The Life of Henry the Fourth, King of France and Navarre. By G. P. R. James. New York: Harper & Brothers. 2 vols. 12mo.
The Life of Henry the Fourth, King of France and Navarre. By G. P. R. James. New York: Harper & Brothers. 2 vols. 12mo.
Few kings have been so fortunate as Henry the Fourth in the reputation and good will they have obtained from the people. By democrats as well as monarchists his name is held in a kind of loving veneration. Much of this popularity is doubtless owing to his superiority, in disposition as well as mind, to the ferocious bigotry of his age, and to his great edict of toleration which healed for a time the horrible religious dissensions of France. Apart from his ability, however, his virtues as a king sprung rather from good-nature and benevolence, than from moral or religious principle. His toleration was the result of his indifference as much as his good sense; and he was not a persecutor, because to him neither Catholicism nor Protestantism was of sufficient importance to justify persecution. He was a fanatic only in sensuality; and if he committed crime, it would be rather for a mistress than a doctrine. The last act of his reign, growing out of his impatience in having his designs on the Princess of Condé baffled, showed that lust could urge him into an unjust and unprincipled war, where religious superstition would have been totally ineffective.
Mr. James's Life of Henry is a careful compilation from the most reliable sources of information, and embodies a large amount of important knowledge. Though far from realizing the higher conditions of historical art, it is more accurate and spirited than the general run of historical works. Mr. James's conscience in the matter of the present book, seems to have been much greater than we might have expected from the king of book-makers. When his history was ready for the press, the French Government commenced publishing the "Lettres Missives" of Henry IV., and Mr. James delayed his book four years, in order that its facts might be verified or increased by comparison with that important publication. His work, therefore, is probably the fullest and most accurate one we possess on the age of which it treats. It is well worthy of an attentive perusal. It abounds in incidents and characters which would make the fortune of a novel, and is an illustration of that kind of truth which is stranger than fiction. The Harpers have issued the work in a tasteful form.
Artist Life. By H. T. Tuckerman. New York: D. Appleton & Co. 1 vol. 12mo.
Artist Life. By H. T. Tuckerman. New York: D. Appleton & Co. 1 vol. 12mo.
Mr. Tuckerman is an author whose productions we have repeatedly had occasion to notice and to praise. They have always a finished air, which favorably distinguishes them from many American publications, the products of mingled talent and haste. Mr Tuckerman does not appear to rush into print, with unformed ideas hastily clad in a loose undress of language—as if the palm of excellence were due to the swiftest runner in the race of expression. His style is clear, polished, graceful, and harmonious, combining a flowing movement with condensation, and free from the tricks and charlatanries of diction. He is not so popular as he would be if he made more noise about his words and thoughts, and called the attention of the public to every felicity of his style or reflection by a pugnacious manner, and a strained expression. Though possessing a singularly rich and suggestive fancy, and a wide variety of information, his use of ornament and allusion is characterized by a taste, an appropriateness, a reserve, which men of smaller stores rarely practice. As a critic, he is calm, clear, judicious, sympathetic, and making the application of a principle all the more stringent, from his vivid perception of the object of his criticism. The present volume is worthy of its subject, and is more calculated to convey accurate information of the lives, character, and works of American artists, than any other we have seen. It is also exceedingly interesting, being full of anecdotes and biographical memoranda of artists who are commonly known only as painters, not as men. In this respect the volume contains much original information, which will be valuable to the future historian of American art. In his criticism, Mr. Tuckerman evinces knowledge as well as taste; and by avoiding technical terms, he contrives to render agreeable and clear what is generally unintelligible to the uninitiated reader ofcritiqueson paintings. The volume contains, among other sketches and biographies, very interesting notices of the lives and works of West, Copley, Stuart, Allston, Morse, Durand, W. E. West, Sully, Inman, Cole, Weir, Leutze, and Brown.
Appleton's Library Manuel: Containing a Catalogue Raisonne of upwards of Twelve Thousand of the most Important Works in Every Department of Knowledge, in all Modern Languages, New York; D. Appleton & Co. 1 vol. 8vo.
Appleton's Library Manuel: Containing a Catalogue Raisonne of upwards of Twelve Thousand of the most Important Works in Every Department of Knowledge, in all Modern Languages, New York; D. Appleton & Co. 1 vol. 8vo.
This is one of the most available and valuable bibliographical works extant. Its object is indicated by its title. Such a book should be in the possession of every student, scholar, book-collector, and librarian. There is hardly a subject which can attract the attention of an inquisitive mind, which is not included in this collection, and the titles of the best books, in different languages, which relate to it given in full, with the various editions, and their price. It would be needless to dilate upon the value of such a work. The compilers deserve the highest credit for the labor, intelligence, and expense they have devoted to it. The cost is but one dollar.
Sybil Lennard, a Record of Woman's Life.
Sybil Lennard, a Record of Woman's Life.
Mrs. Grey is one of the most popular novel writers of the present day, and Sybil Lennard is unquestionably the best of her works. It is published by Mr. T. B. Peterson, by whom the advance sheets were procured from England.
Chambers' Miscellany.
Chambers' Miscellany.
Part No. 5, of Chamber's interesting Miscellany has been published, and the articles it contains are of the highest order of excellence. Messrs. Zieber & Co. are the Philadelphia publishers.
Posthumous Writings of Joseph C. Neal, Esq.—We have several admirable Charcoal Sketches by Mr. Neal—a rich legacy bequeathed expressly to us by our gifted and lamented friend. Now that the fountain, whose outpourings have so often enriched our pages, is forever closed, these gems of genius will have a new and peculiar value. We commence their publication in our present number.
The New York Mirror.—This journal is edited with surpassing ability; and its continued and advancing popularity is creditable to the taste of the community in which it is published. Spirited, independent, and liberal, it not merely, as its name indicates, reflects the light of the age, but shines with a lustre of its own. It is well worthy its good fortune.
FOOTNOTES:[1]I use the prosodial word "anapœst," merely because here I have no space to show what the reviewer will admit I have distinctly shown in the essay referred to—viz: that the additional syllable introduced, doesnotmake the foot an anapœst, or the equivalent of an anapœst, and that, if it did, it would spoil the line. On this topic, and on all topics connected with verse, there is not a prosody in existence which is not a mere jumble of the grossest error.
[1]I use the prosodial word "anapœst," merely because here I have no space to show what the reviewer will admit I have distinctly shown in the essay referred to—viz: that the additional syllable introduced, doesnotmake the foot an anapœst, or the equivalent of an anapœst, and that, if it did, it would spoil the line. On this topic, and on all topics connected with verse, there is not a prosody in existence which is not a mere jumble of the grossest error.
[1]I use the prosodial word "anapœst," merely because here I have no space to show what the reviewer will admit I have distinctly shown in the essay referred to—viz: that the additional syllable introduced, doesnotmake the foot an anapœst, or the equivalent of an anapœst, and that, if it did, it would spoil the line. On this topic, and on all topics connected with verse, there is not a prosody in existence which is not a mere jumble of the grossest error.
Transcriber's Notes:
1. page 2--removed extra word 'the' after '...before the windows lounged...'
2. page 6--typo 'Jenning' corrected to 'Jennings'
3. page 9--added double quotation mark at start of sentence 'What do I see! My dearest...'
4. page 10--added double quotation mark after 'Nonsense--what payment,'
5. page 10--added double quotation mark at end of paragraph '...and proceedings commence directly.
6. page 18--added double quotation mark missing at start of paragraph 'Oh I'll soon show you,'
7. page 23--added missing period in sentence 'our prosodies call anapœsts'
8. page 28--removed extra 'a' in second line of stanza beginning 'Did he answer guiltless, lo!'
9. page 28--typo 'stife' corrected to 'strife'
10. page 32--added period to sentence '...whither he was going'
11. page 43--likley missing word 'for' inserted in sentence '...off the dangers ahead for a single instant.'
12. page 45--typo 'exhaused' corrected to 'exhausted'
13. page 46--typo 'minuute' corrected to 'minute'
14. page 58--typo 'observatious' corrected to 'observations'
15. page 66--inserted opening quotation mark at assumed start of speech "We buried herthere. I say..."