Bill Willing sat reading in the coldest corner of the writing-room, in the Bat Hotel. Somehow, when he had not denuded himself of his last nickel, and could afford to pay for a corner anywhere, it was always the coldest corner, because he blithely sacrificed his chances of the warmer ones to others. But he was not conscious that his corner was cold tonight. There was that in his heart which would have made the edge of an iceberg seem a comfortable resting-place; and he was so deeply absorbed in his paper (which was one devoted to the interests of the stage) that Loveland had to speak to him twice before he heard and looked up.
At any other time he would have started, stared, and wanted to know whether Loveland's battered appearance was due to a fight or a fire; but now in self-absorption unusual for him, he noticed nothing strange. "Just look at this, my boy," he exclaimed, his eye sparkling with excitement, as he pointed to a paragraph which he had marked with red ink from a bottle on the table. The paragraph was an advertisement, in the midst of a column of other advertisements, apparently all of the same nature, and that column was one of five or six on a page entirely devoted to such advertisements. Still, the few lines were evidently of the most vital importance to Bill, and Loveland supposed he had hit on the offer of some wonderful situation, such as he had been looking for all his life.
"Wanted," was the attractive word which headed the paragraph: and that was what Val had expected; but as he read on, he grew puzzled. "Wanted—For Repertoire Work, Juvenile Leading Man. Must be tall; good looker, not over thirty; gentlemanly manners and appearance, slim figure, fashionable wardrobe on and off stage. No boozers or loafers need apply. Write at once enclosing photo, and stating experience, age, weight, and lowest salary, to Jack Jacobus, Managing Star Tour for Lillie de Lisle, the Little Human Flower; Modunk, Ohio."
Loveland read the advertisement over, half aloud, his friend following every word with the keenest interest and delight.
"Great Scott, ain't it the grandest ever?" Bill demanded, with a beaming smile.
"I don't understand," said Val. "Are you going to try for the engagement?"
"I?" echoed Bill. "Lord, no."
"Well, then what are you so excited about?" Loveland wanted to know.
"Why, that she should be a star—a real live star. My little gal, Lillie de Lisle. It's her—it'sher! There can't be two Lillie de Lisles. Praise be, I've heard of her again. And she's way up top. She's a star."
"Oh, the girl you used to be in love with at the theatre?" asked Loveland.
"Used to be? Was, am, and will be till I end my days. Gee! Every week, whenever there was a spare dime, I've always bought this paper, to see if I could run acrost her name, and know where she was or what she's doing. Once, I seen a letter advertised for her, but that was all, till now. And here she is, a star, on a tour of her own, doin' business as a Little Human Flower. Great, ain't it?"
"Modunk, Ohio," Loveland read again. "Is that much of a place?"
"Never heard of it," admitted Bill. "But geography ain't been my speciality."
"It doesn't sound like a big town," said Val.
"No, that's so. But it's a lucky town, because the Little Human Flower's bloomin' there."
"Why don't you write, and say you'd like to have this engagement?"
"Me? Oh, Jiminy, amIa good looker, amIunder thirty with a fashionable wardrobe on and off? Huh! Mine's mostlyoff." Bill laughed, and then sighed. "The good Lord didn't make me for no juvenile lead."
"But if she still likes you, she'd stretch a point in your favour," Loveland suggested.
"Jacobus wouldn't. He was the property man I told you about, that got me the sack on account of Lillie."
"By Jove," exclaimed Val, forgetting his own troubles enough to be genuinely interested in the dramatic development of Bill's love episode. "I say, you don't suppose he's married her since?"
"Can't have; at least, not unless his wife's gone off the hooks," said Bill. "I heard of him not a year ago from one of the boys who used to supe with me. Said Jacobus had married an actress named Thora Moon, a big dark woman, in the heavy line."
"The heavy line?" asked Loveland.
"Yes. Does heavies, don't you know? But you never can tell with pros. It's married one year and a bachelor the next."
"Widower, you mean," said Val.
"No, I don't, unless it's grass, and grass don't count. I should feel mighty bad if I thought Lillie'd married Jack Jacobus. He ain't the right sort. Jinks, I wish they was advertising for a scene painter, instead of juvenile lead. Wouldn't I just whizz out to Modunk like a shot. Say, Gordon, you wouldn't like the job, would you? Great idea! Why, you're made for it. And you could give the Little Human Flower old Bill's never failin' love."
"I couldn't get them to take me, I'm afraid," said Loveland. "I'm not an actor."
"An actor!" repeated Bill, with inexpressible scorn. "As if they wanted anactorin a show like that, or would know one if they saw him! You're a good looker, you're young, with a tall, slim figure, and all the other qualifications named."
"Except the experience—and the wardrobe."
"Pooh!" said Bill. "Ain't you ever played as an amateur?"
"Yes, once or twice. They roped me in," said Loveland, recalling a brilliant scene in the country-house of a Duchess, and another for the success of which some of the young officers of his battalion had been responsible.
"Well, then, there you are with your experience. And as for the wardrobe—my goodness, lad, what do you want more than those swell tweeds of yours, and the dress suit you've got on? If it comes to costoom parts, why, the management will just have to fit you out with some of their own glad rags—or make the ghost walk your way in advance."
"You don't seem to think much of your star's company, if you believe a raw amateur, with hardly a stitch to his back, would be good enough for them," Loveland said.
"I don't claim it's a Noo York Company," explained Bill. "I guess they're doin' the barn-storming act. Perhaps I've been kind of carried away, thinkin' of Lillie, and what it would be to get the news of her from a chum. I don't suppose there's much in this for you. Maybe you'll do better at Alexander's, now you're a kind of star yourself——"
"A fallen star," laughed Loveland. "Look at me, and see the marks I got sliding down the sky."
Then, for the first time, Bill noticed that his friend's hair was singed and his face reddened on one side, his white shirt covered with black spots, and his left hand partly in, partly out of, a clumsily made bandage.
"Moses! But you have been through the wars!" exclaimed Bill. And he listened with growing excitement to Loveland's version of the fire.
"Alexander ought to give you a partnership," he commented at last, though Val had made no boast of his own part in the affair.
"He's chucked me," said Loveland.
"Je—rusalem! Why, in the name of all that's decent?"
"It was in the name of everything indecent—'villain, cheat, liar, coward'—that he did it. According to him I was all those, and ought to be in prison; though what he meant by his weird accusations, I can't imagine, unless he just hit on whatever came first. I suppose it must have been that. He thought I'd been making love to his daughter."
"Gee! And had you?"
"No. It was a misunderstanding. But I couldn't explain. And the long and short of it is that I crawled in the dust for a few wretched dollars, which it seems I've got to lose, after all. I don't know how I'm to touch any more—unless I do as you say, and get this place with your friend, the Human Flower."
"You'll go?" asked Bill, brightening.
"Rather. If they'll have me. But I haven't even a photograph——"
"Come out with me," said Bill, seizing him by his sound arm. "I know a place where they do you a tin-type by flashlight for ten cents, and finish while you wait. I'll stand the racket. You can turn your good side to the machine; by the time the answer comes, your hair'll have grown out and you'll be looking A 1. Hurrah! Three cheers for Lillie de Lisle, the Little Human Flower, and her new Juvenile Lead!"
"Mo—dunk!" shouted a brakeman, slamming the door of the day coach in which Loveland had traveled since some vaguely remembered hour in the night, when he had changed trains.
He had dozed, sitting on the hard red seat, his head leaning wearily against the window-frame; and he started up at the yell which for an instant seemed part of his dream.
But then, everything lately had been a dream. His weird experiences in New York; the absence of replies from his mother and the London Bank, in answer to his cabled appeals; the coming of the telegram from Jack Jacobus, accepting the very modest terms named at Bill's suggestion; his start from the magnificent Grand Central Station in New York, where the new "juvenile lead" had found his ticket awaiting him. And now, as he bundled half dazed out of the local train he had boarded some hours ago, the dream suddenly grew more bewildering than ever.
What a contrast was this little country "depot" with the splendours of the Grand Central in New York! The rough frame building was little better than an exaggerated shed, and no town was to be seen, across the desolate waste of brown fields which billowed round the railway shelter and its high platform, like a wintry sea round a small, bleak island.
Through an open door of the passengers' waiting-room Loveland caught a glimpse of a squat stove, rising like a fat-bodied grey dwarf from a big box of sawdust, and a man who had been warming his hands came out of the room as the train stopped. There were also three or four other men, lolling on a bench outside the window, but they were long-bearded, soft-hatted, tobacco-chewing individuals who had evidently dragged themselves hither through the mud for the excitement of seeing a train come in, and took no interest beyond that of curiosity in the passengers.
The man who came out of the waiting-room was a very different order of being, and almost offensively conscious of the difference. He was fifty, perhaps, and tall, with a swaggering walk, which caused the shabby fur-lined coat he wore to swing like the skirt of a woman's dress as he moved forward. He had on patent-leather boots, cracked with old age and caked with new mud. His rather long, straight hair and the heavy double curve of his moustache clearly owed their raven tint to artificial means, but his big chin was blue, and the thick brows over a pair of light grey eyes were still black. The nose and mouth, though ineffectively cut, contrived to express cruelty and an insolence which was accentuated by the upward tilt of a cigar between the strong yellowish teeth and the downward tilt of his badly kept silk hat.
Every line of the face and figure, every article of clothing, bespoke the fifth rate, seedy actor who has parted in his time with most things, except his self-conceit.
The idlers on the bench stared at him, then at the newcomer, and regarded with lazy curiosity the meeting between the two: for this gentleman in the tall silk hat and fur overcoat was Mr. Jack Jacobus, come to claim Mr. P. Gordon, the new member of his company.
If it had been possible for Loveland's heart to sink lower—which at the moment he did not believe—it would have sunk at sight of Miss de Lisle's manager. But, he asked himself, what else had he a right to expect from the advertisement, and Bill's assurance that it would be useless to demand a higher weekly screw than ten dollars, the management paying board?
One quick glance, and the glass-grey eyes had taken in each detail of Loveland's appearance, from the smartly made travelling cap, which still kept its shape, down to the neat brown boots. He approved all, it was evident, except the battered gladstone bag which Bill Willing had bought extraordinarily cheap at a pawnbroker's sale, as a gift for his friend Gordon. This Loveland carried in his hand, and he saw the actor-manager's gaze rest sardonically upon it.
In a deep, measured voice, as theatrical as the rest of his personality, Mr. Jacobus enquired if he had the pleasure of seeing Mr. Perceval Gordon. Then when answered in the affirmative, he delivered himself of a few polite words of greeting.
"Glad you got here all right. Don't know what we should have done if you hadn't turned up. Our juvenile lead came down with typhoid at our last week's stand, and we've been fakin' our best ever since—any old play we could, that had the fewest men, and the lot of us doublin' parts till we was ready to drop on the stage with the curtain. Got the checks handy for your big baggage?"
Loveland had to explain that he had no big baggage, and under the changing, freezing eyes of Jacobus felt as insignificant as a crushed worm. Until very lately he had not known the meaning of this sensation; now, he was becoming accustomed to it as to a daily worn coat; but never perhaps had his pride been more flatly ironed out than in this brief instant.
"What—no wardrobe?" demanded the manager; his tone of friendly condescension to a new member of his company altered to one of bullying suspicion.
"My wardrobe is here," said Loveland, holding out Bill's present.
"Sorry I forgot to bring a magnifying glass," sneered Jacobus. "But see here, I call this false pertences. How are you going to play a new part every night of the week, some of 'em costoom ones, all out of a grip no bigger than your pocket? You ought to have told me what youdidn'thave—if it wouldn't have taken you too long."
"Youought to have told me I had to play a new part every night," said Loveland, and the young man and the middle-aged one, looking each other straight in the eyes, conceived for one another an intense dislike. "I was given to understand by a person of experience, that I should have enough to get on with until I could buy something—if necessary."
"Well, that depends on how soon you buy," returned Jacobus, less bitterly. "You knew very well that you'd have me on the leg, once you got out here at this Godforsaken place, with your ticket paid. Our show ain't made of money, especially the past two weeks. Heavens! What a frost! We've been livin' on our gleanings from last month (when we were going like smoke) and countin' on the new juvenile lead to help work up better business. That's why I'm so sore at your cheek, Mr. Gordon, shootin' yourself out West with what you stand up in. But as youarehere, we must make the best of a bad business. The girls may like you even with whiskers on your shirtcuffs, and I suppose among us, we'll rig you up somehow, out of our theatre trunks. That's what you were layin' for, eh?"
"Look here, if you're going to insult me much more, I shall turn round and go back, if I have to walk," said Loveland, cold, hungry, tired and miserable, but with just spirit enough left in him to be furious.
Jacobus saw that he had gone too far, if the juvenile lead were not to slip through his fingers. He did not want that to happen, though he already had an uneasy jealousy of P. Gordon. So used was he to bullying the members of his company, male and female, that he had hardly realised what was likely to be the effect of his sarcasm, until he saw the expression of the newcomer's face.
"Pshaw!" he exclaimed, laughing. "Don't you know a joke from an insult in your part of the country? It give me a start to see you land without a wardrobe, and I have a right to be mad; but I've just said we'd make the best of it, and help you out all we can. What can we do more? I suppose you don't grudge me a bit of fun? Come along to the great and glorious city of Modunk, which must have as many as one thousand inhabitants. Hope you don't mind goin' on Shanks's Mare? It's the only kind we'd get in this town—even if we ran to something better; but it ain't far—about a mile and a half; and your grip can't weigh much."
Loveland wished that he had no heavier burden to carry than his bag, but he kept the thought to himself, and trudged off with the arbiter of his destiny. The loungers on the bench, too far away to overhear the conversation, guessed that it was not altogether of a friendly nature, and transferred their quids of tobacco to their cheeks, in order to discuss the situation with a new, if fleeting, animation. As he passed them to descend the platform steps to the muddy country road, Loveland caught the words, "Show folks."
"Show folks!" Yes, he was one of the show folks.
"Show folks—show folks! Say, come look at the show men!" Impish little boys and girls yelled to each other, taking up the refrain from cottage to cottage along the roadside, on that Via Dolorosa which led to the town of Modunk.
Loveland pricked all over, as if with a million stabs of tiny pins, but Jacobus only laughed, and said that it was a good advertisement. Business had been bad during the week at Modunk which would come to an end that night—Saturday; but he attributed this ill luck to the fact that the company had been forced, for lack of a juvenile lead, to choose plays which were not the most popular in their repertoire. Things would be different next week, he hoped, when they were going across the river into Kentucky, to a small but lively show town, whence the advance-agent sent encouraging accounts.
He questioned Loveland sharply concerning his theatrical experience, seeming to incline towards distrust since the incident of the travelling bag. Very soon he found out, in all its nakedness, the truth which had been veiled in the letter dictated by Bill; that Mr. Perceval Gordon's experience had all been as an amateur, and not very extensive at that. However, as Bill had prophesied, he did not appear to think it mattered much, though he sniffed and "hum'd" a little, by way of curbing the new man's self-esteem. "You've got a good stage presence and voice," said he, "though I don't know what the folks here will think of that English accent of yours. Pity you can't talk United States. They're mighty sharp at guying anything foreign or affected, so don't be knocked silly if the little boys in the dime seats mock you a bit. Just keep your hair on, and go along as if nothing had happened, and they'll shut up in a minute or so, when they've got used to you."
This was—as Bill would have said—a new "proposition" to Loveland; that he had an "English accent," which might be objected to on the ground of affectation. He had heard a good deal in England about the American accent, and had chaffed Jim Harborough because of it, but as after all the English nation had more or less invented the language current on both sides of the water, he had supposed that theirs was, without question, the only right way of using it. However, opinion seemed to differ over here, and he did not choose to argue with Mr. Jacobus.
The actor-manager watched his new acquisition furtively as he plowed through the mud, and at last interrupted himself in describing with some acerbity the absent members of the company, to remark suddenly: "You look like a soldier."
"I am a soldier," Loveland replied before he stopped to think.
"Oh!" said Jacobus, regarding him keenly. "English army, of course?"
"Yes," answered Val shortly, regretting his frankness.
"H'm! What were you—sergeant?"
Loveland could have broken out into savage laughter. He, a lieutenant in the Grenadier Guards, asked by this seedy theatrical man if he were a sergeant! But he kept his countenance, for fear of committing himself unwittingly under the catechismal fire.
"No. I wasn't a sergeant," he replied.
"H'm! See here. I hope you didn't leave the army—er—on short notice, eh? You know what I mean?"
"Do you mean, am I a deserter?" Loveland flashed out, turning red.
"Well, excuse me if I'm offensive. But the arm of Edward is supposed to be a long one, if any of his red coats take a vacation without permission, andIdon't want to get into no trouble with kings. We may not be Noo York stars, but we're a pretty respectable crowd, take us all round."
"Well, set your mind at rest," said Loveland, swallowing his wrath. "I'm not a deserter, and I shan't bring disgrace upon your company."
"All right, all right. I'll take your word for it. I guess there's nothing else to do, as you're the only man on the spot. But say, the more I look at you, the more I have a kind of sneaking idea I've seen your picture lately. Did you get your photo stuck in any of the theatrical papers, since you landed?"
"No," Loveland replied; but flushed again, instantly guessing where and in what connection Jacobus must have seen his portrait—a sketch, or some snapshot, perhaps. Evidently the man did not yet associate him with anything in particular, but the connection between the new juvenile lead and a certain Englishman made notorious by one or two New York papers might at any instant link itself in Mr. Jacobus's head. This Loveland was far from desiring: not that he thought his value to the management would be decreased by the discovery—rather the contrary, judging by his experience with Alexander—but because he could not bear to repeat that experience.
Luckily, Jacobus did not pursue the subject, which apparently interested him less than others. When he had described the members of his company according to his own conception of their characters and social status, he went on to tell the new recruit something about the parts he would be required to play. Then it was that Loveland learned the esoteric difference between being a leading man, and a "juvenile lead."
Jack Jacobus was himself, it seemed, leading man for Miss Lillie de Lisle, the Little Human Flower: "Heavy Lead" he called it, but to the Heavy Lead apparently belonged all the really good parts in the company's repertoire. Their productions struck Loveland as being wonderfully good for a strolling troupe, playing week by week in extremely small towns, but Jacobus laughed when he remarked that it must be expensive to obtain the rights of such popular pieces as Sidney Cremer's, for instance, and to put them on the stage properly.
"Properly!" he echoed, grinning. "Well, that depends. Folks here ain't perticular about scenery. They don't travel, and don't have no chance to see anything better than we give 'em. I guess I may as well let you into the secrets of the prison-house, for you're one of us now, and you'll soon find out for yourself, anyhow, what we are, for good and bad. We carry six men in our show, counting me and you, and there ain't many pieces we put on, except Sidney Cremer's comedies, where there's less than a dozen or fifteen male characters, sometimes more. We all double; sometimes each one of us—even me—the leading man, because I ain't proud, and needs must when somebody drives—manages to do two or three small parts besides his own. It takes it out of us, but it's all in the night's work. What characters we can't double we leave out. Same with the women. We carry four of them, counting Lillie herself, and they earn their money. You see, wemustbill popular pieces, melodramas and comedies mostly, or we shouldn't get no houses; so we can't choose plays with few characters to please lazy actors. As for the rights to produce—why, we don't trouble ourselves about them, any more than we do about the pasts of our juvenile leading gentlemen. It simply don't run to it. What we want we take. Good motto in this life, eh? There are fellows make their livin' by writin' down the words and biz of successful plays, in shorthand, copyin' 'em out at home, and then sellin' 'em on the sly to poor but honest show folks like us, who must live but can't afford luxuries. It's quite an industry. 'Pirates,' the Puritans call our sort, but it don't kill us—or our business. And as we always work only the smallest towns, which the stage papers don't touch, it ain't as risky as you'd think, though once in a way the police do shove their noses in where nobody wants them, and I confess I'm a bit scared about Sidney Cremer's new piece, which we're just puttin' up. Say, you're lookin' kind o' sick. I hopeyouain't one of the Puritans, are you? Don't they have shows of our sort in your country?"
Loveland said he really didn't know; but as he hastened to add he was not a Puritan, and anyhow, Mr. Jacobus's business was his own, that gentleman did not feel called upon to translate into words the thoughts his eyes had begun to express.
Mr. Perceval Gordon, it appeared, was expected to play seven parts, at the least, during the season, and must be "letter-perfect" in the first one by that very night. It was, however, but a small rôle; that of an old man, who conveniently expired at the end of the first act in great agony. It was, the manager explained, a "fat acting part," though there weren't many lines to speak; and—yes, certainly, a juvenile lead was occasionally expected to play old men or, indeed, to do anything he was asked to do; and an amateur like Mr. Gordon might think himself jolly lucky to get varied experience under such stage management as he would find in the Human Flower's company. This particular piece, a melodrama called "The Dead Hand," had been chosen for the closing night of the engagement at Modunk because the part for the juvenile lead wasn't too long or difficult to "get up in" with one rehearsal, which they would have after noon; and indeed the Dead Hand was to be that of Mr. Gordon himself. He would appear as a ghost near the end of the last act, and wave the said hand behind a gauze, with strong lime-light turned upon it; which was the scene which made the part so "fat." Also, incidentally, at a ball, he would be asked to "walk on" as a young gentleman of fashion. Could he waltz? Good! Then he should have Mrs. Jacobus for his partner, as she liked a decent dancer in that scene, where she had experienced considerable trouble with awkward brutes who stepped on her "party dress." Mrs. Jacobus—known professionally as Miss Thora Moon, was—her husband went on to state—Miss de Lisle's leading lady, who played adventuresses, villainesses, and important parts of that ilk, to the Human Flower's soubrettes and ingenues.
"My wife had some money—when I married her," he mentioned, with an introspective look, accompanied by a faint sigh. Thus Loveland was enabled to guess how it was that Mr. Jacobus might have been induced to forget his earlypenchantfor Miss de Lisle, Bill's "little gal."
A bitter wind was blowing, but exercise kept Loveland warm, and he did not envy Jacobus the overcoat, which the actor was obliged to hold together with one cold, red hand (as several buttons were missing) while he frantically seized the brim of his silk hat with the other, each time they turned a corner. At last they came into the town of Modunk, which consisted of one long business thoroughfare, named, of course, Main Street, and various other avenues sacred to the home, branching off from it at right angles and regular intervals.
Main Street was paved with red brick, and most of the residence streets were content with a coating of tar, or else they wallowed in their native mud. The shops, or "stores," as Jacobus called them, appeared depressingly unattractive to Loveland, though they were not inferior to those in villages of the same size in England or Scotland. Millinery, "dry goods," and groceries were sold in the same establishments, and seemed to the uninitiated eye to be hopelessly mixed in some of the show windows. Most of the private houses were built of wood, painted white, brown, grey or pale green. They had outside shutters to the windows, such as Loveland associated with Southern France, and stood surrounded with neat little "yards" fenced off from each other and publicity by painted or whitewashed palings. There were, however, a few more pretentious houses, rising from among less important neighbours, with the air of being mansions. They were of brick, or stone, but Loveland liked the little frame houses best, and was hoping he might be lodged in one of them, when Jacobus stopped in Main Street, in front of an ugly, new building constructed of wood and brick. There was a kind of veranda, above which appeared a large signboard with the words "Smith's Hotel" in green and gold letters.
"Here we are," said Jacobus, sighing as he looked at his mud-encrusted patent leathers. "The whole crowd's here. I'll show you to your room, and by the time you've had a wash, if you want it, dinner'll be ready. I guess you'll be ready forit, too!"
"What—dinner at half-past twelve?" asked Loveland.
"You bet. They'd like to give it to us with our breakfast if they could, so as to get the work out of the way. You'll find the crowd in the dining-room, and I'll introduce you. After dinner you can have a look through your part in "The Dead Hand" if you get through in time; everybody who's on in your scenes has a call at the theatre for rehearsal. That's for half-past one, sharp."
Loveland made no comment on these announcements. He walked into the hotel behind Jacobus, who, being manager of the company, heavy lead, and stage-manager combined, naturally marched in front of the insignificant "juvenile," who carried his wardrobe in his hand.
There was a narrow, uncarpeted passage, with an uncarpeted and still narrower stairway leading steeply up to regions above. Also there was a strong, nay, over-developed smell of dinner, which could be all too easily divided into its component parts: corned beef and cabbage, with perhaps a bodyguard of onions. As they went upstairs the smell followed, but on the next story began to mingle with a suggestion of hot iron, coal-smoke, and unopened windows.
"One more flight for you," explained Jacobus. "They ain't got too much accommodation here; and Miss de Lisle, me and my wife, and the other ladies are on this floor; gentlemen above."
They continued to ascend, and the actor-manager stopped before the first door at the head of the second stairway which led to the top story of the hotel.
"Here you are," he said, and with a light knock which was a notification, not a request, he flung the door open.
On a narrow bed visible from the threshold a young man, hardly more than a boy, was stretched, reading something that looked like MSS. He glanced round, but did not move, on seeing Mr. Jacobus and a stranger.
"I thought you said this was my room?" exclaimed Loveland, startled.
"So it is, and there's your room-mate. Didn't know whether you'd be in, Ed. I can introduce you to each other, right now. Mr. Ed Binney, our property man, prompter, and second villain. Mr. Perceval Gordon, of England, our new juvenile. Now you know each other; and I guess, Eddy, you can put Mr. Gordon up to all he needs to know."
This was worse than the Bat Hotel, where each man who earned twenty-five cents could have his own cubicle. But, now, Loveland was not paying his own way. The "management" was to do that; and feed him, too. As he had but a quarter in the world, thrust upon him as a loan or gift by generous Bill, Loveland was not in a position to be critical. Here he was, and here he would have to stay, till he heard from home, or something "turned up."
As for hearing from home, he had begun almost to despair, for his two cables had remained unanswered now these many dreary days. Still, after an interval of more waiting for a telegram from his mother, he had written to her and to Betty Harborough, ashamed to take outsiders into the deepest secrets of his humiliating adventures. But at best, it would be a fortnight before Bill Willing could forward to some address yet to be given, a letter from across the sea; and meanwhile Loveland was a slave of necessity—if not of Jack Jacobus.
That gentleman, having acquitted himself of his duty to the juvenile lead, disappeared, banging the door, leaving the old occupant and the new occupant of the mean, bare room to make each other's acquaintance.
Mr. Binney did not think it worth while to get up, as the juvenile lead was no guest of his, but he raised himself on one elbow, and observed Loveland with an interest that might or might not develop into friendliness. He was thin, pale, and delicate-looking, but he had bright eyes—almost too bright for health—and a firm chin.
For a moment Val resented the youth's existence so keenly that he did not trust himself to speak; but brief reflection reminded him that after all, he was the intruder. A short time ago he would have been intolerant of circumstances even less disagreeable, such as finding himself forced to share a cabin on shipboard, or awagon-litcompartment, after expecting to travel alone. But much water had gone under the mill of his pride since then; and besides he had learned, greatly to his own surprise, that kindly, agreeable human beings can be found in the lowest classes and queerest circumstances.
Ed Binney looked as though he might have pleasant qualities, if approached in the right way, so with amazing self-restraint Loveland refrained even from the mild insult of a disgusted glance. He said, in his nice voice, that he hoped Mr. Binney wouldn't mind his coming, as he really couldn't help himself. Whereupon Mr. Binney grinned, showing teeth white as a girl's, and replied that if it weren't Mr. Gordon it would be someone else, who might be worse, as it struck Mr. Binney that Mr. Gordon would at least be fond of washing himself.
To this Mr. Gordon responded that there were few things he liked better, but it seemed as if there wouldn't be much opportunity at Smith's Hotel. You had to do it in sections, with a washbowl, said Mr. Binney, but never mind, you got there just the same, if you were in earnest. Then they both laughed, and Binney exclaimed with evident relief, that he was jolly glad Gordon wasn't the sort of boy who put on airs. He'd been afraid at first sight that was the kind he was, but now he guessed it was all the high collar. The feeling was for low, in Miss de Lisle's company, yet he didn't know but those stove pipe ones had a sort of style about 'em.
Then he bounced off his tremulous cot (which had a patchwork quilt somewhat the worse for contact with his boots and was the twin of another little iron-framed bed in a far corner). He showed his room-mate "the ropes"; in other words, which "bureau drawers" were at the newcomer's disposition; where he had better keep his toothbrush, and so on. He confided to Loveland the fact that he himself had not been long in the company, but had come from a better one, which he would now regret if the "one night" stands had not been too much for his strength. "If your lungs are always playing you tricks, you have to put up with barn-stormers, for at least they give you week stands, and most of the hotels throw in fires free," he explained. "I can see that you've stepped down in the world a bit, too, so we ought to have a fellow feelin' for each other."
While Loveland made himself presentable for the early dinner, Ed Binney went on to sketch the members of the "crowd," though in a manner very different from the manager's sarcastic descriptive efforts. He said that Jacobus was a tyrant and a bully, but that he could act; that everyone except Miss Moon was afraid of "J. J.," and she wouldn't be afraid of an Indian chief on the war path: that Miss de Lisle didn't dare say her soul was her own, or that black was black, if old Jack remarked that it wasn't; that Jacobus had done a very good thing for himself in getting hold of Lillie as a star, although she had no money—for she was a peach, a live wire, just the sort of little gal to be a "go" at towns like this. "Folks are wild about her, she's as pretty and as dainty as they make 'em, a whole haystack above what they generally see in these barns," went on Ed. "But she needs managin'—and gee, Jack and his wife do manage her. But the old girl's jealous. I don't know how long the show will last, for if she says stop, Jack stops, you bet. He's as scared of her as everybody else is ofhim. She runs the shebang, and there's two of her sons by her first husband in it. They can't act, and they can't look, but by gum, they're good to their mother!"
Into the midst of his discourse crashed a ferocious dinner-bell, and in sheer self-defense they rushed downstairs, in the hope of stopping the clamour by their presence.
The dining-room opened off the long passage on the ground floor, and already other members of the company had assembled for the midday meal, which must be eaten in haste before the rehearsal.
Mr. Jacobus was there, in the act of sitting down between two ladies at the head of a long table; but seeing Loveland he condescended to summon him with a gesture.
Val could have laughed aloud as he imagined the old self of a few weeks since—the young and popular officer-in-the-Guards self—obeying the beckoning finger of such a man. But he walked towards it like a lamb, and was introduced to Mrs. Jacobus (Miss Moon) and Miss de Lisle.
As Star of the company, Miss de Lisle ought of course to have come first, but Miss Moon, the heavy lead ("heavy" in more senses than one) was not a lady to submit to such distinctions.
She would probably have said that Lillie de Lisle was a star only because it suited the convenience of Mr. and Mrs. Jacobus to head the troupe, financed by their money, with a pretty enough little soubrette, likely to take the popular fancy.
Miss Moon's first sweeping glance at the newcomer was one of self-conscious, important condescension; but seeing that he was an extremely handsome, well dressed young man, with an air and an appearance widely different from the tenth-rate actors of her acquaintance, past and present, her face and manner changed. Instead of posing as the manager's wife, she set herself to vie with Lillie de Lisle in youthful charm, as she sent forth a radiant, long-lashed look to fascinate Mr. Perceval Gordon.
She was a big woman of forty-two or three, with the splendid ruin of what had been a fine figure, an erectness of head which partly concealed the existence of a double chin, a complexion spoiled by a love of rich food and constant use of powder, singularly wide-open dark eyes fringed with painted lashes, and a good deal of bright crimson hair edged with rusty brown at the roots.
Beside Miss Moon, Bill's "little gal" looked like a tiny fishing boat bobbing under the lee of a large schooner; but she was a pretty creature whose curly hair was naturally almost as golden as it glittered, grey-blue eyes which ought to have been mischievous and merry, but were anxious, a clear, rather freckled white skin, and the piquant nose and innocent smile of a child.
These ladies were not dressed as tidily as their best friends might have wished, but Loveland had grown used to Isidora, and did not pick flaws lightly. They were both very cordial to him, somewhat—it would have seemed—to Mr. Jacobus's contemptuous annoyance; and then, at Miss Moon's suggestion, Ed Binney introduced Mr. Gordon, across and down the length of the table, to all the other members of the company.
There were a few non-theatrical diners in the room, commercial travellers, apparently; but they were at the far end of the table, and were not addressed, though they were on nodding acquaintance with several of the actors and actresses.
The latter were two in number besides Miss de Lisle and Mrs. Jacobus. Miss Ruby St. Clare, whose mission was to act small parts, and play the piano, was of the startled fawn order of young female, evidently not long out of amateurhood; and Mrs. Winter, who had passed the age when it was necessary to preserve her maiden name for programmes. She was a reserved and suspicious-looking woman, who watched her husband with short, sidelong glances of anxiety either for his conduct or his health. As for him, he was a thin, dejected, grey little man who suffered apparently from a broken heart or a shattered digestion. His lips worked, and the lids of his eyes, which winked almost continually, were red-rimmed. He seemed acutely conscious of Mrs. Winter's constant scrutiny.
The remaining male members of the company were Mrs. Jacobus's two sons, Tom and Bob Eccles. They were between twenty and twenty-five, and like their mother, though one was fat, with the lazy smile of a Buddha, and the other, who through a cast in his eye just missed being handsome, inclined to be truculent.
Loveland had intended to take a chair next his room-mate, but Miss Moon made a place for him between herself and Buddha—smiling Bob. As everybody except Jack Jacobus and the Winters talked and joked continually, it was surprising how fast they ate. The corned beef and cabbage, the onions, and the tinned American corn which, with other eatables and uneatables, surrounded their plates in a wreath of little earthenware dishes, disappeared as if by conjuring, to be swiftly replaced by apple-pie and cheese that magically vanished from the face of the table in their turn. Nearly everyone drank large cupfuls of milky coffee with their dinner; and twenty minutes after beginning the meal, all had finished, with the exception of Loveland, who was not accustomed to giving his food such short shrift. He rose with the others, however, and a few moments later the company was straggling in a procession to the theatre.
But after all, it was not a theatre, and even courtesy gave it no more high sounding name than "hall." It stood at the end of Main Street, its brick front wall plastered with wonderful coloured posters representing the most sensational scenes in the Human Flower's repertoire. To reach the stage it was necessary to mount a long, mud-caked staircase, and to pass through the auditorium. As for dressing rooms, they did not exist, for it had been a second thought of some light-minded town council, to turn the hall into a place where theatrical representations might lawfully be produced: but a space on either side of the stage had been curtained off with sheets, shawls and squares of canvas, ingeniously coaxed to hold together. These screens reached unevenly from twenty-four to twelve inches of the floor, and at worst an actor in dressing himself could be seen no higher than the knees—unless, perhaps, a too bright light behind the partition might reveal his whole personen silhouette.
Loveland was anxious to talk with the Star about her old friend—if not love—Bill Willing; and he had hoped on starting to walk by her side; but Miss Moon, seeing his desire, had instantly frustrated it by calling him and beginning to talk of the part he was about to rehearse. As old "Dave Dreadnought," he was supposed to curse her with menaces, and he felt that it would not be difficult to do so realistically, even in the character of Loveland; but he contrived to listen politely, if coldly, to the story of her first marriage at the early age of fifteen. "I'm not quite sixteen years older than my eldest son, who is over twenty now," she said, and did not look pleased when the juvenile lead found no more tactful comment than an absent-minded "Is it possible?"
On the stage he received the short MS. part of Dave Dreadnought, which Mr. Jacobus had not after all been able to unearth before, and was allowed to glance it over while the scene of his "dying curse" was being set. He was too inexperienced to remember what in gay, amateur days he had learned of stage directions, and Jacobus was inclined to be sarcastic at his expense; but both Miss Moon and Miss de Lisle, as well as Ed Binney, befriended him, whispering hurriedly what "down centre," "up left," "take the stage," or "wait on the prompt side" meant; and thanks to their good nature he got on reasonably well. He was called upon also to rehearse the ball scene, where he "walked on" as a young man of fashion, and had the privilege of dancing with Miss Moon before dwindling, in the last act, to a mere Dead Hand. All the "business" had to be repeated again and again, until at last he was confident, and the stage manager almost hopeful.
It was five o'clock by the time Jacobus snapped irritably: "You'llhaveto do, anyhow"; but as afternoon tea was not a custom in the Human Flower Company, they missed little by absence from the hotel. Still, Loveland had found no chance for a private word with Lillie, who remained ignorant of his acquaintance with Bill Willing.
At six o'clock a meal, which called itself supper, was ready; and having bolted a cold edition of dinner, eked out with tinned peaches and cups of tea, actors and actresses marched forth in a body to begin the evening's work.
The curtain did not rise until half past seven, but this was Saturday night, and the town was eager for its entertainment. The young girls and their escorts liked nothing better than to see the "show men and women" walk past them up the hall, on the way to that thrilling region known as "behind the scenes," therefore at least a score of persons were seated in the dismal auditorium, munching apples or candy, and cracking peanuts, when the Human Flower and her company filed in.
A few little boys on the cheap benches at the back whistled, clapped their hands, stamped on the floor, and made "cat calls" as a greeting to the players, but those saluted took no notice, and skurried by like hunted things. Miss St. Clare hastened to her seat at the piano, near which an elderly quadroon had already begun to tune a fiddle, and melancholy Mr. Winter remained at the door to help the ticket seller, until it should be time for him to "make up" as the heroine's millionaire parent.
The gentlemen of the company (Loveland had already learned that they never spoke of each other as mere "men") dressed behind one partition, the ladies behind another, and the crowding could scarcely have been worse in the Black Hole of Calcutta. Nevertheless, everyone was more or less good natured. Costumes of a sort, and odds and ends of grease paints were offered to Loveland who, to his own surprise, was shaking and perspiring oddly with stage fright.
"What rot!" he roughly scolded himself. "As if an audience in a tenth-rate country village mattered! What do I care whether or not I know my part, or what they think of me?"
But the queer fact remained that he did care, and his heart thumped faster than it had thumped when he was roused one dark night to fight his first battle. As he saw what personable looking men his companions became after manipulating a few bits of grease-paint, putting on wigs and carefully-kept stage costumes, he began in spite of himself to take this queer theatrical engagement of his more seriously. He wanted to act well; he wanted to please Lillie de Lisle, and to satisfy Ed Binney, who was wishing him luck; he wanted to make a good impression on the pretty bright-eyed country girls who had stared at him with interest as he passed through the auditorium.
There were not nearly enough local stage hands employed in the theatre, and acting was not the only work the actors had to do. They helped place the scenery, and change the settings; they flew about like distracted demons, half dressed, with suspenders flying, turning a burglar's den into a millionaire's drawing-room; and between the bewildering alterations of scene, there was no rest for the sole of anyone's foot.
How they ever got themselves out of one costume into another in time, how they ever remembered which of their many doublings came first, which last, Loveland could not conceive; but, standing in the wings waiting for his own dreaded turn, he was filled with an increasing respect for the barn-stormers, male and female. They could act, too, most of them, which seemed to him the strangest part of all, for he had not expected to find the satellites of Bill's little Star twinkling with the light of talent. As for his own performance, he realised before it had begun that such histrionic efforts as had won him applause when an amateur in London would not be good enough to gain him admiration as a professional in Modunk. It was another thing when, as a handsome young soldier, Lord Loveland had swaggered easily about the stage, pleased with himself and pleasing everyone else, because everyone had come with the intention of being pleased.
Here, in remote little Modunk, the audience was evidently far more critical, and if it didn't like what it saw, it said so audibly with a voice from the cheap seats, or at least indulged in a prolonged fit of bored coughing. If Loveland could have gone on "as himself," as Jacobus had said, he might have captured the fancy of the girls; but as old Dave Dreadnought in a wild wig, and moth-eaten beard lent by "Pa" Winter, the new addition to the company could conquer the audience only by sheer force of acting.
Fortunately for Loveland, he was not obliged to walk onto the stage in answer to a cue, or it seemed to him that he could not have moved. It was bad enough to be "discovered," in the act of being murdered; and as the moment came when he would have to make his first speech, his blood was beating like a drum in his temples. His throat felt dry, and when his cue to speak was given by Jacobus with meaning emphasis, he could only swallow, and glare. Not a word of the carefully rehearsed part could he remember, and involuntarily looking out in front (a thing Ed Binney had warned him not to do) it seemed as if the rows of faces down below the yellow footlights were leaping up at him like a wave.
If he had seen the mocking grins or heard the titters which his morbid fears and exaggerated sensitiveness led him to expect, he would have collapsed into gasping helplessness, and died without giving the famous curse on which the rest of the play depended. But to his intense, almost agonising relief, the eyes staring up at him were eager, excited. The people were taking him in earnest! They were not laughing at him. He had power over them; and suddenly he felt able to make use of it.
Just as Jacobus bent over him, frantically glaring, ready to prompt and swear at the same time, Loveland's frozen hesitation melted into words and gestures, the right words, the right gestures. Jacobus sighed a great sigh of thanksgiving, and Val delivered his curse with a transport of zeal. He was half frightened at his own explosiveness, but the audience enjoyed it, and when the curtain went down upon his death there was a round of applause from the audience.
"They liked it all right," said Miss Moon.
"Are they doing that for me?" Loveland asked, incredulously.
"Why, of course," she replied. "You were the star of the scene."
"It would have to be a mighty rotten Dave not to get a few hands on his curse," said Jacobus. "Never saw one yet bad enough for that. It's the scene, not the actor, they clap."
But even this cold douche did not depress Loveland. Though dead as Dave, it was his business to rise again in the third act as a young man of fashion—a youthful butterfly from an ancient chrysalis—and drunk with the sweet draught of triumph, he made the change gaily, as happy for the moment as if he were playing before an audience of kings and queens.
He had dressed, and was lurking in the wings again, watching with some interest the arrest of the leading man for his (Loveland's) murder, on false evidence snakily given by Ed Binney, when Miss de Lisle flitted noiselessly up, very insufficiently disguised as a boy.
"I suppose youdoremember that you're a young English Lord?" she whispered, anxiously.
Loveland started, and stared. Had she found him out?
"In your next scene," she explained.
"Oh," said Loveland, relieved. "Am I—er—a lord?"
"Yes. Didn't Jacobus tell you? But perhaps he thought it didn't matter."
"It doesn't seem to," retorted Val, smiling faintly at his own hidden meaning.
"You're supposed to be the son of the Duke of Highgate. Pa Winter's the Duke, you know. Of course, though, you haven't seen the whole play yet—only your own scenes, so you can't keep track of everything. You only have to walk on; or ratherwaltzon with Miss Moon, you know; and when she goes off, and I come on in girl's clothes again, you must say, "The next is mine, I believe," with an English drawl. But the part's down on the program as 'Lord William Vane.'"
"By Jove, I know Willy Vane. He's in the Black Wa——" began Loveland, but he bit his lip and broke off abruptly.
The Human Flower laughed. "I don't supposeyourfriend's a lord, though!"
Loveland did not reply, as the choice lay between a fib and an affirmative.
"You ought to know how lords behave, more than any of us," went on the girl, "as you're an Englishman. I suppose you've seen some?"
"Yes, a few," said Val cautiously.
"Did you ever get a chance to speak to one?"
"Now and then."
"Were they very haughty?"
"Not all of them."
"Well, as you've seen them you'll know just how to act, and youlookreal swell. This is an exciting play, ain't it? And my! how it does makes us all work. This is my only quiet time, and I guess you're tired. Perhaps you'd rather watch Jack Jacobus's big scene than talk to me? I have to go on, anyhow, in about four minutes."
"I'd rather talk to you than watch, if you'll let me," said Val.
"Well, as long as you don't make yourself too interesting, so I miss my cue! J. J. will be cross if he sees us whispering here, but he's too taken up with himself and his wife in this scene to notice much."
"That's lucky, because I have a message for you from an old friend of yours, that I've been wanting to tell you all day," Loveland began hastily, not to waste one of the four minutes. "I wonder if you remember him? Bill Willing?"
"Bill Willing!—a friend ofyours?" the girl spoke sharply, in her surprise.
"Then you haven't forgotten him."
"Forgotten him? I never will, to my dying day."
Her voice quivered a little, for, like most actresses of her type, her emotions were as easily played upon as harp-strings.
"Those are almost the words he used about you," said Loveland, interested in Lillie's part of the broken love melody, as he had been in Bill's. "Only—his were stronger."
"What were they—exactly?"
"Shall I tell you, really?"
"Yes, quick—quick."
"He said he alwayshadloved you, and always would love you till his dying day."
"Oh!" Lillie de Lisle gulped down a small sob. "I thought he'd forgotten all about me—long, long ago. He never wrote."
"No. He told me he didn't dare, or something like that, but he couldn't resist sending a message by me."
"If youknewwhat it is to me to hear from him again! How in the world did you meet him?"
But that was a long story, and before Loveland could begin to sketch it, the Human Flower heard her cue. With professional instinct she darted out of the entrance on to the stage, and took up her part, as if she had thought of nothing else since she laid it down.
It was not until the end of the third act that there was the smallest chance to continue the talk so suddenly broken short. Loveland had to change back again into the beard, wig, and bloodstained clothes of murdered Dave Dreadnought in order to appear as a ghost, and wave his Dead Hand under the remorseful villain's nose. But this act of retribution was reserved for the end of the play; therefore, encouraged by Lillie, Val stood half concealed in the shadow of some disused scenery, talking of Bill to Bill's Star.
He told her of Bill's dog, Shakespeare, the tiny creature "who made up a bit for the lost 'little gal.'" He told her how Bill generally contrived to put aside a dime each week, to buy a stage paper, solely in the hope of finding news of her. He described Bill's delight at hearing that she had become a "Star," with her own company, and explained how it was by Bill's wish and advice that he had written to ask for his present engagement.
"If only itwasmy company, really," sighed the poor little Star, "wouldn't I just send for Bill to come out? But I haven't got any more say than the property man, and J. J. used to hate Bill, because—because he was jealous. You see, that was before Jacobus married. Oh, since you're a friend of Bill's and he told you he cared about me, I can talk to you as if I'd known you for ever. If Bill had asked me to marry him, I would, in a minute. But he never did. I wasn't sure he ever really cared, till what you said tonight. He was the best man I ever knew."
"I'm not sure he isn't the best I ever knew, too," said Loveland.
"I'd have soonerbeggedwith him than be a queen with a crown on my head, if he wasn't the king!" sighed Miss de Lisle. "Don'tyoufeel that way, too, about love?"
"Yes," Loveland answered. "I didn't always: but then I used not to understand."
"It's too late now," Bill's Star went on. "We shall never see each other again."
The words echoed in Loveland's head. "Too late now; we shall never see each other again."
The Human Flower's thoughts were far away with Bill Willing. But at least she knew where he was, and was sure that he loved her, while Val did not even know the name of the place near Louisville where Lesley Dearmer lived, and he was sure that she did not love him. Yes, he was sure of that, though perhaps there was a time, he told himself, when he might have made her care.
Instead of trying to win her when he had the chance, he had asked her advice about the best way of making love to other girls. Oh, he deserved all he had got, he thought with sudden fury—all—even to being a waiter at Alexander's, and a leading juvenile under the management of "J. J."
"Gordon, come to our room directly after dinner. I want to talk to you," said Miss Moon. "Not a word to anyone, mind."
She spoke in a low voice, with an air of mystery, stopping Loveland on the stairs, and then passing with a significant look and a finger on her lips, as a door shut sharply somewhere above.
Of course she took it for granted that he would accept the Royal invitation which was a command, and did not need an answer. Equally of course Loveland knew that he would be knocking at the door, at the moment desired, though he was puzzled by the request and the secretive way in which it was made.
It was only a week that day since he had joined the company, but the longest week of his life, save one. Already the time when he had not been a barn-storming country actor seemed distant. He was "old man" or "dear boy," with all the men except Jacobus, and "Gordon" with the actresses. He had heard the life-story of almost everyone among his comrades, male and female; knew why, by evil fate or mere fluke, they had lost splendid and well-deserved chances of gracing Metropolitan theatres; had grown to look upon them all, even Buddha, as fellow beings, and was doing his worried, wearied best with seven new parts committed to memory in as many days.
If Lesley Dearmer were an actress, and it were her company instead of Lillie de Lisle's, he said to himself, how happy he could be in spite of all hardships; for the longing to see Lesley was never absent. He regretted her desperately, and the chance he might have had with her—the chance he had thrown away. He dreamed of her at night, instead of living his troubles over again, and in involved fancies often saw her acting with him on the stage, in the place of Bill's "little gal." Always she seemed near; always she was in his thoughts; but perhaps this was partly because someone had mentioned incidentally that Ashville—where the company was playing now—lay only about thirty miles from Louisville.
Somewhere near Louisville she lived, and if he were Lord Loveland, with money in his pocket—even a little money—instead of being just a strolling actor named Gordon, with two suits of clothes to his back, he would have tried his hardest to find her. He no longer regretted the hopelessness of finding favour in the eyes of American heiresses, because he was homesick for the light in Lesley's sweet eyes, the only woman's eyes that had ever mattered seriously to him—except his mother's. Nothing had happened, really, to make money of less importance to him; rather the other way, yet money did not seem as important as it had, and he told himself that he was well punished for not asking Lesley to marry him. But now he had let her learn to despise him. And being Gordon, the barn-stormer, instead of Lord Loveland, he would have avoided a meeting with the girl if it had come in his way. He could not have endured to be seen by her as he was now, and even should his luck change—as it must before long—with news from home—there would still remain between them as a barrier Lesley's scorn of him which he had taught her to feel, and her knowledge of all his ridiculous adventures. What a contrast to the pictures he had painted for her of his reception in America! With her impish sense of fun, the humorous side of his welcome by New Yorkers must have appealed to her intensely, he was sure, and he did not think that even when he ceased to be P. Gordon, Lesley Dearmer would ever care to think of him seriously again.
She had been very frank that last morning on theMauretania; and many times since, he had recalled every word she had said to him as they leaned on the rail watching the ship draw into the New York dock. Lesley would feel, as he began to, but even more, that everything which had happened "served him right." He could almost hear her pronouncing sentence, smiling, yet in earnest. How she must have laughed at his fallen pride, and the wildly farcical things such merry humourists as Tony Kidd had doubtless put into the papers! He had become a mere figure of fun for America, and therefore, for Lesley Dearmer, who had never been a respecter of persons; and the fear that the Human Flower's Company might play at Louisville had been hot in his mind, until Ed Binney reassured him. Louisville was not for the "likes of them," and they would never get nearer such an important town than they were now. Soon, they would be out of Kentucky, and in Missouri: indeed, the "date" following Ashville, was in the latter state, and Loveland had been advised that his forthcoming address would be Bonnerstown. Only the day before his meeting with Miss Moon on the stairs he had written to Bill Willing, asking him to send on any mail to Bonnerstown, Missouri; and now the lady's mysterious summons gave him an uneasy moment.
He had supposed that his acting was satisfactory, and had worked hard over the learning and rehearsing of his parts, seldom getting to sleep before five in the morning, then dropping off with a MS. in his hand as well as in his head. But what if Miss Moon meant to break the news that "J. J." thought he could not act well enough, and that he must expect his discharge?
Loveland had little appetite for dinner, though the hotel at Ashville was better than at Modunk, and the cooking was good Southern cooking. Immediately after the meal he went upstairs and knocked at the door of Mr. and Mrs. Jacobus's room, with no feeling of strangeness in doing so, because he had learned, since joining Miss de Lisle's company, that for "pros" bedroom was another word for parlour.
The stage manager and his wife were both there, Jacobus smoking, in sulky silence which he broke only with a grunt by way of greeting for the "juvenile lead." But Miss Moon made up in cordiality for her husband's coldness.
"Mr. Jacobus is cross with me," she announced coquettishly, "about you."
"About me?" Loveland repeated, puzzled and vaguely uncomfortable.
"Yes. There's an idea of mine I want to talk to you about, and he says you'll blab it to the others. ButIsay you won't if you promise you won't. That's so, isn't it?"
"Of course," answered Loveland.
"And you do promise, don't you—and that you won't say a word to a living soul, if I tell you a thing in strict confidence?"
"I promise," Loveland returned imprudently, impressed with the idea that he was to hear some comment on his own acting.
"There! That's all right, then, I trust you. Yes, I justwill, J. J., so there! I guess I have a right to my say in this show, haven't I?"
J. J. answered by a shrug of the shoulders, but it was a shrug of resentful acquiescence, and showed that he acknowledged his wife's supremacy—the eternal supremacy of the Golden Calf.
"Sit down, and make yourself at home," went on Miss Moon, smiling on the handsome young man, who was not much older than her sons. "Full Moon" was her nickname in the company, and Loveland thought, as she cordially indicated a chair by the stove, that her figure merited thesobriquet.
"I know you're a great friend ofLillie's," the lady slily began again, when she and Loveland were seated near the fire, and J. J. had drowned himself in a theatrical paper. "But all the same, you must admit that her acting gets worse every day. She's so awful careless! And she's failed to go down with audiences here. We've done rotten business."
"The house has seemed good every night," said Loveland.
"Ah, it'sseemedall right; but it's been half paper. It's mighty discouragin', for me and Mr. Jacobus, I can tell you, after the moneyI'veput into the show, and the workhe'sput in. The fact is, it's so discouragin' we're thinkin' of makin' a change; breakin' up the company, in a way, and then startin' again, with only the ones wereallywant in a new crowd. Would you like to join?"
Loveland looked her straight in the face, with almost brutally frank disapproval on his. The extra touches she had given to her hair, and eyelashes, and complexion for his benefit, were all in vain. She might have been a block of painted wood, for any admiration in his eyes.
"You mean, you're going to send Miss de Lisle away?" he asked.
"We're going to send ourselves away fromher," Miss Moon corrected him.
"Leaving her in the lurch!" exclaimed Loveland; with that uncompromising truthfulness of his which was a virtue or a vice, according as one had reason to regard it.
The big woman flushed darkly through her powder. "There's no 'lurch' about it!" she defended herself with a new sharpness in her tone. "I don't intend to shell out any more of my good money carting Lillie de Lisle around the country as a star, that's all. I suppose I have a right to do as I choose with my own?Yououghtn't to complain. I'm offering you a chance that lots of real actors would grab. You can go with the new company, and have better parts, and better pay, than what you're getting now. But you'll have to choose, right away, between me—between us and Lillie de Lisle. Well, what do you say?"
"I say that I choose Miss de Lisle," said Loveland.
Miss Moon burst out laughing, hysterically.
"There, I told you what you'd get!" ejaculated her husband. But she shook her shoulders angrily, seeming to transfer to him all the resentment Loveland had roused.
"Let things alone, can't you?" she snapped. "Gordon's only guying, ain't you, Gordon? Or anyhow, you don't understand. When I said 'choose between us' there's nothingtochoose, for Lillie de Lisle hasn't got a thing to offer you, and we have a lot. We can bust her up and when she's bust, she is bust. Why, she hasn't a dime to bless herself with, I shouldn't think. She ain't the savin' kind, and she won't even have any advertisin' paper to go along with, if she wanted to go along on her own. Her name ain't printed on any of the posters; I took care of that, starting out. The slips with 'Lillie de Lisle' are all separate, joined on to the posters with paste—and as for her litho, she's welcome tothat. She looks a fright, bad enough to scare crows. The pictorial paper'sours, every sheet of it, and we can start another show inside two days. All we've got to do, is to wire a Chicago agent for a new star, if I don't choose to do the starring myself, and as many folks as we want. Now, you see how things stand, don't you?"
"I think I do," said Loveland.
"Well, what do you decide?"
"The same that I decided before."
"Oh, you do, do you? Ain't you silly! You won't take a good thing when it's offered you?"
"I won't take the thing you've offered me."
She bounced up from her chair, her large face flaming. "Very well, then, all I've got left to say is, I wish you joy of your choice, and—goodafternoon!"
"Good afternoon," said Loveland, rising, and walking towards the door.
"Wait a minute!" exclaimed Miss Moon, stopping him as he turned the handle. "See here, if you please. You're no gentleman if you play the sneak, and tell."
"I've given you my word not to do that," Loveland assured her.
"Mind you keep it! I wash my hands of you," cried the angry woman, and thinking that he might as well take this as his cue for exit, Loveland left the room.
"Hell hath no fury like a woman scorned," he heard her husband quoting with a vicious laugh, before there had been time to shut the door.
Loveland went up to his own room, more than a little troubled. He had learned to like Lillie de Lisle, not only for Bill's sake, but for her own. She was a sweet, bright little creature, a lady by nature, though not by birth or education; and if she had a chance, might even yet—in spite of bad training—become a charming actress. The Moon woman was jealous of the star's youth and prettiness, of course; and now she meant to play her rival a shameful trick, yet he might not warn the poor girl because of that stupid promise he had given.
It was a new thing for Loveland to trouble himself about the affairs of his acquaintances; but he knew too well now what it was like to be deserted by friends, cold-shouldered by the world, not to have learned how to feel for others. He was genuinely uncomfortable about Lillie, but he could only make up his mind to stand by the deposed star whatever happened to her, and to himself. For the present, he did not see what else he could do, bound as he was to silence. But there was one comfort, he consoled himself: a new company could not be formed in a minute. This was Saturday. They would all go on to Bonnerstown next day, no doubt; perhaps Mrs. Jacobus would reconsider the spiteful decision to which her henpecked husband agreed with evident reluctance. In any case, there were a few days in which to plan. Loveland hoped that he might hear from England in another week; and at worst, salaries were payable on Saturdays. He would be the possessor of ten hard earned dollars that night.