CHAPTER XXX

How she got through that song, how she got through that scene, Linnet never knew. She was conscious of but two things⁠—⁠Will Deverill’s presence and the Blessed Madonna. Remorse and shame almost choked her utterance. But mechanically she went on, and sang her part out to the end⁠—⁠sang it exquisitely, superbly. Have you ever noticed that what we do most automatically, we often do best? It was so that night at the Harmony with Linnet. She knew her music well; she had studied it carefully; and the very absence of self-consciousness which this recognition gave her, made her sing it more artlessly, yet more perfectly than ever. She forgot the actress and the singer in the woman. That suited her best of all. Her mental existence was divided, as it were, into two distinct halves; one conscious and personal, absorbed with Will Deverill and Our Dear Lady in Britannia metal; the other unconscious and automatic, pouring forth with a full throat the notes and words it was wound up to utter. And the automatic self did its work to perfection. The audience hung entranced; Andreas Hausberger, watching them narrowly from a box at the side, hugged his sordid soul in rapture at the thought that Linnet had captured them on this her first night in that golden England.

She sang on and on. The audience sat enthralled. Gradually, by slow stages, the sense of hearing came back to her. But she had done as well, or even better without it. The act went off splendidly. Andreas Hausberger was in transports. At the first interval between the scenes, Rue debated in her own soul what to do about Linnet; but, being a wise woman in her way, she determined to wait till the end of the piece before deciding on action. Act the Second, Act the Third, Act the Fourth followed fast; in Act the Fifth when Linnet, no longer a peasant girl, but the bride of the Grand Duke, came on in her beautiful pale primrose brocade, cut square in the bodice like a picture of Titian’s, the audience cheered again with a vociferous outburst. Linnet blushed and bowed; a glow of conscious triumph suffused her face; then she raised her eyes timidly to the box on the first tier. Her victory was complete. She could see by his face Will Deverill was satisfied⁠—⁠and the grand lady with the diamonds was sincerely applauding her.

Was the grand lady his wife? Why not? Why not? What could it matter to her now? She was Andreas Hausberger’s. And Will⁠—⁠why, Will was but an old Zillerthal acquaintance.

Yet she clutched Our Blessed Frau tighter than ever in her grasp, at that painful thought, and somehow hoped illogically Our Blessed Frau would protect her from the chance of the grand lady being really married to Will Deverill. Not even the gods, says Aristotle, in his philosophic calm, can make the past not have been as it was. But Linnet thought otherwise.

The curtain fell to a storm of clapping hands. After that a moment’s lull; then loud cries of “Casalmonte!” The whole theatre rang with them. The Papadopoli, revived by magic from his open-air deathbed on the blood-stained grass, came forward before the curtain, alive and well, his wounds all healed, leading Linnet on his right, and bowing their joint acknowledgments. At sight of the soprano, even the cynical critics yielded spontaneous homage. It was a great success; a very great success. Linnet panted, and bowed low. Surely she had much to be grateful for that night; surely the Blessed Madonna in heaven above had stood by her well through that trying ordeal!

But in Rue Palmer’s box, after all was over, Florian’s voice rose loud in praise of this new star in our musical firmament. “When first she swam into my ken,” he said, “on her Tyrolese hillside⁠—⁠you remember it, Deverill⁠—⁠I said to myself, ‘Behold a singer indeed! Some day, we may be sure, we shall welcome her in London.’ And now, could any mortal mixture of earth’s mould breathe purer music or more innate poesy?”

For it was Florian’s cue, as things stood, to make much of Linnet, for many reasons. In the first place, it would reflect credit and glory on his insight as a critic that he should have spotted this flaming comet of a season while as yet it loomed no larger than the eleventh magnitude. Indeed, he had gone down among the other critics between the acts, and buttonholed each of them in the lobby, separately. “A discovery of my own, I can assure you. I found her out as a peasant-girl in a Tyrolese valley, and advised her friends to have her trained and educated.” Then, again, his praise of Linnet no doubt piqued Rue; and Florian, in spite of rebuffs, had still one eye vaguely fixed in reserve on Rue’s seven hundred thousand. Faint heart, he well knew, never won fair lady. Besides, Florian felt it was a good thing Will’s cow-girl should have come back to him in London thus transformed and transfigured; for he recognised in Will his one dangerous rival for Rue’s affections, and he was bent as of old on getting rid of Will by diverting him, if possible, upon poor helpless Linnet. The mere fact of her being married mattered little to a philosopher. So he murmured more than once, as Linnet bowed deeper and deeper, “What a beautiful creature she is, to be sure! You remember, Will, what I said of her when we met her first in the Zillerthal?”

Even poets are human. There was a malicious little twinkle in the corner of Will’s eye as he answered briskly, “Oh yes; I remember it word for word, my dear fellow. You said, you thought with time and training, she ought to serve Andreas Hausberger’s purpose well enough for popular entertainments. Her voice, though undeveloped, was not wholly without some natural compass.”

Will had treasured up those words. Florian winced at them a little⁠—⁠they were not quite as enthusiastic as he could have wished just now; but he recovered himself dexterously. “And I told Hausberger,” he went on, “it was a sin and a shame to waste a throat like that on a Tyrolese troupe; and, happily, he took my advice at once, and had her prepared for the stage by the very best teachers in Italy and Germany. I’m proud of her success. It’s insight, after all⁠—⁠insight, insight alone, that makes and marks the Heaven-born Critic.”

Rue was writing meanwhile a hurried little note in pencil on the back of a programme. She had debated with herself during the course of the piece whether or not to send down and ask Linnet to visit them. Her true woman’s nature took naturally at last the most generous course⁠—⁠which was also the safest one. She folded the piece of paper into a three-cornered twist, and handed it with one of her sunny smiles to the Seer. It was addressed “Herr Hausberger.” “Will you take that down for me, Mr Holmes?” she asked, with a little tremor, “and tell one of the waiting-girls to give it at once to Madame Casalmonte’s husband.”

The Seer accepted the commission with delighted alacrity. In a moment he had spied game; his quick eye, intuitive as a woman’s, had read at a glance conflicting emotions on Rue’s face, and Will’s and Florian’s. Whatever else it might mean, it meant grist for the mill; he would make his market of it. A suspicion of intrigue is the thought-reader’s opportunity.

Linnet was standing at the wings in a flutter of excitement, all tremulous from her triumph, and wondering whether or not Will would come down to ask for her, when Andreas Hausberger bustled up, much interested, evidently, with some pleasurable emotion. He had seen his wife between the acts already, and assured her of his satisfaction at so fortunate an event for the family exchequer. But now he came forward, brimming over with fresh pleasure, and waving a note in his hand, as he said to her briskly in German, “Don’t wait to change, Linnet. This is really most lucky. Mrs Palmer⁠—⁠the lady we met at Innsbruck, you know⁠—⁠wants to see you in her box. She’s immensely rich, I’m told; and Florian Wood’s up there with her. The manager assures me he’s one of the most influential critics in London. Come along, just as you are, and mind you speak nicely to her.”

The lights were left burning long in the passages, as is often the case on first nights in London. Andreas led the way; Linnet followed him like one blindfolded. Oh, Blessed Madonna, how strangely you order things on this earth of yours sometimes! It was her husband himself, then, of all men in the world, who was taking her to the box where Will Deverill was waiting for her!

As for Andreas Hausberger, he stalked on before, elated, hardly thinking of Will⁠—⁠as indeed he had no cause to do. The rich woman of the world and the influential critic monopolised his attention. Tyrolese though he was, he was by no means jealous; greed of gain had swallowed up in him all the available passions of that phlegmatic nature. Linnet was his chattel now; he had married her and trained her; her earnings were his own, doubly mortgaged to him for life, and no poet on earth, be he ever so seductive, could charm them away from him.

He opened the box door with stately dignity. At St Valentin or in London, he was a person of importance. Linnet entered, quivering. She still wore her primrose brocade, as all through the last act, and she looked in it, even yet, a very great lady. Not Rue herself looked so great or so grand⁠—⁠charming, smiling Rue⁠—⁠as she rose to greet her. They stood and faced each other. One second Rue paused; then a womanly instinct all at once overcame her. Leaning forward with the impulse, she kissed the beautiful, stately creature on both cheeks with effusion, in unfeigned enthusiasm.

“Why, Linnet,” she said, simply, as if she had always known her; “we’re so glad to see you⁠—⁠to be the very first to congratulate you on your success this evening!”

A flood of genuine passion rushed hot into Linnet’s face. Her warm southern nature responded at once to the pressure of Rue’s hand. She seized her new friend by either arm, and returned her double kiss in a transport of gratitude. “Dear lady,” she said, with fervour, in her still imperfect English, “how sweet that you receive me so! How kind and good you English are to me!”

Andreas Hausberger’s white shirt-front swelled with expansive joy. This all meant money. They were really making wonderful strides in England.

Will held his hand out timidly. “Have you forgotten me, Frau Hausberger?” he asked her in German.

Linnet’s face flushed a still deeper crimson than before, as she answered frankly, “Forgotten you, Herr Will.Ach, lieber Gott, no! How kind of you . . . to come and hear my first performance!”

“Nor me either, Linnet, I hope,” Florian interposed more familiarly, in his native tongue; for he had caught at the meaning of that brief Teutonic interlude. “I shall always feel proud, Herr Andreas, to think it was I who first discovered this charming song-bird’s voice among its native mountains.”

But Will found no such words. He only gazed at his recovered peasant-love with profound admiration. Fine feathers make fine birds, and it was wonderful how much more of a personage Linnet looked as she stood there to-night in her primrose brocade, than she had looked nearly four years since in her bodice and kirtle on the slopes of the Zillerthal. She was beautiful then, but she was queenly now⁠—⁠and it was not dress alone, either, that made all the difference. Since leaving the Tyrol, Linnet had blossomed out fast into dignified womanhood. All that she had learnt and seen meanwhile had impressed itself vividly on her face and features. So they sat for awhile in blissful converse, and talked of what had happened to each in the interval. Rue sent Florian down with a message to ask their friend the manager not to turn his gas off while the party remained there. The manager, bland and smiling, and delighted at his prima donna’s excellent reception, joined the group in the box, and insisted that they should all accompany him to supper. To this, the Sartorises demurred, on the whispered ground of dear Arthur’s position. Dear Arthur himself, indeed, resisted but feebly; it was Maud who was firm; but Maud was firm as a rock about it. Let dear Arthur go to supper with a theatrical manager, to meet a bedizened young woman from a playhouse like that⁠—⁠and him a beneficed clergyman with an eye to a canonry! Maud simply put her foot down.

So the Sartorises went home in a discreet four-wheeler; but the rest lingered on, and gossipped of old times in the Tyrol together, and heard each others’ tales with the deepest interest.

“And your mother?” Will asked at last; he was the first who had thought of her.

Linnet’s face fell fast. She clasped her dark hands tight. “Ah, that dear mother,” she said, with a deep-drawn sigh, and a mute prayer to Our Lady. “She died last winter, when I was away from home⁠—⁠away down in Venice. I couldn’t get back to her. ’Twas the Herr Vicar’s fault. He never wrote she was ill till the dear God had taken her. It was too late then. I couldn’t even go home to say a pater noster over her.”

“So now you’re alone in the world,” Will murmured, gazing hard at her.

“Yes; now I’m alone in the world,” Linnet echoed, sadly.

“But you have your husband, of course,” Florian put in, with a wicked smile, and a side glance at Andreas, who for his part was engaged in paying court most assiduously to the rich young widow.

Linnet looked up with parted lips. “Ah, yes; I have my husband,” she answered, as by an afterthought, in a very subdued tone, which sent a pang and a thrill through Will’s heart at once⁠—⁠so much did it tell him. He knew from those few words she wasn’t happy in her married life. How could she be, indeed⁠—⁠such a soul as hers, with such a man as Andreas?

Their first gossip was over, and they were just getting ready to start for supper, when one of the box-keepers knocked at the door with a card in his hand, which he passed to Andreas Hausberger. “There’s a gentleman here who’s been waiting outside for some time to see you,” he said; “and he asked me to give you this card at once, if you’ll kindly step down to him, sir.”

Andreas took it with a smile, and gazed at it unconcernedly. But a dash of colour mounted suddenly into those pale brown cheeks, as his eye caught the words neatly engraved on the card, “Mr Franz Lindner,” and below in the corner, “Signor Francesco, The London Pavilion.”

Andreas handed the card to Will with a sardonic smile. “That wild fellow again,” he muttered. “I didn’t know he was in England. I suppose I must go down to the door to see him.”

But Will glanced at the name in profound dismay. It was an awkward moment. Heaven knew what might come of it. As he gazed and paused, all that Franz had said to him at the Criterion bar a year before recurred to his mind vividly. He seized Hausberger’s arm with a nervous clutch, and drew him a little aside. “Take care of this man Lindner,” he said in a warning whisper. “He doesn’t love you. He is not to be trusted. If I were you, I wouldn’t see him alone. He owes you a grudge. Ask him up here, and talk with him before us all and the ladies.”

“Did you know he was in London?” Andreas inquired, scarcely flinching.

“Yes; I met him by accident in Bond Street a year ago. I’ve been to hear him sing at the music hall where he works, and he came with Mr Wood and myself to the Duke of Edinburgh’s to seeSweet Maisie, one of my pieces. But he was breathing forth fire and slaughter against you, even then, for leaving him in the lurch that time at Meran. To tell you the truth, he’s a dangerous man in a dangerous mood; I can’t answer for what may happen if you go down alone to him.”

“Letmego down and fetch him,” Florian suggested, blandly. “The job would just suit me. I’m warranted to disarm the most truculent fool in Christendom with a smile and a word or two.”

To this middle course Andreas consented somewhat doubtfully. He knew Franz’s temper and his Tyrolese impetuosity; but, as a Tyroler himself, hot-hearted at core for all his apparent phlegm, he didn’t feel inclined to parley through an ambassador with a pretentious Robbler. However, a scene on the first night would be bad business. That touched a tender point. So he gave way ungraciously. Florian departed, full of importance at his post of envoy, and returned in a minute or two with the Robbler’s ultimatum. “He’s been drinking, I fancy,” he said, “and he’s very wild and excited; Montepulciano in his eye, Lacrima Christi in his gait, Falernian in his utterance. But he’ll come up if you like; only I thought, Rue, as it’s your box, I’d better ask you first whether you’d care to see him.”

“He isn’t drunk, is he?” Rue asked, shrinking back. “We couldn’t have a drunken man shown up into the box here.”

“Not more drunk than a gentleman should be,” Florian answered, airily. “He can walk and talk, and I think he can behave himself. But he’s a good deal flushed, and somewhat flustered, and he expresses a burning desire for Herr Hausberger’s heart-blood, in a guttural bass, with quite unbecoming ferocity.”

Rue shrank away with a frightened face. “Oh, don’t bring him up here!” she cried. “Please, Florian, don’t bring him up here. I’m so afraid of tipsy men; and you don’t really think he wants to murder Herr Hausberger?”

“Well, not exactly tomurderhim, perhaps,” Florian replied, with a tolerant and expansive smile; “that would be positively vulgar; but to fight him, no doubt; and, if possible, to put an end to him. The duel in one form or another, you see, is a most polite institution. We don’t call it murder in good Society. Lindner feels himself aggrieved⁠—⁠there’s a lady in the case⁠—⁠” and he gave an expressive side-glance over his shoulder towards Linnet, “so he desires to bury his knife to the hilt in the gentleman’s body whom, rightly or wrongly, he conceives to have acted ill towards him. Nothing vulgar inthatyou’ll allow: a most natural sentiment. Only, as Herr Hausberger’s friends in this little affair, we must strive our best to see that all things are done, as the apostle advises, decently and in order.”

Linnet drew back with a convulsive gasp. Was this bloodshed they contemplated, and were talking of so calmly? Will laid his hand on Rue’s arm. Even in the heat of the moment, Linnet noticed that simple action, and, she knew not why, her heart sank within her.

“If I were you, Rue,” Will put in very hurriedly, “I’d let this man come in; drunk or sober, I’d see him. It’s better he should speak with Herr Hausberger here than anywhere else. Try to sink your own feelings and put up with him for a minute or two. If you don’t, I’m afraid I can’t answer for the consequences.”

He spoke very seriously. Rue drew back, still shrinking. Her face was pale but her voice was firm. “Very well, Will,” she answered, without another word of demur. “I hate a tipsy man; but ifyouwish it, I’ll see him here.”

Linnet noticed the lingering stress of her voice on theyou, and the obvious familiarity that subsisted between them; and she thought to herself once more, what did it matter to her?⁠—⁠she was Andreas Hausberger’s wife now. Blessed Madonna, protect her!

Florian disappeared a second time, buoyant as usual, and came back in a minute⁠—⁠bringing Franz Lindner with him. The Seer had left the box some moments earlier; Linnet and Rue stood forward towards the door, as if to break the attack, with Andreas in the background, between Will and the manager. Florian flung the door open with his customary flourish. “Mr Franz Lindner!” he said, introducing him with a wave of his dainty small hand, “whose charming performance on the zither we had the pleasure of hearing, you will recollect, Rue, with Signora Casalmonte, some years ago at Innsbruck.”

The Robbler stepped into the box, erect, haughty, defiant. His handsome face was flushed and flown with drink; but his manner was alert, self-respecting, angry. He glared about him with fierce eyes. His left hand, held to his bosom, just defined between finger and thumb the vague shape of the bowie in his breast coat pocket; his right was disengaged with a tremulous quiver, as if in readiness to spring at Andreas Hausberger and throttle him.

With unexpected presence of mind, Rue extended her pretty gloved hand towards the Robbler, cordially, as if she fancied he had come on the most ordinary errand. “We’re so glad to see you, Mr Lindner,” she cried, in a natural voice, and with apparent frankness⁠—⁠though that was a fearful feminine fib; “I remember so well your delightful jodels! You were a member of Herr Hausberger’s company then, I recollect. How charmingly his wife has been singing here this evening!”

The Robbler gazed about him, a little disconcerted at so different a welcome from the one he had expected. However, as things stood, the acquired instincts of civilisation compelled him to hold in check for a moment the more deeply ingrained impulses of his mountain nature. Besides, Rue’s words appealed at once to his personal vanity. To think that this beautiful and exquisitely-dressed lady, with the diamonds on her white neck, and the dainty pale gloves on her tapering fingers, should receive him in her box like a gentleman and an equal! How could he jump at his enemy’s throat then and there before her eyes? How remain insensible to so much grace, so much tact, so much elegance? Moreover, he was taken aback by the number of persons in the box, the unexpected brilliancy, the imposing evening dress, Linnet’s stately costume, Rue’s dazzling jewellery. He had come up there, meaning to rush at his antagonist the very moment he saw him, and plunge a knife into his heart, like a true Tyrolese Robbler, even here in London. Instead of that, he paused irresolute, took the gloved hand in his, bent over it with the native dignity and courtesy of his race, and faltered, in broken English, some inarticulate words of genuine gratification that Mrs Palmer should deign to remember so kindly his poor performances on the zither at Innsbruck.

Then Will came forward in turn, seized the Robbler’s right hand, wrang it hard and long⁠—⁠just to occupy the time, and prevent possible mischief⁠—⁠and poured forth hurried remarks, one after another, hastily, about Linnet’s first appearance, and the success of her singing. It was a friendly meeting. The manager chimed in, with Florian in his most ecstatic mood for chorus. Franz Lindner’s blood boiled; dazed and startled as he was, more than ever now he felt in his heart of how great a prize Andreas Hausberger had defrauded him. By trickery and stealth that sordid wretch had defrauded him. The ladies at the London Pavilion, indeed! Why, Linnet on those boards⁠—⁠Linnet in that dress⁠—⁠Linnet in her transformed and transfigured beauty⁠—⁠she was worth the whole troupe of them! Yet what could he do? Linnet held out her frank hand; Franz grasped it fervently. Her beauty surprised him. She was no longer, he saw well, the mere musical peasant girl; she had risen to the situation; she was now a great artist, a great lady, a queen of the theatre.

Primitive natures are quick. Their emotions are few, but strong and overpowering. Mood succeeds mood with something of the rapidity and successive effacement we see in children. Franz Lindner had entered that box, full of rage and anger, thirsting only for blood, eager to wreak his vengeance on the man who had offended him. He had no thought of love for Linnet then; only a fierce, keen sense of deadly resentment towards Andreas. Now, in a moment, as Linnet let her soft hand lie passive in his, like an old friend recovered, another set of feelings rushed over him irresistibly. His heart leaped up into his mouth at her pressure. Why, Linnet was beautiful; Linnet was exquisite; Linnet was a prize worth any man’s winning. If he stabbed Andreas then and there before his wife’s very eyes, he might glut his revenge, to be sure⁠—⁠but what would that avail him? Why go and be hanged for killing Linnet’s husband, and leave Linnet herself for some other man to woo, and win, and be happy with? Herr Will, there, would thank him, no doubt, for that chance; for he could plainly see by his eyes Herr Will was still deeply in love with Linnet. No, no,⁠—⁠hot heart; down, down for the present! Keep your hands off Andreas’s throat; wait for sweeter vengeance! To win away his wife from him, to steal her by force, to seduce her by soft words, to wile her by blandishment⁠—⁠that were a better revenge in the end than to stick a knife in him now⁠—⁠though to stick a knife, too, is very good requital! Sooner or later, Franz meant to have Andreas Hausberger’s blood. But not to be hanged for it. He would rather live on . . . to kill Hausberger first, and enjoy his wife afterwards.

All this, quick as lightning, not thought but felt in an indivisible flash of time, darted fast through Franz Lindner’s seething brain, at touch of Linnet’s fingers. She spoke a few words to him of friendly reminiscence. Then Andreas, stepping forward, held out his hand in turn. It was a critical moment. Linnet’s heart stood still. Franz lifted his arm, half hesitating, towards his breast coat pocket. Should he stab him⁠—⁠or wring his hand? The surroundings settled it. It’s a thousand times harder to plunge your knife into your man before the eyes of ladies and dramatic critics, in a box of a London theatre, than among the quarrelsome hinds on a Tyrolese hillside. Surlily and grudgingly, Franz lifted his right⁠—⁠extended it with an effort, and shook hands with his enemy. Rue and Linnet looked on in an agony of suspense. Once the grasp was over, every member of the party drew a deep breath involuntarily. The tension was relieved. Conversation ran on as if nothing had happened. The whole little episode occupied no more than two fleeting minutes. At its end they were all chatting with apparent unconcern about old times at Meran and old friends at St Valentin.

Franz was sobered by the conflict of emotion within him. The manager, with great tact and presence of mind, invited him promptly to join them at supper. Franz accepted with a good grace, uncertain yet how he stood with them, and became before long almost boisterously merry. He kept himself within due bounds, indeed, before the faces of the ladies, and drank his share of champagne with surprising moderation. But he talked unceasingly, for the most part to Linnet, Rue, and Florian; very little to Will; hardly at all to Andreas Hausberger. They sat late and long. They had all much to say, and Will, in particular, wished to notice with care the nature of the relations between Linnet and Andreas. At last they rose to go. Will saw Franz sedulously to the door of the supper-rooms. He wanted to make sure the man was really gone. Franz paused for a minute on the threshold of the steps, and gazed out with vague eyes on the slippery Strand. “Zat’s a fine woman,” he said, slowly; “a very fine woman. Andreas Hausberger took her from me. You saved his life zis night. But she’s mine by ze right, and some day I shall claim her!”

Will took Rue home; she dismissed Florian early. In the brougham, as they drove, for some time neither spoke of the subject that was nearest both their hearts; an indescribable shyness possessed and silenced them. At last, Will said, tentatively, in a very timid voice, striking off at a tangent, “She’s more beautiful than ever, and she sang to-night divinely. These years have done much for her, Rue. She returns to us still the same; and yet, oh, how altered!”

“Yes; sheisbeautiful,” Rue answered, in a very low tone⁠—⁠“more beautiful than ever. And such a perfect lady, too⁠—⁠so charming and so graceful, one can’t help loving her. I don’t wonder at you men, Will, when even we women feel it.”

They drove on for another minute or two, each musing silently. Then Will spoke again. “Do you think,” he inquired, in a very anxious voice, “she’s . . . she’s happy with her husband?”

“No!” Rue answered, decisively. It was the short, sharp, extremely explosive “No” that closes a subject.

“I thought not, myself,” Will went on, with still greater constraint. “I was afraid she wasn’t. But . . . I thought . . . I might be prejudiced.”

Rue lifted her eyes, and met his, by the gloom of the gas-lamps. “She’s very unhappy with him,” she burst out all at once with a woman’s instinct. “She does not love him, and has never loved him. How could she⁠—⁠that block of ice⁠—⁠that lump of marble. She tries to do everything that’s right and good towards him, because he’s her husband, and she ought to behave so to him. She’s a good woman, I’m sure⁠—⁠a pure, good woman; her soul’s in her art, and she tries not to think too much of her unhappiness. But she loves somebody else best⁠—⁠and she knows she loves him. I saw it in her eyes, and I couldn’t be deceived about it.”

“You think so?” Will cried, eagerly. Her words were balm to him. Rue drew a deep sigh. “I don’tthinkit; I know it,” she answered, sadly.

“O Rue, how good you are,” Will murmured, with a feeling very much like remorse. “What other woman on earth but yourself would tell me so?”

Rue sighed a second time. “I saw it in her eyes,” she went on, looking hard at him still, “when first she noticed you; I saw it still more when that dreadful man Lindner came up into the box, and she waited trembling, to see what was going to happen. I watched her face; it was full of terror. But it wasn’t the loving terror of a woman who thinks the husband she adores is just about to be attacked; it was the mere physical terror of a shrinking soul at the sight of a crime, a quarrel, a scuffle. You saved that man’s life, Will; whether you know it or not, you saved it; for the other was a quarrelsome, revengeful fellow, who came there fully prepared, as Florian told us, to stab his rival. You saved his life; and when I looked at yourself, and Linnet standing by, I thought at the time what a bad turn you had done⁠——”

“Forher?” Will suggested, in a very low tone.

“Oh no,” Rue answered aloud; “not for her alone, but for you as well⁠—⁠for you and her⁠—⁠for both of you.”

Signora Casalmonte scored a distinct success. She was the great dramatic and musical reality of that London season. All the world flocked to hear her; her voice made the fortune of the Harmony Theatre. She was invited everywhere⁠—⁠“You must have the Casalmonte,” Florian laid down the law in his dictatorial way to Belgravian hostesses⁠—⁠and Andreas Hausberger went always in charge, wherever she moved, to guard his splendid operatic property. And what care Andreas took of her! It was beautiful, beautiful! Unobservant people thought him a most devoted husband. He lingered always by the Signora’s side; he supplied wraps and shawls on the remotest threat of a coming chill; he watched what she ate and drank with the composite eye of a lynx and a physician; he guarded her health from the faintest suspicion of danger in any way. On off-nights, he would seldom allow her to dine out or attend evening parties; on Sundays, he took her down for change of scene and fresh air to the sea or the country. Ozone was his hobby. Every day, the prima donna drove out in the Park, and then walked for exercise a full hour in Kensington Gardens. Unobservant people set all this down to the account of the domestic affections; Will Deverill noticed rather that Andreas guarded his wife as a racing man guards the rising hope of his stables. Andreas was far too sensible a man of the world to run any needless risks with the throat of the woman who made his fortune. He had staked a great deal on her, and he meant to be repaid with compound interest.

As for London itself, it went wild about Linnet. ’Twas the Casalmonte here, the Casalmonte there; thedivawill sing at Lady Smith’s to-night; thedivawill go with Sir Thomas Brown and party to supper. Linnet’s head was half-turned with so much admiration; if she hadn’t been Linnet, indeed, it would have been turned altogether. But that simple childlike nature, though artistically developed and intellectually expanded, remained in emotion as straightforward and unaffected and confiding as ever. Still, that season did the best it knew to spoil her. She was queen of the situation. It rained choice flowers; diamond bracelets and painted fans showered down upon her plentifully. Linnet accepted all this homage, hardly realising its money worth; she was pleased if she gave pleasure; what others gave in return, she took as her right, quite simply and naturally. This charm of her simplicity surprised and delighted all who grew to know her; she had none of the affected airs and graces of the everyday great singer; she sang because she must; at heart she was, as always, the mountain-bred peasant-girl.

Will Deverill saw but little of her. ’Twas better so, he knew, and kinder so for Linnet. Once or twice that year, however, he supped after the theatre in the Strand with “the Hausbergers,” as he had learned to call them. On all these occasions, he noticed, Andreas watched his wife close. “Oneglass of champagne, Linnet; you remember, last time, when you dined at the Mowbrays’, you tooktwoglasses, and you sang next day very much less well for it”; or else⁠—⁠“If I were you, Linnet, I wouldn’t touch that lobster. It disagreed with you once, and I noticed in the evening one or two of your high notes were decidedly not so clear or so sharp as usual.”

“But, Andreas,” Linnet answered, on one such occasion, “I’m sure it doesn’t hurt me. Imusttakesomething. I’ve hardly eaten a single mouthful yet, and to-night I’m so hungry.”

“It does you no harm to be hungry,” Andreas answered, philosophically. “Nobody ever reproached himself afterwards for having eaten too little. A taste of something to eat, after playing a trying part like Melinda, before you go to bed, helps you to sleep sound, and keeps you well and healthy; but a square meal at this hour can’t be good for anybody. It interferes with rest; and what interferes with rest, tells, of course, upon the voice⁠—⁠which is very serious. You may have a bit of that sweetbread, if you like⁠—⁠no; that’s a great deal too much; half that quantity, if you please, Mr Florian. Pull your woollen thing over your shoulder, so, Linnet; there’s a draught from that door! I can’t have you getting as hoarse as a frog to-night, with the Prince and Princess coming to hear you on Monday!”

“Why on earth does she stand it?” Florian asked of Will afterwards, as they walked home together down the unpeopled Strand. “I can’t make it out. There she’s earning Heaven only knows how much a night, and filling the treasury; yet she allows this fellow to bully her and badger her like this; to dictate to her how much she’s to eat and to drink; to make her whole life one perpetual torment to her. Why doesn’t she rise and strike for freedom, I wonder? He’d have to come to terms; she’s too useful to him, you see, for him to risk a quarrel with her.”

“She’s too good⁠—⁠that’s where it is,” Will responded, with a tinge of stifled sadness in his voice; “and, besides, she doesn’t care for him.”

“Of course she doesn’t,” Florian answered, airily. “How could she, indeed!⁠—⁠a mass of selfishness like him!⁠—⁠so mean, so sordid! But that only makes it all the stranger she should ever put up with it. If she doesn’t love him, why on earth does she permit him to dictate to her as he does⁠—⁠to order her and domineer over her?”

“Ah, that’s how it looks to you,” Will answered, with a sigh; “but Linnet⁠—⁠well, Linnet sees things otherwise. You must remember, Florian, above all things, she’s a Catholic. She doesn’tlovethat man, but she’s entered with him into the sacrament of marriage. To her, it has all a religious significance. The less she loves Andreas, the more does she feel she must honour and obey him, and be a good true wife to him. If she loved him, she might perhaps sometimes rebel a little; because she doesn’t love him, she has become a mere slave to do his bidding.”

“I suppose that’s it,” Florian answered, swinging his stick in his hand, and stepping along gingerly. “Drôle de croyance, isn’t it? Still, I call it disgraceful. An exquisite creature like that⁠—⁠a divinely-inspired singer, a supply-moulded form of Hellenic sculpture, whom the Gods above have given us as a precious gift for the common delight and the common enjoyment⁠—⁠to be thwarted and pulled up short at every twist and turn⁠—⁠and by whom, I’d like to know? Why, by a Tyrolese innkeeper⁠—⁠a mere village host⁠—⁠who arrogates to himself the right of monopolising what Heaven meant for us all⁠—⁠Ach!I call it detestable, just simply detestable. He hardly allows her enough to eat and drink. She might just as well be asennerinon her hillside again, for any pleasure or delight she gets out of her success, tied and hampered as she is with this creature Hausberger.”

“That’s quite true,” Will replied. “She was happier in the Zillerthal. She has money, and fine dresses, and jewellery, and applause; but, for any good they can do her, she might as well be without them. Hausberger treats her as a mere machine for making money for him. He’s careful to see the machine works thoroughly well, and doesn’t get out of order⁠—⁠absurdly careful, in fact, for he’s by nature over-cautious; but as for allowing her to enjoy anything of what she earns herself, in any reasonable way⁠—⁠why, it never even occurs to him.”

“Do you think he’s unkind to her?” Florian asked, somewhat carelessly. “I mean, do you think he ill-treats her⁠—⁠keeps her short, and so forth?”

“He doesn’t actively ill-treat her, I’m sure,” Will answered with confidence; “he has far too great a sense of the value of her health to do anything to injure it. And I don’t suppose he even keeps her actually short; she’s always beautifully dressed, of course⁠—⁠that’s part of the advertisement; and he takes her about as much as he can, without risk to her voice, and lavishes a certain sort of wooden care upon her. But I don’t think he ever regards her as a human being at all; he regards her as a delicate musical instrument in which he has invested money, and out of which, during a given number of years, he has to recoup himself and make his fortune. As to sympathy between them, why, naturally, that’s quite out of the question; he’s a harsh, stern man who hardly knows how to be kind, I should say, to anyone.”

Florian brought down his stick on the pavement with a bang. “It’s atrocious,” he said, snorting; “I declare, quite atrocious. Here’s this exquisite creature⁠—⁠a banquet fit for the Gods⁠—⁠with her superb voice and her queenly beauty; a creature almost too ethereal for ordinary humanity to touch or handle; one that should be reserved by common consent for the delectation of the very pink and pick of the species”⁠—⁠and he drew himself up to his five feet nothing with a full consciousness of his own claim to be duly enrolled in that select category⁠—⁠“here’s this exquisite creature, who should be held in trust, as it were, for the noblest and truest and best of our kind⁠—⁠a Koh-i-noor among women⁠—⁠flung away upon a solid, stolid, three-per-cent. investing, money-grubbing, German-speaking beerhouse-keeper. Pah! It makes me sick! This Danae to a Satyr! How a Greek would have writhed at it!”

“And yet I thought,” Will murmured, reflectively, with a quiet little smile, “you considered her a cow-girl, and looked upon her as just fit for gentlemen to play skittles with!”

It took a great deal to abash Florian. He paused for a second, then he answered with warmth, “Now, there, Deverill! that’s just like you. You want me to be consistent! But the philosophic mind, as Herbert Spencer remarks, is always open to modification by circumstances. Consistency is the virtue of the Philistine intellect; it means, inability to march abreast with events, to readjust one’s ideas, one’s sympathies, one’s sentiments, to the ever-changing face of circumambient nature. When we saw Linnet first in the Tyrol, long ago, why, the girl was a cow-girl; a cow-girl she was, and a cow-girl I called her. I frankly recognised the facts of life as I found them⁠—⁠though I saw even then, with a voice like that, there was no perilous pinnacle of name or fame to which fate might not summon her. Now that she reappears in London once more, a flaming meteor of song, the cynosure of neighbouring eyes, a flashing diamond of the purest water, I recognise equally the altered facts. I allow that training, education, travel, the society of cultivated men and women, have practically made a brand-new Linnet of her. It’s that brand-new Linnet I admire and adore⁠—⁠that queen of the stage, not the Tyrolese cow-girl.”

Will turned sharp down Craven Street “And I,” he said, with a Parthian shot, “I admire and adore the real woman herself⁠—⁠the same Linnet still that we knew in the Zillerthal.”

Meanwhile, Andreas Hausberger, lighting a big cigar, had taken his wife down to a cab outside the supper-room.

“O Andreas!” Linnet cried, in German, “you’ve called a hansom. I can’t bear those things, you know. I wanted a four-wheeler.”

Andreas looked at her fixedly. “Get in!” he said, with curt decision. “Don’t stand and talk like that out here in the cold street, opening your throat in this foggy air after those over-heated rooms. It’s simply ridiculous. And mind you don’t knock your dress against that muddy wheel! Pick it up, I say! pick it up! Youareso careless!”

“But, Andreas!” Linnet exclaimed, in an imploring tone, “I hate these hansoms so. Whenever I go in one, the horse invariably either kicks or jibs. I wish, just this once, you’d let me have a four-wheeler.”

She spoke almost coaxingly. Andreas turned to her with an angry German oath. “Didn’t I tell you to get in at once?” he cried. “Pull that thing over your shoulder. Don’t stand here chattering and catching cold all night. Jump in when I bid you. A pretty sort of thing, indeed, if you’re going to stop and discuss in a dress like that on an English evening upon these muddy pavements!” He helped her up the step, guarding her skirt with one hand, and jumped after her sulkily. “Avenue Road, St John’s Wood!” he called out through the flap to the attentive cabman. “Half-past twelve! Ach,donner-wetter! How late we’ve stayed! We’ll have to pay double fare! Have you got your purse with you?”

“Yes,” Linnet half sobbed out; “but I’ve hardly any money⁠—⁠not enough for the cab in it. You gave me half-a-sovereign, you know, and I paid for those gloves, and got a new bottle of that mixture at the chemist’s.”

“Only three shillings left!” Andreas exclaimed, opening the purse, and screwing his mouth up curiously. “Only three shillings left, out of a whole half-sovereign! So! London’s the dearest town for everything on earth I ever lived in. Only three shillings left! Well, that’s enough for the cab; it’s a one-and-sixpenny fare, and I rather think they double it at midnight.”

“Mayn’t I have sixpence over fortrinkgeld?” Linnet ventured to inquire, in a timid voice. “When they go so far at this time of night, they always expect something.”

“No; certainly not,” Andreas answered; “why on earth should you give it to them? If you or I expect something, do other people make that any reason for giving it us? Three shillings is the legal fare; if he doesn’t like that⁠—⁠there’s no compulsion⁠—⁠he needn’t be a cabman. Three-and-sixpence indeed! why you talk as if it was water! Three-and-sixpence is a lot to spend on oneself in a single evening.”

“I should have thought so at St Valentin,” Linnet answered, softly; “but I earn so much, now. You must save a great deal, Andreas.”

“And I spent a great deal in getting you trained and educated,” Andreas retorted with a sneer. “But that’s all forgotten. You never think aboutthat. You talk as though it was you yourself by your unaided skill who earned all the money. How could you ever have earned it, I should like to know, if I hadn’t put you in the way of getting a thorough musical training? You were asennerinwhen I married you⁠—⁠and now you’re a lady, Signora. Besides, there’s your dress; remember, that swallows up a good third of what we earn. I sayweadvisedly, for the capital invested earns its share of the total just as truly as you do.”

“But, Andreas, I only want sixpence,” Linnet pleaded, earnestly. “For the poor cold cabman! I’m sure I don’t spend much⁠—⁠not compared with what I get; and the man looks old and cold and tired. I ought to have a shilling or two a week for pocket money. It’s like a child to have to ask you for every penny I’m spending.”

Andreas pulled out half-a-crown, which he handed her grudgingly. “There, take that, and hold your tongue,” he said. “It’s no use speaking to you. I told you before not to talk in this misty air. If you don’t care yourself whether it hurts you or not, you owe it tome, at least, after all I’ve done for you.”

Linnet leant back in her place, and began to cry silently. She let the tears trickle one by one down her cheeks. As Andreas grew richer, she thought, he grew harder and harder to her. For some minutes, however, her husband didn’t seem even to notice her tears. Then he turned upon her suddenly. “If you’re going to do like that,” he said, “your eyes’ll be too red and swollen to appear at all on Monday⁠—⁠and what’ll happen then, I’d like to know, Signora. Dry them up; dry them up at once, I tell you. Haven’t I given you the money?”

Linnet dried her eyes as she was bid; she always obeyed him. But she thought involuntarily of how kind Will had been, and how nicely he had spoken to her. And then⁠—⁠oh, then, she clasped the little Madonna hard in her fist once more, and prayed low to be given strength to endure her burden!


Back to IndexNext