attributed to,
38
.
Richter, Dr. (quoted),
70 note
.
Ridolfi (quoted),
16
,
28
,
35
,
53 note
,
67
,
87
.
Ruskin (quoted),
7
.
S. Liberale
(in the Castelfranco altar-piece),
10
;
(National Gallery),20,95,149.
S. George slaying the Dragon
(National Gallery, Rome),
91
,
156
.
Sta. Justina
(Herr von Kauffmann, Berlin),
91
,
153
.
Schiavone, Pictures attributed to,
35
,
78
,
89
.
Schubert, Analogy between Giorgione and,
59
,
110
.
Sebastiano del Piombo, believed to have completed Giorgione's
Aeneas, Evander, and Pallas
,
13
;
hisViolin-Player,70,103;
Giorgione'sMadonna and Saints(Louvre) completed by,106;
his close relation with Giorgione,106,115;
hisHerodias with the Head of John Baptist,106.
Shepherd Boy
(Hampton Court),
47
,
48
,
150
, ill. 48.
Shepherds, Two
, from the
Birth of Paris
, now at Buda-Pesth,
46
,
47
,
147
.
Statius, Story from,
11
,
157
.
Storm calmed by S. Mark
(Academy, Venice) attributed to Giorgione by Mr Berenson,
54
,
55
,
66
,
156
.
Stormy Landscape with the Soldier and Gipsy.
See
Adrastus and Hypsipyle
Three Ages, The
(Pitti),
28
,
42
,
52
,
66
,
155
,
ill. 42
.
Three Philosophers, The.
See
Aeneas, Evander, and Pallas
Titian, Giorgione's
Venus
at Dresden completed by,
35
;
influence of Giorgione on,48;
the PittiConcertattributed to by Morelli,50,51.
Christ bearing the Cross(Venice) wrongly attributed to,54,55;
difficulty of distinguishing between Giorgione and,50,69,71;
influence of Giorgione on,68,69,74;
hisTribute Money,55;
the portrait of a gentleman of the Barberigo family, said to have been painted by,68,73;
portrait calledArrosto, wrongly attributed to,69,70;
his signature,71;
pictures by Giorgione completed by,72;
Portrait of a Lady(Crespi Collection) wrongly attributed to,74,75;
portrait of Caterina Cornato by,78 note;
other pictures wrongly attributed to,86,87,94,97;
hisSacred and Profane Love,95;
hisMadonnaat Rovigo,95-100;
hisVenus(Uffizi) copied from Giorgione,99;
his genius essentially dramatic,108;
relations with the School of Bellini,115;
compared with Giorgione,117-118,119.
SeeAppendix II
Torbido, Francesco,
Portrait of a Man
by, at Padua,
48
;
suggested as the author of theShepherdat Hampton Court,49.
Trial of Moses, The
(Uffizi),
15
,
16
,
62
,
155
,
ill. 16
.
Two Musicians, The
(Glasgow), 91 note,
149
.
Van Dyck, Sketch of
Christ bearing the Cross
by,
55
.
Vasari (quoted),
3
,
48
,
49
,
55
,
64
,
65
,
66
,
68
,
80
,
107 note
.
Vecellio, Francesco, Giorgione's
Madonna
at Madrid attributed to, 45 note.
Venturi, Signor (quoted),
18
,
32
,
35
,
56
, 57 note,
74
,
76
,
80
,
85
,
91
,
97
,
98
.
Venus
(Dresden),
35
-
37
,
40
,
44
,
65
,
94
,
117
,
118
,
154
,
ill. 36
;
copied by Titian,99,100.
Venus and Adonis
(National Gallery),
94
,
149
,
ill. 94
.
Venus disarming Cupid
(Wallace Collection),
93
,
151
.
Vivarini, Alvise,
114
.
Wickhoff, Herr Franz (quoted),
11
,
40
,
47
,
87
,
88
,
126
.
Zanetti,
56
,
65
.