Chapter 9

Uncle Foteen had become a legend in the village, as simple country people often do. Everybody knew of his connection with the Guillaume family; and his story of loyalty and faithful servitude was told again and again by the new generation of colored people; with admiration by some, with undue censure by others. For many years before the Civil War, Uncle Foteen’s genial usefulness in the Guillaume household resembled that of Coventry Patmore’s “Briggs,” who was

Uncle Foteen had become a legend in the village, as simple country people often do. Everybody knew of his connection with the Guillaume family; and his story of loyalty and faithful servitude was told again and again by the new generation of colored people; with admiration by some, with undue censure by others. For many years before the Civil War, Uncle Foteen’s genial usefulness in the Guillaume household resembled that of Coventry Patmore’s “Briggs,” who was

“Factotum, butler, footman, groom,Who helped the gardener, fed the pigs,Preserved the game, and drove the brougham”....

“Factotum, butler, footman, groom,Who helped the gardener, fed the pigs,Preserved the game, and drove the brougham”....

“Factotum, butler, footman, groom,Who helped the gardener, fed the pigs,Preserved the game, and drove the brougham”....

“Factotum, butler, footman, groom,

Who helped the gardener, fed the pigs,

Preserved the game, and drove the brougham”....

Being sometime valet to “ole Marse Sylvain,” coachman to Mamzelle Olympe, and impressive major domo of the dining-room on every festive occasion.

After emancipation was declared, and old Foteen was given his freedom, he asked to remain with the family in the old capacity; and he was given a home in the quarters, rent free as long as he lived; wages for his services; and was taken care of with every attention due so worthy a retainer.

One by one, the members of the family passed on to the Great Beyond, none remaining to enjoy the luxury of the fine old house and carry on the splendid family tradition except Madame Guillaumeand young Sylvain, her son; who was away availing himself of the benefits of one of the “big Yankee colleges”;—a fact both abhorrent and inexplicable to many of Madame’s unreconstructed Creole friends.

Picturesque and solitary, she lived on through the changing years, dreaming of the fateful past and looking forward with childish expectation to the home-coming of her accomplished son.

Her daily life was ordered with little change from the old-time dignity and convention: Aunt Choote and her numerous children looking after the household and kitchen; Uncle Foteen driving her to church on Sunday in the old creaking barouche, taking part in her sentimental reminiscences, and sharing the fitful dreams and wandering fancies of forgetfulness that became actualities to both their weary minds.

One morning old Choote announced to the astonished members of her family that Madame Guillaume was “ceasded.”

Going to the bedroom door with the customary cup of early morning black coffee, there was no response to her gentle knock. She approached the bed-side fearfully, and lifting the mosquito net, found her old Madame “stone-col’, her body hyuh an’ her soul yonder.”

Young Sylvain being abroad with a party of tourists, the funeral was held without his being present. Several weeks later, he was expected home, and the lonely old house was undergoing elaborate preparations befitting his return. Uncle Foteen was going about, a pathetic figure, re-living the seeming reality of his past importance; mistaking young Sylvain for his old master, and telling everyone he met, that “ole Marse Sylvain done come home, an’ de fam’ly goin’ have big jubilation.”

When Sylvain arrived, Uncle Foteen embraced him with unrestrained emotion; calling him master; giving him lively accounts of the imaginary doings of the departed family; and rejoicing in the prospect of driving him to church on Sunday, “to show him off to all Gritny, settin’ up proud in de barouche, ’long wid Ma’am Guillaume, Mamzelle Olympe, an’ all dem chillun.”

Sylvain soon discovered that the old man’s memory was uncertain, and he humored his infirmity. “He bin childish for a good w’ile,” Choote told him. “An’ he mistake evvbody for somebody else bin dead a long time.”

Knowing her husband’s vagaries would be overlooked with understanding sympathy, Choote permitted Uncle Foteen to take his old post in thediningroom and preside in the usual, formal way. When evening came and Sylvain was called to dinner, he arose to go, a reluctant, solitary guest. On entering the diningroom, he was amazed to find the table arranged for six persons. No detail was overlooked. The guest linen and fine china had been brought out; cape jasmines, his mother’s favorite flowers, were in the old rock crystal bowl as a center piece; and the quaint old silver candlesticks, lugubrious with towering white candles, lighted the silent room with an eerie glow he remembered as a little child. Uncle Foteen, in his faded uniform, was standing behind his chair, ready to see him comfortably seated in the master’s place at the head of the table.

Leaving Sylvain’s chair, he visited the vacant chairs each in turn, sliding them in place gently, until each imaginary member of his respected family was seated in the accustomed manner. Each in turn, throughout the various courses of the meal, he visited the spectral guests, watching attentively as he saw them in fancy helping themselves to the tempting food; and smiling with grateful pleasure on beholding his honored family gathered once more in convivial assembly.

It was a well-known tale in the village; a tale Uncle Foteen loved to repeat. The facts were realto him; the occasion, a memorable one; and the actors, living personalities. No one thought of arguing with him the verity of his story, or regarding his vision as a worthless, fleeting dream. It was a fancy that brought him comfort and solace to brighten the hours of his waning years. He knew that his beloved white folks lived again, and he walked and talked with their gentle spirits wherever he happened to be.


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