COCOANUTSCOCOANUTS
She ordered all Molokai to prepare for a great feast commencing that evening. Messengers ran swiftly, people and chiefs hastened their labors, and by evening vast quantities of food had been prepared.
Lono-kai took his cocoanut-husk boat and came over the sea like a bird skimming the water.
As the sun sank and the evening shadows fell, the two young people met and delighted in each other's beauty. Then they were married in the midst of all the people of Molokai.
THE BRIDE FROM THE UNDER-WORLD
A Legend of the Kalakaua Family
Ku, one of the most widely known gods of the Pacific Ocean, was thought by the Hawaiians to have dwelt as a mortal for some time on the western side of the island Hawaii. Here he chose a chiefess by the name of Hina as his wife, and to them were born two children. When he withdrew from his residence among men he left a son on the uplands of the district of North Kona, and a daughter on the seashore of the same district. The son, Hiku-i-kana-hele (Hiku of the forest), lived with his mother. The daughter, Kewalu, dwelt under the care of guardian chiefs and priests by a temple, the ruined walls of which are standing even to the present day. Here she was carefully protected and perfected in all arts pertaining to the very high chiefs. Hiku-of-the-Forest was not accustomed to go to the sea. His life was developed among the forests along the western slopes of the great mountains of Hawaii. Here he learned the wisdom of his mother and of the chiefs and priestsunder whose care he was placed. To him were given many of the supernatural powers of his father. His mother guarded him from the knowledge that he had a sister and kept him from going to the temple by the side of which she had her home.
Hiku was proficient in all the feats of manly strength and skill upon which chiefs of the highest rank prided themselves. None of the chiefs of the inland districts could compare with him in symmetry of form, beauty of countenance, and skill in manly sports.
The young chief noted the sounds of the forest and the rushing winds along the sides of the mountains. Sometimes, like storm voices, he heard from far off the beat of the surf along the coral reef. One day he heard a noise like the flapping of the wings of many birds. He looked toward the mountain, but no multitude of his feathered friends could be found. Again the same sound awakened his curiosity. He now learned that it came from the distant seashore far below his home on the mountain-side.
Hiku-of-the-Forest called his mother and together they listened as again the strange sound from the beach rose along the mountain gulches and was echoed among the cliffs.
"E Hiku," said the mother, "that is the clapping of the hands of a large number of men andwomen. The people who live by the sea are very much pleased and are expressing their great delight in some wonderful deed of a great chief."
Day after day the rejoicing of the people was heard by the young chief. At last he sent a trusty retainer to learn the cause of the tumult. The messenger reported that he had found certain tabu surf waters of the Kona beach and had seen a very high chiefess who alone played with her surf-board on the incoming waves. Her beauty surpassed that of any other among all the people, and her skill in riding the surf was wonderful, exceeding that of any one whom the people had ever seen, therefore the multitude gathered from near and far to watch the marvelous deeds of the beautiful woman. Their pleasure was so great that when they clapped their hands the sound was like the voices of many thunder-storms.
The young chief said he must go down and see this beautiful maiden. The mother knew that this chiefess of such great beauty must be Kewalu, the sister of Hiku. She feared that trouble would come to Kewalu if her more powerful brother should find her and take her in marriage, as was the custom among the people. The omens which had been watched concerning the children in their infancy had predicted manyserious troubles. But the young man could not be restrained. He was determined to see the wonderful woman.
He sent his people to gather the nuts of the kukui, or candlenut-tree, and crush out the oil and prepare it for anointing his body. He had never used a surf-board, but he commanded his servants to prepare the best one that could be made. Down to the seashore Hiku went with his retainers, down to the tabu place of the beautiful Kewalu.
He anointed his body with the kukui oil until it glistened like the polished leaves of trees; then taking his surf-board he went boldly to the tabu surf waters of his sister. The people stood in amazed silence, expecting to see speedy punishment meted out to the daring stranger. But the gods of the sea favored Hiku. Hiku had never been to the seaside and had never learned the arts of those who were skilful in the waters. Nevertheless as he entered the water he carried the surf-board more royally than any chief the people had ever known. The sunlight shone in splendor upon his polished body when he stood on the board and rode to the shore on the crests of the highest surf waves, performing wonderful feats by his magic power. The joy of the multitude was unbounded, and a mighty storm of noise was made by the clapping of their hands.
Kewalu and her maidens had left the beach before the coming of Hiku and were resting in their grass houses in a grove of cocoanut-trees near the heiau. When the great noise made by the people aroused her she sent one of her friends to learn the cause of such rejoicing. When she learned that an exceedingly handsome chief of the highest rank was sporting among her tabu waters she determined to see him.
So, calling her maidens, she went down to the seashore and first saw Hiku on the highest crest of the rolling surf. She decided at once that she had never seen a man so comely, and Hiku, surf-riding to the shore, felt that he had never dreamed of such grace and beauty as marked the maiden who was coming to welcome him.
When Kewalu came near she took the wreath of rare and fragrant flowers which she wore and coming close to him threw it around his shoulders as a token to all the people that she had taken him to be her husband.
Then the joy of the people surpassed all the pleasure of all the days before, for they looked upon the two most beautiful beings they had ever seen and believed that these two would make glad each other's lives.
Thus Hiku married his sister, Kewalu, according to the custom of that time, because she was the only one of all the people equal to him inrank and beauty, and he alone was fitted to stand in her presence.
For a long time they lived together, sometimes sporting among the highest white crests of storm-tossed surf waves, sometimes enjoying the guessing and gambling games in which the Hawaiians of all times have been very expert, sometimes chanting meles and genealogies and telling marvelous stories of sea and forest, and sometimes feasting and resting under the trees surrounding their grass houses.
Hiku at last grew weary of the life by the sea. He wanted the forest on the mountain and the cold, stimulating air of the uplands. But he did not wish to take his sister-wife with him. Perhaps the omens of their childhood had revealed danger to Kewalu if she left her home by the sea. Whenever he tried to steal away from her she would rush to him and cling to him, persuading him to wait for new sports and joys.
One night Hiku rose up very quietly and passed out into the darkness. As he began to climb toward the uplands the leaves of the trees rustled loudly in welcome. The night birds circled around him and hastened him on his way, but Kewalu was awakened. She called for Hiku. Again and again she called, but Hiku had gone. She heard his footsteps as his eager tread shook the ground. She heard the branches breakingas he forced his way through the forests. Then she hastened after him and her plaintive cry was louder and clearer than the voices of the night birds.
"E Hiku, return! E Hiku, return!O my love, wait for Kewalu!Hiku goes up the hills;Very hard is this hill, O Hiku!O Hiku, my beloved!"
But Hiku by his magic power sent thick fogs and mists around her. She was blinded and chilled, but she heard the crashing of the branches and ferns as Hiku forced his way through them, and she pressed on, still calling:
"E Hiku, beloved, return to Kewalu."
Then the young chief threw the long flexible vines of the ieie down into the path. They twined around her feet and made her stumble as she tried to follow him. The rain was falling all around her, and the way was very rough and hard. She slipped and fell again and again.
The ancient chant connected with the legend says:
"Hiku is climbing up the hill.Branches and vines are in the way,And Kewalu is begging him to stop.Rain-drops are walking on the leaves.The flowers are beaten to the ground.Hopeless the quest, but Kewalu is calling:'E Hiku, beloved! Let us go back together.'"
THE HOME OF KEWALUTHE HOME OF KEWALU
Her tears, mingled with the rain, streamed down her cheeks. The storm wet and destroyedthe kapa mantle which she had thrown around her as she hurried from her home after Hiku. In rags she tried to force her way through the tangled undergrowth of the uplands, but as she crept forward step by step she stumbled and fell again into the cold wet arms of the ferns and grasses. Then the vines crept up around her legs and her arms and held her, but she tore them loose and forced her way upward, still calling. She was bleeding where the rough hands of the forest had torn her delicate flesh. She was so bruised and sore from the blows which the branches had showered upon her that she could scarcely creep under them.
At last she could no longer hear the retreating footsteps of Hiku. Then, chilled and desolate and deserted, she gave up in despair and crept back to the village. There she crawled into the grass house where she had been so happy with her brother Hiku, intending to put an end to her life.
The ieie vines held her arms and legs, but she partially disentangled herself and wound them around her head and neck. Soon the tendrils grew tight and slowly but surely choked the beautiful chiefess to death. This was the first suicide in the records of Hawaiian mythology. As the body gradually became lifeless the spirit crept upward to the lua-uhane, the door by whichit passed out of the body into the spirit world. This "spirit-door" is the little hole in the corner of the eye. Out of it the spirit is thought to creep slowly as the body becomes cold in death. The spirit left the cold body a prisoner to the tangled vines, and slowly and sadly journeyed to Milu, the Under-world home of the ghosts of the departed.
The lust of the forest had taken possession of Hiku. He felt the freedom of the swift birds who had been his companions in many an excursion into the heavily shaded depths of the forest jungles. He plunged with abandon into the whirl and rush of the storm winds which he had called to his aid to check Kewalu. He was drunken with the atmosphere which he had breathed throughout his childhood and young manhood. When he thought of Kewalu he was sure that he had driven her back to her home by the temple, where he could find her when once more he should seek the seashore.
He had only purposed to stay a while on the uplands, and then return to his sister-wife.
His father, the god Ku, had been watching him and had also seen the suicide of the beautiful Kewalu. He saw the spirit pass down to the kingdom of Milu, the home of the ghosts. Then he called Hiku and told him how heedless and thoughtless he had been in his treatment ofKewalu, and how in despair she had taken her life, the spirit going to the Under-world.
Hiku, the child of the forest, was overcome with grief. He was ready to do anything to atone for the suffering he had caused Kewalu, and repair the injury.
Ku told him that only by the most daring effort could he hope to regain his loved bride. He could go to the Under-world, meet the ghosts and bring his sister back, but this could only be done at very great risk to himself, for if the ghosts discovered and captured him they would punish him with severest torments and destroy all hope of returning to the Upper-world.
Hiku was determined to search the land of Milu and find his bride and bring her back to his Kona home by the sea. Ku agreed to aid him with the mighty power which he had as a god, nevertheless it was absolutely necessary that Hiku should descend alone and by his own wit and skill secure the ghost of Kewalu.
Hiku prepared a cocoanut-shell full of oil made from decayed kukui nuts. This was very vile and foul smelling. Then he made a long stout rope of ieie vines.
Ku knew where the door to the Under-world was, through which human beings could go down. This was a hole near the seashore in the valley of Waipio on the eastern coast of the island.
Ku and Hiku went to Waipio, descended the precipitous walls of the valley and found the door to the pit of Milu. Milu was the ruler of the Under-world.
Hiku rubbed his body all over with the rancid kukui oil and then gave the ieie vine into the keeping of his father to hold fast while he made his descent into the world of the spirits of the dead. Slowly Ku let the vine down until at last Hiku stood in the strange land of Milu.
No one noticed his coming and so for a little while he watched the ghosts, studying his best method of finding Kewalu. Some of the ghosts were sleeping; some were gambling and playing the same games they had loved so well while living in the Upper-world; others were feasting and visiting around the poi bowl as they had formerly been accustomed to do.
Hiku knew that the strong odor of the rotten oil would be his best protection, for none of the spirits would want to touch him and so would not discover that he was flesh and blood. Therefore he rubbed his body once more thoroughly with the oil and disfigured himself with dirt. As he passed from place to place searching for Kewalu, the ghosts said, "What a bad-smelling spirit!" So they turned away from him as if he was one of the most unworthy ghosts dwelling in Milu. In the realm of Milu he saw the people in thegame of rolling cocoanut-shells to hit a post. Kulioe, one of the spirits, had been playing the kilu and had lost all his property to the daughter of Milu and one of her friends. He saw Hiku and said, "If you are a skilful man perhaps you should play with these two girls." Hiku said: "I have nothing. I have only come this day and am alone." Kulioe bet his bones against some of the property he had lost. The first girl threw her cup at the kilu post. Hiku chanted:
"Are you known by Papa and Wakea,O eyelashes or rays of the sun?Mine is the cup of kilu."
Her cup did not touch the kilu post before Hiku. She threw again, but did not touch, while Hiku chanted the same words. They took a new cup, but failed.
Hiku commenced swinging the cup and threw. It glided and twisted around on the floor and struck the post. This counted five and won the first bet. Then he threw the cup numbered twenty, won all the property and gave it back to Kulioe.
At last he found Kewalu, but she was by the side of the high chief, Milu, who had seen the beautiful princess as she came into the Under-world. More glorious was Kewalu than any other of all those of noble blood who had everdescended to Milu. The ghosts had welcomed the spirit of the princess with great rejoicing, and the king had called her at once to the highest place in his court.
She had not been long with the chiefs of Milu before they asked her to sing or chant her mele. The mele was the family song by which any chief made known his rank and the family with which he was connected, whenever he visited chiefs far away from his own home.
Hiku heard the chant and mingled with the multitude of ghosts gathered around the place where the high chiefs were welcoming the spirit of Kewalu.
While Hiku and Kewalu had been living together one of their pleasures was composing and learning to intone a chant which no other among either mortals or spirits should know besides themselves.
While Kewalu was singing she introduced her part of this chant. Suddenly from among the throng of ghosts arose the sound of a clear voice chanting the response which was known by no other person but Hiku.
Kewalu was overcome by the thought that perhaps Hiku was dead and was now among the ghosts, but did not dare to incur the hatred of King Milu by making himself known; or perhaps Hiku had endured many dangers of thelower world by coming even in human form to find her and therefore must remain concealed.
The people around the king, seeing her grief, were not surprised when she threw a mantle around herself and left them to go away alone into the shadows.
She wandered from place to place among the groups of ghosts, looking for Hiku. Sometimes she softly chanted her part of the mele. At last she was again answered and was sure that Hiku was near, but the only one very close was a foul-smelling, dirt-covered ghost from whom she was turning away in despair.
Hiku in a low tone warned her to be very careful and not recognize him, but assured her that he had come in person to rescue her and take her back to her old home where her body was then lying. He told her to wander around and yet to follow him until they came to the ieie vine which he had left hanging from the hole which opened to the Upper-world.
When Hiku came to the place where the vine was hanging he took hold to see if Ku, his father, was still carefully guarding the other end to pull him up when the right signal should be given. Having made himself sure of the aid of the god, he tied the end of the vine into a strong loop and seated himself in it. Then he began to swing back and forth, back and forth, sometimes risinghigh and sometimes checking himself and resting with his feet on the ground.
Kewalu came near and begged to be allowed to swing, but Hiku would only consent on the condition that she would sit in his lap.
The ghosts thought that this would be an excellent arrangement and shouted their approval of the new sport. Then Hiku took the spirit of Kewalu in his strong arms and began to swing slowly back and forth, then more and more rapidly, higher and higher until the people marvelled at the wonderful skill. Meanwhile he gave the signal to Ku to pull them up. Almost imperceptibly the swing receded from the spirit world.
All this time Hiku had been gently and lovingly rubbing the spirit of Kewalu and softly uttering charm after charm so that while they were swaying in the air she was growing smaller and smaller. Even the chiefs of Milu had been attracted to this unusual sport, and had drawn near to watch the wonderful skill of the strange foul-smelling ghost.
Suddenly it dawned upon some of the beholders that the vine was being drawn up to the Upper-world. Then the cry arose: "He is stealing the woman!" "He is stealing the woman!"
The Under-world was in a great uproar of noise. Some of the ghosts were leaping as highas they could, others were calling for Hiku to return, and others were uttering charms to cause his downfall.
No one could leap high enough to touch Hiku, and the power of all the charms was defeated by the god Ku, who rapidly drew the vine upward.
Hiku succeeded in charming the ghost of Kewalu into the cocoanut-shell which he still carried. Then stopping the opening tight with his fingers so that the spirit could not escape he brought Kewalu back to the land of mortals.
With the aid of Ku the steep precipices surrounding Waipio Valley were quickly scaled and the journey made to the temple by the tabu surf waters of Kona. Here the body of Kewalu had been lying in state. Here the auwe, or mourning chant, of the retinue of the dead princess could be heard from afar.
Hiku passed through the throngs of mourners, carefully guarding his precious cocoanut until he came to the feet, cold and stiff in death. Kneeling down he placed the small hole in the end of the shell against the tender spot in the bottom of one of the cold feet.
The spirits of the dead must find their way back little by little through the body from the feet to the eyes, from which they must depart when they bid final farewell to the world. To try to send the spirit back into the body byplacing it in the lua-uhane, or "door of the soul," would be to have it where it had to depart from the body rather than enter it.
Hiku removed his finger from the hole in the cocoanut and uttered the incantations which would allure the ghost into the body. Little by little the soul of Kewalu came back, and the body grew warm from the feet upward, until at last the eyes opened and the soul looked out upon the blessed life restored to it by the skill and bravery of Hiku.
No more troubles arose to darken the lives of the children of Ku. Whether in the forest or by the sea they made the days pleasant for each other until at the appointed time together they entered the shades of Milu as chief and chiefess who could not be separated. It is said that the generations of their children gave many rulers to the Hawaiians, and that the present royal family, the "House of Kalakaua," is the last of the descendants.
Note.—A lover of legends should now read "The Deceiving of Kewa" in the Appendix, a legend which shows conclusively the connection some centuries ago between the Hawaiians and the Maoris of New Zealand.
Note.—A lover of legends should now read "The Deceiving of Kewa" in the Appendix, a legend which shows conclusively the connection some centuries ago between the Hawaiians and the Maoris of New Zealand.
THE DECEIVING OF KEWA
A poem, or mourning chant, of the Maoris of New Zealand has many references to the deeds of their ancestors in Hawaiki, which in this case surely has reference to the Hawaiian Islands. Among the first lines of this poem is the expression, "Kewa was deceived." An explanatory note is given which covers almost two pages of the Journal of the Polynesian Society in which the poem is published. In this note the outline of the story of the deceiving of Kewa is quite fully translated, and is substantially the same as "The Bride from the Under-world."
"The Deceiving of Kewa," as the New Zealand story is called, has this record among the Maoris. "This narrative is of old, of ancient times, very, very old. 'The Deceiving of Kewa' is an old, old story." Milu in some parts of the Pacific is the name of the place where the spirits of the dead dwell. Sometimes it is the name of the ruler of that place. In this ancient New Zealand legend it takes the place of Hiku, and is the name of the person who goes down into the depths after his bride, while the spirit-king is called Kewa, a part of the name Kewalu, which was the name of the Hawaiian bride whose ghost was brought back from the grave.
This, then, is the New Zealand legend, "The Deceiving of Kewa." There once lived in Hawaiki a chief and his wife. They had a child, a girl, born to them; then the mother died. The chief took another wife, who was not pleasing to the people. His anger was so great that the chief went away to the great forest of Tane (the god Kane in Hawaiian), and there built a house for himself and his wife.
After a time a son was born to them and the father named him Miru. This father was a great tohunga (kahuna), or priest, as well as a chief. He taught Miru all the supreme kinds of knowledge, all the invocations and incantations, thosefor the stars, for the winds, for foods, for the sea, and for the land. He taught him the peculiar incantations which would enable him to meet all cunning tricks and enmities of man. He learned also all the great powers of witchcraft. It is said that on one occasion Miru and his father went to a river, a great river. Here the child experimented with his powerful charms. He was a child of the forest and knew the charm which could conquer the trees. Now there was a tall tree growing by the side of the river. When Miru saw it he recited his incantations. As he came to the end the tree fell, the head reaching right across the river. They left the tree lying in this way that it might be used as a bridge by the people who came to the river. Thus he was conscious of his power to correctly use the mighty invocations which his father had taught him.
The years passed and the boy became a young man. His was a lonely life, and he often wondered if there were not those who could be his companions. At last he asked his parents: "Are we here, all of us? Have I no other relative in the world?"
His parents answered, "You have a sister, but she dwells at a distant place."
When Miru heard this he arose and proceeded to search for his sister, and he happily came to the very place where she dwelt. There the young people were gathered in their customary place for playing teka (Hawaiian keha). The teka was a dart which was thrown along the ground, usually the hard beach of the seashore. Miru watched the game for some time and then returned to his home in the forest. He told his father about the teka and the way it was played. Then the chief prepared a teka for Miru, selected from the best tree and fashioned while appropriate charms were repeated.
Miru threw his dart along the slopes covered by the forest and its underbrush, but the ground was uneven and the undergrowth retarded the dart. Then Miru found a plain and practised until he was very expert.
After a while he came to the place where his sister lived. When the young people threw their darts he threw his. Aha! it flew indeed and was lost in the distance. When the sister beheld him she at once felt a great desire toward him.
The people tried to keep Miru with them, pleading with him to stay, and even following him as he returned to hisforest home, but they caught him not. Frequently he repeated his visits, but never stayed long.
The sister, whose name is not given in the New Zealand legends, was disheartened, and hanged herself until she was dead. The body was laid in its place for the time of wailing. Miru and his father came to the uhunga, or place of mourning. The people had not known that Miru was the brother of the one who was dead. They welcomed the father and son according to their custom. Then the young man said, "After I leave, do not bury my sister." So the body was left in its place when the young man arose.
He went on his way till he saw a canoe floating. He then gave the command to his companions and they all paddled away in the canoe. They paddled on for a long distance, in fact to Rerenga-wai-rua, the point of land in New Zealand from which the spirits of the dead take their last leap as they go down to the Under-world. When they reached this place they rested, and Miru let go the anchor. He then said to his companions, "When you see the anchor rope shaking, pull it up, but wait here for me."
The young man then leaped into the water and went down, down near the bottom, and then entered a cave. This cave was the road by which the departed spirits went to spirit-land. Miru soon saw a house standing there. It was the home of Kewa, the chief of the Under-world. Within the house was his sister in spirit form.
Miru carried with him his nets which were given magic power, with which he hoped to catch the spirit of his sister. In many ways he endeavored to induce her ghost to come forth from the house of Kewa, but she would not come. He commenced whipping his top in the yard outside, but could not attract her attention. At last he set up a swing and many of the ghosts joined in the pastime. For a long time the sister remained within, but eventually came forth induced by the attraction of the swing and by the appearance of Miru. Miru then took the spirit in his arms and began to swing.
Higher and higher they rose whilst he incited the ghosts to increase to the utmost the flight of the moari, or swing. On reaching the highest point he gathered the spirit of the sister into his net, then letting go the swing away they flew and alighted quite outside the spirit-land.
Thence he went to the place where the anchor of the floating canoe was. Shaking the rope his friends understood thesignal. He was drawn up with the ghost in his net. He entered the canoe and returned home. On arrival at the settlement the people were still lamenting. What was that to him? Taking the spirit he laid it on the dead body, at the same time reciting his incantations. The spirit gradually entered the body and the sister was alive again. This is the end of the narrative, but it is of old, of ancient times, very, very old. "The Deceiving of Kewa" is an old, old story.
In the Maori poem in which the reference to Kewa is made which brought out the above translation of one of the old New Zealand stories are also many other references to semi-historical characters and events. At the close of the poem is the following note: "The lament is so full of references to the ancient history of the Maoris that it would take a volume to explain them all. Most of the incidents referred to occurred in Hawaiki before the migration of the Maoris to New Zealand or at least five hundred to six hundred years ago."
Another New Zealand legend ought to be noticed in connection with the Hawaiian story of Hiku (Miru, New Zealand) seeking his sister in the Under-world. In what is probably the more complete Hawaiian story Hiku had a magic arrow which flew long distances and led him to the place where his sister-wife could be found.
In a New Zealand legend a magic dart leads a chief by the name of Tama in his search for his wife, who had been carried away to spirit-land. He threw the dart and followed it from place to place until he found a wrecked canoe, near which lay the body of his wife and her companions. He tried to bring her back to life, but his incantations were not strong enough to release the spirit.
Evidently the Hawaiian legend became a little fragmentary while being transplanted from the Hawaiian Islands to New Zealand. Hiku, the young chief who overcomes Miru of the spirit-world, loses his name entirely. Kewalu, the sister, also loses her name, a part of which, Kewa, is given to the ruler of the Under-world, and the magic dart is placed in the hands of Tama in an entirely distinct legend which still keeps the thought of the wife-seeker. There can scarcely be any question but that the original legend belongs to the Hawaiian Islands, and was carried to New Zealand in the days of the sea-rovers.
HOMELESS AND DESOLATE GHOSTS
The spirits of the dead, according to a summary of ancient Hawaiian statements, were divided into three classes, each class bearing the prefix "ao," which meant either the enlightened or instructed class, or simply a crowd or number of spirits grouped together.
The first class, the Ao-Kuewa, were the desolate and the homeless spirits who during their residence in the body had no friends and no property.
The second class was called the Ao-Aumakuas. These were the groups of ghost-gods or spirit-ancestors of the Hawaiians. They usually remained near their old home as helpful protectors of the family to which they belonged, and were worshipped by the family.
The third class was the Ao-o-Milu. Milu was the chief god of the Under-world throughout the greater part of Polynesia. Many times the Under-world itself bore the name of Milu. The Ao-o-Milu were the souls of the departed of both the preceding classes who had performed all tasks, passed all barriers, and found their proper place in the land of the king of ghosts.
The Old Hawaiians never intelligently classified these departed spirits and sometimes mixed them together in inextricable confusion, but in the legends and remarks of early Hawaiian writers these three classes are roughly sketched. The desolate ghost had no right to call any place its home, to which it could come, over which it could watch, and around which it could hover. It had to go to the desolate parts of the islands or into a wilderness or forest.
The homeless ghost had no one to provide even the shadow of food for it. It had to go into the dark places and search for butterflies, spiders, and other insects. These were the ordinary food for all ghosts unless there were worshippers to place offerings on secret altars, which were often dedicated to gain a special power of praying other people to death. Such ghosts were well cared for, but, on the other hand, the desolate ones must wander and search until they could go down into the land of Milu.
There were several ways which the gods had prepared for ghosts to use in this journey to the Under-world. It is interesting to note that all through Polynesia as well as in the Hawaiian Islands the path for ghosts led westward.
The students of New Zealand folk-lore will say that this signified the desire of those about to die to return to the land of their ancestors beyond the western ocean.
The paths were called Leina-a-ka-uhane (paths-for-leaping-by-the-spirit). They were almost always on bold bluffs looking westward over the ocean. The spirit unless driven back could come to the headland and leap down into the land of the dead, but when this was done that spirit could never return to the body it had left. Frequently connected with these Leina-a-ka-uhane was a breadfruit-tree which would be a gathering-place for ghosts.
At these places there were often friendly ghosts who would help and sometimes return the spirit to the body or send it to join the Ao-Aumakuas (ancestor ghosts). At the place of descent it was said there was an owawa (ditch) through which the ghosts one by one were carried down to Po, and Lei-lono was the gate where the ghosts were killed as they went down. Near this gateway was the Ulu-o-lei-walo, or breadfruit-tree of the spirits. This tree had two branches, one toward the east and one toward the west, both of which were used by the ghosts. One was for leaping into eternal darkness into Po-pau-ole, the other as a meeting-place with the helpful gods.
This tree always bore the name Ulu-o-lei-walo (the-quietly-calling-breadfruit-tree). On the island of Oahu, one of these was said to have been at Kaena Point; another was in Nuuanu Valley.
The desolate ghost would come to this meeting-place of the dead and try to find a ghost of the second class, the aumakuas, who had been one of his ancestors and who still had some family to watch over. Perhaps this one might entertain or help him.
If the ghost could find no one to take him, then he would try to wander around the tree and leap into the branches. The rotten, dead branches of the tree belonged to the spirits. When they broke and fell, the spirits on them dropped into the land of Milu—the under-world home of ghosts. Often the spirit could leap from these dead branches into the Under-world.
Sometimes the desolate spirit would be blown, as by the wind, back and forth, here and there, until no possible placeof rest could be found on the island where death had come; then the ghost would leap into the sea, hoping to find the way to Milu through some sea-cave. Perhaps the waves would carry the ghost, or it might be able to swim to one of the other islands, where a new search would be made for some ancestor-ghost from which to obtain help. Not finding aid, it would be pushed and driven over rough, rocky places and through the wilderness until it again went into the sea. At last perhaps a way would be found into the home of the dead, and the ghost would have a place in which to live, or it might make the round through the wilderness again and again, until it could leap from a bluff, or fall from a rotten branch of the breadfruit-tree.
A great caterpillar was the watchman on the eastern side of the leaping-off place. Napaha was the western boundary. A mo-o (dragon) was the watchman on that side. If the ghost was afraid of them it went back to secure the help of the ghost-gods in order to get by. The Hawaiians were afraid that these watchmen would kill ghosts if possible.
If a caterpillar obstructed the way it would raise its head over the edge of the bluff, and then the frightened ghost would go far out of its way, and wandering around be destroyed or compelled to leap off some dead branch into eternal darkness. But if that frightened ghost, while wandering, could find a helpful ghost god, it would be kept alive, although still a wanderer over the islands.
At the field of kaupea (coral) near Barbers Point, in the desert of Puuloa, the ghost would go around among the lehua flowers, catching spiders, butterflies, and insects for food, where the ghost-gods might find them and give them aid in escaping the watchmen.
There are many places for the Leina-a-ka-uhane (leaping-off-places) and the Ulu-o-lei-walo (breadfruit-trees) on all the islands. To these places the wandering desolate ghosts went to find a way to the Under-world.
Another name for the wandering ghosts was lapu, also sometimes called Akua-hele-loa (great travellers). These ghosts were frequently those who enjoyed foolish, silly pranks. They would sweep over the old byways in troops, dancing and playing. They would gather around the old mats where the living had been feasting, and sit and feast on imaginary food.
The Hawaiians say: "On one side of the island Oahu,even to this day the lapu come at night. Their ghost drums and sacred chants can be heard and their misty forms seen as they hover about the ruins of the old heiaus (temples)."
The fine mists or fogs of Manoa Valley were supposed to conceal a large company of priests and their attendants while roaming among the great stones which still lie where there was a puu-honua (refuge-temple) in the early days. If any one saw these roving ghosts he was called lapu-ia, or one to whom spirits had appeared.
The Hawaiians said: "The lapu ghosts were not supposed to watch over the welfare of the persons they met. They never went into the heavens to become black clouds, bringing rain for the benefit of their households. They did not go out after winds to blow with destructive force against their enemies. This was the earnest work of the ancestor-ghosts, and was not done by the lapu."
Another name for ghosts was wai-lua, which referred especially to the spirit leaving the body and supposed to have been seen by some one. This wai-lua spirit could be driven back into the body by other ghosts, or persuaded to come back through offerings or incantations given by living friends, so that a dead person could become alive again.
It was firmly believed that a person could endure many deaths, and that if any one lost consciousness he was dead, and that when life stopped it was because the spirit left the body. When life was renewed it was because the spirit had returned to its former home.
The kino-wai-lua was a ghost leaving the body of a living person and returning after a time, as when any one fainted.
Besides the ghosts of the dead, the Hawaiians gave spirit power to all natural objects. Large stones were supposed to have dragon power sometimes.
AUMAKUAS, OR ANCESTOR-GHOSTS
There are two meanings to the first part of this word, for "au" means a multitude, as in "auwaa" (many canoes), but it may mean time and place, as in the following: "Our ancestors thought that if there was a desolate place where no man could be found, it was the aumakua (place of many gods)." "Makua" was the name given to the ancestors of a chief and of the people as well as to parents.
The aumakuas were the ghosts who did not go down into Po, the land of King Milu. They were in the land of the living, hovering around the families from which they had been separated by death. They were the guardians of these families.
When any one died, many devices were employed in disposing of the body. The fact that an enemy of the family might endeavor to secure the bones of the dead for the purpose of making them into fish-hooks, arrow-heads, or spear-heads led the surviving members of a family either to destroy or to conceal the body of the dead. For if the bones were so used it meant great dishonor, and the spirit was supposed to suffer on account of this indignity.
Sometimes the flesh was stripped from the bones and cast into the ocean or into the fires of the volcanoes, that the ghost might be made a part of the family ghosts who lived in such places, and the bones were buried in some secret cave or pit, or folded together in a bundle which was thought to resemble a grasshopper, so these were called unihipili (grasshopper). The unihipili bones were used in connection with a strange belief called pule-ana-ana (praying to death).
When the body of a dead person was to be hidden, only two or three men were employed in the task. Sometimes the one highest in rank would slay his helpers so that no one except himself would know the burial-place.
The tools, the clothing, and the calabashes of the dead were unclean until certain ceremonies of purification had been faithfully performed. Many times these possessions were either placed in the burial-cave beside the body or burned so that they might be the property of the spirit in ghost-land.
The people who cared for the body had to bathe in salt water and separate themselves from the family for a time. They must sprinkle the house and all things inside with salt water. After a few days the family would return and occupy the house once more.
Usually the caretakers of a dead body would make a hole in the side of the house and push it through rather than take it through the old doorway, probably having the idea that the ghost would only know the door through which the body had gone out when alive and so could not find the new way back when the opening was dosed.
After death came, the ghost crept out of the body, comingup from the feet until it rested in the eyes, and then it came out from the corner of one eye, and had a kind of wind body. It could pass around the room and out of doors through any opening it could find. It could perch like a bird on the roof of a house or in the branches of trees, or it could seat itself on logs or stones near the house. It might have to go back into the body and make it live again. Possibly the ghost might meet some old ancestor-ghosts and be led so far away that it could not return; then it must become a member of the aumakua, or ancestor-ghost, family, or wander off to join the homeless desolate ghost vagabonds.
Sometimes dead bodies were thrown into the sea with the hope that the ghost body would become a shark or an eel, or perhaps a mo-o, or dragon-god, to be worshipped with other ancestor-gods of the same class.
Sometimes the body or the bones would be cast into the crater of Kilauea, the people thinking the spirit would become a flame of fire like Pele, the goddess of volcanoes; other spirits went into the air concealed in the dark depths of the sky, perhaps in the clouds.
Here they carried on the work needed to help their families. They would become fog or mist or the fine misty rain colored by light. With these the Rainbow Maiden, Anuenue, delighted to dwell. They often lived in the great rolling white clouds, or in the gray clouds which let fall the quiet rain needed for farming. They also lived in the fierce black thunder-clouds which sent down floods of a devastating character upon the enemies of the family to which they belonged.
There were ghost ancestors who made their homes near the places where the members of their families toiled; there were ancestor-ghosts to take care of the tapa, or kapa, makers, or the calabash or house or canoe makers. There were special ancestor-ghosts called upon by name by the farmers, the fishermen, and the bird-hunters. These ghosts had their own kuleanas, or places to which they belonged, and in which they had their own peculiar duties and privileges. They became ancestor ghost-gods and dwelt on the islands near the homes of their worshippers, or in the air above, or in the trees around the houses, or in the ocean or in the glowing fires of volcanoes. They even dwelt in human beings, making them shake or sneeze as with cold, and then a person was said to become an ipu, or calabash containing a ghost.
Sometimes it was thought that a ghost god could be seen sitting on the head or shoulder of the person to whom it belonged. Even in this twentieth century a native woman told the writer that she saw a ghost-god whispering in his ear while he was making an address. She said, "That ghost was like a fire or a colored light." Many times the Hawaiians have testified that they believed in the presence of their ancestor ghost-gods.
This is the way the presence of a ghost was detected: Some sound would be heard, such as a sibilant noise, a soft whistle, or something like murmurs, or some sensation in a part of the body might be felt. If an eyelid trembled, a ghost was sitting on that spot. A quivering or creepy feeling in any part of the body meant that a ghost was touching that place. If any of these things happened, a person would cry out, "I have seen or felt a spirit of the gods."
Sometimes people thought they saw the spirits of their ghost friends. They believed that the spirits of these friends appeared in the night, sometimes to kill any one who was in the way. The high chiefs and warriors are supposed to march and go in crowds, carrying their spears and piercing those they met unless some ghost recognized that one and called to the others, "Alia [wait]," but if the word was "O-i-o [throw the spear]!" then that spirit's spear would strike death to the passer-by.
There were night noises which the natives attributed to sounds or rustling motions made by such night gods as the following:
Akua-hokio (whistling gods)." -kiei (peeping gods)." -nalo (prying gods)." -loa (long gods)." -poko (short gods)." -muki (sibilant gods).
A prayer to these read thus:
"O Akua-loa! [long god]O Akua-poko! [short god]O Akua-muki! [god breathing in short, sibilant breaths]O Akua-hokio! [god blowing like whistling winds]O Akua-kiei! [god watching, peeping at one]O Akua-nalo! [god hiding, slipping out of sight]O All ye Gods, who travel on the dark night paths!Come and eat.Give life to me,And my parents,And my children,To us who are living in this place. Amama [Amen]."
This prayer was offered every night as a protection against the ghosts.
The aumakuas were very laka (tame and helpful). It was said that an aumakua living in a shark would be very laka, and would come to be rubbed on the head, opening his mouth for a sacrifice. Perhaps some awa, or meat, would be placed in his mouth, and then he would go away. So also if the aumakua were a bird, it would become tame. If it were the alae (a small duck), it would come to the hand of its worshipper; if the pueo (owl), it would come and scratch the earth away from the grave of one of its worshippers, throwing the sand away with its wings, and would bring the body back to life. An owl ancestor-god would come and set a worshipper free were he a prisoner with hands and feet bound by ropes.
It made no difference whether the dead person were male or female, child or aged one, the spirit could become a ghost-god and watch over the family.
There were altars for the ancestor-gods in almost every land. These were frequently only little piles of white coral, but sometimes chiefs would build a small house for their ancestor-gods, thus making homes that the ghosts might have a kuleana, or place of their own, where offerings could be placed, and prayers offered, and rest enjoyed.
The Hawaiians have this to say about sacrifices for the aumakuas: If a mo-o, or dragon-god, was angry with its caretaker or his family and they became weak and sick, they would sacrifice a spotted dog with awa, red fish, red sugar-cane, and some of the grass growing in taro patches wrapped in yellow kapa. This they would take to the lua, or hole, where the mo-o dwelt, and fasten the bundle there. Then the mo-o would become pleasant and take away the sickness. If it were a shark-god, the sacrifice was a black pig, a dark red chicken, and some awa wrapped in new white kapa made by a virgin. This bundle would be carried to the beach, where a prayer would be offered:
"O aumakuas from sunrise to sunset,From North to South, from above and below,O spirits of the precipice and spirits of the sea,All who dwell in flowing waters,Here is a sacrifice—our gifts are to you.Bring life to us, to all the family,To the old people with wrinkled skin,To the young also.This is our life,From the gods."
Then the farmer would throw the bundle into the sea, bury the chicken alive, take the pig to the temple, then go back to his house looking for rain. If there was rain, it showed that the aumakua had seen the gifts and washed away the wrong. If the clouds became black with heavy rain, that was well.
The offerings for Pele and Hiiaka were awa to drink and food to eat, in fact all things which could be taken to the crater.
This applies to the four great gods, Kane, Ku, Lono, and Kanaloa. They are called the first of the ancestors. Each one of these was supposed to be able to appear in a number of different forms, therefore each had a number of names expressive of the work he intended or was desired to do. An explanatory adjective or phrase was added to the god's own name, defining certain acts or characteristics, thus: Kane-puaa (Kane, the pig) was Kane who would aid in stirring up the ground like a pig.
This is one of the prayers used when presenting offerings to aumakuas, "O Aumakuas of the rising of the sun, guarded by every tabu staff, here are offerings and sacrifices—the black pig, the white chicken, the black cocoanut, the red fish—sacrifices for the gods and all the aumakuas; those of the ancestors, those of the night, and of the dawn, here am I. Let life come."
The ancestor-gods were supposed to use whatever object they lived with. If ghosts went up into the clouds, they moved the clouds from place to place and made them assume such shape as might be fancied. Thus they would reveal themselves over their old homes.
All the aumakuas were supposed to be gentle and ready to help their own families. The old Hawaiians say that the power of the ancestor-gods was very great. "Here is the magic power. Suppose a man would call his shark, 'O Kuhai-moana [the shark-god]! O, the One who lives in the Ocean! Take me to the land!' Then perhaps a shark would appear, and the man would get on the back of the shark, hold fast to the fin, and say: 'You look ahead. Go on very swiftly without waiting.' Then the shark would swim swiftly to the shore."
The old Hawaiians had the sport called "lua." This sometimes meant wrestling, but usually was the game of catching a man, lifting him up, and breaking his body so that he was killed. A wrestler of the lua class would go out to a plainwhere no people were dwelling and call his god Kuialua. The aumakua ghost-god would give this man strength and skill, and help him to kill his adversaries.
There were many priests of different classes who prayed to the ancestor-gods. Those of the farmers prayed like this:
"O great black cloud in the far-off sky,O shadow watching shadow,Watch over our land.Overshadow our landFrom corner to cornerFrom side to side.Do not cast your shadow on other landsNor let the waters fall on the other lands[i.e., keep the rains over my place]."
Also they prayed to Kane-puaa (Kane, the pig), the great aumakua of farmers:
"O Kane-puaa, root!Dig inland, dig toward the sea;Dig from corner to corner,From side to side;Let the food grow in the middle,Potatoes on the side roots,Fruit in the centre.Do not root in another place!The people may strike you with the spade [o-o]Or hit you with a stoneAnd hurt you. Amama [Amen]."
So also they prayed to Kukea-olo-walu (a taro aumakua god):
"O Kukea-olo-walu!Make the taro grow,Let the leaf spread like a banana.Taro for us, O Kukea!The banana and the taro for us.Pull up the taro for us, O Kukea!Pound the taro,Make the fire for cooking the pig.Give life to us—To the farmers—From sunrise to sunsetFrom one fastened place to the other fastened place[i.e., one side of the sky to the other fastened on each side of the earth]. Amama [Amen]."
Trees with their branches and fruit were frequently endowed with spirit power. All the different kinds of birds and even insects, and also the clouds and winds and the fish in the seas were given a place among the spirits around the Hawaiians.
The people believed in life and its many forms of power. They would pray to the unseen forces for life for themselves and their friends, and for death to come on the families of their enemies. They had special priests and incantations for the pule-ana-ana, or praying to death, and even to the present time the supposed power to pray to death is one of the most formidable terrors to their imagination.
Menehunes, eepas, and kupuas were classes of fairies or gnomes which did not belong to the ancestor-gods, or aumakuas.
The menehunes were fairy servants. Some of the Polynesian Islands called the lowest class of servants "manahune." The Hawaiians separated them almost entirely from the spirits of ancestors. They worked at night performing prodigious tasks which they were never supposed to touch again after the coming of dawn.
The eepas were usually deformed and defective gnomes. They suffered from all kinds of weakness, sometimes having no bones and no more power to stand than a large leaf. They were sometimes set apart as spirit caretakers of little children. Nuuanu Valley was the home of a multitude of eepas who had their temple on the western side of the valley.
Kupuas were the demons of ghost-land. They were very powerful and very destructive. No human being could withstand their attacks unless specially endowed with power from the gods. They had animal as well as human bodies and could use whichever body seemed to be most available. The dragons, or mo-os, were the most terrible kupuas in the islands.
THE DRAGON GHOST-GODS
Dragons were among the ghost-gods of the ancient Hawaiians. These dragons were called mo-o. The New Zealanders used the same names for some of their large reptile gods. They, however, spelled the word with a "k," calling it mo-ko, and it was almost identical in pronunciation as in meaning with the Hawaiian name. Both the Hawaiians and New Zealanders called all kinds of lizards mo-o or mo-ko; and their use of this word in traditions showed that they often had in mind animals like crocodiles and alligators, andsometimes they referred the name to any monster of great mythical powers belonging to a man-destroying class.
Mighty eels, immense sea-turtles, large fish of the ocean, fierce sharks, were all called mo-o. The most ancient dragons of the Hawaiians are spoken of as living in pools or lakes. These dragons were known also as kupuas, or mysterious characters who could appear as animals or human beings according to their wish. The saying was: "Kupuas have a strange double body."
There were many other kupuas besides those of the dragon family. It was sometimes thought that at birth another natural form was added, such as an egg of a fowl or a bird, or the seed of a plant, or the embryo of some animal, which when fully developed made a form which could be used as readily as the human body. These kupuas were always given some great magic power. They were wonderfully strong and wise and skilful.
Usually the birth of a kupua, like the birth of a high chief, was attended with strange disturbances in the heavens, such as reverberating thunder, flashing lightning, and severe storms which sent the abundant red soil of the islands down the mountain-sides in blood-red torrents known as ka-ua-koko (the blood rain). This name was also given to misty fine rain when shot through by the red waves of the sun.
By far the largest class of kupuas was that of the dragons. These all belonged to one family. Their ancestor was Mo-o-inanea (The Self-reliant Dragon), who figured very prominently in the Hawaiian legends of the most ancient times, such as "The Maiden of the Golden Cloud."
Mo-o-inanea (The Self-reliant Dragon) brought the dragons, the kupua dragons, from the "Hidden Land of Kane" to the Hawaiian Islands. Mo-o-inanea was apparently a demi-goddess of higher power even than the gods Ku, Kane, or Kanaloa. She was the great dragon-goddess of the Hawaiians, coming to the islands in the migration of the gods from Nuu-mea-lani and Kuai-he-lani to settle. The dragons and other kupuas came as spirit servants of the gods.
For a while this Mo-o-inanea lived with her brothers, the gods, at Waolani, but after a long time there were so many dragons that it was necessary to distribute them over the islands, and Mo-o-inanea decided to leave her brothers and find homes for her numerous family. So she went downto Puunui in the lower part of Nuuanu Valley and there made her home, and it is said received worship from the men of the ancient days. Here she dwelt in her dual nature—sometimes appearing as a dragon, sometimes as a woman.
Very rich clayey soil was found in this place, forced out of the earth as if by geyser action. It was greatly sought in later years by the chiefs who worshipped this goddess. They made the place tabu, and used the clay, sometimes eating it, but generally plastering the hair with it. This place was made very tabu by the late Queen Kaahumanu during her lifetime.
Mo-o-inanea lived in the pit from which this clay was procured, a place called Lua-palolo, meaning pit-of-sticky-clay. After she had come to this dwelling-place the dragons were sent out to find homes. Some became chiefs and others servants, and when by themselves were known as the evil ones. She distributed her family over all the islands from Hawaii to Niihau. Two of these dragon-women, according to the legends, lived as guardians of the pali (precipice) at the end of Nuuanu Valley, above Honolulu. After many years it was supposed that they both assumed the permanent forms of large stones which have never lost their associations with mysterious, miraculous power.
Even as late as 1825, Mr. Bloxam, the chaplain of the English man-of-war, recorded in "The Voyage of the Blonde" the following statement:
"At the bottom of the Parre (pali) there are two large stones on which even now offerings of fruits and flowers are laid to propitiate the Aku-wahines, or goddesses, who are supposed to have the power of granting a safe passage."
Mr. Bloxam says that these were a kind of mo-o, or reptile, goddesses, and adds that it was difficult to explain the meaning of the name given to them, probably because the Hawaiians had nothing in the shape of serpents or large reptiles in their islands.
A native account of these stones says: "There is a large grove of hau-trees in Nuuanu Valley, and above these lie the two forest women, Hau-ola and Ha-puu. These are now two large stones, one being about three feet long with a fine smooth back, the other round with some little rough places. The long stone is on the seaward side, and this is the Mo-o woman, Hau-ola; and the other, Ha-puu. The leaves of ferns cover Hau-ola, being laid on that stone. On the other stone, Ha-puu, are lehua flowers. These are kupuas."
Again the old people said that their ancestors had been accustomed to bring the navel cords of their children and bury them under these stones to insure protection of the little ones from evil, and that these were the stone women of Nuuanu.
Ala-muki lived in the deep pools of the Waialua River near the place Ka-mo-o-loa, which received its name from the long journeys that dragon made over the plains of Waialua. She and her descendants guarded the paths and sometimes destroyed those who travelled that way.
One dragon lived in the Ewa lagoon, now known as Pearl Harbor. This was Kane-kua-ana, who was said to have brought the pipi (oysters) to Ewa. She was worshipped by those who gathered the shell-fish. When the oysters began to disappear about 1850, the natives said that the dragon had become angry and was sending the oysters to Kahiki, or some far-away foreign land.
Kilioe, Koe, and Milolii were noted dragons on the island of Kauai. They were the dragons of the precipices of the northern coast of this island, who took the body of the high chief Lohiau and concealed it in a cave far up the steep side of the mountain. There is a very long interesting story of the love between Lohiau and Pele, the goddess of fire. In this story Pele overcame the dragons and won the love of the chief. Hiiaka, the sister of the fire-goddess, won a second victory over them when she rescued a body from the cave and brought it back to life.
On Maui, the greatest dragon of the island was Kiha-wahine. The natives had the saying, "Kiha has mana, or miraculous power, like Mo-o-inanea." She lived in a large deep pool on the edge of the village Lahaina, and was worshipped by the royal family of Maui as their special guardian.
There were many dragons of the island of Hawaii, and the most noted of these were the two who lived in the Wailuku River near Hilo. They were called "the moving boards" which made a bridge across the river.
Sometimes they accepted offerings and permitted a safe passage, and sometimes they tipped the passengers into the water and drowned them. They were destroyed by Hiiaka.
Sacred to these dragons who were scattered over all the islands were the mo-o priests and the sorcerers, who propitiated them with offerings and sacrifices, chanting incantations.
CHAS. R. BISHOP
Mr. Chas. R. Bishop died in California early in 1915, having just passed his ninety-third birthday. He was born in Glens Falls, N.Y., and sailed around Cape Horn to Hawaii in the early days before steamship communication.
His wife, Pauahi, was a very high chiefess descended from the royal line of Kamehameha the Great. To her Kamehameha V. offered the throne, and on her refusal to espouse him remained a bachelor and died without heir. Mrs. Pauahi Bishop bequeathed her vast estate and fortune to found the schools for Hawaiian boys and girls, known as the Kamehameha Schools, Honolulu, and near these Mr. Bishop founded the Bishop Museum; which contains all the magnificent feather-cloaks, helmets, calabashes, etc., handed down from generation to generation through the royal line of the Kamehamehas and inherited by Mrs. Bishop. This has been greatly increased by other gifts and purchases and now forms the finest museum in the world, of relics of the Polynesian race.