THE ART GALLERY.
Hearing that a large collection of paintings were on exhibition at the Art Gallery, I visited the rooms this afternoon, and was agreeably surprised to discover that quite a number were by eminent artists.
It is pleasant to gaze upon an old picture that has come down through the dust of ages, so I made it a point to employ the hour at my disposal in sketching several subjects most admired by the visitors. I did not learn the author of the large picture from which the first of my sketches was taken, but was assured that it came from the hand of an old master.
FROM A PAINTING BY AN OLD MASTER.
FROM A PAINTING BY AN OLD MASTER.
FROM A PAINTING BY AN OLD MASTER.
I would have thought it a representation of “Cleopatra before Cæsar,” if the female had been running toward the man instead of away from him.
A gentleman present who examined thepainting closely, gave it as his opinion, that the couple represented “Tarquin and Lucrece.”
He informed me he had visited many art galleries of the Old World, and found several paintings which had been copied from this masterpiece by artists, who paid homage to such creative genius.
As he claimed to be something of a connoisseur, his supposition was probably a correct one, though he was not able to thoroughly account for the singular looking bonnet that shadowed the head of the prancing “Lucrece.”
It is certainly anything but a Roman head-dress, and why it should be dangling from her royal top, is something for critics to comment on, and antiquarians to inquire into.
Another little sketch attracted great attention, especially from the ladies, whose love for the beautiful is only excelled by their love for the good. It was entitled “Love’s Young Dream.” I regret I am not able to give the artist’s name. I could not get near enough to decipher the signature, owing to the crowd of ladies admiring the beautiful gem.
The members of the Graphic Club weresketching. Accepting an invitation from one I stepped into their room to see them draw. Quite a number of artists were present. The famous marine painter was there, who loves to paint the vessel going before the wind, when in its might it takes “the ruffian billows by the top.” It was pleasant to watch his pencil pile up the “yeasty waves” at will.
“LOVE’S YOUNG DREAM.”
“LOVE’S YOUNG DREAM.”
“LOVE’S YOUNG DREAM.”
It was also interesting to lean over the landscape painter’s shoulder and see the branches sprout from his grand old oaks, against whose trunks it would seem the storms of centuries had spent their force.
It was no less pleasant or interesting to perceive the horns shoot from the animal painter’s cows. As the creature grows under his active pencil, we may be inclined to think she will be of the Mooley species, and never shake a gory horn above a prostrate victim; but alas! a few hasty but well directed strokes, and she stands forth more formidable than the armed rhinoceros or rampant unicorn. Then we hold our breath, as we see the pencil slide away to some other locality before a tail is attached to the body, and inwardly wonder whether the artist has forgotten to bestow upon her that graceful adjunct, or is intentionally giving us a new species of cattle. We heave a sigh of relief when the pencil returns, after a brief skirmish along the ribs, to bestow upon the cow that terminal appendage, at once a scourge for milk-maids and a swing for dogs.