During the rest of the young men’s stay at Innsbruck the pretty American was, as Florian remarked, “a distinct feature.” Such is the fickleness of man, indeed, that she almost superseded poor Linnet in their minds as an object of interest. She was attractive beyond a doubt; she was clever; she was lively; and she was so delighted to make a real live poet’s acquaintance, that Will hardly knew how to receive her almost obtrusive attentions. She brought him butter in a lordly dish, as Florian phrased it. That same evening, in thesalon, according to promise, she came down with “Voices from the Hills,” Will’s thin little volume of fugitive verse, which she had had gorgeously bound in red calf in Paris, and made that sensitive young bard blush up to his eyes with modesty, by insisting on pointing out which pieces she liked best, in a voice that was audible to half the guests in the establishment.Ossian’s Tombwas her favourite—she knew that one by heart; butKhosru Khanwas sweet too; andSister Claremade her cry; and thenGwyn!—ah, that dearGwynwas just too lovely for anything!
And yet, Will liked her. In spite of her open praise, and his blushes, he liked her. The surest way to a poet’s heart is to speak well of his poetry. And besides, he said to himself, Mrs Palmer had discrimination. She noted in his verse the metrical variety, the pictorial skill, the strong sense of colour—just the qualities of his poor muse on which he himself most prided himself. No artist cares for praise except for those characteristics of his art which he feels to be his strong ones. Mrs Palmer gave Will that, and he liked the incense.
Florian had said at St Valentin that Will needed change of air, change of scene, change of company. And at Innsbruck he got them. The pretty American, having found her poet, didn’t mean to let him slip again too soon from her clutches. With the pertinacity of her compatriots, she fastened herself at once upon the two young Englishmen. Not obtrusively, to be sure, not ungracefully, not awkwardly, not as a European woman might have done the same thing, but with that occidental frankness and oblivion of sex which makes up half the charm of the charming American. The very next morning, at the early breakfast, she happened to occupy a small table close by them. They chatted together through the meal; at the end of it Will mentioned, in a casual sort of way that he was going down the street to the shop where Mrs Palmer had bought the coral necklet. The dainty young widow seized her cue. “I am going down that way myself,” she said. “Let me come and show you. I won’t take a minute to run up for my hat. I’m not one of those women who can never go out for a morning stroll without spending half-an-hour before their mirrors, tittivating.” And, in spite of Will’s assurance that he could find the shop very well by himself, she was as good as her word, and insisted on accompanying them.
She had been charming in evening dress; she was more charming still in her girlish straw hat and neat tailor-made costume, as she tripped lightly downstairs to them. Florian, by her side, while they walked through the streets, cast sheep’s eyes askance up at her. Even Will, more mindful of poor Linnet’s desertion, was not wholly insensible to that taking smile, those pearly white teeth, that dainty small nose, those rounded contours. They turned down the road in the direction of the Maria-Theresien Strasse. Will knew of old that quaintest and most picturesque of European High Streets, with its queer gabled roofs, its rococo façades, its mediæval towers, its arcades and pillars. But to Florian, it all came with the added charm of novelty. Twice or thrice on their way, the spirit moved him to stop and perorate. Each time, the pretty widow cut him short at once with some quick retort of truly American practicality. At the shop, Will selected a second necklet, exactly like the one Mrs Palmer had chosen. “I gave her nothing before I came away,” he said, turning to Florian, and only indicating by that very indefinite pronoun, the intended recipient of his beautiful gift. “One couldn’t give hermoney. ’Twould have been a positive insult. But this ought to look well on that smooth brown neck of hers.”
“For your sister,of course,” Mrs Palmer said, pointedly.
“No; not for my sister,” Will admitted, with a quiet smile. “For a girl at the inn we’ve just left at St Valentin.”
Mrs Palmer said “Oh!” ’Twas an Americanoh. It deprecated the fact—and closed the episode. Cosmopolitan though she was, it surprised her not a little that Will should allude to such persons in a lady’s company. But there! these poets, you know—so many things must be condoned to them. Because they have loved much, much must be forgiven them. They have licence to break hearts and the most brittle of the commandments, with far less chance of blame than their even Christians.
Will’s transaction completed, Mrs Palmer proceeded to buy a second similar set on her own account, for presentation to the second of the giggling inarticulates. “Poor girl!” she said, good-humouredly, “she looked so envious last night when I gave the other to Eva Powell, I couldn’t bear to think I’d left her out in the cold. Thirty florins, I think you said? Ah, yes; that’s twelve dollars. Not much to make a poor little girl so happy!”
From this, and various other circumstances which occurred in the course of their first few days at Innsbruck, it began to dawn dimly upon Florian’s open mind that their American friend, though she knew not the Van Rensselaers, the Vanderbilts, and the Livingstones, must have been “comfortably left” by the late Mr Palmer. It was clear she had money for every whim and fancy. She took frequent drives, up the Brenner or down the Innthal, in a roomy two-horse carriage specially ordered from the livery stables; and she always gave a seat to one at least of the giggling inarticulates; and then, “on the girl’s account, you know,” with good-natured zeal, asked Will and Florian to take part in the expedition. “It’s so good for them, of course,” she said, “to see a little, when they can, of young men’s society. They’re each of them here with an invalid mamma—throat and lungs, poor things—you know the kind of person; and before I came, they had nobody to talk to, not even one another, for they were far too much afraid of a mutual snub ever to utter a syllable. I’ve tried to bring them out a bit, and make life worth living for them. But without a young man—at that age—no amusement’s worth anything.Docome, Mr Deverill—there’s a good soul, just to humour them.”
And Will and Florian, it must be candidly allowed, fell in with a good grace with her philanthropic projects. Though, to be sure, when once the carriage got under way, they seemed much more desirous of amusing the pretty American herself, than of seconding her schemes for drawing out the latent conversational powers of the giggling inarticulates, who contented themselves chiefly with leaning back in their seats, and listening open-mouthed to Florian’s flamboyant disquisitions. That, however, is a detail. Will attempted at first to pay his share of the carriage; but such interference with her plans Mrs Palmer most manfully and successfully resisted. She wanted to give the girls a little outing, she said; Will might come or he might stop; but she wasn’t going to let any other person pay for her well-meant attention to her poor little protégées. To that point she stuck hard, through thick and thin. They must come as her guests if they came as anything.
From this, and sundry other events that came under his knowledge by occulter channels, Florian grew strengthened in his idea that the late Mr Palmer, whoever he might have been, had at least “cut up well,” and, what was more to the point, had cut up entirely in his widow’s favour. Now this was business; for Florian, incurious as he was by nature where mere gossip was concerned, liked to know what was what in the matrimonial market. As he was wont to put it sweetly to his friends at the Savile, he wasn’t going to throw himself away on a woman for nothing. He had an income of his own, just sufficient to supply him with the bare necessaries of life—such as stalls at the opera and hansomsad libitum; and, this being so, he had no intention of giving up that singular franchise which young men call “their liberty,” except in return for valuable consideration. But if good things were going, he liked at least to know of them; some day, perhaps, if some lady bribed him high enough, he might possibly consent to retire by her side into the Philistine gloom of wedded respectability.
So he pushed his inquiries hard into the Vision’s antecedents, wholly without effect, during the first few days of their stay at Innsbruck.
A few nights later, however, as they sat in thesalonafter a long day’s tramp to the summit of the Patscher Kopf, Florian found himself cast casually into conversation with an American old maid, belonging to the most virulent type and class of old maidhood—“of the cat-kind, catty,” he said afterwards to Will Deverill; one of those remarkable persons who have pervaded cosmopolitan hotels for years together, and are on intimate terms with the domestic skeletons in every cupboard. Miss Beard, as she was called, favoured Florian at full length with the histories and antecedents of the giggling inarticulates, their papas and mammas, and all their forebears; informing him with much gusto how one of them had paid ninepence in the pound to his creditors, and another had been cashiered from the navy for embezzlement. Then she proceeded in the same strain to demolish the unprepossessing gentleman of nonconformist exterior, who had been guilty, it seemed, of the social crime of retail business. Miss Beard was inclined, indeed, to believe he was nothing more than a retired chemist; but she wasn’t even sure—with hushed and bated breath—that it mightn’t be as bad as grocery and provisions. All these, and many other unimportant details, Florian’s soul endured, possessing itself in patience for many minutes together, in the fervent hope that at last this living encyclopædia of genealogical knowledge would come round to the character of the Vision of Beauty.
“And Mrs Palmer, who sits opposite me,” he adventured gently after awhile, when Miss Beard reached a pause in her caustic comments; “she seems a nice little thing in her way, though, of course, a mere butterfly. She comes from New York. I suppose you know her?”
Miss Beard drew herself up with that offended dignity which only an American woman of the “very best class” can exhibit in perfection when you suspect her of an acquaintance with a person moving in a social grade less exalted than the sphere she herself revolves in. “I don’tknowher,” she said, markedly, “but I know, of course, who she is. She’s the widow of Palmer—the well-known Palmer—the notorious Palmer, who—but there!—you’ve been in the States; you must know all about him.”
“Not Palmer the murderer!” Florian exclaimed in surprise. “She’s too young for that, surely.”
“No;notPalmer the murderer,” Miss Beard responded in a very shrill voice with considerable acerbity. “Hewas at least agentleman. I can’t say as much for this lady’s husband. She’s the widow of Palmer, the dry-goodsman in Broadway.”
“Oh, indeed,” Florian cried, deeply interested in this discovery—for it meant much money. “I remember the place well—a palatial building in the Renaissance style at the corner of a street near the junction with Fifth Avenue. These princes of commerce in your Western world represent in our midst to-day the great signiors of the Adriatic who held the gorgeous East in fee, and whose Gothic façades, rich in arch and tracery, still line the long curve of the Grand Canal for us. They are the satraps of finance. The world in our times is ruled once more—as in Venice of old, in the heyday of its splendour—by the signet-ring of the merchant. Palmer was one of these—a paladin of silken bales, a Doge Dandolo of Manhattan, a potentate in the crowded marts of the Samarcand of the Occident.”
“I don’t know what you mean,” Miss Beard retorted in an acrid tone, eyeing him sternly through herpince-nez, “but I say he was a dry-goodsman.”
Florian descended at a bound from the open empyrean to the solid earth of commonplace. “Well, at any rate, he was rich,” he said, letting the paladins slide. “He must have died worth millions.”
“His estate was proved,” Miss Beard said, curtly, “at a sum in dollars which totals out—let me see—fives into 35—ah, yes, to exactly seven hundred and eighty-four thousand pounds sterling.”
Florian gave a little gasp. “That’ll do,” he said, with slow emphasis. “And he left it?” he suggested, after a second’s pause, with an interrogative raising of his broad white forehead.
“And he left it, every cent,” Miss Beard responded, “without deduction of any sort, to that fly-away little inanity.”
Florian drew a deep breath. “Then she’s rich,” he said, musing; “rich beyond the utmost dreams of avarice.”
“Well, of course she is,” Miss Beard answered, with a sharp little snap, as though every one knew that. “If she wasn’t, could she go tearing about Europe as she does, herself and her maid, buying everything she sees, and making presents right and left—to everyone she comes across. She’d give her own soul away if anybody asked her for it. Little empty-headed fool! She’s not fit to be trusted with the use of money. But, of course, one can’tknowher, however rich she may be. We draw the line in the States at keeping shop. And, besides, she was never brought up among cultivated people.”
As she spoke, Florian noted several things silently to himself. He noted, first, that Mrs Palmer spoke the English tongue many degrees more correctly, and more pleasantly as well, than her would-be critic. He noted, second, that her very generosity was counted for blame to her by this narrower nature. He noted, third, that in republican America, even more than in monarchical and aristocratic England, Mrs Palmer’s cleverness, her information, her reading, her culture, were as dust in the balance in Society’s eyes, compared with the damning and indelible fact that her late lamented husband had owned a dry-goods store. But, being a worldly-wise man, Florian noted these things in his own heart alone. Externally, he took no overt notice of them. On the contrary, he continued his talk in the same bland and honey-sweet tone as ever. “Still, she’d be a catch in her way,” he said, with a condescending smile, “for any man who didn’t object to swallow her antecedents.”
“She would,” Miss Beard replied, with austere self-respect, “if people care to mix in that sort of society. For myself, I’ve been used to a different kind of life.Icouldn’t put up with it.”
Florian was audacious. He posed the one last question he still wished to ask, boldly. “And there’s no awkward clause, I suppose,” he said, without even the apology of a blush, “in her husband’s will, of that nasty so-long-as-my-said-wife-remains-unmarried character?”
Miss Beard took up her Galignani with crushing coldness. She didn’t care to discuss such people’s prospects from such a standpoint. Their matrimonial affairs were beneath her notice. For fine old crusted prejudice of a social sort, commend me, so far as my poor knowledge goes, to the members of good New Yorker families. “To the best of my knowledge and belief,” she murmured, acridly, without raising her eyes, “the property’s left for her own sole use and benefit, without any restriction. But I’m sure I don’t know. If you want to find out you’d better ask her. I don’t burden my mind with these people’s business.”
Then Florian knew the Vision of Beauty was a catch not to be despised by a man of culture. Such wealth as that, no gentleman could decline, in justice to himself, if she gave him the refusal of it.
Andreas Hausberger was a dictator. He kept his own counsel till the moment of action grew ripe for birth in the womb of time; then, heeding no man, he gave his orders. Three days after Will Deverill’s departure from St Valentin, he called up Linnet to his office suddenly. “The dressmaker has brought home your new costume,” he said in his curt way. “Go upstairs and put it on. Then come down and let me see you.”
Linnet, much wondering what this mood might portend, went up to her own room and tried on her new gew-gaws. Puffed white sleeves, laced corset, crimson kirtle, high shoes, flowered kerchief at her bosom, silver dirk in her hair; Linnet wasn’t over-vain, as girls go in this world, but tricked out in such finery, she gazed in her glass, and, to tell the whole truth, admired herself consumedly. If only her Englishman could have seen her in that dress! But she stifled her sigh, and tripped lightly downstairs again, with the buoyancy of youth, when conscious of a perfectly becoming costume, for Andreas Hausberger’s scrutiny.
Thewirthscanned her, well satisfied. “On Monday,” he said, briefly, in that iron voice, “we set out on our tour, and go first to Innsbruck.”
It was earlier by a week than he at first intended; but he saw it would be hard, if he stopped at St Valentin, to keep Fridolin’s hands from Franz’s throat much longer. So, by way of minimising the adverse chances, he made up his mind to start as soon as possible for his winter season. He meant to begin modestly with entertainments at hotels among the Tyrolese winter resorts, and the towns of the Riviera; and then, when his troupe had got over its first access of stage fright, and grown used to an audience, to go across for the summer to England or America.
So, for the next few days Linnet was busy as a bee with preparations for her first journey into the great wide world outside the Zillerthal. As yet, her native valley had bounded her view—she had never gone even as far as Jenbach. Expectation and preparation kept her mind well employed during that busy week, and prevented it from dwelling too much or too long on the kindly Engländer, who had vanished from her ken across the sea to England. For, that he had gone straight home, Linnet never even doubted. On the afternoon of Andreas Hausberger’s exciting announcement, indeed, a little registered parcel came by post for her to St Valentin. It bore the postmark of Wilten, where Will had intentionally dropped it into the letter-box, on purpose to conceal from her his exact whereabouts. Linnet scanned it close, and read the name correctly, but was too innocent of the topography of her native country to know that Wilten is the name of a village on the outskirts of Innsbruck. When she asked Andreas Hausberger where Wilten was, a little later in the day, without showing him the postmark, he confirmed her belief by answering at once that ’twas a town in England, not far from Salisbury. So he had thought of her over sea, then, and sent her this beautiful costly present from his own country. She tried it on that night before her tiny square mirror. As Will had rightly judged, it set off the rich tints of her creamy brown neck to the best advantage.
A beautiful gift! A real lady might have worn it! Later on, when Linnet had diamonds and rubies at command, there was no trinket she prized among all her jewels like Will Deverill’s coral.
At last the eventful morning itself arrived. The little troupe set out on foot down the mountain to Mairhofen. There, their boxes, sent on over-night, awaited them. They drove in a large open brake to Jenbach—Andreas Hausberger, Franz Lindner, Linnet herself, Philippina, and the two other singers who composed the party. At Jenbach, they descended at the door of the railway station. For the first time in her life, Linnet saw, half-alarmed, a puffing and snorting machine, a sort of iron devil, breathing flames like purgatory, burst with smoke and stench upon the crowd by the waiting-room. Though she had heard all about it often enough before, and could see for herself that this great scurrying creature, for all its noise and bustle, kept rigidly to the rails as it approached the platform, she yet drew back in pure physical terror and surprise at the swiftness and irresistibility of the fire-fiend’s motion.
She had scant time to think, however, for scarce had it come to rest when Andreas Hausberger, little heeding, bundled them all unceremoniously into a third-class compartment; and before Linnet had leisure to recover her self-possession, the engine had uttered one wild discordant shriek, and with ringing of bells and rattlings of wheels in her ears, she found herself, willy-nilly, beyond hope of release, whirled along at the break-neck pace of what you and I know as an Austrian slow train, over the jolting rails, up the broad Inn valley.
In spite of her terror—for she knew the railway as yet chiefly by hearing reports of collisions and accidents—Linnet enjoyed to the full that first steam-borne journey. She whirled past turreted towers like Hall and Volders, which to you and me commend themselves as the absolute quintessence of old-world quaintness, but which, to Linnet’s young eyes, accustomed only to St Valentin and the grassy Alps, envisaged themselves rather in glowing hues as the kingdoms of the world and all their glory. They had been late to start, and their drive from Mairhofen had been tolerably leisurely, so dusk was closing in when they arrived at Innsbruck. Oh, the bustle, the din, the whirling awe of that arrival! Electric lamps lighted up the broad Platz in front of the station; on either side rose great hotels, grander and more palatial than any buildings on earth Linnet’s poor little fancy had ever yet dreamed of. Not to one of these, however, of course, did Andreas Hausberger take his little troupe of minstrels. But even the humbler inn on the south side of the Theresien Strasse, to which they repaired on foot, bearing their boxes between them, seemed to Linnet’s inexperienced and impressionable eye a most princely caravanserai. After the noise and bustle in that busy railway junction, which made her brain whirl with the unaccustomed dizziness of a great city, the comparative rest and quiet of the Golden Eagle seemed a positive relief both of mind and body. That night she slept little. Her head swam with excitement; for this was the first step on her journey through the world, which might lead her perhaps at last to England. And in England, she thought to herself once or twice with a little thrill, who could tell but peradventure she might meet . . . Will Deverill?
For she knew little as yet of how big the world is, and how long you may live in it, going to and fro, without necessarily knocking up against this one or that of its component units.
Next morning they rose betimes, and went out into the street to view the city. For to Linnet, as to Mrs Palmer, a city it was—and a very great one. Such streets and streets seemed to frighten and appal her. Florian had admired in that picturesque old capital of a mountain land, the antiquated tone, the eighteenth-century flavour, the mediæval survivals, the air as of a world elsewhere gone from us utterly. But to Linnet, though it was beautiful and impressive too, it was above all things magnificent, grandiose, stately, imposing. She gazed with open eyes at the Golden Roof, admired the bronze statues at the base of the Anna Column, looked up with silent awe at the front of the Landhaus, and thought the Rudolfsbrunnen, with its attendant griffins and dragons, a wonderful work of art for the world’s delectation.
Philippina went with her, her companion on the alp. Linnet noticed with much surprise—for she knew not as yet the difference in fibre between them—that Philippina, though as interested as herself in the shops and their contents, seemed wholly unimpressed by these other and vastly more attractive features of a civilised city. For Linnet had been gifted by nature, to the fullest degree, with the profound Tyrolese artistic susceptibility. Though her mind came to art as a blank page, it responded to the stimulus, once presented to its ken, as the sensitive plate of a photographic camera responds in every line to the inspiring picture.
As they strolled through the town, by Andreas Hausberger’s express desire—for the wise impresario had arranged their first appearance for that very evening, and wished the girls to come to it fresh, after a morning’s exercise—they paid comparatively little heed to what most of us regard as by far the most striking characteristic of Innsbruck—the great limestone crags that seem on every side to tower and overhang the very roofs of the city. They were accustomed, indeed, to crags, and made very small case of them. It was the houses, the shops, the noise, the crowd, the gaiety, that chiefly struck them. Innsbruck to Linnet was as a little Paris. But as they went on their way through the bustling streets, they came at last to a church door, which Linnet’s profound religious nature could hardly pass by without one minute’s prayer for Our Lady’s aid at this critical turning-point of her artistic history.
Philippina, nothing loth, for her part, opined it could do them no harm to make favour above with the blessed saints for this evening’s work by a little Pater Noster. The blessed saints dearly love attentions: much may be done with them by a small wax candle! So they opened the door, and stepped into the Hofkirche.
Even those of us who know well the world and its art, can remember vividly the strange start of surprise with which we gazed round for the first time on that oddest and most bizarre of Christian temples. It isn’t so much beautiful, indeed, as unexpected and startling. To push open the church door and find oneself at once ringed round and guarded close, as it were, by that great circle of mailed knights and bronze-wimpled ladies, who watch the long sleep of the kneeling Maximilian on his cenotaph in the centre, gives one a thrill of a novel sort from which some tinge of dim awe can hardly ever be wholly absent. There they stand, on their low pedestals, a congregation of bronze ancestors round their descendant’s tomb—Theodoric the Ostrogoth and King Arthur the Briton, Mary of Burgundy and Eleonora of Portugal—strange efforts of struggling art in its first faint steps towards the attainment of the beautiful—naïf, ungainly, crude, rising only once or twice within measurable distance of the ideal in the few figures cast in metal by Peter Vischer of Nuremberg. But to Linnet, a woman grown, instinct with the innate artistic taste of her countrymen, yet innocent till then of all forms of art save the saints and purgatories of her mountain chapels, the Hofkirche was a glimpse of some new and unseen world of infinite possibilities. She went through it all piecemeal with open-mouthed interest. Philippina could only laugh at the quaint vizors of the knights, the quainter dresses of the ladies. But Linnet was almost shocked Philippina should laugh at them. She herself half forgot her intended prayer to Our Lady in her delight and surprise at those wonderful figures and those beautiful bas-reliefs. She read all the names on the bases conscientiously; they didn’t mean much to her, to be sure—her historical ideas didn’t get as far as “Clovis, King of the Franks,” or even as “Count Frederick of Tyrol with the Empty Pockets”; but in a vague sort of way she gathered for herself that these were statues of archdukes and mighty heroes, keeping watch and ward silently round the great dead emperor who knelt in the centre on his marble sarcophagus. Good luck, too, attended them. The little hump-backed sacristan, seeing two pretty girls looking through the grating at the reliefs on its sides, relaxed his stony heart without the customary kreuzers, and admitted them within the railing to inspect at their leisure those exquisite pictures in marble which Thorwaldsen declared the most perfect work of their kind in the whole of Christendom. Philippina found the dresses quite grotesquely old-fashioned; but Linnet, hardly knowing why she lingered so long, gazed at each scene in detail with the profoundest interest.
While down in the town Linnet was thus engaged, high up in the hills Will Deverill sat alone by Mrs Palmer’s side on an outcrop of rock near the summit of the Lanser Kopf. Florian had gone off for a minute or two round the corner by the mountain indicator, with the giggling inarticulates. Mrs Palmer, pointing her moral with the ferrule of her parasol on the grass in front of her, was discoursing to Will earnestly of his work and his prospects. “I want to see you do something really great, Mr Deverill,” she said, with genuine fervour, looking deep into his eyes; “something larger in scale and more worthy of your genius—something that gives full scope to your dramatic element. I don’t like to see you frittering away your talents on these exquisite little lyrics—beautiful gems in their way, to be sure, but that way not the highest. I want to see you settled down for a long spell of hard work at some big undertaking—an epic, a play, a grand opera, a masterpiece. I know you could do it if only you took the time. You should go to some quiet place where there’s nothing to distract you, and make your mind up to work, to write something more lasting than even that lovelyGwyn, or that exquisiteOssian!”
Will looked down and sighed. ’Tis pleasant to be appreciated by a beautiful woman. And every man thinks, if he had but the chance, he could show the world yet the sort of stuff that’s in him. “I only wish I could,” he answered, regretfully. “But I’ve my living to earn. That ties me down still to the treadmill of journalism. When my holiday’s over—the first for two years—I must get back once more, well content, to Fleet Street and drudgery.”
Mrs Palmer sighed too. She felt his difficulty. Her parasol played more nervously on the grass than before. She answered nothing, but she thought a great deal. How small a matter for her to secure this young poet whom she admired so much, six months of leisure for an immortal work—and yet, how impossible! There was only one way, she knew that very well; and the first step towards that way must come, not from her, but from this modest Will Deverill.
’Twas a passing thought, half formed, or scarce half formed, in the pretty widow’s mind. But nothing came of it. As she paused, and sighed, and played trembling with her parasol, and doubted what to answer him, Florian came up once more with the giggling inarticulates, “Well, Mr Wood?” she said, looking up, just by way of saying something, for the pause was an awkward one.
“Pardon me,” the mannikin of culture answered in his impressive way; “my name is Florian.”
“ButIcan’t call you so,” Mrs Palmer answered, recovering herself, with a merry little laugh.
“It’s usual in Society,” Florian responded with truth. “Just ask Will Deverill.”
Will nodded assent. “Quite true,” he admitted. “Men and women alike in London know him only as Florian. It’s a sort of privilege he has, an attribute of his own. He’s arrogated it to himself, and the world at large acquiesces in his whim, and grants it.”
“It makes things seem so much more real and agreeable, you see, as Dick Swiveller said to the marchioness,” Florian continued blandly. “Now suppose we five form an elective family, a little brotherhood of our own, a freemasonry of culture, and call one another, like brothers and sisters, by our Christian names only! Wouldn’t that be delightful! I’ve just been explaining to Ethel and Eva that I mean henceforth to Ethel and Eva them. Soul gets nearer to soul without these flimsy barriers. I’m Florian; this is Will; and you, Mrs Palmer, your Christian name is——?”
The pretty widow drew back with a little look of alarm. “Oh no,” she said, shortly; “I never could tell you my given name for anything. It’s much too dreadful.” She pulled out a pencil from the pocket at her side. “See here,” she said to Will, writing down one word for him on the silver-cased tablets that hung pendant from her delicate Oriental chatelaine, “there’s a name, if you like, for two Puritan parents to burden the life of their poor innocent child with! Don’t tell Mr Wood—or Florian if he wishes it; he’d make fun of it behind my back, I’m perfectly certain. I know his way. To him nothing, not even a woman’s name, is sacred.”
Will glanced at the word curiously. He couldn’t forbear a quiet smile. “It’s bad enough, I must admit,” he answered, perforce. The Vision of Beauty had been christened Jerusha!
“But I make itRuefor short,” she added, after a moment, with a deprecating smile.
Florian caught at the word, enraptured. “The very thing!” he cried, eagerly. “Capital, capital, capital! ‘There’s rue for you, and here’s some for me: we may call it herb-o’-grace o’ Sundays.’ But Rue shall be your weekday name for the Brotherhood. Let’s read the roll-call! Florian, Will, Rue, Ethel, Eva! Those are our names henceforth among ourselves. We scorn formalities! No mystery for us. We abolish themisters!”
And so indeed it was. As Will, Rue, and Florian, those three of the Elective House knew each other thereafter.
’Twas with no little trepidation that Linnet arrayed herself that eventful night for her first appearance on this or any other public platform. When her hair was dressed and her costume complete, Philippina declared, with good-humoured admiration, she looked just lovely—for Philippina at least was never jealous of her. And Philippina was right: Linnet did look beautiful. She had tied her crossed kerchief very low about the neck, so as to leave her throat bare for the better display of Will Deverill’s corals. They became her admirably. Andreas Hausberger inspected his prima donna with well-satisfied eye. The wise impresario had heard, of course, where the necklet came from; but that didn’t in the least disturb his serenity. Will Deverill was gone, evaporated into space; and the coral at least was “good for trade,” inasmuch as it enhanced and set off to the utmost the nut-brown alp-girl’s almost gipsy-like beauty. For the sake of trade, Andreas could pardon much. And Will Deverill in England was no serious rival.
At eight o’clock sharp the concert was to begin at one of the big hotels. To the guests in the house it was just a matter of “some music, I hear, to-night—the usual thing, don’t you know—Tyrolese singers with a zither in thesalon.” But to Linnet, oh, the difference! It was the most important musical event, the most momentous performance in the world’s history. She trembled like a child at the thought of standing forth and singing her simple mountain songs alone, in a fine-furnished room, before all those grand well-dressed and well-fed Britons. She would have given thousands (in kreuzers), if only she had them, to forego that ordeal. But Andreas Hausberger said “You must,” and she had to obey him. And the blessed Madonna, in Britannia metal, on an oval pendant, gave her courage for the trial.
By eight o’clock sharp, then, the troupe trooped in. Electric light, red velveted chairs, soft carpet on the floor, gilded mirrors by the mantelpiece and opposite console. So much grandeur and magnificence fairly took poor Linnet’s breath away. ’Twas with difficulty she faltered across the open space to a chair by the table which was placed at one end of the room for the use of the performers. Then she raised her eyes timidly—to know the worst. Some twenty-five people, more or less listless all of them, composed the audience. Some leaned back in their chairs and crossed their hands resignedly, as who expects to be bored, and makes up his mind betimes to bear his boredom patiently. Some read the latestTimesor the Vienna papers, hardly deigning to look up as the performers entered. ’Twas a lugubrious function; more chilling reception prima donna never met with. Linnet clutched the blessed Madonna in her pocket convulsively. One breath of mild applause alone reached her ears. “Pretty girl,” one stout Briton observed aloud in his own tongue to his plentiful mate. Linnet looked down and blushed, for he was staring straight at her.
“Let’s sit it out, here,” Florian exclaimed in the smoking-room. The folding doors stood open, so that all might hear; but their group sat a little apart—Will, Rue, and he—in the farther corner, away from the draught, and out of sight of the musicians. “It’s more comfortable so—just the family by itself; and besides, I’ve a theory of my own that one should hear the zither through an open door; it mitigates and modifies the metallic twang of the instrument.”
Will and Rue were all acquiescence. Next to atête-à-tête, aparti-à-troisis the pleasantest form of society. So they kept their seats still, in the rocking-chairs by the corner, and let the sound float idly in to them through the open portal.
Linnet waited, all trembling. Thank heaven, it wasn’t her part to begin. Franz Lindner came first with a solo on the zither. Bold, confident, defiant, with his hat stuck a little on one side of his head, and his feather in his band, turned Robbler-wise, wrong way, quite as jaunty as ever, Franz faced his audience as if his life had been passed in first-class hotels, and an Edison light had been the lamp of his childhood. Nothing daunted or disconcerted by the novelty of the circumstances, he played his piece through with a certain reckless brilliancy, wholly in keeping with the keynote of the Tyrolese character. Florian observed outside, with connoiseur complacency, that the fellow hadbrio. But the audience went on unmoved with itsTimesand itsTagblatt. The audience was chilling; Franz Lindner, accustomed to his own mercurial and magnetic fellow-countrymen, could hardly understand it. His self-love was mortified. He had expected a triumph, a sudden burst of wild applause; he received instead a faint clap of the hands from Ethel and Eva, and an encouraging nod from the mercantile gentleman of nonconformist exterior.
Franz sat down—a smouldering and seething volcano.
Then came Linnet’s turn. She rose, all tremulous, in her pretty costume, with her beautiful face and her shrinking timidity. Old gentlemen peeped askance over the edge of their papers at the good-looking girl; young ladies took stock of her abundant black hair and her dainty kerchief. “She’s going to sing,” Ethel whispered. “Isn’t she pretty, Eva? And just look, how very odd, she’s got a necklet exactly like the ones Mrs Palmer gave us!”
As they gazed and gurgled, Linnet opened her mouth, and began her song, quivering. She trembled violently, but her very trembling increased the nightingale effect of those beautiful trills which form so marked a feature in all Tyrolese singing. Her throat rose and fell; her clear voice flooded the room with bell-like music. At the very first line, the old gentlemen laid theirTimescontentedly on their laps, and beamed attention through their spectacles; the old ladies let the knitting-needles stand idle in their hands, and looked up with parted lips to listen. Andreas Hausberger was delighted. Never in her life had Linnet sung so before. Occasion had brought her out. And he could judge of her here more justly than at home; he was quite sure now he had found a treasure.
But at the very first sound of her well-known voice, Will started from his chair. He clapped his hands, fingers apart, to his cheeks in wonder, and stared hard at Florian. Florian in return opened his eyes very wide, leaned back in his seat with a sudden smile of recognition, and stared hard at Will, with a certain amused indulgence. Then both with one voice cried out all at once in surprise, “That’s Linnet!”
After that, it was Florian who first broke the forced silence. “I see in this the finger of fate,” he murmured slowly. But Will didn’t want to see the finger of fate, or any other abstraction; what he wished to see, then and there, was his recovered Linnet. It was thoughtless, perhaps, to disturb her song; but young blood is thoughtless. Without a moment’s hesitation, he walked unobtrusively but hastily into the room in front, and took a seat near the door, just opposite Linnet. Andreas Hausberger didn’t notice him, his eyes were firmly fixed on Linnet’s face, watching anxiously to see how his pupil would acquit herself in this her first great ordeal. But Linnet—Linnet saw him, and felt from head to foot a great thrill break over her, like a wave of fire, in long undulating movement. The wave rose from her feet and coursed hot through her limbs and body, till it came out as a crimson flush on her neck and chin and forehead; then it descended once more, thrilling through her as it went, in long undulating movement from her neck to her feet again. She felt it as distinctly as she could feel the blessed Madonna clenched hard in her little fist. And she knew now she loved him. Her Englishman was there, whom she thought she had lost; he had come to hear her sing her first song in public!
Strange to say, the interruption didn’t impair her performance. For one second she faltered, as her eyes met his; for one second she paused, while the wave coursed through her. But almost before Andreas had time for anxiety, she had recovered at once her full self-possession. Nay, more; Will’s presence seemed actually to encourage her. She sang now with extraordinary force and brilliancy; her voice welled from her soul; her notes wavered on the air as with a sensible quivering.
That was all Will knew at the time, or the rest of the audience either. They were only aware that a beautiful young woman in Tyrolese costume was rendering a mountain song for them as they never before in their lives had heard such simple melodies rendered. But to Linnet herself, a strange thing had happened. As her eyes met Will’s, and that wave of fire ran resistlessly through her, she was conscious of a weird sense she had never felt before, a sudden failure of sound, a numb deadening of the music. It was all a vast blank to her. She heard not a note she herself was uttering. Her ears were as if stopped from without and within; she knew not how she sang, or whether she sang at all; all she knew was, that, come what might, for Will’s dear sake, she must keep on singing. The little access of terror this weird seizure gave her in itself added much to the quality of her performance. Unable to correct herself and keep herself straight in her singing by the evidence of her ears, she devoted extravagant and incredible pains in her throat and bosom to the mere muscular effort of note-production and note-modulation. She sang her very best—for Will Deverill was there to listen and applaud her! Franz Lindner! Who talked of Franz Lindner now? She could pour out her whole soul in one dying swan-song, now she had found once more her dear, kind, lost Engländer!
Instinctively, as she sang, her hand toyed with the coral—her left, for with the right she still clasped Our Lady. A grand Frau had crept in just behind Will’s back—a smiling, fair-haired Frau, all soft cheeks and dimpled chin, and aglow with diamonds. She had seated herself on a chair by Will Deverill’s side. Herr Florian, too, had crept in at the same time, and taken the next place beside the fair-haired lady. They nodded and smiled and spoke low to one another. At the sight, Linnet clutched the coral necklace still harder. She was a very great lady—oh, the diamonds in her ears!—and she talked to Will Deverill with familiar carelessness!
And as Linnet clutched the necklet, a shade broke over Rue Palmer’s face. With a quick little gasp, she leaned across to Will, growing paler as she recognised that familiar trinket. “Why,thisis the girl,” she whispered, “from the inn at St Valentin.”
And Will whispered back, all unconscious, “Yes; this is the girl. And now you can see why I sent her the necklet!”
Through the rest of that song, there was breathless silence. At its end, the old gentlemen and ladies, after a short hushed stillness, broke into a sudden little burst of applause. There was a moment’s interval, and then the demonstration renewed itself more vigorously than before. People turned to one another and said, “What a beautiful voice!” or, “She sings divinely!” By this time the loungers who held aloof in the smoking-room were crowding about the doorway. A third time they clapped their hands; and at each round of applause, Linnet, alternately pale and flushed with excitement, dropped a little mountain curtsey, and half cried, and half smiled at them. Her hearing had returned with the first symptom of clapping hands; she could catch the vague murmur of satisfied criticism; she could catch Andreas Hausberger’s voice whispering low in an aside, “Very well sung, Linnet.” But her eyes were fixed on Will, and on Will alone; and when Will framed his lips to one word of approbation, the hot blood rushed to her cheeks in a torrent of delight that at last she had justified her Engländer’s praises.
Linnet was the heroine of that evening’s performance. Andreas Hausberger sang “He was a jäger bold”; Philippina, looking arch, twanged the thankless zither. But the audience waited cold till ’twas Linnet’s turn again. Then, as she rose, they signified their approval once more by another little storm of applause and encouragement. Linnet curtsied, and curtsied, and curtsied again, and stared straight at Will Deverill. This second time she sang in less fear and trembling; she could hear her own notes now, and Will’s face encouraged her. She acquitted herself, on the whole, even better than before. Her rich pure voice, though comparatively untrained, exhibited itself at its best in that pathetic little ballad of her native hills, “The Alp-girl’s Lover.” She sang it most dramatically, with one hand pressed hard on her heaving bosom. At the end, the audience clapped till Linnet was covered with blushes. A mere scratch performance before some casual tourists in the drawing-room of an hotel; but to Linnet, it came home as appreciation and praise from the grandest of gentlefolk.
She sang three songs in all. Her hearers would gladly have made it six; but Andreas Hausberger knew his trade, and stuck firm to his programme. When all was finished, the foreign Herrschaft crowded round; Herr Florian shook Linnet’s hand; Herr Will pressed it tenderly. The grand lady with the diamonds was graciousness itself. “With a voice like that, my child,” she said, “you shouldn’t be singing here; you should be training for the stage in some great musical centre.” Many of the other guests, too, gathered round and congratulated her. It was noised abroad in the room that this was the pretty peasant girl’s absolutedébut, and that Mr Deverill and Mr Wood had met her as asennerinat an inn in the Zillerthal. More voices than one praised her voice enthusiastically. But Will Deverill whispered low, “You have done yourself justice. As I told you at St Valentin, so I tell you again—Heaven only knows how high that voice may carry you.”
One thing Linnet noticed for herself, unprompted. That first appearance in operatic peasant dress as a musician in a troupe, had raised her at a bound in the scale of social precedence. At St Valentin, she was an alp-girl; at Innsbruck, all those fine-dressed ladies and gentlemen accepted her at first sight as a public singer. They spoke to her with a politeness to which she was hitherto unused. They bent forward towards her with a quiet sort of deference and equality which she felt instinctively the very same persons would never have shown to thesennerinin her châlet. Their curiosity was less frank; their questions were less blunt and better put than she was used to. It was partly the costume, no doubt, but partly also the function: she was a peasant girl in the Zillerthal; at Innsbruck she was a member of the musical profession.
She had only a second or two with Will that night. While the other guests crowded round her, uttering their compliments for the most part in rather doubtful German, which Linnet answered (by Andreas Hausberger’s wise advice) in her pretty broken English, Will dropped but a few words of praise and congratulation. After all was over, however, and they were going away for the night to the Golden Eagle, he stood at the door, bare-headed, his hat in his hand, to say goodbye to her. Andreas Hausberger’s keen eye watched their interview close. Will held Linnet’s hand—that transfigured Linnet’s, in her snow-white sleeves and her corset-laced bodice—held it lingering in his own with a mutual pressure, as he murmured, not too low for Andreas to overhear (’twas wisest so), “I’m pleased to see you wore my necklet.”
And Linnet, half-afraid how she should answer him aright, with Andreas standing by and straining his ear for every word, replied in German, with a timid smile, raising her eyes to his shyly, “I’m so glad you were pleased. I wanted to wear it. It’s a beautiful present. Thank you so very much for it.”
That was all. She had no more talk than just that with her Engländer. But she went back to the Golden Eagle, and lay awake all night thinking of him. Of him, and of the fair-haired Frau who sat smiling by his side. That fair-haired Frau gave Linnet some pangs of pain. Not that she was jealous; that ugliest of all the demons that beset human nature had no place, thank Heaven, in Linnet’s great heart. But she thought to herself with a sigh how much fitter for Will was that grand fair Frau than ever she herself could be. How could she expect him to make anything ofher, when he could sit and talk all day long in great covered courts with grand ladies like that, his natural equals? He could think, after the Frau, no more ofher, than she, after him, could think of Franz Lindner. And yet—and at that thought the billowy wave of fire broke over her once more from head to foot—he had left the grand lady in the room outside to come in and hear her song the moment he recognised her!
In thesalonthat same evening, when Linnet was gone, Rue stood talking for a minute by the fireside to Will Deverill. “She sings like an angel,” the pretty American said, with unaffected admiration of the peasant girl’s gifts. “What a glorious voice! Florian’s quite right. It’s a pity she doesn’t get it properly trained at once. It’s fit for anything.”
“So I think,” Will answered, looking her frankly in the face. “She needs teaching, of course—the very best teaching. But if only she gets it, I see no reason to doubt she might do what she likes with it.”
“And she’s beautiful, too,” Rue went on, without one marring touch of any femininebut. “How queenly she’d look as a Mary Stuart or a Cleopatra! Your necklet suits her well.” She paused, and reflected a second. “It’s a pity,” she went on, musingly, as if half to herself, “she shouldn’t have the brooch and the earrings to match it!”
And next day, sure enough, at the Golden Eagle, about one o’clock, when Linnet went up to her own room after early dinner, she found on her dressing-table a small cardboard box containing some coral ornaments to go with the necklet, and this little inscription in a feminine hand inside it:—“For Linnet, from one who admired last night her beautiful singing.”
Then Linnet knew at least that the fair-haired lady too had a great heart, and owed her no grudge for the possession of Will Deverill’s necklet. For she divined by pure instinct what admirer had sent them.