Of the Sordidness of the Supreme Government on the Revenue Side; and of the Palace of Jeypore—A great King’s Pleasure-House, and the Work of the Servants of State.
Of the Sordidness of the Supreme Government on the Revenue Side; and of the Palace of Jeypore—A great King’s Pleasure-House, and the Work of the Servants of State.
INTERNALLY, there is, in all honesty, no limit to the luxury of the Jeypore Museum. It revels in “South Kensington” cases—of the approved pattern—that turn the beholder home-sick, and South Kensington labels, whereon the description, measurements and price of each object, are fairly printed. These make savage one who knows how labelling is bungled in some of the Government Museums—those starved barns that are supposed to hold the economic exhibits, not of little States but of great Provinces.
The floors are of dark red chunam, overlaid with a discreet and silent matting; the doors, where they are not plate-glass, are of carved wood, no two alike, hinged by sumptuous brass hinges on to marble jambs and opening without noise. On the carved marble pillars of each hall are fixed revolving cases of the S. K. M.pattern to show textile fabrics, gold lace and the like. In the recesses of the walls are more cases, and on the railing of the gallery that runs round each of the three great central rooms, are fixed low cases to hold natural history specimens and models of fruits and vegetables.
Hear this, Governments of India from the Punjab to Madras! The doors come true to the jamb, the cases, which have been through a hot weather, are neither warped nor cracked, nor are there unseemly tallow-drops and flaws in the glasses. The maroon cloth, on or against which the exhibits are placed, is of close texture, untouched by the moth, neither stained nor meagre nor sunfaded; the revolving cases revolve freely and without rattling; there is not a speck of dust from one end of the building to the other, because the menial staff are numerous enough to keep everything clean, and the Curator’s office is a veritable office—not a shed or a bath-room, or a loose-box partitioned from the main building. These things are so because money has been spent on the Museum, and it is now a rebuke to all other Museums in India, from Calcutta downwards. Whether it is not too good to be buried away in a Native State is a question which envious men may raise and answer as they choose. Not long ago, the Editor of aBombay paper passed through it, but having the interests of the Egocentric Presidency before his eyes, dwelt more upon the idea of the building than its structural beauties; saying that Bombay, who professed a weakness for technical education, should be ashamed of herself. And herein he was quite right.
The system of the Museum is complete in intention as are its appointments in design. At present there are some fifteen thousand objects of art, “surprising in themselves” as, Count Smaltork would say, a complete exposition of the arts, from enamels to pottery and from brassware to stone-carving, of the State of Jeypore. They are compared with similar arts of other lands. Thus a Damio’s sword—a gem of lacquer-plaited silk and stud-work—flanks thetulwarsof Marwar and thejezailsof Tonk; and reproductions of Persian and Russian brasswork stand side by side with the handicrafts of the pupils of the Jeypore School of Art. A photograph of His Highness the present Maharaja is set among the arms, which are the most prominent features of the first or metal-room. As the villagers enter, they salaam reverently to the photo, and then move on slowly, with an evidently intelligent interest in what they see. Ruskin could describe the scene admirably—pointing out how reverence must precede the study of art, and how it is good for Englishmen and Rajputs alike to bow on occasion before Gessler’s cap. They thumb the revolving cases of cloths do these rustics, and artlessly try to feel the texture through the protecting glass. The main object of the Museum is avowedly provincial—to show the craftsman of Jeypore the best that his predecessors could do, and to show him what foreign artists have done. In time—but the Curator of the Museum has many schemes which will assuredly bear fruit in time, and it would be unfair to divulge them. Let those who doubt the thoroughness of a Museum under one man’s control, built, filled, and endowed with royal generosity—an institution perfectly independent of the Government of India—go and exhaustively visit Dr. Hendley’s charge at Jeypore. Like the man who made the building, he refuses to talk, and so the greater part of the work that he has in hand must be guessed at.
At one point, indeed, the Curator was taken off his guard. A huge map of the kingdom showed in green the portions that had been brought under irrigation, while blue circles marked the towns that owned dispensaries. “I want to bring every man in the State within twenty miles of a dispensary, and I’ve nearlydone it,” said he. Then he checked himself, and went off to food-grains in little bottles as being neutral and colourless things. Envy is forced to admit that the arrangement of the Museum—far too important a matter to be explained offhand—is Continental in its character, and has a definite end and bearing—a trifle omitted by many institutions other than Museums. But—in fine, what can one say of a collection whose very labels are gilt-edged! Shameful extravagance? Nothing of the kind—only finish, perfectly in keeping with the rest of the fittings—a finish that we inkutchaIndia have failed to catch. That is all!
From the Museum go out through the city to the Maharaja’s Palace—skilfully avoiding the man who would show you the Maharaja’s European billiard-room, and wander through a wilderness of sunlit, sleepy courts, gay with paint and frescoes, till you reach an inner square, where smiling grey-bearded men squat at ease and playchaupur—just such a game as cost the Pandavs the fair Draupadi—with inlaid dice and gaily lacquered pieces. These ancients are very polite and will press you to play, but give no heed to them, forchaupuris an expensive game—expensive as quail-fighting, when you have backed the wrong bird and the peopleare laughing at your inexperience. The Maharaja’s Palace is arrogantly gay, overwhelmingly rich in candelabra, painted ceilings, gilt mirrors and other evidences of a too hastily assimilated civilisation; but, if the evidence of the ear can be trusted, the old, old game of intrigue goes on as merrily as of yore. A figure in saffron came out of a dark arch into the sunlight, almost falling into the arms of one in pink. “Where have you come from?” “I have been to see ——” the name was unintelligible. “That is a lie: you havenot!” Then, across the court, some one laughed a low croaking laugh. The pink and saffron figures separated as though they had been shot, and disappeared into separate boltholes. It was a curious little incident, and might have meant a great deal or just nothing at all. It distracted the attention of the ancients bowed above thechaupurcloth.
In the Palace-gardens there is even a greater stillness than that about the courts, and here nothing of the West, unless a hypercritical soul might take exception to the lamp-posts. At the extreme end lies a lake-like tank swarming withmuggers. It is reached through an opening under a block of zenana buildings. Remembering that all beasts by the palaces of Kings or the temples of priests in this country would answerto the name of “Brother,” the Englishman cried with the voice of faith across the water, in a key as near as might be to the melodious howl of the “monkey faquir” on the top of Jakko. And the mysterious freemasonry did not fail. At the far end of the tank rose a ripple that grew and grew and grew like a thing in a nightmare, and became presently an agedmugger. As he neared the shore, there emerged, the green slime thick upon his eyelids, another beast, and the two together snapped at a cigar-butt—the only reward for their courtesy. Then, disgusted, they sank stern first with a gentle sigh. Now amugger’ssigh is the most suggestive sound in animal speech. It suggested first the zenana buildings overhead, the walled passes through the purple hills beyond, a horse that might clatter through the passes till he reached the Man Sagar Lake below the passes, and a boat that might row across the Man Sagar till it nosed the wall of the Palace-tank and then—then uprose themuggerwith the filth upon his forehead and winked one horny eyelid—in truth he did!—and so supplied a fitting end to a foolish fiction of old days and things that might have been. But it must be unpleasant to live in a house whose base is washed by such a tank.
And so back as Pepys says, through the chu-named courts, and among the gentle sloping paths between the orange trees, up to an entrance of the Palace guarded by two rusty brown dogs from Kabul, each big as a man, and each requiring a man’s charpoy to sleep upon. Very gay was the front of the Palace, very brilliant were the glimpses of the damask-couched, gilded rooms within, and very, very civilised were the lamp-posts with Ram Singh’s monogram, devised to look like V. R., at the bottom, and a coronet, as hath been shown, at the top. An unseen brass band among the orange-bushes struck up the overture of theBronze Horse. Those who know the music will see at once that that was the only tune which exactly and perfectly fitted the scene and its surroundings. It was a coincidence and a revelation.
In his time and when he was not fighting, Jey Singh the Second, who built the city, was a great astronomer—a royal Omar Khayyam, for he, like the tent-maker of Nishapur, reformed a calendar, and strove to wring their mysteries from the stars with instruments worthy of a King. But in the end he wrote that the goodness of the Almighty was above everything, and died; leaving his observatory to decay without the Palace-grounds.
From theBronze Horseto the grass-grownenclosure that holds the Yantr Samrat, or Prince of Dials, is rather an abrupt passage. Jey Singh built him a dial with a gnomon some ninety feet high, to throw a shadow against the sun, and the gnomon stands to-day, though there is grass in the kiosque at the top and the flight of steps up the hypotenuse is worn. He built also a zodiacal dial—twelve dials upon one platform—to find the moment of true noon at any time of the year, and hollowed out of the earth place for two hemispherical cups, cut by belts of stone, for comparative observations.
He made cups for calculating eclipses, and a mural quadrant and many other strange things of stone and mortar, of which people hardly know the names and but very little of the uses. Once, said the keeper of two tiny elephants,IndurandHar, aSahibcame with theBurra Lat Sahib, and spent eight days in the enclosure of the great neglected observatory, seeing and writing things in a book. Butheunderstood Sanskrit—the Sanskrit upon the faces of the dials, and the meaning of the gnoma and pointers. Now-a-days no one understands Sanskrit—not even the Pundits; but without doubt Jey Singh was a great man.
The hearer echoed the statement, though he knew nothing of astronomy, and of all thewonders in the observatory was only struck by the fact that the shadow of the Prince of Dials moved over its vast plate so quickly that it seemed as though Time, wroth at the insolence of Jey Singh, had loosed the Horses of the Sun and were sweeping everything—dainty Palace-gardens and ruinous instruments—into the darkness of eternal night. So he went away chased by the shadow on the dial, and returned to the hotel, where he found men who said—this must be a catch-word of Globe-Trotters—that they were “much pleased at” Amber. They further thought that “house-rent would be cheap in those parts,” and sniggered over the witticism. Jey Singh, in spite of a few discreditablelaches, was a temperate and tolerant man; but he would have hanged those Globe-Trotters in their trunk-straps as high as the Yantr Samrat.
Next morning, in the grey dawn, the Englishman rose up and shook the sand of Jeypore from his feet, and went with Master Coryatt and Sir Thomas Roe to “Adsmir,” wondering whether a year in Jeypore would be sufficient to exhaust its interest, and why he had not gone out to the tombs of the dead Kings and the passes of Gulta and the fort of Motee Dungri. But what he wondered at most—knowing how many menwho have in any way been connected with the birth of an institution, do, to the end of their days, continue to drag forward and exhume their labours and the honours that didnotcome to them—was the work of the two men who, together for years past, have been pushing Jeypore along the stone-dressed paths of civilisation, peace and comfort. “Servants of the Raj” they called themselves, and surely they have served the Raj past all praise. The pen and tact of a Wilfred Blunt are needed to fitly lash their reticence. But the people in the city and the camel-driver from the sand-hills told of them. They themselves held their peace as to what they had done, and, when pressed, referred—crowning baseness—to reports. Printed ones!
Showing how Her Majesty’s Mails went to Udaipur and fell out by the Way.
Showing how Her Majesty’s Mails went to Udaipur and fell out by the Way.
ARRIVED at Ajmir, the Englishman fell among tents pitched under the shadow of a huge banian tree, and in them was a Punjabi. Now there is no brotherhood like the brotherhood of the Pauper Province; for it is even greater than the genial and unquestioning hospitality which, in spite of the loafer and the Globe-Trotter, seems to exist throughout India. Ajmir being British territory, though the inhabitants are allowed to carry arms, is the headquarters of many of the banking firms who lend to the Native States. The complaint of the Setts to-day is that their trade is bad, because an unsympathetic Government induces the Native States to make railways and become prosperous. “Look at Jodhpur!” said a gentleman whose possessions might be roughly estimated at anything between thirty and forty-five lakhs. “Time was when Jodhpur was always in debt—and not so long ago, either. Now, they’ve got a railroad and are carrying salt over it, and, as sure as I stand here, they have asurplus! Whatcan we do?” Poor pauper! However, he makes a little profit on the fluctuations in the coinage of the States round him, for every small king seems to have the privilege of striking his own image and inflicting the Great Exchange Question on his subjects. It is a poor State that has not two seers and five different rupees.
From a criminal point of view, Ajmir is not a pleasant place. The Native States lie all round and about it, and portions of the district are ten miles off, Native State-locked on every side. Thus the criminal, who may be a burglarious Meena lusting for the money bags of the Setts, or a Peshawari down south on a cold weather tour, has his plan of campaign much simplified. The Englishman made only a short stay in the town, hearing that there was to be a ceremony—tamashacovers a multitude of things—at the capital of His Highness the Maharana of Udaipur—a town some hundred and eighty miles south of Ajmir, not known to many people beyond Viceroys and their Staffs and the officials of the Rajputana Agency. So he took a Neemuch train in the very early morning and, with the Punjabi, went due south to Chitor, the point of departure for Udaipur. In time the Aravalis gave place to a dead, flat, stone-strewn plain, thick with dhak-jungle.Later the date-palm fraternised with the dhak, and low hills stood on either side of the line. To this succeeded a tract rich in pure white stone, the line was ballasted with it. Then came more low hills, each with comb of splintered rock a-top, overlooking dhak-jungle and villages fenced with thorns—places that at once declared themselves tigerish. Last, the huge bulk of Chitor showed itself on the horizon. The train crossed the Gumber River and halted almost in the shadow of the hills on which the old pride of Udaipur was set.
It is difficult to give an idea of the Chitor fortress; but the long line of brown wall springing out of bush-covered hill suggested at once those pictures, such as theGraphicpublishes, of theInflexibleor theDevastation—gigantic men-of-war with a very low free-board ploughing through green sea. The hill on which the fort stands is ship-shaped and some miles long, and, from a distance, every inch appears to be scarped and guarded. But there was no time to see Chitor. The business of the day was to get, if possible, to Udaipur from Chitor Station, which was composed of one platform, one telegraph-room, a bench and several vicious dogs.
The State of Udaipur is as backward as Jeypore is advanced—if we judge it by the standard of civilisation. It does not approve of the incursions of Englishmen, and, to do it justice, it thoroughly succeeds in conveying its silent sulkiness. Still, where there is one English Resident, one Doctor, one Engineer, one Settlement Officer and one Missionary, there must be a mail at least once a day. There was a mail. The Englishman, men said, might go by it if he liked, or he might not. Then, with a great sinking of the heart, he began to realise that his caste was of no value in the stony pastures of Mewar, among the swaggering gentlemen who were so lavishly adorned with arms. There was a mail, the ghost of a tonga, with tattered side-cloths and patched roof, inconceivably filthy within and without, and it was Her Majesty’s. There was another tonga—anaramtonga—but the Englishman was not to have it. It was reserved for a Rajput Thakur who was going to Udaipur with his “tail.” The Thakur, in claret-coloured velvet with a blue turban, a revolver—Army pattern—a sword, and five or six friends, also with swords, came by and endorsed the statement. Now, the mail tonga had a wheel which was destined to become the Wheel of Fate, and to lead to many curious things. Two diseased yellow ponies were extracted from a dung-hill and yoked to the tonga; and after due deliberation Her Majesty’s mail started, the Thakur following.
In twelve hours, or thereabouts, the seventy miles between Chitor and Udaipur would be accomplished. Behind the tonga cantered an armed sowar. He was the guard. The Thakur’s tonga came up with a rush, ran deliberately across the bows of the Englishman, shipped a pony, and passed on. One lives and learns. The Thakur seems to object to following the foreigner.
At the halting-stages, once in every six miles, that is to say, the ponies were carefully undressed and all their accoutrements fitted more or less accurately on to the backs of the ponies that might happen to be near: the released animals finding their way back to their stables alone and unguided. There were nosyces, and the harness hung on by special dispensation of Providence. Still the ride over a good road, driven through a pitilessly stony country, had its charms for a while. At sunset the low hills turned to opal and wine-red, and the brown dust flew up pure gold; for the tonga was running straight into the sinking sun. Now and again would pass a traveller on a camel, or a gang ofBunjarraswith their pack-bullocks and their women; and the sun touched the brasses oftheir swords and guns till the poor wretches seemed rich merchants come back from travelling with Sindbad.
On a rock on the right hand side, thirty-four great vultures were gathered over the carcase of a steer. And this was an evil omen. They made unseemly noises as the tonga passed, and a raven came out of a bush on the right and answered them. To crown all, one of the hide and skin castes sat on the left hand side of the road, cutting up some of the flesh that he had stolen from the vultures. Could a man desire three more inauspicious signs for a night’s travel? Twilight came, and the hills were alive with strange noises, as the red moon, nearly at her full, rose over Chitor. To the low hills of the mad geological formation, the tumbled strata that seem to obey no law, succeeded level ground, the pasture lands of Mewar, cut by the Beruch and Wyan, streams running over smooth water-worn rock, and, as the heavy embankments and ample waterways showed, very lively in the rainy season.
In this region occurred the last and most inauspicious omen of all. Something had gone wrong with a crupper, a piece of blue and white punkah-cord. The Englishman pointed it out, and the driver, descending, danced on that lonely road an unholy dance, singing the while:—“Thedumchi! Thedumchi! Thedumchi!” in a shrill voice. Then he returned and drove on, while the Englishman wondered into what land of lunatics he was heading. At an average speed of six miles an hour, it is possible to see a great deal of the country; and, under brilliant moonlight, Mewar was desolately beautiful. There was no night traffic on the road—no one except the patient sowar, his shadow an inky blot on white, cantering twenty yards behind. Once the tonga strayed into a company of date-trees that fringed the path, and once rattled through a little town, and once the ponies shyed at what the driver said was a rock; but it jumped up in the moonlight and went away.
Then came a great blasted heath whereon nothing was more than six inches high—a wilderness covered with grass and low thorn; and here, as nearly as might be midway between Chitor and Udaipur, the Wheel of Fate, which had been for some time beating against the side of the tonga, came off, and Her Majesty’s Mails, two bags including parcels, collapsed on the way side; while the Englishman repented him that he had neglected the omens of the vultures and the raven, the low caste man and the mad driver.
There was a consultation and an examination of the wheel; but the whole tonga was rotten,and the axle was smashed and the axle-pins were bent and nearly red-hot. “It is nothing,” said the driver, “the mail often does this. What is a wheel?” He took a big stone and began hammering the wheel proudly on the tyre, to show that that at least was sound. A hasty courtmartial revealed that there was absolutely not one single “breakdown tonga” on the whole road between Chitor and Udaipur.
Now this wilderness was so utterly waste that not even the barking of a dog or the sound of a nightfowl could be heard. Luckily the Thakur had, some twenty miles back, stepped out to smoke by the roadside, and his tonga had been passed meanwhile. The sowar was sent back to find that tonga and bring it on. He cantered into the haze of the moonlight and disappeared. Then said the driver:—“Had there been no tonga behind us, I should have put the mails on a horse, because the Sirkar’s dak cannot stop.” The Englishman sat down upon the parcels-bag, for he felt that there was trouble coming. The driver looked East and West and said:—“I too will go and see if the tonga can be found, for the Sirkar’s dak cannot stop. Meantime, Oh Sahib, do you take care of the mails—one bag and one bag of parcels.” So he ran swiftly into the haze of the moonlight and was lost, and theEnglishman was left alone in charge of Her Majesty’s Mails, two unhappy ponies and a lopsided tonga. He lit fires, for the night was bitterly cold, and only mourned that he could not destroy the whole of the territories of His Highness the Maharana of Udaipur. But he managed to raise a very fine blaze, before he reflected that all this trouble was his own fault for wandering into Native States undesirous of Englishmen.
The ponies coughed dolorously from time to time, but they could not lift the weight of a dead silence that seemed to be crushing the earth. After an interval measurable by centuries, sowar, driver and Thakur’s tonga reappeared; the latter full to the brim and bubbling over with humanity and bedding. “We will now,” said the driver, not deigning to notice the Englishman who had been on guard over the mails, “put the Sirkar’s dak into this tonga and go forward.” Amiable heathen! He was going, he said so, to leave the Englishman to wait in the Sahara, for certainly thirty hours and perhaps forty-eight. Tongas are scarce on the Udaipur road. There are a few occasions in life when it is justifiable to delay Her Majesty’s Mails. This was one of them. Seating himself upon the parcels-bag, the Englishman cried inwhat was intended to be a very terrible voice, but the silence soaked it up and left only a thin trickle of sound, that any one who touched the bags would be hit with a stick, several times, over the head. The bags were the only link between him and the civilisation he had so rashly foregone. And there was a pause.
The Thakur put his head out of the tonga and spoke shrilly in Mewari. The Englishman replied in English-Urdu. The Thakur withdrew his head, and from certain grunts that followed seemed to be wakening his retainers. Then two men fell sleepily out of the tonga and walked into the night. “Come in,” said the Thakur, “you and your baggage. Mybanduqis in that corner; be careful.” The Englishman, taking a mail-bag in one hand for safety’s sake—the wilderness inspires an Anglo-Indian Cockney with unreasoning fear—climbed into the tonga, which was then loaded far beyond Plimsoll mark, and the procession resumed its journey. Every one in the vehicle,—it seemed as full as the railway carriage that held Alice. Through the Looking Glass—wasSahibandHazur. Except the Englishman. He was simpletum, and a revolver, Army pattern, was printing every diamond in the chequer-work of its handle, into his right hip. When men desired him to move,they prodded him with the handles oftulwarstill they had coiled him into an uneasy lump. Then they slept upon him, or cannoned against him as the tonga bumped. It was anaramtonga or tonga for ease. That was the bitterest thought of all.
In due season the harness began to break once every five minutes, and the driver vowed that the wheels would give way also.
After eight hours in one position, it is excessively difficult to walk, still more difficult to climb up an unknown road into a dak-bungalow; but he who has sought sleep on an arsenal and under the bodies of burly Rajputs, can do it. The grey dawn brought Udaipur and a Trench bedstead. As the tonga jingled away, the Englishman heard the familiar crack of broken harness. So he was not the Jonah he had been taught to consider himself all through that night of penance!
A jackal sat in the verandah and howled him to sleep, wherein he dreamed that he had caught a Viceroy under the walls of Chitor and beaten him with atulwartill he turned into a dak-pony whose near foreleg, was perpetually coming off, and who would say nothing butumwhen he was asked why he had not built a railway from Chitor to Udaipur.
Touching the Children of the Sun and their City, and the Hat-marked Caste and their Merits, and a Good Man’s Works in the Wilderness.
Touching the Children of the Sun and their City, and the Hat-marked Caste and their Merits, and a Good Man’s Works in the Wilderness.
IT was worth a night’s discomfort and a revolver-bed to sleep upon—this city of the Suryavansi, hidden among the hills that encompass the great Pichola lake. Truly, the King who governs to-day is wise in his determination to have no railroad to his capital. His predecessor was more or less enlightened, and had he lived a few years longer, would have brought the iron horse through the Dobarri—the green gate which is the entrance of the Girwa or girdle of hills round Udaipur; and, with the train, would have come the tourist who would have scratched his name upon the Temple of Garuda and laughed horse-laughs upon the lake. Let us, therefore, be thankful that the capital of Mewar is hard to reach, and go abroad into a new and a strange land rejoicing.
Each man who has any claims to respectability walks armed, carrying his tulwar sheathedin his hand, or hung by a short sling of cotton passing over the shoulder, under his left armpit. His matchlock, or smooth-bore if he has one, is borne naked on the shoulder.
Now it is possible to carry any number of lethal weapons without being actually dangerous. An unhandy revolver, for instance, may be worn for years, and, at the end, accomplish nothing more noteworthy than the murder of its owner. But the Rajput’s weapons are not meant for display. The Englishman caught a camel-driver who talked to him in Mewari, which is a heathenish dialect, something like Multani to listen to; and the man, very gracefully and courteously, handed him his sword and matchlock, the latter a heavy stump-stock arrangement without pretence of sights. The blade was as sharp as a razor, and the gun in perfect working order. The coiled fuse on the stock was charred at the end, and the curled ram’s-horn powder-horn opened as readily as a whisky-flask that is much handled. Unfortunately, ignorance of Mewari prevented conversation; so the camel-driver resumed his accoutrements and jogged forward on his beast—a superb black one, with the short curledhubsheehair—while the Englishman went to the City, which is built on hills on the borders ofthe lake. By the way, everything in Udaipur is built on a hill. There is no level ground in the place, except the Durbar Gardens, of which more hereafter. Because colour holds the eye more than form, the first thing noticeable was neither temple nor fort, but an ever-recurring picture, painted in the rudest form of native art, of a man on horseback armed with a lance, charging an elephant-of-war. As a rule, the elephant was depicted on one side the house-door and the rider on the other. There was no representation of an army behind. The figures stood alone upon the whitewash on house and wall and gate, again and again and again. A highly intelligent priest grunted that it was atazwir; a private of the Maharana’s regular army suggested that it was ahathi; while a wheat-seller, his sword at his side, was equally certain that it was a Raja. Beyond that point, his knowledge did not go. The explanation of the picture is this. In the days when Raja Maun of Amber put his sword at Akbar’s service and won for him great kingdoms, Akbar sent an army against Mewar, whose then ruler was Pertap Singh, most famous of all the princes of Mewar. Selim, Akbar’s son, led the army of the Toork; the Rajputs met them at the pass of Huldighat and fought till one-half of their bands wereslain. Once, in the press of battle, Pertap, on his great horse, “Chytak,” came within striking distance of Selim’s elephant, and slew themahout, but Selim escaped, to become Jehangir afterwards, and the Rajputs were broken. That was three hundred years ago, and men have reduced the picture to a sort of diagram that the painter dashes in, in a few minutes, without, it would seem, knowing what he is commemorating. Elsewhere, the story is drawn in line even more roughly.
Thinking of these things, the Englishman made shift to get at the City, and presently came to a tall gate, the gate of the Sun, on which the elephant-spikes, that he had seen rotted with rust at Amber, were new and pointed and effective. The City gates are said to be shut at night, and there is a story of a Viceroy’s Guard-of-Honour which arrived before daybreak, being compelled to crawl ignominiously man by man through a little wicket gate, while the horses had to wait without till sunrise. But a civilised yearning for the utmost advantages of octroi, and not a fierce fear of robbery and wrong, is at the bottom of the continuance of this custom. The walls of the City are loopholed for musketry, but there seem to be no mountings for guns, and the moat without the walls is dryand gives cattle pasture. Coarse rubble in concrete faced with stone, makes the walls moderately strong.
Internally, the City is surprisingly clean, though with the exception of the main street, paved after the fashion of Jullundur, of which, men say, the pavement was put down in the time of Alexander and worn by myriads of naked feet into deep barrels and grooves. In the case of Udaipur, the feet of the passengers have worn the rock veins that crop out everywhere, smooth and shiny; and in the rains the narrow gullies must spout like fire-hoses. The people have been untouched by cholera for four years—proof that Providence looks after those who do not look after themselves, for Neemuch Cantonment, a hundred miles away, suffered grievously last summer. “And what do you make in Udaipur?” “Swords,” said the man in the shop, throwing down an armful oftulwars,kuttarsandkhandason the stones. “Do you want any? Look here!” Hereat, he took up one of the commoner swords and flourished it in the sunshine. Then he bent it double, and, as it sprang straight, began to make it “speak.” Arm-vendors in Udaipur are a genuine race, for they sell to people who really use their wares. The man in the shop was rude—distinctly so. Hisfirst flush of professional enthusiasm abated, he took stock of the Englishman and said calmly:—“What doyouwant with a sword?” Then he picked up his goods and retreated, while certain small boys, who deserved a smacking, laughed riotously from the coping of a little temple hard by. Swords seem to be the sole manufacture of the place. At least, none of the inhabitants the Englishman spoke to could think of any other.
There is a certain amount of personal violence in and about the State, or else where would be the good of the weapons? There are occasionally dacoities more or less important; but these are not often heard of and, indeed, there is no special reason why they should be dragged into the light of an unholy publicity, for the land governs itself in its own way, and is always in its own way, which is by no means ours, very happy. The Thakurs live, each in his own castle on some rock-faced hill, much as they lived in the days of Tod; though their chances of distinguishing themselves, except in the school, sewer, and dispensary line, are strictly limited. Nominally, they paychutoond, or a sixth of their revenues to the State, and are under feudal obligations to supply their Head with so many horsemen per thousand rupees; but whether thechutoondjustifies its name and what is the exactextent of the “tail” leviable, they, and perhaps the Rajputana Agency, alone know. They are quiet, give no trouble except to the wild boar, and personally are magnificent men to look at. The Rajput shows his breeding in his hands and feet, which are almost disproportionately small, and as well shaped as those of women. His stirrups and sword-handles are even more unusable by Westerns than those elsewhere in India, while the Bhil’s knife-handle gives as large a grip as an English one. Now the little Bhil is an aborigine which is humiliating to think of. His tongue, which may frequently be heard in the City, seems to possess some variant of the Zulu click; which gives it a weird and unearthly character. From the main gate of the City the Englishman climbed uphill towards the Palace and the Jugdesh Temple built by one Jaggat Singh at the beginning of the last century. This building must be—but ignorance is a bad guide—Jain in character. From basement to the stone socket of the temple flag-staff, it is carved in high relief with friezes of elephants, men, gods, and monsters in wearying profusion.
The management of the temple have daubed a large portion of the building with whitewash, for which their revenues should be “cut” fora year or two. The main shrine holds a large brazen image of Garuda, and, in the corners of the courtyard of the main pile, are shrines to Mahadeo, and the jovial, pot-bellied Ganesh. There is no repose in this architecture, and the entire effect is one of repulsion; for the clustered figures of man and brute seem always on the point of bursting into unclean, wriggling life. But it may be that the builders of this form of house desired to put the fear of all their many gods into the heart of the worshippers.
From the temple whose steps are worn smooth by the feet of men, and whose courts are full of the faint smell of stale flowers and old incense, the Englishman went to the Palaces which crown the highest hill overlooking the City. Here, too, whitewash had been unsparingly applied, but the excuse was that the stately fronts and the pierced screens were built of a perishable stone which needed protection against the weather. One projecting window in the facade of the main Palace has been treated with Minton tiles. Luckily it was too far up the wall for anything more than the colour to be visible, and the pale blue against the pure white was effective.
A picture of Ganesh looks out over the main courtyard which is entered by a triple gate, andhard by is the place where the King’s elephants fight over a low masonry wall. In the side of the hill on which the Palaces stand, is built stabling for horses and elephants—proof that the architects of old must have understood their business thoroughly. The Palace is not a “show place,” and, consequently, the Englishman did not see much of the interior. But he passed through open gardens with tanks and pavilions, very cool and restful, till he came suddenly upon the Pichola lake, and forgot altogether about the Palace. He found a sheet of steel-blue water, set in purple and grey hills, bound in, on one side, by marble bunds, the fair white walls of the Palace, and the grey, timeworn ones of the city; and, on the other, fading away through the white of shallow water, and the soft green of weed, marsh, and rank-pastured river field, into the land. To enjoy open water thoroughly, live for a certain number of years barred from anything better than the yearly swell and shrinkage of one of the Five Rivers, and then come upon two and a half miles of solid, restful lake, with a cool wind blowing off it and little waves spitting against the piers of a veritable, albeit hideously ugly, boat house. On the faith of an exile from the Sea, you will not stay long among Palaces, bethey never so lovely, or in little rooms panelled with Dutch tiles, be these never so rare and curious. And here follows a digression. There is no life so good as the life of a loafer who travels by rail and road; for all things and all people are kind to him. From the chill miseries of a dak-bungalow where they slew one hen with as much parade as the French guillotined Pranzini, to the well-ordered sumptuousness of the Residency, was a step bridged over by kindly and unquestioning hospitality. So it happened that the Englishman was not only able to go upon the lake in a soft-cushioned boat, with everything handsome about him, but might, had he chosen, have killed wild-duck with which the lake swarms.
The mutter of water under a boat’s nose was a pleasant thing to hear once more. Starting at the head of the lake, he found himself shut out from sight of the main sheet of water in a loch bounded by a sunk, broken bund to steer across which was a matter of some nicety. Beyond that lay a second pool spanned by a narrow-arched bridge built, men said, long before the City of the Rising Sun, which is little more than three hundred years old. The bridge connects the City with Brahmapura—a white-walled enclosure filled with many Brahmins and ringing
Page 77—“As a picture, a daringly insolent picture, it would have been superb.”
Page 77—“As a picture, a daringly insolent picture, it would have been superb.”
Page 77—“As a picture, a daringly insolent picture, it would have been superb.”
with the noise of their conches. Beyond the bridge, the body of the lake, with the City running down to it, comes into full view; and Providence has arranged for the benefit of such as delight in colours, that the Rajputni shall wear the most striking tints that she can buy in the bazaars, in order that she may beautify the ghats where she comes to bathe.
The bathing-ledge at the foot of the City wall was lighted with women clad in raw vermilion, dull red, indigo and sky-blue, saffron and pink and turquoise; the water faithfully doubling everything. But the first impression was of the unreality of the sight, for the Englishman found himself thinking of the Simla Fine Arts Exhibition and the overdaring amateurs who had striven to reproduce scenes such as these. Then a woman rose up, and clasping her hands behind her head, looked at the passing boat, and the ripples spread out from her waist, in blinding white silver, far across the water. As a picture, a daringly insolent picture, it would have been superb.
The boat turned aside to shores where huge turtles were lying, and a stork had built her a nest, big as a hay-cock, in a withered tree, and a bevy of coots were flapping and gabbling in the weeds or between great leaves of theVictoria Regia—an “escape” from the Durbar Gardens. Here were, as Mandeville hath it, “all manner of strange fowle"—divers and waders, after their kind, kingfishers and snaky-necked birds of the cormorant family, but no duck. They had seen the guns in the boat and were flying to and fro in companies across the lake, or settling, wise birds, in the glare of the sun on the water. The lake was swarming with them, but they seemed to know exactly how far a twelve-bore would carry. Perhaps their knowledge had been gained from the Englishman at the Residency. Later, as the sun left the lake and the hills began to glow like opals, the boat made her way to the shallow side of the lake, through fields of watergrass and dead lotus-raffle that rose as high as the bows, and clung lovingly about the rudder, and parted with the noise of silk when it is torn. There she waited for the fall of twilight when the duck would come home to bed, and the Englishman sprawled upon the cushions in deep content and laziness, as he looked across to where two marble Palaces floated upon the waters, and saw all the glory and beauty of the City, and wondered whether Tod, in cocked hat and stiff stock, had ever come shooting among the reeds, and, if so, how in the world he had ever managed to bowl over.
“Duck and drake, by Jove! Confiding beasts, weren’t they? Hi! Lalla, jump out and get them!” It was a brutal thing, this double-barrelled murder perpetrated in the silence of the marsh when the kingly wild-duck came back from his wanderings with his mate at his side, but—but—the birds were very good to eat. After this and many other slaughters had been accomplished, the boat went back in the full dusk, down narrow water-lanes and across belts of weed, disturbing innumerable fowl on the road, till she reached open water and “the moon like a rick afire was rising over the dale,” and—it was not the “whit, whit, whit” of the nightingale but the stately “honk, honk” of some wild geese, thanking their stars that these pestilentshikariswere going away.
If the Venetian owned the Pichola Sagar he might say with justice:—“See it and die.” But it is better to live and go to dinner, and strike into a new life—that of the men who bear the hat-mark on their brow as plainly as the wellborn native carries thetrisulof Shiva.
They are of the same caste as the toilers on the Frontier—tough, bronzed men, with wrinkles at the corners of the eyes, gotten by looking across much sun-glare. When they would speak of horses they mention Arab ponies, and theirtalk, for the most part, drifts Bombaywards, or to Abu, which is their Simla. By these things the traveller may see that he is far away from the Presidency; and will presently learn that he is in a land where the railway is an incident and not an indispensable luxury. Folk tell strange stories of drives in bullock-carts in the rains, of break-downs in nullahs fifty miles from everywhere, and of elephants that used to sink “for rest and refreshment” half-way across swollen streams. Every place here seems fifty miles from everywhere, and the “legs of a horse” are regarded as the only natural means of locomotion. Also, and this to the Indian Cockney who is accustomed to the bleached or office man is curious, there are to be found many veritable “tiger men"—not story-spinners but such as have, in their wanderings from Bikaneer to Indore, dropped their tiger in the way of business. They are enthusiastic over princelings of little known fiefs, lords of austere estates perched on the tops of unthrifty hills, hard riders and good sportsmen. And five, six, yes fully nine hundred miles to the northward, lives the sister branch of the same caste—the men who swear by Pathan, Biluch and Brahui, with whom they have shot or broken bread.
There is a saying in Upper India that themore desolate the country the greater the certainty of finding a Padre-Sahib. The proverb seems to hold good in Udaipur, where the Scotch Presbyterian Mission have a post, and others at Todgarh to the north and elsewhere. To arrive, under Providence, at the cure of souls through the curing of bodies certainly seems the most rational method of conversion; and this is exactly what the Missions are doing. Their Padre in Udaipur is also an M. D., and of him a rather striking tale is told. Conceiving that the City could bear another hospital in addition to the State one, he took furlough, went home, and there, by crusade and preaching, raised sufficient money for the scheme, so that none might say that he was beholden to the State. Returning, he built his hospital, a very model of neatness and comfort and, opening the operation-book, announced his readiness to see any one and every one who was sick. How the call was and is now responded to, the dry records of that book will show; and the name of the Padre-Sahib is honoured, as these ears have heard, throughout Udaipur and far around. The faith that sends a man into the wilderness, and the secular energy which enables him to cope with an evergrowing demand for medical aid, must, in time, find their reward. If patience and unwearying self-sacrifice carry any merit, they should do so soon. To-day the people are willing enough to be healed, and the general influence of the Padre-Sahib is very great. But beyond that.... Still it was impossible to judge aright.