ALFRED EDERSHEIM

He looketh, and loveth her sore, and he longeth her spirit to move,And awaken her heart to the world, that she may behold him and love.And he toucheth her breast and her hands, and he loveth her passing sore;And he saith, "Awake! I am Sigurd;" but she moveth never the more.Then he looked on his bare bright blade, and he said, "Thou—what wilt thou do?For indeed as I came by the war-garth thy voice of desire I knew."Bright burnt the pale blue edges, for the sunrise drew anear,And the rims of the Shield-burg glittered, and the east was exceeding clear:So the eager edges he setteth to the Dwarf-wrought battle-coatWhere the hammered ring-knit collar constraineth the woman's throat;But the sharp Wrath biteth and rendeth, and before it fail the rings,And, lo, the gleam of the linen, and the light of golden things;Then he driveth the blue steel onward, and through the skirt, and out,Till naught but the rippling linen is wrapping her about;Then he deems her breath comes quicker and her breast begins to heave,So he turns about the War-Flame and rends down either sleeve,Till her arms lie white in her raiment, and a river of sun-bright hairFlows free o'er bosom and shoulder and floods the desert bare.Then a flush cometh over her visage and a sigh upheaveth her breast,And her eyelids quiver and open, and she wakeneth into rest;Wide-eyed on the dawning she gazeth, too glad to change or smile,And but little moveth her body, nor speaketh she yet for a while;And yet kneels Sigurd moveless, her wakening speech to heed,While soft the waves of the daylight o'er the starless heavens speed,And the gleaming rims of the Shield-burg yet bright and brighter grow,And the thin moon hangeth her horns dead-white in the golden glow.Then she turned and gazed on Sigurd, and her eyes met the Völsung's eyes,And mighty and measureless now did the tide of his love arise.For their longing had met and mingled, and he knew of her heart that she loved,As she spake unto nothing but him, and her lips with the speech-flood moved:—"Oh, what is the thing so mighty that my weary sleep hath torn,And rent the fallow bondage, and the wan woe over-worn?"He said, "The hand of Sigurd and the Sword of Sigmund's son,And the heart that the Völsungs fashioned, this deed for thee have done."But she said, "Where then is Odin that laid me here alow?Long lasteth the grief of the world, and man-folk's tangled woe!""He dwelleth above," said Sigurd, "but I on the earth abide,And I came from the Glittering Heath the waves of thy fire to ride."But therewith the sun rose upward and lightened all the earth,And the light flashed up to the heavens from the rims of the glorious girth;...Then they turned and were knit together; and oft and o'er againThey craved, and kissed rejoicing, and their hearts were full and fain.

He looketh, and loveth her sore, and he longeth her spirit to move,And awaken her heart to the world, that she may behold him and love.And he toucheth her breast and her hands, and he loveth her passing sore;And he saith, "Awake! I am Sigurd;" but she moveth never the more.

Then he looked on his bare bright blade, and he said, "Thou—what wilt thou do?For indeed as I came by the war-garth thy voice of desire I knew."Bright burnt the pale blue edges, for the sunrise drew anear,And the rims of the Shield-burg glittered, and the east was exceeding clear:So the eager edges he setteth to the Dwarf-wrought battle-coatWhere the hammered ring-knit collar constraineth the woman's throat;But the sharp Wrath biteth and rendeth, and before it fail the rings,And, lo, the gleam of the linen, and the light of golden things;Then he driveth the blue steel onward, and through the skirt, and out,Till naught but the rippling linen is wrapping her about;Then he deems her breath comes quicker and her breast begins to heave,So he turns about the War-Flame and rends down either sleeve,Till her arms lie white in her raiment, and a river of sun-bright hairFlows free o'er bosom and shoulder and floods the desert bare.

Then a flush cometh over her visage and a sigh upheaveth her breast,And her eyelids quiver and open, and she wakeneth into rest;Wide-eyed on the dawning she gazeth, too glad to change or smile,And but little moveth her body, nor speaketh she yet for a while;And yet kneels Sigurd moveless, her wakening speech to heed,While soft the waves of the daylight o'er the starless heavens speed,And the gleaming rims of the Shield-burg yet bright and brighter grow,And the thin moon hangeth her horns dead-white in the golden glow.Then she turned and gazed on Sigurd, and her eyes met the Völsung's eyes,And mighty and measureless now did the tide of his love arise.For their longing had met and mingled, and he knew of her heart that she loved,As she spake unto nothing but him, and her lips with the speech-flood moved:—

"Oh, what is the thing so mighty that my weary sleep hath torn,And rent the fallow bondage, and the wan woe over-worn?"

He said, "The hand of Sigurd and the Sword of Sigmund's son,And the heart that the Völsungs fashioned, this deed for thee have done."

But she said, "Where then is Odin that laid me here alow?Long lasteth the grief of the world, and man-folk's tangled woe!"

"He dwelleth above," said Sigurd, "but I on the earth abide,And I came from the Glittering Heath the waves of thy fire to ride."

But therewith the sun rose upward and lightened all the earth,And the light flashed up to the heavens from the rims of the glorious girth;...

Then they turned and were knit together; and oft and o'er againThey craved, and kissed rejoicing, and their hearts were full and fain.

A

mong writers on Biblical topics Dr. Alfred Edersheim occupies a unique place. Bred in the Jewish faith, he brought to his writings the traditions of his ancestry. The history of the Children of Israel was a reality to him, who had known the Talmud and the Old Testament through the lessons of his boyhood, and had been taught to reverence the Hebrew sacred rites handed down through the ages. All the intangible, unconscious religious influences of his youth entered into the work of his manhood. And although this converted Rabbi wrote as a Christian, yet the Bible stories were colored and vivified for him by his Jewish sympathies. Thus his work had the especial value of a double point of view.

Born in Vienna in 1825 of German parents, he studied at the university of his native city and in Berlin, finishing his theological education in Edinburgh. He became a minister of the Free Church of Scotland in 1849, passing over to the Church of England in 1875. In 1881 he received from Oxford an honorary A.M., and was for a time lecturer on the Septuagint at the university. He died in Mentone, France, on March 16th, 1889.

The earlier writings of Dr. Edersheim consist almost entirely of translations from the German, and of Jewish stories written for educational purposes. Of his later works the most important are—'The Bible History,' his largest work, in seven volumes; 'The Temple, its Ministers and Services as they were at the Time of Christ'; 'Sketches of Jewish Social Life in the Days of Christ'; and a 'History of the Jewish Nation after the Destruction of Jerusalem under Titus.' From the evangelical point of view, his 'Life and Times of Jesus the Messiah' is of final authority, brilliantly exemplifying his peculiar fitness to be the interpreter of Jewish life and thought at the period of the rise of Christianity. He presents not only the story of the Christ of the Gospels, but draws a picture of the whole political and social life of the Jews, and of their intellectual and religious condition—a picture which his Rabbinical learning and his race sympathies make authentic. He wrote English with unaffected directness, embodying in the simplest forms the results of his wide scholarship. His books have a very wide and constant sale.

The externalism of all these practices [ceremonial practices of the Hebrews] will best appear from the following account which the Talmud gives of "a feast." As the guests enter, they sit down on chairs, and water is brought to them, with which they wash one hand. Into this the cup is taken, when each speaks the blessing over the wine partaken of before dinner. Presently they all lie down at table. Water is again brought them, with which they now wash both hands, preparatory to the meal, when the blessing is spoken over the bread, and then over the cup, by the chief person at the feast, or else by one selected by way of distinction. The company respond byAmen, always supposing the benediction to have been spoken by an Israelite, not a heathen, slave, nor law-breaker. Nor was it lawful to say it with an unlettered man, although it might be said with a Cuthæan (heretic, or Samaritan,) who was learned. After dinner the crumbs, if any, are carefully gathered—hands are again washed, and he who first had done so leads in the prayer of thanksgiving. The formula in which he is to call on the rest to join him by repeating the prayers after him is prescribed, and differs according to the number of those present. The blessing and the thanksgiving are allowed to be said not only in Hebrew, but in any other language.

In regard to the position of the guests, we know that the uppermost seats were occupied by the Rabbis. The Talmud formulates it in this manner: That the worthiest lies down first, on his left side, with his feet hanging down. If there are two "cushions" (divans), the next worthiest lies at his feet; if there are three cushions, the third worthiest lies above the first (at his left), so that the chief person is in the middle. The water before eating is first handed to the worthiest, and so in regard to the washing after meat. But if a very large number are present, you begin after dinner with the least worthy till you come to the last five, when the worthiest in the company washes his hands, and the other four after him. The guests being thus arranged, the head of the house, or the chief person at table, speaks the blessing and then cuts the bread. By some it was not deemed etiquette to begin till after he who had said theprayer had done so, but this does not seem to have been the rule among the Palestinian Jews. Then, generally, the bread was dipped into salt or something salted, etiquette demanding that where there were two they should wait one for the other, but not where there were three or more.

This is not the place to furnish what may be termed a list ofmenusat Jewish tables. In earlier times the meal was no doubt very simple. It became otherwise when intercourse with Rome, Greece, and the East made the people familiar with foreign luxury, while commerce supplied its requirements. Indeed, it would scarcely be possible to enumerate the various articles which seem to have been imported from different, and even distant, countries.

To begin with: The wine was mixed with water, and indeed, some thought that the benediction should not be pronounced till the water had been added to the wine. According to one statement two parts, according to another three parts, of water were to be added to the wine. Various vintages are mentioned: among them a red wine of Saron, and a black wine. Spiced wine was made with honey and pepper. Another mixture, chiefly used for invalids, consisted of old wine, water, and balsam; yet another was "wine of myrrh"; we also read of a wine in which capers had been soaked. To these we should add wine spiced either with pepper or with absinthe, and what is described as vinegar, a cooling drink made either of grapes that had not ripened, or of the lees. Besides these, palm wine was also in use. Of foreign drinks, we read of wine from Ammon and from the province Asia, the latter a kind of "must" boiled down. Wine in ice came from Lebanon; a certain kind of vinegar from Idumæa; beer from Media and Babylon; barley wine (zythos) from Egypt. Finally, we ought to mention Palestinian apple cider, and the juice of other fruits. If we adopt the rendering of some, even liqueurs were known and used.

Long as this catalogue is, that of the various articles of food, whether native or imported, would occupy a much larger space. Suffice it that as regarded the various kinds of grain, meat, fish, and fruits, either in their natural state or preserved, it embraced almost everything known to the ancient world. At feasts there was an introductory course, consisting of appetizing salted meat, or of some light dish. This was followed by the dinner itself, which finished with dessert (aphikomonorterugima), consisting of pickled olives, radishes and lettuce, and fruits, among which evenpreserved ginger from India is mentioned. The most diverse and even strange statements are made as to the healthiness, or the reverse, of certain articles of diet, especially vegetables. Fish was a favorite dish, and never wanting at a Sabbath meal. It was a saying that both salt and water should be taken at every meal, if health was to be preserved. Condiments, such as mustard or pepper, were to be sparingly used. Very different were the meals of the poor. Locusts—fried in flour or honey, or preserved—required, according to the Talmud, no blessing; since the animal was really among the curses of the land. Eggs were a common article of food, and sold in the shops. Then there was a milk dish, into which people dipped their bread. Others who were better off had a soup made of vegetables, especially onions, and meat; while the very poor would satisfy the cravings of hunger with bread and cheese, or bread and fruit, or some vegetables, such as cucumbers, lentils, beans, peas, or onions.

At meals the rules of etiquette were strictly observed, especially as regarded the sages. Indeed, there are added to the Talmud two tractates, one describing the general etiquette, the other that of "sages," of which the title may be translated as 'The Way of the World' (Derech Erez), being a sort of code of good manners. According to some, it was not good breeding to speak while eating. The learned and most honored occupied not only the chief places, but were sometimes distinguished by a double portion. According to Jewish etiquette, a guest should conform in everything to his host, even though it were unpleasant. Although hospitality was the greatest and most prized social virtue, which, to use a rabbinic expression, might make every home a sanctuary and every table an altar, an unbidden guest, or a guest who brought another guest, was proverbially an unwelcome apparition. Sometimes, by way of self-righteousness, the poor were brought in, and the best part of the meal ostentatiously given to them. At ordinary entertainments, people were to help themselves. It was not considered good manners to drink as soon as you were asked, but you ought to hold the cup for a little in your hand. But it would be the height of rudeness either to wipe the plates, to scrape together the bread, as though you had not had enough to eat, or to drop it, to the inconvenience of your neighbor. If a piece were taken out of a dish, it must of course not be put back; still less must you offer from your cup or plate to your neighbor. From the almostreligious value attaching to bread, we scarcely wonder that these rules were laid down: not to steady a cup or plate upon bread, nor to throw away bread, and that after dinner the bread was to be carefully swept together. Otherwise, it was thought, demons would sit upon it. 'The Way of the World' for sages lays down these as the marks of a rabbi: that he does not eat standing; that he does not lick his fingers; that he sits down only beside his equals—in fact, many regarded it as wrong to eat with the unlearned; that he begins cutting the bread where it is best baked, nor ever breaks off a bit with his hand; and that when drinking, he turns away his face from the company. Another saying was, that the sage was known by four things: at his cups, in money matters, when angry, and in his jokes. After dinner, the formalities concerning hand-washing and prayer, already described, were gone through, and then frequently aromatic spices burnt, over which a special benediction was pronounced. We have only to add that on Sabbaths it was deemed a religious duty to have three meals, and to procure the best that money could obtain, even though one were to save and fast for it all the week. Lastly, it was regarded as a special obligation and honor to entertain sages.

We have no difficulty now in understanding what passed at the table of the Pharisee. When the water for purification was presented to him, Jesus would either refuse it, or if, as seems more likely at a morning meal, each guest repaired by himself for the prescribed purification, he would omit to do so, and sit down to meat without this formality. No one who knows the stress which Pharisaism laid on this rite would argue that Jesus might have conformed to the practice. Indeed, the controversy was long and bitter between the Schools of Shammai and Hillel, on such a point as whether the hands were to be washedbeforethe cup was filled with wine, orafterthat, and where the towel was to be deposited. With such things the most serious ritual inferences were connected on both sides. A religion which spent its energy on such trivialities must have lowered the moral tone. All the more that Jesus insisted so earnestly, as the substance of his teaching, on that corruption of our nature which Judaism ignored and on that spiritual purification which was needful for the reception of his doctrine,—would he publicly and openly set aside ordinances of man which diverted thoughts of purity into questions of the most childish character. On the other hand,we can also understand what bitter thoughts must have filled the mind of the Pharisee whose guest Jesus was, when he observed his neglect of the cherished rite. It was an insult to himself, a defiance of Jewish law, a revolt against the most cherished traditions of the synagogue. Remembering that a Pharisee ought not to sit down to a meal with such, he might feel that he should not have asked Jesus to his table.

T

he famous author of Irish novels and didactic tales was the daughter of Richard Lovell Edgeworth and his first wife Anna Ehrs, and was born at Black Bourton, Oxfordshire, January 1st, 1767. When she was twelve years old the family settled on the estate at Edgeworth's-town, County Longford, Ireland, which was her home during the remainder of her long life. It was a singularly happy family circle, of which Maria was the centre. Her father married four times, and had twenty-two children, on whom he exercised his peculiar educational ideas. He devoted himself most particularly to Maria's training, and made her his most confidential companion. Several of her works were written in conjunction with her father, and over almost all he exercised a supervision which doubtless hindered the free expression of her genius. Her first publication, 'Letters to Literary Ladies,' on the education of women, appeared in 1795. This was followed by educational and juvenile works illustrating the theories of Mr. Edgeworth: 'The Parent's Assistant,' 'Practical Education' (a joint production), supplemented later by 'Early Lessons'; 'Rosamond,' 'Harry and Lucy,' and a sequel to the 'Parent's Assistant.' In 1800 appeared 'Castle Rackrent,' the first of her novels of Irish life, and her best known work; soon followed by 'Belinda,' and the well-known 'Essay on Irish Bulls,' by her father and herself. Miss Edgeworth's reputation was now established, and on a visit to Paris at this time she received much attention. Here occurred the one recorded romance of her life, the proposal of marriage from Count Edelcrantz, a Swedish gentleman. On her return she wrote 'Leonora.' In 1804 she published 'Popular Tales'; in 1809 the first series of 'Fashionable Tales.' These tales include 'Almeria' and 'The Absentee,' considered by many critics her masterpiece. 'Patronage' was begun years before as 'The Freeman Family.' In 1817 she published 'Harrington' and 'Ormond,' which rank among her best works. In the same year her father died, leaving to her the completion of his 'Memoirs,' whichappeared in 1820. Her last novel, 'Helen,' published in 1834, shows no diminution of her charm and grace. With occasional visits to Paris and London, and a memorable trip to Scotland in 1823, when she was entertained at Abbotsford, she lived serene and happy at Edgeworth's-town until her sudden death, May 21st 1849.

Maria EdgeworthMaria Edgeworth

Miss Edgeworth was extremely small, not beautiful; but a brilliant talker and a great favorite in the exclusive society to which she everywhere had access. Her greatest success was in the new field opened in her Irish stories, full of racy, rollicking Irish humor, and valuable pictures of bygone conditions, for the genial peasant of her pages is now rarely found. Not the least we owe her is the influence which her national tales had on Sir Walter Scott, who declared that her success led him to do the same for his own country in the Waverley Novels. Miss Edgeworth's style is easy and animated. Her tales show her extraordinary power of observation, her good sense, and remarkable skill in dialogue, though they are biased by the didactic purpose which permeates all her writings. As Madame de Staël remarked, she was "lost in dreary utility." And doubtless this is why she just missed greatness, and has been consigned to the ranks of "standard" authors who are respectfully alluded to but seldom read. The lack of tenderness and imagination was perhaps the result of her unusual self-control, shown in her custom of writing in the family sitting-room, and so concentrating her mind on her work that she was deaf to all that went on about her. Surely some of the creative power of her mind must have been lost in that strenuous effort. Her noble character, as well as her talents, won for her the friendship of many distinguished people of her day. With Scott she was intimate, Byron found her charming, and Macaulay was an enthusiastic admirer. In her recently edited letters are found many interesting and valuable accounts of the people she met in the course of her long life.

Miss Edgeworth's life has been written by Helen Zimmern and Grace A. Oliver; her 'Life and Letters,' edited by Augustus J. C. Hare, appeared in 1895. 'Pen Portraits of Literary Women,' by Helen Gray Cone and Jeannette L. Gilder, contains a sketch of her.

When they were made sensible that Sir Condy was going to leave Castle Rackrent for good and all, they set up a whillaluh that could be heard to the farthest end of the street; and one fine boy he was, that my master had given an apple to that morning, cried the loudest; but they all were the same sorry, for Sir Condy was greatly beloved among the childher, for letting them go a-nutting in the demesne without saying a word to them, though my lady objected to them. The people in the town, who were the most of them standing at their doors, hearing the childher cry, would know the reason of it; and when the report was made known the people one and all gathered in great anger against my son Jason, and terror at the notion of his coming to be landlord over them, and they cried, "No Jason! no Jason! Sir Condy! Sir Condy! Sir Condy Rackrent forever!" and the mob grew so great and so loud I was frightened, and made my way back to the house to warn my son to make his escape or hide himself, for fear of the consequences. Jason would not believe me till they came all round the house and to the windows with great shouts; then he grew quite pale, and asked Sir Condy what had he best do? "I'll tell you what you'd best do," said Sir Condy, who was laughing to see his fright: "finish your glass first; then let's go to the window and show ourselves, and I'll tell 'em, or you shall if you please, that I'm going to the lodge for change of air for my health, and by my own desire, for the rest of my days." "Do so," said Jason who never meant it should have been so, but could not refuse him the lodge at this unseasonable time. Accordingly Sir Condy threw up the sash and explained matters, and thanked all his friends, and bid 'em look in at the punch-bowl, and observe that Jason and he had been sitting over it very good friends; so the mob was content, and he sent 'em out some whisky to drink his health, and that was the last time his Honor's health was ever drunk at Castle Rackrent.

The very next day, being too proud, as he said to me, to stay an hour longer in a house that did not belong to him, he sets off to the lodge, and I along with him not many hours after. And there was great bemoaning through all O'Shaughlin's Town,which I stayed to witness, and gave my poor master a full account of when I got to the lodge. He was very low and in his bed when I got there, and complained of a great pain about his heart; but I guessed it was only trouble, and all the business, let alone vexation, he had gone through of late; and knowing the nature of him from a boy, I took my pipe, and while smoking it by the chimney, began telling him how he was beloved and regretted in the county, and it did him a deal of good to hear it. "Your Honor has a great many friends yet, that you don't know of, rich and poor in the country," says I; "for as I was coming along the road, I met two gentlemen in their own carriages, who asked after you, knowing me, and wanted to know where you was, and all about you, and even how old I was: think of that!" Then he wakened out of his doze, and began questioning me who the gentlemen were. And the next morning it came into my head to go, unknown to anybody, with my master's compliments, round to many of the gentlemen's houses where he and my lady used to visit, and people that I knew were his great friends, and would go to Cork to serve him any day in the year, and I made bold to try to borrow a trifle of cash from them. They all treated me very civil for the most part, and asked a great many questions very kind about my lady and Sir Condy and all the family, and were greatly surprised to learn from me Castle Rackrent was sold, and my master at the lodge for health; and they all pitied him greatly, and he had their good wishes, if that would do, but money was a thing they unfortunately had not any of them at this time to spare. I had my journey for my pains, and I, not used to walking, nor supple as formerly, was greatly tired, but had the satisfaction of telling my master, when I got to the lodge, all the civil things said by high and low.

"Thady," says he, "all you've been telling me brings a strange thought into my head: I've a notion I shall not be long for this world anyhow, and I've a great fancy to see my own funeral afore I die." I was greatly shocked at the first speaking, to hear him speak so light about his funeral, and he to all appearances in good health, but recollecting myself answered:—"To be sure it would be as fine a sight as one could see, I dared to say, and one I should be proud to witness; and I did not doubt his Honor's would be as great a funeral as ever Sir Patrick O'Shaughlin's was, and such a one as that had neverbeen known in the county before or since." But I never thought he was in earnest about seeing his own funeral himself, till the next day he returns to it again. "Thady," says he, "as far as the wake goes, sure I might without any great trouble have the satisfaction of seeing a bit of my own funeral." "Well, since your Honor's Honor's so bent upon it," says I, not willing to cross him, and he in trouble, "we must see what we can do." So he fell into a sort of a sham disorder, which was easy done, as he kept his bed and no one to see him; and I got my shister, who was an old woman very handy about the sick, and very skillful, to come up to the lodge to nurse him; and we gave out, she knowing no better, that he was just at his latter end, and it answered beyond anything; and there was a great throng of people, men, women, and children, and there being only two rooms at the lodge, except what was locked up full of Jason's furniture and things, the house was soon as full and fuller than it could hold, and the heat and smoke and noise wonderful great; and standing among them that were near the bed, but not thinking at all of the dead, I was startled by the sound of my master's voice from under the greatcoats that had been thrown all at top, and I went close up, no one noticing. "Thady," says he, "I've had enough of this; I'm smothering, and can't hear a word of all they're saying of the deceased." "God bless you, and lie still and quiet," says I, "a bit longer; for my shister's afraid of ghosts and would die on the spot with fright, was she to see you come to life all on a sudden this way without the least preparation." So he lays him still, though well-nigh stifled, and I made all haste to tell the secret of the joke, whispering to one and t'other, and there was a great surprise, but not so great as we had laid out it would. "And aren't we to have the pipes and tobacco, after coming so far to-night?" said some; but they were all well enough pleased when his Honor got up to drink with them, and sent for more spirits from a shebean-house, where they very civilly let him have it upon credit. So the night passed off very merrily, but to my mind Sir Condy was rather upon the sad order in the midst of it all, not finding there had been such a great talk about himself after his death as he had always expected to hear.

Now it was that the world was to see what wasinSir Patrick. On coming into the estate he gave the finest entertainment ever was heard of in the country; not a man could stand after supper but Sir Patrick himself, who could sit out the best man in Ireland, let alone the three kingdoms itself. He had his house, from one year's end to another, as full of company as ever it could hold, and fuller; for rather than be left out of the parties at Castle Rackrent, many gentlemen, and those men of the first consequence and landed estates in the country,—such as the O'Neils of Ballynagrotty, and the Moneygawls of Mount Juliet's Town, and O'Shannons of New Town Tullyhog,—made it their choice often and often, when there was no moon to be had for love nor money, in long winter nights, to sleep in the chicken-house, which Sir Patrick had fitted up for the purpose of accommodating his friends and the public in general, who honored him with their company unexpectedly at Castle Rackrent; and this went on I can't tell you how long: the whole country rang with his praises—long life to him! I'm sure I love to look upon his picture, now opposite to me; though I never saw him, he must have been a portly gentleman—his neck something short, and remarkable for the largest pimple on his nose, which by his particular desire is still extant in his picture, said to be a striking likeness though taken when young. He is said also to be the inventor of raspberry whisky; which is very likely, as nobody has ever appeared to dispute it with him, and as there still exists a broken punch-bowl at Castle Rackrent in the garret, with an inscription to that effect—a great curiosity. A few days before his death he was very merry; it being his Honor's birthday, he called my grandfather in, God bless him! to drink the company's health, and filled a bumper himself, but could not carry it to his head on account of the great shake in his hand; on this he cast his joke, saying:—"What would my poor father say to me if he was to pop out of the grave and see me now? I remember when I was a little boy, the first bumper of claret he gave me after dinner, how he praised me for carrying it so steady to my mouth. Here's my thanks to him—a bumper toast." Then he fell to singing the favorite song he learned from his fatherfor the last time, poor gentleman; he sung it that night as loud and as hearty as ever, with a chorus:—

"He that goes to bed, and goes to bed sober,Falls as the leaves do,Falls as the leaves do, and dies in October;But he that goes to bed, and goes to bed mellow,Lives as he ought to do.Lives as he ought to do, and dies an honest fellow."

"He that goes to bed, and goes to bed sober,Falls as the leaves do,Falls as the leaves do, and dies in October;But he that goes to bed, and goes to bed mellow,Lives as he ought to do.Lives as he ought to do, and dies an honest fellow."

Sir Patrick died that night: just as the company rose to drink his health with three cheers, he fell down in a sort of fit, and was carried off; they sat it out, and were surprised, on inquiry in the morning, to find that it was all over with poor Sir Patrick. Never did any gentleman live and die more beloved in the country by rich and poor. His funeral was such a one as was never known before or since in the county! All the gentlemen in the three counties were at it; far and near, how they flocked! My great-grandfather said that to see all the women even in their red cloaks, you would have taken them for the army drawn out. Then such a fine whillaluh! you might have heard it to the farthest end of the county, and happy the man who could get but a sight of the hearse! But who'd have thought it? just as all was going on right, through his own town they were passing, when the body was seized for debt: a rescue was apprehended from the mob, but the heir, who attended the funeral, was against that for fear of consequences, seeing that those villains who came to serve acted under the disguise of the law; so, to be sure, the law must take its course, and little gain had the creditors for their pains. First and foremost, they had the curses of the country; and Sir Murtagh Rackrent, the new heir, in the next place, on account of this affront to the body, refused to pay a shilling of the debts, in which he was countenanced by all the best gentlemen of property, and others of his acquaintance. Sir Murtagh alleging in all companies, that he all along meant to pay his father's debts of honor, but the moment the law was taken of him there was an end of honor to be sure. It was whispered (but none but the enemies of the family believed it) that this was all a sham seizure to get quit of the debts, which he had bound himself to pay in honor.

It's a long time ago, there's no saying how it was, but this for certain: the new man did not take at all after the oldgentleman; the cellars were never filled after his death, and no open house or anything as it used to be; the tenants even were sent away without their whisky. I was ashamed myself, and knew not what to say for the honor of the family; but I made the best of a bad case, and laid it all at my lady's door, for I did not like her anyhow, nor anybody else; she was of the family of the Skinflints, and a widow; it was a strange match for Sir Murtagh; the people in the country thought he demeaned himself greatly, but I said nothing: I knew how it was; Sir Murtagh was a great lawyer, and looked to the great Skinflint estate; there however he overshot himself; for though one of the co-heiresses, he was never the better for her, for she outlived him many's the long day—he could not see that, to be sure, when he married her. I must say for her, she made him the best of wives, being a very notable stirring woman, and looking close to everything. But I always suspected she had Scotch blood in her veins; anything else I could have looked over in her from a regard to the family. She was a strict observer for self and servants of Lent, and all fast days, but not holy days. One of the maids having fainted three time the last day of Lent, to keep soul and body together we put a morsel of roast beef in her mouth, which came from Sir Murtagh's dinner,—who never fasted, not he; but somehow or other it unfortunately reached my lady's ears, and the priest of the parish had a complaint made of it the next day, and the poor girl was forced as soon as she could walk to do penance for it, before she could get any peace or absolution, in the house or out of it. However, my lady was very charitable in her own way. She had a charity school for poor children, where they were taught to read and write gratis, and where they were kept well to spinning gratis for my lady in return; for she had always heaps of duty yarn from the tenants, and got all her household linen out of the estate from first to last; for after the spinning, the weavers on the estate took it in hand for nothing, because of the looms my lady's interest could get from the linen board to distribute gratis. Then there was a bleach-yard near us, and the tenant dare refuse my lady nothing, for fear of a law suit Sir Murtagh kept hanging over him about the water-course.

With these ways of managing, 'tis surprising how cheap my lady got things done, and how proud she was of it. Her table, the same way, kept for next to nothing,—duty fowls, and duty turkeys, and duty geese came as fast as we could eat 'em, formy lady kept a sharp lookout, and knew to a tub of butter everything the tenants had, all round. They knew her way, and what with fear of driving for rent and Sir Murtagh's lawsuits, they were kept in such good order, they never thought of coming near Castle Rackrent without a present of something or other—nothing too much or too little for my lady: eggs, honey, butter, meal, fish, game, grouse, and herrings, fresh or salt, all went for something. As for their young pigs, we had them, and the best bacon and hams they could make up, with all young chickens in spring; but they were a set of poor wretches, and we had nothing but misfortunes with them, always breaking and running away. This, Sir Murtagh and my lady said, was all their former landlord Sir Patrick's fault, who let 'em all get the half-year's rent into arrear; there was something in that, to be sure. But Sir Murtagh was as much the contrary way; for let alone making English tenants of them, every soul, he was always driving and driving and pounding and pounding, and canting and canting and replevying and replevying, and he made a good living of trespassing cattle; there was always some tenant's pig, or horse, or cow, or calf, or goose trespassing, which was so great a gain to Sir Murtagh that he did not like to hear me talk of repairing fences. Then his heriots and duty work brought him in something; his turf was cut, his potatoes set and dug, his hay brought home, and in short, all the work about his house done for nothing; for in all our leases there were strict clauses heavy with penalties, which Sir Murtagh knew well how to enforce: so many days' duty work of man and horse from every tenant he was to have, and had, every year; and when a man vexed him, why, the finest day he could pitch on, when the cratur was getting in his own harvest, or thatching his cabin, Sir Murtagh made it a principle to call upon him and his horse; so he taught 'em all, as he said, to know the law of landlord and tenant.

As for law, I believe no man, dead or alive, ever loved it so well as Sir Murtagh. He had once sixteen suits pending at a time, and I never saw him so much himself; roads, lanes, bogs, wells, ponds, eel weirs, orchards, trees, tithes, vagrants, gravel pits, sand pits, dung-hills, and nuisances,—everything upon the face of the earth furnished him good matter for a suit. He used to boast that he had a law suit for every letter in the alphabet. How I used to wonder to see Sir Murtagh in the midst of thepapers in his office! Why, he could hardly turn about for them. I made bold to shrug my shoulders once in his presence, and thank my stars I was not born a gentleman to so much toil and trouble; but Sir Murtagh took me up short with his old proverb, "Learning is better than house or land." Out of forty-nine suits which he had, he never lost one but seventeen; the rest he gained with costs, double costs, treble costs sometimes; but even that did not pay. He was a very learned man in the law, and had the character of it; but how it was I can't tell, these suits that he carried cost him a power of money: in the end he sold some hundreds a year of the family estate: but he was a very learned man in the law, and I know nothing of the matter, except having a great regard for the family; and I could not help grieving when he sent me to post up notices of the sale of the fee-simple of the lands and appurtenances of Timoleague. "I know, honest Thady," says he to comfort me, "what I'm about better than you do; I'm only selling to get the ready money wanting to carry on my suit with spirit with the Nugents of Carrickashaughlin."

He was very sanguine about that suit with the Nugents of Carrickashaughlin. He could have gained it, they say, for certain, had it pleased Heaven to have spared him to us, and it would have been at the least a plump two thousand a year in his way; but things were ordered otherwise,—for the best, to be sure. He dug up a fairy mount against my advice, and had no luck afterward. Though a learned man in the law, he was a little too incredulous in other matters. I warned him that I heard the very Banshee that my grandfather heard under Sir Patrick's window a few days before his death. But Sir Murtagh thought nothing of the Banshee, nor of his cough with a spitting of blood,—brought on, I understand, by catching cold in attending the courts, and overstraining his chest with making himself heard in one of his favorite causes. He was a great speaker, with a powerful voice; but his last speech was not in the courts at all. He and my lady, though both of the same way of thinking in some things, and though she was as good a wife and great economist as you could see, and he the best of husbands as to looking into his affairs, and making money for his family,—yet I don't know how it was, they had a great deal of sparring and jarring between them. My lady had her privy purse, and she had her weed ashes, and her sealing money upon the signingof all the leases, with something to buy gloves besides; and besides, again, often took money from the tenants, if offered properly, to speak for them to Sir Murtagh about abatements and renewals. Now the weed ashes and the glove money he allowed her clear perquisites; though once when he saw her in a new gown saved out of the weed ashes, he told her to my face (for he could say a sharp thing) that she should not put on her weeds before her husband's death. But in a dispute about an abatement, my lady would have the last word, and Sir Murtagh grew mad; I was within hearing of the door, and now I wish I had made bold to step in. He spoke so loud the whole kitchen was out on the stairs. All on a sudden he stopped, and my lady too. Something has surely happened, thought I—and so it was, for Sir Murtagh in his passion broke a blood-vessel, and all the law in the land could do nothing in that case. My lady sent for five physicians, but Sir Murtagh died, and was buried. She had a fine jointure settled upon her, and took herself away, to the great joy of the tenantry. I never said anything one way or the other, while she was part of the family, but got up to see her go at three o'clock in the morning. "It's a fine morning, honest Thady," says she; "good-by to ye," and into the carriage she stepped, without a word more, good or bad, or even half a crown; but I made my bow, and stood to see her safe out of sight, for the sake of the family.

A

nne Charlotte Leffler Edgren, afterwards Duchess of Cajanello, was born in Stockholm, October 1st, 1849. She was the most prominent among contemporary women writers of Sweden, and won for herself an eminent position in the world of letters, not only for the truthfulness of her delineation of life, but for the brilliancy of her style and her skill in using her material. The circumstances of her early life were comfortable and commonplace. She was the only daughter of a Swedish rector, and from her mother, also the daughter of a clergyman, she inherited her literary tendencies. From her parents and her three devoted brothers she received every encouragement, but with wise foresight they restrained her desire to publish her early writings; and it was not until her talent was fully developed that her first book, a collection of stories entitled 'Händelsvis' (By Chance), appeared in 1869, under the pseudonym of "Carlot." In 1872 she was married to Gustav Edgren, secretary of the prefecture in Stockholm; and though fitting and harmonious, this marriage was undoubtedly one of convenience, brought about by the altered circumstances of her life.

In 1873 she published the drama 'Skådespelerskan' (The Actress), which held the stage in Stockholm for an entire winter, and this was followed by 'Pastorsadjunkten' (The Curate), 1876, and 'Elfvan' (The Elf), 1880, the latter being even more than usually successful. Her equipment as a dramatist was surprisingly slender, as until the time of her engagement to Mr. Edgren she had never visited the theatre, and necessarily was absolutely ignorant of the technique of the stage. Nevertheless, her natural dramatic instincts supplied the defects of a lack of training, and her plays met with almost universal success. The theme of all her dramas, under various guises, is the same,—the struggle of a woman's individuality with the conventional environment of her life. Mrs. Edgren herself laments that she was born a woman, when nature had so evidently intended her for a man.

Her first work to be published under her own name was in 1882,—a collection of tales entitled 'Ur Lifvet' (From Life), which were received with especial applause. Her works were translated into Danish, Russian, and German, and she now became widely known as one of the most talented of Swedish writers. In 1883 appeared a second volume of 'From Life'; and still later, in 1889, yet anotherunder the same title. These later stories betrayed a boldness of thought and expression not before evinced, and placed the author in the ranks of the radicals. The drama 'Sanna Kvinnor' (Ideal Women) appeared in 1883; 'Huru Man Gör Godt' (How We do Good) in 1885; and in 1888, in collaboration with Sónya Kovalévsky, 'Kampen för Lyckan' (The Struggle for Happiness).

In company with her brother, Professor Mittag-Leffler, she attended a Mathematical Congress in Algiers, in the early part of the year 1888; and upon the return journey through Italy she made the acquaintance of Signor Pasquale del Pezzo, subsequently Duke of Cajanello, a mathematician and friend of her brother, and professor in the University of Naples. Mrs. Edgren was married to the Duke of Cajanello in 1890, after the dissolution of her marriage with Mr. Edgren. After this event she published a romance which attracted a great deal of attention, called 'Kvinlighet och Erotik' (Womanliness and Erotics), 1890, and among others the drama 'Familjelycka' (Domestic Happiness), and 'En Räddende Engel' (A Rescuing Angel), with which last she achieved her greatest dramatic success. Her last work was a biography of her intimate friend Sónya Kovalévsky. While in the midst of her literary labors, and in the fullness of her powers, she died suddenly at Naples, October 21st, 1893.

The subjects of her writings are the deepest questions of life. Her special theme is the relation between men and women, and in her studies of the question she has given to the world a series of types of wonderful vividness and accuracy. The life that she knows best is the social life of the upper classes; and in all her work, but particularly in her dramas, she treats its problems with a masculine vigor and strength. Realism sometimes overshadows poetry, but the faithfulness of her work is beyond question.

"It was once upon a time"—so the fairy stories begin.

At that particular time there was a government clerk, not precisely young, and a little moth-eaten in appearance, who was on his way home from the office the day after his wedding.

On the wedding day itself he had also sat in the office and written until three o'clock. After this he had gone out, and as usual eaten his frugal midday meal at an unpretending restaurant in a narrow street, and then had gone home to his upper chamber in an old house in the Österlånggata, in order to get his somewhat worn dress coat, which had done good and faithful service for twelve years. He had speculated a good deal about buying a new coat for his wedding day, but had at last arrived at the conclusion that, all in all, it would be a superfluous luxury.

The bride was a telegraph operator, somewhat weakly, and nervous from labor and want, and of rather an unattractive exterior. The wedding took place in all quietness at the house of the bride's old unmarried aunt, who lived in Söder. The bride had on a black-silk dress, and the newly married pair drove home in a droschke.

So the wedding day had passed, but now it was the day after. From ten o'clock on he had sat in his office, just as on all other days. Now he was on the way home—his own home!

That was a strange feeling; indeed, it was such an overpowering feeling that he stood still many times on the way and fell into a brown study.

A memory of childhood came into his mind.

He saw himself as a little boy, sitting at his father's desk in the little parsonage, reading fairy tales. How many times had he read, again and again, his favorite story out of the Arabian Nights of 'Ali Baba and the Forty Thieves!' How his heart had beaten in longing suspense, when he stood with the hero of the story outside the closed door of the mountain and called, first gently and a little anxiously, afterwards loudly and boldly: "Sesame, Sesame! Open Sesame!"

And when the mountain opened its door, what splendor! The poor room of the parsonage was transformed into the rich treasure chamber of the mountain, and round about on the walls gleamed the most splendid jewels. There were, besides horses and carriages, beautifully rigged ships, weapons, armor—all thebest that a child's fantasy could dream. His old father looked in astonishment at his youngest child, it was so long since he himself had been a child, and all the others were already grown up. He did not understand him, but asked him half reprovingly what he was thinking about, that his eyes glistened so.

Thus he also came to think about his youth, about his student years at Upsala. He was a poet, a singer; he had the name of being greatly gifted, and stood high in his comrades' estimation. What if any one had told him at that time that he should end as a petty government clerk, be married to a telegraph operator, and live in the Repslagaregata in Söder! Bah! Life had a thousand possibilities. The future's perspective was illimitable. Nothing was impossible. No honor was so great that he could not attain it; no woman so beautiful that he could not win her. What did it signify that he was poor, that he was only named Andersson, and that he was the eighth child of a poor parson, who himself was peasant-born? Had not most of the nation's gifted men sprung from the ranks of the people? Yes, his endowments, they were the magic charm, the "Open Sesame!" which were to admit him to all the splendors of life.

As to how things, later on, had gone with him, he did not allow himself to think. Either his endowments had not been as great as he had believed, or the difficulties of living had stifled them, or fortune had not been with him: enough, it had happened to him as to Ali Baba's wicked brother Casim, who stood inside the mountain only to find out to his horror that he had forgotten the magic charm, and in the anguish of death beat about in his memory to recall it. That was a cruel time—but it was not worth while now to think about it longer.

Rapidly one thought followed upon another in his mind. Now he came to think upon the crown princess, who had made a royal entrance into the capital just at this time. He had received permission to accompany his superiors and stand in the festal pavilion when she landed. That was a glorious moment. The poet's gifts of his youth were not far from awakening again in the exaltation of the moment; and had he still been the young applauding poet of earlier days, instead of the neglected government clerk, he would probably have written a festal poem and sent it to the Post.

For it was fine to be the Princess Victoria at that moment. It was one of the occasions that life has not many of. To benineteen years old, newly married to a young husband, loved and loving, and to make a ceremonious entry into one's future capital, which is in festal array and lies fabulously beautiful in the autumn sun, to be greeted with shouts of joy by countless masses of men, and to be so inexperienced in life that one has no presentiment of the shadows which hide themselves back of this bright picture—yes, that might indeed be an unforgettable moment; one of those that only fall to the lot of few mortals, so that they seem to belong more to the world of fable than to reality! Had the magic charm, "Open Sesame!" conjured up anything more beautiful?

And yet! yet!—The government clerk had neared his home and stood in front of his own door. No, the crown prince was surely not happier when he led his bride into his rejoicing capital, than was he at this moment. He had found again the long-lost magic charm. The little knob there on the door—that was his "Open Sesame!" He needed only to press upon it, when the mountain would again open its treasures to him—not weapons and gleaming armor as in his childhood—not honors and homage and social position as in his youth—no, something better than all these. Something that forms the kernel itself of all human happiness, upon the heights of life as well as in its most concealed hiding-places—a heart that only beat for him, his own home, where there was one who longed for him—a wife! Yes, a wife whom he loved, not with the first passion of youth, but with the tenderness and faithfulness of manhood.

He stood outside his own door; he was tired and hungry, and his wife waited for him at the midday meal; that was, to be sure, commonplace and unimportant—and yet it was so wonderfully new and attractive.

Gently, cautiously as a child who had been given a new plaything, he pressed upon the little knob on the door—and then he stood still with restrained breath and listened for the light quick step that approached.

It was just as though in his childhood he stood outside the mountain and called, first gently and half in fear, and then loudly and with a voice trembling with glad expectation, "Sesame, Sesame! Open Sesame!"

Translated for 'A Library of the World's Best Literature' by William H. Carpenter

The counselor's wife sat down on the sofa with her hands folded in her lap. Arla remained standing a little farther away, so that the green lamp-shade left her face in shadow.

"My little girl," began her mother in a mild voice, "do not feel hurt, but I must make a few remarks on your behavior to-night. First of all, you will have to hold yourself a little straighter when you dance. This tendency to droop the head looks very badly. I noticed it especially when you danced with Captain Lagerskiöld—and do you know, it looked almost as if you were leaning your head against his shoulder."

Arla blushed; she did not know why, but this reproach hurt her deeply.

"The dancing-teacher always said that to dance well one must lean toward one's partner," she objected in a raised voice.

"If that is so, it is better not to dance so well," answered her mother seriously. "And another thing. I heard you ask Mr. Örn to excuse you. And you danced the cotillon after all."

"I suppose one has a right to dance with whom one pleases."

"One never has a right to hurt others; and besides, you said to Mr. Örn that you were tired out and not able to dance again. How could you then immediately after—"

"Captain Lagerskiöld leads so well," she said, lifting her head, and her mother saw that her eyes were shining. "To dance with him is no exertion."

Her mother seemed inclined to say something, but hesitated.

"Come a little nearer," she said. "Let me look at you."

Arla came up, knelt down on a footstool, hid her face in her mother's dress, and began to cry softly.

"I shall have to tell you, then," said her mother, smoothing her hair. "Poor child, don't give yourself up to these dreams. Captain Lagerskiöld is the kind of a man that I should have preferred never to have asked to our house. He is a man entirely without character and principles—to be frank, a bad man."

Arla raised her tear-stained face quickly.

"I know that," she said almost triumphantly. "He told me so himself."

Her mother was silent with astonishment, and Aria continued, rising, "He has never had any parents nor any home, but hasalways been surrounded with temptations. And," she went on in a lower voice, "he has never found any one that he could really love, and it is only through love that he can be rescued from the dark powers that have ruled his life."

She repeated almost word for word what he had said. He had expressed himself in so commonplace a way, and she was so far from suspecting what his confession really meant, that she would not have been able to clothe them in her own words. She had only a vague impression that he was unhappy and sinful—and that she should save him. Sinful was to her a mere abstract idea: everybody was full of sin, and his sin was very likely that he lived without God. He had perhaps never learned to pray, and maybe he never went to church or took the communion. She knew that there were men who never did. And then perhaps he had been engaged to Cecilia, and had broken the engagement when he saw that he did not really love her.

"And all this he has told you already!" exclaimed her mother, when she got over her first surprise. "Well then, I can also guess what he said further. Do you want me to tell you? You are the first girl he has really loved—you are to be his rescuing angel—"

Arla made a faint exclamation.

"You do not suppose I have been listening?" asked her mother. "I know it without that; men like this always speak so when they want to win an innocent girl. When I was young I had an admirer of this kind—that is not an uncommon experience."

Not uncommon! These words were not said to her only; other men had said the same before this to other young girls! Oh! but not in the same way, at any rate! thought Arla. As he had said them—with such a look—such a voice—no, nobody else could ever have done that.

"And you didn't understand that a man who can make a young girl a declaration of love the first time he sees her must be superficial and not to be trusted?" continued her mother.

"Mamma does not know what love is," thought Aria. "She does not know that it is born in a moment and lasts for life. She has of course never loved papa; then they would not be so matter-of-fact now."

"And what did you answer?" asked her mother.

Arla turned away. "I answered nothing," she said in a low voice.

The mother's troubled face grew a little brighter.

"That was right," she said, patting her on the cheek. "Then you left him at once."

Arla was on the point of saying, "Not at once," but she could not make this confession. Other questions would then follow, and she would be obliged to describe what had happened. Describe a scene like this to her mother, who did not know what love was! That was impossible! So she said yes, but in so weak and troubled a voice that her mother at once saw it was not true. This was not Arla's first untruth; on the contrary, she had often been guilty of this fault when a child. She was so shy and loving that she could not stand the smallest reproach, and a severe look was enough to make her cry; consequently she was always ready to deny as soon as she had made the slightest mistake. But when her mother took her face between her hands and looked straight into her eyes, she saw at once how matters stood, for the eyes could hide nothing. And since Arla grew older she had fought so much against this weakness that she had almost exaggerated her truthfulness. She was now as quick to confess what might bring displeasure on herself, as if she were afraid of giving temptation the slightest room.

The mother, who with deep joy had noticed her many little victories over herself, was painfully impressed by this relapse. She could not now treat Arla as she had done when she was a little girl. Instead of this, she opened the Bible by one of the many book-marks, with a somewhat trembling hand.

"Although it is late, shall we not read a chapter together, as we always do before we go to bed?" she asked, and looked up at her daughter.

Arla stepped back, and cast an almost frightened glance at the little footstool where she had been sitting at her mother's knee every evening since she was a little girl. All this seemed now so strange—it was no longer herself, it was a little younger sister, who used to sit there and confess to her mother all her dreams and all her little sorrows.

"I don't want to—I cannot read to-night."

Her mother laid the book down again, gave her daughter a mild, sad look and said, "Then remember, my child, that this was the consequence of your first ball."

Arla bent her head and left the room slowly. Her mother let her go; she found it wisest to leave her to herself until heremotion had somewhat worn itself out. Aria would not go into her own room; she dreaded Gurli's chatter; she had to be alone to get control over her thoughts. In the drawing-room she found her father.

"Is mamma in her room?" he asked.

"Yes."

"Is she alone? Are the children asleep?"

"Yes, mamma is alone."

"Well! Good-night, my girl." He kissed her lips and went into the bedroom.

Arla opened a window in the drawing-room to let out the hot air, and then began to walk up and down wrapped in a large shawl, enjoying the clear cold winter moonlight, which played over the snow and hid itself behind the trees in the park outside the window. There they were to meet to-morrow! Oh, if only he had said now, at once! If only she could slip out now in her thin gown, and he could wrap his cape around her to keep her warm—she did not remember that the men of to-day did not wear capes like Romeo—and if then they could have gone away together—far, far away from this prosaic world, where nobody understood that two hearts could meet and find each other from the first moment.

She was not left alone long; a door was opened, light steps came tripping, and a white apparition in night-gown stood in the full light of the moonbeam.

"But Arla, are you never, never coming?"

"Why, Gurli dear, why aren't you asleep long ago?"

"Eh? do you think I can sleep before I have heard something about the ball? Come in now; how cold it is here!"

She was so cold that she shivered in her thin night-gown, but clung nevertheless to her sister, who was standing by the window.

"Go; you are catching cold."

"I don't care," she said, chattering. "I am not going till you come."

Arla was, as usual, obliged to give in to the younger sister's strong will. She closed the window and they went into their room, where Gurli crept into bed again and drew the cover up to her very chin. Arla began to unfasten her dress and take the flowers out of her hair.

"Well, I suppose you had a divine time," came a voice from the bed behind chattering teeth. There was nothing to be seenout on the floor. "Then you are much more of a schoolgirl than I. Is there perhaps any man who has told you that he loves you? Is there?"

"Oh, but Gurli, what nonsense," said Arla laughing outright. "Has really one of Arvid's friends—"

"Arvid's friends!" repeated Gurli with an expression of indescribable contempt. "Do you think such little boys would dare? Ph! I would give them a box on the ear,—that would be the quickest way of getting rid of such little whipper-snappers. No indeed; it is a man, a realman—a man that any girl would envy me."

She was so pretty as she stood there in her white gown, with her dancing eyes and thick hair standing like a dark cloud around her rosy young face, that a light broke on Arla, and a suspicion of the truth flashed through her mind.

"It is not possible that you mean—of course you don't mean—him—that you just spoke of—Captain Lagerskiöld?"

"And what if itwerehe!" cried Gurli, who in her triumph forgot to keep her secret. Arla's usual modest self-possession left her completely at this news.

"Captain Lagerskiöld has told you that he loves you!" she cried with a sharp and cutting voice, unlike her usual mild tone. "Oh, how wicked, how wicked!"

She hid her face in her hands and burst out crying.

Gurli was frightened at her violent outbreak. She must have done something awful, that Arla, who was always so quiet, should carry on so. She crept close up to her sister, half ashamed and half frightened, and whispered:—"He has only said it once. It was the day before yesterday, and I ran away from him at once—I thought it was so silly, and—"

"Day before yesterday!" cried Arla and looked up with frightened, wondering eyes. "Day before yesterday he told you that he loved you?"

"Yes; if only you will not be so awfully put out, I will tell you all about it. He used to come up to the coasting-hill a great deal lately, and then we walked up and down in the park and talked, and when I wanted to coast he helped me get a start, and drew my sleigh up-hill again. At first I did not notice him much, but then I saw he was very nice—he would look at me sometimes for a long, long time—and you can't imagine how he does look at one! And then day before yesterday he began byof Gurli but a pair of impatient dark eyes, under a wilderness of brown hair.

Arla was sitting at the toilet-table, her back to her sister.

"Oh yes," she said.

"I see on your card that you danced two dances with Captain Lagerskiöld. I suppose he dances awfully well, eh?"

"Do you know him?" asked Arla, and turned on the chair.

"Oh yes, I do. Didn't he ask for me?"

"Yes, now I remember. He said he had seen you with the children on the coasting-hill. You must have been a little rude to him?"

The whole head came out above the cover now.

"Rude! how?"

"He said something about your being so pert."

"Pert? Oh,whata fib you do tell!" cried Gurli, and sat up in bed with a jump.

"I don't usually tell stories," said Arla with wounded dignity, but blushed at the same time.

"Oh yes, you do now, I am sure you do. I don't believe you, if you don't tell me word for word what he said. Who began talking of me? And what did he say? And what did you say?"

"You had better tell me why you are so much interested in him," said Arla in the somewhat superior tone of the elder sister.

"That is none of your business. I will tell you that I am no longer a little girl, as you seem to think. And even though I am treated like a child here at home, there are others who—who—"

"Are you not a child?" said Arla. "You are not confirmed yet."

"Oh, is that it? That 'confirmation' is only a ceremony, which I submit to for mamma's sake. And don't imagine that it is confirmation which makes women of us; no indeed, it is something else."

"What then?" asked Arla, much surprised.

"It is—it is—love," burst out Gurli, and hid her head under the covers.

"Love! But Gurli, how you do talk! What do you know about that? You, a little schoolgirl!"

"Don't say 'little schoolgirl'—that makes me furious," cried Gurli, as she pushed the cover aside with both hands and jumpedsaying that I had such pretty eyes—and then he said that such a happy little sunbeam as I could light up his whole life, and that if he could not meet me, he would not know what to do—"

"Gurli!" cried Arla, and grasped her sister's arm violently. "Do you love him?"

Gurli let her eyes wander a little, and looked shy.

"I think I do—I have read in the novels Arvid borrowed in school—only don't tell mamma anything about it; but I have read that when you are in love you always have such an awful palpitation of the heart whenhecomes—and when I merely catch sight of him far off on the hill in Kommandörsgatan, I felt as if I should strangle."

"Captain Lagerskiöld is a bad, bad man!" sobbed Arla, and rushed out of the room, hiding her face in her hands.

The counselor's wife was still up and was reading, while her husband had gone to bed. A tall screen standing at the foot of the bed kept the light away from the sleeper. The counselor had just had a talk with his wife, which most likely would keep her awake for the greater part of the night; but he had fallen asleep as soon as he had spoken to the point.

"You must forgive me that I cannot quite approve your way of fulfilling your duties as hostess," he had said when he came in to her.

His wife crossed her hands on the table and looked up at him with a mild and patient face.

"You show your likes and dislikes too much," he continued, "and think too little of the claims of social usage. For instance, to pay so much attention to Mrs. Ekström and her daughters—"

"It was because nobody else paid any attention to them."

"But even so, my dear, a drawing-room is not a charity institution, I take it. Etiquette goes before everything else. And then you were almost rude to Admiral Hornfeldt's wife, who is one of the first women in society."

"Forgive me; but I cannot be cordial to a woman for whom I have no respect."

The counselor shrugged his shoulders with a gesture of great impatience.

"I wish you could learn to see how wrong it is to let yourself be influenced by these moral views in society."

His wife was silent; it was her usual way of ending a conversation which she knew could lead to no result, since each kept his own opinion after all.

"Did you notice Arla?" asked the counselor.

"Yes. Why?"

"Did you not see that she made herself conspicuous by taking such an interest in this outlived Lagerskiöld?"

"I asked you not to invite Captain Lagerskiöld," said his wife mildly.


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