A GROUP OF INDUSTRIAL COUNTIES

"In Grasmere's hill-girt valley,'Tis pleasant to recallThe children of the dalesmen holdA pretty festival."The children of the valleyTo this day faithful keepThe custom of their hardy siresWho in the churchyard sleep."For when hot summer's waning,They to the lake repairTo pull the reeds and lilies whiteThat grow in plenty there."With these, and ferns and mosses,And flowers of varied dye,They hasten home, and all day longTheir busy fingers ply."Then in the quiet evening,Ere dew begins to fall,They range their floral trophies onThe churchyard's low-topped wall."There crosses without number,Of every shape and size,And wreaths, triangles, crowns, and shieldsAppear in flowery guise."And verses, too, and mottoes,Words ta'en from Holy Writ,And some designs which mock the pen,We'll call them nondescript."But all are glad and happyWho in the pageant share,And the urchins with the nondescriptsAre proud as any there."And proudly struts each youngster,When, devices gay in hand,They round about the village marchTo the music of the band."Like to a string of rainbowsAppears that cortege bright,Winding 'mong the crooked lanesIn the golden evening light!"And coming to the church againThey bear their garlands in,They fix them round the time-stained faneWhile the bells make merry din."But hark! before departingFrom that house of prayer,The incense of a grateful hymnFloats on the quiet air."

"In Grasmere's hill-girt valley,'Tis pleasant to recallThe children of the dalesmen holdA pretty festival.

"The children of the valleyTo this day faithful keepThe custom of their hardy siresWho in the churchyard sleep.

"For when hot summer's waning,They to the lake repairTo pull the reeds and lilies whiteThat grow in plenty there.

"With these, and ferns and mosses,And flowers of varied dye,They hasten home, and all day longTheir busy fingers ply.

"Then in the quiet evening,Ere dew begins to fall,They range their floral trophies onThe churchyard's low-topped wall.

"There crosses without number,Of every shape and size,And wreaths, triangles, crowns, and shieldsAppear in flowery guise.

"And verses, too, and mottoes,Words ta'en from Holy Writ,And some designs which mock the pen,We'll call them nondescript.

"But all are glad and happyWho in the pageant share,And the urchins with the nondescriptsAre proud as any there.

"And proudly struts each youngster,When, devices gay in hand,They round about the village marchTo the music of the band.

"Like to a string of rainbowsAppears that cortege bright,Winding 'mong the crooked lanesIn the golden evening light!

"And coming to the church againThey bear their garlands in,They fix them round the time-stained faneWhile the bells make merry din.

"But hark! before departingFrom that house of prayer,The incense of a grateful hymnFloats on the quiet air."

The older hymn of St. Oswald—

"They won us peace, Thy saints, O Lord,Even though, like royal David, theySmiting and smitten with the swordToiled through their mortal day"—

"They won us peace, Thy saints, O Lord,Even though, like royal David, theySmiting and smitten with the swordToiled through their mortal day"—

is now followed by a hymn from the pen of Canon Rawnsley, whose genial notice, as he passed this August along the churchyard wall of bearings, brought a happy flush to one child-face after another:

"The Rotha streams, the roses blow,Though generations pass away,And still our old traditions flowFrom pagan past and Roman day."Beside the church our poets sleep,Their spirits mingle with our throng;They smile to see the children keepOur ancient feast with prayer and song."We too have foes in war to face,Not yet our land from sin is free.Lord, give us of St. Oswald's graceTo make us kings and saints to Thee."

"The Rotha streams, the roses blow,Though generations pass away,And still our old traditions flowFrom pagan past and Roman day.

"Beside the church our poets sleep,Their spirits mingle with our throng;They smile to see the children keepOur ancient feast with prayer and song.

"We too have foes in war to face,Not yet our land from sin is free.Lord, give us of St. Oswald's graceTo make us kings and saints to Thee."

The Grasmere rush-bearing, so far as we saw it, was lacking in none of the traditional features, not even the rain. Yet the gently falling showers seemed all unheeded by the line of bright-eyed children, steadfastly propping up on the wall their various tributes. Banners and crosses and crowns were there, and all the customary emblems. Among the several harps was one daintily wrought of marguerites; two little images of Moses reposed in arks woven of flags and grasses; on a moss-covered lattice was traced in lilies: "Consider the lilies of the field." The serpent was made of tough green stems, knotted and twisted together in a long coil about a pole. Geranium, maiden-hair fern, Sweet William, pansies, daisies, dahlias, asters, fuchsias mingled their hues in delicate and intricate devices. Among the decorated perambulators was one all wreathed in heather, with a screen of rushes rising high behind. Its flower-faced baby was all but hidden under a strewing of roses more beautiful than any silken robe, and a wand twined with lilies of the valley swayed unsteadily from his pink fist. Six little maidens in white and green, holding tall stalks of rushes, upheld the rush-bearingsheet—linen spun at Grasmere and woven at Keswick—crossed by blossoming sprays.

The rush-cart, bearing the ribbon-tied bunches of rushes, crowned with leafy oak-boughs and hung with garlands, belonged especially to Lancashire, where it has not yet entirely disappeared; indeed a rush-cart has been seen in recent years taking its way through one of the most squalid quarters of grimy Manchester; but the rush-sheet, on which the precious articles of the parish, silver tankards, teapots, cups, spoons, snuff-boxes, all lent to grace this festival, were arranged, had really gone out until, in this simplified form, it was revived a few years ago at Grasmere by lovers of the past. That the sheet now holds only flowers is due to that same inexorable logic of events which has brought it about that no longer the whole parish with cart-loads of rushes, no longer, even, the strong lads and lasses swinging aloft bunches of rushes and glistening holly boughs, but only little children ranged in cherubic row along the churchyard wall, and crowing babies in their go-carts, bring to St. Oswald the tribute of the summer.

It was from coach-top we caught our farewell glimpse of the charming scene. The village band, playing the Grasmere rush-bearing march—an original tune believed to be at least one hundred and fifty years old—led the way, followed by the gold and crimson banner of the warrior saint. The rush-sheet, borne by the little queen and her maids of honour, came after, and then the throng of one hundred or more children, transforming the street into a garden with the beauty and sweetness of their bearings. As the procession neared the church, the bells pealed out "with all their voices," and we drove off under a sudden pelt of rain, remembering Wordsworth's reference to

"This day, when forth by rustic music led,The village children, while the sky is redWith evening lights, advance in long arrayThrough the still churchyard, each with garland gay,That, carried sceptre-like, o'ertops the headOf the proud bearer."

"This day, when forth by rustic music led,The village children, while the sky is redWith evening lights, advance in long arrayThrough the still churchyard, each with garland gay,That, carried sceptre-like, o'ertops the headOf the proud bearer."

Our third rush-bearing we found in Cheshire, on Sunday, August 12. A morning train from Manchester brought us to Macclesfield—keeping the Sabbath with its silk-mills closed, and its steep streets nearly empty—intime for luncheon and a leisurely drive, through occasional gusts of rain, four miles to the east, up and up, into the old Macclesfield Forest. This once wild woodland, infested by savage boars, a lurking-place for outlaws, is now open pasture, grazed over by cows whose milk has helped to make the fame of Cheshire cheese. But Forest Chapel still maintains a rite which flourished when the long since perished trees were sprouts and saplings.

It is a tiny brown church, nested in a hollow of the hills, twelve hundred feet above the sea. In the moss-crowned porch, whose arch was wreathed with flowers and grasses, stood the vicar, as we came up, welcoming the guests of the rush-bearing. For people were panting up the hill in a continuous stream, mill hands from Macclesfield and farmer-folk from all the hamlets round. Perhaps seven or eight hundred were gathered there, hardly one-fourth of whom could find room within the church.

We passed up the walk, thickly strewn with rushes, under that brightly garlanded porch, into a little sanctuary that was a very arbour of greenery and blossom. As we were led upthe aisle, our feet sank in a velvety depth of rushes. The air was delicious with fresh, woodsy scents. A cross of lilies rose from the rush-tapestried font. The window-seats were filled with bracken, fern, and goldenrod. The pulpit and reading-desk were curtained with long sprays of bloom held in green bands of woven rushes. The chancel walls were hidden by wind-swayed greens from which shone out, here and there, clustering harebells, cottage roses, and the golden glint of the sunflower. The hanging lamps were gay with asters, larkspur, and gorse. The whole effect was indescribably joyous and rural, frankly suggestive of festivity.

It was early evensong, a three o'clock service. There was to be another at five. After the ritual came the full-voiced singing of a familiar hymn:

"Before the hills in order stood,Or earth received her frame,From everlasting Thou art God,To endless years the same."Time, like an ever-rolling stream,Bears all its sons away;They fly forgotten, as a dreamDies at the opening day."

"Before the hills in order stood,Or earth received her frame,From everlasting Thou art God,To endless years the same.

"Time, like an ever-rolling stream,Bears all its sons away;They fly forgotten, as a dreamDies at the opening day."

So singing, the little congregation filed out into the churchyard, where the greater congregation, unable to gain access, was singing too. It was one of the rare hours of sunshine, all the more blissful for their rarity. The preacher of the day took his stand on a flat tombstone. Little girls were lifted up to seats upon the churchyard wall, and coats were folded and laid across low monuments for the comfort of the old people. A few little boys, on their first emergence into the sunshine, could not resist the temptation to turn an unobtrusive somersault or so over the more distant mounds, but they were promptly beckoned back by their elders and squatted submissively on the turf. The most of the audience stood in decorous quiet. Two generations back, gingerbread stalls and all manner of booths would have been erected about the church, and the rustics, clumping up the steep path in the new boots which every farmer was expected to give his men for the rush-bearing, would have diversified the services by drinking and wrestling.

But altogether still and sacred was the scene on which we looked back as the compulsion of the railway time-table drew us away;the low church tower keeping watch and ward over that green enclosure of God's acre, with the grey memorial crosses and the throng of living worshippers,—a throng that seemed so shadowy, so evanescent, against the long memories of Forest Chapel and the longer memories of those sunlit hills that rejoiced on every side. A yellow rick rose just behind the wall, the straws blowing in the wind as if they wanted to pull away and go to church with the rushes. On the further side of the little temple there towered a giant chestnut, a dome of shining green that seemed to overspread and shelter its Christian neighbour, as if in recognition of some ancient kinship, some divine primeval bond, attested, perhaps, by this very rite of rush-bearing. The enfolding blue of the sky, tender with soft sunshine, hallowed them both.

We all know Liverpool,—but how do we know it? The Landing Stage, hotels whose surprisingly stable floors, broad beds, and fresh foods are grateful to the sea-worn, the inevitable bank, perhaps the shops. Most of us arrive at Liverpool only to hurry out of it,—to Chester, to London, to the Lakes. Seldom do the beguilements of the Head Boots prevail upon the impatient American to visit the birthplaces of its two queerly assorted lions, "Mr. Gladstone and Mrs. 'Emans," of whom the second would surely roar us "as gently as any sucking dove." Yet we might give a passing thought to these as well as to the high-hearted James Martineau and to Hawthorne, our supreme artist in romance, four of whose precious years the country wasted in that "dusky and stifled chamber" of Brunswick Street.And hours must be precious indeed to the visitor who cannot spare even one for the Walker Fine Art Gallery, where hangs Rossetti's great painting of "Dante's Dream,"—the Florentine, his young face yearning with awe and grief, led by compassionate Love to the couch of Beatrice, who lies death-pale amid the flush of poppies.

But the individuality of Liverpool is in its docks,—over six miles of serried basins hollowed out of the bank of the broad Mersey, one of the hardest-worked rivers in the world,—wet docks and dry docks, walled and gated and quayed. From the busiest point of all, the Landing Stage, the mighty ocean liners draw out with their throngs of wearied holiday-makers and their wistful hordes of emigrant home-seekers. And all along the wharves stand merchantmen of infinite variety, laden with iron and salt, with soap and sugar, with earthenware and clay, with timber and tobacco, with coal and grain, with silks and woollens, and, above all, with cotton,—the raw cotton sent in not only from our own southern plantations, but from India and Egypt as well, and the returning cargoes of cloth spun and woven in "the cotton towns"of Lancashire. The life of Liverpool is commerce; it is a city of warehouses and shops. The wide sea-range and the ever-plying ferryboats enable the merchant princes to reside well out of the town. So luxurious is the lot of these merchants deemed to be that Lancashire has set in opposition the terms "a Liverpool gentleman" and "a Manchester man," while one of the ruder cotton towns, Bolton, adds its contribution of "a Bolton chap." This congestion of life in the great port means an extreme of poverty as well as of riches. The poor quarters of Liverpool have been called "the worst slums in Christendom," yet a recent investigation has shown that within a limited area, selected because of its squalor and misery, over five thousand pounds a year goes in drink. The families that herd together by threes and fours in a single dirty cellar, sleeping on straw and shavings, nevertheless have money to spend at "the pub,"—precisely the same flaring, gilded ginshop to-day as when Hawthorne saw and pitied its "sad revellers" half a century ago.

THE QUADRANT, LIVERPOOLTHE QUADRANT, LIVERPOOL

While Liverpool has a sorry pre-eminence for high death-rate and for records of vice andcrime, Manchester, "the cinder-heap," may fairly claim to excel in sheer dismalness. The river Irwell, on which it stands, is so black that the Manchester clerks, as the saying goes, run down to it every morning and fill their ink-pots. Not only Manchester, but all the region for ten miles around, is one monster cotton factory. The towns within this sooty ring—tall-chimneyed Bolton; Bury, that has been making cloth since the days of Henry VIII; Middleton on the sable Irk; Rochdale, whose beautiful river is forced to toil not for cotton only, but for flannels and fustians and friezes; bustling Oldham; Ashton-under-Lyme, with its whirr of more than three million spindles; Staley Bridge on the Tame; Stockport in Cheshire; Salford, which practically makes one town with Manchester; and Manchester itself—all stand on a deep coal-field. The miners may be seen, of a Sunday afternoon, lounging at the street corners, or engaged in their favourite sport of flying carrier pigeons, as if the element of air had a peculiar attraction for these human gnomes. If the doves that they fly are white, it is by some special grace, for smut lies thick on wall and ledge, on the monotonous ranks of "workingmen'shomes," on the costly public buildings, on the elaborate groups of statuary. One's heart aches for the sculptor whose dream is hardly made pure in marble before it becomes dingy and debased.

Beyond the borders of this magic coal-field, above which some dark enchantment binds all humanity in an intertwisted coil of spinning, weaving, bleaching, printing, buying, selling cotton, are various outlying collieries upon which other manufacturing towns are built,—Warrington, which at the time of our Revolution supplied the Royal Navy with half its sail-cloth; Wigan, whose tradition goes back to King Arthur, but whose renown is derived from its seam of cannel coal; calico Chorley; Preston, of warlike history and still the centre of determined strikes; and plenty more.

The citizens of the cotton towns are proud of their grimy bit of the globe, and with good reason. "Rightly understood," said Disraeli, "Manchester is as great a human exploit as Athens." The swift industrial growth, the vast business expansion of all this region, are to be counted among the modern miracles of progress, barren of beauty and joy as theirpresent stage may seem to be. The heroes held in memory here are plain workingmen whose mechanical inventions resulted in the English spinning-mill,—John Kay of Bury, James Hargreaves of Blackburn, Samuel Crompton of Bolton, and Sir Richard Arkwright, a native of Preston, who began his career as a barber's apprentice and won his accolade by an energy of genius which virtually created the cotton manufacture in Lancashire. The battle legends are of angry mobs and smashed machinery, of garrisoned mills and secret experiments and inventors in peril of their lives. The St. George of Lancashire is George Stephenson, the sturdy Scotchman, who in 1830 constructed that pioneer railway between Liverpool and Manchester,—a road which had to perform no mean exploit in crossing the quaking bog of Chat Moss. Fanny Kemble, when a girl of twenty-one, had the ecstasy of a trial trip with Stephenson himself. She tells with fairy-tale glamour how "his tame dragon flew panting along his iron pathway" at "its utmost speed, thirty-four miles an hour, swifter than a bird flies." Wonder of wonders, this "brave little she-dragon" could "run with equal facilitybackwards or forwards." This trip took place at the end of August, preliminary to the final opening on September fifteenth, an occasion whose triumph was marred by a fatal mischance, in that a stray dragon ran over a director who was innocently standing on the track. For a patron saint of to-day, Manchester need go no further than to the founder of the Ancoats Brotherhood, Charles Rowley, that cheery philanthropist reminding one of Hawthorne's friend who brightened the dreary visages he met "as if he had carried a sunbeam in his hand"; for the disciples of the Beautiful, the followers of the Golden Rule, are full of courage even here among what the poet Blake would designate as "dark Satanic mills." From out the dirt and din, shrieking engines, roaring furnaces, clattering machinery, chimneys belching smoke by day and flame by night, blithely rises the song of their Holy War:

"I will not cease from mental fight,Nor shall my sword sleep in my hand,Till we have built JerusalemIn England's green and pleasant land."

"I will not cease from mental fight,Nor shall my sword sleep in my hand,Till we have built JerusalemIn England's green and pleasant land."

But this, though the modern reality of South Lancashire, is not what the touristgoes out to see. From Liverpool to Furness Abbey is his natural and joyful route. He steams at full speed up this richest, most prosperous, and well-nigh most unattractive part of England; he has left the Mersey, the county's southern boundary, far behind; he crosses the Ribble, which flows through the centre of Lancashire, and the Lune, which enters it from Westmoreland on the north and soon empties into Morecambe Bay. He has come from a district close-set with factory towns, scarred with mine shafts and slag heaps, into the sweet quietude of an agricultural and pastoral region. But still above and beyond him is Furness, that northernmost section of Lancashire lying between Cumberland and Westmoreland and shut off from the rest of the county by Morecambe Bay and the treacherous Lancaster sands. High Furness is a part of the Lake Country, claiming for Lancashire not only Coniston Lake but even one side of Windermere, which lies on the Westmoreland border. Its Cumberland boundary is the sonneted Duddon. Low Furness, the peninsula at the south of this isolated strip, has a wealth of mineral deposits, especially iron. The town Barrow-in-Furness,which in 1846 consisted of a single hut, with one fishing-boat in the harbour, has been converted, by the development of the mines, into a place of much commercial consequence. Yet the lover of poetry will visit it, not for its steel works, figuring so tragically in Mrs. Humphry Ward's "Helbeck of Bannisdale," nor for its shipbuilding yards and boasted floating docks, nor for the paper works which take in a tree at one end and put it out as boxes of dainty stationery at the other, but in order to reach, by a boat from Peele Pier, Wordsworth's Peele Castle, "standing here sublime,"—that old island fortress which the poet's dream has glorified with

"The light that never was on sea or land."

"The light that never was on sea or land."

But it is to Furness Abbey that the throngs of sightseers come, and well they may. Its melancholy grace is one of the treasures of memory. It was thither that Wordsworth as a schoolboy—for Hawkshead is within the limits of Furness—would sometimes ride with his fellows. The "Prelude" holds the picture, as he saw it over a century ago, of

"the antique wallsOf that large abbey, where within the ValeOf Nightshade, to St. Mary's honour built,Stands yet a mouldering pile with fractured arch,Belfry, and images, and living trees;A holy scene! Along the smooth green turfOur horses grazed. To more than inland peaceLeft by the west wind sweeping overheadFrom a tumultuous ocean, trees and towersIn that sequestered valley may be seen,Both silent and both motionless alike;Such the deep shelter that is there, and suchThe safeguard for repose and quietness."

"the antique wallsOf that large abbey, where within the ValeOf Nightshade, to St. Mary's honour built,Stands yet a mouldering pile with fractured arch,Belfry, and images, and living trees;A holy scene! Along the smooth green turfOur horses grazed. To more than inland peaceLeft by the west wind sweeping overheadFrom a tumultuous ocean, trees and towersIn that sequestered valley may be seen,Both silent and both motionless alike;Such the deep shelter that is there, and suchThe safeguard for repose and quietness."

We lingered there for days, held by the brooding spell of that most lovely ruin. Hour upon hour we would wander about among the noble fragments which Nature was so tenderly comforting for the outrages of His Rapacity Henry VIII. Harebells shone blue from the top of the broken arch of the tall east window, whose glass was long since shattered and whose mullions were wrenched away. Grasses and all manner of little green weeds had climbed up to triforium and clerestory, where they ran lightly along the crumbling edges. Ivy tapestries were clinging to the ragged stone surfaces. Thickets of nightshade mantled the sunken tombs and altar steps. Ferns nodded over the fretted canopiesof the richly wrought choir stalls and muffled the mouths of fierce old gargoyles, still grinning defiance at Time. In the blue overhead, which no roof shut from view, a seagull would occasionally flash by with the same strong flight that the eyes of the Vikings, whose barrows once dotted the low islands of this western coast, used to follow with sympathetic gaze. Wrens have built their nests in plundered niche and idle capital. The rooks, arraying themselves in sombre semicircle along some hollow chancel arch, cawed reminiscent vespers. And little boys and girls from Barrow, joyous mites of humanity not yet smelted into the industrial mass, tried leaping-matches from the stumps of mossy pillars and ran races through nave and cloister. The wooden clogs of these lively youngsters have left their marks on prostrate slab and effigy, even on "the stone abbot" and "the cross-legged knight," much to the displeasure of the custodian,—a man who so truly cares for his abbey, the legal property of the Duke of Devonshire, that he has purchased two of the chief antiquarian works upon Furness in order that he may thoroughly acquaint himself with its history. It was he whotold us that many of the empty stone coffins had been carried away by the farmers of the neighbourhood to serve as horse-troughs, and that in their barn walls might be seen here and there sculptured blocks of red sandstone quite above the appreciation of calves and heifers. He told how he had shown "Professor Ruskin" about the ruins, and how, at Ruskin's request, Mrs. Severn had sent him from Brantwood seeds of the Italian toad-flax to be planted here. He lent us his well-thumbed folios, West's "Antiquities of Furness" and "Beck's Annales Furnessienses," so that, sitting under the holly-shade in the Abbey Hotel garden, with a "starry multitude of daisies" at our feet, we could pore at our ease over that strange story, a tale of greatness that is told, and now, save for those lofty ribs and arches so red against the verdure, nothing but a tale. Our readings would be pleasurably interrupted toward the close of the afternoon by the advent of tea, brought to us in the garden, and the simultaneous arrival of a self-invited robin.

"Not like a beggar is he come,But enters as a looked-for guest,Confiding in his ruddy breast."

"Not like a beggar is he come,But enters as a looked-for guest,Confiding in his ruddy breast."

We tossed crumbs to him all the more gaily for the fancy that his ancestors were among the pensioners of the abbey in the day of its supremacy. For the monks of Furness maintained an honourable reputation for hospitality from that mid-thirteenth-century beginning, when the Grey Brothers from Normandy first erected the grave, strong, simple walls of their Benedictine foundation in this deep and narrow vale, to the bitter end in 1537. Meanwhile they had early discarded the grey habit of the Benedictines for the white of the Cistercians, and their abbot had become "lord of the liberties of Furness," exercising an almost regal sway in his peninsula, with power of life and death, with armed forces at command, and with one of the richest incomes of the kingdom under his control. With wealth had come luxury. The buildings, which filled the whole breadth of the vale, had forgotten their Cistercian austerity in a profusion of ornament. Within "the strait enclosure," encompassing church and cloisters, the little syndicate of white-vested monks not only chanted and prayed, transcribed and illuminated manuscripts, taught the children of their tenants and entertained the stranger,but planned financial operations on a large scale. For outside this, the holy wall, was another, shutting in over threescore acres of fertile land which the lay brothers, far exceeding the clerical monks in number, kept well tilled. Here were mill, granary, bakehouse, malt-kiln, brewery, fish-pond; and beyond stretched all Furness, where the abbey raised its cattle, sheep and horses, made salt, smelted its iron, and gathered its rents.

Few of the monastic establishments had so much to lose, but Furness was surrendered to the commissioners of Henry VIII with seemingly no resistance. The Earl of Sussex reported to his greedy master that he found the Lord Abbot "of a very facile and ready mynde," while the prior, who had been a monk in that house for fifty years, was "decrepted and aged." Yet it may be noted that of the thirty-three monks whom Sussex found in possession, only thirty signed the deed of surrender. On the fate of the three history is silent, save for a brief entry to the effect that two were imprisoned in Lancaster Castle. There is no record of their liberation. The monks who made their submission were granted small pensions. The abbotreceived the rectory of Dalton, so near the desecrated abbey that he might have heard, to his torment, the crash of its falling towers. But there is room to hope that in those cruel dungeons of Lancaster two men died because they would not cringe. We do not know, and it was in vain we hunted through the moonlight for the ghost of that mysterious thirty-third, who, too, might have a gallant tale to tell.

The region abounds in points of interest. Romney, the painter, is buried in the churchyard of Dalton, his native place. Beautiful for situation is Conishead Priory, "the Paradise of Furness," once a house of the Black Canons and now a much-vaunted Hydropathic, for, in the stately language of the eighteenth-century antiquary, Thomas West, "Æsculapius is seldom invited to Furness, but Hygeia is more necessary than formerly."

THE TRENT AND MERSEY CANALTHE TRENT AND MERSEY CANAL

Near the banks of the Duddon stands Broughton Tower, with its legend of how the manor, in possession of the family from time immemorial, was lost by Sir Thomas Broughton—and this was the way of it. In 1487 Lambert Simnel, claiming to be the son of the murdered Clarence, sailed over from Ireland,where he had been crowned by the sister of Richard III, to dispute the new throne of Henry VII. Among his supporters were the Earl of Lincoln, Lord Lovel of Oxfordshire, and Lord Geraldine with an Irish force; but it was the general of his two thousand Burgundian mercenaries, "bold Martin Swart," who is credited with having given name to Swarthmoor, where the invaders encamped. Sir Thomas joined them with a small body of retainers and, in the crushing defeat that followed, was probably left dead upon the field. But legend says that two of the English leaders escaped,—Lord Lovel to his own house in Oxfordshire, where he hid in a secret chamber and perished there of hunger, and Sir Thomas to his faithful tenantry, who for years concealed him in their huts and sheep-folds, and when he died, white-haired, wrapped him in his own conquered banner, and gave him a burial worthy of his race.

But our associations with Swarthmoor were of peace and not of war. Our pilgrimage thither was made for the sake of Mistress Fell of Swarthmoor Hall and of George Fox, her second husband, who established hard by what is said to be the first meeting-house ofFriends in England. Quitting the train at Lindal, a few miles above the abbey, we found ourselves in the rich iron country, "the Peru of Furness." It must be the reddest land this side of sunset. Even the turnips and potatoes, we were told, come red out of the ground. I know that we tramped amazedly on, over a red road, past red trees and buildings, with a red stream running below, and the uncanniest red men, red from cap to shoe, rising like Satan's own from out the earth to tramp along beside us. The road was deeply hedged, airless and viewless, and we were glad when we had left three miles of it behind, though the village of Swarthmoor, at which we had then arrived, proved to be one of those incredibly squalid English villages that make the heart sick. Between wide expanses of sweet green pasture, all carefully walled in, with strict warnings against trespass, ran two or three long, parallel stone streets, swarming with children and filthy beyond excuse. The lambs had space and cleanliness about them, soft turf to lie upon, pure air to breathe, but the human babies crawled and tumbled on that shamefully dirty pavement, along which a reeking beer wagon was noisily joltingfrom "public" to "public." Farther down our chosen street, which soon slipped into a lane, there were tidier homes and more sanitary conditions. Yet even Swarthmoor Hall, the fine old Tudor mansion which rose across the fields beyond, had a somewhat uninviting aspect. There were broken panes in the windows, and the cows had made the dooryards too much their own. The present proprietors, who, we were assured, value the old place highly, and had refused repeated offers for it from the Society of Friends, rent it to a farmer. The housekeeper, not without a little grumbling, admitted us, and showed us about the spacious rooms with their dark oak panelling, their richly carven mantels, their windows that look seaward over Morecambe Bay and inland to the Coniston mountains. The hall which Judge Fell—that wise and liberal man, tolerant beyond his time—allowed the Friends to use for their weekly meetings, is a room of goodly proportions, with flagged floor and timbered roof. In the dining-room window stands a simple deal desk once belonging to George Fox, but that upper door through which he used to preach to the throng in orchard andmeadow is now walled up. As we, departing, looked back at the house, large, plain, three-storied, covered with grey stucco, we noted how right up on the chimney, in the alien fellowship of the chimney-pots, flourished a goodly green yew, sown by passing wind or bird. The housekeeper, who had waxed so gracious that she accompanied us for a few steps on our way, said she had lived in Swarthmoor thirty-four years and had always seen the yew looking much as it did now, but that an old man of the neighbourhood remembered it in his boyhood as only finger-long. It had never, so far as she could tell, been provided by mortal hand with earth or water, but grew by some inner grace, a housetop sign and signal.

Many hallowed memories cluster about that old Elizabethan mansion. It was in 1632 that Judge Fell brought thither his bride, Margaret Askew, sixteen years his junior. She was a descendant of Anne Askew, who, a beautiful woman of twenty-four, thoughtful and truthful, had been burned as a heretic,—one of the closing achievements of the reign of Henry VIII. "I saw her," reports a bystander, "and mustneeds confess of Mistress Askew, now departed to the Lord, that the day before her execution, and the same day also, she had on an angel's countenance, and a smiling face; though when the hour of darkness came, she was so racked that she could not stand, but was holden up between two serjeants."

It was then that the Lord Chancellor—who previously, when even the callous jailer had refused to rack the delicate body further, had thrown off his gown and worked the torture-engine with his own hands—offered her the king's pardon if she would recant, receiving in reply only the quiet words, "I came not hither to deny my Lord and Master."

It is not easy for us who read to echo the prayer of her who suffered:

"Lord, I Thee desyre,For that they do to me,Let them not taste the hyreOf their inyquyte."

"Lord, I Thee desyre,For that they do to me,Let them not taste the hyreOf their inyquyte."

No wonder that Margaret Fell, with such a history in her heart, should have lent a ready ear to the doctrines of the "Children of Light," as the people dubbed them, the "Friends of Truth," as they called themselves,the "Quakers," whose prime contention was for liberty of conscience.

She had been married twenty years when George Fox first appeared at Swarthmoor Hall, where all manner of "lecturing ministers" were hospitably entertained. Three weeks later, Judge Fell, a grave man not far from sixty, was met, as he was riding home from circuit, by successive parties of gentlemen, "a deal of the captains and great ones of the country," who had come out to tell him that his family were "all bewitched." Home he came in wrath, but his wife soothed him as good wives know how,—had the nicest of dinners made ready, and sat by him, chatting of this and that, while he ate.

"At night," says her own account, "George Fox arrived; and after supper, when my husband was sitting in the parlour, I asked if he might come in. My husband said yes. So George walked into the room without any compliment. The family all came in, and presently he began to speak. He spoke very excellently, as ever I heard him; and opened Christ's and the Apostles' practices.... If all England had been there, I thought theycould not have denied the truth of these things. And so my husband came to see clearly the truth of what he spake."

The next First-day the meeting of the Friends was held at Swarthmoor Hall on Judge Fell's own invitation, though he himself went, as usual, to "the Steeplehouse." The spirit of persecution was soon abroad, and one day, when the Judge was absent on circuit, Fox, while speaking in the church, was set upon, knocked down, trampled, beaten, and finally whipped out of town. On Judge Fell's return, he dealt with the Friend's assailants as common rioters. The Judge held, however, his mother's faith to the end, never becoming a member of the Society. He died in the year of Cromwell's death, 1658, and was buried by torchlight under the family pew in Ulverston church. "He was a merciful man to God's people," wrote his widow, adding that, though not a Friend, he "sought after God in the best way that was made known to him."

Meanwhile Margaret Fell had become a leader among the Children of Light. Twice she wrote to Cromwell in behalf of their cause, and again and again to Charles II, with whomshe pleaded face to face. Now that her husband's protection was withdrawn, persecution no longer spared her, and she, like Fox and many another of the Society, came to know well the damp and chilly dungeons of Lancaster Castle,—that stern prison of North Lancashire which may be viewed afar off from the ominous height of Weeping Hill.

"Thousands, as toward yon old Lancastrian Towers,A prison's crown, along this way they passed,For lingering durance or quick death with shame,From this bare eminence thereon have castTheir first look—blinded as tears fell in showersShed on their chains."

"Thousands, as toward yon old Lancastrian Towers,A prison's crown, along this way they passed,For lingering durance or quick death with shame,From this bare eminence thereon have castTheir first look—blinded as tears fell in showersShed on their chains."

Refusing, as a Quaker must needs refuse, to take the oath of supremacy, Mistress Fell stood her trial in 1663, her four daughters beside her. Her arguments irritated the judge into exclaiming that she had "an everlasting tongue," and he condemned her to imprisonment for life, with confiscation of all her property to the Crown. But after some five years of Lancaster's grim hospitality she was released, and forthwith set out on a series of visits to those English jails in which Quakers were immured. It was not until eleven years after Judge Fell's death that shemarried George Fox. The courtship is summarised in Fox's "Journal": "I had seen from the Lord a considerable time before that I should take Margaret Fell to be my wife; and when I first mentioned it to her she felt the answer from God thereto." Yet after the marriage, as before, they pursued, in the main, their separate paths of preaching, journeying, and imprisonment. It was seven years before illness brought Fox to Swarthmoor, which had been restored to the family, for a brief rest. About a quarter of a mile from the mansion, stood a dwelling-house in its three or four acres of land. This modest estate Fox purchased and gave it "to the Lord, for the service of his sons and daughters and servants called Quakers.... And also my ebony bedstead, with painted curtains, and the great elbow-chair that Robert Widder sent me, and my great sea case with the bottles in it I do give to stand in the house as heirlooms, when the house shall be made use of as a meeting-place, that Friends may have a bed to lie on, a chair to sit on, and a bottle to hold a little water for drink." He adds: "Slate it and pave the way to it and about it, that Friends may go dry to their meeting.You may let any poor, honest Friend live in the house, and so let it be for the Lord's service, to the end of the world."

A deep hawthorn lane, winding to the left, led us to that apostolic meeting-house, well-nigh hidden from the road by its high, grey, ivy-topped wall. We passed through a grassy outer court into an inner enclosure thick-set with larches, hollies, and wild cherry. The paths are paved. Luxuriant ivy curtains porch and wall, and clambers up over the low tower. Above the door is inscribed:

Ex dono G. F., 1682.

The meeting-room within is of Quaker plainness, with drab-tinted walls. The settees are hard and narrow, though a few "at the top" are allowed the creature comforts of cushions. Only the posts are left of the ebony bedstead, but two elbow-chairs of carven oak, a curiously capacious and substantial travelling-chest, and a Bible still are shown as Fox's personal belongings. The Bible is a black-letter folio of 1541, the Treacle Bible, open at the third chapter of Jeremiah, where, in the last verse, comes the query: "Is not there any tryacle in Gylyad?"

But Lancashire has other saints no less holy than those dear to Protestant and Quaker memory. Surely martyrs, irrespective of the special phase of the divine idea for which they gladly give up their bodies to torture and to death, are the truest heroes of history.

"For a tear is an intellectual thing,And a sigh is the sword of an Angel King,And the bitter groan of the Martyr's woeIs an arrow from the Almighty's bow."

"For a tear is an intellectual thing,And a sigh is the sword of an Angel King,And the bitter groan of the Martyr's woeIs an arrow from the Almighty's bow."

This remote county, especially the north with its perilous bogs and rugged fells, clung to the mother faith. Many of its old families are still Catholic; many a Tudor mansion can show its "priest-hole" from which, perhaps, some hidden Jesuit has been dragged to the dungeon or the scaffold. We journeyed up from Manchester on a sunny afternoon, for love of one of these, to the beautiful valley of the Ribble, rich in manifold traditions. Our time was short, but we climbed to the keep of Clitheroe Castle, ruined for its loyalty to Charles I, and viewed that wide prospect whose most impressive feature is the witch-storied stretch of Pendle Hill. On that long level range the famous witches ofLancashire used to hold their unseemly orgies, hooting and yowling about Malkin Tower, their capital stronghold, whose evil stones were long since cast down and scattered. Peevish neighbours they were, at the best, ready on the least provocation to curse the cow from giving milk and the butter from coming in the churn, but on Pendle Hill the broomstick battalion was believed to dance in uncouth circle about caldrons seething with hideous ingredients and to mould little wax images of their enemies who would peak and pine as these effigies wasted before the flames, or shudder with fierce shoots of agony as red-hot needles were run into the wax. What were honest folk to do? It was bad enough to have the bride-cake snatched away from the wedding-feast and to find your staid Dobbin all in a lather and dead lame at sunrise from his wild gallop, under one of these "secret, black and midnight hags," to Malkin Tower, but when you were saddled and bridled and ridden yourself, when the hare that you had chased and wounded turned suddenly into your own wife panting and covered with blood, when your baby was stolen from the cradle to be served up in the Devil's Sacramentof the Witches' Sabbath, it was time to send for one of King James's "witch-finders." So the poor old crones, doubled up and corded thumb to toe, were flung into the Calder to see whether they would sink or swim, or sent to where the fagot-piles awaited them in the courtyard of Lancaster Gaol, or even—so the whisper goes—flung into their own lurid bonfires on Pendle Hill. But still strange shadows, as of furious old arms that scatter curses, are to be seen on those heather-purpled slopes, and from the summit black thunderstorms crash down with supernatural suddenness and passion.

Our driver was a subdued old man, with an air of chronic discouragement. He met the simplest questions, about trains, about trees, about climate, with a helpless shake of the head and the humble iteration: "I can't say. I'm no scholard. I never went to school. I can't read." He eyed Pendle Hill, standing blue in a flood of sunshine, with obvious uneasiness, and asked if we thought there really were "such folk as witches." As we drove up the long avenues of Stonyhurst, our goal, that imposing seat of learning seemed to deepen his meek despondency. He murmuredon his lofty perch: "I never went to school."

Stonyhurst, the chief Catholic college of England, was originally located at St. Omer's in France. Over sea to St. Omer's the Catholic gentry of Elizabethan times used to send their sons. There the exiled lads vainly chanted litanies for England's conversion, their church door bearing in golden letters the fervent prayer: "Jesu, Jesu, converte Angliam, fiat, fiat." The Elizabethan sonneteer, William Habington, who describes "a holy man" as one who erects religion on the Catholic foundation, "knowing it a ruinous madness to build in the air of a private spirit, or on the sands of any new schism," was a St. Omer's boy. Nineteen of those quaintly uniformed lads, blue-coated, red-vested, leather-trousered, afterwards died on the scaffold or in prison, usually as Jesuit priests who had slipped into England against Elizabethan law.

During the latter half of the eighteenth century, when the strong feeling against the Jesuits led to their banishment from France and finally to the temporary suppression of the order, the school began its wanderings,—fromSt. Omer's to Bruges, thence to Liège, and at last, in 1794, from Liège to England, where one of the alumni presented the homeless seminary with the fine estate of Stonyhurst. In this secluded, healthful situation there now stands a prosperous college, with dormitories for two hundred students, with well-equipped academic buildings, a preparatory school, and a great farm which of itself maintains the institution.

Stonyhurst has many treasures,—illuminated missals, Caxton editions, a St. John's Gospel in Gaelic script said to have been found in the tomb of St. Cuthbert, relics of "Blessed Thomas More," original portraits of the Stuarts,—including the winsome picture of Bonny Prince Charlie as a child,—but the object of our quest was a little manuscript volume of Robert Southwell's poems. Of course the porter knew nothing about it, though he strove to impart the impression that this was the only matter in the universe on which he was uninformed, and "the teaching fathers" were still absent for their summer holiday; but a gentle old lay brother finally hunted out for us the precious book, choicely bound in vellum and delicately written in anunknown hand, with corrections and insertions in the young priest's own autograph. This Stonyhurst manuscript gives the best and only complete text for the strange, touching, deeply devotional poems of Father Southwell,—the text on which Grosart's edition rests. It is supposed that they were written out for him by a friend while he lay a prisoner in the Tower, and that in the intervals between the brutalities of torture to which that most sensitive organism was again and again subjected, he put to his book these finishing touches,—only a few months and weeks before he was executed at Tyburn by a blunderer who adjusted the noose so badly that the martyr "several times made the sign of the Cross while he was hanging."

Our eyes filled as we deciphered the faded Elizabethan script:


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