Chapter 36

Stanza invented by,445South, John Flint, on Lucas,29Southey, Robert, as Critic,299Poems by,121Political change of view of,45Hazlitt’s fierce criticism on,137Spaniards Inn, Nightingales near, as inspiration to Keats,353Spanish Fryar(Dryden), as model forIn a drear-nighted December,160Specimens of Early English Metrical Romance(Ellis), the St Agnes Eve legend in,398n.Spence’sPolymetis, picture in, as inspiration to Keats,200,231Spenser, Edmund, Compound epithets of, equalled by Keats,413Keats’s delight in,19-21, and influence of, seen in the poems,20-1,22,23,31,85,86,132,136,171,177,185,206,209,399Lines of, on the Endymion story,167Platonism in theHymnsof,237Sonnet on, or in imitation of, by Keats, postponed,259Use by of the heroic couplet,96Spenserian Stanza unfit for satire,445Used by Chatterton,369Spirit, The, of the Age(Hazlitt),251n.Spirit, The, of Man(ed. Bridges), Keats’sMeg Merrileesballad included in,280n.Staffa(Keats), on Fingal’s Cave,292-3Staffa, visited by Keats,291-2Stair Hole,494Stephens, Henry, fellow-student of Keats,28on the composition of ‘A thing of Beauty,’176& n.on the date at which Keats entered Guy’s,26n.on Keats as Medical Student,30-2on Mrs George Keats,271Sterling, John, on Keats and his poems (1828),526-7on the poems of Tennyson and of Keats,528Story, The, of Rimini, poem (Hunt),34,44Aims of,47-9,108-9Criticism of, inBlackwood,301-3Haydon on,64Keats’s allusion to,113Lines quoted illustrative of the style,48Stranger, The, performed to bagpipes, Keats on,288Stratford-on-Avon, Keats’s visit to,144Styx, the,429n.Subaltern, The(Gleig),341Suddard, Mary, critic, on Keats’sUnfelt, Unheard, Unseen,157& n.SuovetauriliaUrn, at Holland House, as possible inspiration to Keats,416n.Superb, H.M.S., and its Keats captain,4Surrey Institution, Hazlitt’s lectures at,244,300Swan and Hoop Stables, birth-place of Keats,3‘Sweet Philomela,’ lines by Browne, echoed by Keats,418n.Swinburne, Algernon Charles, metrical magic of, and use by, of the Heroic measure,161on Keats’s poetry,540,541Symbolism in Keats’s poems,153-4; Wordsworth’s influence shown in,233Table Talk(Coleridge), on the meeting with Keats in 1819,346-7Tales, his own, and Brown’s, sent by Keats to his brother,345Tales of my Landlord(Scott),303Talfourd, Sergeant,68Talk, A, with Coleridge, inCornhillfor April, 1917, ed. Miss E. M. Green,cited,347-8& n.Tassie, James, paste reproductions by, of antique gems,92,338Taylor, John, Keats’s publisher,7n.,335n.,513Copyright ofEndymionbought by,486; further financial help from,509Letters to, fromKeats, onCap and Bells,380,38,445& n.; corrections toEndymion,260; Endymion’s confession,180; on the journey to Italy,485-6; on his thirst forknowledge,265; on plans for work,380-1,445n.Woodhouse, on Keats’s pride, &c.,368Severn (unfinished), on Keats’s condition in Rome,506-8Literary standing of,133Memorial volume on Keats projected, with Woodhouse,529; the Woodhouse transcripts lent by, to Milnes,533onEndymion,313Taylor and Hessey, Messrs, Keats’s second publishers,133,348,519Keats’s applications to, for advances onEndymion,140,141Notice appended by, toHyperion,427Steadfast loyalty of,313Teignmouth, George and Tom Keats at,244, Keats’s letters to,245et sqq.; Keats’s stay at,266et sqq.,429Teniers, Wordsworth’s pun on,250Tennyson, Alfred, fame of,537,538, slow growth of,526Poems byAlcaics,38,257Influence on, of Keats,527Quarterly’scriticism on (1832),527-8Reminiscence of Keats, inEnid,123Thackeray’s allusion to,537-8Sterling’s appreciation of,528on the poetry of Keats,550, and of Shelley,541Terror, the, effect of, on the Lake Poets,45Textual criticism, perversion in,469Thaddeus of Warsaw(Porter),325Theocritus, Echoes of, inEndymion,201, and in the sonnet onFame,349-50& n.1Endymion passage from, paraphrased by Fletcher,168Theogonyof Hesiod, Cooke’s translation of,428‘There is a charm in footing slow,’seeLines written in the Highlands‘There was a naughty boy,’seeSong about Myself‘Think not of it, sweet one, so,’ love-lyric (Keats),157‘This pleasant tale is like a little copse,’ sonnet onFloure and Lefe(Keats),75Thomson, James, poems of,19Influence of, on Keats,23Verse forms used in,108,445‘Thought appalling,’ in one version ofIn drear-nighted December, possible source of,160Thoughts suggested on the banks of Nith ...(Wordsworth),387& n.Thrush, song of, Keats’s pleasure in,321,459, and lines on,260‘Thus have I thought: and days on days have flown,’Epistle to Cowden Clarke(Keats),37‘Thy thoughts, dear Keats, are like fresh-gathered leaves,’ sonnet by Reynolds, on Keats’s sonnet onThe Floure and the Lefe,75Tighe, Mrs, poem of, on Cupid and Psyche,19,412Times, The,39‘Time’s sea,’ sonnet,seeTo a Lady seen for a few moments at VauxhallTintern Abbey(Wordsworth), ideas in paralleled inSleep and Poetry, Bridges on,126et sqq.Passage in, discussed by Keats,146‘Tion,’ or ‘shion’ termination, as used by Keats,208Titans, the, inHyperion, sources of,428et sqq.Titian’s Bacchus and Ariadne picture, as inspiration for Keats,231Tiverton, the name Keat at,4& n.,5To Ailsa Rock, sonnet (Keats),284To Byron, sonnet (Keats),23,91To a Cat, sonnet (Keats),256To Celia(Jonson), metre of,386To Chatterton, sonnet (Keats),23,91To G. A. W., sonnet (Keats),89,270To Haydon, sonnet (Keats), (‘Great Spirits’),65; echoes of, inSleep and Poetry,120; included inPoems,91To Haydon(sonnet),With a sonnet written on seeing the Elgin Marbles(Keats),66-7To Kosciusko, sonnet (Keats),91To a Lady seen for a few moments at Vauxhall, sonnet (Keats),23, and the allied sonnet,258-9To the Ladies who saw me crowned, sonnet (Keats),57To Leigh Hunt, Esq., Dedication ofPoems, sonnet (Keats),83-90,130-1To M. A, at Parting, verses (Katherine Philips), Keats’s pleasure in,150Tom Cribb’s Memorial to Congress(Moore),341To my Brothers, sonnet (Keats),seeKeen fitful gusts;Small, busy flames;To one who has been long in city pentTo the Nile, sonnet (Keats),256To one who has been long in city pent, sonnet (Keats), inPoems,90Tory critics, ferocity of, matched by Hazlitt and others,137To some Ladies, verses (Keats), metre of,86Townley (Bacchic) Vase,416Translation from an Ancient Chaldee Manuscript, satire, inBlackwood,301,302,303, Scott on,304Trelawny, Edward John,142; relations of, with Brown,522,523, and with Shelley,521‘Triumph of Death,’ picture by Orcagna,446Troilus and Criseyde(Chaucer),391Two Chambers of Thought, Keats on,267,448Twopenny Post Bag, The(Moore), and the Prince-Regent,43‘UglyClubs,’ inSleep and Poetry,120-1& n.Underground journey theme inEndymion,186& n.Undying Art, the great poets on,417‘Unfelt, unheard, unseen,’ stanzas (Keats),157& n.Unknown beloved, the, inEndymion,186,187‘Unseam,’ used by Keats and by Shakespeare,218& n.Unwritten poems, Keats’ distress over,534,548VacationExercise(Milton), echoed by Keats,431; Keats’s knowledge of,262; sprightly lines from,109n.; versification of,101-2Valentine, by Keats, for Miss Wylie,see‘Hadst thou lived in days of old’Valleys, Keats’s love of, and notes on,152Van Staveren’s edition ofAuctores Mythographi Latini, Keats’s copy of,447& n.Vathek(Beckford), echoes of, inEndymion,184Vegetable Diet, in Hunt’s circle, Wordsworth on,250Venus and Adonis(Shakespeare), beauties of, Keats on,153Verses written during Medical lecture (Keats),33‘Versifying Pet-Lamb,’ phrase of Keats,356Victorian poets,The Newcomescited on,537-8Victory, parentage of,429n.Villa Aldobrandini, sarcophagus from,231n.Villa Gherardesca, Landor’s Florentine home,530Visconti, ——, and the Elgin Marbles,59Vita Nuova(Dante), sonnet-beginnings in,92& n.1Vivarès, ——, engraver of the “Enchanted Castle,”,265n.Voltaire, called dull, by Wordsworth,247Head of, in Haydon’s picture,462Vowel sounds, Keats’s use of,147,209,401-2Voyage d’Anténor, parallel in, to passage inEndymion,186n.Wade, Keats’s school-fellow, pranks of,12Walker Art Gallery, Liverpool, Millais’ “Isabella” picture in,538Waller, Edmund, mythological poetry of, Jonson on,220Use by, of the heroic couplet,102Walsh, Captain Thomas, of the ‘Maria Crowther,’ kindness of, to Keats,488-9,499Walthamstow, Fanny Keats at school at,147,337,462War, the world’s, as stimulus to Poetry,547-8Ward, T. H., Book by, containing Arnold’s measured judgment on Keats,543n.Warton, Joseph, protest of, against moral essays in verse,106, echoed by Keats,165Use by, of the Heroic couplet,107Warton, Thomas, Poet Laureate, pioneer of change in spirit of poetry,106,107Warwickshire, the Keytes of,4Waverley novels, authorship unknown (1818),279Way, Mr, a great Jew-converter,333Way, G.L., translation by, of Le Grand’sFabliaux,33& n.1,552Webb, Cornelius, verses by, gibes at, inBlackwood,76,152,301,307Weirdness and Terror, in Romantic poetry, early 19th century,396‘Welcome Joy, and Welcome Sorrow,’seeSong of OppositesWell Walk, Hampstead, home in, of the Keats brothers,141, friends frequenting and frequented,141,167Keats’s life at (1817-18),244; described by himself,245et sqq.Wells, ——, of Redleaf, owner of Claude’s ‘Enchanted Castle,’265n.Wells, Charles, author ofJoseph and his Brethren, association of, with Keats,77Hoax by, on Tom Keats,77,346Wentworth Place, Hampstead, Keats’s life at, with Brown,320et sqq.Wesleyan Place, No. 2, Kentish Town, Keats at,463West, ——,263‘What is there in the universal earth’ (Intercoronation sonnet by Keats),57What the Thrush said(Keats),260,424‘When I have fears that I may cease to be,’ sonnet (Keats), date, subject and pendant of,258-9‘Where’s the Poet,’ fragment (Keats),425Whistlecraft, Orlando(J. H. Frere),309White Hart Hotel, Bath,134‘Who loves to peer,’ sonnet (Keats),seeOn Leigh Hunt’s Poem ‘The Story of Rimini’‘Why did I laugh to-night,’ sonnet (Keats),343, text of,344Wieland,Endymionby,309Oberonby, translation of, by Sotheby,86-7& n.,309Stanza used in,445Wilkie, Sir David, and Hunt,43Letter to, from Haydon, on Hunt and hisStory of Rimini,63-4Wilson, Dr. John (‘Christopher North’) ferocious criticism by,137,298-9,300,301; onLamiaandIsabella, &c.,477-8,527; on Shelley’sPrometheus,477-8Winchester, Keats and Brown at (1819),360,405; last good days spent there,363-4, work done during the stay,364‘Wind, across the barley,’ Keats’s delight in,80Windermere, Keats’s first sight of,273Woburn, carven sarcophaguses at,231n.Wolters, Paul, on Keats’s inspirations from the antique,416n.‘Woman, when I behold thee flippant, vain,’ sonnet (Keats),34; published inPoems,89Women, Keats’s attitude to, and idealisation of,81,89-90,262,271,288,318-20,549;see alsoBrawne, FannyWoodhouse, Richard, friend of Taylor and of Keats,134,159,160,257n.,340; loyalty of,313

Stanza invented by,445

South, John Flint, on Lucas,29

Southey, Robert, as Critic,299

Poems by,121Political change of view of,45

Poems by,121

Political change of view of,45

Hazlitt’s fierce criticism on,137

Spaniards Inn, Nightingales near, as inspiration to Keats,353

Spanish Fryar(Dryden), as model forIn a drear-nighted December,160

Specimens of Early English Metrical Romance(Ellis), the St Agnes Eve legend in,398n.

Spence’sPolymetis, picture in, as inspiration to Keats,200,231

Spenser, Edmund, Compound epithets of, equalled by Keats,413

Keats’s delight in,19-21, and influence of, seen in the poems,20-1,22,23,31,85,86,132,136,171,177,185,206,209,399Lines of, on the Endymion story,167Platonism in theHymnsof,237Sonnet on, or in imitation of, by Keats, postponed,259Use by of the heroic couplet,96

Keats’s delight in,19-21, and influence of, seen in the poems,20-1,22,23,31,85,86,132,136,171,177,185,206,209,399

Lines of, on the Endymion story,167

Platonism in theHymnsof,237

Sonnet on, or in imitation of, by Keats, postponed,259

Use by of the heroic couplet,96

Spenserian Stanza unfit for satire,445Used by Chatterton,369

Spirit, The, of the Age(Hazlitt),251n.

Spirit, The, of Man(ed. Bridges), Keats’sMeg Merrileesballad included in,280n.

Staffa(Keats), on Fingal’s Cave,292-3

Staffa, visited by Keats,291-2

Stair Hole,494

Stephens, Henry, fellow-student of Keats,28

on the composition of ‘A thing of Beauty,’176& n.on the date at which Keats entered Guy’s,26n.on Keats as Medical Student,30-2on Mrs George Keats,271

on the composition of ‘A thing of Beauty,’176& n.

on the date at which Keats entered Guy’s,26n.

on Keats as Medical Student,30-2

on Mrs George Keats,271

Sterling, John, on Keats and his poems (1828),526-7

on the poems of Tennyson and of Keats,528

Story, The, of Rimini, poem (Hunt),34,44

Aims of,47-9,108-9Criticism of, inBlackwood,301-3Haydon on,64Keats’s allusion to,113Lines quoted illustrative of the style,48

Aims of,47-9,108-9

Criticism of, inBlackwood,301-3

Haydon on,64

Keats’s allusion to,113

Lines quoted illustrative of the style,48

Stranger, The, performed to bagpipes, Keats on,288

Stratford-on-Avon, Keats’s visit to,144

Styx, the,429n.

Subaltern, The(Gleig),341

Suddard, Mary, critic, on Keats’sUnfelt, Unheard, Unseen,157& n.

SuovetauriliaUrn, at Holland House, as possible inspiration to Keats,416n.

Superb, H.M.S., and its Keats captain,4

Surrey Institution, Hazlitt’s lectures at,244,300

Swan and Hoop Stables, birth-place of Keats,3

‘Sweet Philomela,’ lines by Browne, echoed by Keats,418n.

Swinburne, Algernon Charles, metrical magic of, and use by, of the Heroic measure,161

on Keats’s poetry,540,541

Symbolism in Keats’s poems,153-4; Wordsworth’s influence shown in,233

Table Talk(Coleridge), on the meeting with Keats in 1819,346-7

Tales, his own, and Brown’s, sent by Keats to his brother,345

Tales of my Landlord(Scott),303

Talfourd, Sergeant,68

Talk, A, with Coleridge, inCornhillfor April, 1917, ed. Miss E. M. Green,cited,347-8& n.

Tassie, James, paste reproductions by, of antique gems,92,338

Taylor, John, Keats’s publisher,7n.,335n.,513

Letters to, from

Keats, onCap and Bells,380,38,445& n.; corrections toEndymion,260; Endymion’s confession,180; on the journey to Italy,485-6; on his thirst forknowledge,265; on plans for work,380-1,445n.Woodhouse, on Keats’s pride, &c.,368Severn (unfinished), on Keats’s condition in Rome,506-8

Keats, onCap and Bells,380,38,445& n.; corrections toEndymion,260; Endymion’s confession,180; on the journey to Italy,485-6; on his thirst forknowledge,265; on plans for work,380-1,445n.

Woodhouse, on Keats’s pride, &c.,368

Severn (unfinished), on Keats’s condition in Rome,506-8

Literary standing of,133Memorial volume on Keats projected, with Woodhouse,529; the Woodhouse transcripts lent by, to Milnes,533onEndymion,313

Literary standing of,133

Memorial volume on Keats projected, with Woodhouse,529; the Woodhouse transcripts lent by, to Milnes,533

onEndymion,313

Taylor and Hessey, Messrs, Keats’s second publishers,133,348,519

Keats’s applications to, for advances onEndymion,140,141Notice appended by, toHyperion,427Steadfast loyalty of,313

Keats’s applications to, for advances onEndymion,140,141

Notice appended by, toHyperion,427

Steadfast loyalty of,313

Teignmouth, George and Tom Keats at,244, Keats’s letters to,245et sqq.; Keats’s stay at,266et sqq.,429

Teniers, Wordsworth’s pun on,250

Tennyson, Alfred, fame of,537,538, slow growth of,526

Poems by

Alcaics,38,257Influence on, of Keats,527Quarterly’scriticism on (1832),527-8Reminiscence of Keats, inEnid,123Thackeray’s allusion to,537-8Sterling’s appreciation of,528

Alcaics,38,257

Influence on, of Keats,527

Quarterly’scriticism on (1832),527-8

Reminiscence of Keats, inEnid,123

Thackeray’s allusion to,537-8

Sterling’s appreciation of,528

on the poetry of Keats,550, and of Shelley,541

Terror, the, effect of, on the Lake Poets,45

Textual criticism, perversion in,469

Thaddeus of Warsaw(Porter),325

Theocritus, Echoes of, inEndymion,201, and in the sonnet onFame,349-50& n.1

Endymion passage from, paraphrased by Fletcher,168

Theogonyof Hesiod, Cooke’s translation of,428

‘There is a charm in footing slow,’seeLines written in the Highlands

‘There was a naughty boy,’seeSong about Myself

‘Think not of it, sweet one, so,’ love-lyric (Keats),157

‘This pleasant tale is like a little copse,’ sonnet onFloure and Lefe(Keats),75

Thomson, James, poems of,19

Influence of, on Keats,23Verse forms used in,108,445

Influence of, on Keats,23

Verse forms used in,108,445

‘Thought appalling,’ in one version ofIn drear-nighted December, possible source of,160

Thoughts suggested on the banks of Nith ...(Wordsworth),387& n.

Thrush, song of, Keats’s pleasure in,321,459, and lines on,260

‘Thus have I thought: and days on days have flown,’Epistle to Cowden Clarke(Keats),37

‘Thy thoughts, dear Keats, are like fresh-gathered leaves,’ sonnet by Reynolds, on Keats’s sonnet onThe Floure and the Lefe,75

Tighe, Mrs, poem of, on Cupid and Psyche,19,412

Times, The,39

‘Time’s sea,’ sonnet,seeTo a Lady seen for a few moments at Vauxhall

Tintern Abbey(Wordsworth), ideas in paralleled inSleep and Poetry, Bridges on,126et sqq.

Passage in, discussed by Keats,146

‘Tion,’ or ‘shion’ termination, as used by Keats,208

Titans, the, inHyperion, sources of,428et sqq.

Titian’s Bacchus and Ariadne picture, as inspiration for Keats,231

Tiverton, the name Keat at,4& n.,5

To Ailsa Rock, sonnet (Keats),284

To Byron, sonnet (Keats),23,91

To a Cat, sonnet (Keats),256

To Celia(Jonson), metre of,386

To Chatterton, sonnet (Keats),23,91

To G. A. W., sonnet (Keats),89,270

To Haydon, sonnet (Keats), (‘Great Spirits’),65; echoes of, inSleep and Poetry,120; included inPoems,91

To Haydon(sonnet),With a sonnet written on seeing the Elgin Marbles(Keats),66-7

To Kosciusko, sonnet (Keats),91

To a Lady seen for a few moments at Vauxhall, sonnet (Keats),23, and the allied sonnet,258-9

To the Ladies who saw me crowned, sonnet (Keats),57

To Leigh Hunt, Esq., Dedication ofPoems, sonnet (Keats),83-90,130-1

To M. A, at Parting, verses (Katherine Philips), Keats’s pleasure in,150

Tom Cribb’s Memorial to Congress(Moore),341

To my Brothers, sonnet (Keats),seeKeen fitful gusts;Small, busy flames;To one who has been long in city pent

To the Nile, sonnet (Keats),256

To one who has been long in city pent, sonnet (Keats), inPoems,90

Tory critics, ferocity of, matched by Hazlitt and others,137

To some Ladies, verses (Keats), metre of,86

Townley (Bacchic) Vase,416

Translation from an Ancient Chaldee Manuscript, satire, inBlackwood,301,302,303, Scott on,304

Trelawny, Edward John,142; relations of, with Brown,522,523, and with Shelley,521

‘Triumph of Death,’ picture by Orcagna,446

Troilus and Criseyde(Chaucer),391

Two Chambers of Thought, Keats on,267,448

Twopenny Post Bag, The(Moore), and the Prince-Regent,43

‘UglyClubs,’ inSleep and Poetry,120-1& n.

Underground journey theme inEndymion,186& n.

Undying Art, the great poets on,417

‘Unfelt, unheard, unseen,’ stanzas (Keats),157& n.

Unknown beloved, the, inEndymion,186,187

‘Unseam,’ used by Keats and by Shakespeare,218& n.

Unwritten poems, Keats’ distress over,534,548

VacationExercise(Milton), echoed by Keats,431; Keats’s knowledge of,262; sprightly lines from,109n.; versification of,101-2

Valentine, by Keats, for Miss Wylie,see‘Hadst thou lived in days of old’

Valleys, Keats’s love of, and notes on,152

Van Staveren’s edition ofAuctores Mythographi Latini, Keats’s copy of,447& n.

Vathek(Beckford), echoes of, inEndymion,184

Vegetable Diet, in Hunt’s circle, Wordsworth on,250

Venus and Adonis(Shakespeare), beauties of, Keats on,153

Verses written during Medical lecture (Keats),33

‘Versifying Pet-Lamb,’ phrase of Keats,356

Victorian poets,The Newcomescited on,537-8

Victory, parentage of,429n.

Villa Aldobrandini, sarcophagus from,231n.

Villa Gherardesca, Landor’s Florentine home,530

Visconti, ——, and the Elgin Marbles,59

Vita Nuova(Dante), sonnet-beginnings in,92& n.1

Vivarès, ——, engraver of the “Enchanted Castle,”,265n.

Voltaire, called dull, by Wordsworth,247

Head of, in Haydon’s picture,462

Vowel sounds, Keats’s use of,147,209,401-2

Voyage d’Anténor, parallel in, to passage inEndymion,186n.

Wade, Keats’s school-fellow, pranks of,12

Walker Art Gallery, Liverpool, Millais’ “Isabella” picture in,538

Waller, Edmund, mythological poetry of, Jonson on,220

Use by, of the heroic couplet,102

Walsh, Captain Thomas, of the ‘Maria Crowther,’ kindness of, to Keats,488-9,499

Walthamstow, Fanny Keats at school at,147,337,462

War, the world’s, as stimulus to Poetry,547-8

Ward, T. H., Book by, containing Arnold’s measured judgment on Keats,543n.

Warton, Joseph, protest of, against moral essays in verse,106, echoed by Keats,165

Use by, of the Heroic couplet,107

Warton, Thomas, Poet Laureate, pioneer of change in spirit of poetry,106,107

Warwickshire, the Keytes of,4

Waverley novels, authorship unknown (1818),279

Way, Mr, a great Jew-converter,333

Way, G.L., translation by, of Le Grand’sFabliaux,33& n.1,552

Webb, Cornelius, verses by, gibes at, inBlackwood,76,152,301,307

Weirdness and Terror, in Romantic poetry, early 19th century,396

‘Welcome Joy, and Welcome Sorrow,’seeSong of Opposites

Well Walk, Hampstead, home in, of the Keats brothers,141, friends frequenting and frequented,141,167

Keats’s life at (1817-18),244; described by himself,245et sqq.

Wells, ——, of Redleaf, owner of Claude’s ‘Enchanted Castle,’265n.

Wells, Charles, author ofJoseph and his Brethren, association of, with Keats,77

Hoax by, on Tom Keats,77,346

Wentworth Place, Hampstead, Keats’s life at, with Brown,320et sqq.

Wesleyan Place, No. 2, Kentish Town, Keats at,463

West, ——,263

‘What is there in the universal earth’ (Intercoronation sonnet by Keats),57

What the Thrush said(Keats),260,424

‘When I have fears that I may cease to be,’ sonnet (Keats), date, subject and pendant of,258-9

‘Where’s the Poet,’ fragment (Keats),425

Whistlecraft, Orlando(J. H. Frere),309

White Hart Hotel, Bath,134

‘Who loves to peer,’ sonnet (Keats),seeOn Leigh Hunt’s Poem ‘The Story of Rimini’

‘Why did I laugh to-night,’ sonnet (Keats),343, text of,344

Wieland,Endymionby,309

Oberonby, translation of, by Sotheby,86-7& n.,309

Stanza used in,445

Wilkie, Sir David, and Hunt,43

Letter to, from Haydon, on Hunt and hisStory of Rimini,63-4

Wilson, Dr. John (‘Christopher North’) ferocious criticism by,137,298-9,300,301; onLamiaandIsabella, &c.,477-8,527; on Shelley’sPrometheus,477-8

Winchester, Keats and Brown at (1819),360,405; last good days spent there,363-4, work done during the stay,364

‘Wind, across the barley,’ Keats’s delight in,80

Windermere, Keats’s first sight of,273

Woburn, carven sarcophaguses at,231n.

Wolters, Paul, on Keats’s inspirations from the antique,416n.

‘Woman, when I behold thee flippant, vain,’ sonnet (Keats),34; published inPoems,89

Women, Keats’s attitude to, and idealisation of,81,89-90,262,271,288,318-20,549;see alsoBrawne, Fanny

Woodhouse, Richard, friend of Taylor and of Keats,134,159,160,257n.,340; loyalty of,313

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