buildings than formerly; in the older settled portions of the country, the flying squirrel often breeds in the houses; the wolf does not seem to let go in the West as readily as he did in the East; the black bear is coming back to parts of the country where it had not been seen for thirty years.

I noticed many traits among the British animals and birds that looked like the result both of the sharp competition going on among themselves in their crowded ranks and of association with man. Thus, the partridge not only covers her nest, but carefully arranges the grass about it so that no mark of her track to and fro can be seen. The field mouse lays up a store of grain in its den in the ground, and then stops up the entrance from within. The woodcock, when disturbed, flies away with one of her young snatched up between her legs, and returns for another and another. The sea-gulls devour the grain in the fields; the wild ducks feed upon the oats; the crows and jackdaws pull up the sprouts of the newly-planted potatoes; the grouse, partridges, pigeons, fieldfares, etc., attack the turnips; the hawk frequently snatches the wounded game from under the gun of the sportsman; thecrows perch upon the tops of the chimneys of the houses; in the East the stork builds upon the housetops, in the midst of cities; in Scotland the rats follow the birds and the Highlanders to the herring fisheries along the coast, and disperse with them when the season is over; the eagle continues to breed in the mountains with the prize of a guinea upon every egg; the rabbits have to be kept down with nets and ferrets; the game birds—grouse, partridges, ducks, geese—continue to swarm in the face of the most inveterate race of sportsmen under the sun, and in a country where it is said the crows destroy more game than all the guns in the kingdom.

Many of the wild birds, when incubating, will allow themselves to be touched by the hand. The fox frequently passes the day under some covered drain or under some shelving bank near the farm buildings. The otter, which so long ago disappeared from our streams, still holds its own in Scotland, though trapped and shot on all occasions. A mother otter has been known boldly to confront a man carrying off her young.

Thomas Edward, the shoemaker-naturalist of Aberdeen, relates many adventures he had during his nocturnal explorations with weasels, polecats, badgers, owls, rats, etc., in which these creatures showed astonishing boldness and audacity. On one occasion, a weasel actually attacked him; on another, a polecat made repeated attempts to take a moor-hen from the breast pocket of his coat whilehe was trying to sleep. On still another occasion, while he was taking a nap, an owl robbed him of a mouse which he wished to take home alive, and which was tied by a string to his waistcoat. He says he has put his walking stick into the mouth of a fox just roused from his lair, and the fox worried the stick and took it away with him. Once, in descending a precipice, he cornered two foxes upon a shelf of rock, when the brutes growled at him and showed their teeth threateningly. As he let himself down to kick them out of his way, they bolted up the precipice over his person. Along the Scottish coast, crows break open shell-fish by carrying them high in the air and letting them drop upon the rocks. This is about as thoughtful a proceeding as that of certain birds of South Africa, which fly amid the clouds of migrating locusts and clip off the wings of the insects with their sharp beaks, causing them to fall to the ground, where they are devoured at leisure. Among the Highlands, the eagles live upon hares and young lambs; when the shepherds kill the eagles, the hares increase so fast that they eat up all the grass, and the flocks still suffer.

The scenes along the coast of Scotland during the herring-fishing, as described by Charles St. John in his "Natural History and Sport in Moray," are characteristic. The herrings appear in innumerable shoals, and are pursued by tens of thousands of birds in the air, and by the hosts of their enemies of the deep. Salmon and dog-fish prey upon themfrom beneath; gulls, gannets, cormorants, and solan geese prey upon them from above; while the fishermen from a vast fleet of boats scoop them up by the million. The birds plunge and scream, the men shout and labor, the sea is covered with broken and wounded fish, the shore exhales the odor of the decaying offal, which also attracts the birds and the vermin; and, altogether, the scene is thoroughly European. Yet the herring supply does not fail; and when the shoals go into the lochs, the people say they contain two parts fish to one of water.

One of the most significant facts I observed while in England and Scotland was the number of eggs in the birds'-nests. The first nest I saw, which was that of the meadow pipit, held six eggs; the second, which was that of the willow warbler, contained seven. Are these British birds, then, I said, like the people, really more prolific than our own? Such is, undoubtedly, the fact. The nests I had observed were not exceptional; and when a boy told me he knew of a wren's nest with twenty-six eggs in it, I was half inclined to believe him. The common British wren, which is nearly identical with our winter wren, often does lay upward of twenty eggs, while ours lays five or six. The long-tailed titmouse lays from ten to twelve eggs; the marsh tit, from eight to ten; the great tit, from six to nine; the blue-bonnet, from six to eighteen; the wryneck, often as many as ten; the nuthatch, seven; the brown creeper, nine; the kinglet, eight; the robin, seven; the flycatcher, eight; and so on,—all,or nearly all, exceeding the number laid by corresponding species in this country. The highest number of eggs of the majority of our birds is five; some of the wrens and creepers and titmice produce six, or even more; but as a rule one sees only three or four eggs in the nests of our common birds. Our quail seems to produce more eggs than the European species, and our swift more.

Then this superabundance of eggs is protected by such warm and compact nests. The nest of the willow warbler, to which I have referred, is a kind of thatched cottage upholstered with feathers. It is placed upon the ground, and is dome-shaped, like that of our meadow mouse, the entrance being on the side. The chaffinch, the most abundant and universal of the British birds, builds a nest in the white thorn that is a marvel of compactness and neatness. It is made mainly of fine moss and wool. The nest of Jenny Wren, with its dozen or more of eggs, is too perfect for art, and too cunning for nature. Those I saw were placed amid the roots of trees on a steep bank by the roadside. You behold a mass of fine green moss set in an irregular framework of roots, with a round hole in the middle of it. As far in as your finger can reach, it is exquisitely soft and delicately modeled. When removed from its place, it is a large mass of moss with the nest at the heart of it.

Then add to these things the comparative immunity from the many dangers that beset the nests of our birds,—dangers from squirrels, snakes, crows,owls, weasels, etc., and from violent storms and tempests,—and one can quickly see why the British birds so thrive and abound. There is a chaffinch for every tree, and a rook and a starling for every square rod of ground. I think there would be still more starlings if they could find places to build, but every available spot is occupied; every hole in a wall, or tower, or tree, or stump; every niche about the farm buildings; every throat of the grinning gargoyles about the old churches and cathedrals; every cranny in towers and steeples and castle parapet, and the mouth of every rain-spout and gutter in which they can find a lodgment.

The ruins of the old castles afford a harbor to many species, the most noticeable of which are sparrows, starlings, doves, and swallows. Rochester Castle, the main tower or citadel of which is yet in a good state of preservation, is one vast dove-cote. The woman in charge told me there were then about six hundred doves there. They whitened the air as they flew and circled about. From time to time they are killed off and sent to market. At sundown, after the doves had gone to roost, the swifts appeared, seeking out their crannies. For a few moments the air was dark with them.

Look also at the rooks. They follow the plowmen like chickens, picking up the grubs and worms; and chickens they are, sable farm fowls of a wider range. Young rooks are esteemed a great delicacy. The four-and-twenty blackbirds baked in a pie, and set before the king, of the nursery rhyme, werevery likely four-and-twenty young rooks. Rook-pie is a national dish, and it would seem as if the young birds are slaughtered in sufficient numbers to exterminate the species in a few years. But they have to be kept under, like the rabbits; inasmuch as they do not emigrate, like the people. I had heard vaguely that our British cousins eschewed all pie except rook-pie, but I did not fully realize the fact till I saw them shooting the young birds and shipping them to market. A rookery in one's grove or shade-trees may be quite a source of profit. The young birds are killed just before they are able to fly, and when they first venture upon the outer rim of the nest or perch upon the near branches. I witnessed this chicken-killing in a rookery on the banks of the Doon. The ruins of an old castle crowned the height overgrown with forest trees. In these trees the rooks nested, much after the fashion of our wild pigeons. A young man with a rifle was having a little sport by shooting the young rooks for the gamekeeper. There appeared to be fewer than a hundred nests, and yet I was told that as many as thirty dozen young rooks had been shot there that season. During the firing the parent birds circle high aloft, uttering their distressed cries. Apparently, no attempt is made to conceal the nests; they are placed far out upon the branches, several close together, showing as large dense masses of sticks and twigs. Year after year the young are killed, and yet the rookery is not abandoned, nor the old birds discouraged. It is to be added thatthis species is not the carrion crow, like ours, though so closely resembling it in appearance. It picks up its subsistence about the fields, and is not considered an unclean bird. The British carrion crow is a much more rare species. It is a strong, fierce bird, and often attacks and kills young lambs or rabbits.

What is true of the birds is true of the rabbits, and probably of the other smaller animals. The British rabbit breeds seven times a year, and usually produces eight young at a litter; while, so far as I have observed, the corresponding species in this country breeds not more than twice, producing from three to four young. The western gray rabbit is said to produce three or four broods a year of four to six young. It is calculated that in England a pair of rabbits will, in the course of four years, multiply to one million two hundred and fifty thousand. If unchecked for one season, this game would eat the farmers up. In the parks of the Duke of Hamilton, the rabbits were so numerous that I think one might have fired a gun at random with his eyes closed and knocked them over. They scampered right and left as I advanced, like leaves blown by the wind. Their cotton tails twinkled thicker than fireflies in our summer night. In the Highlands, where there were cultivated lands, and in various other parts of England and Scotland that I visited, they were more abundant than chipmunks in our beechen woods. The revenue derived from the sale of the ground game on some estates is animportant item. The rabbits are slaughtered in untold numbers throughout the island. They shoot them, and hunt them with ferrets, and catch them in nets and gins and snares, and they are the principal game of the poacher, and yet the land is alive with them. Thirty million skins are used up annually in Great Britain, besides several million hare skins. The fur is used for stuffing beds, and is also made into yarn and cloth.

But the Colorado beetle is our own, and it shows many of the European virtues. It is sufficiently prolific and persistent to satisfy any standard; but we cannot claim all the qualities for it till it has crossed the Atlantic and established itself on the other side.

There are other forms of life in which we surpass the mother country. I did not hear the voice of frog or toad while I was in England. Their marshes were silent; their summer nights were voiceless. I longed for the multitudinous chorus of my own bog; for the tiny silver bells of our hylas, the long-drawn and soothingtr-r-r-r-rof our twilight toads, and the rattling drums, kettle and bass, of our pond frogs. Their insect world, too, is far behind ours; no fiddling grasshoppers, no purring tree-crickets, no scraping katydids, no whirring cicadas; no sounds from any of these sources by meadow or grove, by night or day, that I could ever hear. We have a large orchestra of insect musicians, ranging from that tiny performer that picks the strings of his instrument so daintily in the summer twilight, tothe shrill and piercing crescendo of the harvest-fly. A young Englishman who had traveled over this country told me he thought we had the noisiest nature in the world. English midsummer nature is the other extreme of stillness. The long twilight is unbroken by a sound, unless in places by the "clanging rookery." The British bumblebee, a hairy, short-waisted fellow, has the same soft, mellow bass as our native bee, and his habits appear much the same, except that he can stand the cold and the wet much better (I used to see them very lively after sundown, when I was shivering with my overcoat on), and digs his own hole like the rabbit, which ours does not. Sitting in the woods one day, a bumblebee alighted near me on the ground, and, scraping away the surface mould, began to bite and dig his way into the earth,—a true Britisher, able to dig his own hole.

In the matter of squirrel life, too, we are far ahead of England. I believe there are more red squirrels, to say nothing of gray squirrels, flying squirrels, and chipmunks, within half a mile of my house than in any county in England. In all my loitering and prying about the woods and groves there, I saw but two squirrels. The species is larger than ours, longer and softer furred, and appears to have little of the snickering, frisking, attitudinizing manner of the American species. But England is the paradise of snails. The trail of the snail is over all. I have counted a dozen on the bole of a single tree. I have seen them hanging to thebushes and hedges like fruit. I heard a lady complain that they got into the kitchen, crawling about by night and hiding by day, and baffling her efforts to rid herself of them. The thrushes eat them, breaking their shells upon a stone. They are said to be at times a serious pest in the garden, devouring the young plants at night. When did the American snail devour anything, except, perhaps, now and then a strawberry? The bird or other creature that feeds on the large black snail of Britain, if such there be, need never go hungry, for I saw these snails even on the tops of mountains.

The same opulence of life that characterizes the animal world in England characterizes the vegetable. I was especially struck, not so much with the variety of wild flowers, as with their numbers and wide distribution. The ox-eye daisy and the buttercup are good samples of the fecundity of most European plants. The foxglove, the corn-poppy, the speedwell, the wild hyacinth, the primrose, the various vetches, and others grow in nearly the same profusion. The forget-me-not is very common, and the little daisy is nearly as universal as the grass. Indeed, as I have already stated in another chapter, nearly all the British wild flowers seemed to grow in the open manner and in the same abundance as our goldenrods and purple asters. They show no shyness, no wildness. Nature is not stingy of them, but fills her lap with each in its turn. Rare and delicate plants, like our arbutus, certain of our orchids and violets, that hide in the woods, and arevery fastidious and restricted in their range, probably have no parallel in England. The island is small, is well assorted and compacted, and is thoroughly homogeneous in its soil and climate; the conditions of field and forest and stream that exist have long existed; a settled permanence and equipoise prevail; every creature has found its place, every plant its home. There are no new experiments to be made, no new risks to be run; life in all its forms is established, and its current maintains a steady strength and fullness that an observer from our spasmodic hemisphere is sure to appreciate.

While in London I took a bright Sunday afternoon to visit Chelsea, and walk along Cheyne Row and look upon the house in which Carlyle passed nearly fifty years of his life, and in which he died. Many times I paced to and fro. I had been there eleven years before, but it was on a dark, rainy night, and I had brought away no image of the street or house. The place now had a more humble and neglected look than I expected to see; nothing that suggested it had ever been the abode of the foremost literary man of his time, but rather the home of plain, obscure persons of little means. One would have thought that the long residence there of such a man as Carlyle would have enhanced the value of real estate for many squares around, and drawn men of wealth and genius to that part of the city. The Carlyle house was unoccupied, and, with its closed shutters and little pools of black sooty water standing in the brick area in front of the basement windows, looked dead and deserted indeed. But the house itself, though nearly two hundred years old, showed no signs ofdecay. It had doubtless witnessed the extinction of many households before that of the Carlyles.

My own visit to that house was in one autumn night in 1871. Carlyle was then seventy-six years old, his wife had been dead five years, his work was done, and his days were pitifully sad. He was out taking his after-dinner walk when we arrived, Mr. Conway and I; most of his walking and riding, it seems, was done after dark, an indication in itself of the haggard and melancholy frame of mind habitual to him. He presently appeared, wrapped in a long gray coat that fell nearly to the floor. His greeting was quiet and grandfatherly, and that of a man burdened with his own sad thoughts. I shall never forget the impression his large, long, soft hand made in mine, nor the look of sorrow and suffering stamped upon the upper part of the face,—sorrow mingled with yearning compassion. The eyes were bleared and filmy with unshed and unshedable tears. In pleasing contrast to his coarse hair and stiff, bristly, iron-gray beard, was the fresh, delicate color that just touched his brown cheeks, like the tinge of poetry that plays over his own rugged page. I noted a certain shyness and delicacy, too, in his manner, which contrasted in the same way with what is alleged of his rudeness and severity. He leaned his head upon his hand, the fingers thrust up through the hair, and, with his elbow resting upon the table, looked across to my companion, who kept the conversation going. This attitude he hardly changed during the two hourswe sat there. How serious and concerned he looked, and how surprising that hearty, soliloquizing sort of laugh which now and then came from him as he talked, not so much a laugh provoked by anything humorous in the conversation, as a sort of foil to his thoughts, as one might say, after a severe judgment, "Ah, well-a-day, what matters it!" If that laugh could have been put in his Latter-day Pamphlets, where it would naturally come, or in his later political tracts, these publications would have given much less offense. But there was amusement in his laugh when I told him we had introduced the English sparrow in America. "Introduced!" he repeated, and laughed again. He spoke of the bird as a "comical little wretch," and feared we should regret the "introduction." He repeated an Arab proverb which says Solomon's Temple was built amid the chirping of ten thousand sparrows, and applied it very humorously in the course of his talk to the human sparrows that always stand ready to chirrup and cackle down every great undertaking. He had seen a cat walk slowly along the top of a fence while a row of sparrows seated upon a ridge-board near by all pointed at her and chattered and scolded, and by unanimous vote pronounced her this and that, but the cat went on her way all the same. The verdict of majorities was not always very formidable, however unanimous.

A monument had recently been erected to Scott in Edinburgh, and he had been asked to take part in some attendant ceremony. But he had refusedperemptorily. "If the angel Gabriel had summoned me I would not have gone," he said. It was too soon to erect a monument to Scott. Let them wait a hundred years and see how they feel about it then. He had never met Scott: the nearest he had come to it was once when he was the bearer of a message to him from Goethe; he had rung at his door with some trepidation, and was relieved when told that the great man was out. Not long afterwards he had a glimpse of him while standing in the streets of Edinburgh. He saw a large wagon coming drawn by several horses, and containing a great many people, and there in the midst of them, full of talk and hilarity like a great boy, sat Scott. Carlyle had recently returned from his annual visit to Scotland, and was full of sad and tender memories of his native land. He was a man in whom every beautiful thing awakened melancholy thoughts. He spoke of the blooming lasses and the crowds of young people he had seen on the streets of some northern city, Aberdeen, I think, as having filled him with sadness; a kind of homesickness of the soul was upon him, and deepened with age,—a solitary and a bereaved man from first to last.

As I walked Cheyne Row that summer Sunday my eye rested again and again upon those three stone steps that led up to the humble door, each hollowed out by the attrition of the human foot, the middle one, where the force of the footfall would be greatest, most deeply worn of all,—worn by hundreds of famous feet, and many, many morenot famous. Nearly every notable literary man of the century, both of England and America, had trod those steps. Emerson's foot had left its mark there, if one could have seen it, once in his prime and again in his old age, and it was perhaps of him I thought, and of his new-made grave there under the pines at Concord, that summer afternoon as I mused to and fro, more than of any other visitor to that house. "Here we are shoveled together again," said Carlyle from behind his wife, with a lamp high in his hand, that October night thirty-seven years ago, as Jane opened the door to Emerson. The friendship, the love of those two men for each other, as revealed in their published correspondence, is one of the most beautiful episodes in English literary history. The correspondence was opened and invited by Emerson, but as years went by it is plain that it became more and more a need and a solace to Carlyle. There is something quite pathetic in the way he clung to Emerson and entreated him for a fuller and more frequent evidence of his love. The New Englander, in some ways, appears stinted and narrow beside him; Carlyle was much the more loving and emotional man. He had less self-complacency than Emerson, was much less stoical, and felt himself much more alone in the world. Emerson was genial and benevolent from temperament and habit; Carlyle was wrathful and vituperative, while his heart was really bursting with sympathy and love. The savagest man, probably, in the world in his time, who had anything like his enormousfund of tenderness and magnanimity. He was full of contempt for the mass of mankind, but he was capable of loving particular men with a depth and an intensity that more than makes the account good. And let me say here that the saving feature about Carlyle's contempt, which is such a stumbling-block till one has come to understand it, is its perfect sincerity and inevitableness, and the real humility in which it has its root. He cannot help it; it is genuine, and has a kind of felicity. Then there is no malice or ill-will in it, but pity rather, and pity springs from love. We also know that he is always dominated by the inexorable conscience, and that the standard by which he tries men is the standard of absolute rectitude and worthiness. Contempt without love and humility begets a sneering, mocking, deriding habit of mind, which was far enough from Carlyle's sorrowing denunciations. "The quantity of sorrow he has, does it not mean withal the quantity ofsympathyhe has, the quantity of faculty and victory he shall yet have? 'Our sorrow is the inverted image of our nobleness.' The depth of our despair measures what capability, and height of claim we have, to hope." (Cromwell.) Emerson heard many responding voices, touched and won many hearts, but Carlyle was probably admired and feared more than he was loved, and love he needed and valued above all else. Hence his pathetic appeals to Emerson, the one man he felt sure of, the one voice that reached him and moved him among his contemporaries. He feltEmerson's serenity and courage, and seemed to cling to, while he ridiculed, that New World hope that shone in him so brightly.

The ship that carries the most sail is most buffeted by the winds and storms. Carlyle carried more sail than Emerson did, and the very winds of the globe he confronted and opposed; the one great movement of the modern world, the democratic movement, the coming forward of the people in their own right, he assailed and ridiculed in a vocabulary the most copious and telling that was probably ever used, and with a concern and a seriousness most impressive.

Much as we love and revere Emerson, and immeasurable as his service has been, especially to the younger and more penetrating minds, I think it will not do at all to say, as one of our critics (Mr. Stedman) has lately said, that Emerson is as "far above Carlyle as the affairs of the soul and universe are above those of the contemporary or even the historic world." Above him he certainly was, in a thinner, colder air, but not in any sense that implies greater power or a farther range. His sympathies with the concrete world and his gripe upon it were far less than Carlyle's. He bore no such burden, he fought no such battle, as the latter did. His mass, his velocity, his penetrating power, are far less. A tranquil, high-sailing, fair-weather cloud is Emerson, and a massive, heavy-laden storm-cloud is Carlyle. Carlyle was never placidly sounding the azure depths like Emerson, but always pouringand rolling earthward, with wind, thunder, rain, and hail. He reaches up to the Emersonian altitudes, but seldom disports himself there; never loses himself, as Emerson sometimes does; the absorption takes place in the other direction; he descends to actual affairs and events with fierce precipitation. Carlyle's own verdict, written in his journal on Emerson's second visit to him in 1848, was much to the same effect, and, allowing for the Carlylean exaggeration, was true. He wrote that Emerson differed as much from himself "as a gymnosophist sitting idle on a flowery bank may do from a wearied worker and wrestler passing that way with many of his bones broken."

All men would choose Emerson's fate, Emerson's history; how rare, how serene, how inspiring, how beautiful, how fortunate! But as between these two friends, our verdict must be that Carlyle did the more unique and difficult, the more heroic, piece of work. Whether the more valuable and important or not, it is perhaps too early in the day to say, but certainly the more difficult and masterful. As an artist, using the term in the largest sense, as the master-worker in, and shaper of, the Concrete, he is immeasurably Emerson's superior. Emerson's two words were truth and beauty, which lie, as it were, in the same plane, and the passage from one to the other is easy; it is smooth sailing. Carlyle's two words were truth and duty, which lie in quite different planes, and the passage between which is steep and rough. Hence the pain, thestruggle, the picturesque power. Try to shape the actual world of politics and human affairs according to the ideal truth, and see if you keep your serenity. There is a Niagara gulf between them that must be bridged. But what a gripe this man had upon both shores, the real and the ideal! The quality of action, of tangible performance, that lies in his works, is unique. "He has not so much written as spoken," and he has not so much spoken as he has actually wrought. He experienced, in each of his books, the pain and the antagonism of the man of action. His mental mood and attitude are the same; as is also his impatience of abstractions, of theories, of subtleties, of mere words. Indeed, Carlyle was essentially a man of action, as he himself seemed to think, driven by fate into literature. He is as real and as earnest as Luther or Cromwell, and his faults are the same in kind. Not the meresayingof a thing satisfies him as it does Emerson; you mustdoit; bring order out of chaos, make the dead alive, make the past present, in some way make your fine sayings point to, or result in, fact. He says the Perennial lies always in the Concrete. Subtlety of intellect, which conducts you, "not to new clearness, but to ever-new abstruseness, wheel within wheel, depth under depth," has no charms for him. "My erudite friend, the astonishing intellect that occupies itself in splitting hairs, and not in twisting some kind of cordage and effectual draught-tackle to take the road with, is not to me the most astonishing of intellects."

Emerson split no hairs, but he twisted very little cordage for the rough draught-horses of this world. He tells us to hitch our wagon to a star; and the star is without doubt a good steed, when once fairly caught and harnessed, but it takes an astronomer to catch it. The value of such counsel is not very tangible unless it awakes us to the fact that every power of both heaven and earth is friendly to a noble and courageous activity.

Carlyle was impatient of Emerson's fine-spun sentences and transcendental sleight-of-hand. Indeed, from a literary point of view, one of the most interesting phases of the published correspondence between these two notable men is the value which each unwittingly set upon his own methods and work. Each would have the other like himself.

Emerson wants Emersonian epigrams from Carlyle, and Carlyle wants Carlylean thunder from Emerson. Each was unconsciously his own ideal. The thing which a man's nature calls him to do,—what else so well worth doing? Certainly nothing else to him,—but to another? How surely each one of us would make our fellow over in our own image! Carlyle wants Emerson more practical, more concrete, more like himself in short. "The vile Pythons of this Mud-world do verily require to have sun-arrows shot into them, and red-hot pokers stuck through them, according to occasion;" do this as I am doing it, or trying to do it, and I shall like you better. It is well to know that nature will make good compost of the carcass of an OliverCromwell, and produce a cart-load of turnips from the same; but it is better to appreciate and make the most of the live Oliver himself. "A faculty is in you for asortof speech which is itselfaction, an artistic sort. Youtellus with piercing emphasis that man's soul is great;showus a great soul of a man, in some work symbolic of such; this is the seal of such a message, and you will feel by and by that you are called to do this. I long to see some concrete Thing, some Event, Man's Hope, American Forest, or piece of Creation, which this Emerson loves and wonders at, wellEmersonized, depicted by Emerson, filled with the life of Emerson and cast forth from him, then to live by itself." Again: "I will have all things condense themselves, take shape and body, if they are to have my sympathy; I have abodymyself; in the brown leaf, sport of the Autumn winds, I find what mocks all prophesyings, even Hebrew ones." "Alas, it is so easy to screw one's self up into high and even higher altitudes of Transcendentalism, and see nothing under one but the everlasting snows of Himmalayah, the Earth shrinking to a Planet, and the indigo firmament sowing itself with daylight stars; easy for you, for me; but whither does it lead? I dread always, to inanity and mere injuring of the lungs!"—with more of the same sort.

On the other hand, Emerson evidently tires of Carlyle's long-winded heroes. He would have him give us the gist of the matter in a few sentences. Cremate your heroes, he seems to say; get all thisgas and water out of them, and give us the handful of lime and iron of which they are composed. He hungered for the "central monosyllables." He praises Cromwell and Frederick, yet says to his friend, "that book will not come which I most wish to read, namely, the culled results, the quintessence of private conviction, aliber veritatis, a few sentences, hints of the final moral you drew from so much penetrating inquest into past and present men."

This is highly characteristic of Emerson; his bid for the quintessence of things. He was always impatient of creative imaginative works; would sublunate or evaporate them in a hurry. Give him the pith of the matter, the net result in the most pungent words. It must still be picture and parable, but in a sort of disembodied or potential state. He fed on the marrow of Shakespeare's sentences, and apparently cared little for his marvelous characterizations. One is reminded of the child's riddle: Under the hill there is a mill, in the mill there is a chest, in the chest there is a till, in the till there is a phial, in the phial there is a drop I would not give for all the world. This drop Emerson would have. Keep or omit the chest and the mill and all that circumlocution, and give him the precious essence. But the artistic or creative mind does not want things thus abridged,—does not want the universe reduced to an epigram. Carlyle wants an actual flesh-and-blood hero, and, what is more, wants him immersed head and ears in the actual affairs of this world.

Those who seek to explain Carlyle on the ground of his humble origin shoot wide of the mark. "Merely a peasant with a glorified intellect," says a certain irate female, masquerading as the "Day of Judgment."

It seems to me Carlyle was as little of a peasant as any man of his time,—a man without one peasant trait or proclivity, a regal and dominating man, "looking," as he said of one of his own books, "king and beggar in the face with an indifference of brotherhood and an indifference of contempt." The two marks of the peasant are stolidity and abjectness; he is dull and heavy, and he dare not say his soul is his own. No man ever so hustled and jostled titled dignitaries, and made them toe the mark, as did Carlyle. It was not merely that his intellect was towering; it was also his character, his will, his standard of manhood, that was towering. He bowed to the hero, to valor and personal worth, never to titles or conventions. The virtues and qualities of his yeoman ancestry were in him without doubt; his power of application, the spirit of toil that possessed him, his frugal, self-denying habits, came from his family and race, but these are not peasant traits, but heroic traits. A certain coarseness of fibre he had also, together with great delicacy and sensibility, but these again he shares with all strong first-class men. You cannot get such histories as Cromwell and Frederick out of polishedlittérateurs; you must have a man of the same heroic fibre, of the same inexpugnableness ofmind and purpose. Not even was Emerson adequate to such a task; he was fine enough and high enough, but he was not coarse enough and broad enough. The scholarly part of Carlyle's work is nearly always thrown in the shade by the manly part, the original raciness and personal intensity of the writer. He is not in the least veiled or hidden by his literary vestments. He is rather hampered by them, and his sturdy Annandale character often breaks through them in the most surprising manner. His contemporaries soon discovered that if here was a great writer, here was also a great man, come not merely to paint their picture, but to judge them, to weigh them in the balance. He is eminently an artist, and yet it is not the artistic or literary impulse that lies at the bottom of his works, but a moral, human, emotional impulse and attraction,—the impulse of justice, of veracity, or of sympathy and love.

What love of work well done, what love of genuine leadership, of devotion to duty, of mastery of affairs, in fact what love of man pure and simple, lies at the bottom of "Frederick," lies at the bottom of "Cromwell"! Here is not the disinterestedness of Shakespeare, here is not the Hellenic flexibility of mind and scientific impartiality Mr. Arnold demands: here is espousal, here is vindication, here is the moral bias of the nineteenth century. But here also isreality, here is the creative touch, here are men and things made alive again, palpable to the understanding and enticing to theimagination. Of all histories that have fallen into my hands, "Frederick" is the most vital and real. If the current novels were half so entertaining, I fear I should read little else. The portrait-painting is like that of Rembrandt; the eye for battles and battle-fields is like that of Napoleon, or Frederick himself; the sifting of events, and the separating of the false from the true, is that of the most patient and laborious science; the descriptive passages are equaled by those of no other man; while the work as a whole, as Emerson says, "is a Judgment Day, for its moral verdict, on the men and nations and manners of modern times." It is to be read for its honest history; it is to be read for its inexhaustible wit and humor; it is to be read for its poetic fire, for its felicities of style, for its burden of human sympathy and effort, its heroic attractions and stimulating moral judgments. All Carlyle's histories have the quick, penetrating glance, that stroke of the eye, as the French say, that lays the matter open to the heart. He did not write in the old way of a topographical survey of the surface: his "French Revolution" is more like a transverse section; more like a geologist's map than like a geographer's; the depths are laid open; the abyss yawns; the cosmic forces and fires stalk forth and become visible and real. It was this power to detach and dislocate things and project them against the light of a fierce and lurid imagination that makes his pages unique and matchless, of their kind, in literature. He may bedeficient in the historical sense, the sense of development, and of compensation in history; but in vividness of apprehension of men and events, and power of portraiture, he is undoubtedly without a rival. "Those devouring eyes and that portraying hand," Emerson says.

Those who contract their view of Carlyle till they see only his faults do a very unwise thing. Nearly all his great traits have their shadows. His power of characterization sometimes breaks away into caricature; his command of the picturesque leads him into the grotesque; his eloquent denunciation at times becomes vituperation; his marvelous power to name things degenerates into outrageous nicknaming; his streaming humor, which, as Emerson said, floats every object he looks upon, is not free from streaks of the most crabbed, hide-bound ill-humor. Nearly every page has a fringe of these things, and sometimes a pretty broad one, but they are by no means the main matter, and often lend an additional interest. The great personages, the great events, are never caricatured, though painted with a bold, free hand, but there is in the border of the picture all manner of impish and grotesque strokes. In "Frederick" there is a whole series of secondary men and incidents that are touched off with the hand of a master caricaturist. Some peculiarity of feature or manner is seized upon, magnified, and made prominent on all occasions. We are never suffered to forget George the Second's fish eyes and gartered leg; nor the lean May-pole mistress of George the First;nor the Czarina's big fat cheek; nor poor Bruhl, "vainest of human clothes-horses," with his twelve tailors and his three hundred and sixty-five suits of clothes; nor Augustus, "the dilapidated strong," with his three hundred and fifty-four bastards. Nor can any reader of that work ever forget "Jenkins' Ear,"—the poor fraction of an ear of an English sailor snipped off by the Spaniards, and here made to stand for a whole series of historical events. Indeed, this severed ear looms up till it becomes like a sign in the zodiac of those times. His portrait of the French army, which he calls the Dauphiness, is unforgettable, and is in the best style of his historical caricature. It makes its exit over the Rhine before Duke Ferdinand, "much in rags, much in disorder, in terror, and here and there almost in despair, winging their way like clouds of draggled poultry caught by a mastiff in the corn. Across Weser, across Ems, finally across the Rhine itself, every feather of them,—their long-drawn cackle, of a shrieky type, filling all nature in those months." A good sample of the grotesque in Carlyle, pushed to the last limit, and perhaps a little beyond, is in this picture of the Czarina of Russia, stirred up to declare war against Frederick by his Austrian enemies: "Bombarded with cunningly-devised fabrications, every wind freighted for her with phantasmal rumors, no ray of direct daylight visiting the poor Sovereign Woman; who is lazy, not malignant, if she could avoid it; mainly a mass of esurient oil, with alkali on the back of alkali poured in,at this rate for ten years past, till, by pouring and by stirring, they get her to the state ofsoapand froth."

Carlyle had a narrow escape from being the most formidable blackguard the world had ever seen; was, indeed, in certain moods, a kind of divine blackguard,—a purged and pious Rabelais, who could bespatter the devil with more telling epithets than any other man who ever lived. What a tongue, what a vocabulary! He fairly oxidizes, burns up, the object of his opprobrium, in the stream of caustic epithets he turns upon it. He had a low opinion of the contemporaries of Frederick and Voltaire: they were "mere ephemera; contemporary eaters, scramblers for provender, talkers of acceptable hearsay; and related merely to the butteries and wiggeries of their time, and not related to the Perennialities at all, as these two were." He did not have to go very far from home for some of the lineaments of Voltaire's portrait: "He had, if no big gloomy devil in him among the bright angels that were there, a multitude of ravening, tumultuary imps, or little devils, veryill-chained, and was lodged, he and his restless little devils, in a skin far too thin for him and them!"

Of Frederick's cynicism he says there was "always a kind of vinegar cleanness in it,exceptin theory." Equally original and felicitous is the "albuminous simplicity" which he ascribes to the Welfs. Newspaper men have never forgiven him for calling them the "gazetteer owls of Minerva;"and our Catholic brethren can hardly relish his reference to the "consolations" the nuns deal out to the sick as "poisoned gingerbread." In "Frederick" one comes upon such phrases as "milk-faced," "bead-roll histories," "heavy pipe-clay natures," a "stiff-jointed, algebraic kind of piety," etc.


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