INTRODUCTION

INTRODUCTION

When we go into foreign countries we eagerly look for those things that differ from our own, and if we do not find oddities in dress, food, buildings, and customs we are disappointed. But we are also disappointed if we do not meet, in the people, the honesty and kindliness that we expect from friends. We look for differences in surroundings, but for likenesses in people. We wish to find in people the traits that will make us feel at home among strangers in a strange land. We wish to find friends even though they are in strange garments.

The pictures in this book were drawn with the purpose of showing differences in externals among peoples of different nations. The stories were written to bring home to us the likeness in heart among the boys and girls of the world. A young Arab pommels his donkey’s sides for joy because he is going on a holiday in Jerusalem. A girl of Italy shares her Easter cake with a friend who has none. An orphan boy with younger brothers and sisters dependent upon him does his very best for them in Poland as in the United States.

If most of the pictures were made from children inpoor circumstances, or from those living in rural districts, it is because the war left the countries of Europe greatly impoverished, and because the beautiful old costumes and habits are rapidly passing from city life and are to be found only in out-of-the-way places. More and more the differences among the children of the world are vanishing, while the likenesses are growing.

The year 1916 found Miss Upjohn, artist of child life and author of these stories, in Europe as a volunteer relief worker. She once remarked that the only time in her life when she had enough children to suit her was when she was daily serving breakfast to four hundred soldier boys in a Red Cross canteen in London. Later she served in France with the Fraternité Américaine and with the Fund for War Devastated Villages. While with the latter, during the German offensive of March, 1918, she helped to evacuate villages in the Canton of Rossières, near Montdidier, Somme. For her service in this connection she was decorated by the French Government. But there are memories which the author treasures even more than this—of the day, for example, when, after two years’ absence, she went back to one of those villages in the Somme and arrived to find the entire population celebrating a requiem for their fallen. Slipping into the church, she took a seat on a bench nearthe door, but the curé, recognizing her, came forward from the altar and asked her to come up among them because of all that they had been through together. ‘Such things made me feel,’ said Miss Upjohn, ‘that they regarded me as one of themselves, in sympathy at least.’

During the stress of this time, when often the inhabitants left their villages from one side while the opposing forces were entering from the other, she was deeply impressed by the pluck and helpfulness of the French children. A year later, while she was with the Red Cross Commission in Czecho-Slovakia, the same spirit among the Czech children, coupled with an active sympathy on their part for others in distress, revealed to her the latent power for peace in the children of the world, needing only the threads of contact to bring about widespread understanding.

No wonder, then, that when, in 1920, she was asked to enter the service of the American Junior Red Cross, she accepted. She was commissioned first to portray child life in those European countries which had been beneficiaries of the service of the children of America. She has since remained continuously with this organization, traveling widely, indeed encircling the globe, in behalf of world-wide understanding among children. The work ofher pen and brush has been an important factor in the development of that children’s ‘league of friendship’ which now includes in its membership ten million boys and girls in the schools of forty nations.

The stories in this book do not tell of children’s sufferings. They bring before our eyes the children of many nations in their everyday surroundings, everywhere bravely and hopefully living and learning. Some of the stories are quite true; and all of them have a kernel of truth around which the artist-author, with the help of very real children, has built them.

Wherever it was known that the drawings were to take some message or story to the children of America, there was a scramble to get into the picture. Often a poor child would refuse to take payment for posing: ‘No, no, I want to do it forThem!’ Perhaps a boy had received a Christmas box or a letter; perhaps a girl had known the unfamiliar comfort of hot food or warm shoes during the pinched days of the war; or perhaps they had simply heard that other children of their country, poorer than themselves, had been helped.

‘It was a stirring thing to find,’ said Miss Upjohn, ‘that even in remote spots of the Balkans there existed an image of American school-children as something bright, kind, and companionable. In the heart of manya growing boy and girl in Albania or France or Czecho-Slovakia the sympathy of American children is being repaid a thousandfold in the golden gift of Friendship.’

Arthur W. DunnNational DirectorAmerican Junior Red Cross


Back to IndexNext