It must have seemed incomprehensible to such a Cantabrigian that we should ever have been willing to leave Cambridge, and in fact I do not well understand it myself. But if he resented it, he never showed his resentment. As often as I happened to meet him after our defection he used me with unabated kindness, and sparkled into some gaiety too ethereal for remembrance. The last time I met him was at Lowell’s funeral, when I drove home with him and Curtis and Child, and in the revulsion from the stress of that saddest event, had our laugh, as people do in the presence of death, at something droll we remembered of the friend we mourned.
My nearest literary neighbor, when we lived in Sacramento Street, was the Rev. Dr. John G. Palfrey, the historian of New England, whose chimney-tops amid the pine-tops I could see from my study window when the leaves were off the little grove of oaks between us. He was one of the first of my acquaintances, not suffering the great disparity of our ages to count against me, but tactfully and sweetly adjusting himself to my youth in the friendly intercourse which he invited. He was a most gentle and kindly old man, with still an interest in liberal things which lasted till the infirmities of age secluded him from the world and all its interests. As is known, he had been in his prime one of the foremost of the New England anti-slavery men, and he had fought the good fight with a heavy heart for a brother long settled in Louisiana who sided with the South, and who after the civil war found himself disfranchised. In this temporary disability he came North to visit Doctor Palfrey upon the doctor’s insistence, though at first he would have nothing to do with him, and refused even to answer his letters. “Of course,” the doctor said, “I was not going to stand that from my mother’s son, and I simply kept on writing.” So he prevailed, but the fiery old gentleman from Louisiana was reconciled to nothing in the North but his brother, and when he came to return my visit, he quickly touched upon his cause of quarrel with us. “I can’t vote,” he declared, “but my coachman can, and I don’t know how I’m to get the suffrage, unless my physician paints me all over with the iodine he’s using for my rheumatic side.”
Doctor Palfrey was most distinctly of the Brahminical caste and was long an eminent Unitarian minister, but at the time I began to know him he had long quitted the pulpit. He was so far of civic or public character as to be postmaster at Boston, when we were first neighbors, but this officiality was probably so little in keeping with his nature that it was like a return to his truer self when he ceased to hold the place, and gave his time altogether to his history. It is a work which will hardly be superseded in the interest of those who value thorough research and temperate expression. It is very just, and without endeavor for picture or drama it is to me very attractive. Much that has to be recorded of New England lacks charm, but he gave form and dignity and presence to the memories of the past, and the finer moments of that great story, he gave with the simplicity that was their best setting. It seems to me such an apology (in the old sense) as New England might have written for herself, and in fact Doctor Palfrey was a personification of New England in one of the best and truest kinds. He was refined in the essential gentleness of his heart without being refined away; he kept the faith of her Puritan tradition though he no longer kept the Puritan faith, and his defence of the Puritan severity with the witches and Quakers was as impartial as it was efficient in positing the Puritans as of their time, and rather better and not worse than other people of the same time. He was himself a most tolerant man, and his tolerance was never weak or fond; it stopped well short of condoning error, which he condemned when he preferred to leave it to its own punishment. Personally he was without any flavor of harshness; his mind was as gentle as his manner, which was one of the gentlest I have ever known.
Of as gentle make but of more pensive temper, with unexpected bursts of lyrical gaiety, was Christopher Pearse Cranch, the poet, whom I had known in New York long before he came to live in Cambridge. He could not only play and sing most amusing songs, but he wrote very good poems and painted pictures perhaps not so good. I always liked his Venetian pictures, for their poetic, unsentimentalized veracity, and I printed as well as liked many of his poems. During the time that I knew him more than his due share of troubles and sorrows accumulated themselves on his fine head, which the years had whitened, and gave a droop to the beautiful, white-bearded face. But he had the artist soul and the poet heart, and no doubt he could take refuge in these from the cares that shadowed his visage. My acquaintance with him in Cambridge renewed itself upon the very terms of its beginning in New York. We met at Longfellow’s table, where he lifted up his voice in the Yankee folk-song, “On Springfield Mountain there did dwell,” which he gave with a perfectly killing mock-gravity.
At Cambridge the best society was better, it seems to me, than even that of the neighboring capital. It would be rather hard to prove this, and I must ask the reader to take my word for it, if he wishes to believe it. The great interests in that pleasant world, which I think does not present itself to my memory in a false iridiscence, were the intellectual interests, and all other interests were lost in these to such as did not seek them too insistently.
People held themselves high; they held themselves personally aloof from people not duly assayed; their civilization was still Puritan though their belief had long ceased to be so. They had weights and measure, stamped in an earlier time, a time surer of itself than ours, by which they rated the merit of all comers, and rejected such as did not bear the test. These standards were their own, and they were satisfied with them; most Americans have no standards of their own, but these are not satisfied even with other people’s, and so our society is in a state of tolerant and tremulous misgiving.
Family counted in Cambridge, without doubt, as it counts in New England everywhere, but family alone did not mean position, and the want of family did not mean the want of it. Money still less than family commanded; one could be openly poor in Cambridge without open shame, or shame at all, for no one was very rich there, and no one was proud of his riches.
I do not wonder that Turguenieff thought the conditions ideal, as Boyesen portrayed them to him; and I look back at my own life there with wonder at my good fortune. I was sensible, and I still am sensible this had its alloys. I was young and unknown and was making my way, and I had to suffer some of the penalties of these disadvantages; but I do not believe that anywhere else in this ill-contrived economy, where it is vainly imagined that the material struggle forms a high incentive and inspiration, would my penalties have been so light. On the other hand, the good that was done me I could never repay if I lived all over again for others the life that I have so long lived for myself. At times, when I had experienced from those elect spirits with whom I was associated, some act of friendship, as signal as it was delicate, I used to ask myself, how I could ever do anything unhandsome or ungenerous towards any one again; and I had a bad conscience the next time I did it.
The air of the Cambridge that I knew was sufficiently cool to be bracing, but what was of good import in me flourished in it. The life of the place had its lateral limitations; sometimes its lights failed to detect excellent things that lay beyond it; but upward it opened illimitably. I speak of it frankly because that life as I witnessed it is now almost wholly of the past. Cambridge is still the home of much that is good and fine in our literature: one realizes this if one names Colonel Thomas Wentworth Higginson, Mr. John Fiske, Mr. William James, Mr. Horace E. Scudder, not to name any others, but the first had not yet come back to live in his birthplace at the time I have been writing of, and the rest had not yet their actual prominence. One, in deed among so many absent, is still present there, whom from time to time I have hitherto named without offering him the recognition which I should have known an infringement of his preferences. But the literary Cambridge of thirty years ago could not be clearly imagined or justly estimated without taking into account the creative sympathy of a man whose contributions to our literature only partially represent what he has constantly done for the humanities. I am sure that, after the easy heroes of the day are long forgot, and the noisy fames of the strenuous life shall dwindle to their essential insignificance before those of the gentle life, we shall all see in Charles Eliot Norton the eminent scholar who left the quiet of his books to become our chief citizen at the moment when he warned his countrymen of the ignominy and disaster of doing wrong.
It is doubtful whether the survivor of any order of things finds compensation in the privilege, however undisputed by his contemporaries, of recording his memories of it. This is, in the first two or three instances, a pleasure. It is sweet to sit down, in the shade or by the fire, and recall names, looks, and tones from the past; and if the Absences thus entreated to become Presences are those of famous people, they lend to the fond historian a little of their lustre, in which he basks for the time with an agreeable sense of celebrity. But another time comes, and comes very soon, when the pensive pleasure changes to the pain of duty, and the precious privilege converts itself into a grievous obligation. You are unable to choose your company among those immortal shades; if one, why not another, where all seem to have a right to such gleams of this ‘dolce lome’ as your reminiscences can shed upon them? Then they gather so rapidly, as the years pass, in these pale realms, that one, if one continues to survive, is in danger of wearing out such welcome, great or small, as met ones recollections in the first two or three instances, if one does one’s duty by each. People begin to say, and not without reason, in a world so hurried and wearied as this: “Ah, here he is again with his recollections!” Well, but if the recollections by some magical good-fortune chance to concern such a contemporary of his as, say, Bret Harte, shall not he be partially justified, or at least excused?
My recollections of Bret Harte begin with the arrest, on the Atlantic shore, of that progress of his from the Pacific Slope, which, in the simple days of 1871, was like the progress of a prince, in the universal attention and interest which met and followed it. He was indeed a prince, a fairy prince in whom every lover of his novel and enchanting art felt a patriotic property, for his promise and performance in those earliest tales of ‘The Luck of Roaring Camp’, and ‘Tennessee’s Partner’, and ‘Maggles’, and ‘The Outcasts of Poker Flat’, were the earnests of an American literature to come. If it is still to come, in great measure, that is not Harte’s fault, for he kept on writing those stories, in one form or another, as long as he lived. He wrote them first and last in the spirit of Dickens, which no man of his time could quite help doing, but he wrote them from the life of Bret Harte, on the soil and in the air of the newest kind of new world, and their freshness took the soul of his fellow-countrymen not only with joy, but with pride such as the Europeans, who adored him much longer, could never know in him.
When the adventurous young editor who had proposed being his host for Cambridge and the Boston neighborhood, while Harte was still in San Francisco, and had not yet begun his princely progress eastward, read of the honors that attended his coming from point to point, his courage fell, as if he had perhaps, committed himself in too great an enterprise. Who was he, indeed, that he should think of making this
“Dear son of memory, great heir of fame,”
his guest, especially when he heard that in Chicago Harte failed of attending a banquet of honor because the givers of it had not sent a carriage to fetch him to it, as the alleged use was in San Francisco? Whether true or not, and it was probably not true in just that form, it must have been this rumor which determined his host to drive into Boston for him with the handsomest hack which the livery of Cambridge afforded, and not trust to the horse-car and the local expressman to get him and his baggage out, as he would have done with a less portentous guest. However it was, he instantly lost all fear when they met at the station, and Harte pressed forward with his cordial hand-clasp, as if he were not even a fairy prince, and with that voice and laugh which were surely the most winning in the world. He was then, as always, a child of extreme fashion as to his clothes and the cut of his beard, which he wore in a mustache and the drooping side-whiskers of the day, and his jovial physiognomy was as winning as his voice, with its straight nose and fascinating thrust of the under lip, its fine eyes, and good forehead, then thickly crowned with the black hair which grew early white, while his mustache remained dark the most enviable and consoling effect possible in the universal mortal necessity of either aging or dying. He was, as one could not help seeing, thickly pitted, but after the first glance one forgot this, so that a lady who met him for the first time could say to him, “Mr. Harte, aren’t you afraid to go about in the cars so recklessly when there is this scare about smallpox?” “No, madam,” he could answer in that rich note of his, with an irony touched by pseudo-pathos, “I bear a charmed life.”
The drive out from Boston was not too long for getting on terms of personal friendship with the family which just filled the hack, the two boys intensely interested in the novelties of a New England city and suburb, and the father and mother continually exchanging admiration of such aspects of nature as presented themselves in the leafless sidewalk trees, and patches of park and lawn. They found everything so fine, so refined, after the gigantic coarseness of California, where the natural forms were so vast that one could not get on companionable terms with them. Their host heard them without misgiving for the world of romance which Harte had built up among those huge forms, and with a subtle perception that this was no excursion of theirs to the East, but a lifelong exodus from the exile which he presently understood they must always have felt California to be. It is different now, when people are every day being born in California, and must begin to feel it home from the first breath, but it is notable that none of the Californians of that great early day have gone back to live amid the scenes which inspired and prospered them.
Before they came in sight of the editor’s humble roof he had mocked himself to his guest for his trepidations, and Harte with burlesque magnanimity had consented to be for that occasion only something less formidable than he had loomed afar. He accepted with joy the theory of passing a week in the home of virtuous poverty, and the week began as delightfully as it went on. From first to last Cambridge amused him as much as it charmed him by that air of academic distinction which was stranger to him even than the refined trees and grass. It has already been told how, after a list of the local celebrities had been recited to him, he said, “why, you couldn’t stand on your front porch and fire off your revolver without bringing down a two volumer,” and no doubt the pleasure he had in it was the effect of its contrast with the wild California he had known, and perhaps, when he had not altogether known it, had invented.
Cambridge began very promptly to show him those hospitalities which he could value, and continued the fable of his fairy princeliness in the curiosity of those humbler admirers who could not hope to be his hosts or his fellow-guests at dinner or luncheon. Pretty presences in the tie-backs of the period were seen to flit before the home of virtuous poverty, hungering for any chance sight of him which his outgoings or incomings might give. The chances were better with the outgoings than with the incomings, for these were apt to be so hurried, in the final result of his constitutional delays, as to have the rapidity of the homing pigeon’s flight, and to afford hardly a glimpse to the quickest eye. It cannot harm him, or any one now, to own that Harte was nearly always late for those luncheons and dinners which he was always going out to, and it needed the anxieties and energies of both families to get him into his clothes, and then into the carriage where a good deal of final buttoning must have been done, in order that he might not arrive so very late. He was the only one concerned who was quite unconcerned; his patience with his delays was inexhaustible; he arrived at the expected houses smiling, serenely jovial, radiating a bland gaiety from his whole person, and ready to ignore any discomfort he might have occasioned.
Of course, people were glad to have him on his own terms, and it may be truly said that it was worth while to have him on any terms. There never was a more charming companion, an easier or more delightful guest.
It was not from what he said, for he was not much of a talker, and almost nothing of a story-teller; but he could now and then drop the fittest word, and with a glance or smile of friendly intelligence express the appreciation of another’s fit word which goes far to establish for a man the character of boon humorist. It must be said of him that if he took the honors easily that were paid him he took them modestly, and never by word or look invited them, or implied that he expected them. It was fine to see him humorously accepting the humorous attribution of scientific sympathies from Agassiz, in compliment of his famous epic describing the incidents that “broke up the society upon the Stanislow.” It was a little fearsome to hear him frankly owning to Lowell his dislike for something over-literary in the phrasing of certain verses of ‘The Cathedral.’ But Lowell could stand that sort of thing from a man who could say the sort of things that Harte said to him of that delicious line picturing the bobolink as he
“Runs down a brook of laughter in the air.”
This, Harte told him, was the line he liked best of all his lines, and Lowell smoked well content with the praise. Yet they were not men to get on easily together, Lowell having limitations in directions where Harte had none. Afterward in London they did not meet often or willingly. Lowell owned the brilliancy and uncommonness of Harte’s gift, while he sumptuously surfeited his passion of finding everybody more or less a Jew by finding that Harte was at least half a Jew on his father’s side; he had long contended for the Hebraicism of his name.
With all his appreciation of the literary eminences whom Fields used to class together as “the old saints,” Harte had a spice of irreverence that enabled him to take them more ironically than they might have liked, and to see the fun of a minor literary man’s relation to them. Emerson’s smoking amused him, as a Jovian self-indulgence divinely out of character with so supreme a god, and he shamelessly burlesqued it, telling how Emerson at Concord had proposed having a “wet night” with him over a glass of sherry, and had urged the scant wine upon his young friend with a hospitable gesture of his cigar. But this was long after the Cambridge episode, in which Longfellow alone escaped the corrosive touch of his subtle irreverence, or, more strictly speaking, had only the effect of his reverence. That gentle and exquisitely modest dignity, of Longfellow’s he honored with as much veneration as it was in him to bestow, and he had that sense of Longfellow’s beautiful and perfected art which is almost a test of a critic’s own fineness.
As for Harte’s talk, it was mostly ironical, not to the extreme of satire, but tempered to an agreeable coolness even for the things he admired. He did not apparently care to hear himself praised, but he could very accurately and perfectly mark his discernment of excellence in others. He was at times a keen observer of nature and again not, apparently. Something was said before him and Lowell of the beauty of his description of a rabbit, startled with fear among the ferns, and lifting its head with the pulsation of its frightened heart visibly shaking it; then the talk turned on the graphic homeliness of Dante’s noticing how the dog’s skin moves upon it, and Harte spoke of the exquisite shudder with which a horse tries to rid itself of a fly.
But once again, when an azalea was shown to him as the sort of bush that Sandy drunkenly slept under in ‘The Idyl of Iced Gulch’, he asked, “Why, is that an azalea?” To be sure, this might have been less from his ignorance or indifference concerning the quality of the bush he had sent Sandy to sleep under than from his willingness to make a mock of an azalea in a very small pot, so disproportionate to uses which an azalea of Californian size could easily lend itself to.
You never could be sure of Harte; he could only by chance be caught in earnest about anything or anybody. Except for those slight recognitions of literary, traits in his talk with Lowell, nothing remained from his conversation but the general criticism he passed upon his brilliant fellow-Hebrew Heine, as “rather scorbutic.” He preferred to talk about the little matters of common incident and experience. He amused himself with such things as the mystification of the postman of whom he asked his way to Phillips Avenue, where he adventurously supposed his host to be living. “Why,” the postman said, “there is no Phillips Avenue in Cambridge. There’s Phillips Place.” “Well,” Harte assented, “Phillips Place will do; but there is a Phillips Avenue.” He entered eagerly into the canvass of the distinctions and celebrities asked to meet him at the reception made for him, but he had even a greater pleasure in compassionating his host for the vast disparity between the caterer’s china and plated ware and the simplicities and humilities of the home of virtuous poverty; and he spluttered with delight at the sight of the lofty ‘epergnes’ set up and down the supper-table when he was brought in to note the preparations made in his honor. Those monumental structures were an inexhaustible joy to him; he walked round and round the room, and viewed them in different perspectives, so as to get the full effect of the towering forms that dwarfed it so.
He was a tease, as many a sweet and fine wit is apt to be, but his teasing was of the quality of a caress, so much kindness went with it. He lamented as an irreparable loss his having missed seeing that night an absent-minded brother in literature, who came in rubber shoes, and forgetfully wore them throughout the evening. That hospitable soul of Ralph Keeler, who had known him in California, but had trembled for their acquaintance when he read of all the honors that might well have spoiled Harte for the friends of his simpler days, rejoiced in the unchanged cordiality of his nature when they met, and presently gave him one of those restaurant lunches in Boston, which he was always sumptuously providing out of his destitution. Harte was the life of a time which was perhaps less a feast of reason than a flow of soul. The truth is, there was nothing but careless stories carelessly told, and jokes and laughing, and a great deal of mere laughing without the jokes, the whole as unlike the ideal of a literary symposium as well might be; but there was present one who met with that pleasant Boston company for the first time, and to whom Harte attributed a superstition of Boston seriousness not realized then and there. “Look at him,” he said, from time to time. “This is the dream of his life,” and then shouted and choked with fun at the difference between the occasion and the expectation he would have imagined in his commensal’s mind. At a dinner long after in London, where several of the commensals of that time met again, with other literary friends of a like age and stature, Harte laid his arms well along their shoulders as they formed in a half-circle before him, and screamed out in mocking mirth at the bulbous favor to which the slim shapes of the earlier date had come. The sight was not less a rapture to him that he was himself the prey of the same practical joke from the passing years. The hair which the years had wholly swept from some of those thoughtful brows, or left spindling autumnal spears, “or few or none,” to “shake against the cold,” had whitened to a wintry snow on his, while his mustache had kept its youthful black. “He looks,” one of his friends said to another as they walked home together, “like a French marquis of the ancien regime.” “Yes,” the other assented, thoughtfully, “or like an American actor made up for the part.”
The saying closely fitted the outward fact, but was of a subtle injustice in its implication of anything histrionic in Harte’s nature. Never was any man less a ‘poseur’; he made simply and helplessly known what he was at any and every moment, and he would join the witness very cheerfully in enjoying whatever was amusing in the disadvantage to himself. In the course of events, which were in his case so very human, it came about on a subsequent visit of his to Boston that an impatient creditor decided to right himself out of the proceeds of the lecture which was to be given, and had the law corporeally present at the house of the friend where Harte dined, and in the anteroom at the lecture-hall, and on the platform, where the lecture was delivered with beautiful aplomb and untroubled charm. He was indeed the only one privy to the law’s presence who was not the least affected by it, so that when his host of an earlier time ventured to suggest, “Well, Harte, this is the old literary tradition; this is the Fleet business over again,” he joyously smote his thigh and crowed out, “Yes, the Fleet!” No doubt he tasted all the delicate humor of the situation, and his pleasure in it was quite unaffected.
If his temperament was not adapted to the harsh conditions of the elder American world, it might very well be that his temperament was not altogether in the wrong. If it disabled him for certain experiences of life, it was the source of what was most delightful in his personality, and perhaps most beautiful in his talent. It enabled him to do such things as he did without being at all anguished for the things he did not do, and indeed could not. His talent was not a facile gift; he owned that he often went day after day to his desk, and sat down before that yellow post-office paper on which he liked to write his literature, in that exquisitely refined script of his, without being able to inscribe a line. It may be owned for him that though he came to the East at thirty-four, which ought to have been the very prime of his powers, he seemed to have arrived after the age of observation was past for him. He saw nothing aright, either in Newport, where he went to live, or in New York, where he sojourned, or on those lecturing tours which took him about the whole country; or if he saw it aright, he could not report it aright, or would not. After repeated and almost invariable failures to deal with the novel characters and circumstances which he encountered he left off trying, and frankly went back to the semi-mythical California he had half discovered, half created, and wrote Bret Harte over and over as long as he lived. This, whether he did it from instinct or from reason, was the best thing he could do, and it went as nearly as might be to satisfy the insatiable English fancy for the wild America no longer to be found on our map.
It is imaginable of Harte that this temperament defended him from any bitterness in the disappointment he may have shared with that simple American public which in the early eighteen-seventies expected any and everything of him in fiction and drama. The long breath was not his; he could not write a novel, though he produced the like of one or two, and his plays were too bad for the stage, or else too good for it. At any rate, they could not keep it, even when they got it, and they denoted the fatigue or the indifference of their author in being dramatizations of his longer or shorter fictions, and not originally dramatic efforts. The direction in which his originality lasted longest, and most strikingly affirmed his power, was in the direction of his verse.
Whatever minds there may be about Harte’s fiction finally, there can hardly be more than one mind about his poetry. He was indeed a poet; whether he wrote what drolly called itself “dialect,” or wrote language, he was a poet of a fine and fresh touch. It must be allowed him that in prose as well he had the inventive gift, but he had it in verse far more importantly. There are lines, phrases, turns in his poems, characterizations, and pictures which will remain as enduringly as anything American, if that is not saying altogether too little for them. In poetry he rose to all the occasions he made for himself, though he could not rise to the occasions made for him, and so far failed in the demands he acceded to for a Phi Beta Kappa poem, as to come to that august Harvard occasion with a jingle so trivial, so out of keeping, so inadequate that his enemies, if he ever truly had any, must have suffered from it almost as much as his friends. He himself did not suffer from his failure, from having read before the most elect assembly of the country a poem which would hardly have served the careless needs of an informal dinner after the speaking had begun; he took the whole disastrous business lightly, gayly, leniently, kindly, as that golden temperament of his enabled him to take all the good or bad of life.
The first year of his Eastern sojourn was salaried in a sum which took the souls of all his young contemporaries with wonder, if no baser passion, in the days when dollars were of so much farther flight than now, but its net result in a literary return to his publishers was one story and two or three poems. They had not profited much by his book, which, it will doubtless amaze a time of fifty thousand editions selling before their publication, to learn had sold only thirty-five hundred in the sixth month of its career, as Harte himself,
“With sick and scornful looks averse,”
confided to his Cambridge host after his first interview with the Boston counting-room. It was the volume which contained “The Luck of Roaring Camp,” and the other early tales which made him a continental, and then an all but a world-wide fame. Stories that had been talked over, and laughed over, and cried over all up and down the land, that had been received with acclaim by criticism almost as boisterous as their popularity, and recognized as the promise of greater things than any done before in their kind, came to no more than this pitiful figure over the booksellers’ counters. It argued much for the publishers that in spite of this stupefying result they were willing, they were eager, to pay him ten thousand dollars for whatever, however much or little, he chose to write in a year: Their offer was made in Boston, after some offers mortifyingly mean, and others insultingly vague, had been made in New York.
It was not his fault that their venture proved of such slight return in literary material. Harte was in the midst of new and alien conditions,—[See a corollary in M. Froude who visited the U.S. for a few months and then published a comprehensive analysis of the nation and its people. Twain’s rebuttal (Mr. Froude’s Progress) would have been ‘a propos’ for Harte in Cambridge. D.W.]—and he had always his temperament against him, as well as the reluctant if not the niggard nature of his muse. He would no doubt have been only too glad to do more than he did for the money, but actually if not literally he could not do more. When it came to literature, all the gay improvidence of life forsook him, and he became a stern, rigorous, exacting self-master, who spared himself nothing to achieve the perfection at which he aimed. He was of the order of literary men like Goldsmith and De Quincey, and Sterne and Steele, in his relations with the outer world, but in his relations with the inner world he was one of the most duteous and exemplary citizens. There was nothing of his easy-going hilarity in that world; there he was of a Puritanic severity, and of a conscience that forgave him no pang. Other California writers have testified to the fidelity with which he did his work as editor. He made himself not merely the arbiter but the inspiration of his contributors, and in a region where literature had hardly yet replaced the wild sage-brush of frontier journalism, he made the sand-lots of San Francisco to blossom as the rose, and created a literary periodical of the first class on the borders of civilization.
It is useless to wonder now what would have been his future if the publisher of the Overland Monthly had been of imagination or capital enough to meet the demand which Harte dimly intimated to his Cambridge host as the condition of his remaining in California. Publishers, men with sufficient capital, are of a greatly varying gift in the regions of prophecy, and he of the Overland Monthly was not to be blamed if he could not foresee his account in paying Harte ten thousand a year to continue editing the magazine. He did according to his lights, and Harte came to the East, and then went to England, where his last twenty-five years were passed in cultivating the wild plant of his Pacific Slope discovery. It was always the same plant, leaf and flower and fruit, but it perennially pleased the constant English world, and thence the European world, though it presently failed of much delighting these fastidious States. Probably he would have done something else if he could; he did not keep on doing the wild mining-camp thing because it was the easiest, but because it was for him the only possible thing. Very likely he might have preferred not doing anything.
The joyous visit of a week, which has been here so poorly recovered from the past, came to an end, and the host went with his guest to the station in as much vehicular magnificence as had marked his going to meet him there. Harte was no longer the alarming portent of the earlier time, but an experience of unalloyed delight. You must love a person whose worst trouble-giving was made somehow a favor by his own unconsciousness of the trouble, and it was a most flattering triumph to have got him in time, or only a little late, to so many luncheons and dinners. If only now he could be got to the train in time the victory would be complete, the happiness of the visit without a flaw. Success seemed to crown the fondest hope in this respect. The train had not yet left the station; there stood the parlor-car which Harte had seats in; and he was followed aboard for those last words in which people try to linger out pleasures they have known together. In this case the sweetest of the pleasures had been sitting up late after those dinners, and talking them over, and then degenerating from that talk into the mere giggle and making giggle which Charles Lamb found the best thing in life. It had come to this as the host and guest sat together for those parting moments, when Harte suddenly started up in the discovery of having forgotten to get some cigars. They rushed out of the train together, and after a wild descent upon the cigar-counter of the restaurant, Harte rushed back to his car. But by this time the train was already moving with that deceitful slowness of the departing train, and Harte had to clamber up the steps of the rearmost platform. His host clambered after, to make sure that he was aboard, which done, he dropped to the ground, while Harte drew out of the station, blandly smiling, and waving his hand with a cigar in it, in picturesque farewell from the platform.
Then his host realized that he had dropped to the ground barely in time to escape being crushed against the side of the archway that sharply descended beside the steps of the train, and he went and sat down in that handsomest hack, and was for a moment deathly sick at the danger that had not realized itself to him in season. To be sure, he was able, long after, to adapt the incident to the exigencies of fiction, and to have a character, not otherwise to be conveniently disposed of, actually crushed to death between a moving train and such an archway.
Besides, he had then and always afterward, the immense super-compensation of the memories of that visit from one of the most charming personalities in the world,
“In life’s morning march when his bosom was young,”
and when infinitely less would have sated him. Now death has come to join its vague conjectures to the broken expectations of life, and that blithe spirit is elsewhere. But nothing can take from him who remains the witchery of that most winning presence. Still it looks smiling from the platform of the car, and casts a farewell of mock heartbreak from it. Still a gay laugh comes across the abysm of the years that are now numbered, and out of somewhere the hearer’s sense is rapt with the mellow cordial of a voice that was like no other.
[This last paragraph reminds one again that, as with Holmes: a great poet writes the best prose. D.W.]
It was in the little office of James T. Fields, over the bookstore of Ticknor & Fields, at 124 Tremont Street, Boston, that I first met my friend of now forty-four years, Samuel L. Clemens. Mr. Fields was then the editor of The Atlantic Monthly, and I was his proud and glad assistant, with a pretty free hand as to manuscripts, and an unmanacled command of the book-notices at the end of the magazine. I wrote nearly all of them myself, and in 1869 I had written rather a long notice of a book just winning its way to universal favor. In this review I had intimated my reservations concerning the ‘Innocents Abroad’, but I had the luck, if not the sense, to recognize that it was such fun as we had not had before. I forget just what I said in praise of it, and it does not matter; it is enough that I praised it enough to satisfy the author. He now signified as much, and he stamped his gratitude into my memory with a story wonderfully allegorizing the situation, which the mock modesty of print forbids my repeating here. Throughout my long acquaintance with him his graphic touch was always allowing itself a freedom which I cannot bring my fainter pencil to illustrate. He had the Southwestern, the Lincolnian, the Elizabethan breadth of parlance, which I suppose one ought not to call coarse without calling one’s self prudish; and I was often hiding away in discreet holes and corners the letters in which he had loosed his bold fancy to stoop on rank suggestion; I could not bear to burn them, and I could not, after the first reading, quite bear to look at them. I shall best give my feeling on this point by saying that in it he was Shakespearian, or if his ghost will not suffer me the word, then he was Baconian.
At the time of our first meeting, which must have been well toward the winter, Clemens (as I must call him instead of Mark Twain, which seemed always somehow to mask him from my personal sense) was wearing a sealskin coat, with the fur out, in the satisfaction of a caprice, or the love of strong effect which he was apt to indulge through life. I do not know what droll comment was in Fields’s mind with respect to this garment, but probably he felt that here was an original who was not to be brought to any Bostonian book in the judgment of his vivid qualities. With his crest of dense red hair, and the wide sweep of his flaming mustache, Clemens was not discordantly clothed in that sealskin coat, which afterward, in spite of his own warmth in it, sent the cold chills through me when I once accompanied it down Broadway, and shared the immense publicity it won him. He had always a relish for personal effect, which expressed itself in the white suit of complete serge which he wore in his last years, and in the Oxford gown which he put on for every possible occasion, and said he would like to wear all the time. That was not vanity in him, but a keen feeling for costume which the severity of our modern tailoring forbids men, though it flatters women to every excess in it; yet he also enjoyed the shock, the offence, the pang which it gave the sensibilities of others. Then there were times he played these pranks for pure fun, and for the pleasure of the witness. Once I remember seeing him come into his drawing-room at Hartford in a pair of white cowskin slippers, with the hair out, and do a crippled colored uncle to the joy of all beholders. Or, I must not say all, for I remember also the dismay of Mrs. Clemens, and her low, despairing cry of, “Oh, Youth!” That was her name for him among their friends, and it fitted him as no other would, though I fancied with her it was a shrinking from his baptismal Samuel, or the vernacular Sam of his earlier companionships. He was a youth to the end of his days, the heart of a boy with the head of a sage; the heart of a good boy, or a bad boy, but always a wilful boy, and wilfulest to show himself out at every time for just the boy he was.
There is a gap in my recollections of Clemens, which I think is of a year or two, for the next thing I remember of him is meeting him at a lunch in Boston, given us by that genius of hospitality, the tragically destined Ralph Keeler, author of one of the most unjustly forgotten books, ‘Vagabond Adventures’, a true bit of picaresque autobiography. Keeler never had any money, to the general knowledge, and he never borrowed, and he could not have had credit at the restaurant where he invited us to feast at his expense. There was T. B. Aldrich, there was J. T. Fields, much the oldest of our company, who had just freed himself from the trammels of the publishing business, and was feeling his freedom in every word; there was Bret Harte, who had lately come East in his princely progress from California; and there was Clemens. Nothing remains to me of the happy time but a sense of idle and aimless and joyful talk-play, beginning and ending nowhere, of eager laughter, of countless good stories from Fields, of a heat-lightning shimmer of wit from Aldrich, of an occasional concentration of our joint mockeries upon our host, who took it gladly; and amid the discourse, so little improving, but so full of good fellowship, Bret Harte’s fleeting dramatization of Clemens’s mental attitude toward a symposium of Boston illuminates. “Why, fellows,” he spluttered, “this is the dream of Mark’s life,” and I remember the glance from under Clemens’s feathery eyebrows which betrayed his enjoyment of the fun. We had beefsteak with mushrooms, which in recognition of their shape Aldrich hailed as shoe-pegs, and to crown the feast we had an omelette souse, which the waiter brought in as flat as a pancake, amid our shouts of congratulations to poor Keeler, who took them with appreciative submission. It was in every way what a Boston literary lunch ought not to have been in the popular ideal which Harte attributed to Clemens.
Our next meeting was at Hartford, or, rather, at Springfield, where Clemens greeted us on the way to Hartford. Aldrich was going on to be his guest, and I was going to be Charles Dudley Warner’s, but Clemens had come part way to welcome us both. In the good fellowship of that cordial neighborhood we had two such days as the aging sun no longer shines on in his round. There was constant running in and out of friendly houses where the lively hosts and guests called one another by their Christian names or nicknames, and no such vain ceremony as knocking or ringing at doors. Clemens was then building the stately mansion in which he satisfied his love of magnificence as if it had been another sealskin coat, and he was at the crest of the prosperity which enabled him to humor every whim or extravagance. The house was the design of that most original artist, Edward Potter, who once, when hard pressed by incompetent curiosity for the name of his style in a certain church, proposed that it should be called the English violet order of architecture; and this house was so absolutely suited to the owner’s humor that I suppose there never was another house like it; but its character must be for recognition farther along in these reminiscences. The vividest impression which Clemens gave us two ravenous young Boston authors was of the satisfying, the surfeiting nature of subscription publication. An army of agents was overrunning the country with the prospectuses of his books, and delivering them by the scores of thousands in completed sale. Of the ‘Innocents Abroad’ he said, “It sells right along just like the Bible,” and ‘Roughing It’ was swiftly following, without perhaps ever quite overtaking it in popularity. But he lectured Aldrich and me on the folly of that mode of publication in the trade which we had thought it the highest success to achieve a chance in. “Anything but subscription publication is printing for private circulation,” he maintained, and he so won upon our greed and hope that on the way back to Boston we planned the joint authorship of a volume adapted to subscription publication. We got a very good name for it, as we believed, in Memorable Murders, and we never got farther with it, but by the time we reached Boston we were rolling in wealth so deep that we could hardly walk home in the frugal fashion by which we still thought it best to spare car fare; carriage fare we did not dream of even in that opulence.