June 1819-Feb. 1821Stay at Shanklin and work onLamiaandKing Otho,358et sqq.; love letters from, to Fanny Brawne,360et sqq.; stay at Winchester,362,369; letters from,370et sqq.; determination to work for the Press,373; his financial position,373; attempted parting from Brown, stay with the Dilkes and return to Brown at Hampstead,374-6; collaboration with Brown,375et sqq.,387; fluctuating spirits of, before his seizure,375; hard work,375-6,379; inward sufferings,376et sqq.; laudanum—taking by(1819),379,380,505et sqq.; financial position, at this time,379; trouble and health failure,375et sqq.;work of this period,436et sqq.;the fatal chill,384,455; invalid life,456et sqq.; letters from his sick bed,455; slight improvement,460; relapses,462; at Kentish Town,463,466,468; Shelley’s invitation to Italy,467-8; work published while at Kentish Town,268-9; theLamiavolume issued,470et sqq., the Reviews again severe,473et sqq.; stay with the Brawnes,468,485; wintering in Italy decided on, with Severn as companion,485-7; the voyage,486et sqq.; life in Naples,496et sqq., and in Rome,503; his ‘posthumous existence’384,504,510; the last days,505et sqq.; choice by, of his own epitaph,510,523-4; death,512, and after,513et sqq.; burial place and memorial stone,510,523-4; the ‘might-have been’ had he lived,548et sqq.; posthumous attacks on, in, and byBlackwood,519-20, De Quincey,528-9 &n., andQuarterly Review,527-8; rare allusion by, to the Reviews,521; Shelley’s lament for, inAdonais,517-19Character and characteristicsAdmiration of, for Chatterton,146-7Artistic tastes of,66,92,255-6,325in Boyhood,9et sqq.; in Young Manhood,24,25Brotherly affection of,3,11,13,24,262,268,271,371,382-4,see alsoKeats, Fanny, George, and TomContrasted with Shelley,72-3Conversation of,145-7,459n.Devotion of, to his Mother,7,14-15Duality of,15,318Early tendency to rhyming,7Feeling of, for the poetry of the past,38Genius of,128-9,234,267-8,484,550His own statements on,153,200-1,223,269,368,497Indecision, Indefiniteness and Variableness of,128-9,142,173,223,269,270,314,315-16,545Interest of, in history and politics,371Keenness of perception,52Late awakening of literary proclivities,12Limitations due to social setting,444Love ofEnglish spring flowers,446-7Liberty, foundations of,14the Moon,22,123-4,153,215-16et sqq.Nature, and its expression in his poems,21,22,36,79-80,84,90,113,114,122-3,128,144,149,152-3,159et sqq.,216et sqq.,226,232as Lover, seen in his letters,360et sqq.Loyalty to his given word,379Manner,143Manners,31,32,81459n.as Mimic,81-2Modesty,269,313,314Morbidity of Temperament,11,12,15,80,139,464-5Morals,32Naturalness and simplicity,143Perceptiveness,441-2Pride,15,31,313Pugnacity as schoolboy,10et sqq.,17, in later years,17Reading, and Reading gifts of,81,366Wide range of,88Religious indefiniteness,51,71,509Reserve and inward bitterness (1820),382,383Sensitiveness as to his origin,71-2Skill of, in friendship,255Social qualities, powers and taste,81-2as Sportsman,326Temper of,145Tender-heartedness &c.,444Thirst for knowledge,260,265,269‘Vein of flint and iron’ in,15,315Voice,81,145Chief agent in revitalization of Greek mythology,220et sqq.Critics and commentators of,540as Dramatist,441et sqq.Epitaph of, chosen by himself,510,effect of, on public opinion on his Poems,523-4Eulogists of,544-5Fame of, slow growth and spread of,520,526et sqq.; triumph of,536,540; forecasts on its disability,546-8Favourite flowers of,510Friends and Friendships of,see alsoNames of FriendsEstrangement from, in illness,465Indignation of, at the Reviews,309et sqq.,516et sqq.,522Love of his friends,513et sqq.,521Loyalty of, long surviving,527Heir of the Elizabethans,171Italian Studies of,370,398Letters from, and to,see, chiefly,underNames of Correspondents,and EpistlesBradley’s lectures on,545Compared with Shelley’s,541Dr. Garnett on,541onEndymion,150,151,153, value of, in the study of the poem,154Journal-letters from, to George Keats, value of,317et sqq.Riches of,262et sqq.Self-revelation in,153-4,371Library ofBooks in,228n.,390n.,379n.1,447n.List of,556et sqq.Poems and Verses by,see also, and chiefly, underNamesAchievements,385et sqq.Beauties in,368Charm of,119-20Cockneyism charged against (see alsoCockney School),109n.CollectedEditions ofFirst English,520Forman’s,544,549, &seefootnotesGalignani’s,159n.,527Milnes’s,520,531et sqq.Concordance to, published by Cornell University,575Copy of, carried about by Shelley,521,522Couplet as used in,93et sqq.,113-14,207et sqq.,209n.Criticism of, easy,119-20Echoes in, of earlier poets,89,90et passimEarly writings,22-3Elizabethan influence on,389,479Essential principle of versification,208Faults avoided in,209Faults existing in,50,186,187,207et sqq.,211,212,213,214-15,221,307,368,459Felicitous compound epithets in,412-13Flippant note in,404Fragments and experiments,385,417et sqq.Insight into Keats’s mind and genius from,424et sqq.Fugitive pieces,256-7Genius in, Evocative not Expository,128-9,234,267-8Gift of, to Browning and the effect,526Growing appreciation of,520,526et sqq.Inspiration of, fromArt,54,92,117,122,200,219,231n.,264,414-16 &n.,417,446Nature,21-2,122-3Sources, nature of,165-6Last lines written by,435Latest Eulogists of,545Lectures on, of Mackail,545Lyric experiments,157et sqq.,386Mental experiences worked into,173Method of composition,143-4Metres and Styles used in,109-10,210-11,258,286n.,287,345,349,350&n.2,386,387,414Models of,seeEchoes,supra,see alsoElizabethan, & HuntNaturalness of,395Nature of,541Nature Poems,see EndymionOdes written in 1819,352et sqq.Opinions on, in the early ‘40’s,528Poems, published,85et sqq.Poor sale of,526,528Posthumous, two printed in Milnes’s book,537in progress and written in early 1819,339Promise in, of Dramatic and Ironic power,222Publishing schemes (1819),366Referring to his love for Fanny Brawne,334et sqq.Revision of, uncertainty and un-wisdom shewn in,469Rimes used by,119,210-11,307Self-expression in,222-3,411Snatches expressive of Moods,424-5Speculative and symbolic meanings underlying, the key to,153-4Sterling’s appreciation of,528Technique of,see alsoMetre, Rime, &c.,88Thackeray’s allusion to,538Unquenchable by literary work done on them,546Unwritten, his distress over,534,548Value of, to the reader,546,548as Poet, Milnes’s words on,536Poetic impulses, causes checking, in 1819,339,340,437Political interests and views of,14,25,371Portraits of, by Haydon,462, Severn,328,495,511,533Reflections by, ethical and cosmic,344-5Spirit of poetry and pleasantness retained by, to the end,511Sayingson AbandoningHyperion, and on its Miltonisms,436; on Beauty and Truth,418; on Brotherly affection,271; on Brown’s regular habits,281; on Bailey’s appetite for books,133-4; on theBlackwoodarticle on Hunt,152; on Fanny Brawne’s appearance &c.,329; on Brown’s rummaging out his old sonnets,352n.; on Devonshire weather and folk,260-1,262; on the Effect of the Reviews on the public,340-1; onEndymion, his aims in,165,237, his dissatisfaction with it,150, and its defence by his friends,314-15, on its theme,148; on Endymion’s confession,180; on George Keats’s money troubles,371; on Hazlitt’s Shakespearean Lectures,68; on his ambitions as Poet,324; on his feelings on life and literature,364; on his own attitude to women,288; on his own capacity for judging paintings,256; on his own character,153-4,200-1,223,497, as poet,269,314-15; on his own need of Poetry,136; on his own place in Poetry,543; on his plans forHyperion,426; on his own pride &c.,368; on his poetry, and determination never to write for writing’s sake or for a livelihood,339-40; on his poetry-writing idleness, (1819),342,348,349,352,353; on his ‘posthumous existence,’505-6,510; on his sensations in ordinary society,326; on his own skill as operator,29; on his state of mind in 1819,356,380,491-2; on his unwritten poems,534,548; on his wishes as to future work (Nov. 1819),380-1; on his work on theOde to Psyche,413-14; on the Ireby dancing-school,277&n.,278; on the Lasinio engravings,325; on a mawkish popularity,313; on his Nile sonnet and other writings (1818),256; on the quarrels of his friends,255; on theQuarterly’sattack and its good results,326; on his reading, and on his mental state (1819),341,342; on the Scotch tour,289; on Sickness, in the lighter vein,263; on some friction with Hunt and others,150-1; on street quarrels,81; on three witty friends,383; on Winchester ways,371; on Wordsworth in 1817,250, on his dogmatism and Hunt’s,252-3, on his genius and Milton’s,266Keats, Mrs George (néeWylie,q.v., later Mrs. Jeffrey),323,365
June 1819-Feb. 1821
June 1819-Feb. 1821
Stay at Shanklin and work onLamiaandKing Otho,358et sqq.; love letters from, to Fanny Brawne,360et sqq.; stay at Winchester,362,369; letters from,370et sqq.; determination to work for the Press,373; his financial position,373; attempted parting from Brown, stay with the Dilkes and return to Brown at Hampstead,374-6; collaboration with Brown,375et sqq.,387; fluctuating spirits of, before his seizure,375; hard work,375-6,379; inward sufferings,376et sqq.; laudanum—taking by(1819),379,380,505et sqq.; financial position, at this time,379; trouble and health failure,375et sqq.;work of this period,436et sqq.;the fatal chill,384,455; invalid life,456et sqq.; letters from his sick bed,455; slight improvement,460; relapses,462; at Kentish Town,463,466,468; Shelley’s invitation to Italy,467-8; work published while at Kentish Town,268-9; theLamiavolume issued,470et sqq., the Reviews again severe,473et sqq.; stay with the Brawnes,468,485; wintering in Italy decided on, with Severn as companion,485-7; the voyage,486et sqq.; life in Naples,496et sqq., and in Rome,503; his ‘posthumous existence’384,504,510; the last days,505et sqq.; choice by, of his own epitaph,510,523-4; death,512, and after,513et sqq.; burial place and memorial stone,510,523-4; the ‘might-have been’ had he lived,548et sqq.; posthumous attacks on, in, and byBlackwood,519-20, De Quincey,528-9 &n., andQuarterly Review,527-8; rare allusion by, to the Reviews,521; Shelley’s lament for, inAdonais,517-19
Stay at Shanklin and work onLamiaandKing Otho,358et sqq.; love letters from, to Fanny Brawne,360et sqq.; stay at Winchester,362,369; letters from,370et sqq.; determination to work for the Press,373; his financial position,373; attempted parting from Brown, stay with the Dilkes and return to Brown at Hampstead,374-6; collaboration with Brown,375et sqq.,387; fluctuating spirits of, before his seizure,375; hard work,375-6,379; inward sufferings,376et sqq.; laudanum—taking by(1819),379,380,505et sqq.; financial position, at this time,379; trouble and health failure,375et sqq.;work of this period,436et sqq.;the fatal chill,384,455; invalid life,456et sqq.; letters from his sick bed,455; slight improvement,460; relapses,462; at Kentish Town,463,466,468; Shelley’s invitation to Italy,467-8; work published while at Kentish Town,268-9; theLamiavolume issued,470et sqq., the Reviews again severe,473et sqq.; stay with the Brawnes,468,485; wintering in Italy decided on, with Severn as companion,485-7; the voyage,486et sqq.; life in Naples,496et sqq., and in Rome,503; his ‘posthumous existence’384,504,510; the last days,505et sqq.; choice by, of his own epitaph,510,523-4; death,512, and after,513et sqq.; burial place and memorial stone,510,523-4; the ‘might-have been’ had he lived,548et sqq.; posthumous attacks on, in, and byBlackwood,519-20, De Quincey,528-9 &n., andQuarterly Review,527-8; rare allusion by, to the Reviews,521; Shelley’s lament for, inAdonais,517-19
Character and characteristics
Character and characteristics
Admiration of, for Chatterton,146-7Artistic tastes of,66,92,255-6,325in Boyhood,9et sqq.; in Young Manhood,24,25Brotherly affection of,3,11,13,24,262,268,271,371,382-4,see alsoKeats, Fanny, George, and TomContrasted with Shelley,72-3Conversation of,145-7,459n.Devotion of, to his Mother,7,14-15Duality of,15,318Early tendency to rhyming,7Feeling of, for the poetry of the past,38Genius of,128-9,234,267-8,484,550His own statements on,153,200-1,223,269,368,497Indecision, Indefiniteness and Variableness of,128-9,142,173,223,269,270,314,315-16,545Interest of, in history and politics,371Keenness of perception,52Late awakening of literary proclivities,12Limitations due to social setting,444Love of
Admiration of, for Chatterton,146-7
Artistic tastes of,66,92,255-6,325
in Boyhood,9et sqq.; in Young Manhood,24,25
Brotherly affection of,3,11,13,24,262,268,271,371,382-4,see alsoKeats, Fanny, George, and Tom
Contrasted with Shelley,72-3
Conversation of,145-7,459n.
Devotion of, to his Mother,7,14-15
Duality of,15,318
Early tendency to rhyming,7
Feeling of, for the poetry of the past,38
Genius of,128-9,234,267-8,484,550
His own statements on,153,200-1,223,269,368,497
Indecision, Indefiniteness and Variableness of,128-9,142,173,223,269,270,314,315-16,545
Interest of, in history and politics,371
Keenness of perception,52
Late awakening of literary proclivities,12
Limitations due to social setting,444
Love of
English spring flowers,446-7Liberty, foundations of,14the Moon,22,123-4,153,215-16et sqq.Nature, and its expression in his poems,21,22,36,79-80,84,90,113,114,122-3,128,144,149,152-3,159et sqq.,216et sqq.,226,232
English spring flowers,446-7
Liberty, foundations of,14
the Moon,22,123-4,153,215-16et sqq.
Nature, and its expression in his poems,21,22,36,79-80,84,90,113,114,122-3,128,144,149,152-3,159et sqq.,216et sqq.,226,232
as Lover, seen in his letters,360et sqq.Loyalty to his given word,379Manner,143Manners,31,32,81459n.as Mimic,81-2Modesty,269,313,314Morbidity of Temperament,11,12,15,80,139,464-5Morals,32Naturalness and simplicity,143Perceptiveness,441-2Pride,15,31,313Pugnacity as schoolboy,10et sqq.,17, in later years,17Reading, and Reading gifts of,81,366
as Lover, seen in his letters,360et sqq.
Loyalty to his given word,379
Manner,143
Manners,31,32,81459n.
as Mimic,81-2
Modesty,269,313,314
Morbidity of Temperament,11,12,15,80,139,464-5
Morals,32
Naturalness and simplicity,143
Perceptiveness,441-2
Pride,15,31,313
Pugnacity as schoolboy,10et sqq.,17, in later years,17
Reading, and Reading gifts of,81,366
Wide range of,88
Wide range of,88
Religious indefiniteness,51,71,509Reserve and inward bitterness (1820),382,383Sensitiveness as to his origin,71-2Skill of, in friendship,255Social qualities, powers and taste,81-2as Sportsman,326Temper of,145Tender-heartedness &c.,444Thirst for knowledge,260,265,269‘Vein of flint and iron’ in,15,315Voice,81,145
Religious indefiniteness,51,71,509
Reserve and inward bitterness (1820),382,383
Sensitiveness as to his origin,71-2
Skill of, in friendship,255
Social qualities, powers and taste,81-2
as Sportsman,326
Temper of,145
Tender-heartedness &c.,444
Thirst for knowledge,260,265,269
‘Vein of flint and iron’ in,15,315
Voice,81,145
Chief agent in revitalization of Greek mythology,220et sqq.Critics and commentators of,540as Dramatist,441et sqq.Epitaph of, chosen by himself,510,
Chief agent in revitalization of Greek mythology,220et sqq.
Critics and commentators of,540
as Dramatist,441et sqq.
Epitaph of, chosen by himself,510,
effect of, on public opinion on his Poems,523-4
effect of, on public opinion on his Poems,523-4
Eulogists of,544-5Fame of, slow growth and spread of,520,526et sqq.; triumph of,536,540; forecasts on its disability,546-8Favourite flowers of,510Friends and Friendships of,see alsoNames of Friends
Eulogists of,544-5
Fame of, slow growth and spread of,520,526et sqq.; triumph of,536,540; forecasts on its disability,546-8
Favourite flowers of,510
Friends and Friendships of,see alsoNames of Friends
Estrangement from, in illness,465Indignation of, at the Reviews,309et sqq.,516et sqq.,522Love of his friends,513et sqq.,521Loyalty of, long surviving,527
Estrangement from, in illness,465
Indignation of, at the Reviews,309et sqq.,516et sqq.,522
Love of his friends,513et sqq.,521
Loyalty of, long surviving,527
Heir of the Elizabethans,171Italian Studies of,370,398Letters from, and to,see, chiefly,underNames of Correspondents,and Epistles
Heir of the Elizabethans,171
Italian Studies of,370,398
Letters from, and to,see, chiefly,underNames of Correspondents,and Epistles
Bradley’s lectures on,545Compared with Shelley’s,541Dr. Garnett on,541onEndymion,150,151,153, value of, in the study of the poem,154Journal-letters from, to George Keats, value of,317et sqq.Riches of,262et sqq.Self-revelation in,153-4,371
Bradley’s lectures on,545
Compared with Shelley’s,541
Dr. Garnett on,541
onEndymion,150,151,153, value of, in the study of the poem,154
Journal-letters from, to George Keats, value of,317et sqq.
Riches of,262et sqq.
Self-revelation in,153-4,371
Library of
Library of
Books in,228n.,390n.,379n.1,447n.
Books in,228n.,390n.,379n.1,447n.
List of,556et sqq.
List of,556et sqq.
Poems and Verses by,see also, and chiefly, underNames
Poems and Verses by,see also, and chiefly, underNames
Achievements,385et sqq.Beauties in,368Charm of,119-20Cockneyism charged against (see alsoCockney School),109n.Collected
Achievements,385et sqq.
Beauties in,368
Charm of,119-20
Cockneyism charged against (see alsoCockney School),109n.
Collected
Editions of
Editions of
First English,520Forman’s,544,549, &seefootnotesGalignani’s,159n.,527Milnes’s,520,531et sqq.
First English,520
Forman’s,544,549, &seefootnotes
Galignani’s,159n.,527
Milnes’s,520,531et sqq.
Concordance to, published by Cornell University,575Copy of, carried about by Shelley,521,522Couplet as used in,93et sqq.,113-14,207et sqq.,209n.Criticism of, easy,119-20Echoes in, of earlier poets,89,90et passimEarly writings,22-3Elizabethan influence on,389,479Essential principle of versification,208Faults avoided in,209Faults existing in,50,186,187,207et sqq.,211,212,213,214-15,221,307,368,459Felicitous compound epithets in,412-13Flippant note in,404Fragments and experiments,385,417et sqq.
Concordance to, published by Cornell University,575
Copy of, carried about by Shelley,521,522
Couplet as used in,93et sqq.,113-14,207et sqq.,209n.
Criticism of, easy,119-20
Echoes in, of earlier poets,89,90et passim
Early writings,22-3
Elizabethan influence on,389,479
Essential principle of versification,208
Faults avoided in,209
Faults existing in,50,186,187,207et sqq.,211,212,213,214-15,221,307,368,459
Felicitous compound epithets in,412-13
Flippant note in,404
Fragments and experiments,385,417et sqq.
Insight into Keats’s mind and genius from,424et sqq.
Insight into Keats’s mind and genius from,424et sqq.
Fugitive pieces,256-7Genius in, Evocative not Expository,128-9,234,267-8Gift of, to Browning and the effect,526Growing appreciation of,520,526et sqq.Inspiration of, from
Fugitive pieces,256-7
Genius in, Evocative not Expository,128-9,234,267-8
Gift of, to Browning and the effect,526
Growing appreciation of,520,526et sqq.
Inspiration of, from
Art,54,92,117,122,200,219,231n.,264,414-16 &n.,417,446Nature,21-2,122-3Sources, nature of,165-6
Art,54,92,117,122,200,219,231n.,264,414-16 &n.,417,446
Nature,21-2,122-3
Sources, nature of,165-6
Last lines written by,435Latest Eulogists of,545Lectures on, of Mackail,545Lyric experiments,157et sqq.,386Mental experiences worked into,173Method of composition,143-4Metres and Styles used in,109-10,210-11,258,286n.,287,345,349,350&n.2,386,387,414Models of,seeEchoes,supra,see alsoElizabethan, & HuntNaturalness of,395Nature of,541Nature Poems,see EndymionOdes written in 1819,352et sqq.Opinions on, in the early ‘40’s,528Poems, published,85et sqq.Poor sale of,526,528Posthumous, two printed in Milnes’s book,537in progress and written in early 1819,339Promise in, of Dramatic and Ironic power,222Publishing schemes (1819),366Referring to his love for Fanny Brawne,334et sqq.Revision of, uncertainty and un-wisdom shewn in,469Rimes used by,119,210-11,307Self-expression in,222-3,411Snatches expressive of Moods,424-5Speculative and symbolic meanings underlying, the key to,153-4Sterling’s appreciation of,528Technique of,see alsoMetre, Rime, &c.,88Thackeray’s allusion to,538Unquenchable by literary work done on them,546Unwritten, his distress over,534,548Value of, to the reader,546,548
Last lines written by,435
Latest Eulogists of,545
Lectures on, of Mackail,545
Lyric experiments,157et sqq.,386
Mental experiences worked into,173
Method of composition,143-4
Metres and Styles used in,109-10,210-11,258,286n.,287,345,349,350&n.2,386,387,414
Models of,seeEchoes,supra,see alsoElizabethan, & Hunt
Naturalness of,395
Nature of,541
Nature Poems,see Endymion
Odes written in 1819,352et sqq.
Opinions on, in the early ‘40’s,528
Poems, published,85et sqq.
Poor sale of,526,528
Posthumous, two printed in Milnes’s book,537
in progress and written in early 1819,339
Promise in, of Dramatic and Ironic power,222
Publishing schemes (1819),366
Referring to his love for Fanny Brawne,334et sqq.
Revision of, uncertainty and un-wisdom shewn in,469
Rimes used by,119,210-11,307
Self-expression in,222-3,411
Snatches expressive of Moods,424-5
Speculative and symbolic meanings underlying, the key to,153-4
Sterling’s appreciation of,528
Technique of,see alsoMetre, Rime, &c.,88
Thackeray’s allusion to,538
Unquenchable by literary work done on them,546
Unwritten, his distress over,534,548
Value of, to the reader,546,548
as Poet, Milnes’s words on,536Poetic impulses, causes checking, in 1819,339,340,437Political interests and views of,14,25,371Portraits of, by Haydon,462, Severn,328,495,511,533Reflections by, ethical and cosmic,344-5Spirit of poetry and pleasantness retained by, to the end,511Sayings
as Poet, Milnes’s words on,536
Poetic impulses, causes checking, in 1819,339,340,437
Political interests and views of,14,25,371
Portraits of, by Haydon,462, Severn,328,495,511,533
Reflections by, ethical and cosmic,344-5
Spirit of poetry and pleasantness retained by, to the end,511
Sayings
on AbandoningHyperion, and on its Miltonisms,436; on Beauty and Truth,418; on Brotherly affection,271; on Brown’s regular habits,281; on Bailey’s appetite for books,133-4; on theBlackwoodarticle on Hunt,152; on Fanny Brawne’s appearance &c.,329; on Brown’s rummaging out his old sonnets,352n.; on Devonshire weather and folk,260-1,262; on the Effect of the Reviews on the public,340-1; onEndymion, his aims in,165,237, his dissatisfaction with it,150, and its defence by his friends,314-15, on its theme,148; on Endymion’s confession,180; on George Keats’s money troubles,371; on Hazlitt’s Shakespearean Lectures,68; on his ambitions as Poet,324; on his feelings on life and literature,364; on his own attitude to women,288; on his own capacity for judging paintings,256; on his own character,153-4,200-1,223,497, as poet,269,314-15; on his own need of Poetry,136; on his own place in Poetry,543; on his plans forHyperion,426; on his own pride &c.,368; on his poetry, and determination never to write for writing’s sake or for a livelihood,339-40; on his poetry-writing idleness, (1819),342,348,349,352,353; on his ‘posthumous existence,’505-6,510; on his sensations in ordinary society,326; on his own skill as operator,29; on his state of mind in 1819,356,380,491-2; on his unwritten poems,534,548; on his wishes as to future work (Nov. 1819),380-1; on his work on theOde to Psyche,413-14; on the Ireby dancing-school,277&n.,278; on the Lasinio engravings,325; on a mawkish popularity,313; on his Nile sonnet and other writings (1818),256; on the quarrels of his friends,255; on theQuarterly’sattack and its good results,326; on his reading, and on his mental state (1819),341,342; on the Scotch tour,289; on Sickness, in the lighter vein,263; on some friction with Hunt and others,150-1; on street quarrels,81; on three witty friends,383; on Winchester ways,371; on Wordsworth in 1817,250, on his dogmatism and Hunt’s,252-3, on his genius and Milton’s,266
on AbandoningHyperion, and on its Miltonisms,436; on Beauty and Truth,418; on Brotherly affection,271; on Brown’s regular habits,281; on Bailey’s appetite for books,133-4; on theBlackwoodarticle on Hunt,152; on Fanny Brawne’s appearance &c.,329; on Brown’s rummaging out his old sonnets,352n.; on Devonshire weather and folk,260-1,262; on the Effect of the Reviews on the public,340-1; onEndymion, his aims in,165,237, his dissatisfaction with it,150, and its defence by his friends,314-15, on its theme,148; on Endymion’s confession,180; on George Keats’s money troubles,371; on Hazlitt’s Shakespearean Lectures,68; on his ambitions as Poet,324; on his feelings on life and literature,364; on his own attitude to women,288; on his own capacity for judging paintings,256; on his own character,153-4,200-1,223,497, as poet,269,314-15; on his own need of Poetry,136; on his own place in Poetry,543; on his plans forHyperion,426; on his own pride &c.,368; on his poetry, and determination never to write for writing’s sake or for a livelihood,339-40; on his poetry-writing idleness, (1819),342,348,349,352,353; on his ‘posthumous existence,’505-6,510; on his sensations in ordinary society,326; on his own skill as operator,29; on his state of mind in 1819,356,380,491-2; on his unwritten poems,534,548; on his wishes as to future work (Nov. 1819),380-1; on his work on theOde to Psyche,413-14; on the Ireby dancing-school,277&n.,278; on the Lasinio engravings,325; on a mawkish popularity,313; on his Nile sonnet and other writings (1818),256; on the quarrels of his friends,255; on theQuarterly’sattack and its good results,326; on his reading, and on his mental state (1819),341,342; on the Scotch tour,289; on Sickness, in the lighter vein,263; on some friction with Hunt and others,150-1; on street quarrels,81; on three witty friends,383; on Winchester ways,371; on Wordsworth in 1817,250, on his dogmatism and Hunt’s,252-3, on his genius and Milton’s,266
Keats, Mrs George (néeWylie,q.v., later Mrs. Jeffrey),323,365