A FINE DECORATIVE IRON GATEWAYA FINE DECORATIVE IRON GATEWAY
Right combinations are very important in this line of work. It would be foolish to use woodwork combined with heavy stone or iron. It is sometimes in better form to have wide slabs of granite or cement defining several layers of brick. The height and width naturally depend upon what it intends to imply.
Low piers of masonry capped with a pointed effect should stand by themselves without any planting, as the latter often disfigures architectural effects. It is not always necessary that this feature of the exterior should be conspicuous, more particularly if the posts are constructed of wood. Treat them to a light creosote stain, thus giving a picturesque background for the overlapping vines. Sometimes combinations work out well in producing artistic results. With a rough stone pillar, it is sometimes in good taste to introduce gateways of oak, which while effective under certain conditions, are very bad under others. These are much more attractive the second year, when they have weathered to a picturesque pearly gray. This color harmonizes delightfully, not only with the walls butwith the flowers and their foliage. An important thing that should not be forgotten is the use of wooden pegs and copper nails, neither of which are injured by rain. If you choose to use a wire fence, let the gate-post and gates correspond for it is far better than to combine materials inharmoniously. They are not only practical but light and in their construction there is a chance to work into the scheme ornamental designs. Do not finish this with a square box top, rather give it a bit of ornamentation such as a ball or a lantern. There can be had to-day so many ornamental lanterns, constructed of wrought iron, that they can be purchased in almost any type desired. It is far better not to cover the posts with vines and thus conceal the beauty of the work. The most effective way would be to build up wire arches and plant rambler roses back of the posts for them to run on.
The Sweet Briar, if one is looking for perfume, is desirable. They can be purchased in single and semi-double flowers, created through the developing and crossing of the old-fashioned variety. Rambler roses are always in good taste. It is better to plant three or four kinds that show harmonious coloring. There is the Lord Penzance, asoft fawn, turning to lemon yellow in the center. This is particularly adaptable for covering arches as it is a strong grower and abundant blossomer. The Meg Merrilies fits into this color scheme, putting forth gorgeous crimson flowers during the six weeks of its flowering. Combine with these the Brenda, and you will find that this mixture lends a brightness that is very effective. Many people object to roses on account of their many enemies. One of the most common is the powdery mildew. This is easily distinguished by a powdery growth of white that is found on both leaves and shoots. Use sulphur very freely, and you will find it disappear. The stem cancer is a serious disease, and it is found on both the cane and the branches. In dealing with this the grower must not be afraid to use the pruning knife vigorously, so that the diseased parts can be thoroughly removed, in this way preventing spreading and the ruin of the vine. From the time of its planting the rambler needs constant attention, but it brings its own reward, in that there is no vine that can equal it in beauty. The advantage of having a variety of colors instead of one is readily seen, for it prevents a large mass of one individual color.
There is a pleasure indescribable felt by lovers of plants when designing any feature of their grounds. This is particularly true with the gate and the planting. They must bear in mind, however, the true purpose of gates and their proper use on country estates. It is designed as a means of ingress, and as such, should be suited to the type of mansion. Therefore, into its plan should be worked the atmosphere of the residence as well as the characteristics of the surrounding country. For instance, a wooden fence and gate-post would be entirely inappropriate if one were dealing with a beautiful summer estate where the house was to be built of brick.
Compositions should not be carelessly used and it should be remembered that there is great danger in our zeal for producing something unique, of going to the other extreme and giving an over-ornamental creation. One cannot be too particular in making the entrance and the adjoining fence accord with the idea one is trying to bring out in the whole plan.
The driveway is of fully as much importance as the entrance. It should be kept scrupulously neat and free from weeds. To have it at its best itshould be thoroughly under-drained, and for this the open-joint drain tile is advisable. It should be laid under ground and connected, if possible, with the sewer. Properly attended to, this keeps the road-bed dry and in good condition. The bed itself should be dug down for several feet, a foundation of earth from six to ten inches should be laid, over which can be thrown a layer six inches thick of either broken limestone or chopped trap rock. Cover the whole with a screening of limestone and finish it with gravel. Have it rolled hard and you realize the advantage as the season ends.
The drive should be sufficiently wide for carriages to pass through without besmearing your gate-posts with mud and dust. One should realize that the driveway is in reality a foot-path enlarged, and should always be kept immaculate. The gate, if you wish to prevent its sagging, should open in the center. A two-part gate gives often a better effect than one long one. Nothing equals iron, which can be treated in so many different ways that there is little danger of repetition in design.
The capping is as important as the post itself. Simple square box treatment is advisable in some cases. Balls fit into the scheme on some estates,while Colonial urns are in keeping with wooden posts and lantern effects belong to iron gateways. The latter, of course, are effective for lighting at night. Gas pipes can be laid under the roadway, connected with the ornamentation in such a way that they can be turned on from the house.
In many entrances, side gates, similar to the main ones have been inserted, which relieve the main entrance from use by pedestrians. They can be so laid out as not to interfere with the use of the motor cars. They should be separated from the main driveway by a turf border and covered with gravel.
Planting is very effective for this feature of the ground, and trees, that is if the right sort are chosen, are admirable, used in this connection. White birches lend a picturesqueness that cannot be equaled, but they are short-lived. The elm with its graceful branches seems to fit into every landscape scheme. Do not plant them too near the posts. If you do, their roots will reach out often causing upheaval and creating havoc. For best effects the trees should be used outside rather than inside the entrance. In the latter case they are too apt to cut off the view.
A SUCCESSFUL ENTRANCE TO A FORMAL GARDENA SUCCESSFUL ENTRANCE TO A FORMAL GARDEN
Many people prefer a hedge and this can be planted either with or without a fence. Arbor-vitae is practical for such use as is the Buckthorn and the Berberis Thunbergii (Thunberg's Japanese Barberry). This is a Japanese hedge with round, drooping habit. It leaves out in a fine brilliant green during the summer months and from autumn until December takes on a wonderful showing of color. During the winter months the branches, loaded with scarlet crimson berries, make an effective contrast with the white of the snow. Its value as a hedge is because it is impenetrable and thickly set with spines, never growing bare. The most popular shrub for hedge treatment is Privet-Ligustrum. It is very ornamental with a rich dark green foliage that is nearly evergreen and remains on the plant until late winter. It is a good grower under the most adverse circumstances. In order to form the most effective hedge it should be planted from ten to twelve inches apart and pruned back during the first two seasons.
The Ampelopsis Arborea woodbine is useful for entrances. It is a distinct variation from the other forms, making a spreading bush rather than a strong climber. Its leaves are dark green and comparativelycoarse, and its autumn coloring is superb. The Boston Ivy clings even to wood, its fine shoots cover walls and while it requires some covering during the first two or three winters of its life, yet it pays. In the fall, nothing can be so gorgeous as the varied colored tints of its foliage.
The Clematis Paniculata should never be forgotten. It is a rapid and vigorous climber and can be depended upon to clothe large spaces quickly. Originally, it was introduced from Japan and is allied to our native Virgin's Bower. The flowers are effective, borne in long panicles which are white and their fragrance is perceptible a long distance away. They open the latter part of August, staying in bloom for nearly a month. Combined with this should be the Clematis Coccinea (Scarlet Clematis), whose showy bell-shape, brilliant scarlet flowers are produced in great profusion.
The Wisteria is adapted to almost any purpose and can be used picturesquely on many types of entrances. The Wisteria Magnifica is admirable and resembles Frutescens, but it varies from it in that the clusters are larger and denser while the yellow lilac colored flowers have yellow spots.
Among the other vines it is well to plant somethat will give a touch of color during the dark, cold days of winter when the vines lie barren and bare, their leafless branches swaying in the wind. Why not use for that the Celastrus Scandens (Bitter Sweet or Wax Work). It is one of our native climbing plants and can be found in almost any part of the New England woods, a rapid grower, with attractive, light green foliage and yellow flowers, followed by bright orange red berries that are cheering in the fall and lead us to forget the shedding of the foliage by the other vines.
In order to hide the base of the vine, ferns can be planted. It is better to use the hardy varieties rather than the more tender ones, although a combination of the two is always attractive. Take, for instance, the Adiantum Croweanum, which is one of the hardiest of the maiden hair species. This, like every other of its kind, should be well watered and fertilized, grown in a rich, open soil, with plenty of leaf mould. There is nothing difficult in their culture and they need absolutely no attention after planting. The Polypodium Vulgare, which is evergreen, showing smooth, shiny fronds resembling the Boston fern, is another that is adapted for this purpose.
With these can be combined the Comptonia, or Sweet Fern, a native plant with fern-like, dark green scented foliage, very useful for foliage massing on rocky, barren places, and thriving best in dry, sterile soil. There are many more varieties and it would be impossible to mention them all. They are, each and every one, suitable for adding to the beauty of private gardens and estates.
THE CENTRAL FEATURE OF THE GARDEN MAY BE A BIRD-BATHTHE CENTRAL FEATURE OF THE GARDEN MAY BE A BIRD-BATH
John Burroughs, in his description of a garden, has told us that "To love the birds, to appreciate their place in the landscape," is one of the most important things. It does much to bring happiness into our lives. In the forming of a perfect garden, many things are requisite and among them are birds, flowers, bees, and the flashing butterfly who darts joyously from flower to flower, a thing of beauty and perishable as the day. Should anyone doubt the truth of these assertions, let him seat himself in some retired spot during a beautiful day in the month of roses. He can then listen to the song of the birds, caroling as they sway on the branches of the trees above our heads, nestling at our feet, or hidden away deep down in the heart of the flower beds. Birds are everywhere, they flit in and out of the garden, sipping sweet nectar from the blossoming plants, and flaunting their bright colors when catching the sunshine as they swing by.
God made nothing more interesting than birds and man should care for them, giving them a distinctive place in his garden, realizing that through their industry they free the plants from harmful insects and slugs. The birds can be coaxed into anyone's garden, that is, if care is taken in proper planting, giving to the plots trees and plants that they love. Under the rose bushes place a bath, where they can come and preen their plumage, but if possible have it placed beyond the reach of intruding cats.
When the custom of providing drinking cups to quench the thirst of our native birds first came into fashion, it is hard to determine. Perchance, it was in the early days when in 1621, the colonists built rail fences, to enclose their separate lots. Over these they trained the wild morning glory and sweet-scented honeysuckle, the perfume of which doubtless carried them back to the beautiful English gardens that still existed in their native land.
Doubtless, during the life of William Penn, when he encouraged the laying out of old English gardens, he included in the design a planting to attract bird life. This was still further encouraged when the first botanical garden came into existencein 1728 through the thought of Bertram Bartran, of Philadelphia. He was a man who had traveled much and was thoroughly versed in the art of floriculture. In his garden he planted rare and practical seeds partly for the mere joy of carrying out his own whims. This garden, like many others, was individual in its planting, a quality that lent to it an additional charm.
During the early seventeenth century there were imported into seaport towns principally at Salem, Massachusetts, unique bird baths. They came packed in among the cargo that was stowed away in the holds of the slow sailing ships that plied continuously between Singapore and the New England shores. Many of these were the result of orders given by the ship owners who wanted to set them in their posy beds, laid out at the rear of their stately homes. Rare were these shells with their fluted framework, and hard to find, yet so spacious that a whole colony of feathered songsters could hold concourse within their pearly depths.
Underneath the shade of the drooping lilac, they peered out at us from the time the melting of the snow released the snow drops from their icy cover, thus allowing them to lift up their pure white headsas if in rejoicing to be free, to be followed later on by the gay little crocuses, clad in their gowns of many hues. Few of these baths are still in existence. We come across them occasionally, however, in old-fashioned gardens where they are treasured for sentiment's sake.
Just as the rustic bird houses, constructed of weathered boards, and with floor covering of powdered sawdust or ground cork, have become a necessity in the twentieth-century garden, tempting the summer sojourners to rest their weary wings; so we must strive to create a homelike atmosphere so attractive to the little songsters that they will delight in revelling among the many flowers that are planted here. A barren waste of land has no pleasure for them, neither has a garden shorn of their favorite plants.
There is no need of being deterred from using a feature such as this. A bird bath need not be expensive, just a simple box, zinc-lined and painted to correspond with the surroundings. The birds are not fussy as to the exterior of their outdoor bathroom; all they wish is comfort and a cooling drink during the hot summer days, when the dew has faded from the grass, and the sun hangs high in theheavens. It is then that all nature is panting from excessive heat.
A simple zinc pan, large and wide enough, filled with fresh water daily, is as satisfactory to them, as a marble pool standing in the heart of the garden and surrounded by a bed of brilliant flowers. Place this pan in the heart of a grassy knoll, at the edge of the garden proper and watch results. You will not have long to wait before softly tripping through the grass or dropping from their leafy covert, one by one, they show their gratitude by revelling in the bath thus placed for their use.
The most common type, if you wish to buy a bird bath, is the cement one. It can be modeled in any shape and to follow any line of treatment that you prefer. The simple, plain, low-lying ones are suitable for placing under the shadowy bush or tree. Hand carving would be as much out of place on a bath such as this, as if one used an expensive silver bowl for their benefit. To be sure a little ornamentation, simply worked out, makes them more artistic. This can be accomplished through proper planting. A delicate fern unfolding its fronds and drooping until it almost touches the water is appropriate, as is a low-lying pine that adds a bit ofshade which is truly appreciated by your little visitors who perch on the curb, after shaking off the dust from their wings in the water below, and pour out their gratitude in a melody of song.
For ornament why not use a cement bath that is shaped like a large vase. It makes an interesting feature in your twentieth-century garden, and gives a chance to depict a favorite flower from which the garden takes its name.
Rising stately and dignified from their floral bed, showing wonderful and delicate carving, are marble baths exquisitely shaped and resting on a shaft of the same material. These are fitting for an Italian or a formal garden. They seem to blend in with an elaborate architectural scheme such as we find in the planning for the decoration of a large area.
There is no particular place where they seemingly do not fit in. They are effective used as a central figure and surrounded with a circle of well-chosen blossoming plants and they harmonize in the landscape scheme even if used apart from the main gardens or designed to occupy a niche in the wall. Here they are just as enjoyable as if they stood prominently forth, the main axis around which the rest of the garden revolves.
A WELL-PLACED BIRD-BATHA WELL-PLACED BIRD-BATH
They can be made much more picturesque if one trains over their side a delicate vine whose tendrils cling to the foundation and bring out the color effectively. Plant for the birds' enjoyment and combine with this feature decorative beds, using not the strong colors, but the delicate, dainty, pink, blue, white and lavender, of the many varieties that are suitable for this purpose.
Do not let the base of your expensive bird bath rest on the earth, rather place under it a pedestal of marble, granite, or cement. It need not be conspicuous, a growth of turf, the planting of an ivy or some other vine, will add much to its attractiveness, making an artistic foundation for it.
Whoever lays out his garden plot with a thought of thorough enjoyment, he who looks forward to sitting under the vine, will take special thought of the birds. He will endeavor even if he is an amateur not to make an ugly muddle in his planting, but aim for picturesque garden vistas, and have his flowers properly balanced so they will show harmonious massing of colors. One should be as careful not to give sun-loving plants a shady place, as to put the shy little flowers in the glaring sunlight.
It is a necessity if you are a bird lover, or if you wish to rid your plants of insects and your grounds of worms, to attract the birds. This can be accomplished by giving them not only proper planting but the right place where they may enjoy their daily bath. If you wish the best results, seek shade rather than sunshine. Our little friends prefer shelter to warmth, so cater to their taste in the placing of their drinking pool.
It is rather important that you seek a spot, just near enough to the grounds to be companionable, there to place a mulberry tree. There is no fruit that is more to their mind than this and it will be a source of delight to watch the shyest birds reward you by flaunting their colors before you as they flit in and out, feeding off the berries so temptingly displayed for their exclusive use.
It is a mistake to look upon the robin as common and a pest. This fact has been firmly fixed in our minds through his thieving qualities. When you consider that he has been known to devour as many as seventy worms a day, and multiply that by the voracity of his mate and his children, you will then commence to realize what a benefit he is to your garden. Try and cajole him into beinga friend, and entice him to nest in the heart of your flower patch. Listen to his song; there is a mellow quality to his voice and he can put more expression into his music than any other bird. There is a flash of color and a burst of sweet melody, listen—there is a scarlet tanager, singing love songs to his mate. He is a veritable bird of Paradise and once sported fearlessly among our trees, but has now grown shy through being used as a target for the sportsman's gun. Cultivate him by all means. Toll him into your garden.
Darting in and out of the garden one finds the humming bird, so tiny that he measures only from three and a half to three and three-quarters inches, the smallest bird in our country. There is a glint of color as he dashes fearlessly from flower to flower, his brilliant metallic throat and breast sparkling in the sunlight like a precious gem. The trumpet flowers with their deep cup-shape blossoms are his special delight, although he never scorns the sweet-scented flowers that he finds on every side. For a moment he poises in the air motionless, sighting his flower, then winging his flight, he drains the nectar, uttering a shrill little squeak of delight, as he spies some especially fat aphideson the garden foliage. These he shoots off like a streak of lightning rapidly searching for more food.
How to attract the birds is a question that all bird lovers are seeking to answer. It is such a simple matter that you do not have to look far afield to obtain what you wish. There are many fruit-growing shrubs each one of which is suitable for his majesty's needs. These should be planted somewhere in the garden. If you prefer them surrounding the bird bath, you will have more chance for bird study, but they will come without that if you give them a chance and plenty of edible berries all the year round. The red berried elder is one of their favorites, as is the Canadensis or common elder, which flowers in June, and shows reddish purple berries during the autumn; then there is the Arbutifolia or red chokeberry. This is a native dwarf shrub, which is particularly tempting to the feathered tribe. When planning for this feature, one should remember that these bird-attracting shrubs should not be planted with only one idea in view. They should be made to form a part of the decorative plan, and the situation chosen should be among flowers that would bringout its artistic value, far more than if they were grouped in a mass. One is apt, in their enthusiasm in arranging their garden for the birds' benefit, to forget that attractive color schemes must be worked out, otherwise it will be a heterogeneous mass that will be an eye-sore rather than a pleasure.
AN ORNAMENT DELIGHTFULLY USED TO MARK THE OPENING OF PATHS THROUGH WOODSAN ORNAMENT DELIGHTFULLY USED TO MARK THE OPENING OF PATHS THROUGH WOODS
There is very little choice as to what kind of flowers to mix with the shrubs. Take it all in all, the perennials stand first. The reason for this is that they are more suitable for this purpose than annuals, which have to be re-planted every year. Like the shrubs the perennials die down in the fall and re-appear when the breath of spring sweeps over the land, in greater profusion and showing added vigor through having conserved their strength by resting during the winter months.
You are very foolish if you have taken no thought for the future life of your shrub or perennial. Once planted they do not take care of themselves and if neglected it only means the survival of the fittest. Different species require different treatment, and a great many kinds need to be subdivided every two or three years. The scarlet and crimson Phlox, Spirea, and many other varietiesshould never be left longer than two years, they should then be carefully gone over and an experienced hand should determine how much should be left and what removed. If you have planting of Iris, Shaster daisies, and Veronicas, they can readily wait until the third year.
The ground is of just as much importance as the planting. Just because you wish to grow flowers and shrubs, you must remember that they must have food to live on, that this food must be properly prepared and contain plenty of nourishment, otherwise you will have spent money and time for naught. First of all comes fertilizing. Doubtless, in some part of the ground you can find a corner that will be the proper place for the compost heap. In its selection, it is better that it should be concealed by shrubs or trellis, vine covered. It would be a blot in the landscape if you treated it otherwise.
Every time you rake over the lawn or weed the garden, throw into a large basket the refuse and let it form part of the compost heap. The foundation for this should be plenty of manure and this, to be at its best, must be well rotted and mixed in with other material to lighten and bring about betterresults. You will be surprised, that is if you have never tried it, to see how quickly it grows. Almost before you know it you have enough to use in the garden next year. No matter how rich it is, a liberal amount of coarse bone meal added will pay in the end.
Your fertilizer ready, as early as possible in the spring dig your ground to the depth of eighteen or more inches. It is better if the earth is pulverized; some people go so far as to sift it. Next put in your fertilizer, mixing it with the earth previously removed. Give it time to settle before planting and you will never be dissatisfied with results.
Opinions vary as to proper time for planting perennials. Many people feel that the spring is the safest. It is foolish to follow this plan unless it can be accomplished as soon as the frost is well out of the ground. Many of them are likely to die. Therefore, if you pot them in the fall, and winter them under glass, the result will be much more satisfactory. It is simply the working out of the garden lover's idea as to what is correct and what incorrect as to the time of planting.
Many kinds are better massed. This applies to the Sweet William, the Hollyhock, Delphinium,and other varieties, that seemingly belong to the same family. The hardy Asters, which are late flowering, are invaluable for massing. They burst into blossom at a period when the early frosts have lolled the more tender plants, making their bright hues a dominant feature in the garden. It is better to shade colors than to plant one variety. For September and October blossoming why not use the Abendrote or Evening Glow? It has a bright rosy red flower and is a very free bloomer. Mix with that the Glory of Colwall, which is ageratum blue, showing double flowers, grown on stout, erect stems. The pink of the blossom contrasts admirably with the rosy red. The White Queen will mix with these two colors very effectively. This is a pure, splendidwhite and comes into blossom at the same season of the year.
A very interesting way of treating the defining line of the garden proper is by a low hedge. Many of these are berry bearing, thus working into the bird scheme. The Hawthorn Oxyacantha is well suited for this purpose. It is used in England for hedges and during the time of itsblossoming shows a pure white, sweet-scented flower followed by a scarlet fruit. The Berberis is excellent for hedging. It blooms in the summer and is succeeded by a bright colored fruit that lasts into the winter.
Once interested in this feature of garden culture, by careful study one will realize what an inexhaustible theme it becomes. Color shades in berries often help out landscape effects in winter, therefore it is best not to plant promiscuously.
A FORMAL GARDEN SEATA FORMAL GARDEN SEAT
The ever-changing tide of fashion brings in its wake a constant development of new and original ideas in the furnishing of our garden plots. Flowers have been with us ever since the first settlement of our country and so has a love for life in the open. This is an inheritance that has deepened with the passing years. So rapidly has this developed that to-day it demands our gardens as living rooms. It is this aspect of garden life that develops new and unusual features in equipment.
While we may flatter ourselves that we as garden lovers have originated this idea, yet it is of ancient origin. History relates that in the gardens of the early Romans and Greeks, garden seats were found. With the changing of styles in floral-culture the ornate came into existence, much used during the Italian Renaissance. Reproductions of their ideas are found in replica in many of the formal gardens of the twentieth century.
Logs, carelessly thrown on the ground, may have been the first seats used by our garden ancestors. Later on with the development of the one-path posy bed, seats were hollowed out of old trees. They formed a picturesque bit, clothed during the summer months in their garments of green, for trailing vines were encouraged to run rampant over their sides. These with the green arbor or pergola and the vine-clad summer house were the three styles of seats favored by the Colonial dames.
Styles and usage of furniture in this special way are as clearly defined as in interior decoration. The modern garden equipped with English, American or Italian furniture, gives a pleasing variety. The principal materials necessary for manufacture are stone, marble, terra cotta or wood. Of these, the latter suggests less expense, while the former can be purchased at any sum you wish.
Stone or marble are absolutely necessary in formal or Italian gardens, as they provide a proper medium for expression that nothing else would satisfy. Look at the gleam of the white marble shown up by its background of green trees and see what a charm it has in the furnishing of your garden plot. Take it all in all, it is the only rightsetting for an elaborate garden, partly on account of its being a descendant of the Italian Renaissance period which makes it desirable in designs that follow out the character of that period. Rarely, if ever, do we find this simple in form, but rather elaborately carved with representations of animals or figures. As an ornamental feature, it cannot be excelled, but as a garden seat it is not practical, being cold and hard to sit upon. Properly speaking, it should be placed at the head of a walk or topping the garden steps. This is on account of its decorative character and the necessity of making it fit into the floral scheme. The price is prohibitive except to the rich, although it varies with the elaboration of the carving.
Terra cotta, while not as often used, has its advantages. It can be moulded readily into any form desired. While it is not always suitable, yet its warmth of color, which is either buff or red, makes it admirable when one desires to bring out certain effects in the planting of beds. It is, perhaps, the least used of any of the materials. A seat four feet in length can be purchased for from forty dollars upwards.
Concrete seats are the kind that are most commonlyused for formal and informal gardens. We should remember, however, that we must not mix formal and informal furniture promiscuously, otherwise the result will be disastrous. One should bear in mind in treating this subject that formal pieces resemble well-bred people. They fit suitably into any place in their surroundings. It is far different, however, with informal pieces which are entirely wrong and out of place in formal settings. This fact applies to concrete which is suitable for almost any occasion for it possesses almost endless possibilities as far as form is concerned. Rightly mixed, it can be moulded into almost any shape that you desire, which accounts for the fact that in its designs many of the elaborate garden seats are copied. This makes it popular and constantly in demand, on account of its less cost. To all intents and purposes, it is quite as durable as stone or marble. It has still another advantage, in that its neutral gray tint harmonizes picturesquely with almost any setting of shrubbery or flowers.
The least expensive of any of the materials that is used for this purpose is wood. It has this advantage, that it can be formed in such a great varietyof shapes that there is always found some piece that is suitable for every taste and occasion. If you contrast it with marble or stone, you will realize that it has the advantage of being lighter in weight, and capable of being carried around from place to place with little or no trouble. Take it all in all, the best place for it to be at home in is the informal garden.
The kind of garden that most of us live in and enjoy intimately is the plot where wooden settles and chairs are used. Care should be taken, however, in the selection of material in order that it may have lasting qualities. One reason for its use is that unlike marble and stone it is not cold to sit upon, and is really comfortable. The best kind of wood, if you can afford it, is teakwood, which lasts for centuries. It is the most expensive, particularly the antique pieces. Those of to-day are shoddily put together and cannot resist weathering as do the century-old ones.
Many people prefer pine on account of less cost. This is all right, provided great care is taken to keep it well covered with paint of the glossy kind. The advantage of this over the other is that it can be readily wiped clean before using. Anyone whois a garden lover will appreciate this fact, for no matter how carefully placed, the seats will accumulate a reasonable amount of leaves and dirt.
Plain settles and benches which belong to the informal type can be placed anywhere, according to inclination. These need not, of necessity, be made of plain wooden strips, but can be varied by making them rustic in design. Use for this purpose limbs of the same size without removing the bark. They require so little work in putting them together that a village carpenter can accomplish this task, or if you are a genius you can do it yourself. An objection which many people offer is that they need repairing often, or replacing. Considering the cost, this is not a serious objection.
For a simple Colonial cottage, such pieces as these would be appropriate for use in your garden and you can add a tea table and a few chairs suggestive of afternoon tea, the position being determined by views, for the placing is of as much importance as the piece itself. If possible, have low-growing trees droop over it to give the required shade.
A SIMPLE AND ATTRACTIVE GARDEN SEATA SIMPLE AND ATTRACTIVE GARDEN SEAT
For the elegant mansion, the home of the wealthy, more elaborate pieces are a necessity. Onething should not be forgotten in their choice and that is they should be heavy enough to stay on the ground and resist the strong northeast winds that during a heavy rain sweep over your flower-plot.
Flagstone sometimes gives a variety as well as limestone, but there are several other materials that give a pleasing color and texture, such as the pink granite and the red, black and green slates. Of these, the red is most effective when streaked with another color. Do not choose the Quincy granite; the texture is cold in appearance and the weather never softens the color.
A fault that must not be overlooked is to build your seats too high, thirteen inches being the proper height. The back should always be taken into consideration and made tall enough to support the head so that you will be comfortable when you come to view your garden plot.
It is not always possible to have this piece of furniture placed under the shade of a tree or shrubbery. This necessitates the planning of a summer house, arbor or pergola. Over these, vines can be trained, so that in reality it is much more picturesque than if you had used simply the green shade.
Chairs can be used for this same purpose, in fact, they are very good as they provide a variation of the general theme. They are particularly advisable if it is a backyard garden where a settle might prove too overpowering. Like the garden seat, they can be made of wood. Cedar and locust are preferable if you wish pretty rustic effects. Cypress also is lasting, and if you prefer to give it a coat of paint, it will do service for many years.
For rustic chairs or seats, there is another idea for shelter that is practical. It is to roof it over and shingle the board. It has advantages over anything else in that it affords protection from the summer sun and acts as a windbreak on cold days, besides doing away with the dropping of insects from the leafy tangle of an arbor. No matter how charming a garden may be in its floral arrangement, it requires additions and accessories to display to the best advantage its worth. Just as a house is cozy or barren according to the style of furniture employed, so a garden is beautiful in proportion to the type of ornaments used.
Probably the coming into style of the formal Italian type of garden has done much to develop this feature. Until late years, scant heed was paidto fitness, and in consequence much of the old-time charm found in the Colonial garden was lost.
When planning for your garden seat or chair, take into consideration the planting. In your choice of colors you should vary the scheme to fit in with the particular seat. A white requires different surroundings from a gray or a rustic type. Wrong coloring brings about inharmonious effects and they should be carefully considered in the making a perfect whole. Another thing should be thought out and that is as to whether there is a shade provided by the over-hanging limbs of a tree or by the trailing of vines.
Vines are always interesting. You can use them in a mass, showing one general effect, or you can combine them. Nothing is so pretty in the early spring as the Wisterias, on account of their being not only hardy, but tall growers. Many people claim the best varieties are those grafted on to specially selected stock, thus making them sure bloomers. The soil should also be taken into consideration, for while they thrive in light, sandy conditions, yet deep, rich earth promotes stronger growth. The Magnifica is, perhaps, as vigorous as any. It is such a rapid grower that it shoots upfrom thirty to forty feet in a season. It blossoms rather later than some varieties which show soft, lavender blue blooms. Why not mix this with the Chinese white, whose pure white flowers show long, drooping clusters.
If you are looking for foliage in the early fall, the Vitis Henryana can be used. Its leaves are decorative in effect, being a velvety green with veins of silvery white. It is of Chinese origin and in the fall the foliage turns to a beautiful red. For July and August blossoming, there is the Bignonia Grandiflora or Mammoth-flowered Trumpet creeper. This is a splendid climbing vine, perfectly hardy, giving a growth of from eight to ten feet in a season. Its flowers, which are shown during July and August, are orange red and trumpet-shaped, following as they do after the Wisteria has faded, they bring about an entirely different color scheme. This makes it practical for one to plant a succession of bloom, making each set of flowers correspond with the coloring of the vines.
A very pleasing contrast can be brought out by combining the magnolia-scented White Moon Flower, with a beautiful Blue Dawn. The former is a summer climber, growing from fifteen totwenty feet in height. It makes a beautiful shade for trellises and bears in the season a profusion of large trumpet-shape snow-white flowers that are richly scented and very beautiful. There is also a heavenly blue that combines artistically with the white. One feature of this vine is its thick, overlapping, glossy foliage, and its nightly scores of immense silky blooms which are of rare fragrance. By actual count a strong vine will bear from one to three thousand blossoms in a season. There has within the last few years been discovered a new variety that opens early in the morning and remains so nearly all day.
The beautiful blue of the Paradise Flower is used when one wishes for this color in decorations. The clusters are large, showing from twenty to thirty at a time and it blossoms continually from the time it becomes established until frost.
For a rustic seat, why not try the wild grape or Crimson Glory vine? It is so strong and hardy, notable for its heavy foliage which makes a splendid shade and in the fall is a mass of rich crimson. We have grown to think of morning glories as a pretty, small flower that grew in our grandmother's garden. Many of us have not realized that theyhave been developed until now they show gigantic bloom as large as the moon flowers. They have wonderful coloring, marking and variations of indescribable beauty. As a flowering vine they cannot be surpassed, the flowers being borne by the hundreds and of enormous size, measuring often five and six inches across. Many show a rich combination of shading blended together in an enchanting way, being spotted, penciled, mottled, and variegated in every conceivable manner.