The Project Gutenberg eBook ofLove's ComedyThis ebook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this ebook or online atwww.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.Title: Love's ComedyAuthor: Henrik IbsenTranslator: C. H. HerfordRelease date: June 22, 2006 [eBook #18657]Most recently updated: July 24, 2006Language: EnglishCredits: E-text prepared by Douglas Levy*** START OF THE PROJECT GUTENBERG EBOOK LOVE'S COMEDY ***
This ebook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this ebook or online atwww.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.
Title: Love's ComedyAuthor: Henrik IbsenTranslator: C. H. HerfordRelease date: June 22, 2006 [eBook #18657]Most recently updated: July 24, 2006Language: EnglishCredits: E-text prepared by Douglas Levy
Title: Love's Comedy
Author: Henrik IbsenTranslator: C. H. Herford
Author: Henrik Ibsen
Translator: C. H. Herford
Release date: June 22, 2006 [eBook #18657]Most recently updated: July 24, 2006
Language: English
Credits: E-text prepared by Douglas Levy
*** START OF THE PROJECT GUTENBERG EBOOK LOVE'S COMEDY ***
E-text prepared by Douglas Levy
The Collected Works of Henrik Ibsen, Volume I
Translation by C. H. Herford
Koerlighedens Komediewas published at Christiania in 1862. The polite world—so far as such a thing existed at the time in the Northern capital—received it with an outburst of indignation now entirely easy to understand. It has indeed faults enough. The character-drawing is often crude, the action, though full of effective by-play, extremely slight, and the sensational climax has little relation to human nature as exhibited in Norway, or out of it, at that or any other time. But the sting lay in the unflattering veracity of the piece as a whole; in the merciless portrayal of the trivialities of persons, or classes, high in their own esteem; in the unexampled effrontery of bringing a clergyman upon the stage. All these have long since passed in Scandinavia, into the category of the things which people take with their Ibsen as a matter of course, and the play is welcomed with delight by every Scandinavian audience. But in 1862 the matter was serious, and Ibsen meant it to be so.
For they were years of ferment—those six or seven which intervened between his return to Christiania from Bergen in 1857, and his departure for Italy in 1864. As director of the newly founded "Norwegian Theatre," Ibsen was a prominent member of the little knot of brilliant young writers who led the nationalist revolt against Danish literary tradition, then still dominant in well-to-do, and especially in official Christiania. Well-to-do and official Christiania met the revolt with contempt. Under such conditions, the specific literary battle of the Norwegian with the Dane easily developed into the eternal warfare of youthful idealism with "respectability" and convention. Ibsen had already started work upon the greatest of his Norse Histories—The Pretenders. But history was for him little more than material for the illustration of modern problems; and he turned with zest from the task of breathing his own spirit into the stubborn mould of the thirteenth century, to hold up the satiric mirror to the suburban drawing-rooms of Christiania, and to the varied phenomena current there,—and in suburban drawing-rooms elsewhere,—under the name of Love.
YetLove's Comedyis much more than a satire, and its exuberant humour has a bitter core; the laughter that rings through it is the harsh, implacable laughter of Carlyle. His criticism of commonplace love-making is at first sight harmless and ordinary enough. The ceremonial formalities of the continentalVerlobung, the shrill raptures of aunts and cousins over the engaged pair, the satisfied smile of enterprising mater-familias as she reckons up the tale of daughters or of nieces safely married off under her auspices; or, again, the embarrassments incident to a prolongedBrautstandfollowing a hasty wooing, the deadly effect of familiarity upon a shallow affection, and the anxious efforts to save the appearance of romance when its zest has departed—all these things had yielded such "comedy" as they possess to many others before Ibsen, and an Ibsen was not needed to evoke it. But if we ask what, then, is the right way from which these "cosmic" personages in their several fashions diverge; what is the condition which will secure courtship from ridicule, and marriage from disillusion, Ibsen abruptly parts company with all his predecessors. "'Of course,' reply the rest in chorus, 'a deep and sincere love';— 'together,' add some, 'with prudent good sense.'" The prudent good sense Ibsen allows; but he couples with it the startling paradox that the first condition of a happy marriage is the absence of love, and the first condition of an enduring love is the absence of marriage.
The student of the latter-day Ibsen is naturally somewhat taken aback to find the grim poet of Doubt, whose task it seems to be to apply a corrosive criticism to modern institutions in general and to marriage in particular, gravely defending the "marriage of convenience." And his amazement is not diminished by the sense that the author of this plea for the loveless marriage, which poets have at all times scorned and derided, was himself beyond question happily, married. The truth is that there are two men in Ibsen—an idealist, exalted to the verge of sentimentality, and a critic, hard, inexorable, remorseless, to the verge of cynicism. What we call his "social philosophy" is amodus vivendiarrived at between them. Both agree in repudiating "marriage for love"; but the idealist repudiates it in the name of love, the critic in the name of marriage. Love, for the idealist Ibsen, is a passion which loses its virtue when it reaches its goal, which inspires only while it aspires, and flags bewildered when it attains. Marriage, for the critic Ibsen, is an institution beset with pitfalls into which those are surest to step who enter it blinded with love. In the latter dramas the tragedy of married life is commonly generated by other forms of blindness—the childish innocence of Nora, the maidenly ignorance of Helena Alving, neither of whom married precisely "for love"; here it is blind Love alone who, to the jealous eye of the critic, plays the part of the Serpent in the Edens of wedded bliss. There is, it is clear, an element of unsolved contradiction in Ibsen's thought;—Love is at once so precious and so deadly, a possession so glorious that all other things in life are of less worth, and yet capable of producing only disastrously illusive effects upon those who have entered into the relations to which it prompts. But with Ibsen—and it is a grave intellectual defect—there is an absolute antagonism between spirit and form. An institution is always with him, a shackle for the free life of souls, not an organ through which they attain expression; and since the institution of marriage cannot but be, there remains as the only logical solution that which he enjoins—to keep the soul's life out of it. To "those about to marry," Ibsen therefore says in effect, "Be sure you are not in love!" And to those who are in love he says, "Part!"
It is easy to understand the irony with which a man who thought thus of love contemplated the business of "love-making," and the ceremonial discipline of Continental courtship. The whole unnumbered tribe of wooing and plighted lovers were for him unconscious actors in a world-comedy of Love's contriving—naive fools of fancy, passionately weaving the cords that are to strangle passion. Comedy like this cannot be altogether gay; and as each fresh romance decays into routine, and each aspiring passion goes out under the spell of a vulgar environment, or submits to the bitter salvation of a final parting, the ringing laughter grows harsh and hollow, and notes of ineffable sadness escape from the poet's Stoic self-restraint.
Ibsen had grown up in a school which cultivated the romantic, piquant, picturesque in style; which ran riot in wit, in vivacious and brilliant imagery, in resonant rhythms and telling double rhymes. It must be owned that this was not the happiest school for a dramatist, nor canLove's Comedybe regarded, in the matter of style, as other than a risky experiment which nothing but the sheer dramatic force of an Ibsen could have carried through. As it is, there are palpable fluctuations, discrepancies of manner; the realism of treatment often provokes a realism of style out of keeping with the lyric afflatus of the verse; and we pass with little warning from the barest colloquial prose to the strains of high-wrought poetic fancy. Nevertheless, the style, with all its inequalities, becomes in Ibsen's hands a singularly plastic medium of dramatic expression. The marble is too richly veined for ideal sculpture, but it takes the print of life. The wit, exuberant as it is, does not coruscate indiscriminately upon all lips; and it has many shades and varieties—caustic, ironical, imaginative, playful, passionate—which take their temper from the speaker's mood.
The present version of the play retains the metres of the original, and follows it in general line for line. For a long passage, occupying substantially the first twenty pages, the translator is indebted to the editor of the present work; and two other passages— Falk's tirades on pp.58 and 100—result from a fusion of versions made independently by us both. C. H. H.
*Copyright, 1907, by Charles Scribner's Sons.
MRS. HALM, widow of a government official.SVANHILD AND ANNA, her daughters.FALK, a young author, and LIND, a divinity student, her boarders.GULDSTAD, a wholesale merchant.STIVER, a law-clerk.MISS JAY, his fiancee.STRAWMAN, a country clergyman.MRS. STRAWMAN, his wife.STUDENTS, GUESTS, MARRIED AND PLIGHTED PAIRS.THE STRAWMANS' EIGHT LITTLE GIRLS.FOUR AUNTS, A PORTER, DOMESTIC SERVANTS.
The SCENE represents a pretty garden irregularly but tastefully laid out; in the background are seen the fjord and the islands. To the left is the house, with a verandah and an open dormer window above; to the right in the foreground an open summer-house with a table and benches. The landscape lies in bright afternoon sunshine. It is early summer; the fruit-trees are in flower.
When the Curtain rises, MRS. HALM, ANNA, and MISS JAY are sitting on the verandah, the first two engaged in embroidery, the last with a book. In the summer-house are seen FALK, LIND, GULDSTAD, and STIVER: a punch-bowl and glasses are on the table. SVANHILD sits alone in the background by the water.
FALK [rises, lifts his glass, and sings].
Sun-glad day in garden shadyWas but made for thy delight:What though promises of May-dayBe annulled by Autumn's blight?
Apple-blossom white and splendidDrapes thee in its glowing tent,—Let it, then, when day is ended,Strew the closes storm-besprent.
Let it, then, when day is ended, etc.
Wherefore seek the harvest's guerdonWhile the tree is yet in bloom?Wherefore drudge beneath the burdenOf an unaccomplished doom?Wherefore let the scarecrow clatterDay and night upon the tree?Brothers mine, the sparrows' chatterHas a cheerier melody.
Brothers mine, the sparrow's chatter, etc.
Happy songster! Wherefore scare himFrom our blossom-laden bower?Rather for his music spare himAll our future, flower by flower;Trust me, 'twill be cheaply buyingPresent song with future fruit;List the proverb, "Time is flying;—"Soon our garden music's mute.
List the proverb, etc.
I will live in song and gladness,—Then, when every bloom is shed,Sweep together, scarce in sadness,All that glory, wan and dead:Fling the gates wide! Bruise and batter,Tear and trample, hoof and tusk;I have plucked the flower, what matterWho devours the withered husk!
I have plucked the flower, etc.[They clink and empty their glasses.
FALK [to the ladies].There—that's the song you asked me for; but prayBe lenient to it—I can't think to-day.
GULDSTAD.Oh, never mind the sense—the sound's the thing.
MISS JAY [looking round].But Svanhild, who was eagerest to hear—?When Falk began, she suddenly took wingAnd vanished—
ANNA [pointing towards the back].No, for there she sits—I see her.
MRS. HALM [sighing].That child! Heaven knows, she's past my comprehending!
MISS JAY.But, Mr. Falk, I thought the lyric's endingWas not so rich in—well, in poetry,As others of the stanzas seemed to be.
STIVER.Why yes, and I am sure it could not taxYour powers to get a little more inserted—
FALK [clinking glasses with him].You cram it in, like putty into cracks,Till lean is into streaky fat converted.
STIVER [unruffled].Yes, nothing easier—I, too, in my dayCould do the trick.
GULDSTAD.Dear me! Were you a poet?
MISS JAY.My Stiver! Yes!
STIVER.Oh, in a humble way.
MISS JAY [to the ladies].His nature is romantic.
MRS. HALM.Yes, we know it.
STIVER.Not now; it's ages since I turned a rhyme.
FALK.Yes varnish and romance go off with time.But in the old days—?
STIVER.Well, you see, 'twas whenI was in love.
FALK.Is that time over, then?Have you slept off the sweet intoxication?
STIVER.I'm now engaged—I hold official station—That's better than in love, I apprehend!
FALK.Quite so! You're in the right my good old friend.The worst is past—vous voila bien avance—Promoted from mere lover tofiance.
STIVER [with a smile of complacent recollection].It's strange to think of it—upon my word,I half suspect my memory of lying—[Turns to FALK.But seven years ago—it sounds absurd!—I wasted office hours in versifying.
FALK.What! Office hours—!
STIVER.Yes, such were my transgressions.
GULDSTAD [ringing on his glass].Silence for our solicitor's confessions!
STIVER.But chiefly after five, when I was free,I'd rattle off whole reams of poetry—Ten—fifteen folios ere I went to bed—
FALK.I see—you gave your Pegasus his head,And off he tore—
STIVER.On stamped or unstamped paper—'Twas all the same to him—he'd prance and caper—
FALK.The spring of poetry flowed no less flush?But how, pray, did you teach it first to gush?
STIVER.By aid of love's divining-rod, my friend!Miss Jay it was that taught me where to bore,Myfiancee—she became so in the end—For then she was—
FALK.Your love and nothing more.
STIVER [continuing].'Twas a strange time; I could not read a bit;I tuned my pen instead of pointing it;And when along the foolscap sheet it raced,It twangled music to the words I traced;—At last by letter I declared my flameTo her—to her—
FALK.Whosefianceeyou became.
STIVER.In course of post her answer came to hand—The motion granted—judgment in my favour!
FALK.And you felt bigger, as you wrote, and braver,To find you'd brought your venture safe to land!
STIVER.Of course.
FALK.And you bade the Muse farewell?
STIVER.I've felt no lyric impulse, truth to tell,From that day forth. My vein appeared to peterEntirely out; and now, if I essayTo turn a verse or two for New Year's Day,I make the veriest hash of rhyme and metre,And—I've no notion what the cause can be—It turns to law and not to poetry.
GULDSTAD [clinks glasses with him].And trust me, you're no whit the worse for that![To Falk.You think the stream of life is flowing solelyTo bear you to the goal you're aiming at—But here I lodge a protest energetic,Say what you will, against its wretched moral.A masterly economy and newTo let the birds play havoc at their pleasureAmong your fruit-trees, fruitless now for you,And suffer flocks and herds to trample throughYour garden, and lay waste its springtide treasure!A pretty prospect, truly, for next year!
FALK.Oh, next, next, next! The thought I loathe and fearThat these four letters timidly express—It beggars millionaires in happiness!If I could be the autocrat of speechBut for one hour, that hateful word I'd banish;I'd send it packing out of mortal reach,As B and G from Knudsen's Grammar vanish.
STIVER.Why should the word of hope enrage you thus?
FALK.Because it darkens God's fair earth for us."Next year," "next love," "next life,"—my soul is vextTo see this world in thraldom to "the next."'Tis this dull forethought, bent on future prizes,That millionaires in gladness pauperises.Far as the eye can reach, it blurs the age;All rapture of the moment it destroys;No one dares taste in peace life's simplest joysUntil he's struggled on another stage—And there arriving, can he there repose?No—to a new "next" off he flies again;On, on, unresting to the grave he goes;And God knows if there's any resting then.
MISS JAY.Fie, Mr. Falk, such sentiments are shocking.
ANNA [pensively].Oh, I can understand the feeling quite;I am sure at bottom Mr. Falk is right.
MISS JAY [perturbed].My Stiver mustn't listen to his mocking.He's rather too eccentric even now.—My dear, I want you.
STIVER [occupied in cleaning his pipe].Presently, my dear.
GULDSTAD [to FALK].One thing at least to me is very clear;—And this is that you cannot but allowSome forethought indispensable. For see,Suppose that you to-day should write a sonnet,And, scorning forethought, you should lavish on itYour last reserve, your all, of poetry,So that, to-morrow, when you set aboutYour next song, you should find yourself cleaned out,Heavens! how your friends the critics then would crow!
FALK.D'you think they'd notice I was bankrupt? No!Once beggared of ideas, I and theyWould saunter arm in arm the selfsame way—[Breaking off.But Lind! why, what's the matter with you, pray?You sit there dumb and dreaming—I suspect you'reDeep in the mysteries of architecture.
LIND [collecting himself].I? What should make you think so?
FALK.I observe.Your eyes are glued to the verandah yonder—You're studying, mayhap, its arches' curve,Or can it be its pillars' strength you ponder,The door perhaps, with hammered iron hinges?From something there your glances never wander.
LIND.No, you are wrong—I'm just absorbed in being—Drunk with the hour—naught craving, naught foreseeing.I feel as though I stood, my life complete,With all earth's riches scattered at my feet.Thanks for your song of happiness and spring—From out my inmost heart it seemed to spring.[Lifts his glass and exchanges a glance, unobserved,with ANNA.Here's to the blossom in its fragrant pride!What reck we of the fruit of autumn-tide?[Empties his glass.
FALK [looks at him with surprise and emotion,but assumes a light tone].Behold, fair ladies! though you scorn me quite,Here I have made an easy proselyte.His hymn-book yesterday was all he cared for—To-day e'en dithyrambics he's prepared for!We poets must be born, cries every judge;But prose-folks, now and then, like Strasburg geese,Gorge themselves so inhumanly obeseOn rhyming balderdash and rhythmic fudge,That, when cleaned out, their very souls are thickWith lyric lard and greasy rhetoric.[To LIND.Your praise, however, I shall not forget;We'll sweep the lyre henceforward in duet.
MISS JAY.You, Mr. Falk, are hard at work, no doubt,Here in these rural solitudes delightful,Where at your own sweet will you roam about—
MRS. HALM [smiling].Oh, no, his laziness is something frightful.
MISS JAY.What! here at Mrs. Halm's! that's most surprising—Surely it's just the place for poetising—[Pointing to the right.That summer-house, for instance, in the woodSequestered, name me any place that couldBe more conducive to poetic mood—
FALK.Let blindness veil the sunlight from mine eyes,I'll chant the splendour of the sunlit skies!Just for a season let me beg or borrowA great, a crushing, a stupendous sorrow,And soon you'll hear my hymns of gladness rise!But best, Miss Jay, to nerve my wings for flight,Find me a maid to be my life, my light—For that incitement long to heaven I've pleaded;But hitherto, worse luck, it hasn't heeded.
MISS JAY.What levity!
MRS. HALM.Yes, most irreverent!
FALK.Pray don't imagine it was my intentTo live with her on bread and cheese and kisses.No! just upon the threshold of our blisses,Kind Heaven must snatch away the gift it lent.I need a little spiritual gymnastic;The dose in that form surely would be drastic.
SVANHILD.[Has during the talk approached; she stands close tothe table, and says in a determined but whimsical tone:I'll pray that such may be your destiny.But, when it finds you—bear it like a man.
FALK [turning round in surprise].Miss Svanhild!—well, I'll do the best I can.But think you I may trust implicitlyTo finding your petitions efficacious?Heaven as you know, to faith alone is gracious—And though you've doubtless will enough for twoTo make me bid my peace of mind adieu,Have you the faith to carry matters through?That is the question.
SVANHILD [half in jest].Wait till sorrow comes,And all your being's springtide chills and numbs,Wait till it gnaws and rends you, soon and late,Then tell me if my faith is adequate.[She goes across to the ladies.
MRS. HALM [aside to her].Can you two never be at peace? you've madePoor Mr. Falk quite angry, I'm afraid.
[Continues reprovingly in a low voice. MISS JAY joins inthe conversation. SVANHILD remains cold and silent.
FALK [after a pause of reflection goes over to the summer-house,then to himself].With fullest confidence her glances lightened.Shall I believe, as she does so securely,That Heaven intends—
GULDSTAD.No, hang it; don't be frightened!The powers above would be demented surelyTo give effect to orders such as these.No, my good sir—the cure for your diseaseIs exercise for muscle, nerve, and sinew.Don't lie there wasting all the grit that's in youIn idle dreams; cut wood, if that were all;And then I'll say the devil's in't indeedIf one brief fortnight does not find you freedFrom all your whimsies high-fantastical.
FALK.Fetter'd by choice, like Burnell's ass, I ponder—The flesh on this side, and the spirit yonder.Which were it wiser I should go for first?
GULDSTAD [filling the glasses].First have some punch—that quenches ire and thirst.
MRS. HALM [looking at her watch].Ha! Eight o'clock! my watch is either fast, orIt's just the time we may expect the Pastor.[Rises, and puts things in order on the verandah.
FALK.What! have we parsons coming?
MISS JAY.Don't you know?
MRS. HALM.I told you, just a little while ago—
ANNA.No, mother—Mr. Falk had not yet come.
MRS. HALM.Why no, that's true; but pray don't look so glum.Trust me, you'll be enchanted with his visit.
FALK.A clerical enchanter; pray who is it?
MRS. HALM.Why, Pastor Strawman, not unknown to fame.
FALK.Indeed! Oh, yes, I think I've heard his name,And read that in the legislative gameHe comes to take a hand, with voice and vote.
STIVER.He speaks superbly.
GULDSTAD.When he's cleared his throat.
MISS JAY.He's coming with his wife—
MRS. HALM.And all their blessings—
FALK.To give them three or four days' treat, poor dears—Soon he'll be buried over head and earsIn Swedish muddles and official messings—I see!
MRS. HALM [to FALK].Now there's a man for you, in truth!
GULDSTAD.They say he was a rogue, though, in his youth.
MISS JAY [offended].There, Mr. Guldstad, I must break a lance!I've heard as long as I can recollect,Most worthy people speak with great respectOf Pastor Strawman and his life's romance.
GULDSTAD [laughing].Romance?
MISS JAY.Romance! I call a match romanticAt which mere worldly wisdom looks askance.
FALK.You make my curiosity gigantic.
MISS JAY [continuing].But certain people always grow splenetic—Why, goodness knows—at everything pathetic,And scoff it down. We all know how, of late,An unfledged, upstart undergraduatePresumed, with brazen insolence, to declareThat "William Russell"(1)was a poor affair!
FALK.But what has this to do with Strawman, pray?Is he a poem, or a Christian play?
MISS JAY [with tears of emotion].No, Falk,—a man, with heart as large as day.But when a—so to speak—mere lifeless thingCan put such venom into envy's sting,And stir up evil passions fierce and fellOf such a depth—
FALK [sympathetically].And such a length as well—
MISS JAY.Why then, a man of your commanding brainCan't fail to see—
FALK.Oh, yes, that's very plain.But hitherto I haven't quite made outThe nature, style, and plot of this romance.It's something quite delightful I've no doubt—But just a little inkling in advance—
STIVER.I will abstract, in rapidresume,The leading points.
MISS JAY.No, I am moreau fait,I know the ins and outs—
MRS. HALM.I know them too!
MISS JAY.Oh Mrs. Halm! now let me tell it, do!Well, Mr. Falk, you see—he passed at collegeFor quite a miracle of wit and knowledge,Had admirable taste in books and dress—
MRS. HALM.And acted—privately—with great success.
MISS JAY.Yes, wait a bit—he painted, played and wrote—
MRS. HALM.And don't forget his gift of anecdote.
MISS JAY.Do give me time; I know the whole affair:He made some verses, set them to an air,Also his own,—and found a publisher.O heavens! with what romantic melancholyHe played and sang his "Madrigals to Molly"!
MRS. HALM.He was a genius, the simple fact.
GULDSTAD [to himself].Hm! Some were of opinion he was cracked.
FALK.A gray old stager,(2)whose sagacious headWas never upon mouldy parchments fed,Says "Love makes Petrarchs, just as many lambsAnd little occupation, Abrahams."But who was Molly?
MISS JAY.Molly? His elect,His lady-love, whom shortly we expect.Of a great firm her father was a member—
GULDSTAD.A timber house.
MISS JAY [curtly].I'm really not aware.
GULDSTAD.Did a large trade in scantlings, I remember.
MISS JAY.That is the trivial side of the affair.
FALK.A firm?
MISS JAY [continuing].Of vast resources, I'm informed.You can imagine how the suitors swarm'd;Gentlemen of the highest reputation.—
MRS. HALM.Even a baronet made application.
MISS JAY.But Molly was not to be made their catch.She had met Strawman upon private stages;To see him was to love him—
FALK.And despatchThe wooing gentry home without their wages?
MRS. HALM.Was it not just a too romantic match?
MISS JAY.And then there was a terrible old father,Whose sport was thrusting happy souls apart;She had a guardian also, as I gather,To add fresh torment to her tortured heart.But each of them was loyal to his vow;A straw-hatched cottage and a snow-white eweThey dream'd of, just enough to nourish two—
MRS. HALM.Or at the very uttermost a cow,—
MISS JAY.In short, I've heard it from the lips of both,—A beck, a byre, two bosoms, and one troth.
FALK.Ah yes! And then—?
MISS JAY.She broke with kin and class.
FALK.She broke—?
MRS. HALM.Broke with them.
FALK.There's a plucky lass!
MISS JAY.And fled to Strawman's garret—
FALK.How? Without—Ahem, the priestly consecration?
MISS JAY.Shame!
MRS. HALM.Fy, fy! my late beloved husband's nameWas on the list of sponsors—!
STIVER [to MISS JAY].The one roomNot housing sheep and cattle, I presume.
MISS JAY [to STIVER].O, but you must consider this, my friend;There is noWantwhere Love's the guiding star;All's right without if tender Troth's within.[To Falk.He loved her to the notes of the guitar,And she gave lessons on the violin—
MRS. HALM.Then all, of course, on credit they bespoke—
GULDSTAD.Till, in a year, the timber merchant broke.
MRS. HALM.Then Strawman had a call to north.
MISS JAY.And thereVowed, in a letter that I saw (as few did),He lived but for his duty, and for her.
FALK [as if completing her statement].And with those words his Life's Romance concluded.
MRS. HALM [rising].How if we should go out upon the lawn,And see if there's no prospect of them yet?
MISS JAY [drawing on her mantle].It's cool already.
MRS. HALM.Svanhild, will you getMy woollen shawl?—Come ladies, pray!
LIND [to ANNA, unobserved by the others].Go on!
[SVANHILD goes into the house; the others, exceptFALK, go towards the back and out to the left.LIND, who has followed, stops and returns.
LIND.My friend!
FALK.Ah, ditto.
LIND.Falk, your hand! The tideOf joy's so vehement, it will perforceBreak out—
FALK.Hullo there; you must first be tried;Sentence and hanging follow in due course.Now, what on earth's the matter? To concealFrom me, your friend, this treasure of your finding;For you'll confess the inference is binding:You've come into a prize off Fortune's wheel!
LIND.I've snared and taken Fortune's blessed bird!
FALK.How? Living,—and undamaged by the steel?
LIND.Patience; I'll tell the matter in one word.I am engaged! Conceive—!
FALK [quickly].Engaged!
LIND.It's true!To-day,—with unimagined courage swelling,I said,—ahem, it will not bear re-telling;—But only think,—the sweet young maiden grewQuite rosy-red,—but not at all enraged!You see, Falk, what I ventured for a bride!She listened,—and I rather think she cried;That, sure, means "Yes"?
FALK.If precedents decide;Go on.
LIND.And so we really are—engaged?
FALK.I should conclude so; but the only wayTo be quite certain, is to ask Miss Jay.
LIND.O no, I feel so confident, so clear!So perfectly assured, and void of fear.[Radiantly, in a mysterious tone.Hark! I had leave her fingers to caressWhen from the coffee-board she drew the cover.
FALK [lifting and emptying his glass].Well, flowers of spring your wedding garland dress!
LIND [doing the same].And here I swear by heaven that I will love herUntil I die, with love as infiniteAs now glows in me,—for she is so sweet!
FALK.Engaged! Aha, so that was why you flungThe Holy Law and Prophets on the shelf!
LIND [laughing].And you believed it was the song you sung—!
FALK.A poet believes all things of himself.
LIND [seriously].Don't think, however, Falk, that I dismissThe theologian from my hour of bliss.Only, I find the Book will not sufficeAs Jacob's ladder unto Paradise.I must into God's world, and seek Him there.A boundless kindness in my heart upsprings,I love the straw, I love the creeping things;They also in my joy shall have a share.
FALK.Yes, only tell me this, though—
LIND.I have told it,—My precious secret, and our three hearts hold it!
FALK.But have you thought about the future?
LIND.Thought?I?—thought about the future? No, from thisTime forth I live but in the hour that is.In home shall all my happiness be sought;We hold Fate's reins, we drive her hither, thither,And neither friend nor mother shall have rightTo say unto my budding blossom: Wither!For I am earnest and her eyes are bright,And so it must unfold into the light!
FALK.Yes, Fortune likes you, you will serve her turn!
LIND.My spirits like wild music glow and burn;I feel myself a Titan: though a fossOpened before me—I would leap across!
FALK.Your love, you mean to say, in simple prose,Has made a reindeer of you.
LIND.Well, suppose;But in my wildest flight, I know the nestIn which my heart's dove longs to be at rest!
FALK.Well then, to-morrow it may flycon brio,You're off into the hills with the quartette.I'll guarantee you against cold and wet—
LIND.Pooh, the quartette may go and climb intrio,The lowly dale has mountain air for me;Here I've the immeasurable fjord, the flowers,Here I have warbling birds and choral bowers,And lady fortune's self,—for here is she!
FALK.Ah, lady Fortune by our Northern water caught her![With a glance towards the house.Hist—Svanhild—
LIND.Well; I go,—disclose to noneThe secret that we share alone with one.'Twas good of you to listen; now enfold itDeep in your heart,—warm, glowing, as I told it.
[He goes out in the background to the others. FALK looks after him a moment, and paces up and down in the garden, visibly striving to master his agitation. Presently SVANHILD comes out with a shawl on her arm, and is going towards the back. FALK approaches and gazes at her fixedly. SVANHILD stops.
SVANHILD [after a short pause].You gaze at me so!
FALK [half to himself].Yes, 'tis there—the same;The shadow in her eyes' deep mirror sleeping,The roguish elf about her lips a-peeping,It is there.
SVANHILD.What? You frighten me.
FALK.Your nameIs Svanhild?
SVANHILD.Yes, you know it very well.
FALK.But do you know the name is laughable?I beg you to discard it from to-night!
SVANHILD.That would be far beyond a daughter's right—
FALK [laughing].Hm. "Svanhild! Svanhild!"[With sudden gravity.With your earliest breathHow came you by this prophecy of death?
SVANHILD.Is it so grim?
FALK.No, lovely as a song,But for our age too great and stern and strong,How can a modern demoiselle fill outThe ideal that heroic name expresses?No, no, discard it with your outworn dresses.
SVANHILD.You mean the mythical princess, no doubt—
FALK.Who, guiltless, died beneath the horse's feet.
SVANHILD.But now such acts are clearly obsolete.No, no, I'll mount his saddle! There's my place!How often have I dreamt, in pensive ease,He bore me, buoyant, through the world apace,His mane a flag of freedom in the breeze!
FALK.Yes, the old tale. In "pensive ease" no mortalIs stopped by thwarting bar or cullis'd portal;Fearless we cleave the ether without bound;In practice, tho', we shrewdly hug the ground;For all love life and, having choice, will choose it;And no man dares to leap where he may lose it.
SVANHILD.Yes! show me but the end, I'll spurn the shore;But let the end be worth the leaping for!A Ballarat beyond the desert sands—Else each will stay exactly where he stands.
FALK [sarcastically].I grasp the case;—the due conditions fail.
SVANHILD [eagerly].Exactly: what's the use of spreading sailWhen there is not a breath of wind astir?
FALK [ironically].Yes, what's the use of plying whip and spurWhen there is not a penny of rewardFor him who tears him from the festal board,And mounts, and dashes headlong to perdition?Such doing for the deed's sake asks a knight,And knighthood's now an idle superstition.That was your meaning, possibly?
SVANHILD.Quite right.Look at that fruit tree in the orchard close,—No blossom on its barren branches blows.You should have seen last year with what brave airsIt staggered underneath its world of pears.
FALK [uncertain].No doubt, but what's the moral you impute?
SVANHILD [with finesse].O, among other things, the bold unreasonOf modern Zacharies who seek for fruit.If the tree blossom'd to excess last season,You must not crave the blossoms back in this.
FALK.I knew you'd find your footing in the waysOf old romance.
SVANHILD.Yes, modern virtue isOf quite another stamp. Who now arraysHimself to battle for the truth? Who'll stakeHis life and person fearless for truth's sake?Where is the hero?
FALK [looking keenly at her].Where is the Valkyria?
SVANHILD [shaking her head].Valkyrias find no market in this land!When the faith lately was assailed in Syria,Did you go out with the crusader-band?No, but on paper you were warm and willing,—And sent the "Clerical Gazette" a shilling.
[Pause. FALK is about to retort, but checkshimself, and goes into the garden.
SVANHILD [after watching him a moment, approaches him and asks gently: Falk, are you angry?
FALK.No, I only brood,—
SVANHILD [with thoughtful sympathy].You seem to be two natures, still at feud,—Unreconciled—
FALK.I know it well.
SVANHILD [impetuously].But why?
FALK [losing self-control].Why, why? Because I hate to go aboutWith soul bared boldly to the vulgar eye,As Jock and Jennie hang their passions out;To wear my glowing heart upon my sleeve,Like women in low dresses. You, alone,Svanhild, you only,—you, I did believe,—Well, it is past, that dream, for ever flown.—
[She goes to the summer-house and looks out;he follows.
You listen—?
SVANHILD.To another voice, that sings.Hark! every evening when the sun's at rest,A little bird floats hither on beating wings,—See there—it darted from its leafy nest—And, do you know, it is my faith, as oftAs God makes any songless soul, He sendsA little bird to be her friend of friends,And sing for ever in her garden-croft.
FALK [picking up a stone].Then must the owner and the bird be near,Or its song's squandered on a stranger's ear.
SVANHILD.Yes, that is true; but I've discovered mine.Of speech and song I am denied the power,But when it warbles in its leafy bower,Poems flow in upon my brain like wine—Ah, yes,—they fleet—they are not to be won—
[FALK throws the stone. SVANHILD screams.
O God, you've hit it! Ah, what have you done!
[She hurries out to the the right and then quickly returns.
O pity! pity!
FALK [in passionate agitation].No,—but eye for eye,Svanhild, and tooth for tooth. Now you'll attendNo further greetings from your garden-friend,No guerdon from the land of melody.That is my vengeance: as you slew I slay.
SVANHILD.I slew?
FALK.You slew. Until this very day,A clear-voiced song-bird warbled in my soul;See,—now one passing bell for both may toll—You've killed it!
SVANHILD.Have I?
FALK.Yes, for you have slainMy young, high-hearted, joyous exultation—[Contemptuously.By your betrothal!
SVANHILD.How! But pray explain—!
FALK.O, it's in full accord with expectation;He gets his licence, enters orders, speeds toA post,—as missionary in the West—
SVANHILD [in the same tone].A pretty penny, also, he succeeds to;—For it is Lind you speak of—?
FALK.You know bestOf whom I speak.
SVANHILD [with a subdued smile].As the bride's sister, true,I cannot help—
FALK.Great God! It is not you—?
SVANHILD.Who win this overplus of bliss? Ah no!
FALK [with almost childish joy].It is not you! O God be glorified!What love, what mercy does He not bestow!I shall not see you as another's bride;—'Twas but the fire of pain He bade me bear—[Tries to seize her hand.O hear me, Svanhild, hear me then—
SVANHILD [pointing quickly to the background].See there!
[She goes towards the house. At the same momentMRS. HALM, ANNA, MISS JAY, GULDSTAD, STIVER, andLIND emerge from the background. During theprevious scene the sun has set; it is now dark.
MRS. HALM [to SVANHILD].The Strawmans may be momently expected.Where have you been?
MISS JAY [after glancing at FALK].Your colour's very high.
SVANHILD.A little face-ache; it will soon pass by.
MRS. HALM.And yet you walk at nightfall unprotected?Arrange the room, and see that tea is ready;Let everything be nice; I know the lady.[Svanhild goes in.
STIVER [to FALK].What is the colour of this parson's coat?
FALK.I guess bread-taxers would not catch his vote.
STIVER.How if one made allusion to the storeOf verses, yet unpublished, in my drawer?
FALK.It might do something.
STIVER.Would to heaven it might!Our wedding's imminent; our purses light.Courtship's a very serious affair.
FALK.Just so: "Qu'allais-tu faire dans cette galere?"
STIVER.Is courtship a "galere"?
FALK.No, married lives;—All servitude, captivity, and gyves.
STIVER [seeing MISS JAY approach].You little know what wealth a man obtainsFrom woman's eloquence and woman's brains.
MISS JAY [aside to STIVER].Will Guldstad give us credit, think you?
STIVER [peevishly].IAm not quite certain of it yet: I'll try.
[They withdraw in conversation; LIND andANNA approach.
LIND [aside to FALK].I can't endure it longer; in post-hasteI must present her—
FALK.You had best refrain,And not initiate the eye profaneInto your mysteries—
LIND.That would be a jest!—From you, my fellow-boarder, and my mate,To keep concealed my new-found happy state!Nay, now, my head with Fortune's oil anointed—
FALK.You think the occasion good to get it curled?Well, my good friend, you won't be disappointed;Go and announce your union to the world!
LIND.Other reflections also weigh with me,And one of more especial gravity;Say that there lurked among our motley bandSome sneaking, sly pretender to her hand;Say, his attentions became undisguised,—We should be disagreeably compromised.
FALK.Yes, it is true; it had escaped my mind,You for a higher office were designed,Love as his young licentiate has retained you;Shortly you'll get a permanent position;But it would be defying all traditionIf at the present moment he ordained you.
LIND.Yes if the merchant does not—
FALK.What of him?
ANNA [troubled].Oh, it is Lind's unreasonable whim.
LIND.Hush; I've a deep foreboding that the manWill rob me of my treasure, if he can.The fellow, as we know, comes daily down,Is rich, unmarried, takes you round the town;In short, my own, regard it as we will,There are a thousand things that bode us ill.
ANNA [sighing].Oh, it's too bad; to-day was so delicious!
FALK [sympathetically to LIND].Don't wreck your joy, unfoundedly suspicious,Don't hoist your flag till time the truth disclose—
ANNA.Great God! Miss Jay is looking; hush, be still!
[She and LIND withdraw in different directions.
FALK [looking after LIND].So to the ruin of his youth he goes.
GULDSTAD. [Who has meantime been conversing on the stepswith MRS. HALM and MISS JAY, approaches FALKand slaps him on the shoulder.Well, brooding on a poem?
FALK.No, a play.
GULDSTAD.The deuce;—I never heard it was your line.
FALK.O no, the author is a friend of mine,And your acquaintance also, I daresay.The knave's a dashing writer, never doubt.Only imagine, in a single dayHe's worked a perfect little Idyll out.
GULDSTAD [slily].With happy ending, doubtless!
FALK.You're aware,No curtain falls but on a plighted pair.Thus with the Trilogy's First Part we've reckoned;But now the poet's labour-throes begin;The Comedy of Troth-plight, Part the Second,Thro' five insipid Acts he has to spin,And of that staple, finally, composePart Third,—or Wedlock's Tragedy, in prose.
GULDSTAD [smiling].The poet's vein is catching, it would seem.
FALK.Really? How so, pray?
GULDSTAD.Since I also poreAnd ponder over a poetic scheme,—[Mysteriously.An actuality—and not a dream.
FALK.And pray, who is the hero of your theme?
GULDSTAD.I'll tell you that to-morrow—not before.
FALK.It is yourself!
GULDSTAD.You think me equal to it?
FALK.I'm sure no other mortal man could do it.But then the heroine? No city maid,I'll swear, but of the country, breathing balm?
GULDSTAD [lifting his finger].Ah,—that's the point, and must not be betrayed!—[Changing his tone.Pray tell me your opinion of Miss Halm.
FALK.O you're best able to pronounce upon her;My voice can neither credit nor dishonour,—[Smiling.But just take care no mischief-maker blotThis fine poetic scheme of which you talk.Suppose I were so shameless as to balkThe meditated climax of the plot?
GULDSTAD [good-naturedly].Well, I would cry "Amen," and change my plan.
FALK.What!
GULDSTAD.Why, you see, you are a letter'd man;How monstrous were it if your skill'd designWere ruined by a bungler's hand like mine![Retires to the background.
FALK [in passing, to LIND].Yes, you were right; the merchant's really schemingThe ruin of your new-won happiness.
LIND [aside to ANNA].Now then you see, my doubting was not dreaming;We'll go this very moment and confess.
[They approach MRS. HALM, who is standing with Miss Jayby the house.
GULDSTAD [conversing with STIVER].'Tis a fine evening.
STIVER.Very likely,—whenA man's disposed—
GULDSTAD [facetiously].What, all not running smoothIn true love's course?
STIVER.Not that exactly—
FALK [coming up].ThenWith your engagement?
STIVER.That's about the truth.
FALK.Hurrah! Your spendthrift pocket has a groatOr two still left, it seems, of poetry.
STIVER [stiffly].I cannot see what poetry has gotTo do with my engagement, or with me.
FALK.You are not meant to see; when lovers proveWhat love is, all is over with their love.
GULDSTAD [to STIVER].But if there's matter for adjustment, prayLet's hear it.
STIVER.I've been pondering all dayWhether the thing is proper to disclose,But still the Ayes are balanced by the Noes.
FALK.I'll right you in one sentence. Ever sinceAs plighted lover you were first installed,You've felt yourself, if I may say so, galled—
STIVER.And sometimes to the quick.
FALK.You've had to winceBeneath a crushing load of obligationsThat you'd send packing, if good form permitted.That's what's the matter.
STIVER.Monstrous accusations!My legal debts I've honestly acquitted;But other bonds next month are falling due;[To GULDSTAD.When a man weds, you see, he gets a wife—
FALK [triumphant].Now your youth's heaven once again is blue;There rang an echo from your old song-life!That's how it is: I read you thro' and thro';Wings, wings were all you wanted,—and a knife!
STIVER.A knife?
FALK.Yes, Resolution's knife, to severEach captive bond, and set you free for ever,To soar—
STIVER [angrily].Nay, now you're insolent beyondEndurance! Me to charge with violationOf law,—me, me with plotting to abscond!It's libellous, malicious defamation,Insult and calumny—
FALK.Are you insane?What is all this about? Explain! Explain!
GULDSTAD [laughingly to STIVER].Yes, clear your mind of all this balderdash!What do you want?
STIVER [pulling himself together].A trifling loan in cash.
FALK.A loan!
STIVER [hurriedly to GULDSTAD].That is, I mean to say, you know,A voucher for a ten pound note, or so.
MISS JAY [to LIND and ANNA].I wish you joy! How lovely, how delicious!
GULDSTAD [going up to the ladies].Pray what has happened?[To himself.] This was unpropitious.
FALK [throws his arms about STIVER's neck].Hurrah! the trumpet's dulcet notes proclaimA brother born to you in Amor's name![Drags him to the others.
MISS JAY [to the gentlemen].Think! Lind and Anna—think!—have plighted hearts,Affianced lovers!
MRS. HALM [with tears of emotion].'Tis the eighth in orderWho well-provided from this house departs;[To FALK.Seven nieces wedded-always with a boarder—[Is overcome; presses her handkerchief to her eyes.
MISS JAY [to ANNA].Well, there will come a flood of gratulation![Caresses her with emotion.
LIND [seizing FALK's hand].My friend, I walk in rapt intoxication!
FALK.Hold! As a plighted man you are a memberOf Rapture's Temperance-association.Observe it's rules;—no orgies here, remember![Turning to GULDSTAD sympathetically.Well, my good sir!
GULDSTAD [beaming with pleasure].I think this promisesAll happiness for both.
FALK [staring at him].You seem to standThe shock with exemplary self-command.That's well.
GULDSTAD.What do you mean, sir?
FALK.Only this;That inasmuch as you appeared to feedFond expectations of your own—
GULDSTAD.Indeed?
FALK.At any rate, you were upon the scent.You named Miss Halm; you stood upon this spotAnd asked me—