TOWER OF LA SEO: ZARAGOZA.TOWER OF LA SEO: ZARAGOZA.
We passed from this delightful atmosphere into the modern streets of the city, thinking how little remained of its former traces. For it goes far back in history, even to the days of the Romans, when it was called Cæsarea Augusta; a name that in course of ages was transformed to Zaragoza. Early in the first century it was prosperous; a free city possessing its own charters, seat of the Assizes, owning a mint. But of the old Roman city all traces have disappeared. It was one of the first cities to renounce Paganism. Aurelios Prudentius the first Christian poet was born here in the year 348. Christianity was then the keynote of its life, and martyrs died for the faith. Now it is given up to the worship of the Virgin almost more than any town in Spain. In the eighth century it fell under the dominion of the Moors, who kept it until the twelfth century. Then came Alonso the Warrior, who captured it after a desperate siege of five years, when the people had most ofthem perished from hunger: one of the most determined resistances in the history of the world.
It passed through many vicissitudes as the centuries rolled on. Then in 1808 came the French, who without taking the town managed to leave it almost in ruins. Then came the attack under Napoleon's four generals, and Zaragoza resisted them single-handed for sixty-two days of terrible struggle, combined with plague and famine. All Spain looked on and did nothing to relieve it. It fell in 1809. Since that time it has had a peaceful return to prosperity.
Many of the ancient outlines and splendours of the city had disappeared in the "heap of ruins" left by the French. A new element arose, and as we walked towards our rambling old inn, with its thousand-and-one passages, we thought them painfully evident. At the inn we took up our guide, who escorted us through many streets and turnings to the Plaza del Portillo, where stood the ancient west gate of the city.
It was on this very spot that occurred the romantic episode of Augustina the Fair Maid of Zaragoza; a Spanish Joan of Arc on a small scale.
In the terrible siege to which the city was to succumb, Augustina was fighting on the walls side by side with her devoted lover. She watched him fall, death-stricken, then took the match from his loosening hand and worked the gun herself. Determined to avenge her lover, it is said that she fought long and desperately and with more fatal execution than any two artillerymen. But we all know the story by heart; and how, though courting death, she escaped all dangers.
Not to see this romantic spot were we here, but the Aljaferia, just beyond the gate, in some measure by far the most interesting secular building in Zaragoza. This was the ancient palace of the Moorish kings, and still possesses some exquisite Moorish traces and outlines, though chiefly by way of restoration. It was built by a Sheikh of Zaragoza as a royal fortress, with almost impregnable walls. Ferdinand the Catholic gave it over to the Inquisition party to add to the power of this wretched tribunal, partly because in these strong walls the hated judges found a safe refuge after the murder of the popular and ill-fated Arbues.
In the French war it was much injured by Suchet, who turned it into a barrack, then degraded this ancient palace of the Moorish kings and the kings of Aragon to the rank of a prison. Alphonso XII. restored the palace, and had it redecorated as far as possible to imitate its ancient splendour. The staircase is very fine, and the ceilings of some of the rooms are magnificent. One of the rooms is called the Salon of Santa Isabel, because here that future queen of Hungary, so famous for her goodness, was born in 1271. It is richly decorated in blue and gold. There is a small octagonal mosque of great beauty, which has been left just as it was in the days of the Moors; and some of the horseshoe doorways, in outline at least, have not changed. The visit was full of interest, and in spite of all alteration, carried us back to the days when that wonderful people reigned in Zaragoza. In the upper part was a magnificent armoury, kept in good order by the soldiers—for this fine old building has again been turned into a barrack, and devoted to military use.
The day passed on to night, and there came an hour when we found ourselves sitting for a time in the café that is said to be the largest in Spain, studying human nature, listening to the music—for once an interesting and civilised performance. The room was gorgeously fitted up with gilding and mirrors that seemed to reflect a million lights. The atmosphere was fast growing to that state of blue haze which the Spaniards delight in, many of whom are said to carry on their smoke in their sleep by some process of conjuring only to be acquired after long practice.
We happened to be looking away from the orchestra, in deep study of a curious group to our right—a group which seemed to comprise four generations. One was one of the oddest little old women we had ever seen, with a wonderfully wrinkled face, and small restless eyes sharp as an eagle's, and withered hands that looked like a bird's claws. This was the little great-grandmother. She had by no means passed into her dotage, the nonentity of old age, and was possibly not more than seventy or seventy-five, though she looked a hundred. Then came her son and daughter-in-law—unmistakably her son from the likeness to her on a larger and somewhat pleasanter scale. Then a stillyounger generation: a young man and woman, evidently husband and wife; she as evidently the man's daughter. These were better dressed and looked as though they had climbed a few rungs up the social ladder; they were prosperous in their small way; and the young man was distinctly of a better grade than his father-in-law. On his knee sat a lovely boy some five years old, fast asleep, his head pillowed against the father's shoulder. Here was the fourth generation.
But what most attracted us was the singular beauty of the young man's wife, with her delicate flushed cheeks, her white teeth, clear hazel eyes, and abundant hair perfectly arranged. He seemed to follow her looks and hang upon her words and worship the ground she trod upon, and we did not wonder.
We were absorbed in this domestic picture, when suddenly we were arrested by the spell of a lovely voice, and well-remembered words fell upon our ear. It was that touching song of Lamartine's,Le Lac, so pathetic in words and music. We turned and felt thrilled and startled as we recognised the face and form that had accosted us in El Pilar and poured out her sad story.
But the face was changed. In place of the hungry pallor there was now a crimson flush; the eyes sparkled with light. Was it all due to inward fever, to the wine-cup, or to artificial aid? Not the latter, we thought. There was a beauty upon the face nothing artificial ever yet possessed. She was quietly dressed in black. It might have been the very robe she had worn in the morning, differently arranged.
We must have moved or slightly started, for at that moment she evidently recognised us. For an instant her face changed colour, her voice trembled; then she recovered herself, and apparently did not again notice us.
The very first words of the introduction had caught our ear with all the charm and familiarity of an old friend. All its dramatic power was well rendered by the singer.
So it went on, to the end of the declamation. Then, after a slight pause, whilst the accompanist went through the short refrain, the soft sweet melody, the graceful, mournful words rose upon the air:
Not a word was lost. Every syllable rang out softly, distinctly, clear as a bell. We had never heard the song more beautifully sung, or greater justice done to its pathos. Every shade of sadness in its cadences was perfectly given. It was only too evident that trouble had helped the exquisite voice to its sorrowful ring. To us, who were to some extent behind the scenes of the singer's life, it was difficult to listen without emotion. We could read between the lines and knew the source of her inspiration; the deep suffering and misery that lay behind it all.
When the song was over, with its applause that grated, and the singer had retired, we felt the room had become stifling and unbearable, and went out into the night air. The streets seemed to have grown small and contracted. Something must be done for that sad life that would otherwise soon be lost in every sense of the word; yet apparently we were powerless to move in the matter. Suddenly, as though by an inspiration, we thought of the old canon, so full of sympathy and human kindness. If there could be any possible way of escape, he was the one to suggest it; and we determined to lay the whole case before him.
Thus thinking, we unconsciously found ourselves on thebanks of the river. The night was clear and calm; the stars hung in the sky: the moon, brilliant and silvery, was rising behind El Pilar, showing up in magic outlines all the grace of its domes and towers. The old bridge spanned the stream, whose dark waters flowed rapidly through its seven arches.
It was a perfect night, a witching scene. Everywhere intense quiet reigned, absolute stillness and repose. The world might have been a sleeping paradise, knowing nothing of human suffering. But we had learned that day by sad experience that the time for sorrow and sighing to flee away lay still in the far-off future.
El Pilar by day—In the old cathedral—The canon reproachful—Equal to the occasion—No pressure needed—Un diner maigre—Dream of forty years—True to time—Juanita—Fruits of long service—Exploring Juanita's domains—House of magic—"Surely not a fast-day"—Artistic dreams—Who can legislate after death?—Canon's abstinence—Juanita withdraws—Our opportunity—Canon earnest and sympathetic—Eugenie de Colmar—Canon's surprise—An old friend—Truth stranger than fiction—"You will forget the old priest"—Ingratitude not one of our sins—Arivederci—Canon's letter—End of Eugenie's story—En route for Tarragona—Landlord turns up at Lerida—Missing keys—Skeletons floated out to Panama—Domestic drama—Dragon again to the front—Tarragona—Matchless coast scene—Civilised inn—Military element—Haunted house—Mystery unsolved—Distinct elements—Roman and other remains—Dream of the past—Green pastures and sunny vineyards.
El Pilar by day—In the old cathedral—The canon reproachful—Equal to the occasion—No pressure needed—Un diner maigre—Dream of forty years—True to time—Juanita—Fruits of long service—Exploring Juanita's domains—House of magic—"Surely not a fast-day"—Artistic dreams—Who can legislate after death?—Canon's abstinence—Juanita withdraws—Our opportunity—Canon earnest and sympathetic—Eugenie de Colmar—Canon's surprise—An old friend—Truth stranger than fiction—"You will forget the old priest"—Ingratitude not one of our sins—Arivederci—Canon's letter—End of Eugenie's story—En route for Tarragona—Landlord turns up at Lerida—Missing keys—Skeletons floated out to Panama—Domestic drama—Dragon again to the front—Tarragona—Matchless coast scene—Civilised inn—Military element—Haunted house—Mystery unsolved—Distinct elements—Roman and other remains—Dream of the past—Green pastures and sunny vineyards.
ITwas the next day. We had again been standing on the farther bank of the river watching the flowing waters. They were dark and deep, a mighty stream that swept through the seven arches of the wonderful bridge reflecting its outlines. We had contemplated for the twentieth time the marvellous effect of the domes and towers of El Pilar rising like an eastern vision against the clear sky, had asked ourselves over and over again where we should find a fairer and a more striking view, and found the question difficult to answer. We had strolled over that same bridge back into the town, where the charm of outline and ancient atmosphere so strangely disappeared; had passed the fine old Exchange, crossed the square with its plashing fountain and ever-changing group of chattering women filling their artistic pitchers.
Finally we had found ourselves within the cathedral, also, for the twentieth time, lost in this architectural splendour; this wonder of a bygone age, where all the fret of every-day life had no room for existence.
As we looked, we noticed a portly figure hurriedly crossing the aisles in our direction. At the first moment he did not see us. An expression of intense amiability and benevolence "was upon the large round face, that would otherwise have been so ugly, and by its aid was made so beautiful. He raised his eyes and came down upon us as an eagle to its prey.
"You are here!" he cried. "I have been wondering all the morning why I did not come across you, in what ancient nook you had buried yourselves. I was now on my way to your hotel to ask whether you had departed to other fields, and to find out why you did not come to me last night. To-night I shall make sure of you. You shall dine with me—I will take no refusal. For once the old priest's frugal fare must suffice you. It shall be a fast-day. Abstinence from flesh-meat occasionally is good, even for travellers. Tell me you will come. Do not pain me by refusing, or make me guilty of pressing you too much. Juanita, my old housekeeper, tells me she is quite equal to preparing youun diner maigre."
Pressure was not needed; we were too glad to accept the good priest's invitation. He was given to hospitality in the best sense of the word, and we readily promised to dine with him. For us, the diner maigre had no terrors.
"That is good," he replied, in his rich round voice. "I shall expect you at seven o'clock, though we shall not dine until eight. So you are still lost in amazement at this architectural dream. The oftener you see it, the more beautiful it becomes. With few interruptions I have looked upon it daily for forty years, and every morning its charm seems new and strange to me. Well, since I have seen you I shall not go to your hotel. I have sundry visits to pay to poor sick folk. Until the infirmities of old age become too strong for me I will not give them up. And before that happens I trust a merciful Creator will remove me to scenes where there is neither age nor infirmity nor sick poor in need of consolation."
He hurried away, leaving us to the marvellous interior. We were glad to go to the old canon's, and felt it would be our opportunity for laying before him that interesting but unhappy case.
INTERIOR OF CATHEDRAL, SHOWING CORO AND ORGAN: ZARAGOZA.INTERIOR OF CATHEDRAL, SHOWING CORO AND ORGAN: ZARAGOZA.
As the clock struck seven we rang the bell. The droopinghandle was in itself an object of art: a wonderful specimen of iron work cunningly wrought. We were not privileged to use the hidden spring, which moreover we could not discover. The bell was immediately answered by Juanita in grey hair, placid face and black silk gown; a picture of high respectability. She greeted us with a serene smile and assured us that we were welcome: tones and manner a reflection of her master's: the fruits of long and faithful service. Hers was a face to be taken on trust.
As we entered, the canon came out of his dining-room.
"I like this punctuality," he cried, "and you are doubly welcome. As our frugal dinner is not ready, I will take you through my little house whilst a glimmer of daylight lasts. Let us first lay siege to Juanita's regions—my good old housekeeper who has been with me or mine for fifty years—ever since she was a maiden of ten. We will explore the mysteries of her preparations for our benefit. I always feel like a child when gazing upon her handiwork."
A long passage panelled in old dark oak led from the dining-room to the kitchen. Here, indeed, we found ourselves in fairyland. The room was far larger than the dining-room. Latticed windows looked out upon a small courtyard, half conservatory, where bloomed a profusion of sweet-smelling flowers. The kitchen itself was a picture; walls were panelled, the ceiling was of oak; everything bore the unmistakable tone of age. Facing the windows were hooks and shelves bearing the brightest of brass pots and pans. The latticed windows, the flowers beyond all, here found their reflections multiplied. Every brass implement was of the most artistic description. At right angles with this, other shelves bore a small but special dinner-service of old Spanish ware, the only example of its kind we had ever seen. Below this was an old dresser on which the silver used by the canon was displayed, with here and there an artistic water-pot and cooler.
In the centre of the spacious kitchen was a large, solid, substantial oak table. At one end lay some work at which Juanita had evidently lately been busy. At the other end was a small pile of the curious Spanish-ware plates, evidently on their way to the dining-room.
Under one of the latticed windows was Juanita's help-mate: a young woman busily engaged in preparing a dish of olives. One could have lived in this room with the greatest pleasure, and never asked for anything more artistic or luxurious. A savoury smell, as of frying of eggs with sweet herbs, was in the air; yet were there no signs of stove or cooking. A huge chimney-place there was, in which half a dozen people might have comfortably found seats; but nothing was to be seen excepting a couple of old-fashioned dogs on which some lighted wood and peat sparkled and crackled, whilst the blue smoke went curling up the wide opening.
"Wonderful!" we cried, taking in the incomparable effect of the whole room. "This is a house of magic."
"Very simple magic," laughed the old canon. "I fear that in sleight of hand Juanita and I would be failures. Her magic lies in preparing simple dishes."
"But where are they prepared?" we said. "There is neither sign nor sound of cooking here."
"Come and see," laughed the canon; and crossing the kitchen, he led the way through a further door down a short passage into a small, whitewashed room beyond. Here on a large stove Juanita and her hand-maiden conducted their mysteries. A dozen brass pans stood upon the stove, and every one of them seemed in use.
"Surely these are not for dinner!" we cried. "It was to be a fast-day."
"A fast-day as far as flesh is concerned," laughed the canon. "That does not absolutely mean that you are to starve. I know no more than you what Juanita has prepared. If I intruded upon her province with the faintest suggestion, she might retaliate by sending us empty dishes. I fear our faces would lengthen before them—that is if anything could lengthen mine," he gurgled, turning his large, round, delightful countenance full upon us. "I see signs of approaching readiness in those steaming saucepans. Let us continue our inspection. Daylight dies; nothing remains but the afterglow."
We passed again through the charming old kitchen, where the logs on the great hearth blazed and crackled.
"Summer and winter, Juanita will have a fire," said the oldcanon, pointing to the crackling logs. "She declares that she is growing old and shivery, and the bright flames chase the vapours from her mind."
We passed up the old oak staircase. Everywhere we came upon the same signs of age; the same artistic old panelling; bedrooms with ancient oak furniture, oak ceilings finely carved. A perfect house of its kind, and much larger than it appeared from the outside. One room was the canon's own sanctum, fitted up with book-shelves, where reposed many a precious volume. Amongst his treasures he produced some ancient illuminated manuscripts of rare value. The desk at which he sat and worked was placed near a latticed window in a corner of the room, through which one just caught sight of the tower of La Seo.
Again we exclaimed that so perfect a house should be found in Zaragoza.
"Mine by inheritance," said the canon. "Early in the sixteenth century it belonged to a far-away ancestor, who was Bishop of Zaragoza. Dying, he left it to his brother and his children, of whom I am a direct descendant. The singular thing is that between the bishop and myself there has not been a single ecclesiastic in the family. When I die, the direct line of nearly four centuries will be broken. The house will pass to my nephew, who is mixed up with Court life, and has married a Court beauty. He is already nearly middle-aged, with sons and daughters growing up. As far as possible I have ordained that the house shall never be altered. But who can legislate for what shall happen after death?"
We returned to the dining-room, where we soon found that our fast was to be in reality a light, refined and delicate feast. Fish of more kinds than one, dressed to perfection; eggs and sweet herbs in many forms and disguises; choice fruits. And from his cellar the canon brought forth exquisite wines—priceless Johannisberg and Chambertin; whilst with our coffee he gave us Chartreuse fifty years old. Yet he himself passed over all delicacies, limiting his dinner to eggs and sweet herbs, with which he drank coffee.
"You censure others by the dignity of excelling," we said. "Though crowding upon us these indulgences, you abstain from all."
"I believe in St. James, who said, 'Use hospitality one to another without grudging,'" returned the canon. "I delight in doing this. Heaven has blessed me with means; how can they be better employed than in ministering to others, whether rich or poor? As for myself, do not think I am exercising self-denial. Habit is second nature. Did I not tell you that the pleasures of the table had nothing to do with my physical rotundity. But heaven be praised, I can still manage to roll over the ground without trouble."
Juanita waited upon us with unruffled ease, her comely face looking the delight she evidently felt in dispensing luxuries. Her hands were clothed in black silk mittens; her black silk gown rustled with a gentle dignity as she quietly moved about, taking plates and dishes from her hand-maiden, who stood outside the door. Some wonderful old silver adorned the table and everything from first to last showed the ruling hand and head of one born and bred in an atmosphere of refinement.
We had not sat down to table until eight o'clock, and when coffee was served the old clock on the oak mantelpiece had chimed nine, and its last vibrations had long died upon the air. Yet the time had passed with lightning rapidity, for the canon in giving us some of the experiences of his long life, and in telling us many legends of Zaragoza, had engaged our whole interest and attention.
When Juanita had handed us coffee, and left the charming old silver coffee-pot steaming upon the table dispensing its aromatic fumes, she made us collectively a court-curtsey at the door and withdrew.
Then came our opportunity, and we related to the canon our previous day's adventure, with all its sadness and its apparently hopeless element. He listened with earnest attention and sympathy.
"The world is full of these instances," he cried with a profound sigh, when we had ended. "Do you wonder at my frugal living when I hear of these wrecked lives? I have seen so much of this terrible vice. I know how hard it is to conquer, how seldom the victory is gained. It requires daily care on the part of one stronger than the tempted, and too often even that fails. But who is this frail creature? She must andshall be rescued if human aid, under divine help, can avail. For heaven will not always save us in spite of ourselves. 'My Spirit shall not always strive with men.'"
Her name and domestic history had been withheld to the last. We now explained who she was, who her father had been, his position under Government, his sudden death from grief. and we gave him her card, which bore both her married and her maiden name—the latter written in pencil: Eugenie de Colmar.
The canon quite started as we spoke it, and threw himself back in his chair.
"Is it possible!" he cried. "Is it possible! But life is full of these coincidences. Verily the Divine hand holds the threads of the world's human actions; and what we call coincidences are the silent drawing together of these threads for ordained purposes. De Colmar was my intimate friend, though many years my junior. He would come and spend a week at a time with me here, but his visits were not frequent. I knew little of his wife, still less of his child, whom I saw but once when she was about ten years old. I was told of his death; had heard of a tragedy; but the full details I now learn for the first time. It is one of the saddest stories I ever listened to. For the sake of the father I must make every effort to save the child. It will be a hard task, but only needing the more courage. To-morrow I will seek her out. She must be taken from this unwholesome life and excitement. I will tell her that she owes it to the memory of her father, in atonement for the wrong she did him, to place herself in my hands; to give up her will to mine. She shall come into this house and take up her abode with us for a time. Her reform shall be my daily care. Juanita, for all her placid face, has plenty of good sense and decision; she is quite equal to being her companion and to watching over her. It shall be done. I have seldom failed in what I earnestly took in hand, and I must not fail now."
This was good news. A load was taken from our mind. Surely all this would bear fruit. There seemed every hope that this poor creature would be rescued and restored. When we got up to leave, it was with a light heart. The time had passed quickly and the hands on the old clock pointed to eleven.
"Alas, you are going away. When shall we meet again?"said the canon, in tones as melancholy as we felt sure ever fell from his lips. Not his to look on the sad side of life. He passed his days shedding light and warmth around him like a substantial sunbeam, distributing favours with both hands.
"When shall we meet again?" he repeated. "Perhaps never! Even the splendours of La Seo may fail to draw from you a second visit; whilst the welcome awaiting you from the old priest will be altogether forgotten."
We assured him that ingratitude was not one of our sins. The delightful evening he had given us would be remembered for ever; we truly declared it a privilege and a pleasure to know him; a sorrow to say farewell.
"It is a word I never utter," quickly returned the canon. "With me it is everau revoir; if not in this world then in the next. And we have now a bond of sympathy between us in this poor creature whom I am going to save and rescue whether she will or no. She is our joint protégée; I shall write and keep you posted up in her welfare. Be sure that if any power can possibly reclaim her, she is saved.Au revoir—let us leave it at this. Heaven be with you—and peace."
Full of peace indeed was the night as we passed out into the darkness. The stars seemed to shine down upon the world with a serene benediction. Much of the pain we had felt last night was removed. Surely no chance hand had guided us. The work begun to-night was destined to succeed.[C]
Before turning in, we went once more round to our favourite spot. It was our last look by starlight upon the deep, dark flowing river, the wonderful old bridge, the faint outlines of El Pilar rising beyond. To-night all was shadowy and indistinct; a dream vision; and the only sound to be heard was the swirling of the waters through the seven arches of St. Peter's bridge.
The next morning we left Zaragoza by an early train for Tarragona: a long roundabout journey. Again we had to pass through Lerida, where we had twenty minutes to wait. As chance would have it, our landlord was on the platform, speeding parting guests. We went up to him and drew him apart.
"Tell us," we said; "what about the dragging of the well? Has it been done?"
Our late host threw up his hands. "Oh, señor, I shiver and shake at the very thought of it. I had it done the very day after you left. And what do you think came up?"
"Two skeletons?"
"The keys, señor: the missing keys and a pair of slippers—very much down at heel."
"And the skeletons?"
"Not a vestige, señor; not a single bone. I told you the well communicated with the river, and the river with the sea. They must have floated out, and probably are now reposing in the Panama Canal."
"But why the Panama Canal?"
"Everything bad must drift there, señor. I lost a large sum in the wretched affair."
"And have you seen no ghost since we left?"
"No ghost, señor, and no mysterious sounds. All the same we have had a domestic drama."
"The Dragon?"
"Exactly, señor. Your penetration is wonderful. As she was leaning over her wash-tub, the waiter came behind and ducked her head in the soapsuds. Her mouth—you know her mouth—was wide open, and she swallowed a great gulp of soapy water; upon which, presto! quick as lightning, she up with her washing-pin and hit him on the head. Such a crash! Down went the waiter, and the Dragon was stooping over him with wet locks like a dripping mermaid, gloating and mouthing upon the ruin."
"And the waiter?"
"In the hospital, señor, with a broken head. That is why I am here. I have to come to the station myself, and be my own porter, and see my guests off. Servants are the bane of one's life. Like the flies, they were invented for our torment. But, señor, these troubles are nothing compared with the relief of finding that the skeletons had cleared out to sea."
Our train came up and we went our way, leaving Lerida behind us with its fine outlines, and the landlord to the difficult task of managing his womenkind.
So far we had travelled on the line before, but now branched off towards Tarragona. We did not again see Manresa, but even a comparative approach to its neighbourhood brought all the splendid and imposing outlines, the blood-red river, vividly before us. Once more we saw Mons Serratus with its jagged, fantastic peaks: lived through our haunted night in the Hospederia; again Salvador the monk and his wonderful music took possession of our spirit and Serratus itself appeared enveloped in harmony and romance. We were glad not to pass through the station, where possibly Sebastien would have been on the watch for passengers; and we should have left a heart-broken expression behind us at the very thought of our not staying a couple of days to see Manresa under sunshine.
The day was wearing on to evening as we approached Tarragona with its matchless coast scene. The blue waters of the Mediterranean stretched far and wide, and the harbour reposed upon them like a sleeping crescent. As the sun dipped in the west, the waters flashed out its declining rays, reflected the gorgeous colouring of the sky. The train landed us in the lower town. We had to reach the upper town, and the rickety old omnibus rolled and struggled up the steep streets, finally depositing us at the Fonda de Paris.
We found the inn quite civilised. The landlord was half Italian and spoke several languages. On the first night of our arrival the cook must have been in a very amiable mood, for he sent up an excellent dinner. But to H. C.'s sorrow and surprise the after dinners were a lamentable falling-off. The cook had been crossed in love, received notice to quit, or hisart failed him: everything was below par. On the evening of our arrival, the evil had not fallen.
The hotel, like many of the Spanish inns was large and rambling. Our landlord conducted us to excellent rooms facing the road, and from the balcony the scene was enchanting. Before us was an old Roman tower. To our right, far down, 700 feet below our present level, we caught sight of the sleeping Mediterranean.
It was not quite so pleasant to find ourselves surrounded by the military element; barracks to right and left of us; sentries in slippers patrolling up and down; raw recruits, looking as little like soldiers as anything to be conceived; constant snatches of bugle-calling, which seemed to end at midnight and begin again at four in the morning. So far, all was unrest. But we soon found that the charms of Tarragona soared far above all small and secondary considerations.
Down the long passage behind our rooms we came to the garden of the hotel. It was after dinner and pale twilight reigned. In the centre of the garden a splendid spreading palm outlined itself against the evening sky, in which shone a large, liquid, solitary star. The garden was surrounded by a white wall, and the scene was quite eastern. Far down was the wonderful coast-line and crescent harbour. Of late we had had only rivers, and this broad expanse of sea brought new life to the spirit.
Returning indoors, we found the inn haunted, but not by spirits of the dead.
The ghost was unmistakably flesh and blood. The first time we caught sight of him—it was a masculine ghost, therefore doubly uninteresting—he was cautiously putting his head into our rooms and taking a look round. The said rooms were raised above the rest on that floor by steps that led to our own quarters only. Thus the ghost was clearly trespassing. He neither looked confused nor apologised as he took his slow departure. All his time seemed spent in prowling about the passages in a spirit of curiosity or unrest. Often we found him on our premises on suddenly coming in, and once or twice, when quietly writing, on looking up were startled by an evil-looking countenance intruding itself at the open door, and as quickly withdrawing on finding the room occupied.
We never discovered the mystery. Whether the ghost was a little out of its mind, whether it was its peculiar way of taking exercise, or whether it suffered from kleptomania and had a passion for collecting sticks and umbrellas, nothing of this was ever learned. We only knew that the ghost looked like a broken-down dissenting parson, that it dressed in sable garments, and went about with a pale face and large black eyes that seemed to glow with hidden fire suggestive of madness, and long, straight, black hair plastered down each side of its face; a curiously unpleasant object to encounter at every trick and turn of the gloomy corridors.
Tarragona possesses two distinct elements, both in an eminent degree. The town, especially the lower town, is mean and common-place. Ascending beyond a certain point, you come upon everything refined and beautiful. It stands on a hill which gradually rises to some seven or eight hundred feet above the sea-level. At the highest point of all is its mediæval cathedral, surpassing most of the cathedrals of Spain or elsewhere—one of those wonders of architecture that visit us in our dreams, but are seldom actually found. It does not, however, stand out far and wide in magnificent outlines, like Manresa or Lerida. Only a close inspection reveals its charms.
The upper town is surrounded by walls ancient and imposing. Within their boundaries are many Roman and Christian remains, such as few places still possess, making of Tarragona a dream of the past crowded with interest. Outside the walls the views are splendid and extensive. Looking towards the ever-changing sea, the coast-line is magnificent. Point after point juts out; hill after hill rises towards the East. Far down at one's feet lies the little harbour, encircling all the craft that seek its shelter: steamers from Barcelona with their daily freights, steamers from Norway and Sweden laden with scented pinewood, a whole fleet of picturesque fishing boats. Inland, the country is a succession of rich green pastures and sunny vineyards, whilst on the sloping hills afar off reposes many a town and village.
Tarragona by night—Cathedral—Moonlight vision—Dream-fabric—Deserted streets—Ghostly form approaches—Quilp or Quasimodo?—Redeeming qualities—Pale spiritual face—Open sesame—Approaching the apparition—Question and answer—Invitation accepted—Prisoners—The Shadow—Under the cold moonlight—Enter cathedral—Vast interior—Gloom and silence—Fantastic effects—Enigma solved—Strange proceeding—No inspiration—Why Quasimodo turned night into day—Weird moonlight scene—Soft sweet sounds—Schumann's Träumerei—Spellbound—The magician—Witching hour—Cathedral ghosts—An eternity of music—Varying moods—Returning to earth—Quasimodo's rapture—Travelling moonbeams—Night grows old—Sky full of music—Lost to sight—Dreams haunted by Quasimodo—New day.
Tarragona by night—Cathedral—Moonlight vision—Dream-fabric—Deserted streets—Ghostly form approaches—Quilp or Quasimodo?—Redeeming qualities—Pale spiritual face—Open sesame—Approaching the apparition—Question and answer—Invitation accepted—Prisoners—The Shadow—Under the cold moonlight—Enter cathedral—Vast interior—Gloom and silence—Fantastic effects—Enigma solved—Strange proceeding—No inspiration—Why Quasimodo turned night into day—Weird moonlight scene—Soft sweet sounds—Schumann's Träumerei—Spellbound—The magician—Witching hour—Cathedral ghosts—An eternity of music—Varying moods—Returning to earth—Quasimodo's rapture—Travelling moonbeams—Night grows old—Sky full of music—Lost to sight—Dreams haunted by Quasimodo—New day.
THATfirst night we went out into the darkness, when details were lost in outlines. We passed the barracks where bugling seemed to be in full play. A narrow street to the right led to a short flight of steps, above which rose the west front of the cathedral. As far as we could see, the porches were deep and beautiful. But it was the south and east sides that presented the most marvellous outlines. Even the darkness could not hide their beauty. And presently, when the moon rose and her pale silvery light shone full upon the grey walls and gleamed upon the Gothic windows and ancient tower, it turned to a dream-fabric.
The night was intensely still, not a sound could be heard, not a soul was visible. Our footsteps alone woke the echoes as we walked to and fro before that moonlight vision, and felt unable to leave it.
SOUTH-WEST EXTERIOR OF CATHEDRAL: TARRAGONA.SOUTH-WEST EXTERIOR OF CATHEDRAL: TARRAGONA.
The cathedral clock struck eleven. As the last stroke vibrated upon the air, we saw a shadowy form approaching. It was not yet the ghostly hour, therefore it must be flesh andblood, to be boldly challenged. Was the mysterious being that haunted our corridors prowling these precincts in search of relics? No; as the form approached we saw that it was short and slender; almost diaphanous, almost deformed. The head seemed enormous in comparison with the body; legs and arms were unusually long. Yet even in the moonlight we noticed that something pale and spiritual about the face redeemed its ugliness. We thought of Quilp, of Quasimodo, all the grotesques we had ever heard of, but he only resembled these at a distance; we soon found that he was far better than they.
This apparition was followed by a lean, lanky youth who seemed to be shod in india-rubber, so silent his footsteps. He towered above Quasimodo, whom he followed as a shadow follows its substance. We happened to be standing near a small gate in the south railings, and up to this gate came Quasimodo, inserted a magic key into the lock and swung it open. What did it mean? Were they, this moonlight night, going into the interior? What a weird experience; what an opportunity not to be lost! The apparition must be won over.
"Are you entering the cathedral?" we asked as they passed in and half closed the gate. To our relief a very earthly voice responded in matter-of-fact tones.
"Yes," it replied. "Do you want to enter also?"
It needed no further invitation. We passed through, and the gate was closed and locked. As we heard the sharp click and Quasimodo pocketed the key, we felt ourselves prisoners. All the possible and impossible stories we had ever heard of midnight murders and mysterious disappearances flashed through the brain. But the die was cast and we must follow. The enigma which even at the instant puzzled us was the motive for this midnight visit. We could think of none.
We stood for a moment in the space between the railings and the building. Repairs were going on; it had been turned into a stonemason's yard. The cold moonlight fell upon heavy blocks of marble lying about. There was an erection that looked for all the world like a gibbet, and we almost expected to see a ghostly skeleton dangling from its cross-beam.
Quasimodo moved on and opened a small south door.He entered and we waited whilst he took a lantern from the hands of the Shadow. It was lighted in a moment, and we found it to be a powerful electric lamp. Then we too passed in, and the door closed upon us. If we were to be murdered, it would not be in utter darkness. The lantern was brilliant, and threw around its ghostly lights and shadows. We are compelled to repeat the adjective, for everything was ghostly and weird.
The vast interior was lost in profoundest silence and gloom. No single light could reach the depths and spaces, but round about us the lantern lighted up the outlines of aisles and arches and pillars.
The effect was inexpressibly solemn. There seemed no limit to the space. We paced the aisles and thought them endless. Our footsteps awoke ghostly echoes. As far as could be discerned, we were surrounded by the loveliest, most refined outlines. Gothic aisles and arches were dimly visible. And still the Shadow followed Quasimodo, and still his footsteps made no sound.
Quasimodo walked in silence for a time, evidently enjoying our own silent delight and experience. His long arms and legs, his large head, his long-drawn, backward shadow, all suggested gnome-land. He swung the lantern about as though charmed and allured by all the fantastic effects it produced.
At last we felt we must break the silence.
"Why are you here?" we said. "May we ask? It seems so strange to be walking with you in this midnight space and darkness."
"Can you not guess?" he returned. "What object could I have in coming here at this dark hour? Look."
Then we noticed for the first time that the Shadow carried a music-book. The enigma was solved. Quasimodo had come to practise.
"But what a strange hour!" we exclaimed. "You turn night into day. Is it that these ghostly shadows inspire you as nothing else can?"
EAST END OF CATHEDRAL, SHOWING NORMAN APSE: TARRAGONA.EAST END OF CATHEDRAL, SHOWING NORMAN APSE: TARRAGONA.
"No," replied Quasimodo; "I have no inspiration. I possess the souls of others, I have no soul of my own. It is given to me to interpret the thoughts of all musicians with awonderful interpretation, but not a single thought of my own do I possess. Not a single line can I extemporise. I am like a man to whom has been given all the feelings, all the aspirations, all the fire of the poet, and from whom is withheld the gift of language. But I am content. All the thoughts of the great masters are mine, my very own, and I am grateful for the power. It is a gift. As a rule I need no music. All is stamped on my brain in undying characters. You shall hear. This is a book of Bach's Fugues that I scarcely need; and this quiet and devoted creature is my organ-blower. He is deaf and dumb, which explains his silence."
"But you have not told us your reason for turning night into day," we remarked. "Everything about you is so weird and unusual that we cannot help our curiosity. You must not think it impertinence."
"True," replied Quasimodo. "It must indeed seem strange to you that I come here now, yet the reason is simple enough. I teach all day long, for I have to work for my living. Yet I cannot live without occasionally pouring out my soul in music; and as I have no time but the night, I come here now rather than not at all. I was not here last night or the night before; I shall not be here again any night this week. I have to work not only for my own living, but for a wife and two lovely children. You start. You wonder that any woman could have married this grotesque creature—much more a beautiful woman. You do not wonder more than I do. I tell my wife that she married me for my music, not for myself. The music charmed and bewitched her; threw a glamour over her eyes and judgment and taste. She laughs in reply. We have been married twelve years now, and she still seems the happiest of women, most devoted of wives. Heaven be praised, there is nothing grotesque in our lovely children. They might have come from paradise. But now I will go and play, and you shall listen. You have chosen to enter here, and here you must remain until I let you out again. I will leave you my lantern and you may wander where you will."
With that he placed his lamp in our hand, and lighting a small wax candle which he produced from his pocket, departed down the long, dark, solemn, solitary aisle, followed by hissilent Shadow. We soon lost them in the gloom, and nothing but the distant sound of Quasimodo's footsteps told us we were not alone. Even this sound ceased, and for a time absolute silence reigned.
Presently a far-off glimmer showed where the organ-loft was placed. Quasimodo had lighted the candles and taken his seat. We turned off the light of our lantern. The moonlight was playing upon the windows, and the pale rays streamed across the aisles upon pillars and arches. Never was a more weird, more telling and effective scene.
We sat down on the steps of one of the chapels. The whole ghostly building, shrouded in gloom and mystery and moonbeams, stood before us in all its solidity, all its grandeur and magnificence. Intense silence reigned. We could hear the beating of our hearts, feel the quickening of our pulses.
Then through the silence there stole the softest, sweetest sounds. Quasimodo was interpreting the thoughts of others. He had chosen that soothing, flowing, exquisite Träumerei of Schumann's, and rendered it as never rendered before. The whole melody was hushed and subdued. Nothing seemed to rise above a whisper. All the aisles and arches were full of exquisite vibrations. Quasimodo appeared to linger upon every note as though he loved it and could not part with it. One note melted into another. The sense of rhythm was perfect.
We listened spellbound to the end. Never had the simple, beautiful melody so held all our senses captive. It ceased, and again for a moment the whole vast interior was steeped in profound silence; the moonbeams streaming their pale light through the windows possessed the building.
Then a different spirit held Quasimodo. Our dream changed. Louder stops were pulled out, and he plunged into a vigorous fugue of Bach's. Again we had never heard it so played. Every note fell clear and distinct. The music seemed gifted with words suggesting wild thoughts and emotions. What Quasimodo had said was true. The souls of the dead-and-gone masters possessed him. He was their true interpreter. The fugue came to an end. Again a moment's silence and again a change in our dream.