XLI

XLIQUITS

"Wait here," slowly said Hugh in response to the gold-hunter's touch. "I'll—see you presently."The modest adventurer waved assent, yet looked so disappointed that Mrs. Gilmore, moving to take his arm, asked:"Can't Mr. So-and-so go with us?"Oh, kind, quick wit! Three is a crowd, four is only twice two!"Certainly," said Hugh, and to Ramsey added: "We'd better lead the way."As they led she softly inquired: "Does he want to know something about the twins?"What arrows were her questions, and how straight they struck home! Yet with that low voice for their bowstring they gave him comfort. Her forays into his confidence not only relieved the loneliness of his too secretive mind but often, as now, involved a sweet yielding of her confidence to him. Yet now a straight answer was quite impossible."He wants to know something about you," was the reply.She let the palpable evasion pass. On the hurricane roof there was a new sight. The breeze was astern and moved so evenly with the boat as to enfold her in a calm. Looking up for the stars, one saw only the giant chimneys towering straight into the darkness and sending their smoke as straight and as far again beyond, spangled with two firefly swarms of sparks that fell at last in a perpetual, noiseless shower."Why do we go this way?" she asked, meaning forward around the skylight roof instead of across it."Because this way's longer.""Humph!" was the soft response. Presently she added, "We get more fresh air this way," and called back to their two followers: "This is to avoid the sparks.""Um-hmm!" thought kind Mrs. Gilmore, and, "Oh, ho!" mused the Californian, not quite so unselfishly.Around in front of the bell both youth and maiden observed how palely the derrick posts loomed against the spectral chimneys and their smoke, and silently recalled their first meeting, just here, in the long ago of two days earlier. The captain's chair was occupied."Well, father," said Hugh."Good evening," twittered Ramsey."Good evening, Miss Ramsey. Be back this way, Hugh?""In a moment, sir." They passed on. Ramsey looked behind at the Californian."What does he want to know about me?" she asked."He says," said Hugh, "he's nursed this sickness at sea and at Panama and hasn't the slightest fear of it.""Humph!... That's not about me.""Yes, it—was. He's taken a great fancy——""To Basile.""To several of us, including Basile.""Yes, because he and Basile played cards together.""Not entirely for that," said Hugh, looking at her so squarely that she had to smooth back her curls. "But he'd like to help take care of him if you—and your mother, of course—are willing.""Oh, how good—and brave! And he wants to ask me?""No, he's too bashful. I'm asking for him.""Too—!" Ramsey pondered. They stepped more slowly. The other pair turned back; the play demanded Mrs. Gilmore. The sick-room door was so near that Ramsey knew her mother was inside it, by her shadow on its glass. Suddenly, just as Hugh was about to say she need not hurry in—whereupon she would have vanished like a light blown out—she faced him. "D'you ever suffer from bashfulness—diffidence?"He answered on a droll, deep note: "All its horrors."She looked him over. He barely smiled."You never show it," she said."No." To the fanciful girl the monosyllable came like one toll from a low tower. She laughed."Basile says there's another thing you suffer from.""'Suffer'? From what do I 'suffer'?""From everybody else on the boat having a better chance to do things—big things—than you have."He smiled again. "If I did, no one should know it; least of all you."She ignored the last clause. "Aha! I said so. I told him—and mammy Joy told him—there's nothing bigger than to wait your turn andthen take it. And there ain't—there isn't, is there?""Well—even that can be small. Nothing a man is big enough for looks big to him.""Hoh!—after he's done it," laughed Ramsey."True—" said Hugh reflectively, "or suffered it," and both of them began to see that we can rarely lift more than our one corner of the whole truth at a time. "In your way," he added, still musing, "you're larger than I.""Oh, I'm no—such—thing!" Her speech was soft, yet she looked up warily to Watson's pilot-house window, but Watson too thoroughly approved to be looking down. "I'm not half or third or quarter as large." She eagerly turned his attention up the river. Visible only by the lights of her cabin and the sparks from her unseen chimneys, a boat was coming round the next bend. As she entered the reach and breasted the breeze which so calmly accompanied theVotaress, her two spangled plumes of smoke swept straight astern as if two comets raced with her, or——"The Golden Locks of Berenice," whispered Ramsey."Come," Hugh softly responded. TheVotaresshad signalled the usual passage to starboard and unless they went forward the shining spectacle would at once be lost. As they gained the front of the texas the distant craft, happening to open a fire-door, cast a long fan of red light ahead of her, suddenly showing every detail of her white forecastle, illumining her pathway on the yellow waters and revealing in their daylight green the willows of an island close beyond. Then the furnace was shut and again her fair outlines were left to the imagination, except for the prismatic twinkle and glow of her cabin lights."That was like you when you laugh," murmured Hugh, and before she could parry she was smitten again by an innocent random shot from the darkness round the bell."Do you make her out, Mr. Watson?" asked Hugh's father, and she flinched as if Watson were peering down on her."Yes, sir," said the pilot, "she's Hayle'sWild Girl."Not waiting to hear that she was known by her "front skylights standin' so fur aft of her chimbleys," Ramsey wheeled to fly. But instantly she recovered and went with severe decorum, saying quiet nothings to Hugh as he followed, until at the sick-room door again she turned."I'm willing he should help us, Mr. Hugh, if mom-a and Basile are. I'll send him word by mammy Joy. Mr. Hugh—what is it he wants to know about the twins?"Hugh was taken aback. "Why, it's nothing—now. It was as pure nonsense as those verses. Ask him. He can tell if he chooses; I can't." There was a pause. Her eyes gave him lively attention, but one ear was bent to the door."I hope Basile is better," he added."I'm sure he is; he's so much quieter." She felt a stir of conscience, loitering thus, yet—"Mr. Hugh, do you think diffidence is the same as modesty?""Certainly not.""I'm—" She meditated.... "I'm glad of that.... I never was diffident a moment in my life.""You never had need to be," said Hugh very quietly."They go together, don't they, diffidence and modesty?""Not as often as diffidence and conceitedness.""Why, Mr. Hugh!""One thing that makes me so silent is my conceit.""Oh, you! you're not conceited at all! You're modest! You little know how great you are! You're a wonder!" Her tone was candor itself till maiden craft added, while she tinkled her softest and keenest: "You're a poet!"With a gay wave, which dismissed him so easily that she resented his going, she turned, stepped warily into the cramped room, and stood transfixed with remorse for her tardiness and appalled and heart-wrung. The foot of the berth was by the door. There old Joy stood silently weeping. At its head knelt her mother in prayer and on it lay her playmate brother peacefully gasping out his life. A flash of retrospection told her he must have had the malady long before he had confessed it and that something—something earlier than her singing—yes, and later—not twins nor Gilmores nor river—oh, something, what was it?—had kept her—these two long, long days—blind."Ah, you!you!" she dumbly cried, all at once aflame with the Hayle gift for invective. "You stone image! 'To help you,' indeed!You! As if you—as if I—I won't, you born tyrant! 'Help you'—against my own kin! I will not—ever again. We'requitsfor good and all."

"Wait here," slowly said Hugh in response to the gold-hunter's touch. "I'll—see you presently."

The modest adventurer waved assent, yet looked so disappointed that Mrs. Gilmore, moving to take his arm, asked:

"Can't Mr. So-and-so go with us?"

Oh, kind, quick wit! Three is a crowd, four is only twice two!

"Certainly," said Hugh, and to Ramsey added: "We'd better lead the way."

As they led she softly inquired: "Does he want to know something about the twins?"

What arrows were her questions, and how straight they struck home! Yet with that low voice for their bowstring they gave him comfort. Her forays into his confidence not only relieved the loneliness of his too secretive mind but often, as now, involved a sweet yielding of her confidence to him. Yet now a straight answer was quite impossible.

"He wants to know something about you," was the reply.

She let the palpable evasion pass. On the hurricane roof there was a new sight. The breeze was astern and moved so evenly with the boat as to enfold her in a calm. Looking up for the stars, one saw only the giant chimneys towering straight into the darkness and sending their smoke as straight and as far again beyond, spangled with two firefly swarms of sparks that fell at last in a perpetual, noiseless shower.

"Why do we go this way?" she asked, meaning forward around the skylight roof instead of across it.

"Because this way's longer."

"Humph!" was the soft response. Presently she added, "We get more fresh air this way," and called back to their two followers: "This is to avoid the sparks."

"Um-hmm!" thought kind Mrs. Gilmore, and, "Oh, ho!" mused the Californian, not quite so unselfishly.

Around in front of the bell both youth and maiden observed how palely the derrick posts loomed against the spectral chimneys and their smoke, and silently recalled their first meeting, just here, in the long ago of two days earlier. The captain's chair was occupied.

"Well, father," said Hugh.

"Good evening," twittered Ramsey.

"Good evening, Miss Ramsey. Be back this way, Hugh?"

"In a moment, sir." They passed on. Ramsey looked behind at the Californian.

"What does he want to know about me?" she asked.

"He says," said Hugh, "he's nursed this sickness at sea and at Panama and hasn't the slightest fear of it."

"Humph!... That's not about me."

"Yes, it—was. He's taken a great fancy——"

"To Basile."

"To several of us, including Basile."

"Yes, because he and Basile played cards together."

"Not entirely for that," said Hugh, looking at her so squarely that she had to smooth back her curls. "But he'd like to help take care of him if you—and your mother, of course—are willing."

"Oh, how good—and brave! And he wants to ask me?"

"No, he's too bashful. I'm asking for him."

"Too—!" Ramsey pondered. They stepped more slowly. The other pair turned back; the play demanded Mrs. Gilmore. The sick-room door was so near that Ramsey knew her mother was inside it, by her shadow on its glass. Suddenly, just as Hugh was about to say she need not hurry in—whereupon she would have vanished like a light blown out—she faced him. "D'you ever suffer from bashfulness—diffidence?"

He answered on a droll, deep note: "All its horrors."

She looked him over. He barely smiled.

"You never show it," she said.

"No." To the fanciful girl the monosyllable came like one toll from a low tower. She laughed.

"Basile says there's another thing you suffer from."

"'Suffer'? From what do I 'suffer'?"

"From everybody else on the boat having a better chance to do things—big things—than you have."

He smiled again. "If I did, no one should know it; least of all you."

She ignored the last clause. "Aha! I said so. I told him—and mammy Joy told him—there's nothing bigger than to wait your turn andthen take it. And there ain't—there isn't, is there?"

"Well—even that can be small. Nothing a man is big enough for looks big to him."

"Hoh!—after he's done it," laughed Ramsey.

"True—" said Hugh reflectively, "or suffered it," and both of them began to see that we can rarely lift more than our one corner of the whole truth at a time. "In your way," he added, still musing, "you're larger than I."

"Oh, I'm no—such—thing!" Her speech was soft, yet she looked up warily to Watson's pilot-house window, but Watson too thoroughly approved to be looking down. "I'm not half or third or quarter as large." She eagerly turned his attention up the river. Visible only by the lights of her cabin and the sparks from her unseen chimneys, a boat was coming round the next bend. As she entered the reach and breasted the breeze which so calmly accompanied theVotaress, her two spangled plumes of smoke swept straight astern as if two comets raced with her, or——

"The Golden Locks of Berenice," whispered Ramsey.

"Come," Hugh softly responded. TheVotaresshad signalled the usual passage to starboard and unless they went forward the shining spectacle would at once be lost. As they gained the front of the texas the distant craft, happening to open a fire-door, cast a long fan of red light ahead of her, suddenly showing every detail of her white forecastle, illumining her pathway on the yellow waters and revealing in their daylight green the willows of an island close beyond. Then the furnace was shut and again her fair outlines were left to the imagination, except for the prismatic twinkle and glow of her cabin lights.

"That was like you when you laugh," murmured Hugh, and before she could parry she was smitten again by an innocent random shot from the darkness round the bell.

"Do you make her out, Mr. Watson?" asked Hugh's father, and she flinched as if Watson were peering down on her.

"Yes, sir," said the pilot, "she's Hayle'sWild Girl."

Not waiting to hear that she was known by her "front skylights standin' so fur aft of her chimbleys," Ramsey wheeled to fly. But instantly she recovered and went with severe decorum, saying quiet nothings to Hugh as he followed, until at the sick-room door again she turned.

"I'm willing he should help us, Mr. Hugh, if mom-a and Basile are. I'll send him word by mammy Joy. Mr. Hugh—what is it he wants to know about the twins?"

Hugh was taken aback. "Why, it's nothing—now. It was as pure nonsense as those verses. Ask him. He can tell if he chooses; I can't." There was a pause. Her eyes gave him lively attention, but one ear was bent to the door.

"I hope Basile is better," he added.

"I'm sure he is; he's so much quieter." She felt a stir of conscience, loitering thus, yet—"Mr. Hugh, do you think diffidence is the same as modesty?"

"Certainly not."

"I'm—" She meditated.... "I'm glad of that.... I never was diffident a moment in my life."

"You never had need to be," said Hugh very quietly.

"They go together, don't they, diffidence and modesty?"

"Not as often as diffidence and conceitedness."

"Why, Mr. Hugh!"

"One thing that makes me so silent is my conceit."

"Oh, you! you're not conceited at all! You're modest! You little know how great you are! You're a wonder!" Her tone was candor itself till maiden craft added, while she tinkled her softest and keenest: "You're a poet!"

With a gay wave, which dismissed him so easily that she resented his going, she turned, stepped warily into the cramped room, and stood transfixed with remorse for her tardiness and appalled and heart-wrung. The foot of the berth was by the door. There old Joy stood silently weeping. At its head knelt her mother in prayer and on it lay her playmate brother peacefully gasping out his life. A flash of retrospection told her he must have had the malady long before he had confessed it and that something—something earlier than her singing—yes, and later—not twins nor Gilmores nor river—oh, something, what was it?—had kept her—these two long, long days—blind.

"Ah, you!you!" she dumbly cried, all at once aflame with the Hayle gift for invective. "You stone image! 'To help you,' indeed!You! As if you—as if I—I won't, you born tyrant! 'Help you'—against my own kin! I will not—ever again. We'requitsfor good and all."

XLIIAGAINST KIN

"Ramsey," said the boy, his voice gone to a shred, "you're good—to come back in—in time. Ain't you going—to laugh? It'd be all right. Oh, sis'"—the sunken eyes lighted up—"it's come to me, sissy, it's come. I've got religion, Ramsey. I'm going straight to the arms of Jesus. Sissy dear, I wish"—he waited for strength—"I could see the—twins—just a minute or two——""Why, you shall, honey. I'll go bring 'em.""Wish you would—and Hugh Courteney. It's the last——""Honey boy, th'ain't room for so many at once. And it ain't your last anything; you' going to get well."His eyes closed, his brows knit. The tearful mother rose and looked at her. The glance was kind, yet remorse tore the girl's heart again. "Go," said her mother. "Joy, she'll go with you. Bring the three.""My last"—the boy whispered on—"last chance—to do some'—something worthy of"—he faintly smiled to his mother—"of Gideon's Band."The door opened and closed and the two were alone. At his sign she knelt, took his clammy hand, and bent close that he might flutter out his hurried words with least effort."She sang it finely!" he whispered. "She'd 'a' known we heard it if she'd 'a' thought. Wish you'd sing a verse of it. It's a hymn, you know—or was. The chorus is—yet. Anyhow, it's our song. Oh, I'd like to live on and be a real true Hayle—a Gideon! I hope—hope Hugh Courteney'll—live. Just think! he was on theQuakeresswhen Uncle Dan—.... He's going to do big things some day. Mother—want to tell you something." She bent closer. He whispered on:"I wish Hugh Courteney'd live and—marry sis'."His eyes reclosed and the mother drew back, but he whispered on with lids unlifted: "Sing—a verse or two—or just the chorus, won't you?"As softly as to an infant fallen asleep she sang, in her Creole accent, with eyes streaming:"Do you billong to Gideon' ban'?Yere's my 'eart an' yere's my 'an'."Outside, meantime, before old Joy had quite left the closed door, another, the second aft of it, opened and the texas tender stepped out. A fellow servant within shut it, and he started for a near-by stair, but checked up, amazed, to let Ramsey hasten on for the same point.But Ramsey halted. "How's the bishop?" she asked him."Good Lawd!" he gasped, and then tittered at himself. "I ax yo' pahdon, miss, Inevehknow de Hayles twins 'uzdoubletwins, male 'n' female. You ax me——?""The bishop; how is he now?""Well, Miss Hayles—you is Miss Hayles, ain't you? Yit, my Lawd! miss, ain't I dess now see you down in de cabin a-playin' in de play, an' a hund'ed people sayin': ''tisher, 'cose it is'?""Humph! no, I left as the curtain rose. How's the——?""Bishop? Oh, de bishop, he, eh—'bout five-six minute' ago—aw it mowt be ten—whilse I 'uz down dah—de bishop—I'm bleeds to say—breave his las'.""While I—!" She tossed both arms."Ummmm, hmmmm!" droned old Joy; "gone to glory!""Yass, de good bishop gone to his good bishop!""Oh, who was with him?" cried the girl."Why, eh"—the three moved on their way—"de doctoh, he 'uz dah, and de bofe sis' o' charity; yass'm.""The commodore—wasn't?—Nor the senator—nor——?""Oh, yass'm, de commodo', he 'uz dah—faw a spell. He didn' stay till de—finish. He couldn'. He git slightly indispose', hisseff, an' have to go to his own room."The nurse made a meek show of despair and Ramsey turned upon her. "Now, mammy, this is no time—now—don't—cry."The old woman braced up superbly. "Yass'm," persisted the waiter, "he dah now, in bed; slightly indispose'."A rumble close below broke in upon the rhythm of the boat. "What's that?" demanded Ramsey."Oh, dat's on'y de aujience a-stompin' de actohs."The next moment, a step or two down the stair, with the skylight roof still in sight as much as hidden tears would let her see it, she stopped again, to stare anxiously at another trio, coming from the bell to the captain's room."Da'—dat's all right," the white-jacket reassured her. "Dat's dess de cap'm, wid Mr. Hugh an' a passengeh.""Kentucky passenger?""Yass'm, 'zac'ly; f'om Ca'fawnia; dat's him."She sprang back to the deck, and the servant went his way down the stair. Hugh had left his father to proceed on the arm of the Californian and was approaching. He murmured only a preoccupied greeting and would have taken the stair, but old Joy motioned eagerly to the girl. She spoke. He stopped. "Yes, Miss Ramsey?""Go on," she said, "we're going that way."Down on the cabin guards the two paused at the bottom step, the old woman lingering at the top. "Mr. Hugh," said Ramsey, "mom-a's sending me for the twins." She drew a breath. "You know about the commodore?""Yes, Miss Ramsey.""And the—the bishop?""I know, Miss Ramsey.""Mr. Hugh, is your father—taken?""Yes, Miss Ramsey.""Where are you going?""To bring the first clerk.""The boat's command doesn't fall to him, does it?""It falls to the first mate.""I don't see why. Who'll it fall to next? You?""No, the first clerk."Double disappointment. "But you; you'll still look after us passengers and help him, too, won't you?""I may."She knew it! Somehow he was to share with the mate and the clerk the command of the boat!"Mr. Hugh"—they moved on, with Joy at a discreet distance—"you're in a hurry—so am I; but I ought to tell you, though of course it's just ridiculous for us—for me—to think I've ever helped you or can help you in any of these things or in anything—I—oh—I can't help you, or play help you, any more."Cruel word in a cruel moment. She felt it so and expected him to show the same feeling. But instead he halted in the lamplight of a passageway to the cabin and confronted her with the widest, most formidable gaze, not her father's, she had ever met. He seemed absolutely majestic. It was very absurd for one so young and—stumpy—to seem majestic, yet there he stood, truly so. Partly for that reason she could not so much as smile; but partly, too, it was because she felt herself so guiltily frivolous, having anything to say to him, or even standing in his gaze, gazing into it, while his father, her brother, and the bishop lay as they were lying in their several rooms so close overhead."Youcanhelp me," he said in his magisterial voice, so deep yet so soft. "You will. You must. I cannot spare you."Did any one ever! She tossed a faint defiance: "I can't. No. I won't—can't—ever again, against my own kin.""There are things stronger than kin.""I'd like to know what!""Truth. Justice. Honor. Right. Public welfare."She waved them all away as wholly immaterial. "Hoh!"With a kindness far too much like magnanimity to suit her, Hugh, drawing backward, smiled, and replied, not as pressing the argument but as dropping it:"One can be against one's kin, yet not against them. Basile knows that. He proved it to-day.""Basile—oh, Mr. Hugh, Basile wants to see you. Mom-a's sent me as much for you as for the twins. Basile's asked for you. But of course if your father——""I'll come, the moment I can be spared. Is your brother really better?"Ramsey flinched as from pain. She leaned on the shoulder of the nurse—who had come close—and sadly shook her head. But then she straightened smilingly and said: "If you're coming at all——"She might have finished but for a faint sound that reached her from directly underfoot, a sound of sawing. She faced sharply about, passed into the cabin, and found the Gilmores and the amateurs in the midst of their play.

"Ramsey," said the boy, his voice gone to a shred, "you're good—to come back in—in time. Ain't you going—to laugh? It'd be all right. Oh, sis'"—the sunken eyes lighted up—"it's come to me, sissy, it's come. I've got religion, Ramsey. I'm going straight to the arms of Jesus. Sissy dear, I wish"—he waited for strength—"I could see the—twins—just a minute or two——"

"Why, you shall, honey. I'll go bring 'em."

"Wish you would—and Hugh Courteney. It's the last——"

"Honey boy, th'ain't room for so many at once. And it ain't your last anything; you' going to get well."

His eyes closed, his brows knit. The tearful mother rose and looked at her. The glance was kind, yet remorse tore the girl's heart again. "Go," said her mother. "Joy, she'll go with you. Bring the three."

"My last"—the boy whispered on—"last chance—to do some'—something worthy of"—he faintly smiled to his mother—"of Gideon's Band."

The door opened and closed and the two were alone. At his sign she knelt, took his clammy hand, and bent close that he might flutter out his hurried words with least effort.

"She sang it finely!" he whispered. "She'd 'a' known we heard it if she'd 'a' thought. Wish you'd sing a verse of it. It's a hymn, you know—or was. The chorus is—yet. Anyhow, it's our song. Oh, I'd like to live on and be a real true Hayle—a Gideon! I hope—hope Hugh Courteney'll—live. Just think! he was on theQuakeresswhen Uncle Dan—.... He's going to do big things some day. Mother—want to tell you something." She bent closer. He whispered on:

"I wish Hugh Courteney'd live and—marry sis'."

His eyes reclosed and the mother drew back, but he whispered on with lids unlifted: "Sing—a verse or two—or just the chorus, won't you?"

As softly as to an infant fallen asleep she sang, in her Creole accent, with eyes streaming:

"Do you billong to Gideon' ban'?Yere's my 'eart an' yere's my 'an'."

"Do you billong to Gideon' ban'?Yere's my 'eart an' yere's my 'an'."

"Do you billong to Gideon' ban'?

Yere's my 'eart an' yere's my 'an'."

Outside, meantime, before old Joy had quite left the closed door, another, the second aft of it, opened and the texas tender stepped out. A fellow servant within shut it, and he started for a near-by stair, but checked up, amazed, to let Ramsey hasten on for the same point.

But Ramsey halted. "How's the bishop?" she asked him.

"Good Lawd!" he gasped, and then tittered at himself. "I ax yo' pahdon, miss, Inevehknow de Hayles twins 'uzdoubletwins, male 'n' female. You ax me——?"

"The bishop; how is he now?"

"Well, Miss Hayles—you is Miss Hayles, ain't you? Yit, my Lawd! miss, ain't I dess now see you down in de cabin a-playin' in de play, an' a hund'ed people sayin': ''tisher, 'cose it is'?"

"Humph! no, I left as the curtain rose. How's the——?"

"Bishop? Oh, de bishop, he, eh—'bout five-six minute' ago—aw it mowt be ten—whilse I 'uz down dah—de bishop—I'm bleeds to say—breave his las'."

"While I—!" She tossed both arms.

"Ummmm, hmmmm!" droned old Joy; "gone to glory!"

"Yass, de good bishop gone to his good bishop!"

"Oh, who was with him?" cried the girl.

"Why, eh"—the three moved on their way—"de doctoh, he 'uz dah, and de bofe sis' o' charity; yass'm."

"The commodore—wasn't?—Nor the senator—nor——?"

"Oh, yass'm, de commodo', he 'uz dah—faw a spell. He didn' stay till de—finish. He couldn'. He git slightly indispose', hisseff, an' have to go to his own room."

The nurse made a meek show of despair and Ramsey turned upon her. "Now, mammy, this is no time—now—don't—cry."

The old woman braced up superbly. "Yass'm," persisted the waiter, "he dah now, in bed; slightly indispose'."

A rumble close below broke in upon the rhythm of the boat. "What's that?" demanded Ramsey.

"Oh, dat's on'y de aujience a-stompin' de actohs."

The next moment, a step or two down the stair, with the skylight roof still in sight as much as hidden tears would let her see it, she stopped again, to stare anxiously at another trio, coming from the bell to the captain's room.

"Da'—dat's all right," the white-jacket reassured her. "Dat's dess de cap'm, wid Mr. Hugh an' a passengeh."

"Kentucky passenger?"

"Yass'm, 'zac'ly; f'om Ca'fawnia; dat's him."

She sprang back to the deck, and the servant went his way down the stair. Hugh had left his father to proceed on the arm of the Californian and was approaching. He murmured only a preoccupied greeting and would have taken the stair, but old Joy motioned eagerly to the girl. She spoke. He stopped. "Yes, Miss Ramsey?"

"Go on," she said, "we're going that way."

Down on the cabin guards the two paused at the bottom step, the old woman lingering at the top. "Mr. Hugh," said Ramsey, "mom-a's sending me for the twins." She drew a breath. "You know about the commodore?"

"Yes, Miss Ramsey."

"And the—the bishop?"

"I know, Miss Ramsey."

"Mr. Hugh, is your father—taken?"

"Yes, Miss Ramsey."

"Where are you going?"

"To bring the first clerk."

"The boat's command doesn't fall to him, does it?"

"It falls to the first mate."

"I don't see why. Who'll it fall to next? You?"

"No, the first clerk."

Double disappointment. "But you; you'll still look after us passengers and help him, too, won't you?"

"I may."

She knew it! Somehow he was to share with the mate and the clerk the command of the boat!

"Mr. Hugh"—they moved on, with Joy at a discreet distance—"you're in a hurry—so am I; but I ought to tell you, though of course it's just ridiculous for us—for me—to think I've ever helped you or can help you in any of these things or in anything—I—oh—I can't help you, or play help you, any more."

Cruel word in a cruel moment. She felt it so and expected him to show the same feeling. But instead he halted in the lamplight of a passageway to the cabin and confronted her with the widest, most formidable gaze, not her father's, she had ever met. He seemed absolutely majestic. It was very absurd for one so young and—stumpy—to seem majestic, yet there he stood, truly so. Partly for that reason she could not so much as smile; but partly, too, it was because she felt herself so guiltily frivolous, having anything to say to him, or even standing in his gaze, gazing into it, while his father, her brother, and the bishop lay as they were lying in their several rooms so close overhead.

"Youcanhelp me," he said in his magisterial voice, so deep yet so soft. "You will. You must. I cannot spare you."

Did any one ever! She tossed a faint defiance: "I can't. No. I won't—can't—ever again, against my own kin."

"There are things stronger than kin."

"I'd like to know what!"

"Truth. Justice. Honor. Right. Public welfare."

She waved them all away as wholly immaterial. "Hoh!"

With a kindness far too much like magnanimity to suit her, Hugh, drawing backward, smiled, and replied, not as pressing the argument but as dropping it:

"One can be against one's kin, yet not against them. Basile knows that. He proved it to-day."

"Basile—oh, Mr. Hugh, Basile wants to see you. Mom-a's sent me as much for you as for the twins. Basile's asked for you. But of course if your father——"

"I'll come, the moment I can be spared. Is your brother really better?"

Ramsey flinched as from pain. She leaned on the shoulder of the nurse—who had come close—and sadly shook her head. But then she straightened smilingly and said: "If you're coming at all——"

She might have finished but for a faint sound that reached her from directly underfoot, a sound of sawing. She faced sharply about, passed into the cabin, and found the Gilmores and the amateurs in the midst of their play.

XLIIIWHICH FROM WHICH

This world of tragic contrasts and cross-purposes, realities and fictions, this world where the many so largely find their inspiration in the performances of the few, was startlingly typified to Ramsey as, out of the upper night and the darkness of her troubles, she came in upon the show; the audience sitting in their self-imposed twilight of a few dimmed lamps, designedly forgetful of the voyage for which all were there, and the players playing their parts as though the play were the only thing real.If the prefigurement was at any point vague it was none the less arresting. As theVotaress—or Gideon Hayle'sWild Girl—might, in full career, strike on hidden sands, so Ramsey struck on the thought—or call it the unformulated perception—that whoever would really live must, by clear choice and force of will, keep himself—herself—adjusted to this world as a whole; as one great multitudinous entity with a stronger, higher claim on each mere part's sympathy, service, sacrifice, than any mere part can ever hold on it.In a word, Hugh Courteney, baby elephant, born tyrant, egotist—or egoist, whichever it was—self-confessed egotist, stone-faced egoist—with his big-wig airs and big-fiddle voice—was nearer right than she wouldeversubmit to confess to him: therewerethings stronger than kin, bigger every way; and other things bigger than those bigger things, and yet others still bigger than those, and so on and on to the world's circumference. Staggering discovery. Yet how infinitely old it looked the moment she clearly saw it: old, obvious, beautiful, and ugly as the man in the moon. It chanced that right there and then she was forced to accept its practical application. A white-jacket said to her in a muffled voice:"Ef you please—to not to move up to'a'ds de stage whilse de play a-goin' on.""Oh, but I must," she explained. "I'm on business; business that can't wait any longer. I've already been delayed—" Her last word faltered. Something occurring on the stage held her eyes, while two or three auditors who had turned on her a glance of annoyance changed it to a gaze of astonishment. The cub pilot came to her on tiptoe."Oh, Mr. So-and-so," she smilingly whispered as she edged on, "I want my twin brothers. Mom-a wants them, right away, up-stairs."He nodded at each word and began softly to say that this act would be finished in a minute; but she broke in, still inching along: "I can't wait a minute. I've no right to be this late. Basile wants the twins and he's so sick that—that he can't, he mustn't wait.""Missy," pleadingly whispered old Joy at their backs, "missy!" But neither she nor the cub pilot could stop the messenger. Nor did she heed the growing number of those seated all about her whose attention she attracted, though now they were a dozen, a score, glancing, in a suppressed flutter, from her to the stage and from the stage to her and one another.Yet she stopped. For on the stage, in the play, in the part that was to have been hers, she beheld "Harriet" doing that part so well, and winning such lively approval, that doing it better would have distorted the play. Rouged and coifed to reduce her apparent age as much as Ramsey's was to have been increased, she was at all points so like what Ramsey would have been that the bulk of the audience had mistaken her for Ramsey and had made her more and more a favorite at each brief reappearance.Fearful moment. Beyond sight only to the outer eye, the bishop, whom she herself had pushed into the grapple of the pestilence, lay dead. Basile was dying. Two of the Courteneys were plague stricken, and the third, for whom she felt a special, inexplicable accountability, was, with Gilmore and Watson, in constant mortal peril from her twin brothers, and the twins therefore from them. Before her eyes, so near she could have tossed a flower to her, was Phyllis, a spectre from an awful past, the destroyer of theQuakeress, liable herself, within any hour, should the truth be discovered, to be burned like a witch. There she was, "the slave girl Phyllis," as the runaway advertisement would have had it, a culprit, and a property no way superior, in popular regard, to the blackest African, yet by Hayle blood so near of kin—kin! kin to her!—that with no other aid than a few touches of paint and pencil she was being enthusiastically acclaimed as Ramsey Hayle by an assemblage which has just applauded her, Ramsey, in the blaze of those same footlights. Fearful moment! that aged her as no earlier moment ever had; yes, and for the instant, at least, threw into her face a maturity that heightened the unhappy resemblance.She stopped because her presence seemed about to precipitate a terrible mischief, and she stood because flight would but leave that mischief to do its worst. Through this glaring show of likeness she seemed to be in the keenest danger of betraying back into slavery on the spot this poor, intrepid "Harriet," identified as the Phyllis supposed these ten years to be under the floods of the Mississippi. At that moment, on the stage, in Ramsey's rôle of a housemaid, the rôle from which Ramsey bitterly remembered she had been excused through Hugh Courteney's urging, "Harriet" chanced to be acting a ludicrous dismay before a transient dilemma in which, as in Ramsey's, staying threatened disaster yet good faith said stay—Ramsey's own present actual case except that Harriet's was comic. A hundred beholders laughed, and then turning and peering at the dim, central figure of Ramsey suddenly redoubled the laugh and presently redoubled it again.Yet it yielded a certain relief. While there is mirth there is hope. Even now the player of the part was recognized only as Mrs. Gilmore's maid. Her resemblance to Ramsey was passing for pure accident. That the whole thing was visibly offensive to Hayle's twins made it all the more amusing, and Ramsey's pause in the aisle seemed the most natural thing she could do on finding herself in two places at the same time. So for a moment, in which she rejoiced that at any rate the twins had never seen Phyllis as Phyllis. But then the demonstration broke short off. At different points three men stood up at once. In the front row appeared Julian. A few seats behind him loomed the exhorter. The third rose just at Ramsey's elbow, offering her his seat, yet counting it but courtesy still to keep his attention mainly on the play. It was the first clerk, he who had once been clerk on theQuakeress, where he had known Phyllis as Hugh's nurse, and whose scrutiny "Harriet" had until now somehow escaped. Whether in thanking him Ramsey accepted or declined she hardly knew, for just then the gaze he still bent on "Harriet" showed a gleam of recognition. Ramsey's heart rose into her throat. She murmured a hurried word, which she had to go over a second time before it took effect on him:"Mr. Hugh's looking for you, out forward. The commodore and the captain are both sick."As the announcement drew his quick glance she almost waved him to go. Yet what was done was done; with Phyllis recognized, it might be far better for him to remain, and she turned her dismissing gesture into one of detention."I'm Miss Hayle," she whispered, while both looked again toward Julian and "Harriet." "That's my old mammy back yonder. I want my twin brothers. Mom-a wants them, up in the texas, as quick as—never mind, here they come."

This world of tragic contrasts and cross-purposes, realities and fictions, this world where the many so largely find their inspiration in the performances of the few, was startlingly typified to Ramsey as, out of the upper night and the darkness of her troubles, she came in upon the show; the audience sitting in their self-imposed twilight of a few dimmed lamps, designedly forgetful of the voyage for which all were there, and the players playing their parts as though the play were the only thing real.

If the prefigurement was at any point vague it was none the less arresting. As theVotaress—or Gideon Hayle'sWild Girl—might, in full career, strike on hidden sands, so Ramsey struck on the thought—or call it the unformulated perception—that whoever would really live must, by clear choice and force of will, keep himself—herself—adjusted to this world as a whole; as one great multitudinous entity with a stronger, higher claim on each mere part's sympathy, service, sacrifice, than any mere part can ever hold on it.

In a word, Hugh Courteney, baby elephant, born tyrant, egotist—or egoist, whichever it was—self-confessed egotist, stone-faced egoist—with his big-wig airs and big-fiddle voice—was nearer right than she wouldeversubmit to confess to him: therewerethings stronger than kin, bigger every way; and other things bigger than those bigger things, and yet others still bigger than those, and so on and on to the world's circumference. Staggering discovery. Yet how infinitely old it looked the moment she clearly saw it: old, obvious, beautiful, and ugly as the man in the moon. It chanced that right there and then she was forced to accept its practical application. A white-jacket said to her in a muffled voice:

"Ef you please—to not to move up to'a'ds de stage whilse de play a-goin' on."

"Oh, but I must," she explained. "I'm on business; business that can't wait any longer. I've already been delayed—" Her last word faltered. Something occurring on the stage held her eyes, while two or three auditors who had turned on her a glance of annoyance changed it to a gaze of astonishment. The cub pilot came to her on tiptoe.

"Oh, Mr. So-and-so," she smilingly whispered as she edged on, "I want my twin brothers. Mom-a wants them, right away, up-stairs."

He nodded at each word and began softly to say that this act would be finished in a minute; but she broke in, still inching along: "I can't wait a minute. I've no right to be this late. Basile wants the twins and he's so sick that—that he can't, he mustn't wait."

"Missy," pleadingly whispered old Joy at their backs, "missy!" But neither she nor the cub pilot could stop the messenger. Nor did she heed the growing number of those seated all about her whose attention she attracted, though now they were a dozen, a score, glancing, in a suppressed flutter, from her to the stage and from the stage to her and one another.

Yet she stopped. For on the stage, in the play, in the part that was to have been hers, she beheld "Harriet" doing that part so well, and winning such lively approval, that doing it better would have distorted the play. Rouged and coifed to reduce her apparent age as much as Ramsey's was to have been increased, she was at all points so like what Ramsey would have been that the bulk of the audience had mistaken her for Ramsey and had made her more and more a favorite at each brief reappearance.

Fearful moment. Beyond sight only to the outer eye, the bishop, whom she herself had pushed into the grapple of the pestilence, lay dead. Basile was dying. Two of the Courteneys were plague stricken, and the third, for whom she felt a special, inexplicable accountability, was, with Gilmore and Watson, in constant mortal peril from her twin brothers, and the twins therefore from them. Before her eyes, so near she could have tossed a flower to her, was Phyllis, a spectre from an awful past, the destroyer of theQuakeress, liable herself, within any hour, should the truth be discovered, to be burned like a witch. There she was, "the slave girl Phyllis," as the runaway advertisement would have had it, a culprit, and a property no way superior, in popular regard, to the blackest African, yet by Hayle blood so near of kin—kin! kin to her!—that with no other aid than a few touches of paint and pencil she was being enthusiastically acclaimed as Ramsey Hayle by an assemblage which has just applauded her, Ramsey, in the blaze of those same footlights. Fearful moment! that aged her as no earlier moment ever had; yes, and for the instant, at least, threw into her face a maturity that heightened the unhappy resemblance.

She stopped because her presence seemed about to precipitate a terrible mischief, and she stood because flight would but leave that mischief to do its worst. Through this glaring show of likeness she seemed to be in the keenest danger of betraying back into slavery on the spot this poor, intrepid "Harriet," identified as the Phyllis supposed these ten years to be under the floods of the Mississippi. At that moment, on the stage, in Ramsey's rôle of a housemaid, the rôle from which Ramsey bitterly remembered she had been excused through Hugh Courteney's urging, "Harriet" chanced to be acting a ludicrous dismay before a transient dilemma in which, as in Ramsey's, staying threatened disaster yet good faith said stay—Ramsey's own present actual case except that Harriet's was comic. A hundred beholders laughed, and then turning and peering at the dim, central figure of Ramsey suddenly redoubled the laugh and presently redoubled it again.

Yet it yielded a certain relief. While there is mirth there is hope. Even now the player of the part was recognized only as Mrs. Gilmore's maid. Her resemblance to Ramsey was passing for pure accident. That the whole thing was visibly offensive to Hayle's twins made it all the more amusing, and Ramsey's pause in the aisle seemed the most natural thing she could do on finding herself in two places at the same time. So for a moment, in which she rejoiced that at any rate the twins had never seen Phyllis as Phyllis. But then the demonstration broke short off. At different points three men stood up at once. In the front row appeared Julian. A few seats behind him loomed the exhorter. The third rose just at Ramsey's elbow, offering her his seat, yet counting it but courtesy still to keep his attention mainly on the play. It was the first clerk, he who had once been clerk on theQuakeress, where he had known Phyllis as Hugh's nurse, and whose scrutiny "Harriet" had until now somehow escaped. Whether in thanking him Ramsey accepted or declined she hardly knew, for just then the gaze he still bent on "Harriet" showed a gleam of recognition. Ramsey's heart rose into her throat. She murmured a hurried word, which she had to go over a second time before it took effect on him:

"Mr. Hugh's looking for you, out forward. The commodore and the captain are both sick."

As the announcement drew his quick glance she almost waved him to go. Yet what was done was done; with Phyllis recognized, it might be far better for him to remain, and she turned her dismissing gesture into one of detention.

"I'm Miss Hayle," she whispered, while both looked again toward Julian and "Harriet." "That's my old mammy back yonder. I want my twin brothers. Mom-a wants them, up in the texas, as quick as—never mind, here they come."

XLIVFORBEARANCE

Ramsey was mistaken—her brothers were staying. The play's first act was done, there was great clapping and thumping and the curtain was falling—or closing, in two parts from opposite sides, eased over sticking-points by nimble efforts behind it; but though Julian—who evidently had been getting through the general's courtesy the indulgence denied him at the bar—had moved a step or so from his chair, Lucian remained seated. Next them sat the general and the senator, and the four were debating together. Oddly enough, the twins were in disaccord, and while Lucian had the senator's approval the general's went to his brother. The applause died out prematurely and the whole company gave its attention to the debate, Ramsey sinking into the clerk's seat and laughing merrily—since it was laugh or perish."No, gentlemen," she heard Julian say, "this is the last-st st-straw. A nigger wench made up to counterfeit a member of our family, and the part given her which that member of our family was to have played! ... Overlook—oh, good God, sir, we've done nothing but overlook, every hour of day and night since we started."From the other three came responses too quiet to be understood. Ramsey half rose toward the clerk and sank again, begging him to carry her errand on to the brothers, and he had softly moved forward as far as to the exhorter when that person, still on his feet, called to Julian:"Yass! an' thah ah cause to believe said niggeh——"Two small interruptions came at once, provoking a general laugh: Julian, staring at him in heavy abstraction, said dreamily, "Ho—ho—hold your tongue," while the clerk, at "John the Baptist's" side, gently grasped between the shoulders a fold of his coat, mildly suggested, "Have a seat," and put him so suddenly off his balance that he plumped heavily into his chair—quite enough to rouse the mirth of a company already a trifle nervous. And now Julian was heard again:"No, Luce, you can stay, I'll go alone—or with—thank you, general! Oh, senator, we are not blind, sir, though every time we overlook some insult they think we are. Good Lord! do you reckon we don't see that all this laugh is at us, got up at our expense, and has been at us since the first turn of this boat's wheels at Canal Street? We saw—andoverlooked—that vile attempt to take our two ladies up the river without us, starting the instant they got aboard and leaving us at the water's edge a laughing-stock for passengers, crew, and pantry boys!"Both senator and general coaxed him to sit down, but the most he would concede was to drop his voice as he continued: "You know, gentlemen, and they know, that any true man would as soon be slapped in the face and spit upon as to be laughed at.... No, I—" His words became indistinguishable.Ramsey was in anguish. She would have glided forward with her tidings and summons but for the clerk blocking the path half-way. A stir of annoyance ran through the gathering, here grave, there facetious, but it stopped short as a new figure moved quietly past Ramsey and stood beside the clerk. It was Hugh, and the general interest revived. He exchanged a word or two with the clerk, who turned and left the cabin while Hugh stayed with the exhorter.Julian, without seeing the newcomer, once more broke forth, this time plainly intending to make every one his listener: "No, we don't interrupt and we shall not.""Oh, no," daringly put in an ironical hearer, "Hayle's twins, they never interrupt an innocent pleasure!""How air it innercent?" called John the Baptist, at Hugh's side, rising again and gesticulating. "No theayter play kin be innercent an' much less this-yeh one, by reason 'at they ah cause to believe that-ah servant-gal——"He was pulled down again with even less ceremony than before, though by friendlier hands, hands of the two lenders of the sword-canes, who fell to counselling him in crafty undertones. But Julian was talking dead ahead, ignoring all distractions and not even yet discovering Hugh:"We didn't more than whisper, general, till the curtain fell. Now, did we? When it rises again—what, sir?... My dear senator! it's our fellow passengers who don't see—that their kind intentions are being made part of a put-up game to torment us to leave the boat.... Oh, no, they—why, sir, the dastards set it a-going the moment they'd persuaded our ladies to stay and risk their priceless lives nursing those damned Dutch on the lower deck."The senator ached to be the steamer's length removed but saw no way of dignified escape. Several listeners, remembering Ramsey's tactics and their success, gayly laughed, but two or three gasped an audible dismay; two or three men said, "Sh-sh-sh!" two or three said, "Ladies present," "Remember the ladies," and some one droned out in a mock voice: "The stage waits."And plainly it did so; waited on the audience, with Mrs. Gilmore peeping through the curtain, whose rise would reveal "Harriet" alone; a terrible risk if the exhorter should get in the bolt he was trying to launch."Oh, where is Mr. Gilmore?" thought Ramsey, and, "Why don't they call again for 'Gideon's Band'? Yet who would sing it?" Her distressed lips were silently asking many such questions when she sprang up and halted the Californian, who had come in at her back on his way to Hugh."How's the captain?" she whispered in smiling agitation.With low affirmative bows, so enraptured to be speaking with her as to be all but speechless, he murmured: "Get'—getting on—so far." He waved an oddly delicate hand—backward from the wrist, girlishly—"He's all—hunkadory.""And Basile?" Anxious as she was, she yet saw while she spoke—and he saw—that Julian had at length sighted Hugh and that at least three-fourths of the audience, the whole male portion, was eying that pair with the alertness of man's primitive interest in man-to-man encounter. At her mention of the sick boy the gold hunter ceased to nod. His countenance fell."Oh," she whispered, "won'tyougo and tell them, all three, Mr. Courteney and both twins, how bad off he is, and that he sent me, and mom-a says come quick?"He went. Forgetting to sit down, she watched him go and let Gilmore pass her as Hugh had done. Now, what was his errand? The actor and the Californian reached Hugh together. The three drew a step back from the exhorter and his advisers and conferred in the aisle while Julian's tirade went straight on as completely ignored by them as though it were the most normal sound of the boat's machinery. The sight so amused the audience that laughter came again and then clapping and pounding, in a succession of outbreaks, each coming so close after one of Julian's utterances that his dizzy head took it for approval, though to every one else, and especially to Ramsey, the meaning was weariness of him and impatience of Gilmore's delay.He spoke with his face to his associates but with his voice addressed to those other three in the aisle: "We were invited on this boat in pure cowardly malice." (Applause.) "To have our weapons stolen from us by servants and locked up by underlings and to have the boat's ordinary refreshments forbidden us." (Laughter and applause.) "To be thrust into contact with a deadly pestilence and to be insulted or assaulted by hired blackguards on one or another of every deck from forecastle gangway to pilot-house." (Long and loud applause.) "And all this, sirs, we have overlooked; but to be made a public laughing-stock we will not endure if I have to pull every Courteney's nose to stop it!" (Loud laughter and prolonged applause.) Amid the din Ramsey recognized the voice of old Joy moaning with grief and consternation in the gloom behind her, and caught the words of the cub pilot, said for his soul's relief, not dreaming she would hear: "If you two ornery cusses wa'n't Gid Hayle's boys we'd clap you in irons quicker'n you could lick out your tongue."But amid the same din what, she laughingly, painfully wondered, were the three standers in the aisle so privately, calmly saying together—with the actor as chief speaker, Hugh grim, and the Californian mostly a nodding listener? Was Hugh—whose big eyes and stone visage so drolly fitted each other yet seemed so sadly unfitted to this big emergency—was he insisting that it would be idle for him to go to Basile without the twins, as was only too true? Or that John the Baptist and his two disciples must first be disposed of? Or was it his word that the most pressing need was for the actor, long trained to perceive just what would capture an audience in such a stress, to step between footlights and curtain, tell the people that honest facts had never been more crazily twisted into falsehood and slander, and explain the true situation in a brief, apt speech, dignified and amusing? Certainly something had to be done and done this instant. But not that, ah, no! Or if that, not done by him, the actor. She could never imagine such a manœuvre attempted on a boat of her father's, whose sole way of mastery was by pure lordship and main force. Yet here, with these Courteneys, who, he had always said, outmastered him by their clever graciousness, and dealing here not with subordinates but with passengers—a living nerve of the river's whole public—talk treatment might be the cleverest, wisest kind to give, if only Hugh—oh, if only Hugh!—could give it. But of course he could not, with that face, that visage, so muchtoolordly and forceful—and hard—and glum—for a clever task.Julian ceased. His high head went a shade higher; the Californian was advancing straight upon him. With a pang Ramsey remembered that she had failed to charge the gold hunter not to let the twins know that their brother's summons included Hugh, lest that should keep them away. But surely he would see that necessity; and in fact he did. Hugh stood still, looking in the opposite, her, Ramsey's, direction, where the actor was coming toward her. The old nurse had stolen to her side. The player went by without a glance at her. It was so much like asking why she stood there doing nothing that she granted the old woman's whispered prayer and sat down. Behind her he spoke busily for a second to the cub pilot and passed out by a side exit. The pilot's cub came by, had a word or two with the exhorter, and stayed there as if on guard.Now, for all these small things to happen in the one moment and to happen in the midst of a waiting audience made its show of suspense more vivid than ever; excitement was in all eyes; every chin was lifted. The Californian seemed to tell Julian a startling thing or two. The general rose, the senator helped Lucian to his feet. The four came close about the news bearer and he told more. Ramsey could almost feel his mention of the bishop and then of Basile. Lucian asked a question or two and the five came down the aisle, one pair leading, the other following, and Julian between, alone, overpeering all sitters, with a splendid air of being commander and in the saddle.

Ramsey was mistaken—her brothers were staying. The play's first act was done, there was great clapping and thumping and the curtain was falling—or closing, in two parts from opposite sides, eased over sticking-points by nimble efforts behind it; but though Julian—who evidently had been getting through the general's courtesy the indulgence denied him at the bar—had moved a step or so from his chair, Lucian remained seated. Next them sat the general and the senator, and the four were debating together. Oddly enough, the twins were in disaccord, and while Lucian had the senator's approval the general's went to his brother. The applause died out prematurely and the whole company gave its attention to the debate, Ramsey sinking into the clerk's seat and laughing merrily—since it was laugh or perish.

"No, gentlemen," she heard Julian say, "this is the last-st st-straw. A nigger wench made up to counterfeit a member of our family, and the part given her which that member of our family was to have played! ... Overlook—oh, good God, sir, we've done nothing but overlook, every hour of day and night since we started."

From the other three came responses too quiet to be understood. Ramsey half rose toward the clerk and sank again, begging him to carry her errand on to the brothers, and he had softly moved forward as far as to the exhorter when that person, still on his feet, called to Julian:

"Yass! an' thah ah cause to believe said niggeh——"

Two small interruptions came at once, provoking a general laugh: Julian, staring at him in heavy abstraction, said dreamily, "Ho—ho—hold your tongue," while the clerk, at "John the Baptist's" side, gently grasped between the shoulders a fold of his coat, mildly suggested, "Have a seat," and put him so suddenly off his balance that he plumped heavily into his chair—quite enough to rouse the mirth of a company already a trifle nervous. And now Julian was heard again:

"No, Luce, you can stay, I'll go alone—or with—thank you, general! Oh, senator, we are not blind, sir, though every time we overlook some insult they think we are. Good Lord! do you reckon we don't see that all this laugh is at us, got up at our expense, and has been at us since the first turn of this boat's wheels at Canal Street? We saw—andoverlooked—that vile attempt to take our two ladies up the river without us, starting the instant they got aboard and leaving us at the water's edge a laughing-stock for passengers, crew, and pantry boys!"

Both senator and general coaxed him to sit down, but the most he would concede was to drop his voice as he continued: "You know, gentlemen, and they know, that any true man would as soon be slapped in the face and spit upon as to be laughed at.... No, I—" His words became indistinguishable.

Ramsey was in anguish. She would have glided forward with her tidings and summons but for the clerk blocking the path half-way. A stir of annoyance ran through the gathering, here grave, there facetious, but it stopped short as a new figure moved quietly past Ramsey and stood beside the clerk. It was Hugh, and the general interest revived. He exchanged a word or two with the clerk, who turned and left the cabin while Hugh stayed with the exhorter.

Julian, without seeing the newcomer, once more broke forth, this time plainly intending to make every one his listener: "No, we don't interrupt and we shall not."

"Oh, no," daringly put in an ironical hearer, "Hayle's twins, they never interrupt an innocent pleasure!"

"How air it innercent?" called John the Baptist, at Hugh's side, rising again and gesticulating. "No theayter play kin be innercent an' much less this-yeh one, by reason 'at they ah cause to believe that-ah servant-gal——"

He was pulled down again with even less ceremony than before, though by friendlier hands, hands of the two lenders of the sword-canes, who fell to counselling him in crafty undertones. But Julian was talking dead ahead, ignoring all distractions and not even yet discovering Hugh:

"We didn't more than whisper, general, till the curtain fell. Now, did we? When it rises again—what, sir?... My dear senator! it's our fellow passengers who don't see—that their kind intentions are being made part of a put-up game to torment us to leave the boat.... Oh, no, they—why, sir, the dastards set it a-going the moment they'd persuaded our ladies to stay and risk their priceless lives nursing those damned Dutch on the lower deck."

The senator ached to be the steamer's length removed but saw no way of dignified escape. Several listeners, remembering Ramsey's tactics and their success, gayly laughed, but two or three gasped an audible dismay; two or three men said, "Sh-sh-sh!" two or three said, "Ladies present," "Remember the ladies," and some one droned out in a mock voice: "The stage waits."

And plainly it did so; waited on the audience, with Mrs. Gilmore peeping through the curtain, whose rise would reveal "Harriet" alone; a terrible risk if the exhorter should get in the bolt he was trying to launch.

"Oh, where is Mr. Gilmore?" thought Ramsey, and, "Why don't they call again for 'Gideon's Band'? Yet who would sing it?" Her distressed lips were silently asking many such questions when she sprang up and halted the Californian, who had come in at her back on his way to Hugh.

"How's the captain?" she whispered in smiling agitation.

With low affirmative bows, so enraptured to be speaking with her as to be all but speechless, he murmured: "Get'—getting on—so far." He waved an oddly delicate hand—backward from the wrist, girlishly—"He's all—hunkadory."

"And Basile?" Anxious as she was, she yet saw while she spoke—and he saw—that Julian had at length sighted Hugh and that at least three-fourths of the audience, the whole male portion, was eying that pair with the alertness of man's primitive interest in man-to-man encounter. At her mention of the sick boy the gold hunter ceased to nod. His countenance fell.

"Oh," she whispered, "won'tyougo and tell them, all three, Mr. Courteney and both twins, how bad off he is, and that he sent me, and mom-a says come quick?"

He went. Forgetting to sit down, she watched him go and let Gilmore pass her as Hugh had done. Now, what was his errand? The actor and the Californian reached Hugh together. The three drew a step back from the exhorter and his advisers and conferred in the aisle while Julian's tirade went straight on as completely ignored by them as though it were the most normal sound of the boat's machinery. The sight so amused the audience that laughter came again and then clapping and pounding, in a succession of outbreaks, each coming so close after one of Julian's utterances that his dizzy head took it for approval, though to every one else, and especially to Ramsey, the meaning was weariness of him and impatience of Gilmore's delay.

He spoke with his face to his associates but with his voice addressed to those other three in the aisle: "We were invited on this boat in pure cowardly malice." (Applause.) "To have our weapons stolen from us by servants and locked up by underlings and to have the boat's ordinary refreshments forbidden us." (Laughter and applause.) "To be thrust into contact with a deadly pestilence and to be insulted or assaulted by hired blackguards on one or another of every deck from forecastle gangway to pilot-house." (Long and loud applause.) "And all this, sirs, we have overlooked; but to be made a public laughing-stock we will not endure if I have to pull every Courteney's nose to stop it!" (Loud laughter and prolonged applause.) Amid the din Ramsey recognized the voice of old Joy moaning with grief and consternation in the gloom behind her, and caught the words of the cub pilot, said for his soul's relief, not dreaming she would hear: "If you two ornery cusses wa'n't Gid Hayle's boys we'd clap you in irons quicker'n you could lick out your tongue."

But amid the same din what, she laughingly, painfully wondered, were the three standers in the aisle so privately, calmly saying together—with the actor as chief speaker, Hugh grim, and the Californian mostly a nodding listener? Was Hugh—whose big eyes and stone visage so drolly fitted each other yet seemed so sadly unfitted to this big emergency—was he insisting that it would be idle for him to go to Basile without the twins, as was only too true? Or that John the Baptist and his two disciples must first be disposed of? Or was it his word that the most pressing need was for the actor, long trained to perceive just what would capture an audience in such a stress, to step between footlights and curtain, tell the people that honest facts had never been more crazily twisted into falsehood and slander, and explain the true situation in a brief, apt speech, dignified and amusing? Certainly something had to be done and done this instant. But not that, ah, no! Or if that, not done by him, the actor. She could never imagine such a manœuvre attempted on a boat of her father's, whose sole way of mastery was by pure lordship and main force. Yet here, with these Courteneys, who, he had always said, outmastered him by their clever graciousness, and dealing here not with subordinates but with passengers—a living nerve of the river's whole public—talk treatment might be the cleverest, wisest kind to give, if only Hugh—oh, if only Hugh!—could give it. But of course he could not, with that face, that visage, so muchtoolordly and forceful—and hard—and glum—for a clever task.

Julian ceased. His high head went a shade higher; the Californian was advancing straight upon him. With a pang Ramsey remembered that she had failed to charge the gold hunter not to let the twins know that their brother's summons included Hugh, lest that should keep them away. But surely he would see that necessity; and in fact he did. Hugh stood still, looking in the opposite, her, Ramsey's, direction, where the actor was coming toward her. The old nurse had stolen to her side. The player went by without a glance at her. It was so much like asking why she stood there doing nothing that she granted the old woman's whispered prayer and sat down. Behind her he spoke busily for a second to the cub pilot and passed out by a side exit. The pilot's cub came by, had a word or two with the exhorter, and stayed there as if on guard.

Now, for all these small things to happen in the one moment and to happen in the midst of a waiting audience made its show of suspense more vivid than ever; excitement was in all eyes; every chin was lifted. The Californian seemed to tell Julian a startling thing or two. The general rose, the senator helped Lucian to his feet. The four came close about the news bearer and he told more. Ramsey could almost feel his mention of the bishop and then of Basile. Lucian asked a question or two and the five came down the aisle, one pair leading, the other following, and Julian between, alone, overpeering all sitters, with a splendid air of being commander and in the saddle.

XLVAPPLAUSE

Diffidence! Hugh had spoken of diffidence—in himself—in the twins. Could Julian really be hiding such a thing behind such a mask? Ramsey wondered.Every eye was on him and again the floor thundered, shaming her, flattering him. As he came on, the exhorter began to put out an arm, to speak and to rise, but the cub pilot blandly intervened and Julian ignored him. For there both brothers came face to face with the first mate. He had entered where Gilmore went out, and now passed them with a stare like their own, fire for fire, and at close quarters began to accost the exhorter and his two adherents.They rose, and with evident change of meaning thunder came again, though not for them. The departing twins and their triple escort; the exhorter and the four about him; Ramsey, Joy, and the returned Gilmore, who just then touched her shoulder and whispered something to which she replied with quick nods of consent—all these groups lifted their gaze, with the whole company's, to the curtained stage.Diffidence! oh, wherewasdiffidence? Hugh had stepped in behind the footlights and was standing and looking out across them as foursquare and unsmiling as a gravestone.Their light was on his brow, whose frown smote her with foreboding. Half folded he held a slip of paper as if about to give official notice of some grave matter, and his aggressive eyes, that seemed to her to look a greater distance away from a greater distance within than ever before, were fixed on one man. Absolute silence fell. And thereupon, to the open-mouthed amazement of the audience, with his stare yet on that one face, and in a voice that seemed octaves below hers, he began to sing straight at the exhorter:"Do you belong to Gideon's ban'?"A shout of laughter, a rain of clappings, a thunder of canes and feet. Sitters bumped up and down. They were safe home again in nonsense and were glad. Ramsey's laugh was like a dancer's bells though under cover of the dusk she let the tears roll down. Old Joy moaned and shook her head. John the Baptist had begun to retort but withered before a ferocious muffled threat from the mate while following him into the aisle. "Bucked and gagged," was the mate's odd phrase, at which a dozen or so nearest him laughed again, a bit nervously. They looked back to see if the twins had heard it, and were just in time to catch from Julian and the general a last glare of scorn as the group of five left the cabin. Then again came silence, except behind the footlights, where the sphinx-like singer bore straight on through the refrain and came to the new lines. Sing them out, sphinx; the more senseless the better."Nex' come de 'coon and de cockatroo,Nex' come de 'coon and de cockatroo,Nex' come de 'coon and de cockatroo,De hawg and de whoopdedoodendoo.Do you belong——?"The inquiry was drowned in applause, which swelled as the mate and the exhorter went out with the latter's two backers—more eagle-eyed and stallion-eyed than ever—and with Watson's cub at the rear. A number stretched up for a glimpse of Ramsey but she too—and the actor—and Joy—were gone. There was another waiting hush, and the droll singer, so droll because so granite solemn, resumed:"Den turkle-dove an' blue-bird blue,Den turkle-dove an' blue-bird blue,Den turkle-dove an' blue-bird blue,De merry-go-roun' and de hullabaloo.Do you belong——?"Applause! Was that the end? Not if the applauders could help it! The day was coming when a boiler-deck and pilot-house tradition, heard by many with hearty enjoyment, by many with silent disdain, would be this: that aboard the oldVotaresson her first up trip—late spring of '52—cholera on every deck—mutiny hotly smouldering—the unreason of fear and of wrath were beaten in fair fight by the unreason of mirth, and men's, women's, children's lives—no telling how many—were saved, through the cleverness of some play-actors and first the youngest of all the Hayles and then the youngest of all the Courteneys singing a nonsense song! Sing it! sing on!He sang on:"Den de grizzly-b'ah and den de mole,De grizzly-b'ah and den de mole,De grizzly-b'ah and den de mole,De terrapintime and de wrigglemarole.Do you belong——?"The plaudits were at their height and Hugh still on the interrogative line when there came from behind the curtain a voice skilfully thrown to reach only him:"Give them one verse more and we'll be ready!"He gave it:"Las' de cattlemaran and de curlicue,De cattlemaran and de curlicue,De cattlemaran and de curlicue,De daddy-long-legs and de buggaboo.Do you belong——?"He stepped quickly from the "stage." The curtains drew apart. The scene revealed was a drawing-room. In it stood alone, as if playfully listening for something, the housemaid; not "Harriet" but Ramsey.(Laughter and applause.)

Diffidence! Hugh had spoken of diffidence—in himself—in the twins. Could Julian really be hiding such a thing behind such a mask? Ramsey wondered.

Every eye was on him and again the floor thundered, shaming her, flattering him. As he came on, the exhorter began to put out an arm, to speak and to rise, but the cub pilot blandly intervened and Julian ignored him. For there both brothers came face to face with the first mate. He had entered where Gilmore went out, and now passed them with a stare like their own, fire for fire, and at close quarters began to accost the exhorter and his two adherents.

They rose, and with evident change of meaning thunder came again, though not for them. The departing twins and their triple escort; the exhorter and the four about him; Ramsey, Joy, and the returned Gilmore, who just then touched her shoulder and whispered something to which she replied with quick nods of consent—all these groups lifted their gaze, with the whole company's, to the curtained stage.

Diffidence! oh, wherewasdiffidence? Hugh had stepped in behind the footlights and was standing and looking out across them as foursquare and unsmiling as a gravestone.

Their light was on his brow, whose frown smote her with foreboding. Half folded he held a slip of paper as if about to give official notice of some grave matter, and his aggressive eyes, that seemed to her to look a greater distance away from a greater distance within than ever before, were fixed on one man. Absolute silence fell. And thereupon, to the open-mouthed amazement of the audience, with his stare yet on that one face, and in a voice that seemed octaves below hers, he began to sing straight at the exhorter:

"Do you belong to Gideon's ban'?"

"Do you belong to Gideon's ban'?"

"Do you belong to Gideon's ban'?"

A shout of laughter, a rain of clappings, a thunder of canes and feet. Sitters bumped up and down. They were safe home again in nonsense and were glad. Ramsey's laugh was like a dancer's bells though under cover of the dusk she let the tears roll down. Old Joy moaned and shook her head. John the Baptist had begun to retort but withered before a ferocious muffled threat from the mate while following him into the aisle. "Bucked and gagged," was the mate's odd phrase, at which a dozen or so nearest him laughed again, a bit nervously. They looked back to see if the twins had heard it, and were just in time to catch from Julian and the general a last glare of scorn as the group of five left the cabin. Then again came silence, except behind the footlights, where the sphinx-like singer bore straight on through the refrain and came to the new lines. Sing them out, sphinx; the more senseless the better.

"Nex' come de 'coon and de cockatroo,Nex' come de 'coon and de cockatroo,Nex' come de 'coon and de cockatroo,De hawg and de whoopdedoodendoo.Do you belong——?"

"Nex' come de 'coon and de cockatroo,Nex' come de 'coon and de cockatroo,Nex' come de 'coon and de cockatroo,De hawg and de whoopdedoodendoo.Do you belong——?"

"Nex' come de 'coon and de cockatroo,

Nex' come de 'coon and de cockatroo,

Nex' come de 'coon and de cockatroo,

De hawg and de whoopdedoodendoo.

Do you belong——?"

The inquiry was drowned in applause, which swelled as the mate and the exhorter went out with the latter's two backers—more eagle-eyed and stallion-eyed than ever—and with Watson's cub at the rear. A number stretched up for a glimpse of Ramsey but she too—and the actor—and Joy—were gone. There was another waiting hush, and the droll singer, so droll because so granite solemn, resumed:

"Den turkle-dove an' blue-bird blue,Den turkle-dove an' blue-bird blue,Den turkle-dove an' blue-bird blue,De merry-go-roun' and de hullabaloo.Do you belong——?"

"Den turkle-dove an' blue-bird blue,Den turkle-dove an' blue-bird blue,Den turkle-dove an' blue-bird blue,De merry-go-roun' and de hullabaloo.Do you belong——?"

"Den turkle-dove an' blue-bird blue,

Den turkle-dove an' blue-bird blue,

Den turkle-dove an' blue-bird blue,

De merry-go-roun' and de hullabaloo.

Do you belong——?"

Applause! Was that the end? Not if the applauders could help it! The day was coming when a boiler-deck and pilot-house tradition, heard by many with hearty enjoyment, by many with silent disdain, would be this: that aboard the oldVotaresson her first up trip—late spring of '52—cholera on every deck—mutiny hotly smouldering—the unreason of fear and of wrath were beaten in fair fight by the unreason of mirth, and men's, women's, children's lives—no telling how many—were saved, through the cleverness of some play-actors and first the youngest of all the Hayles and then the youngest of all the Courteneys singing a nonsense song! Sing it! sing on!

He sang on:

"Den de grizzly-b'ah and den de mole,De grizzly-b'ah and den de mole,De grizzly-b'ah and den de mole,De terrapintime and de wrigglemarole.Do you belong——?"

"Den de grizzly-b'ah and den de mole,De grizzly-b'ah and den de mole,De grizzly-b'ah and den de mole,De terrapintime and de wrigglemarole.Do you belong——?"

"Den de grizzly-b'ah and den de mole,

De grizzly-b'ah and den de mole,

De grizzly-b'ah and den de mole,

De terrapintime and de wrigglemarole.

Do you belong——?"

The plaudits were at their height and Hugh still on the interrogative line when there came from behind the curtain a voice skilfully thrown to reach only him:

"Give them one verse more and we'll be ready!"

He gave it:

"Las' de cattlemaran and de curlicue,De cattlemaran and de curlicue,De cattlemaran and de curlicue,De daddy-long-legs and de buggaboo.Do you belong——?"

"Las' de cattlemaran and de curlicue,De cattlemaran and de curlicue,De cattlemaran and de curlicue,De daddy-long-legs and de buggaboo.Do you belong——?"

"Las' de cattlemaran and de curlicue,

De cattlemaran and de curlicue,

De cattlemaran and de curlicue,

De daddy-long-legs and de buggaboo.

Do you belong——?"

He stepped quickly from the "stage." The curtains drew apart. The scene revealed was a drawing-room. In it stood alone, as if playfully listening for something, the housemaid; not "Harriet" but Ramsey.(Laughter and applause.)

XLVIAFTER THE PLAY

Neither Hugh nor Ramsey slept a moment that night. And no more did the Gilmores or "Harriet" or John the Baptist or even the senator or the Californian. The play, second act, was cut without mercy and rushed to a close to let its hero and heroine off at Napoleon, which Ned called a "future city" but which, some years later, became a former city, by melting into thin air, or thick water, and leaving not so much behind as a candle-end or a broken bottle.It was not far above there that these unsleeping passengers began to remark a fresh rise in the river's flood, which her "family" and crew had noticed much earlier by a difference in the nature and quantity of its driftwood. Near the mouth of White River, about an hour's run above Napoleon, a great floating tree stump, with all its roots, was caught on the buckets of the "labboard" wheel—"like a cur on a cow's horn," said Gilmore—and carried clear over it with a sudden hubbub in the paddle-box, tenfold what ten curs could have made, bringing to his feet every passenger not abed, and scaring awake every sleeping one. Neither Ramsey nor Hugh ever forgot it, for it evoked the last stir in the supine form of Basile, and a faint spasm in his cold grasp on Hugh's fingers. Under his freer hand, on his all but motionless breast, lay his mother's crucifix. Shortly before, while waiting for Hugh's tardy coming, he had held a hand of his sister, whose other held her mother's. On the edge of the berth, at his feet, sat Lucian, very pale, with Julian standing by him. Both betrayed deep feeling yet kept a brave look that was good to see even with eyes as prejudiced as Hugh's. Only Basile himself was without tears.How fashions change! There are styles even in death-bed scenes. This one was of the old fashion, bearing a strong tinge of fatalism; no hopeful make-believe to the dying that death was other than death; no covert, diligent, desperate economies of the vital spark; but a frank, helpless reception of the dread angel as a royal guest, and a pious, inert consent to let the dying die. Before either Hugh or Ramsey could come from the cabin the twins had reached the bedside and had been received with a final lighting up of the boy's spent powers, which his mother made no effort to restrain. In a feeble, altered voice, without heat, scorn, or petulance, with a mind stripped of all its puerilities and full of fraternal care and faithfulness, and with a magisterial dignity far beyond his years, he slowly poured out a measured stream of arraignment and appeal which their hardened hearts were still too young to withstand unmoved.His conversion, he told them, had come to him with a great light, "on the road to Damascus," and by that light he saw, as he implored them to see, the hideous deformity of the life he and they and the young fellows of their usual companionship had been living. Even Ramsey knew, he continued as she and their old nurse silently reappeared, that by the plainest laws of the land, they were not too good for the penitentiary. An overweening pride in their lawlessness did not justify or excuse it; the devils had that, in hell. They, the twins, were not Christian gentlemen. They werenot gentlemen at all. They'd shoot a man down in his tracks for saying so, or for calling them liars, yet they'd turn the truth wrong side out every day in the year. These last two days they'd done it right along. At this moment they had a fixed design to kill Hugh Courteney on the first good chance and didn't care a continental whether they did it in face-to-face murder or from behind a bush. Lying at death's door, he said, and in jealousy for the same Hayle name they professed to be so jealous for, he demanded their oath to abandon that design; to stop it, drop it, "right here and now," and never to seek the life of any Courteney but in clear defence of some other life. His own seemed almost to fade out at that point, yet presently:"Hold up your right hands," he gasped, trying to raise his. The mother lifted it for him while giving the twins a tearful flash of command. Unconsciously Ramsey put up hers as Lucian's left suddenly caught Julian's right and he held up both it and his own.But neither the boy nor Ramsey nor the old nurse felt assured, and all three were glad when the mother asked:"You swear?"Julian stood mute but, "With that provision," said Lucian, "we swear.""So help you God?" insisted the mother, and while she spoke and the twins bowed, the narrow door let some one in."Is that Hugh Courteney?" asked the boy. "You're just in time, Hugh. The feud's off.""Oh, there's no feud, Basile," tenderly murmured Hugh."No, it's off, thank God. I got it off. The twins have just sworn it off. Shake hands, boys. Come, you first, Jule."But Lucian led, with a certain alacrity, Julian following with less."Now take my hand, Hugh." The voice was failing but once more it rallied. "Give it to him, sis'.... Thank you.... Keep it, Hugh Courteney. I love a brave man's hand. We heard you singing, Hugh. My! but you've got grit. I wish you belonged to Gideon's band yourself. You're braver than most men, though most men'll always think they're braver than you."Hugh could only dry the damp from the cold brow. He grew fiercely ashamed not so much of his tears, which those around him were too tearful to observe, as of the boy's praises, before which he could only stand dumb."He's brave, sis'," Basile went on, "and he's clean, and he's square, mother, boys. You were on theQuakeresswhen she burned, wa'n't you? Ah, me!—wish I'd known you then. I'd be a different man now. I don't believe I'd be dying. My heavenly Father wouldn't 'a' had to call me in out of the storm.""My heavenly Father wouldn't 'a' had to call me in out of the storm""My heavenly Father wouldn't 'a' had to call me in out of the storm"His mother sank to her knees against the berth's side, covered her face, and shook with grief. The daughter sank too, weepingly caressing her, yet was still able so to divide her thought as yearningly to wish Hugh, for his own sake, well away, as she saw his hand softly endeavor to draw free from Basile's. But it was on that instant that the great tree root came thundering up through the wheel-house and the dying clasp tightened. The shock of surprise revived him. "Hugh—do something for me?... Thank you. Bishop's gone, you know. Read my burial service. I don't want the—play-actor—though he's fine; nor the priest, though he's fine, too. Mom-a'd be a saint in any—persuasion, and pop and us boys are Methodists, if anything, and I—I didn't get religion in Latin and I don't want to be buried in it." He waited. Hugh was silent.The Creole mother, still kneeling, drew closer. "Yass," she said, "he shall read that."But plainly there was one thing more though the tired eyelids sank. "Let down your ear," murmured the lips.Hugh knelt, bent, waited. The distressed twins watched them. The hold on his hand relaxed. He lifted and looked."What do he say?" tearfully asked old Joy, pressing in."Nothing," said Hugh; and then to the twins: "He's gone."Out in the benign starlight and caressing breeze Hugh hastened to his father's door.

Neither Hugh nor Ramsey slept a moment that night. And no more did the Gilmores or "Harriet" or John the Baptist or even the senator or the Californian. The play, second act, was cut without mercy and rushed to a close to let its hero and heroine off at Napoleon, which Ned called a "future city" but which, some years later, became a former city, by melting into thin air, or thick water, and leaving not so much behind as a candle-end or a broken bottle.

It was not far above there that these unsleeping passengers began to remark a fresh rise in the river's flood, which her "family" and crew had noticed much earlier by a difference in the nature and quantity of its driftwood. Near the mouth of White River, about an hour's run above Napoleon, a great floating tree stump, with all its roots, was caught on the buckets of the "labboard" wheel—"like a cur on a cow's horn," said Gilmore—and carried clear over it with a sudden hubbub in the paddle-box, tenfold what ten curs could have made, bringing to his feet every passenger not abed, and scaring awake every sleeping one. Neither Ramsey nor Hugh ever forgot it, for it evoked the last stir in the supine form of Basile, and a faint spasm in his cold grasp on Hugh's fingers. Under his freer hand, on his all but motionless breast, lay his mother's crucifix. Shortly before, while waiting for Hugh's tardy coming, he had held a hand of his sister, whose other held her mother's. On the edge of the berth, at his feet, sat Lucian, very pale, with Julian standing by him. Both betrayed deep feeling yet kept a brave look that was good to see even with eyes as prejudiced as Hugh's. Only Basile himself was without tears.

How fashions change! There are styles even in death-bed scenes. This one was of the old fashion, bearing a strong tinge of fatalism; no hopeful make-believe to the dying that death was other than death; no covert, diligent, desperate economies of the vital spark; but a frank, helpless reception of the dread angel as a royal guest, and a pious, inert consent to let the dying die. Before either Hugh or Ramsey could come from the cabin the twins had reached the bedside and had been received with a final lighting up of the boy's spent powers, which his mother made no effort to restrain. In a feeble, altered voice, without heat, scorn, or petulance, with a mind stripped of all its puerilities and full of fraternal care and faithfulness, and with a magisterial dignity far beyond his years, he slowly poured out a measured stream of arraignment and appeal which their hardened hearts were still too young to withstand unmoved.

His conversion, he told them, had come to him with a great light, "on the road to Damascus," and by that light he saw, as he implored them to see, the hideous deformity of the life he and they and the young fellows of their usual companionship had been living. Even Ramsey knew, he continued as she and their old nurse silently reappeared, that by the plainest laws of the land, they were not too good for the penitentiary. An overweening pride in their lawlessness did not justify or excuse it; the devils had that, in hell. They, the twins, were not Christian gentlemen. They werenot gentlemen at all. They'd shoot a man down in his tracks for saying so, or for calling them liars, yet they'd turn the truth wrong side out every day in the year. These last two days they'd done it right along. At this moment they had a fixed design to kill Hugh Courteney on the first good chance and didn't care a continental whether they did it in face-to-face murder or from behind a bush. Lying at death's door, he said, and in jealousy for the same Hayle name they professed to be so jealous for, he demanded their oath to abandon that design; to stop it, drop it, "right here and now," and never to seek the life of any Courteney but in clear defence of some other life. His own seemed almost to fade out at that point, yet presently:

"Hold up your right hands," he gasped, trying to raise his. The mother lifted it for him while giving the twins a tearful flash of command. Unconsciously Ramsey put up hers as Lucian's left suddenly caught Julian's right and he held up both it and his own.

But neither the boy nor Ramsey nor the old nurse felt assured, and all three were glad when the mother asked:

"You swear?"

Julian stood mute but, "With that provision," said Lucian, "we swear."

"So help you God?" insisted the mother, and while she spoke and the twins bowed, the narrow door let some one in.

"Is that Hugh Courteney?" asked the boy. "You're just in time, Hugh. The feud's off."

"Oh, there's no feud, Basile," tenderly murmured Hugh.

"No, it's off, thank God. I got it off. The twins have just sworn it off. Shake hands, boys. Come, you first, Jule."

But Lucian led, with a certain alacrity, Julian following with less.

"Now take my hand, Hugh." The voice was failing but once more it rallied. "Give it to him, sis'.... Thank you.... Keep it, Hugh Courteney. I love a brave man's hand. We heard you singing, Hugh. My! but you've got grit. I wish you belonged to Gideon's band yourself. You're braver than most men, though most men'll always think they're braver than you."

Hugh could only dry the damp from the cold brow. He grew fiercely ashamed not so much of his tears, which those around him were too tearful to observe, as of the boy's praises, before which he could only stand dumb.

"He's brave, sis'," Basile went on, "and he's clean, and he's square, mother, boys. You were on theQuakeresswhen she burned, wa'n't you? Ah, me!—wish I'd known you then. I'd be a different man now. I don't believe I'd be dying. My heavenly Father wouldn't 'a' had to call me in out of the storm."

"My heavenly Father wouldn't 'a' had to call me in out of the storm""My heavenly Father wouldn't 'a' had to call me in out of the storm"

His mother sank to her knees against the berth's side, covered her face, and shook with grief. The daughter sank too, weepingly caressing her, yet was still able so to divide her thought as yearningly to wish Hugh, for his own sake, well away, as she saw his hand softly endeavor to draw free from Basile's. But it was on that instant that the great tree root came thundering up through the wheel-house and the dying clasp tightened. The shock of surprise revived him. "Hugh—do something for me?... Thank you. Bishop's gone, you know. Read my burial service. I don't want the—play-actor—though he's fine; nor the priest, though he's fine, too. Mom-a'd be a saint in any—persuasion, and pop and us boys are Methodists, if anything, and I—I didn't get religion in Latin and I don't want to be buried in it." He waited. Hugh was silent.

The Creole mother, still kneeling, drew closer. "Yass," she said, "he shall read that."

But plainly there was one thing more though the tired eyelids sank. "Let down your ear," murmured the lips.

Hugh knelt, bent, waited. The distressed twins watched them. The hold on his hand relaxed. He lifted and looked.

"What do he say?" tearfully asked old Joy, pressing in.

"Nothing," said Hugh; and then to the twins: "He's gone."

Out in the benign starlight and caressing breeze Hugh hastened to his father's door.

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