TO AN ANTIQUE VASE.

“countless thingsThat keep young hearts forever glowing,”

“countless things

That keep young hearts forever glowing,”

found in that instant their object and their aim. Edith had never thought of Edward as a lover, she had never looked into her heart to discover whether she really wished him to be such, but at the magic voice of affection, the mystery of her own heart was revealed to her, its secret recesses were unveiled to her gaze, and she knew that his image had long been there unconsciously enshrined. Her lover saw not all her emotions in her expressive countenance, but he read there no repulsive coldness, and as he clasped the little hand, which lay on his arm, he said:

“Listen to me, dear Edith; my father informed me, to-day, that he has made an arrangement with my uncle, (whom, as you know, has long resided at Smyrna,) by which I am to become the junior partner in the house, and he has directed me to be ready in three weeks, to sail in one of his ships, now lading for that port. How long I shall be absent, is uncertain, but as my uncle is desirous of returning to America, I presume that it is intended I shall take his place abroad. Years, therefore, may elapse ere I again behold my native land, and I cannot depart without telling you how dear you have long been to my heart. Yet let me not deceive you Edith: I have confessed to my father my affection for you,—he acknowledges your worth, and does not disapprove my choice, but he has positively forbidden me to form any engagement for the future. I am violating his commands in thus expressing my feelings to you.”

“What are his objections, Edward?” faltered the trembling girl.

“Oh it is the old story of over-prudent age; he says we may both change long before I return, and that it is best to be unfettered by any promise; then no harm can happen to either, and if you love me you will wait my return, without requiring any engagement to confirm your faith. Thus he argues and I can make no reply. I have no means of supporting a wife, therefore I dare not ask you of your parents, and my father’s caution deprives me of the only comfort which hope might have afforded me in my exile.”

Edith was deeply agitated, and her cheek grew pale, as she murmured: “You are right in obeying your father, Edward; happiness never yet waited on one who was deficient in filial duty.”

“And is this all you can say, Edith,” exclaimed Edward passionately. “Is this cold approval all I can hope to receive from the object of my first and only love? Have not my every look and tone told you how deeply I loved you, and can you let me depart without one word of tenderness or regret? Must I remember your gentle face but as a dream of boyhood? Shall your low, sweet voice be but as the melody of by-gone years? May I not bear with me, in my banishment, a hope, faint and cold it may be as the winter sunbeam, yet lighting up my dreary path with something like a promise of future happiness? Edith I ask no plighted faith; I wish you not to pledge me your hand till I can come forward and claim it openly; but I would fain know whether my love is but as incense flung upon the winds. If you can offer no return to my affection, dearest, let me at once know my fate, and with all the force of an over-mastering will, shall my heart be silenced, if not subdued. Say that you love me not, Edith, and though the stream of my life must forever bear your image on its surface, yet you shall never know how dark has been the shadow it has cast. Say that you love me not, and you shall never hear a murmur from my lips, nor shall your peaceful existence be saddened by the gloom which must ever pervade mine. You are silent Edith—you cannot bear to utter the words which must condemn me to despair.”

Ellis paused, and strove to read in Edith’s face, the feelings to which she could not give utterance. But her eyes were bent upon the ground, while the big tears fell like rain from beneath the drooping lids and in her flushed cheek he saw only displeasure.

“I was right, Edith,” said he, sadly, “you do not love me; forgive and forget my folly, but let us not part in coldness.” He took her hand again, as he spoke: “I perhaps deserve punishment for my selfishness in thus asking the heart when I could not claim the hand; when I am gone, some happier lover will perhaps ask both and then⁠—”

“He will be denied,” interrupted Edith, hastily, turning her agitated face towards her suitor. “This is no time for maiden coyness, Edward; your happiness and mine are both at stake, and therefore I tell you, what till this moment was unknown even to myself, that my affections are in your keeping.”

“Dearest, dearest Edith, then am I supremely happy; I ask no more; let the only bond between us be the secret one of cherished love.”

“Not so, Edward; you have promised your father not to enter into any engagement, but I am bound by no such restraints. You are, and must remain free from all other bonds than those of feeling, but if it will add to your happiness to be assured of my faith during your absence, I pledge you my word that my hand shall be yours whenever you come to claim it.”

“But your parents, Edith,—what will they say, if they find you clinging to a remembered lover, and perhaps rejecting some advantageous settlement?”

“They will suffer me to pursue my own course, Edward, and will be satisfied with any thing that binds me to my childhood’s home. I am too much the companion of my parents to be looked upon in the light of an intruder, when I prolong the period of filial dependence.”

“Then be it so, dearest; bound by no outward pledge, we will cherish our affection within our hearts, and since we must part, you will still gladden your quiet home with your sweet presence, while I will wander forth to win the fortune which can alone secure me my future happiness.”

Three weeks after this interview, Edward Ellis sailed for Smyrna, and Mrs. Pemberton, as she witnessed the ill-disguised agitation of the lovers, was compelled to acknowledge that “after all, she really believed, if Edward had staid, there would have been a match between him and Edith.”

But Edith buried within her own bosom, her newly awakened emotions. Her manner was always so quiet, that if her step did become less light, and her voice grow softer in its melancholy cadence, it was scarcely noticed by her thoughtless companions. She had learned that she was beloved, only in the moment of separation, and therefore there were few tender and blissful recollections to beguile the weary days of absence; but

“Woman’s love can live on long remembranceAnd oh! how precious is the slightest thingAffection gives, and hallows!”

“Woman’s love can live on long remembrance

And oh! how precious is the slightest thing

Affection gives, and hallows!”

She was one of those gentle beings who draw from the font of tenderness within their own bosoms, a full draught of sympathy for the sufferings and wants of others. She returned to her self-denying duties with a more thoughtful spirit and a more loving heart. Her character, always full of goodness and truth, seemed to assume an elevation of feeling, such as nothing but a pure and unselfish attachment can ever create. A desire to become in all respects, worthy of him whom she loved, gave a new tone to all her impulses, and her vivid sense of duty became blended with her earnest desire to merit her future happiness. Edward wrote very punctually to his young friend Charles Pemberton, and every letter contained some message to Edith, but she alone could detect the secret meaning of the apparently careless lines. They afforded sufficient nutriment to the love which was rapidly becoming a part of her very being; and Edith was content to abide her time!

In the mean time Mrs. Pemberton, who became an adept in match-making, busied herself in providing for her younger girls, and was fortunate enough to secure two most eligible offers. Caroline, at eighteen became the wife of a promising young lawyer, while Maria, who was nearly two years younger, married at the same time a prosperous merchant, who had lately set up his carriage and, as he had no time to use it himself, wanted a wife to ride in it. Mrs. Pemberton was in ecstasies, for she had succeeded in all her plans. Edith was still at home, as a sort of house keeper, head cook, chief nurse, etc. etc., sharing every body’s labors and lightening every body’s troubles, while the two giddy girls who had resolved not to become useful as long as they could avoid the necessity of it, were respectably settled in their own homes. She was never tired of extolling the talents of one son-in-law, and the fine fortune of the other, while she spoke of Edith as “that dear good girl, who, I am happy to say, is a confirmed old maid, and will never leave her mother while she lives.” But this manœuvre did not discourage several from seeking the hand of the gentle girl. Her father wondered when she refused two of the most unexceptionable offers, and even her mother felt almost sorry, when she declined the addresses of an elderly widower, endowed with a fortune of half a million, and a family of fine children. But a total want of congeniality of feeling in all her immediate friends, had taught Edith a degree of reserve which seemed effectually to conceal her deepest feelings. She was patient and trustful, she considered herself affianced in heart, and though conscious that not even the tie of honor, as the world would consider it, bound her lover to his troth, she felt no misgivings as to his fidelity. She trod the even tenor of her way, diffusing cheerfulness and comfort around her, thinking for every body, remembering every thing and forgetting only herself. None sought her sympathy or assistance in vain; in her own family—in the chamber of sickness or death, among her friends,—in the hovel of poverty and distress, she was alike useful and kindly. Every one loved her, and even those who tested her powers of endurance most fully, almost idolized the unselfish and affectionate daughter and sister.

Years passed on, and brought their usual chances and charges. Caroline became a mother, and fancied that her cares were quite too heavy for her to bear alone. Edith was therefore summoned to assist and soon found herself occupying a similar station in her sister’s nursery to that which she had long filled at home. The baby was often sick and always cross; nobody but Edith could manage him, and therefore Edith took the entire charge of him, while the mother paid visits and the nurse gossiped in the kitchen. Maria too began to assert claims upon her. She, poor thing, was entirely too young for the duties she had undertaken. Thoughtless, fond of dress, and profuse in household expenditure, she had no idea of systematic housekeeping, and Edith was called in to place matters on a better footing. But before Maria had attained her eighteenth year, her family was rather liberally increased by the addition of twin daughters, and again the agency of the useful sister was required. Her girlhood had been consumed amid womanly cares, and now her years of blooming womanhood were to be wasted in supplying the deficiencies of those who had incurred responsibilities which exceeded their powers. Yet Edith never thought of murmuring. She had been so long accustomed to live for others that self-sacrifice had now become habitual, and she never dreamed too much might be asked of or granted by sisterly affection.

It is a common remark that the years seem to grow shorter as we advance in life, and they who could once exclaim “a whole year!” in accents of unqualified alarm at its length, at last find themselves referring to the same space in the careless tone of indifference as “only a year.” Twelve months had seemed almost an eternity to Edith when her lover first bade her farewell, and the time that intervened between his letters to her brother seemed almost endless. But as she became engrossed in new cares, and her youth began to slip by, the years seemed to revolve with greater speed, even although Charles was now in a distant part of the country and the correspondence between him and her lover if it was still continued, never met her eye. She had formed an intimacy with Edward’s mother, and, as the old lady was very fond of needle-worked pin-cushions, net purses, worsted fire screens, and all such little nick nacks if obtained without expense, Edith was soon established in her good graces. She was thus enabled to see Edward’s letters to his parents, and though they were very business-like commonplace affairs, not at all resembling a lady’s beau-ideal of a lover’s epistle, still Edith was satisfied. It was strange that so strong, so abiding, so pervading a passion should have taken possession of a creature so gentle, so almost cold in her demeanor. But the calmest exterior often conceals the strongest emotions, and, if the flow of Edith’s feelings was quiet it was only because they worked for themselves a deeper and less fathomable channel.

Seventeen years,—a long period in the annals of time, and a longer in the records of the heart;—seventeen years passed ere Edward Ellis returned to his native land. He had left it a romantic warm-hearted youth and he returned a respectable, intelligent, wealthy man. The ambition which would have led him to seek literary fame, had been expended in search of other distinctions in the world of commerce. He had become a keen observer of men and an acute student of the more sordid qualities of human nature—in a word, he had devoted his fine energies to the acquisition of wealth, and as his father predicted, he had so well availed himself of his opportunities that he was both an enlightened and rich merchant. But the romance of his early days had long since passed away. The imaginative student was concealed or rather lost in the man of the world. Thrown upon his own resources, in a foreign land, and surrounded by strangers he had learned to think and act for himself. He had acquired the worldly wisdom which enabled him to study his own interests, and it is not strange that selfishness should have mingled its alloy with his naturally amiable character. During his long sojourn abroad no claims had been made upon his affections, he had lived unloving and unloved, and the warm current of his feelings seemed gradually to have become chilled. When seen through the mist of absence, or viewed through the long vista of time, the familiar faces of his distant home, faded into vague and indistinct images. He returned to the scenes of his youth with a feeling of strangeness and the remembrances at every step of his approach were rather mournful than pleasant to his soul.

Edward Ellis had been several days at home, he had fully answered all the claims filial and fraternal duty, and received the congratulations of the friends who are always found ready to note one’s good fortune, ere he bent his steps towards the dwelling of Edith Pemberton. His feelings in this as in most other things were materially altered. His early passion, like his aspirations after fame, had become but as a dream of the past, a shadow of some unattainable felicity. The hope which once made his love a source of anticipated happiness, had long since faded from his sight, and as time passed on, a tender and melancholy interest, such as one feels when regarding the youthful dead, was the only emotion which the recollection of Edith could inspire. He had outlived the affection which he had designed to be the measure of their existence. The flower had been blighted by the cold breath of worldliness, and so many sordid interests had occupied his heart since, that every trace of its beauty was lost forever. Not with a wish to revive old feelings, but from a morbid restless unsatisfied yearning towards the past, Ellis betook himself to the abode of his once loved Edith.

As he entered the hall, and ere the servant could announce his name, a young lady emerged from the drawing-room, and met him face to face. He started in unfeigned surprise, as he exclaimed:⁠—

“Miss Pemberton!—Edith—can it be possible?”

The lady looked a little alarmed, and opening the door through which she had just passed said:⁠—

“My name is Margaret, sir; did you wish to see sister Edith?”

He answered in the affirmative, and as he took his seat while the sylph-like figure of the beautiful girl disappeared, he could not help glancing at the mirror, where a moment’s reflection soon convinced him that the years which had so changed him could scarcely have left Edith untouched. The thought that Margaret whom he had left almost an infant should have thus expanded into the lovely image of her sister, prepared him in some measure for other changes.

Edith had expected his visit with a flutter of spirits most unusual and distressing. She was conscious that he would find her sadly altered in person, and she had been trying to school herself for the interview, which she well knew must be fraught with pain even if it brought happiness. But when her young sister came to her with a ludicrous account of the strange gentleman’s droll mistake, her prophetic soul, which had acquired the gift of prescience from sorrow, saw but too plainly the cloud upon her future. She descended to the drawing-room with a determination to control her emotions, and, to one so accustomed to self command, the task though difficult was not impossible. The meeting between the long parted lovers was painful and full of constraint. In the emaciated figure, and hollow cheek of her who had long passed the spring of life, Ellis saw little to awaken the associations of early affection, for the being who now appeared before him scarcely retained a trace of her former self. Time, and care, and the wearing anxiety of hope deferred had blighted the beauty which under happier circumstances might have outlived her youthfulness. Edith was now only a placid pleasant looking woman with that indescribable air of mannerism which always characterises the single lady of a certain age, and as Ellis compared her present appearance with that of her blooming sister, who bore a most singular resemblance to her, he was tempted to feel a secret satisfaction in the belief that her heart was as much changed as her person.

And what felt Edith at this meeting? She had lived on one sweet hope, and had borne absence, and sorrow, and the wasting of weary expectancy with the patience of a loving and trusting heart. It is true that, as years sped on, she lost much of the sanguine temper which once seemed to abbreviate time and diminish space. It is true that as time stole the bloom from her cheek and the brightness from her eye, many a misgiving troubled her gentle bosom, and the shadow of a settled grief seemed gradually extending its gloom over her feelings. But still hope existed,—no longer as the brilliant sunshine of existence,—no longer as the only hope which the future could afford,—but faded and dim—its radiance lost in the mist of years, yet still retaining a spark of its early warmth. She had many doubts and fears but she still had pleasant fancies of the future, which, cherished in her secret heart, were the only fountains of delight in the dreary desert of her wasted feelings. But now all was at an end. They had met, not as strangers, but, far worse, as estranged friends. The dream of her life was rudely broken—the veil was lifted from her eyes,—the illusion which had given all she knew of happiness, was destroyed forever. In the words of him who has sounded every string of love’s sweet lyre, she might have exclaimed in the bitterness of her heart:⁠—

“Had we but known, since first we met,Some few short hours of bliss,We might in numbering them, forgetThe deep deep pain of this;But no! our hope was born in fearsAnd nursed ’mid vain regrets!Like winter suns, it rose in tears,Like them, in tears it sets.”

“Had we but known, since first we met,

Some few short hours of bliss,

We might in numbering them, forget

The deep deep pain of this;

But no! our hope was born in fears

And nursed ’mid vain regrets!

Like winter suns, it rose in tears,

Like them, in tears it sets.”

Mrs. Pemberton at first formed some schemes, founded on the remembrance of Edward’s former liking for Edith, but when she learned his error respecting Margaret she began to fancy that if her eldest daughter was a little too old, the younger was none too young to make a good wife for the rich merchant. She expressed her admiration of his expanded figure, extolled his fine hair, which happened to be a well made wig, was in raptures with his beautiful teeth which owed their brilliancy to the skill of a French dentist, and, in short, left no means untried to accomplish her end. But she was doomed to disappointment. It is not easy to kindle a new flame from the ashes of an extinguished passion. There was a secret consciousness, a sense of dissatisfaction with himself, that made Ellis rather shrink from Edith’s society, and threw an air of constraint over his manner towards the whole family. He was not happy in the presence of her who appeared before him as a spectre of the past, bearing reproaches in its melancholy countenance, and after a few embarrassed attempts at carelessness in his intercourse with her, he ceased entirely to visit the family.

No one ever knew what Edith suffered, for no one suspected her long-cherished attachment. Her step became languid, her cheek sunken, her eye unnaturally bright, and when at length, a hacking cough fastened itself upon her lungs, every body said that Edith Pemberton was falling into a consumption. Some attributed it to a cold taken when nursing her sister through a dangerous illness,—others thought she had worn out her health among her numerous nephews and nieces. But the worm lay at the root of the tree and though the storm and the wind might work its final overthrow, the true cause of its fall was the gnawing of the secret destroyer. Gradually and quietly and silently she faded from among the living. Friends gathered round her couch of suffering and the consolations of the Book of all truth smoothed her passage to the tomb. With a world of sorrow and care sinking from her view, and an eternal life of happiness opening upon her dying eyes, she closed her useful and blameless life.

On the very day fixed upon for his marriage with a young and fashionable heiress, Edward Ellis received a summons to attend, as pall bearer, the funeral of Edith Pemberton. Of course he could not decline, and as he beheld the earth flung upon the coffin which concealed the faded form of her whom he had once loved, the heart of the selfish and worldly man was touched with pity and remorse. But he turned from Edith’s grave to his own bridal and in the festivities of that gay scene soon forgot her who, after a life spent in the service of others, had fallen a victim to that chronic heart-break which destroys many a victim never numbered in the records of mortality.

Gentle reader, I have told you a simple story, but one so like the truth, that you will be tempted to conjecture that the real heroine has been actually known to you. Will not the circle of your own acquaintance furnish an Edith Pemberton?—a gentle, lovely and loveable woman, who leads a life of quiet benevolence, and whose obscure and peaceful existence is marked by deeds of kindness, even as the windings of a summer brook are traced by the freshness of the verdure and flowers that adorn its banks? Have you never met with one of those persons on whose gravestone might be inscribed the beautiful and touching lines of the poet Delille?

“Joyless I lived yet joy to others gave!”

And when you have listened to the bitter jest, the keen sarcasm and the thoughtless ridicule which the young and gay are apt to utter against “the old maid,” has it never occurred to you that each of these solitary and useful beings may have her own true tale of young and disappointed affection?

TO AN ANTIQUE VASE.

———

BY N. C. BROOKS.

———

In the cabinet of M. Villaneu is an antique vase of elegant proportions and beautiful workmanship that was fished up from the sea. It is wreathed with coral and madripore, in the most grotesque manner. The play of Imagination I hope will not be considered too free in supposing it had been used in ancient sacrifices, at the founding of cities, and the revels of royalty.

Ages have passed since, amid the gale,A votive gift to the god of the seaThou wert cast where the Tyrian’s broidered sailO’er the Adrian wave swept wildly free:And we muse, as we gaze on thy tarnished gleam,On the vanished past in a quiet dream.Where ancient temples once flashed with goldThou hast stood with the priest at the holy shrine⁠—Where in amber wreaths the incense rolled,Thou hast shed thy treasure of votive wine:Now the temples are fallen—the altars lone,And the white-robed priest and his gods are gone.Where the augur waved and the monarch prayedThy font has the full libation poured;And when the city walls were laidThe palace rose and the castle towered:But they sunk by the engine and Time’s dark flood,And the wild grass waves where the columns stood.In the festal halls where eyes grew bright,And pulses leaped at the viol’s sound,Thou hast winged the hours with mystic flight,As the feast and the mazy dance went round:Now mosses the mouldering walls encrust,And the pulseless hearts of the guests are dust.Yes creeds have changed, and forms have grown old⁠—Empires and nations have faded awaySince the grape last purpled thy shining gold;And grandeur and greatness have met decaySince the beaded bubbles of old did swim,Like rubies, around thy jewelled brim.

Ages have passed since, amid the gale,

A votive gift to the god of the sea

Thou wert cast where the Tyrian’s broidered sail

O’er the Adrian wave swept wildly free:

And we muse, as we gaze on thy tarnished gleam,

On the vanished past in a quiet dream.

Where ancient temples once flashed with goldThou hast stood with the priest at the holy shrine⁠—Where in amber wreaths the incense rolled,Thou hast shed thy treasure of votive wine:Now the temples are fallen—the altars lone,And the white-robed priest and his gods are gone.

Where ancient temples once flashed with gold

Thou hast stood with the priest at the holy shrine⁠—

Where in amber wreaths the incense rolled,

Thou hast shed thy treasure of votive wine:

Now the temples are fallen—the altars lone,

And the white-robed priest and his gods are gone.

Where the augur waved and the monarch prayedThy font has the full libation poured;And when the city walls were laidThe palace rose and the castle towered:But they sunk by the engine and Time’s dark flood,And the wild grass waves where the columns stood.

Where the augur waved and the monarch prayed

Thy font has the full libation poured;

And when the city walls were laid

The palace rose and the castle towered:

But they sunk by the engine and Time’s dark flood,

And the wild grass waves where the columns stood.

In the festal halls where eyes grew bright,And pulses leaped at the viol’s sound,Thou hast winged the hours with mystic flight,As the feast and the mazy dance went round:Now mosses the mouldering walls encrust,And the pulseless hearts of the guests are dust.

In the festal halls where eyes grew bright,

And pulses leaped at the viol’s sound,

Thou hast winged the hours with mystic flight,

As the feast and the mazy dance went round:

Now mosses the mouldering walls encrust,

And the pulseless hearts of the guests are dust.

Yes creeds have changed, and forms have grown old⁠—Empires and nations have faded awaySince the grape last purpled thy shining gold;And grandeur and greatness have met decaySince the beaded bubbles of old did swim,Like rubies, around thy jewelled brim.

Yes creeds have changed, and forms have grown old⁠—

Empires and nations have faded away

Since the grape last purpled thy shining gold;

And grandeur and greatness have met decay

Since the beaded bubbles of old did swim,

Like rubies, around thy jewelled brim.

THE OLD WORLD.

———

BY GEORGE LUNT.

———

There was once a world and a brave old world,Away in the ancient time,When the men were brave and the women fair,And the world was in its prime;And the priest he had his book,And the scholar had his gown,And the old knight stout, he walked aboutWith his broadsword hanging down.Ye may see this world was a brave old world,In the days long past and gone,And the sun it shone, and the rain it rained,And the world went merrily on.The shepherd kept his sheep,And the milkmaid milked the kine,And the serving-man was a sturdy loonIn a cap and doublet fine.And I’ve been told in this brave old world,There were jolly times and free,And they danced and sung, till the welkin rung,All under the greenwood tree.The sexton chimed his sweet sweet bells,And the huntsman blew his horn,And the hunt went out, with a merry shout,Beneath the jovial morn.Oh, the golden days of the brave old worldMade hall and cottage shine;The squire he sat in his oaken chair,And quaff’d the good red wine;The lovely village maiden,She was the village queen,And, by the mass, tript through the grassTo the May-pole on the green.When trumpets roused this brave old world,And banners flaunted wide,The knight bestrode the stalwart steed,And the page rode by his side.And plumes and pennons tossing brightDash’d through the wild mêlée,And he who prest amid them bestWas lord of all, that day.And ladies fair, in the brave old world,They ruled with wondrous sway;But the stoutest knight he was lord of right,As the strongest is to-day.The baron bold he kept his hold,Her bower his bright ladye,But the forester kept the good greenwood,All under the forest tree.Oh, how they laugh’d in the brave old world,And flung grim care away!And when they were tired of workingThey held it time to play.The bookman was a reverend wight,With a studious face so pale,And the curfew bell, with its sullen swell,Broke duly on the gale.And so passed on, in the brave old world,Those merry days and free;The king drank wine and the clown drank ale,Each man in his degree.And some ruled well and some ruled ill,And thus passed on the time,With jolly ways in those brave old daysWhen the world was in its prime.

There was once a world and a brave old world,

Away in the ancient time,

When the men were brave and the women fair,

And the world was in its prime;

And the priest he had his book,

And the scholar had his gown,

And the old knight stout, he walked about

With his broadsword hanging down.

Ye may see this world was a brave old world,In the days long past and gone,And the sun it shone, and the rain it rained,And the world went merrily on.The shepherd kept his sheep,And the milkmaid milked the kine,And the serving-man was a sturdy loonIn a cap and doublet fine.

Ye may see this world was a brave old world,

In the days long past and gone,

And the sun it shone, and the rain it rained,

And the world went merrily on.

The shepherd kept his sheep,

And the milkmaid milked the kine,

And the serving-man was a sturdy loon

In a cap and doublet fine.

And I’ve been told in this brave old world,There were jolly times and free,And they danced and sung, till the welkin rung,All under the greenwood tree.The sexton chimed his sweet sweet bells,And the huntsman blew his horn,And the hunt went out, with a merry shout,Beneath the jovial morn.

And I’ve been told in this brave old world,

There were jolly times and free,

And they danced and sung, till the welkin rung,

All under the greenwood tree.

The sexton chimed his sweet sweet bells,

And the huntsman blew his horn,

And the hunt went out, with a merry shout,

Beneath the jovial morn.

Oh, the golden days of the brave old worldMade hall and cottage shine;The squire he sat in his oaken chair,And quaff’d the good red wine;The lovely village maiden,She was the village queen,And, by the mass, tript through the grassTo the May-pole on the green.

Oh, the golden days of the brave old world

Made hall and cottage shine;

The squire he sat in his oaken chair,

And quaff’d the good red wine;

The lovely village maiden,

She was the village queen,

And, by the mass, tript through the grass

To the May-pole on the green.

When trumpets roused this brave old world,And banners flaunted wide,The knight bestrode the stalwart steed,And the page rode by his side.And plumes and pennons tossing brightDash’d through the wild mêlée,And he who prest amid them bestWas lord of all, that day.

When trumpets roused this brave old world,

And banners flaunted wide,

The knight bestrode the stalwart steed,

And the page rode by his side.

And plumes and pennons tossing bright

Dash’d through the wild mêlée,

And he who prest amid them best

Was lord of all, that day.

And ladies fair, in the brave old world,They ruled with wondrous sway;But the stoutest knight he was lord of right,As the strongest is to-day.The baron bold he kept his hold,Her bower his bright ladye,But the forester kept the good greenwood,All under the forest tree.

And ladies fair, in the brave old world,

They ruled with wondrous sway;

But the stoutest knight he was lord of right,

As the strongest is to-day.

The baron bold he kept his hold,

Her bower his bright ladye,

But the forester kept the good greenwood,

All under the forest tree.

Oh, how they laugh’d in the brave old world,And flung grim care away!And when they were tired of workingThey held it time to play.The bookman was a reverend wight,With a studious face so pale,And the curfew bell, with its sullen swell,Broke duly on the gale.

Oh, how they laugh’d in the brave old world,

And flung grim care away!

And when they were tired of working

They held it time to play.

The bookman was a reverend wight,

With a studious face so pale,

And the curfew bell, with its sullen swell,

Broke duly on the gale.

And so passed on, in the brave old world,Those merry days and free;The king drank wine and the clown drank ale,Each man in his degree.And some ruled well and some ruled ill,And thus passed on the time,With jolly ways in those brave old daysWhen the world was in its prime.

And so passed on, in the brave old world,

Those merry days and free;

The king drank wine and the clown drank ale,

Each man in his degree.

And some ruled well and some ruled ill,

And thus passed on the time,

With jolly ways in those brave old days

When the world was in its prime.

THOUGHTS ON MUSIC.

———

BY HENRY COOD WATSON.

———

From whence does the Musician draw his inspiration? This question is often asked, but seldom correctly answered. Music, as a science, is but little understood. The importance of its detail is not considered, because its effects are not examined, by the appreciating eye of knowledge. To common observers, music possesses no feature worthy of consideration, beyond an accidental succession of notes, which gives a pleasing sensation to the ear, without intention or design. Most persons believe that they could write music, if they only knew their notes. To “turn” a melody is the easiest thing in life, and all the adjuncts, harmony and instrumentation, are merely mechanical parts of the art, which every one might learn. This is a popular and very gross error. Music is either a simple succession of relative intervals, which form a melody, or an aggregate of consonant or dissonant sounds, which produces a harmony. These two combined, form a vehicle for the expression of the passions of the human heart, more forcible and more truthful, than the noblest works of either the painter or the poet.

It would require too much space, and would lead me too far from my original subject, to enquire into, and to trace out, the means by which simple sounds, produced by vibration, percussion or detonation, affect the mind and imagination of the hearer. It will be sufficient to say, that the individual experience of every one, will bear witness to the existence of this most powerful agency.

The music of a low sweet voice, how it penetrates and vibrates through the whole being! The music of the small birds, though limited in its scale, how it fills up the measure of the imagination, by giving a voice of harmony to the silent beauties of nature. The pealing organ with its various tones, breathes out religious strains, and moves the heart to penitence and prayer. This instrument is suited above all others, to display the imagination of a master hand, from the vast extent of its compass, and the almost endless variety of its powers by combinations. It affects the imagination more than any individual instrument, or any combination of instruments. How deep and varied the emotions of the heart of him, whose “spirit is attentive,” while listening to one of the sublime masses of Mozart, Haydn or Beethoven. With what a thrilling and awful feeling, the dark, mysterious and wailing miserere falls upon the soul; and with what a happy contrast, does the beautiful and comforting benedictus, pour “oil upon the bruised spirit.”

The shrill fife, the hollow drum and the clangourous trumpet, speak to other and wilder passions of our hearts. They breathe an inspiration into the mind; they nerve the arm, make firm the tread, and give an animated existence to slumbering ambition, or wavering courage. The soft toned flute, the plaintive oboe, the mellow clarionette, with the other various harmonious instruments, under the influence of the creative mind, affect to smiles or tears, discourse of love, or breathe of hate, according to the shades of feeling pourtrayed by the composition.

But by what means is the imitation of these non-tangible things, transferred to a medium, which is not visible to the eye, nor distinguishable to the touch? From whence does the musician draw, to enable him to affect his hearers, by the means of sound, with the very feelings which he attempts to imitate? We will proceed to answer these inquiries.

The task of the poet is one of less difficulty, than the task of the musician, for he treats of real or imaginary subjects, with the aid of a medium that is universally understood and appreciated, according to the various degrees, and powers of the peruser’s intellect. This medium is language. Words embody and define ideas; a word can express a passion, and other words can describe its rise and progress, and follow it in all its secret channels, and through all its numerous ramifications. The power of language is unbounded. Every thing that is, has a name, which name becomes associated with it in the mind, and inseparable from it, always presenting to the mental vision the object that it represents. The most subtle emotions of the human mind, feelings which lie deep in the recesses of the heart, can be torn from their lair, and displayed before the world by means of this mighty agent. Even nature with her ten thousand hoarded secrets, is over mastered, and bares her bosom to the force of thought, and stands revealed to the world, yea, even to her innermost core, by the power of language. To aid him in the task, the poet hath a million adjuncts. He moves amidst the human world, and gathers from its denizens, unending food for thought and observation,—their joys and their sorrows; their pursuits and their ends; their passions and their vices, their virtues and their charities. The life of a single being in that living mass, would form a subject of varied and startling interest, and leave but little for the imagination to fill up, or to heighten. He looks up into the heavens, and finds a space of boundless immensity, in which his restless speculation may run riot. He looks abroad upon the face of nature, and there are endless stores of bright and beautiful things, to feed his fancy, to stimulate his imagination and refresh his thoughts.

How few of these fruitful themes, are available to the musician!

The painter in all his beautiful creations, pourtrays his subjects by the means of the actual. From the living loveliness which he daily sees, he hoards up rich stores of beauty, for some happy thought. But to aid him in his labors, he has the actual form and color, light and shade. The forms of beauty that glow and breathe upon the canvass; the quiet landscape, so full of harmony and peacefulness; the rolling ocean, the strife of the elements, the wild commingling of warring men, are but the transcripts of the actual things.

The sculptor as he hews from the rough block, some form of exquisite loveliness, whose charms shall throw a spell over men’s souls for ages, does but compress into one fair creation, the beauties of a thousand living models.

But the resources of the musician are in his own soul. From that alone can he forge the chain of melody, that shall bind the senses in a wordless ecstasy. Tangibilities to him are useless. Comparisons are of no avail. He individualises, but does not reflect. He feels but does not think. He deals with action and emotion, but form and substance are beyond his imitation. He is a metaphysician, but not a philosopher. But the depth of the music, will depend entirely upon the man. From a close study of the works of Mozart and Beethoven, a correct and metaphysical analysis of their characters can be obtained. In the early works of Mozart will be found a continuous chain of tender and impassioned sentiment; an overflowing of soul, an exuberance of love, and his early life will be found to be a counterpart of these emotions. In him the passions were developed at an age, when in ordinary children their germ would be scarcely observed. Loved almost to idolatry by his family, and loving them as fondly in return, his life was passed in one unceasing round of the tenderest endearments. All that was beautiful in his nature was brought into action, and gave that tone of exquisite tenderness, that pervades all his imperishable works. But as the passing years brought with them an increase of thought and reflection, a change is to be found equally in the character of the music and the man. This change can be traced in his later operas, Le Nozze de Figaro, Don Giovanni, Cosi Fan Tutti, La Clemenza di Tito, Die Zauberflöte, and Die Entführung aus dem Serail. In these works there is the evidence of deeper and more comprehensive thought; the metaphysical identity of character is as strictly maintained, and as closely developed, as it could be pourtrayed by words. His Il Don Giovanni, stands now, and will forever stand, an unapproachable model of musical perfection.

The character of Beethoven exhibits no decided change through life, excepting, that in his later years the characteristics of his youth and manhood, increased to a degree of morbid acuteness. From his earliest childhood he was of a retiring, studious, and reflective nature. The conscious possession of great genius, made him wilful and unyielding in his opinions. Too high minded to court favours, he at various times suffered the severest privations that poverty could inflict; and, taking deeply to heart the total want of public appreciation, he became morose, distrustful and dissatisfied. These feelings were rendered morbid in the highest degree, by the melancholy affliction that assailed him in his later years. He became nearly deaf, and was consequently deprived of the dearest enjoyment of a musician’s life. These feelings were developed, in a marked degree, in all his purely ideal compositions. Dark and mysterious strains of harmony would be succeeded by a burst of wild and melancholy fancy. Anon a tender, but broad and flowing melody, would melt the soul by its passionate pathos, but only of sufficient duration to render the cadence of heart-rending despair, which succeeds it, the more striking. Rapid and abrupt modulations, strange and startling combinations, bore evidence of his wild imagination, and the uncontrollable impulse of his feelings. The opera of Fidelio, the only dramatic work that he ever wrote, ranks only second to Don Giovanni. In Fidelio each person has a distinct musical character, so clearly and forcibly marked, that the aid of words is not necessary to distinguish them. It would be impossible to transpose them without losing their identity, and destroying the sense of the music. Mozart’s genius was tender yet sublime: Beethoven’s was melancholy, mysterious, yet gigantic. Each painted himself; each drew from his own bosom all the inspiration his works exhibited. They required no outward influence; they needed no adventitious circumstances to rouse their imagination, or to cause their thoughts to flow, for in their own souls was an ever gushing spring of divine melody, that could not be controlled. Theythought music, and, as light flows from the sun, gladdening the creation, so their music came from them, irradiating the hearts of men, and throwing over them a delicious spell, whose charm is everlasting.

Music is so ethereal, and deals so little in realities, that its followers, partaking of its characteristics, are in most instances, impulsive, impassioned and unworldly. Careless of the excitements and mutations of the times; unambitious of place or power; indifferent to the struggles and heart-burnings of party politicians, from the utter uncongeniality of the feelings and emotions they engender, with their own, they live secluded, shut up within their own hearts, and seldom appear to the world in their true colors, from the utter impossibility of making it comprehend or sympathise with their refined and mysterious feelings. The world has no conception of the exquisite delight that music confers upon musicians. It is not mere pleasure; it is not a mere gratification that can be experienced and forgotten! Oh, no! It is a blending of the physical with the intellectual; it softens the nature; it heightens the imagination; it throws a delicious languor over the whole organization; it isolates the thoughts, concentrating them only to listen and receive; it elevates the soul to a region of its own, until it is faint with breathing the melodious atmosphere.

Music is the offspring of these feelings. The inspiration is the gift of God alone, and cannot be added to or diminished.

EUROCLYDON.

———

BY CHARLES LANMAN, AUTHOR OF “ESSAYS FOR SUMMER HOURS.”

———

At one stride came the dark, and it is now night. Cold and loud is the raging storm. Rain enow and sleet are dashing most furiously against the windows,—actually dampening the curtains within. There—there goes a shutter, torn from its hinges by the wind! Another gust,—and how desolate its moan! It is the voice of the Winter Storm Spirit, who comes from beyond the ice-plains of the North. I can interpret his cry, which is dismal as the howl of wolves.

“Mortal crouch—crouch like a worm beside thy hearth-stone and acknowledge thy insignificance. When the skies are bright, and thou art surrounded by the comforts of life, thou goest forth among thy fellows boasting of thine intellect and greatness. But when the elements arise, shaking the very earth to its foundation, thou dost tremble with fear, and thy boasting is forgotten. Approach the window, and as thou lookest upon the gloom of this stormy night, learn a lesson of humility. Thou art in thyself as frail and helpless as the icicle depending from yonder bough.

“O, this is a glorious night for me! I have broken the chains which have bound me in the Arctic Sea, and fearful elements follow in my path to execute my bidding. Listen, while I picture to your mind a few of the countless scenes I have witnessed, which are terrible to man, but to me a delight.

“An hundred miles away, there is a lonely cottage on the border of an inland lake. An hour ago I passed by there, and a mingled sound of woe came from its inmates, for they were poor and sick, and had no wood. A miserable starving dog was whining at their door. I laughed with joy and left them to their suffering.

“I came to a broad river, where two ferrymen were toiling painfully at their work. I loosened the ice that had been formed farther up, and it crushed them to death in its mad career.

“Beside a mountain, a solitary foot-traveller, of three score years and ten, was ascending a road heavily and slow. I chilled the crimson current in his veins, and the pure white snow became his winding sheet. What matter! It was his time to die.

“On yonder rock-bound coast, a fisherman was startled from his fireside by a signal of distress. He looked through the darkness and discovered a noble ship hastening toward a dangerous reef. I brought her there, regardless of the costly merchandize and freight of human life. She struck,—and three hundred hardy men went down into that black roaring element which gives not back its dead. The morrow will dawn, and the child at home will lisp its father’s name, unconscious of his fate, and the wife will smile and press her infant to her bosom, not doubting but that her husband will soon return to bless her with his love. I have no sympathy with the widow and the fatherless.

“Hark! did you not hear it?—that dismal shout! Alas! the deed is done,—the touch of the incendiary hath kindled a fire such as this city has never beheld. What rich and glowing color in those clouds of smoke rising so heavily from yonder turrets! Already they are changed into an ocean of flame, hissing and roaring. Unheard, save at intervals, is the cry of the watchman, and the ringing bells; and muffled are the hasty footsteps of the thronging multitude, for the snow is deep. Slowly do the engines rumble along, while strained to their utmost are the sinews of those hardy firemen. But useless is all this noise and labor, for the receptacles of water are blocked with ice. Fire! fire!! fire!!!”

And here endeth the song of Euroclydon, which was listened to on the 16th of December, 1835. It will be recollected, that when the sun rose in unclouded beauty on the following morning, six hundred buildings had been consumed, many lives lost and twenty millions of property destroyed.

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