Sources of his accounts of Keats used in present volume,532on the dinner when Keats met Wordsworth, Lamb and Kingston, &c.,246et sqq.;on Keats as a child,7on Keats’s eyes,79on Keats, as killed by the Reviews,520on Keats’s lack of decision,369on Keats’s plunge into dissipation,379-80on his last sight of Keats,486-7on reading Shakespeare with Keats,66onSleep and Poetry,130on Scott’s beautiful smile,525n.Suicide of,532‘Haydon! forgive me that I cannot speak,’ sonnet (Keats), on the Elgin Marbles,67Hazlitt, William,133Appearance and conversation of,69Attitude to, ofBlackwood,300as Critic,119,151,263; ferocity of,137,299,300; style of,243,244Friendship of, withHaydon,62Keats,68,77Invective of, against Gifford,341Lectures by, on English Poets,244,300; Keats at,244Taste of, Keats on,68,250Wrath of, on theBlackwoodReviews,311,314on Haydon’s “Christ’s Entry into Jerusalem,” 461,462n.on Keats, as killed by the Reviews,521-2on Keats’s verses,41on Shelley,70on Wordsworth,aet.48,249on Wordsworth’s conversation on poetic subjects,251Heine, Heinrich,229Heliconia(ed. Park),158n.Hemans, Felicia, verse of,526‘Hence Burgundy, Claret and Port,’seeDraught of SunshineHenry VI.(Shakespeare), as played by Kean, Keats’s criticism on,242,243Hercules, triumphs of, figured on sarcophaguses,231& n.Hero and Leander(Marlowe), Heroic Couplet as used in,169Metre of,96‘Heroic’ Couplet, the, history of 93et sqq.Keats’s use of,93,207et sqq.,406Hessey, —,see alsoTaylor and HesseyIndignation of, at theBlackwoodReviews,311Letters to, fromKeats, on the criticisms onEndymion, and the defence by his friends,311Taylor, on his joust with W. Blackwood, over Keats’s poems,475-7Hesiod’sTheogony, the Titans in,428Hilton, —,380; help from, for Keats,486Holman, Louis A., and Haydon’s “Christ’s Entry into Jerusalem,” 462n.on the source of the P.R.B.,325Holmes, Edward, on Keats as a boy,11-12Holy Living and Dying(Jeremy Taylor), Keats soothed by, in Rome,509Holy State(Fuller), on Fancy,388-9Homer, Chapman’s Translation of, Keats’s delight in, and sonnet on,38et sqq.; influence seen inEndymion,206on the Hyperion story,428HomericHymn to Panin Chapman’s Translation, lines from,225-6Hood, Mrs. Thomas (néeReynolds),55Hood, Thomas,159n.,255; Parodies written by, with Reynolds,533Hope, lines on, inEndymion,182Horace, influence of, on Keats,428& n.Horne, Richard Hengist. schoolfellow of Keats,77; on Keats while with Mr Hammond,18Houghton, Lord (see alsoMilnes),342Poems by Keats, posthumously published by,334-5& nn.La Belle Damegiven from Brown’s transcript,469Houghton MSS., referred to,12n.,30n.,56n.,92n.,147n.,307n.,et alibiHouse of Fame(Chaucer), the Eagle in,186; influence seen inThe Eve of St Mark,437-8’How many bards gild the lapses of time,’ sonnet (Keats),88Date and Text of,88Echoes in,89Technique of,88Human Life, Keats’s reflections on,267Human Nature, Keats’s increasing interest in,276et sqq.Humour and Wit, Keats on,245Humphrey Clinker(Smollett), preferred by Keats toThe Antiquary(Scott),279Hungarian Brothers, The(Porter),325Hunt, James Henry Leigh,139&n.,347Appearance and charm of,45-6Attacks on, inBlackwood’s,45,151-2,300-3,477Attitude of, toBlackwood’s,45,314Scott’s poems,21,45,303Wordsworths ‘Simple life’ poems,348Champion of poetic revolution,47,49,119,207Classical translations by,52Contrasts in his Diction and Breeding,46,47&n.Ias Critic,44-5,46,48,299Criticisms on, by Keats,263,324,328-9Faults of Style,46,47&n.,459, 477Financial ineptitude of,46et alibiFriendship of, withCowden Clarke,35et sqq.Haydon,63; quarrels of,254Keats, and influence on him,14,18,35et sqq.,41,51et sqq.,109,111,125,141,214,509,532Haydon’s caution on, and Keats’s reply,138-40Keats’s changed attitude to,252-3Kindness to Keats in his illness (1820),462,464,466; and renewed friendliness,472Intercoronation episode, and his verses thereon,54-6,307Shelley,69et sqq., and influence on him,241; present at his cremation,521Imprisonment of,23,42,43Keats’s sonnet on his release,23Keats’s first published work dedicated to,83,90,130-1in Later life,532Letter from, to Severn at Rome, on the love of Keats’s friends for him,515-16Letter to, from Keats, of criticism,137Life at Hampstead,35et sqq.,50et sqq.Lines fromCap and Bellspublished by,445Literary industry of, and writings,34,46Memories of Keats in his writings,532at Novello’s,327,328Papers edited by,seeExaminer,Indicator,Reflectoras Poet,518Poems by (see under theirTitles), 44,63,130-1,138Anapaestic verses by, to friends,50,51Praise by, ofAlastor, inThe Examiner,234Religious views of,51Review by, ofLamiavolume,410-11,472-3Poems,131-2Sketch of his origin, life and career,41et sqq.andThe Eve of St Agnes,398Tributes of, to Keats,41,526Views of, onEndymion, and vexation caused thereby,150-1,252-3,312Young Poets, promise of, noted in article of that title,54,69on the Feast inSt Agnes’ Eve,401-2onHyperion,73onIsabella;or,the Pot of Basil,473on Keats’s attitude to Shelley,70-1,72on Keats’s eyes,79on Keats and his poetry,36onLa Belle Dame sans Merci,469onSleep and Poetry,130et sqq.on Wordsworth at 48,249Hunt, John, and theExaminer,42Hunt, Mrs Leigh (néeKent),43,254Hunt, W. Holman, a Keats worshipper, 538Huon of Bordeaux, source of Shakespeare’s Oberon and Titania,87n.Hyginus, notes to, inAuctores Mythographi, on Moneta,447&n.Hymn, A,to Apollo(Keats),56n.,58Hymn to Intellectual Beauty(Shelley), influence of, on Keats,73Inspirations of,237Publication of,234Hymn to Pan(Chapman),124,225-6Hymn to Pan(Endymion), quality and affinities of,225et sqq.Ode-form of,411Wordsworth on,237,249Hymn to Pan(Shelley),243Hymns of Homer(Chapman’s version), influence seen inEndymion,206Hyperion(Keats),308,517;attitude to, of the critics,471Blank verse of,317Dante’s influence seen in,545De Quincey’s criticism on (1845),528-9 &n.Designed as a romance, its scheme and scale, subject, sources, model, lines from, fine start, difficulties, and abandonment,426et sqq.Epic quality of,333Feast of Fruits in,450-1,542Fire referred to, in,175First intimations of,202,262,334; first draft work on,322,323,327,333Germ of lines in,276Keats’s change of mind on,369,375Miltonism of,399,545Mistake on, set right,544Never finished,339Remodelling of,376,379,447-54; errors made in,469; the Induction,450et sqq.; leading Ideas in,447et sqq.Shelley on,482Transcendental cosmopolities of, Hunt on,73IdiotBoy, The(Wordsworth),348‘I had a dove,’ lines for music (Keats),327Iliad, The,177Chapman’s, Keats’s delight in, and Sonnet on,38,40&n.,41,54,87,88,133; echoes of, in other poems,177,428Metre of,86Strained rimes of,211Imagination and Fancy(Hunt), Keats memories in,532Imagination and Truth, relation between, elucidated by Adam’s dreams inParadise Lost,154,155Imagines, of Philostratus,190n.Imitation of Spenser(Keats),20; published inPoems,86Immortality, Keats’s attitude to,345,387,492,509Indiaman surgeoncy, Keats’s plan concerning,355-6,462Indian Maiden, inEndymion,197et sqq.; linescited,229-30; echoes in, and inspiration for,33,230et sqq.Indicator, The,46Lines fromCap and Bellspublished in,445La Belle Damepublished in,468-9‘In drear-nighted December,’ an achievement,386Date and association of,158et sqq.Model of,158,160Text,159Versions,159n.2Induction toCalidore,34,111,122,470Endymion, the intended,122,164Hyperion,450et sqq.Ingpen, Roger, his edition of theLetters of Percy Bysshe Shelleycited,482&n.Invention and Imagination as the prime endowments of a Poet, Keats’s insistence on,165Inverary, woods at, Keats on,288Iona, Keats’s visit to,291Ireby, Keats at,274Brown’s account of the dancing, school at, and Keats’s of the same,277&n.,278Irish Melodies(Moore), money-worth to the poet,82Isabella;or,the Pot of Basil.A Story from Boccaccio(Keats),339,386,396,406,443; an achievement,399Apostrophes and Invocations in,391-2Beauties of,389,392-3, and horror turned to beauty,393et sqq.,471Date of,260,262,390Digging scene in,394
Sources of his accounts of Keats used in present volume,532on the dinner when Keats met Wordsworth, Lamb and Kingston, &c.,246et sqq.;on Keats as a child,7on Keats’s eyes,79on Keats, as killed by the Reviews,520on Keats’s lack of decision,369on Keats’s plunge into dissipation,379-80on his last sight of Keats,486-7on reading Shakespeare with Keats,66onSleep and Poetry,130on Scott’s beautiful smile,525n.Suicide of,532
Sources of his accounts of Keats used in present volume,532
on the dinner when Keats met Wordsworth, Lamb and Kingston, &c.,246et sqq.;
on Keats as a child,7
on Keats’s eyes,79
on Keats, as killed by the Reviews,520
on Keats’s lack of decision,369
on Keats’s plunge into dissipation,379-80
on his last sight of Keats,486-7
on reading Shakespeare with Keats,66
onSleep and Poetry,130
on Scott’s beautiful smile,525n.
Suicide of,532
‘Haydon! forgive me that I cannot speak,’ sonnet (Keats), on the Elgin Marbles,67
Hazlitt, William,133
Appearance and conversation of,69Attitude to, ofBlackwood,300as Critic,119,151,263; ferocity of,137,299,300; style of,243,244Friendship of, with
Appearance and conversation of,69
Attitude to, ofBlackwood,300
as Critic,119,151,263; ferocity of,137,299,300; style of,243,244
Friendship of, with
Haydon,62Keats,68,77
Haydon,62
Keats,68,77
Invective of, against Gifford,341Lectures by, on English Poets,244,300; Keats at,244Taste of, Keats on,68,250Wrath of, on theBlackwoodReviews,311,314on Haydon’s “Christ’s Entry into Jerusalem,” 461,462n.on Keats, as killed by the Reviews,521-2on Keats’s verses,41on Shelley,70on Wordsworth,aet.48,249on Wordsworth’s conversation on poetic subjects,251
Invective of, against Gifford,341
Lectures by, on English Poets,244,300; Keats at,244
Taste of, Keats on,68,250
Wrath of, on theBlackwoodReviews,311,314
on Haydon’s “Christ’s Entry into Jerusalem,” 461,462n.
on Keats, as killed by the Reviews,521-2
on Keats’s verses,41
on Shelley,70
on Wordsworth,aet.48,249
on Wordsworth’s conversation on poetic subjects,251
Heine, Heinrich,229Heliconia(ed. Park),158n.
Hemans, Felicia, verse of,526
‘Hence Burgundy, Claret and Port,’seeDraught of Sunshine
Henry VI.(Shakespeare), as played by Kean, Keats’s criticism on,242,243
Hercules, triumphs of, figured on sarcophaguses,231& n.
Hero and Leander(Marlowe), Heroic Couplet as used in,169
Metre of,96
Metre of,96
‘Heroic’ Couplet, the, history of 93et sqq.
Keats’s use of,93,207et sqq.,406
Keats’s use of,93,207et sqq.,406
Hessey, —,see alsoTaylor and Hessey
Indignation of, at theBlackwoodReviews,311Letters to, from
Indignation of, at theBlackwoodReviews,311
Letters to, from
Keats, on the criticisms onEndymion, and the defence by his friends,311Taylor, on his joust with W. Blackwood, over Keats’s poems,475-7
Keats, on the criticisms onEndymion, and the defence by his friends,311
Taylor, on his joust with W. Blackwood, over Keats’s poems,475-7
Hesiod’sTheogony, the Titans in,428
Hilton, —,380; help from, for Keats,486
Holman, Louis A., and Haydon’s “Christ’s Entry into Jerusalem,” 462n.
on the source of the P.R.B.,325
on the source of the P.R.B.,325
Holmes, Edward, on Keats as a boy,11-12
Holy Living and Dying(Jeremy Taylor), Keats soothed by, in Rome,509
Holy State(Fuller), on Fancy,388-9
Homer, Chapman’s Translation of, Keats’s delight in, and sonnet on,38et sqq.; influence seen inEndymion,206
on the Hyperion story,428
on the Hyperion story,428
HomericHymn to Panin Chapman’s Translation, lines from,225-6
Hood, Mrs. Thomas (néeReynolds),55
Hood, Thomas,159n.,255; Parodies written by, with Reynolds,533
Hope, lines on, inEndymion,182
Horace, influence of, on Keats,428& n.
Horne, Richard Hengist. schoolfellow of Keats,77; on Keats while with Mr Hammond,18
Houghton, Lord (see alsoMilnes),342
Poems by Keats, posthumously published by,334-5& nn.
Poems by Keats, posthumously published by,334-5& nn.
La Belle Damegiven from Brown’s transcript,469
La Belle Damegiven from Brown’s transcript,469
Houghton MSS., referred to,12n.,30n.,56n.,92n.,147n.,307n.,et alibi
House of Fame(Chaucer), the Eagle in,186; influence seen inThe Eve of St Mark,437-8
’How many bards gild the lapses of time,’ sonnet (Keats),88
Date and Text of,88Echoes in,89Technique of,88
Date and Text of,88
Echoes in,89
Technique of,88
Human Life, Keats’s reflections on,267
Human Nature, Keats’s increasing interest in,276et sqq.
Humour and Wit, Keats on,245
Humphrey Clinker(Smollett), preferred by Keats toThe Antiquary(Scott),279
Hungarian Brothers, The(Porter),325
Hunt, James Henry Leigh,139&n.,347
Appearance and charm of,45-6Attacks on, inBlackwood’s,45,151-2,300-3,477Attitude of, to
Appearance and charm of,45-6
Attacks on, inBlackwood’s,45,151-2,300-3,477
Attitude of, to
Blackwood’s,45,314Scott’s poems,21,45,303Wordsworths ‘Simple life’ poems,348
Blackwood’s,45,314
Scott’s poems,21,45,303
Wordsworths ‘Simple life’ poems,348
Champion of poetic revolution,47,49,119,207Classical translations by,52Contrasts in his Diction and Breeding,46,47&n.Ias Critic,44-5,46,48,299Criticisms on, by Keats,263,324,328-9Faults of Style,46,47&n.,459, 477Financial ineptitude of,46et alibiFriendship of, with
Champion of poetic revolution,47,49,119,207
Classical translations by,52
Contrasts in his Diction and Breeding,46,47&n.I
as Critic,44-5,46,48,299
Criticisms on, by Keats,263,324,328-9
Faults of Style,46,47&n.,459, 477
Financial ineptitude of,46et alibi
Friendship of, with
Cowden Clarke,35et sqq.Haydon,63; quarrels of,254Keats, and influence on him,14,18,35et sqq.,41,51et sqq.,109,111,125,141,214,509,532
Cowden Clarke,35et sqq.
Haydon,63; quarrels of,254
Keats, and influence on him,14,18,35et sqq.,41,51et sqq.,109,111,125,141,214,509,532
Haydon’s caution on, and Keats’s reply,138-40Keats’s changed attitude to,252-3Kindness to Keats in his illness (1820),462,464,466; and renewed friendliness,472Intercoronation episode, and his verses thereon,54-6,307
Haydon’s caution on, and Keats’s reply,138-40
Keats’s changed attitude to,252-3
Kindness to Keats in his illness (1820),462,464,466; and renewed friendliness,472
Intercoronation episode, and his verses thereon,54-6,307
Shelley,69et sqq., and influence on him,241; present at his cremation,521
Shelley,69et sqq., and influence on him,241; present at his cremation,521
Imprisonment of,23,42,43
Imprisonment of,23,42,43
Keats’s sonnet on his release,23
Keats’s sonnet on his release,23
Keats’s first published work dedicated to,83,90,130-1in Later life,532Letter from, to Severn at Rome, on the love of Keats’s friends for him,515-16Letter to, from Keats, of criticism,137Life at Hampstead,35et sqq.,50et sqq.Lines fromCap and Bellspublished by,445Literary industry of, and writings,34,46Memories of Keats in his writings,532at Novello’s,327,328Papers edited by,seeExaminer,Indicator,Reflectoras Poet,518
Keats’s first published work dedicated to,83,90,130-1
in Later life,532
Letter from, to Severn at Rome, on the love of Keats’s friends for him,515-16
Letter to, from Keats, of criticism,137
Life at Hampstead,35et sqq.,50et sqq.
Lines fromCap and Bellspublished by,445
Literary industry of, and writings,34,46
Memories of Keats in his writings,532
at Novello’s,327,328
Papers edited by,seeExaminer,Indicator,Reflector
as Poet,518
Poems by (see under theirTitles), 44,63,130-1,138
Poems by (see under theirTitles), 44,63,130-1,138
Anapaestic verses by, to friends,50,51
Anapaestic verses by, to friends,50,51
Praise by, ofAlastor, inThe Examiner,234Religious views of,51Review by, of
Praise by, ofAlastor, inThe Examiner,234
Religious views of,51
Review by, of
Lamiavolume,410-11,472-3Poems,131-2
Lamiavolume,410-11,472-3
Poems,131-2
Sketch of his origin, life and career,41et sqq.andThe Eve of St Agnes,398Tributes of, to Keats,41,526Views of, onEndymion, and vexation caused thereby,150-1,252-3,312Young Poets, promise of, noted in article of that title,54,69on the Feast inSt Agnes’ Eve,401-2onHyperion,73onIsabella;or,the Pot of Basil,473on Keats’s attitude to Shelley,70-1,72on Keats’s eyes,79on Keats and his poetry,36onLa Belle Dame sans Merci,469onSleep and Poetry,130et sqq.on Wordsworth at 48,249
Sketch of his origin, life and career,41et sqq.
andThe Eve of St Agnes,398
Tributes of, to Keats,41,526
Views of, onEndymion, and vexation caused thereby,150-1,252-3,312
Young Poets, promise of, noted in article of that title,54,69
on the Feast inSt Agnes’ Eve,401-2
onHyperion,73
onIsabella;or,the Pot of Basil,473
on Keats’s attitude to Shelley,70-1,72
on Keats’s eyes,79
on Keats and his poetry,36
onLa Belle Dame sans Merci,469
onSleep and Poetry,130et sqq.
on Wordsworth at 48,249
Hunt, John, and theExaminer,42
Hunt, Mrs Leigh (néeKent),43,254
Hunt, W. Holman, a Keats worshipper, 538
Huon of Bordeaux, source of Shakespeare’s Oberon and Titania,87n.
Hyginus, notes to, inAuctores Mythographi, on Moneta,447&n.
Hymn, A,to Apollo(Keats),56n.,58
Hymn to Intellectual Beauty(Shelley), influence of, on Keats,73
Inspirations of,237Publication of,234
Inspirations of,237
Publication of,234
Hymn to Pan(Chapman),124,225-6
Hymn to Pan(Endymion), quality and affinities of,225et sqq.
Ode-form of,411Wordsworth on,237,249
Ode-form of,411
Wordsworth on,237,249
Hymn to Pan(Shelley),243
Hymns of Homer(Chapman’s version), influence seen inEndymion,206
Hyperion(Keats),308,517;
attitude to, of the critics,471Blank verse of,317Dante’s influence seen in,545De Quincey’s criticism on (1845),528-9 &n.Designed as a romance, its scheme and scale, subject, sources, model, lines from, fine start, difficulties, and abandonment,426et sqq.Epic quality of,333Feast of Fruits in,450-1,542Fire referred to, in,175First intimations of,202,262,334; first draft work on,322,323,327,333Germ of lines in,276Keats’s change of mind on,369,375Miltonism of,399,545Mistake on, set right,544Never finished,339Remodelling of,376,379,447-54; errors made in,469; the Induction,450et sqq.; leading Ideas in,447et sqq.Shelley on,482Transcendental cosmopolities of, Hunt on,73
attitude to, of the critics,471
Blank verse of,317
Dante’s influence seen in,545
De Quincey’s criticism on (1845),528-9 &n.
Designed as a romance, its scheme and scale, subject, sources, model, lines from, fine start, difficulties, and abandonment,426et sqq.
Epic quality of,333
Feast of Fruits in,450-1,542
Fire referred to, in,175
First intimations of,202,262,334; first draft work on,322,323,327,333
Germ of lines in,276
Keats’s change of mind on,369,375
Miltonism of,399,545
Mistake on, set right,544
Never finished,339
Remodelling of,376,379,447-54; errors made in,469; the Induction,450et sqq.; leading Ideas in,447et sqq.
Shelley on,482
Transcendental cosmopolities of, Hunt on,73
IdiotBoy, The(Wordsworth),348
‘I had a dove,’ lines for music (Keats),327
Iliad, The,177
Chapman’s, Keats’s delight in, and Sonnet on,38,40&n.,41,54,87,88,133; echoes of, in other poems,177,428
Chapman’s, Keats’s delight in, and Sonnet on,38,40&n.,41,54,87,88,133; echoes of, in other poems,177,428
Metre of,86Strained rimes of,211
Metre of,86
Strained rimes of,211
Imagination and Fancy(Hunt), Keats memories in,532
Imagination and Truth, relation between, elucidated by Adam’s dreams inParadise Lost,154,155
Imagines, of Philostratus,190n.
Imitation of Spenser(Keats),20; published inPoems,86
Immortality, Keats’s attitude to,345,387,492,509
Indiaman surgeoncy, Keats’s plan concerning,355-6,462
Indian Maiden, inEndymion,197et sqq.; linescited,229-30; echoes in, and inspiration for,33,230et sqq.
Indicator, The,46
Lines fromCap and Bellspublished in,445La Belle Damepublished in,468-9
Lines fromCap and Bellspublished in,445
La Belle Damepublished in,468-9
‘In drear-nighted December,’ an achievement,386
Date and association of,158et sqq.Model of,158,160Text,159Versions,159n.2
Date and association of,158et sqq.
Model of,158,160
Text,159
Versions,159n.2
Induction to
Calidore,34,111,122,470Endymion, the intended,122,164Hyperion,450et sqq.
Calidore,34,111,122,470
Endymion, the intended,122,164
Hyperion,450et sqq.
Ingpen, Roger, his edition of theLetters of Percy Bysshe Shelleycited,482&n.
Invention and Imagination as the prime endowments of a Poet, Keats’s insistence on,165
Inverary, woods at, Keats on,288
Iona, Keats’s visit to,291
Ireby, Keats at,274
Brown’s account of the dancing, school at, and Keats’s of the same,277&n.,278
Brown’s account of the dancing, school at, and Keats’s of the same,277&n.,278
Irish Melodies(Moore), money-worth to the poet,82
Isabella;or,the Pot of Basil.A Story from Boccaccio(Keats),339,386,396,406,443; an achievement,399
Apostrophes and Invocations in,391-2Beauties of,389,392-3, and horror turned to beauty,393et sqq.,471Date of,260,262,390Digging scene in,394
Apostrophes and Invocations in,391-2
Beauties of,389,392-3, and horror turned to beauty,393et sqq.,471
Date of,260,262,390
Digging scene in,394