BY THE SAME AUTHORA WILTSHIRE VILLAGEBy ALFRED WILLIAMS“We have found it a gentle and continuous delight. To the reader it can hardly be anything but a joy to find the old village life, which perhaps he himself remembers, set down so fairly and fully, with the charge of monotony roundly dismissed and all the events and pleasures recorded.... Wonderful little descriptions. Here is a vivid portrait that will seem to many like that of an old friend — Jemmy Boulton, the carter.... We knew and loved him ever so many years ago. And it is because Mr Williams knows and loves him, as he knows and loves the woods and waters, the plants and the beasts, that he makes a country-side live for us again as it still is here and there, as it will not be anywhere for long.” —Times.“Here is one who has never been drawn from his allegiance to the country-side by the allurements of big cities. An extremely interesting book, concerned not only with village life, but wandering far afield to the advantage of the thoughtful reader. The beauty of his descriptions, the quiet dignity of his well-considered inclusion of details, the manner of introducing us to this ‘character’ and that, call for appreciation, and the reader closes with reluctance a fascinatingly discursive record which he has followed with genuine pleasure and unabated interest.” —Country Life.“He brings to bear the same observation and love of nature which are the salient features of his delightful ‘Poems.’ There is in him much quaint lore and wide knowledge of birds and animals. He has many good things to say on this subject.” —Evening Standard.“A book which is as charming as it is uncommon. Makes a deep appeal to the naturalist and lover of the country. Mr Williams writes of what he knows, and that fact adds a special value to his book.” —Field.“A faithful description of a quiet corner of rural England, so well written in strong simple English that it deserves a place of honour on the shelf where country-side books are treasured.” —Daily Mail.“Written from personal experience and with the closest observation. Those whose interests are centred on rural matters generally will take a keen delight in it. There is food for much reflection in this volume; and be it noted that sincerity runs like a golden thread through every page.” —Daily Chronicle.Crown 8vo, 305+xvi pages. 5s. net, postage 4d.DUCKWORTH & CO., COVENT GARDEN, LONDON.BY THE SAME AUTHORVILLAGES OF THE WHITE HORSEBy ALFRED WILLIAMS“If there were a Mr Williams in every county, how rich our libraries would be in records of real rural life! We hope Mr Williams will keep on writing as long as he has material in his collections with which to picture the kindly, stout-hearted, humorous folk of the Downside.” —Manchester Guardian.“This book cannot be too strongly recommended for general reading, as a charming picture, full of changing interest, of a tract of country of great native beauty, and of the people, sturdy and characterful, who inhabit a score of villages, so independent and self-centred that the mere story of their industries makes no small part of the charm of this delightful book.” —Pall Mall Gazette.“The author is on friendly terms with all the oldest inhabitants. He draws vivid pictures, tells many delightful stories. The book is one of great interest, and we should be glad to see others of a similar sort.” —Athenæum.“Especially has he been successful in his portraits of old characters with whom he has talked. He is good on farm customs, good, too, when he writes of the lore of the countryside. The whole life of the country lives in his book, which is a valuable and delightful book, and should be bought by everyone who loves the country: bought because it is emphatically a book to read many times and to special friends.” —Observer.“He writes with the insight, the humour, and something of the poetry of Richard Jefferies. A knowledge and a cheerful humour which are refreshing.” —Yorkshire Post.“We have only one quarrel with the Author ofVillages of the White Horse: the book should have been twice as long. With a genuineness which is not inevitably behind the reviewers’ summing up, we bear testimony to its sterling qualities — its simple strength of style, its sweetness, its fine balance, its sanity of outlook, its flashes of rollicking humour, its informativeness, its warm sympathy and quick comprehension, and its unfailing gentle charm.” —Wiltshire Advertiser.“A series of dramatic pictures and sketches, full of life, anecdote and humour, together with charming Nature-studies. It introduces us to the people in their homes and in the field. It gives the most vivid impression of how they live, of what they think and of what they say.” —The Academy.Crown 8vo, 290+xvi pages. 5s. net, postage 4d.DUCKWORTH & CO., COVENT GARDEN, LONDON.BY THE SAME AUTHORCOR CORDIUMBy ALFRED WILLIAMS“Cor Cordiumconfirms Mr Alfred Williams’ remarkable position among writers of contemporary verse. It has all his sincerity and clear vision. We prefer his ecstatic reckless lyrics to the longer poems, in which he gives us nineteenth-century philosophy in admirable eighteenth century verse.” —Manchester Guardian.“Mr Alfred Williams’ position as a poet is fully established.” —Times.“That remarkable poet, Mr Alfred Williams, adds another triumph to his list of volumes of verse.” —Daily Citizen.“Mr Williams is one of those writers whose books we often pull down from their place when the town lies heavy on the heart.” —Observer.“Mr Williams is a simple and a genuine poet, simple because he is not tempted away into decorative effects alien from the spontaneity of his lyrical impulse, and genuine because he breathes the utmost strength of his spirit into every line and phrase. He is circumscribed neither in the concentration nor the intensity of this impulse, but in its range. The energy and feeling which quicken his expression are sufficient in themselves to create a responsiveness in the reader which registers the vicissitudes in the mood and sensibilities of the poet. That is a great quality. Mr Williams’ strength lies in the clear and exquisite treatment of a common sentiment.” —The Nation.“Every line is the expression of a calm, determined purpose, buoyant in its own well-measured, well-disciplined confidence.” —Daily Chronicle.“The serious manliness and good sense of these pieces are qualities so rare in the verse of to-day that when we find them they have a sort of exotic piquancy. There are times when Mr Williams wears with grace the mantle of the Jacobeans.” —Spectator.“His lyrics in strict form are often wonderful. We do not think that such lovely lyric verse can fail to give its creator a high place among the poets of to-day.” —Poetry Review.Large 8vo, 82 pages. 3s. 6d. net, postage 3d.PUBLISHED BY ERSKINE MACDONALD16 FEATHERSTONE BUILDINGS, LONDON, W.C.BY THE SAME AUTHORNATURE AND OTHER POEMSBy ALFRED WILLIAMS“It is seldom, even among the romantics, that we find so ecstatic a rage for nature. The purpose and sincerity of the author bear him along, and there are times when he achieves a rare beauty. He has depths yet unplumbed to draw from.” —Times.“The expression of a mystical exaltation of spirit. Truth and sincerity are the impulse of Mr Williams’ poems.” —Edinburgh Review.“A rare blend of Goth and Latin.” —English Review.“Mr Williams’ work has the passionate throbbing purity of the later Richard Jefferies.” —Bookman.“Mr Williams’ work has a splendid detachment and a splendid essentiality. It is pure rapture.” —Academy.“The poems have the fragrance and simplicity that come from a strong, sincere mind. To read them is to be refreshed.” —Observer.“There is movement, joy of life, strenuous bliss of existence throughout the book; it is a real and rare pleasure to read.” —Poetry Review.“The work, which recalls Cowper, is delightful.” —Athenæum.“Written in glowing strains of rare quality.” —Publishers’ Circular.“Mr Williams is a poet of a school uncommon in these days. His robust and shapely verse is a counterpart of his wholesome philosophy of life.” —Spectator.“Those who read the other books of this man, who has triumphed over circumstances so remarkably, will know that pleasure awaits them on every page.” —Outlook.“Works of high merit. Remarkable human documents.” —Swindon Advertiser.“Mr Williams is a singer whom we should place very high.” —Literary Monthly.Large 8vo, 90 pages. 3s. 6d. net, postage 3d.PUBLISHED BY ERSKINE MACDONALD16 FEATHERSTONE BUILDINGS, LONDON, W.C.A LIST OF THE LIBRARIES AND SERIES OF COPYRIGHT BOOKS PUBLISHED BY DUCKWORTH & CO.3 HENRIETTA STREET, COVENT GARDEN LONDON, W.C.2The Popular Library of Art—continuedThe Pre-raphaelite Brotherhood.By Ford Madox Hueffer.Perugino.By Edward Hutton.Millet.By Romain Rolland.Watteau.By Camille Mauclair.The French Impressionists.By Camille Mauclair.Whistler.By Bernhard Sickert.MASTERS OF PAINTINGWith many illustrations in photogravure.A series which gives in each volume a large number of examples reproduced inphotogravureof the works of its subject. The first series of books on art issued at a popular price to use this beautiful method of reproduction.The letterpress is the same as the volumes in the Popular Library of Art, but it is reset, the size of the volumes being 8¾ ins. by 5¾ ins. There are no less than 32 plates in each book. Bound in cloth with gold on side, gold lettering on back: picture wrapper, 5s.neta volume, postage 5d.This is the first time that a number ofphotogravureillustrations have been given in a series published at a popular price. The process having been very costly has been reserved for expensive volumes or restricted to perhaps a frontispiece in the case of books issued at a moderate price. A new departure in the art of printing has recently been made with the machining of photogravures; the wonderfully clear detail and beautifully soft effect of the photogravure reproductions being obtained as effectively as by the old method. 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“We have found it a gentle and continuous delight. To the reader it can hardly be anything but a joy to find the old village life, which perhaps he himself remembers, set down so fairly and fully, with the charge of monotony roundly dismissed and all the events and pleasures recorded.... Wonderful little descriptions. Here is a vivid portrait that will seem to many like that of an old friend — Jemmy Boulton, the carter.... We knew and loved him ever so many years ago. And it is because Mr Williams knows and loves him, as he knows and loves the woods and waters, the plants and the beasts, that he makes a country-side live for us again as it still is here and there, as it will not be anywhere for long.” —Times.
“Here is one who has never been drawn from his allegiance to the country-side by the allurements of big cities. An extremely interesting book, concerned not only with village life, but wandering far afield to the advantage of the thoughtful reader. The beauty of his descriptions, the quiet dignity of his well-considered inclusion of details, the manner of introducing us to this ‘character’ and that, call for appreciation, and the reader closes with reluctance a fascinatingly discursive record which he has followed with genuine pleasure and unabated interest.” —Country Life.
“He brings to bear the same observation and love of nature which are the salient features of his delightful ‘Poems.’ There is in him much quaint lore and wide knowledge of birds and animals. He has many good things to say on this subject.” —Evening Standard.
“A book which is as charming as it is uncommon. Makes a deep appeal to the naturalist and lover of the country. Mr Williams writes of what he knows, and that fact adds a special value to his book.” —Field.
“A faithful description of a quiet corner of rural England, so well written in strong simple English that it deserves a place of honour on the shelf where country-side books are treasured.” —Daily Mail.
“Written from personal experience and with the closest observation. Those whose interests are centred on rural matters generally will take a keen delight in it. There is food for much reflection in this volume; and be it noted that sincerity runs like a golden thread through every page.” —Daily Chronicle.
Crown 8vo, 305+xvi pages. 5s. net, postage 4d.DUCKWORTH & CO., COVENT GARDEN, LONDON.
“If there were a Mr Williams in every county, how rich our libraries would be in records of real rural life! We hope Mr Williams will keep on writing as long as he has material in his collections with which to picture the kindly, stout-hearted, humorous folk of the Downside.” —Manchester Guardian.
“This book cannot be too strongly recommended for general reading, as a charming picture, full of changing interest, of a tract of country of great native beauty, and of the people, sturdy and characterful, who inhabit a score of villages, so independent and self-centred that the mere story of their industries makes no small part of the charm of this delightful book.” —Pall Mall Gazette.
“The author is on friendly terms with all the oldest inhabitants. He draws vivid pictures, tells many delightful stories. The book is one of great interest, and we should be glad to see others of a similar sort.” —Athenæum.
“Especially has he been successful in his portraits of old characters with whom he has talked. He is good on farm customs, good, too, when he writes of the lore of the countryside. The whole life of the country lives in his book, which is a valuable and delightful book, and should be bought by everyone who loves the country: bought because it is emphatically a book to read many times and to special friends.” —Observer.
“He writes with the insight, the humour, and something of the poetry of Richard Jefferies. A knowledge and a cheerful humour which are refreshing.” —Yorkshire Post.
“We have only one quarrel with the Author ofVillages of the White Horse: the book should have been twice as long. With a genuineness which is not inevitably behind the reviewers’ summing up, we bear testimony to its sterling qualities — its simple strength of style, its sweetness, its fine balance, its sanity of outlook, its flashes of rollicking humour, its informativeness, its warm sympathy and quick comprehension, and its unfailing gentle charm.” —Wiltshire Advertiser.
“A series of dramatic pictures and sketches, full of life, anecdote and humour, together with charming Nature-studies. It introduces us to the people in their homes and in the field. It gives the most vivid impression of how they live, of what they think and of what they say.” —The Academy.
Crown 8vo, 290+xvi pages. 5s. net, postage 4d.DUCKWORTH & CO., COVENT GARDEN, LONDON.
“Cor Cordiumconfirms Mr Alfred Williams’ remarkable position among writers of contemporary verse. It has all his sincerity and clear vision. We prefer his ecstatic reckless lyrics to the longer poems, in which he gives us nineteenth-century philosophy in admirable eighteenth century verse.” —Manchester Guardian.
“Mr Alfred Williams’ position as a poet is fully established.” —Times.
“That remarkable poet, Mr Alfred Williams, adds another triumph to his list of volumes of verse.” —Daily Citizen.
“Mr Williams is one of those writers whose books we often pull down from their place when the town lies heavy on the heart.” —Observer.
“Mr Williams is a simple and a genuine poet, simple because he is not tempted away into decorative effects alien from the spontaneity of his lyrical impulse, and genuine because he breathes the utmost strength of his spirit into every line and phrase. He is circumscribed neither in the concentration nor the intensity of this impulse, but in its range. The energy and feeling which quicken his expression are sufficient in themselves to create a responsiveness in the reader which registers the vicissitudes in the mood and sensibilities of the poet. That is a great quality. Mr Williams’ strength lies in the clear and exquisite treatment of a common sentiment.” —The Nation.
“Every line is the expression of a calm, determined purpose, buoyant in its own well-measured, well-disciplined confidence.” —Daily Chronicle.
“The serious manliness and good sense of these pieces are qualities so rare in the verse of to-day that when we find them they have a sort of exotic piquancy. There are times when Mr Williams wears with grace the mantle of the Jacobeans.” —Spectator.
“His lyrics in strict form are often wonderful. We do not think that such lovely lyric verse can fail to give its creator a high place among the poets of to-day.” —Poetry Review.
Large 8vo, 82 pages. 3s. 6d. net, postage 3d.PUBLISHED BY ERSKINE MACDONALD16 FEATHERSTONE BUILDINGS, LONDON, W.C.
“It is seldom, even among the romantics, that we find so ecstatic a rage for nature. The purpose and sincerity of the author bear him along, and there are times when he achieves a rare beauty. He has depths yet unplumbed to draw from.” —Times.
“The expression of a mystical exaltation of spirit. Truth and sincerity are the impulse of Mr Williams’ poems.” —Edinburgh Review.
“A rare blend of Goth and Latin.” —English Review.
“Mr Williams’ work has the passionate throbbing purity of the later Richard Jefferies.” —Bookman.
“Mr Williams’ work has a splendid detachment and a splendid essentiality. It is pure rapture.” —Academy.
“The poems have the fragrance and simplicity that come from a strong, sincere mind. To read them is to be refreshed.” —Observer.
“There is movement, joy of life, strenuous bliss of existence throughout the book; it is a real and rare pleasure to read.” —Poetry Review.
“The work, which recalls Cowper, is delightful.” —Athenæum.
“Written in glowing strains of rare quality.” —Publishers’ Circular.
“Mr Williams is a poet of a school uncommon in these days. His robust and shapely verse is a counterpart of his wholesome philosophy of life.” —Spectator.
“Those who read the other books of this man, who has triumphed over circumstances so remarkably, will know that pleasure awaits them on every page.” —Outlook.
“Works of high merit. Remarkable human documents.” —Swindon Advertiser.
“Mr Williams is a singer whom we should place very high.” —Literary Monthly.
Large 8vo, 90 pages. 3s. 6d. net, postage 3d.PUBLISHED BY ERSKINE MACDONALD16 FEATHERSTONE BUILDINGS, LONDON, W.C.
3 HENRIETTA STREET, COVENT GARDEN LONDON, W.C.2
The Popular Library of Art—continued
The Pre-raphaelite Brotherhood.By Ford Madox Hueffer.Perugino.By Edward Hutton.Millet.By Romain Rolland.Watteau.By Camille Mauclair.The French Impressionists.By Camille Mauclair.Whistler.By Bernhard Sickert.
The Pre-raphaelite Brotherhood.By Ford Madox Hueffer.Perugino.By Edward Hutton.Millet.By Romain Rolland.Watteau.By Camille Mauclair.The French Impressionists.By Camille Mauclair.Whistler.By Bernhard Sickert.
With many illustrations in photogravure.
A series which gives in each volume a large number of examples reproduced inphotogravureof the works of its subject. The first series of books on art issued at a popular price to use this beautiful method of reproduction.
The letterpress is the same as the volumes in the Popular Library of Art, but it is reset, the size of the volumes being 8¾ ins. by 5¾ ins. There are no less than 32 plates in each book. Bound in cloth with gold on side, gold lettering on back: picture wrapper, 5s.neta volume, postage 5d.
This is the first time that a number ofphotogravureillustrations have been given in a series published at a popular price. The process having been very costly has been reserved for expensive volumes or restricted to perhaps a frontispiece in the case of books issued at a moderate price. A new departure in the art of printing has recently been made with the machining of photogravures; the wonderfully clear detail and beautifully soft effect of the photogravure reproductions being obtained as effectively as by the old method. It is this great advance in the printing of illustrations which makes it possible to produce this series.
The volumes are designed to give as much value as possible, and for the time being are the last word in popular book production.
It would be difficult to conceive of more concise, suggestive, and helpful volumes than these. All who read them will be aware of a sensible increase in their knowledge and appreciation of art and the world’s masterpieces.
The six volumes are:
Raphael.By Julia Cartwright.Botticelli.By Julia Cartwright.G. F. Watts.By G. K. Chesterton.Leonardo da Vinci.By Georg Gronau.Holbein.By Ford Madox Hueffer.Rossetti.By Ford Madox Hueffer.
Raphael.By Julia Cartwright.Botticelli.By Julia Cartwright.G. F. Watts.By G. K. Chesterton.Leonardo da Vinci.By Georg Gronau.Holbein.By Ford Madox Hueffer.Rossetti.By Ford Madox Hueffer.
The books included in this series are standard copyright works, issued in similar style at a uniform price, and are eminently suited for the library. They are particularly acceptable as prize volumes for advanced students. Demy 8vo, size 9 in. by 5¾ in.Cloth gilt, gilt top. 7s. 6d. net. Postage 6d.
The Rubá’iyát of ’Umar Khayyám(Fitzgerald’s 2nd Edition). Edited, with an Introduction and Notes, by Edward Heron Allen.
Science and Religion in Contemporary Philosophy.By Emile Boutroux.
Wanderings in Arabia.By Charles M. Doughty. An abridged edition of “Travels in Arabia Deserta.” With portrait and map. In 2 vols.
Folk-lore of the Holy Land: Moslem, Christian, and Jewish. By J. E. Hanauer. Edited by Marmaduke Pickthall.
Life and Evolution.By F. W. Headley, F.Z.S. With upwards of 100 illustrations. New and revised edition (1913).
Birds and Man.By W. H. Hudson. With a frontispiece in colour.
The Note-books of Leonardo da Vinci.Edited by Edward McCurdy. With 14 illustrations.
The Life and Letters of Leslie Stephen.By F. W. Maitland. With a photogravure portrait.
The Country Month by Month.By J. A. Owen and G. S. Boulger. With notes on Birds by Lord Lilford. With 12 illustrations in colour and 20 in black and white.
The English Utilitarians.By Sir Leslie Stephen. 3 vols. Vol. I.James Mill.Vol. II.Jeremy Bentham.Vol. III.John Stuart Mill.
Critical Studies.By S. Arthur Strong. With Memoir by Lord Balcarres, M.P. Illustrated.
Including the dramatic work of leading contemporary writers, such as Andreyef, Björnson, Galsworthy, Hauptmann, Ibsen, Maeterlinck, Eden Phillpotts, Strindberg, Sudermann, Tchekoff, and others.
In single volumes.Cloth, 3s. net; paper covers, 2s. 6d. net a volume; postage 4d.
The Revolt and the Escape.By Villiers de L’Isle Adam. (Cloth binding only.)
Hernani.A Tragedy. By Frederick Brock. (Cloth bindingonly.)
Tristram and Iseult.A Drama. By J. Comyns Carr.
Passers-By.By C. Haddon Chambers.
The Likeness of the Night.By Mrs W. K. Clifford.
A Woman Alone.By Mrs W. K. Clifford.
The Silver Box.By John Galsworthy.
Joy.By John Galsworthy.
Strife.By John Galsworthy.
Justice.By John Galsworthy.
The Eldest Son.By John Galsworthy.
The Little Dream.By John Galsworthy.
The Fugitive.By John Galsworthy.
The Mob.By John Galsworthy.
The Pigeon.By John Galsworthy.
A Bit o’ Love.By John Galsworthy.
The Coming of Peace.By Gerhart Hauptmann. (Cloth bindingonly.)
Love’s Comedy.By Henrik Ibsen. (Cloth binding only.)
The Divine Gift.By Henry Arthur Jones. With an Introduction and a Portrait. (5s. net. Cloth binding only.)
The Widowing of Mrs Holroyd.A Drama. By D. H. Lawrence. With an Introduction. (Cloth only, 5s. net.)
Peter’s Chance.A Play. By Edith Lyttelton.
Three Little Dramas.By Maurice Maeterlinck. (Cloth bindingonly.)
The Heatherfield.By Edward Martyn.
Maeve.By Edward Martyn.
The Dream Physician.By Edward Martyn.
St Francis of Assisi.A Play in Five Acts. By J.-A. Peladan. (Cloth only, 5s. net.)
The Mother.A Play. By Eden Phillpotts.
The Shadow.A Play. By Eden Phillpotts.
The Secret Woman.A Drama. By Eden Phillpotts.
The Farmer’s Wife.A Comedy. By Eden Phillpotts.
St George and the Dragon.A Play. By Eden Phillpotts.
Curtain Raisers.One Act Plays. By Eden Phillpotts.
The Father.By August Strindberg. (Cloth binding only.)
Creditors.Pariah.Two Plays. By August Strindberg. (Clothbinding only.)
Miss Julia.The Stronger.Two Plays. By August Strindberg. (Cloth binding only.)
There are Crimes and Crimes.By August Strindberg. (Clothbinding only.)
Roses.Four One Act Plays. By Hermann Sudermann. (Clothbinding only.)
Morituri.Three One Act Plays. By Hermann Sudermann. (Clothbinding only.)
Five Little Plays.By Alfred Sutro.
The Two Virtues.A Play. By Alfred Sutro.
Freedom.A Play. By Alfred Sutro.
The Choice.A Play. By Alfred Sutro.
The Dawn(Les Aubes). By Emile Verhaeren. Translated by Arthur Symons. (Cloth binding only.)
The Princess of Hanover.By Margaret L. Woods. (Cloth bindingonly.)
Plays.By Leonid Andreyef. Translated from the Russian, with an Introduction by F. N. Scott and C. L. Meader.Cr. 8vo,cloth gilt. 7s. net.
Plays.(First Series.) By Björnstjerne Björnson. (The Gauntlet, Beyond our Power, The New System.) With an Introduction and Bibliography. In one vol.Cr. 8vo. 7s.net.
Plays.(Second Series.) By Björnstjerne Björnson. (Love and Geography, Beyond Human Might, Laboremus.) With an Introduction by Edwin Björkman. In one vol.Cr. 8vo. 7s.net.
Three Plays.By Mrs W. K. Clifford. (Hamilton’s Second Marriage, Thomas and the Princess, The Modern Way.)Sq.cr. 8vo. 7s. net.
Plays(First Series). By John Galsworthy. Three Plays (Joy, Strife, The Silver Box).Sq. cr. 8vo. 7s. net.
Plays(Second Series). By John Galsworthy. Three Plays (Justice, The Little Dream, The Eldest Son).Sq. cr. 8vo.7s. net.
Plays(Third Series). By John Galsworthy. Three Plays (The Pigeon, The Fugitive, The Mob).Cr. 8vo. 7s. net.
Plays(Fourth Series). By John Galsworthy.Sq. cr. 8vo. 7s.net. In preparation.
Plays.By Gwen John. (Outlaws, Corinna, Sealing the Compact, Edge o’ Dark, The Case of Theresa, In the Rector’s Study.) With an Introduction.Cr. 8vo. 7s. net.
Four Tragedies.By Allan Monkhouse. (The Hayling Family, The Stricklands, Resentment, Reaping the Whirlwind.)Cr. 8vo,cloth gilt. 7s. net.
Plays.By Eden Phillpots. (The Mother, The Shadow, The Secret Woman.)Cr. 8vo. 7s. net.
Plays.(First Series.) By August Strindberg. (The Dream Play, The Link, The Dance of Death, Part I.; The Dance of Death,Part II.)Cr. 8vo. 7s. net.
Plays.(Second Series.) By August Strindberg. (Creditors, Pariah, There are Crimes and Crimes, Miss Julia, The Stronger.)7s. net.
Plays.(Third Series.) By August Strindberg. (Advent, Simoom, Swan White, Debit and Credit, The Thunder Storm, After the Fire.)Cr. 8vo. 7s. net.
Plays.(Fourth Series.) By August Strindberg. (The Bridal Crown, The Spook Sonata, The First Warning, Gustavus Vasa.)Cr. 8vo. 7s. net.
Plays.(First Series.) By Anton Tchekoff. (Uncle Vanya, Ivanoff, The Seagull, The Swan Song.) With an Introduction.Cr. 8vo. 7s. net.
Plays.(Second Series.) By Anton Tchekoff. (The Cherry Orchard, The Three Sisters, The Bear, The Proposal, The Marriage, The Anniversary, A Tragedian.) With an Introduction. Completing in two volumes the Dramatic Works of Tchekoff.Cr. 8vo. 7s. net.
A new series of Copyright Works of Individual Merit and Permanent Value — the work of Authors of Repute.
Library style.Cr. 8vo. Blue cloth gilt, round backs. 5s. net a volume; postage 5d.
Avril.By Hilaire Belloc. Essays on the Poetry of the French Renaissance.
Esto Perpetua.By Hilaire Belloc. Algerian Studies and Impressions.
Men, Women, and Books: Res Judicatæ.By Augustine Birrell. Complete in one vol.
Obiter Dicta.By Augustine Birrell. First and Second Series in one volume.
Memoirs of a Surrey Labourer.By George Bourne.
The Bettesworth Book.By George Bourne.
Lucy Bettesworth.By George Bourne.
Change in the Village.By George Bourne.
Studies in Poetry.By Stopford A. Brooke, LL.D. Essays on Blake, Scott, Shelley, Keats, etc.
Four Poets.By Stopford A. Brooke, LL.D. Essays on Clough, Arnold, Rossetti, and Morris.
Comparative Studies in Nursery Rhymes.By Lina Eckenstein. Essays in a branch of Folk-lore.
Italian Poets Since Dante.Critical Essays. By W. Everett.
Villa Rubein, and Other Stories.By John Galsworthy.
The Signal, and Other Stories.Translated from the Russian by W. M. Garshin.
Faith, and Other Sketches.By R. B. Cunninghame Graham.
Hope, and Other Sketches.By R. B. Cunninghame Graham.
Progress, and Other Sketches.By R. B. Cunninghame Graham.
Success, and Other Sketches.By R. B. Cunninghame Graham.
Thirteen Stories.By R. B. Cunninghame Graham.
Twenty-six Men and a Girl, and Other Stories.By Maxim Gorky. Translated from the Russian.
Green Mansions.A Romance of the Tropical Forest. By W. H. Hudson.
The Purple Land.By W. H. Hudson.
A Crystal Age: a Romance of the Future. By W. H. Hudson.
The Critical Attitude.By Ford Madox Hueffer.
The Heart of the Country.By Ford Madox Hueffer.
The Spirit of the People.By Ford Madox Hueffer.
After London — wild England.By Richard Jefferies.
Amaryllis at the Fair.By Richard Jefferies.
Bevis.The Story of a Boy. By Richard Jefferies.
The Hills and the Vale.Nature Essays. By Richard Jefferies.
Russian Literature.By Prince Kropotkin. New and revised edition.
The Greatest Life.An inquiry into the foundations of character. By Gerald Leighton, M.D.
St Augustine and his Age.An Interpretation. By Joseph McCabe.
Yvette, and Other Stories.By Guy de Maupassant. Translated byMrs John Galsworthy. With a Preface by Joseph Conrad.
Between the Acts.By H. W. Nevinson.
Essays in Freedom.By H. W. Nevinson.
Principle in Art: Religio Poetæ.By Coventry Patmore.
Parallel Paths.A Study in Biology, Ethics, and Art. By T. W. Rolleston.
The Strenuous Life, and Other Essays.By Theodore Roosevelt.
English Literature and Society in the Eighteenth Century.By Sir Leslie Stephen.
Studies of a Biographer.First Series. Two Volumes. By Sir Leslie Stephen.
Studies of a Biographer.Second Series. Two Volumes. By Sir Leslie Stephen.
The Black Monk, and Other Tales.By Anton Tchekoff.
The Kiss, and Other Stories.By Anton Tchekoff.
Interludes.By Sir Geo. Trevelyan.
The additional volumes in the series are books with the same tendency as Michael Fairless’s remarkable work, from which the series gets its name: books which express a deep feeling for Nature, and render the value of simplicity in life.Fcap. 8vo, with designed end papers.3s. net. Postage 4d.
The Brow of Courage.By Gertrude Bone.
Women of the Country.By Gertrude Bone.
The Sea Charm of Venice.By Stopford A. Brooke.
Magic Casements.By Arthur S. Cripps.
A Martyr’s Servant.By Arthur S. Cripps.
A Martyr’s Heir.By Arthur S. Cripps.
The Roadmender.By Michael Fairless. Also inlimp lambskin,5s. net. Illustrated Edition with Illustrations in colourfrom oil paintings by E. W. Waite,7s. 6d. net.
The Gathering of Brother Hilarius.By Michael Fairless. Alsolimp lambskin, 5s. net.
The Grey Brethren.By Michael Fairless. Alsolimp lambskin,5s. net.
A Special Illustrated Edition of the Children’s Stories, which appear in The Grey Brethren, is published under the title of “Stories Told to Children.” The Illustrations in Colour are from Drawings by Flora White.
Michael Fairless: Life and Writings.By W. Scott Palmer and A. M. Haggard.
The Roadmender Book of Days.A Year of Thoughts from the Roadmender Series. Selected and arranged by Mildred Gentle. Also inlimp lambskin, 5s. net.
A Modern Mystic’s Way.By Wm. Scott Palmer.
From the Forest.By Wm. Scott Palmer.
Pilgrim Man.By Wm. Scott Palmer.
Winter and Spring.By Wm. Scott Palmer.
Thoughts of Leonardo da Vinci.Selected by Edward McCurdy.
The Plea of Pan.By H. W. Nevinson, author of “Essays in Freedom,” “Between the Acts.”
Bedesman 4.By Mary J. H. Skrine.
Vagrom Men.By A. T. Story.
Light and Twilight.By Edward Thomas.
Rest and Unrest.By Edward Thomas.
Rose Acre Papers: Horæ Solitariæ.By Edward Thomas.
A New Series of Handbooks, being aids to interpretation in Biblical Criticism for the use of the Clergy, Divinity Students, and Laymen.Cr. 8vo. 5s. net a volume.Postage 5d.
Christianity and Ethics.By Archibald B. D. Alexander, M.A.,D.D., author of “A Short History of Philosophy,” “The Ethics of St Paul.”
The Environment of Early Christianity.By Samuel Angus, Professor of New Testament Historical Theology in St Andrew’s College, University of Sydney.Cr. 8vo. 2s. 6d.net.
History of the Study of Theology.By the late Charles Augustus Briggs, D.D., D.Litt., of the Union Theological Seminary, New York. Two Volumes.
The Christian Hope.A Study in the Doctrine of the Last Things. By W. Adams Brown, Ph.D., D.D., Professor of Theology in the Union College, New York.
Christianity and Social Questions.By William Cunningham, D.D., F.B.A., Fellow of Trinity College, Cambridge, Hon. Fellow of Gonville and Caius College, Cambridge, Archdeacon of Ely, formerly Lecturer on Economic History to Harvard University.
The Justification of God.By P. T. Forsyth, M.A., D.D., Principal of the Hackney Theological College, University of London.
A Handbook of Christian Apologetics.By A. E. Garvie, M.A., Hon. D.D., Glasgow University, Principal of New College, Hampstead.
A Critical Introduction to the Old Testament.By George Buchanan Gray, M.A., D.Litt., Professor of Hebrew and Old Testament Exegesis in Mansfield College, Oxford.
Gospel Origins.A Study in the Synoptic Problem. By William West Holdsworth, M.A., Tutor in New Testament Language and Literature, Handsworth College; author of “The Christ of the Gospels,” “The Life of Faith,” etc.
Faith and its Psychology.By William R. Inge, D.D., Dean of St Paul’s, Lady Margaret Professor of Divinity, Cambridge, and Bampton Lecturer, Oxford, 1899.
The Theology of the Epistles.By H. A. A. Kennedy, D.D., D.Sc., Professor of New Testament Exegesis and Theology,New College, Edinburgh.
Christianity and Sin.By Robert Mackintosh, M.A., D.D., Professor of Apologetics in Lancashire Independent College; Lecturer in the University of Manchester.
Protestant Thought Before Kant.By A. C. McGiffert, Ph.D., D.D., of the Union Theological Seminary, New York.
The Theology of the Gospels.By James Moffat, B.D., D.D., of the U. F. Church of Scotland, sometime Jowett Lecturer, London, author of “The Historical New Testament.”
A History of Christian Thought since Kant.By Edward Caldwell Moore, D.D., Parkman Professor of Theology in the University of Harvard, U.S.A., author of “The New Testament in the Christian Church,” etc.
The Doctrine of the Atonement.By J. K. Mosley, M.A., Fellow and Tutor of Pembroke College, Cambridge.
Revelation and Inspiration.By James Orr, D.D., Professor of Apologetics in the Theological College of the United Free Church, Glasgow.
A Critical Introduction to the New Testament.By Arthur Samuel Peake, D.D., Professor of Biblical Exegesis and Dean of the Faculty of Theology, Victoria University, Manchester; sometime Fellow of Merton College, Oxford.
Philosophy and Religion.By Hastings Rashdall, D.Litt. (Oxon.), D.C.L. (Durham), F.B.A., Dean of Carlisle.
The Holy Spirit.By Thomas Rees, M.A. (Lond.), Principal of Bala and Bangor College.
The Religious Ideas of the Old Testament.By H. Wheeler Robinson, M.A., Tutor in Rawdon College; sometime Senior Kennicott Scholar in Oxford University.
Text and Canon of the New Testament.By Alexander Souter, M.A., D.Litt., Professor of Humanity at Aberdeen University.
Christian Thought to the Reformation.By Herbert B. Workman, M.A., D.Litt., Principal of the Westminster Training College.
Stiff Covers, Crown 8vo. Postage 4d.
The Brassbounder: A Tale of the Sea.By David W. Bone.Broken Stowage.By David W. Bone.If Age Could.By Bernard Capes.The House in Marylebone.By Mrs W. K. Clifford.The Widow’s Necklace: A Detective Story.By Ernest Davies.Wrack: A Tale of the Sea.By Maurice Drake.The Exploits of Danby Croker.By R. Austin Freeman.Beyond the Rocks.By Elinor Glyn.Halcyone.By Elinor Glyn.The Reason Why.By Elinor Glyn.The Reflections of Ambrosine.By Elinor Glyn.The Visits of Elizabeth.By Elinor Glyn.Guinevere’s Lover (The Sequence).By Elinor Glyn.The Vicissitudes of Evangeline.By Elinor Glyn.When The Hour Came.By Elinor Glyn.Three Weeks.By Elinor Glyn.The Career of Katherine Bush.By Elinor Glyn.Elizabeth Visits America.By Elinor Glyn.The Contrast and Other Stories.By Elinor Glyn.Three Things.By Elinor Glyn.Letters to Caroline.By Elinor Glyn.The Man and the Moment.By Elinor Glyn.South American Sketches.By W. H. Hudson.Old Fireproof.By Owen Rhoscomyl.Where Bonds are Loosed.By Grant Watson.The Mainland.By Grant Watson.The Oilskin Packet.By Reginald Berkeley and James Dixon.
The Brassbounder: A Tale of the Sea.By David W. Bone.
Broken Stowage.By David W. Bone.
If Age Could.By Bernard Capes.
The House in Marylebone.By Mrs W. K. Clifford.
The Widow’s Necklace: A Detective Story.By Ernest Davies.
Wrack: A Tale of the Sea.By Maurice Drake.
The Exploits of Danby Croker.By R. Austin Freeman.
Beyond the Rocks.By Elinor Glyn.
Halcyone.By Elinor Glyn.
The Reason Why.By Elinor Glyn.
The Reflections of Ambrosine.By Elinor Glyn.
The Visits of Elizabeth.By Elinor Glyn.
Guinevere’s Lover (The Sequence).By Elinor Glyn.
The Vicissitudes of Evangeline.By Elinor Glyn.
When The Hour Came.By Elinor Glyn.
Three Weeks.By Elinor Glyn.
The Career of Katherine Bush.By Elinor Glyn.
Elizabeth Visits America.By Elinor Glyn.
The Contrast and Other Stories.By Elinor Glyn.
Three Things.By Elinor Glyn.
Letters to Caroline.By Elinor Glyn.
The Man and the Moment.By Elinor Glyn.
South American Sketches.By W. H. Hudson.
Old Fireproof.By Owen Rhoscomyl.
Where Bonds are Loosed.By Grant Watson.
The Mainland.By Grant Watson.
The Oilskin Packet.By Reginald Berkeley and James Dixon.
Back cover
Transcriber’s NoteSpelling and word usage have been retained as they appear in the original publication except as follows:Page 47mumuring and complaint is always imposedchanged tomurmuringand complaint is always imposedPage 60It he could suit himselfchanged toIfhe could suit himselfPage 86heats with a minimum amount of labourchanged tobeatswith a minimum amount of labourPage 93the knowledge of their own usefulnessschanged tothe knowledge of their ownusefulnessPage 156thick chunks of break andchanged tothick chunks ofbreadandPage 170for removing the scale and excresencechanged tofor removing the scale andexcrescencePage 172superflous metal, an ounce or morechanged tosuperfluousmetal, an ounce or morePage 197makes me badchanged tomakes memadPage 200got to channge kniveschanged togot tochangeknivesPage 247domestic rseponsibilities — rise considerablychanged todomesticresponsibilities— rise considerablyCataloguePage 3 DUCKWORTH & CO.’S LIBRARIES AND SERIESA pageis missing from the scans used to prepare this ebook and an alternative has not been located.
Transcriber’s Note
Spelling and word usage have been retained as they appear in the original publication except as follows:
Page 47mumuring and complaint is always imposedchanged tomurmuringand complaint is always imposed
Page 60It he could suit himselfchanged toIfhe could suit himself
Page 86heats with a minimum amount of labourchanged tobeatswith a minimum amount of labour
Page 93the knowledge of their own usefulnessschanged tothe knowledge of their ownusefulness
Page 156thick chunks of break andchanged tothick chunks ofbreadand
Page 170for removing the scale and excresencechanged tofor removing the scale andexcrescence
Page 172superflous metal, an ounce or morechanged tosuperfluousmetal, an ounce or more
Page 197makes me badchanged tomakes memad
Page 200got to channge kniveschanged togot tochangeknives
Page 247domestic rseponsibilities — rise considerablychanged todomesticresponsibilities— rise considerably
CataloguePage 3 DUCKWORTH & CO.’S LIBRARIES AND SERIESA pageis missing from the scans used to prepare this ebook and an alternative has not been located.