The faint ringing of the bell from outside that probably announced Arnaud sounded unreal, futile, to Linda. He came into the studio, and at once a discussion began between the two men of the difference in the surfaces of clay and bronze. The talk then shifted to the pictorial sources of the heroic Simon Downige before them, and Linda declared, “Dodge, you have never made a head of me. How very unflattering!”
“You're an affair for a painter,” he replied; “Goya or Alfred Stevens. No one but Goya could have found a white for you, with the quality of flower petals; and Stevens would have fixed you in an immortality of delicate color, surrounded by your Philadelphia garden.” He stood quite close to her, with his jacket dragged forward by hands thrust into its pockets, and he added at the end of a somber interrogation, “But if you would really like to know why—”
In a moment more, she recognized, Dodge would explain his feeling for her—to Arnaud, to any one who might be present. The gleam in his eyes, his remoteness from earthly concern, were definitely not normal. Pleydon, his love, terrified her. “No,” she said with an assumed hurried lightness, “don't try to explain. I must manage to survive the injury to my vanity.”
They left New York almost immediately, Pleydon suddenly determining to go with them; and later were scattered through the Hallet household. Vigné and her husband were temporarily living there; with their heads close together they were making endless computations, numerous floor plans and elevations. Linda, at the piano in the drawing-room, could hear them through the hall. Pleydon was lounging in a chair beyond her. She couldn't play but she was able, slowly, to pick out the notes of simple and familiar airs—echoes of Gluck and blurred motives of Scarlatti. It was for herself, she explained; the sounds, however crude and disconnected, brought things back to her. What things, she replied to Pleydon's query, she didn't in the least know; but pleasant.
The fact that she understood so little depressed her with increasing frequency. It was well enough to be ignorant as a girl, or even as a young woman newly married; but she had left all that behind; she had lost her youth without any compensating gain of knowledge. Linda could not assure herself that life was clearer than it had been to her serious childhood. It had always been easily measured on the surface; she had had a very complete grasp of its material aspects almost at once, accomplishing exactly what she had planned. Perhaps this was all; and her trouble an evidence of weakness—the indecision, she saw with contempt, that kept so many people in a constant agitation of disappointment.
Perhaps this was enough; more than the majority had or accomplished. She made, again, a resolute effort to be contented, at rest. Her straying fingers clumsily wrought a fragmentary refrain that mocked her determination. It wasn't new, this—this dissatisfaction; but it had grown sharper. As she was older her restlessness increased at the realization that life, opportunity, were slipping from her. Soon she would be forty.
The conviction seized her that most lives reflected hers in that their questioning was never answered. The fortunate, then, were the incurious and the hearts undisturbed by a maddening thrill. She said aloud, “The ones who never heard music.” Pleydon was without a sign that she had spoken. Her emotions were very delicate, very fragile, and enormously difficult to perceive. They were like plants in stony ground. Where had she heard that—out of the Bible? Then she thought of her failure to get anything from religion—a part of her inability to drink at the springs which others declared so refreshing. Linda pressed her hands more sharply on the keys and the answering discord had the effect of waking her to reality.
Pleydon remained until the following afternoon, and then was lost—in the foundry casting his statue—for six months. Arnaud went over to view the completion of the bronze and returned filled with enthusiasm. “Its simplicity is the surprising part,” he told her. “The barest statement possible. But Pleydon himself is in a disturbing condition; I can't decide if it is mental or physical. The fever of course; yet that doesn't account for his distance from ordinary living. The truth is, I suppose, that men weren't designed for great arts, and nature, like the jealous God of the Hebrews, retaliates. It is absurd, but Pleydon reminds me of you; you're totally different. I suppose it's because of the detachment you have in common.” He veered to a detail of Lowrie's first year at a university, and exhibited, against a decent endeavor to the contrary, his boundless pride in their son.
The boy was, Linda acknowledged, more than commonly dependable and able. He was heavy, like his father, and so diffident that he almost stuttered; but his mental processes flashed in quick intuitive perceptions. Lowrie was an easy and brilliant student; and, perhaps because of this, of his mental certainty, he was not intimate with her as Arnaud had hoped and predicted. It seemed to Linda that he instinctively penetrated her inner doubt and regarded it without sympathy. In this he was her son. Lowrie was a confident and unsympathetic critic of humanity.
Even now, so soon, there was no question of his success in the law his fitness had elected. The springs of his being were purely intellectual, reasoning. In him Linda saw magnified her own coldness; and, turned on herself, she viewed it with an arbitrary feminine resentment. He was actually courteous to her; but under all their intercourse there was a perceptible impatience. His scorn of other women, girls, however, was openly expressed and honest; it had no trace of the mere affectation of pessimism natural to his age. Arnaud, less thoughtful than she, was vastly entertained by this, and drew Lowrie out in countless sly sallies and contradictions.
Yes, he would succeed, but, after all, what would his success be worth—placed, that was, against Vigné's radiant happiness, Bailey Sandby's quiet eyes and the quality of his return home each evening?
Her thoughts came back to Pleydon—she had before her a New York paper describing the ceremony of unveiling his Simon Downige at Hesperia. There was a long learned article praising its beauty and emphasizing Pleydon's eminence. He was, it proceeded, an anomaly in an age of momentary experimental talents—a humanized Greek force. He didn't belong to to-day but to yesterday and to-morrow. This gave her an uncomfortable vision of Dodge in space, with no warm points of contact. She, too, was suspended in that vague emptiness. Linda had the sensation of grasping at streamers, forms, of sparkling mist. A strange position in view of her undeniable common sense, the solid foundations of her temperament and experience. She saw from the paper, further, that the Downige who had commissioned the monument was dead.
In the middle of the festive period that connected Christmas with the new year Arnaud turned animatedly from his breakfast scanning of the news. “It seems,” he told her, “that a big rumpus has developed in Hesperia over the Pleydon statue—the present Downige omnipotence, never friendly with our old gentleman, has condemned its bronze founder. You know what I mean. It's an insult to their pride, their money and position, to see him perpetuated as a tramp. On the contrary he was a very respectable individual from a prominent family and town.
“They have been moving the local heavens, ever since the monument was placed, to have it set aside. I suppose they would have succeeded, too, if a large amount given to the city were not contingent on its preservation. But then they can always donate more money in the cause of their sacred respectability.”
Linda had never, she exclaimed, heard of anything more disgusting. It was plain that Hesperia knew nothing of art. “Every one,” she ran on in the heat of her resentment, “every one, that is, who should decide, agrees it's magnificent. They were frightfully lucky to get it—Dodge's finest work.” She wrote at once to Pleydon commanding his presence and expressing her contempt of such depravity of opinion. To her surprise he was undisturbed, apparently, by the condemnation of his monument.
He even laughed at her energy of scorn. She was hurt, perceptibly silenced, with a feeling of having been misunderstood or rather undervalued. Her disturbance at any blame attached to the statue of Simon Downige was extremely acute. But, she thought, if it failed to worry Dodge why should she bother. She did, in spite of this philosophy; Simon was tremendously important to her.
He stood for things: she had watched his evolution from the clay sketch, and in Pleydon's mind, to the final heroic proportions; and she had taken for granted that a grateful world would see him in her light. A woman, she decided, had made the trouble; and she hated her with a personal vigor. Pleydon said:
“I told you that old Simon was unbalanced; now you can see it by his reception in a successful city. The sculptor—do you remember him, a Beaux-Arts graduate?—admits that he had always opposed it, but that political motives overbore his pure protest. There is a scheme now to build a pavilion, for babies, and shut out the monument from open view. They may do that but time will sweep away their walls. If I had modeled Simon Downige, yes, he would go; but I modeled his vision, his aspiration—the hope of all men for release and purity.
“Downige and the individual babies are unimportant compared to a vision of perfection, of escape. As long as men live, if they live, they'll reach up; and that gesture in itself is heaven. Not accomplishment. The spirit dragging the flesh higher; but spirit alone—empty balloons. A dream in bronze, harder even than men's heads, more durable than their prejudices, so permanent that it will wear out their ignorance; and in the end—always in the end—they'll bring their wreath.
“A replica has gone to Cottarsport, from me; and you ought to see it there, on a block of New England granite. It's in the Common, a windswept reach with low houses and a white steeple and the sea. It might have been there from the beginning, rising on rock against the pale salt day. They can go to hell in Hesperia.”
Still Linda's hurt persisted; she saw the unfortunate occurrence as a direct blow at her pride. Arnaud, too, failed her; he was splendid in his assault upon such rapacious stupidity; but it was only an impersonal concern. His manner expressed the conviction that it might have been expected. He was blind to her special enthusiasm, her long intimate connection with the statue. Exasperated she almost told him that it was more real to her than their house, than Vigné and Lowrie, than he. She was stopped, fortunately, by the perception that, amazingly, the statue was more actual than Dodge Pleydon. It touched the center of her life more nearly.
Why, she didn't know.
If her mental confusion increased by as much as a feeling, Linda thought, she would be close to madness. It was unbearable at practically forty.
Lowrie said, at the worst possible moment, that he found the entire episode ridiculously overemphasized. A statue more or less was of small importance. If the Downige family were upset why didn't they employ an able lawyer to dispose of it? There were many ways for such a proceeding—
“I have no desire to hear them,” she interrupted. “You seem to know a tremendous lot, but what good it will do you in the end who can say! And, with all your cleverness, you haven't an ounce of appreciation for art. Besides, I hate to see any one as young as you so sure of himself. Often I suspect you are patronizing your father and me. It's not pretty nor polite.”
Lowrie was obviously embarrassed by her attack, and managed the abrupt semblance of an apology. Arnaud, who had put down his eternal book, said nothing until the boy had vanished. “Wasn't that rather sharp?” he asked mildly. “Perhaps,” she replied in a tone without warmth or regret. “Somehow I am never comfortable with Lowrie.”
“You are too much alike,” he shrewdly observed. “It is laughable at times. Did you expect your children to be fountains of sentiment? And, look here—if I can get along in comfort with you for life you in particular ought to put up peacefully with Lowrie. He is a damned sight more human than, at bottom, you are; a woman of alabaster.”
“I loathe quarrels,” she admitted; “they are so vulgar. You know that they are not like me and just said so. Oh, Arnaud, why does life get harder instead of easier?”
He put his book aside completely and gazed at her in patient thought. “Linda,” he said finally, “I have never heard anything that stirred me so much; not what you said, my dear, but the recognition in your voice.” A wistfulness of love for her enveloped him; an ineffable desire as vain as the passion she struggled to give him in return. She smiled in an unhappiness of apology.
“Perhaps—” he stopped, waiting any assurance whatever, his face eager like a dusty lamp in which the light had been turned sharply up. She was unable to stir, to move her gaze from his hopeful eyes, to mitigate by a breath her slender white aloofness. A smile different from hers, tender with remission, lingered in his fading irradiation. The dusk was gathering, adding its melancholy to his age—sixty-five now. Why that was an old man! Her sympathy vanished in her shrinking from the twilight that was, as well, slowly, inevitably, deepening about her.
It was laughable that, as she approached an age whose only resource was tranquillity, she grew more restless. Her present vague agitation belonged ridiculously to youth. The philosophy of the evident that had supported her so firmly was breaking at the most inopportune time. And it was, she told herself, too late for anything new; the years for that had been spent insensibly with Arnaud. Linda was very angry with herself, for, in all her shifting state of mind, she preserved an inner necessity for the quality of exactness expressed in her clothes. There were literally no neglected spaces in her conscious living.
Her thoughts finally centered about the statue in Hesperia—it presented an actual mark for her fleeting resentments. She wondered why it so largely occupied her thoughts, moved her so personally. She watched the papers for the scattered reports of the progress of the contention it had roused, some ill-natured, others supposedly humorous, and nearly all uninformed. She became, Arnaud said, the champion of the esthetic against Dagon. He elaborated this picture until she was forced to smile against her inclination, her profound seriousness. Linda had the feeling that she, too, was on the pedestal that held the bronze effigy of Simon Downige challenging the fog that obscured men. Its fate was hers. She didn't pretend to explain how.
As time passed it seemed to her that it took her longer and longer to dress in the morning, while her preparations couldn't be simpler; her habit of deliberation had become nearly a vice, the precision of her ruffles, her hair, a tyranny. She never quite lost the satisfaction of her mirror's faultless reflection; and stopped, now, for a moment's calm interrogation of the being—hardly more silvery cool than the reality—before her.
Arnaud was at the table, and the gaze with which he met her was troubled. The morning paper, she saw, was, against custom, at her place, and she picked it up with an instinctive sense of calamity. The blackly printed sensational headline that immediately established her fear sank vivid and entire into her brain: an anonymous inflamed mob in Hesperia had pulled down and destroyed Pleydon's statue. Their act was described as a tribute to the liberality of the present Downige family in the light of its objection to the monument.
As if in the development of her feeling Linda had a sensation of crashing with a sickening violence from a pedestal to the ground. Actually, it seemed, the catastrophe had happened to her. She heard, with a sense of inutility, Arnaud denouncing the outrage; he had a pencil in his hand for the composition of a telegram to Dodge. He paid—but perhaps only naturally—no attention to her, suffering dully from her fall. She shuddered before the recreated lawless approaching voice of the mob; the naked ugly violence froze her with terror; she felt the gross hurried hands winding ropes about her, the rending brutality of force—
She sat and automatically took a small carved glass of orange-juice from a bed of ice, and her chilled fingers recalled a dim image of her mother. Arnaud was speaking, “I'm afraid this will cut through Pleydon's security, it was such a wanton destruction of his unique power. You see, he worked lovingly over the cast with little files and countless finite improvements. The mold, I think, was broken. What a piece of luck the thing's at Cottarsport.” He paused, obviously expecting her to comment; but suddenly phrases failed her.
In place of herself she should be considering Dodge; her sympathy even for him was submerged in her own extraordinary injury. However, she recovered from her first gasping shock, and made an utterly commonplace remark. Never had her sense of isolation been stronger. “I must admit,” her husband continued, “that I looked for some small display of concern. I give you my word there are moments when I think Pleydon himself cut you out of stone. He isn't great enough for that, though; in the way of perfection you successfully gild the lily. A thing held to be impossible.”
Linda told him with amazing inanity that his opinion of her was unreliable; and, contented, he lightly pursued his admiration of what he called her boreal charm. At intervals she responded appropriately and proceeded with breakfast. She had entered a region of dispassionate consideration, her characteristic detachment, she thought, regained. She mentally, calmly, reconstructed the motives and events that had led to the destruction of the statue; they, at least, were evident to her. She reaffirmed silently her conviction that it had resulted from the stupidity, the vanity, of a woman. The limitations of men, fully as narrow, operated in other directions.
Then, with an incredulous surprise, she was aware that the clear space of her reason was filling with anger. Never before had such a flood of emotion possessed her; and she surrendered herself, in an enormous relief, to the novelty of its obliterating tide. It deepened immeasurably, sweeping her far from the security of old positions of indifference and critical self-possession. Linda became enraged at a world that had concentrated all its degraded vulgarity in one unspeakable act.
It was fall, October, and the day was a space of pale gold foliage wreathed in blue garlands of mist. The gardener was busy with a wooden rake and wheelbarrow in which he carted away dead leaves for burning. The fire was back of the low fence, in the rear, and Linda, at the dining-room window, could hear the fierce small crackle of flames; the drifting pungent smoke was like a faint breath of ammonia. Arnaud had left for the day, Lowrie was at the university, while Vigné and her husband—moving toward their ultimate colonial threshold—had taken a small house. She was alone.
As usual.
However, in her present state her solitude had lost its inevitability; she failed to see why it must continue until the end of time. She could no longer discover a sufficient reason for her limitless endurance, her placid acceptance of all that chance, or any inconsiderable person, happened to dictate. She wasn't like that in the least. Her temper had solidified as though it were ice, taking everywhere the form in which it was held. It was a reality. She determined, as well, that her feeling should not melt back into the familiar acceptance of a routine that had led her blindfolded across such an extent of life.
She understood now, in a large part, her disturbance at the indignity to Dodge's monument—he had assured her that she was its inspiration; except for her it would never have been realized, he would have kept on modeling those Newport fountains, continued with the Susanna Nodas, spending himself ignobly. He loved her, and that love had resulted in a statue the world of art, of taste, honored. But it was she all the while they were approving, discussing, writing about, Linda Condon.
She had always been that, Pleydon had informed her, never Linda Hallet—in spite of Arnaud and their children. It sounded like nonsense; but, at the bottom, it was truth. Of course it couldn't be explained, for example, to the man who had every right, every evidence, to consider himself her husband. Nothing was susceptible of explanation. Absolutely nothing! There was the earth, which appeared to be everything, the houses you entered, the streets you passed over, the people among whom you lived, yet that wasn't all. Heavens, no! It was quite unimportant compared with—with other facts latent in the mind and blood.
Dodge Pleydon's love was one of those other facts; it was simply impossible to deny its existence, its power. Dodge had been totally changed by it, born over again. But she, who had been the source, had had no good from it, nothing except the thrill that had always been hers. No one knew of it, counted it as her achievement, paid the slightest attention to her. Arnaud smiled indulgently, Lowrie scoffed. When the statue had been thrown down they thought of it merely as a deplorable part of the day's news. They hadn't seen that she, Linda Condon, was unspeakably insulted.
She doubted if she could bring them to comprehend what had happened—to her. Or if Arnaud understood, if she made it plain, what good would be done! That wouldn't save her, put her back again on the pedestal. The latter was necessary. Linda recognized that a great deal of her feeling was based on pride; but it was a pride entirely justified. She had no intention of submitting to the coarse hands and ropes of public affront. Throughout her life she had rebelled against any profanation of her person, she had hated to be touched.
Every instinct, she found, every delicate self-opinion, was bound into Pleydon's success; the latter had kept her alive. Without it existence would have been intolerable. It was unbearable now.
She discharged the small daily duties of her efficient housekeeping with a contemptuous exactness; for years she had accomplished, in herself, nothing more. But at last a break had come. Linda recognized this without any knowledge of what reparation it would find. She wasn't concerned with that, a small detail. It would be apparent. Arnaud was silent through dinner; tired, it seemed. She saw him as if at the distant end of a dull corridor—as she looked back. There was no change in her liking for him. Mechanically she noticed the disorder of his scant hair and rumpled sleeves.
Not until, waking sharply, in the middle of the night, did she have a glimpse of a possible course—she might live with Dodge and perfectly express both her retaliation and her accomplishment. In that way she would reestablish herself beside him and place their vision in bronze on an elevation beyond the spite of the envious and the blind.
It was so directly simple that she was surprised it hadn't occurred to her before. The possibility had always been a part, unsuspected and valuable, of her special being; the largely condemned faults of her character and experience had at least brought her this—a not inconsiderable freedom in a world everywhere barred by the necessity for upholding a hypocritical show of superiority to honest desire. The detachment that deprived her of life's conventional joys released her from its common obligations. That conviction, however, was too intimately connected with all her inheritance to bring her any conscious dramatic sense of rebellion or high feeling of justified indignation.
Sleep had deserted her, and she waited for the dawn in the windows that would bring her escape. It was very slow coming; the blackness took on a grayer tone, like ink with added faint infusions of water. Slowly the blackness dissolved and she heard the stir of the sparrows in the ivy. There was the passing rumble of an early electric car on the paved aged street, the blurred hurried shuffle of a workman's clumsy shoes. The brightening morning was cool with a premonitory touch of frost; at the window she saw a vanishing silver sheen on the lawn and board fence.
A sensation of youth pervaded her; and while, perhaps, it was out of keeping with her years, she had still her vitality unspent; she was without a trace of the momentary frost on the grass. She was tranquil, leisurely; her heart evenly sent its life through her unflushed body. Piece by piece she put on her web-like garments, black and white; brushing the heavy stream of her hair and tying the inevitable sash about her supple waist.
Below she met Arnaud with an unpleasant shock—she hadn't given him a thought. Her feeling now was hardly more than annoyance at her forgetfulness. He would be terribly distressed at her going, and she was genuinely sorry for this, poised at the edge of an explanation of her purpose. Arnaud was putting butter and salt into his egg-cup, after that he would grind the pepper from a French mill—pure spices were a precision of his—and she waited until the operation was completed.
Then it occurred to her that all she could hope to accomplish by admitting her intention was the ruin of his last hour alone with her. He was happier, gayer, than usual. But his age was evident in his voice, his gestures. Linda marveled at her coldness, her ruthless disregard of Arnaud's claim on her, of his affection as deep as Pleydon's, perhaps no less fine but not so imperative. Yet Arnaud had had over twenty years of her life, the best; and she had never deceived him about the quality of her gift. It was right, now, for Dodge to have the remainder. But whether it were right or wrong, there was no failure of her determination to go to Pleydon in the vindication of her existence.
She delayed speaking to Arnaud until, suddenly, breakfast was over. He seldom went to the law office where he had been a partner, but stayed about the lower floor of his house, in the library or directing small outside undertakings. Either that or he left, late, for the Historical Society, with which his connection and interest were uninterrupted. As Linda passed him in the hall he was fumbling in the green bag that accompanied all his journeyings into the city; and she gathered that he intended to make one of his occasional sallies. She proceeded above, to her room, where with steady hands she pinned on her hat. It would be impossible to take any additional clothes, and she'd have to content herself with something ready-made until she could order others in the establishment of her living with Dodge. Her close-fitting jacket, gloves, and a short cape of sables were collected; she gazed finally, thoughtfully, about the room, and then, with a subdued whisper of skirts, descended the stair. Arnaud was in the library, bending over the table that bore his accumulation of papers and serious journals. A lingering impulse to speak was overborne by the memory of what, lately, she had endured—she saw him at the dusty end of that long corridor through which she had monotonously journeyed, denied of her one triumph, lost in inconsequential shadows—and she continued firmly to the door which closed behind her with a normal mute smoothness, an inanimate silence.
The maid who admitted Linda to Pleydon's apartment, first replying, “Yes, Mrs. Hallet. No, Mrs. Hallet,” to her questions, continued in fuller sentences expressing a triumph of sympathy over mere correctness. She lingered at the door of the informal drawing-room, imparting the information that Mr. Pleydon had become very irregular indeed about his meals, and that his return for lunch was uncertain. Something, however, would be prepared for her. Linda acknowledged this briefly. Often, with Mr. Pleydon at home, he wouldn't so much as look at his dinner. Times, too, it seemed as though he had been in the studio all night. He went out but seldom now, and rarely remained away for more than an hour or two. Linda heard this without an indication of responsive interest, and the servant, returning abruptly from the excursion into humanity, disappeared.
She was glad to have this opportunity alone to accustom herself to a novel position. But she was once more annoyingly calm. Annoyingly, she reiterated; the fervor of her anger, which at the same time had been bitterly cold, had lessened. She was practically normal. She regarded this, the loss of her unprecedented emotion, in the light of a fraud on her sanguine decision. Linda had counted on its support, its generous irresistible tide, to carry her through the remainder of her life with the exhilaration she had so largely missed.
Here in Dodge's room she was as placid, almost, as though she were in the library at home. That customary term took its place in her thoughts before she recognized that, with her, it had shifted. However, it was unimportant—home had never been a magical word to her; it belonged in the vast category which, of such universal weight, left her unstirred. She resembled those Eastern people restlessly and perpetually moving across sandy deserts as they exhausted, one after another, widely separated scanty oases.
She studied the objects around her with the pleased recognition that they were unique, valuable, and in faultless taste. Then she fell to wondering at the difference had Dodge been poor: she would have come to him, Linda knew, just the same. But, she admitted frankly, it would have been uncomfortable. Perhaps that—actual poverty, actual deprivation—was what her character needed. A popular sentiment upheld such a view; she decided it was without foundation. There was no reason why beauty, finely appropriate surroundings, should damage the spirit.
Her mind turned to an examination of her desertion of Arnaud, but she could find no trace of conventional regret; of what, she felt, her sensation ought to be. The instinctive revolt from oblivion was an infinitely stronger reality than any allegiance to abstract duty. She was consumed by the passionate need to preserve the integrity of being herself. The word selfish occurred to her but to be met unabashed by the query, why not? Selfishness was a reproach applied by those who failed to get what they wanted to all who succeeded. Linda wasn't afraid of public opinion, censure; she didn't shrink even from the injury to her husband. What Dodge would think, however, was hidden from her.
She had no doubt of his complete acceptance of all she offered; ordinary obligations to society bound him as little as they held her. It would be enough that she wanted to come to him.
She would bother him, change his habit of living, very little. Long years of loneliness had taught her to be self-sufficient. Linda would be too wise to insist on distasteful regularity in the interest of a comparatively unimportant well-being. In short, she wouldn't bother him. That must be made clear at once.
More than anything else he would be inexpressibly delighted to have her with him, to find—at last—his love. Little intimacies of satin mules, glimpses, charming to an artist! He'd be faultless, too, in the relationships where Arnaud as well had never for a moment deviated from beautiful consideration. Two remarkable men. While her deficiency in humor was admitted, she saw a glimmer of the absurd in her attitude and present situation. The combination, at least, was uncommon. There had been no change in her feeling for either Arnaud or Dodge, their places in her being were undisturbed; she liked her husband no less, Dodge no better.
Lunch was announced, a small ceremony of covered silver dishes, heavy crystal, Nankin china, and flowers. The linen, which was old, bore a monogram unfamiliar to her—that of Dodge's mother, probably. When she had finished, but was still lingering at the narrow refectory table, she heard Pleydon enter the hall and the explanatory voice of the servant. An unexpected embarrassment pervaded her, but she overcame it by the realization that there was no need for an immediate announcement of her purpose. Dodge would naturally suppose that she was in New York shopping.
He did, to her intense relief, with a moving pleasure that she had lunched with him. “It's seldom,” he went on, “that you are so sensible. I hope you haven't any plans or concerts to drag you away immediately. I owe you a million strawberries; but, aside from that, I'd like you to stay as long as possible.”
“Very well,” she replied quietly; “I will.”
She hadn't seen him since the statue at Hesperia had been destroyed, and she tried faintly to tell him how much that outrage had hurt her. It had injured him too, she realized; just as Arnaud predicted. He showed his age more gauntly, more absolutely, than the other. His skin was dry as though the vitality of his countenance had been burned out by the flame visible in his eyes.
“The drunken fools!” he exclaimed of the mob that had torn Simon Downige from his eminence; “they came by way of all the saloons in the city. Free drinks! That is the disturbing thing about what the optimistic call civilization—the fact that it is always at the mercy of the ignorant and the brutal. There is no security; none, that is, except in the individual spirit. And they, mostly, are the victims of a singular insane resentment—Savonarola and there were greater.
“But you mustn't think, you mustn't suppose, that I mean it's hopeless. How could I? Who has had more from living? Love and complete self-expression. That exhausts every possibility. Three words. Remember Cottarsport. But the love—ah,” he smiled, but not directly at her. Linda was at once reassured and disturbed; and she rose, proceeding into the drawing-room.
There she sat gracefully composed and with still hands; she never embroidered or employed her leisure with trivial useful tasks. Pleydon was extended on a chair, his fingers caught beyond his head and his long legs thrust out and crossed at the ankles. His gaze was fixed on her unwaveringly; and yet, when she tried to meet its focus, it went behind her as though it pierced the solidity of her body and the walls in the contemplation of a far-removed shining image. Her disturbance grew to the inclusion of a degree of fretfulness at his unbroken silence, his apparent absorption in whatever his meditation projected or found.
Now, she decided, was the moment for her revelation; or rather, it couldn't very well be further deferred, for it promised to be halting. But, with her lips forming the words, he abruptly spoke:
“I have lived so long with your spirit, it has become so familiar—I mean the ability of completely making you out of my heart—that when you are here the difference isn't staggering. You see, you are never away. I have that ability; it came out of the other wreck. But you know about it—from years back. Time has only managed a greater power. Lately, and I have nothing to do with it, I have been seeing you again as a girl; as young as at Markue's party; younger. Not more than ten. I don't mean that there is anything—isn't the present fashionable word subliminal?—esoteric. God forbid. You'll remember my hatred of that brutal deception.
“No, it's only a part of my ability to create the shape of feeling, of Simon's hope. I see things as realities capable of exact statement; and, naturally, more than all the rest, you come to me that way. But as a child—who knows why?” he relinquished the answer with an opened palm. “And young like that, perhaps ten, I love you more sharply, more unutterably, than at any other age. What is it I love? Not your adorable plastic body, not that. It isn't necessary to understand.
“You have, as a child, a quality of blinding loveliness in a world I absolutely distrust. An Elysian flower. Is it possible, do you suppose, to worship an abstract idea? It's not important to insist on my sanity.”
The question of that had occurred independently to Linda; his hurried voice and lost gaze filled her with apprehension. A dull reddish patch, she saw, burned in either thin cheek; and she told herself that the fever had revived in him. Pleydon continued:
“Yet it is a timeless vision, because you never get old. I see Hallet failing year by year, and your children, only yesterday dabs of soft flesh, grow up and pass through college and marry. I hear myself in the studio with an old man's cough; the chisels slip under the mall and I can't move the clay about without help—all fading, decaying, but you. Candles burn out, hundreds of them, while your whiteness, your flame—
“Strange, too, how you light a world, a sky, eternity. A word we have no business with; a high-sounding word for a penny purpose. Look, we try to keep alive because it's necessary to life, to nature; and the effort, the struggle, breeds the dream. You can understand that. Men who ought to know say that love is nothing more.” He rose and stood over her, towering and portentous against the curtained light. “I don't pretend to guess. I'm a creative artist—Simon Downige at Cottarsport—I have you. If it's God so much the better.”
What principally swept over Linda was the knowledge that his possession of her must keep them always apart. The reality, all realities, were veils to Pleydon. Her momentary vision of things beyond brick and earth was magnified in him until everything else was obliterated. The fever! Oh, yes, that and his passion for work merged in his passion for her. She could bring him nothing; and she had a curious picture of two Lindas visible to him here—the Linda that was actual and the other, the child. And of them it was the latter he cared most for, recreated out of his desire to defraud his loneliness, to repay the damage to his spirit realized in bronze.
She was, suddenly, too weary to stir or lift her hand; a depression as absolute as her flare of rage enveloped her. Now the reason for her coming seemed inexplicable, as if, for the while, her mind had failed. She repressed a shudder at the thought of being, through the long nights of his restlessness and wandering voice, alone with Pleydon. She hadn't, Linda discovered, any of the transmuting feeling for him which alone made surrender possible. She calculated mentally how long it would take her to reach the station, what train would be available.
Linda accepted dumbly the fatality to her own hope; for a few hours she had thought it possible to break out of the prison of circumstance, to walk free from all hindrance; but it had been vain. She gazed at Dodge Pleydon intensely—a comprehensive view of the man she had so nearly married, and who, more than any other force, dominated her being. It was already too late for anything but memory; she saw—filled with pity for them both—hardly more than a strange old man with deadened hair and a yellow parchment-like skin. His suit of loose gray flannel gave her a feeling that it had been borrowed from some one she lovingly knew. The gesture of his hand, too, had been copied from a brilliant personage with a consuming impatience at all impotence.
“Remember me to Arnaud,” he said, holding her gloves and the short fur cape. “Wait!” he cried sharply, turning to the bookcase against the wall. Pleydon fumbled in a box of lacquered gilt with a silk cord and produced a glove once white but now brown and fragile with age. “You never missed it,” he proceeded in a gleeful triumph; “but then you had so many pairs. Once I sent you nine dozen together from Grenoble. They were nothing, but this you had worn. For a long while it kept the shape of your hand.”
“Dodge,” she tried without success to steady her voice, “it stayed with you anyhow, my—my hand.”
“But yes,” he answered impatiently. He returned the glove to its box, carefully tying the tasselled cord. Then, after clumsily helping her with the cape, he accompanied her to the elevator. “There were other things,” he told her. “Did you see the letters about the Hesperia affair? Heaps of them. Rodin.... But what can you expect in a world where there is no safety—” The stopping cage cut off his remark. She held out the hand that was less real to him than the dream.
“Good-by, Dodge.”
“Yes, Linda. But watch that door, your skirt might easily be caught in it.” He fussed over her safety until, abruptly, he seemed to rise in space, shut out from her by the limitations of her faith.
The evening overshadowed her in the train, as though she were whirling in the swiftest passage possible, through an indeterminate grayness, from day to night. The latter descended on her as she reached the steps of her home. It was still that; now it would continue to be until death. Nothing could ever again offer her change, release, vindication; nothing, that was, which might give her, for a day, what even her mother had plentifully experienced—the igniting exultation of the body.
It was inevitable, she thought, for Arnaud to be in the library. He rose unsteadily as she stood in the doorway. “Linda,” he articulated with difficulty. A book had rested open on the table beside him and, closing it, he put it back in its place. His arm trembled so that it took a painfully long while. Then he moved forward, still confused.
“What a confounded time you were gone. I had the most idiotic fancy. You see, it was so unlike you; none more exact in habit. All day. I didn't get to the Historical Society, it seemed so devilish far off. I'd never blame you for leaving an old man without any gumption.” He must never think that again, she replied. Wasn't she, too, middle-aged?