LIZOTCHKA KUDRINSKY, a young married lady who had many admirers, was suddenly taken ill, and so seriously that her husband did not go to his office, and a telegram was sent to her mamma at Tver. This is how she told the story of her illness:
“I went to Lyesnoe to auntie’s. I stayed there a week and then I went with all the rest to cousin Varya’s. Varya’s husband is a surly brute and a despot (I’d shoot a husband like that), but we had a very jolly time there. To begin with I took part in some private theatricals. It wasA Scandal in a Respectable Family. Hrustalev acted marvellously! Between the acts I drank some cold, awfully cold, lemon squash, with the tiniest nip of brandy in it. Lemon squash with brandy in it is very much like champagne. . . . I drank it and I felt nothing. Next day after the performance I rode out on horseback with that Adolf Ivanitch. It was rather damp and there was a strong wind. It was most likely then that I caught cold. Three days later I came home to see how my dear, good Vassya was getting on, and while here to get my silk dress, the one that has little flowers on it. Vassya, of course, I did not find at home. I went into the kitchen to tell Praskovya to set the samovar, and there I saw on the table some pretty little carrots and turnips like playthings. I ate one little carrot and well, a turnip too. I ate very little, but only fancy, I began having a sharp pain at once—spasms . . . spasms . . . spasms . . . ah, I am dying. Vassya runs from the office. Naturally he clutches at his hair and turns white. They run for the doctor. . . . Do you understand, I am dying, dying.”
The spasms began at midday, before three o’clock the doctor came, and at six Lizotchka fell asleep and slept soundly till two o’clock in the morning.
It strikes two. . . . The light of the little night lamp filters scantily through the pale blue shade. Lizotchka is lying in bed, her white lace cap stands out sharply against the dark background of the red cushion. Shadows from the blue lamp-shade lie in patterns on her pale face and her round plump shoulders. Vassily Stepanovitch is sitting at her feet. The poor fellow is happy that his wife is at home at last, and at the same time he is terribly alarmed by her illness.
“Well, how do you feel, Lizotchka?” he asks in a whisper, noticing that she is awake.
“I am better,” moans Lizotchka. “I don’t feel the spasms now, but there is no sleeping. . . . I can’t get to sleep!”
“Isn’t it time to change the compress, my angel?”
Lizotchka sits up slowly with the expression of a martyr and gracefully turns her head on one side. Vassily Stepanovitch with reverent awe, scarcely touching her hot body with his fingers, changes the compress. Lizotchka shrinks, laughs at the cold water which tickles her, and lies down again.
“You are getting no sleep, poor boy!” she moans.
“As though I could sleep!”
“It’s my nerves, Vassya, I am a very nervous woman. The doctor has prescribed for stomach trouble, but I feel that he doesn’t understand my illness. It’s nerves and not the stomach, I swear that it is my nerves. There is only one thing I am afraid of, that my illness may take a bad turn.”
“No, Lizotchka, no, to-morrow you will be all right!”
“Hardly likely! I am not afraid for myself. . . . I don’t care, indeed, I shall be glad to die, but I am sorry for you! You’ll be a widower and left all alone.”
Vassitchka rarely enjoys his wife’s society, and has long been used to solitude, but Lizotchka’s words agitate him.
“Goodness knows what you are saying, little woman! Why these gloomy thoughts?”
“Well, you will cry and grieve, and then you will get used to it. You’ll even get married again.”
The husband clutches his head.
“There, there, I won’t!” Lizotchka soothes him, “only you ought to be prepared for anything.”
“And all of a sudden I shall die,” she thinks, shutting her eyes.
And Lizotchka draws a mental picture of her own death, how her mother, her husband, her cousin Varya with her husband, her relations, the admirers of her “talent” press round her death bed, as she whispers her last farewell. All are weeping. Then when she is dead they dress her, interestingly pale and dark-haired, in a pink dress (it suits her) and lay her in a very expensive coffin on gold legs, full of flowers. There is a smell of incense, the candles splutter. Her husband never leaves the coffin, while the admirers of her talent cannot take their eyes off her, and say: “As though living! She is lovely in her coffin!” The whole town is talking of the life cut short so prematurely. But now they are carrying her to the church. The bearers are Ivan Petrovitch, Adolf Ivanitch, Varya’s husband, Nikolay Semyonitch, and the black-eyed student who had taught her to drink lemon squash with brandy. It’s only a pity there’s no music playing. After the burial service comes the leave-taking. The church is full of sobs, they bring the lid with tassels, and . . . Lizotchka is shut off from the light of day for ever, there is the sound of hammering nails. Knock, knock, knock.
Lizotchka shudders and opens her eyes.
“Vassya, are you here?” she asks. “I have such gloomy thoughts. Goodness, why am I so unlucky as not to sleep. Vassya, have pity, do tell me something!”
“What shall I tell you?”
“Something about love,” Lizotchka says languidly. “Or some anecdote about Jews. . . .”
Vassily Stepanovitch, ready for anything if only his wife will be cheerful and not talk about death, combs locks of hair over his ears, makes an absurd face, and goes up to Lizotchka.
“Does your vatch vant mending?” he asks.
“It does, it does,” giggles Lizotchka, and hands him her gold watch from the little table. “Mend it.”
Vassya takes the watch, examines the mechanism for a long time, and wriggling and shrugging, says: “She can not be mended . . . in vun veel two cogs are vanting. . . .”
This is the whole performance. Lizotchka laughs and claps her hands.
“Capital,” she exclaims. “Wonderful. Do you know, Vassya, it’s awfully stupid of you not to take part in amateur theatricals! You have a remarkable talent! You are much better than Sysunov. There was an amateur called Sysunov who played with us inIt’s My Birthday. A first-class comic talent, only fancy: a nose as thick as a parsnip, green eyes, and he walks like a crane. . . . We all roared; stay, I will show you how he walks.”
Lizotchka springs out of bed and begins pacing about the floor, barefooted and without her cap.
“A very good day to you!” she says in a bass, imitating a man’s voice. “Anything pretty? Anything new under the moon? Ha, ha, ha!” she laughs.
“Ha, ha, ha!” Vassya seconds her. And the young pair, roaring with laughter, forgetting the illness, chase one another about the room. The race ends in Vassya’s catching his wife by her nightgown and eagerly showering kisses upon her. After one particularly passionate embrace Lizotchka suddenly remembers that she is seriously ill. . . .
“What silliness!” she says, making a serious face and covering herself with the quilt. “I suppose you have forgotten that I am ill! Clever, I must say!”
“Sorry . . .” falters her husband in confusion.
“If my illness takes a bad turn it will be your fault. Not kind! not good!”
Lizotchka closes her eyes and is silent. Her former languor and expression of martyrdom return again, there is a sound of gentle moans. Vassya changes the compress, and glad that his wife is at home and not gadding off to her aunt’s, sits meekly at her feet. He does not sleep all night. At ten o’clock the doctor comes.
“Well, how are we feeling?” he asks as he takes her pulse. “Have you slept?”
“Badly,” Lizotchka’s husband answers for her, “very badly.”
The doctor walks away to the window and stares at a passing chimney-sweep.
“Doctor, may I have coffee to-day?” asks Lizotchka.
“You may.”
“And may I get up?”
“You might, perhaps, but . . . you had better lie in bed another day.”
“She is awfully depressed,” Vassya whispers in his ear, “such gloomy thoughts, such pessimism. I am dreadfully uneasy about her.”
The doctor sits down to the little table, and rubbing his forehead, prescribes bromide of potassium for Lizotchka, then makes his bow, and promising to look in again in the evening, departs. Vassya does not go to the office, but sits all day at his wife’s feet.
At midday the admirers of her talent arrive in a crowd. They are agitated and alarmed, they bring masses of flowers and French novels. Lizotchka, in a snow-white cap and a light dressing jacket, lies in bed with an enigmatic look, as though she did not believe in her own recovery. The admirers of her talent see her husband, but readily forgive his presence: they and he are united by one calamity at that bedside!
At six o’clock in the evening Lizotchka falls asleep, and again sleeps till two o’clock in the morning. Vassya as before sits at her feet, struggles with drowsiness, changes her compress, plays at being a Jew, and in the morning after a second night of suffering, Liza is prinking before the looking-glass and putting on her hat.
“Wherever are you going, my dear?” asks Vassya, with an imploring look at her.
“What?” says Lizotchka in wonder, assuming a scared expression, “don’t you know that there is a rehearsal to-day at Marya Lvovna’s?”
After escorting her there, Vassya having nothing to do to while away his boredom, takes his portfolio and goes to the office. His head aches so violently from his sleepless nights that his left eye shuts of itself and refuses to open. . . .
“What’s the matter with you, my good sir?” his chief asks him. “What is it?”
Vassya waves his hand and sits down.
“Don’t ask me, your Excellency,” he says with a sigh. “What I have suffered in these two days, what I have suffered! Liza has been ill!”
“Good heavens,” cried his chief in alarm. “Lizaveta Pavlovna, what is wrong with her?”
Vassily Stepanovitch merely throws up his hands and raises his eyes to the ceiling, as though he would say: “It’s the will of Providence.”
“Ah, my boy, I can sympathise with you with all my heart!” sighs his chief, rolling his eyes. “I’ve lost my wife, my dear, I understand. That is a loss, it is a loss! It’s awful, awful! I hope Lizaveta Pavlovna is better now! What doctor is attending her?”
“Von Schterk.”
“Von Schterk! But you would have been better to have called in Magnus or Semandritsky. But how very pale your face is. You are ill yourself! This is awful!”
“Yes, your Excellency, I haven’t slept. What I have suffered, what I have been through!”
“And yet you came! Why you came I can’t understand? One can’t force oneself like that! One mustn’t do oneself harm like that. Go home and stay there till you are well again! Go home, I command you! Zeal is a very fine thing in a young official, but you mustn’t forget as the Romans used to say: ‘mens sana in corpore sano,’ that is, a healthy brain in a healthy body.”
Vassya agrees, puts his papers back in his portfolio, and, taking leave of his chief, goes home to bed.
IN one of the towns lying on this side of the Urals a rumour was afloat that a Persian magnate, called Rahat-Helam, was staying for a few days in the town and putting up at the “Japan Hotel.” This rumour made no impression whatever upon the inhabitants; a Persian had arrived, well, so be it. Only Stepan Ivanovitch Kutsyn, the mayor of the town, hearing of the arrival of the oriental gentleman from the secretary of the Town Hall, grew thoughtful and inquired:
“Where is he going?”
“To Paris or to London, I believe.”
“H’m. . . . Then he is a big-wig, I suppose?”
“The devil only knows.”
As he went home from the Town Hall and had his dinner, the mayor sank into thought again, and this time he went on thinking till the evening. The arrival of the distinguished Persian greatly intrigued him. It seemed to him that fate itself had sent him this Rahat-Helam, and that a favourable opportunity had come at last for realising his passionate, secretly cherished dream. Kutsyn had already two medals, and the Stanislav of the third degree, the badge of the Red Cross, and the badge of the Society of Saving from Drowning, and in addition to these he had made himself a little gold gun crossed by a guitar, and this ornament, hung from a buttonhole in his uniform, looked in the distance like something special, and delightfully resembled a badge of distinction. It is well known that the more orders and medals you have the more you want—and the mayor had long been desirous of receiving the Persian order of The Lion and the Sun; he desired it passionately, madly. He knew very well that there was no need to fight, or to subscribe to an asylum, or to serve on committees to obtain this order; all that was needed was a favourable opportunity. And now it seemed to him that this opportunity had come.
At noon on the following day he put on his chain and all his badges of distinction and went to the ‘Japan.’ Destiny favoured him. When he entered the distinguished Persian’s apartment the latter was alone and doing nothing. Rahat-Helam, an enormous Asiatic, with a long nose like the beak of a snipe, with prominent eyes, and with a fez on his head, was sitting on the floor rummaging in his portmanteau.
“I beg you to excuse my disturbing you,” began Kutsyn, smiling. “I have the honour to introduce myself, the hereditary, honourable citizen and cavalier, Stepan Ivanovitch Kutsyn, mayor of this town. I regard it as my duty to honour, in the person of your Highness, so to say, the representative of a friendly and neighbourly state.”
The Persian turned and muttered something in very bad French, that sounded like tapping a board with a piece of wood.
“The frontiers of Persia”—Kutsyn continued the greeting he had previously learned by heart—“are in close contact with the borders of our spacious fatherland, and therefore mutual sympathies impel me, so to speak, to express my solidarity with you.”
The illustrious Persian got up and again muttered something in a wooden tongue. Kutsyn, who knew no foreign language, shook his head to show that he did not understand.
“Well, how am I to talk to him?” he thought. “It would be a good thing to send for an interpreter at once, but it is a delicate matter, I can’t talk before witnesses. The interpreter would be chattering all over the town afterwards.”
And Kutsyn tried to recall the foreign words he had picked up from the newspapers.
“I am the mayor of the town,” he muttered. “That is thelord mayor. . .municipalais. . . Vwee? Kompreney?”
He wanted to express his social position in words or in gesture, and did not know how. A picture hanging on the wall with an inscription in large letters, “The Town of Venice,” helped him out of his difficulties. He pointed with his finger at the town, then at his own head, and in that way obtained, as he imagined, the phrase: “I am the head of the town.” The Persian did not understand, but he gave a smile, and said:
“Goot, monsieur . . . goot . . . . .” Half-an-hour later the mayor was slapping the Persian, first on the knee and then on the shoulder, and saying:
“Kompreney? Vwee? Aslord mayorandmunicipalaisI suggest that you should take a littlepromenage . . . kompreney? Promenage.”
Kutsyn pointed at Venice, and with two fingers represented walking legs. Rahat-Helam who kept his eyes fixed on his medals, and was apparently guessing that this was the most important person in the town, understood the wordpromenageand grinned politely. Then they both put on their coats and went out of the room. Downstairs near the door leading to the restaurant of the ‘Japan,’ Kutsyn reflected that it would not be amiss to entertain the Persian. He stopped and indicating the tables, said:
“By Russian custom it wouldn’t be amiss . . .puree, entrekot, champagne and so on, kompreney.”
The illustrious visitor understood, and a little later they were both sitting in the very best room of the restaurant, eating, and drinking champagne.
“Let us drink to the prosperity of Persia!” said Kutsyn. “We Russians love the Persians. Though we are of another faith, yet there are common interests, mutual, so to say, sympathies . . . progress . . . Asiatic markets. . . . The campaigns of peace so to say. . . .”
The illustrious Persian ate and drank with an excellent appetite, he stuck his fork into a slice of smoked sturgeon, and wagging his head, enthusiastically said: “Goot, bien.”
“You like it?” said the mayor delighted. “Bien, that’s capital.” And turning to the waiter he said: “Luka, my lad, see that two pieces of smoked sturgeon, the best you have, are sent up to his Highness’s room!”
Then the mayor and the Persian magnate went to look at the menagerie. The townspeople saw their Stepan Ivanovitch, flushed with champagne, gay and very well pleased, leading the Persian about the principal streets and the bazaar, showing him the points of interest of the town, and even taking him to the fire tower.
Among other things the townspeople saw him stop near some stone gates with lions on it, and point out to the Persian first the lion, then the sun overhead, and then his own breast; then again he pointed to the lion and to the sun while the Persian nodded his head as though in sign of assent, and smiling showed his white teeth. In the evening they were sitting in the London Hotel listening to the harp-players, and where they spent the night is not known.
Next day the mayor was at the Town Hall in the morning; the officials there apparently already knew something and were making their conjectures, for the secretary went up to him and said with an ironical smile:
“It is the custom of the Persians when an illustrious visitor comes to visit you, you must slaughter a sheep with your own hands.”
And a little later an envelope that had come by post was handed to him. The mayor tore it open and saw a caricature in it. It was a drawing of Rahat-Helam with the mayor on his knees before him, stretching out his hands and saying:
“To prove our Russian friendshipFor Persia’s mighty realm,And show respect for you, her envoy,Myself I’d slaughter like a lamb,But, pardon me, for I’m a—donkey!”
The mayor was conscious of an unpleasant feeling like a gnawing in the pit of the stomach, but not for long. By midday he was again with the illustrious Persian, again he was regaling him and showing him the points of interest in the town. Again he led him to the stone gates, and again pointed to the lion, to the sun and to his own breast. They dined at the ‘Japan’; after dinner, with cigars in their teeth, both, flushed and blissful, again mounted the fire tower, and the mayor, evidently wishing to entertain the visitor with an unusual spectacle, shouted from the top to a sentry walking below:
“Sound the alarm!”
But the alarm was not sounded as the firemen were at the baths at the moment.
They supped at the ‘London’ and, after supper, the Persian departed. When he saw him off, Stepan Ivanovitch kissed him three times after the Russian fashion, and even grew tearful. And when the train started, he shouted:
“Give our greeting to Persia! Tell her that we love her!”
A year and four months had passed. There was a bitter frost, thirty-five degrees, and a piercing wind was blowing. Stepan Ivanovitch was walking along the street with his fur coat thrown open over his chest, and he was annoyed that he met no one to see the Lion and the Sun upon his breast. He walked about like this till evening with his fur coat open, was chilled to the bone, and at night tossed from side to side and could not get to sleep.
He felt heavy at heart.
There was a burning sensation inside him, and his heart throbbed uneasily; he had a longing now to get a Serbian order. It was a painful, passionate longing.
AFINE carriage with rubber tyres, a fat coachman, and velvet on the seats, rolled up to the house of a landowner called Gryabov. Fyodor Andreitch Otsov, the district Marshal of Nobility, jumped out of the carriage. A drowsy footman met him in the hall.
“Are the family at home?” asked the Marshal.
“No, sir. The mistress and the children are gone out paying visits, while the master and mademoiselle are catching fish. Fishing all the morning, sir.”
Otsov stood a little, thought a little, and then went to the river to look for Gryabov. Going down to the river he found him a mile and a half from the house. Looking down from the steep bank and catching sight of Gryabov, Otsov gushed with laughter. . . . Gryabov, a large stout man, with a very big head, was sitting on the sand, angling, with his legs tucked under him like a Turk. His hat was on the back of his head and his cravat had slipped on one side. Beside him stood a tall thin Englishwoman, with prominent eyes like a crab’s, and a big bird-like nose more like a hook than a nose. She was dressed in a white muslin gown through which her scraggy yellow shoulders were very distinctly apparent. On her gold belt hung a little gold watch. She too was angling. The stillness of the grave reigned about them both. Both were motionless, as the river upon which their floats were swimming.
“A desperate passion, but deadly dull!” laughed Otsov. “Good-day, Ivan Kuzmitch.”
“Ah . . . is that you?” asked Gryabov, not taking his eyes off the water. “Have you come?”
“As you see . . . . And you are still taken up with your crazy nonsense! Not given it up yet?”
“The devil’s in it. . . . I begin in the morning and fish all day . . . . The fishing is not up to much to-day. I’ve caught nothing and this dummy hasn’t either. We sit on and on and not a devil of a fish! I could scream!”
“Well, chuck it up then. Let’s go and have some vodka!”
“Wait a little, maybe we shall catch something. Towards evening the fish bite better . . . . I’ve been sitting here, my boy, ever since the morning! I can’t tell you how fearfully boring it is. It was the devil drove me to take to this fishing! I know that it is rotten idiocy for me to sit here. I sit here like some scoundrel, like a convict, and I stare at the water like a fool. I ought to go to the haymaking, but here I sit catching fish. Yesterday His Holiness held a service at Haponyevo, but I didn’t go. I spent the day here with this . . . with this she-devil.”
“But . . . have you taken leave of your senses?” asked Otsov, glancing in embarrassment at the Englishwoman. “Using such language before a lady and she . . . .”
“Oh, confound her, it doesn’t matter, she doesn’t understand a syllable of Russian, whether you praise her or blame her, it is all the same to her! Just look at her nose! Her nose alone is enough to make one faint. We sit here for whole days together and not a single word! She stands like a stuffed image and rolls the whites of her eyes at the water.”
The Englishwoman gave a yawn, put a new worm on, and dropped the hook into the water.
“I wonder at her not a little,” Gryabov went on, “the great stupid has been living in Russia for ten years and not a word of Russian! . . . Any little aristocrat among us goes to them and learns to babble away in their lingo, while they . . . there’s no making them out. Just look at her nose, do look at her nose!”
“Come, drop it . . . it’s uncomfortable. Why attack a woman?”
“She’s not a woman, but a maiden lady. . . . I bet she’s dreaming of suitors. The ugly doll. And she smells of something decaying . . . . I’ve got a loathing for her, my boy! I can’t look at her with indifference. When she turns her ugly eyes on me it sends a twinge all through me as though I had knocked my elbow on the parapet. She likes fishing too. Watch her: she fishes as though it were a holy rite! She looks upon everything with disdain . . . . She stands there, the wretch, and is conscious that she is a human being, and that therefore she is the monarch of nature. And do you know what her name is? Wilka Charlesovna Fyce! Tfoo! There is no getting it out!”
The Englishwoman, hearing her name, deliberately turned her nose in Gryabov’s direction and scanned him with a disdainful glance; she raised her eyes from Gryabov to Otsov and steeped him in disdain. And all this in silence, with dignity and deliberation.
“Did you see?” said Gryabov chuckling. “As though to say ‘take that.’ Ah, you monster! It’s only for the children’s sake that I keep that triton. If it weren’t for the children, I wouldn’t let her come within ten miles of my estate. . . . She has got a nose like a hawk’s . . . and her figure! That doll makes me think of a long nail, so I could take her, and knock her into the ground, you know. Stay, I believe I have got a bite. . . .”
Gryabov jumped up and raised his rod. The line drew taut. . . . Gryabov tugged again, but could not pull out the hook.
“It has caught,” he said, frowning, “on a stone I expect . . . damnation take it . . . .”
There was a look of distress on Gryabov’s face. Sighing, moving uneasily, and muttering oaths, he began tugging at the line.
“What a pity; I shall have to go into the water.”
“Oh, chuck it!”
“I can’t. . . . There’s always good fishing in the evening. . . . What a nuisance. Lord, forgive us, I shall have to wade into the water, I must! And if only you knew, I have no inclination to undress. I shall have to get rid of the Englishwoman. . . . It’s awkward to undress before her. After all, she is a lady, you know!”
Gryabov flung off his hat, and his cravat.
“Meess . . . er, er . . .” he said, addressing the Englishwoman, “Meess Fyce, je voo pree . . . ? Well, what am I to say to her? How am I to tell you so that you can understand? I say . . . over there! Go away over there! Do you hear?”
Miss Fyce enveloped Gryabov in disdain, and uttered a nasal sound.
“What? Don’t you understand? Go away from here, I tell you! I must undress, you devil’s doll! Go over there! Over there!”
Gryabov pulled the lady by her sleeve, pointed her towards the bushes, and made as though he would sit down, as much as to say: Go behind the bushes and hide yourself there. . . . The Englishwoman, moving her eyebrows vigorously, uttered rapidly a long sentence in English. The gentlemen gushed with laughter.
“It’s the first time in my life I’ve heard her voice. There’s no denying, it is a voice! She does not understand! Well, what am I to do with her?”
“Chuck it, let’s go and have a drink of vodka!”
“I can’t. Now’s the time to fish, the evening. . . . It’s evening . . . . Come, what would you have me do? It is a nuisance! I shall have to undress before her. . . .”
Gryabov flung off his coat and his waistcoat and sat on the sand to take off his boots.
“I say, Ivan Kuzmitch,” said the marshal, chuckling behind his hand. “It’s really outrageous, an insult.”
“Nobody asks her not to understand! It’s a lesson for these foreigners!”
Gryabov took off his boots and his trousers, flung off his undergarments and remained in the costume of Adam. Otsov held his sides, he turned crimson both from laughter and embarrassment. The Englishwoman twitched her brows and blinked . . . . A haughty, disdainful smile passed over her yellow face.
“I must cool off,” said Gryabov, slapping himself on the ribs. “Tell me if you please, Fyodor Andreitch, why I have a rash on my chest every summer.”
“Oh, do get into the water quickly or cover yourself with something, you beast.”
“And if only she were confused, the nasty thing,” said Gryabov, crossing himself as he waded into the water. “Brrrr . . . the water’s cold. . . . Look how she moves her eyebrows! She doesn’t go away . . . she is far above the crowd! He, he, he . . . . and she doesn’t reckon us as human beings.”
Wading knee deep in the water and drawing his huge figure up to its full height, he gave a wink and said:
“This isn’t England, you see!”
Miss Fyce coolly put on another worm, gave a yawn, and dropped the hook in. Otsov turned away, Gryabov released his hook, ducked into the water and, spluttering, waded out. Two minutes later he was sitting on the sand and angling as before.
THE Justice of the Peace, who had received a letter from Petersburg, had set the news going that the owner of Yefremovo, Count Vladimir Ivanovitch, would soon be arriving. When he would arrive—there was no saying.
“Like a thief in the night,” said Father Kuzma, a grey-headed little priest in a lilac cassock. “And when he does come the place will be crowded with the nobility and other high gentry. All the neighbours will flock here. Mind now, do your best, Alexey Alexeitch. . . . I beg you most earnestly.”
“You need not trouble about me,” said Alexey Alexeitch, frowning. “I know my business. If only my enemy intones the litany in the right key. He may . . . out of sheer spite. . . .”
“There, there. . . . I’ll persuade the deacon. . . I’ll persuade him.”
Alexey Alexeitch was the sacristan of the Yefremovo church. He also taught the schoolboys church and secular singing, for which he received sixty roubles a year from the revenues of the Count’s estate. The schoolboys were bound to sing in church in return for their teaching. Alexey Alexeitch was a tall, thick-set man of dignified deportment, with a fat, clean-shaven face that reminded one of a cow’s udder. His imposing figure and double chin made him look like a man occupying an important position in the secular hierarchy rather than a sacristan. It was strange to see him, so dignified and imposing, flop to the ground before the bishop and, on one occasion, after too loud a squabble with the deacon Yevlampy Avdiessov, remain on his knees for two hours by order of the head priest of the district. Grandeur was more in keeping with his figure than humiliation.
On account of the rumours of the Count’s approaching visit he had a choir practice every day, morning and evening. The choir practice was held at the school. It did not interfere much with the school work. During the practice the schoolmaster, Sergey Makaritch, set the children writing copies while he joined the tenors as an amateur.
This is how the choir practice was conducted. Alexey Alexeitch would come into the school-room, slamming the door and blowing his nose. The trebles and altos extricated themselves noisily from the school-tables. The tenors and basses, who had been waiting for some time in the yard, came in, tramping like horses. They all took their places. Alexey Alexeitch drew himself up, made a sign to enforce silence, and struck a note with the tuning fork.
“To-to-li-to-tom . . . Do-mi-sol-do!”
“Adagio, adagio. . . . Once more.”
After the “Amen” there followed “Lord have mercy upon us” from the Great Litany. All this had been learned long ago, sung a thousand times and thoroughly digested, and it was gone through simply as a formality. It was sung indolently, unconsciously. Alexey Alexeitch waved his arms calmly and chimed in now in a tenor, now in a bass voice. It was all slow, there was nothing interesting. . . . But before the “Cherubim” hymn the whole choir suddenly began blowing their noses, coughing and zealously turning the pages of their music. The sacristan turned his back on the choir and with a mysterious expression on his face began tuning his violin. The preparations lasted a couple of minutes.
“Take your places. Look at your music carefully. . . . Basses, don’t overdo it . . . rather softly.”
Bortnyansky’s “Cherubim” hymn, No. 7, was selected. At a given signal silence prevailed. All eyes were fastened on the music, the trebles opened their mouths. Alexey Alexeitch softly lowered his arm.
“Piano . . . piano. . . . You see ‘piano’ is written there. . . . More lightly, more lightly.”
When they had to sing “piano” an expression of benevolence and amiability overspread Alexey Alexeitch’s face, as though he was dreaming of a dainty morsel.
“Forte . . . forte! Hold it!”
And when they had to sing “forte” the sacristan’s fat face expressed alarm and even horror.
The “Cherubim” hymn was sung well, so well that the school-children abandoned their copies and fell to watching the movements of Alexey Alexeitch. People stood under the windows. The school-watchman, Vassily, came in wearing an apron and carrying a dinner-knife in his hand and stood listening. Father Kuzma, with an anxious face appeared suddenly as though he had sprung from out of the earth. . . . After ‘Let us lay aside all earthly cares’ Alexey Alexeitch wiped the sweat off his brow and went up to Father Kuzma in excitement.
“It puzzles me, Father Kuzma,” he said, shrugging his shoulders, “why is it that the Russian people have no understanding? It puzzles me, may the Lord chastise me! Such an uncultured people that you really cannot tell whether they have a windpipe in their throats or some other sort of internal arrangement. Were you choking, or what?” he asked, addressing the bass Gennady Semitchov, the innkeeper’s brother.
“Why?”
“What is your voice like? It rattles like a saucepan. I bet you were boozing yesterday! That’s what it is! Your breath smells like a tavern. . . . E-ech! You are a clodhopper, brother! You are a lout! How can you be a chorister if you keep company with peasants in the tavern? Ech, you are an ass, brother!”
“It’s a sin, it’s a sin, brother,” muttered Father Kuzma. “God sees everything . . . through and through . . . .”
“That’s why you have no idea of singing—because you care more for vodka than for godliness, you fool.”
“Don’t work yourself up,” said Father Kuzma. “Don’t be cross. . . . I will persuade him.”
Father Kuzma went up to Gennady Semitchov and began “persuading” him: “What do you do it for? Try and put your mind to it. A man who sings ought to restrain himself, because his throat is . . . er . . tender.”
Gennady scratched his neck and looked sideways towards the window as though the words did not apply to him.
After the “Cherubim” hymn they sang the Creed, then “It is meet and right”; they sang smoothly and with feeling, and so right on to “Our Father.”
“To my mind, Father Kuzma,” said the sacristan, “the old ‘Our Father’ is better than the modern. That’s what we ought to sing before the Count.”
“No, no. . . . Sing the modern one. For the Count hears nothing but modern music when he goes to Mass in Petersburg or Moscow. . . . In the churches there, I imagine . . . there’s very different sort of music there, brother!”
After “Our Father” there was again a great blowing of noses, coughing and turning over of pages. The most difficult part of the performance came next: the “concert.” Alexey Alexeitch was practising two pieces, “Who is the God of glory” and “Universal Praise.” Whichever the choir learned best would be sung before the Count. During the “concert” the sacristan rose to a pitch of enthusiasm. The expression of benevolence was continually alternating with one of alarm.
“Forte!” he muttered. “Andante! let yourselves go! Sing, you image! Tenors, you don’t bring it off! To-to-ti-to-tom. . . . Sol . . . si . . . sol, I tell you, you blockhead! Glory! Basses, glo . . . o . . . ry.”
His bow travelled over the heads and shoulders of the erring trebles and altos. His left hand was continually pulling the ears of the young singers. On one occasion, carried away by his feelings he flipped the bass Gennady under the chin with his bent thumb. But the choristers were not moved to tears or to anger at his blows: they realised the full gravity of their task.
After the “concert” came a minute of silence. Alexey Alexeitch, red, perspiring and exhausted, sat down on the window-sill, and turned upon the company lustreless, wearied, but triumphant eyes. In the listening crowd he observed to his immense annoyance the deacon Avdiessov. The deacon, a tall thick-set man with a red pock-marked face, and straw in his hair, stood leaning against the stove and grinning contemptuously.
“That’s right, sing away! Perform your music!” he muttered in a deep bass. “Much the Count will care for your singing! He doesn’t care whether you sing with music or without. . . . For he is an atheist.”
Father Kuzma looked round in a scared way and twiddled his fingers.
“Come, come,” he muttered. “Hush, deacon, I beg.”
After the “concert” they sang “May our lips be filled with praise,” and the choir practice was over. The choir broke up to reassemble in the evening for another practice. And so it went on every day.
One month passed and then a second. . . . The steward, too, had by then received a notice that the Count would soon be coming. At last the dusty sun-blinds were taken off the windows of the big house, and Yefremovo heard the strains of the broken-down, out-of-tune piano. Father Kuzma was pining, though he could not himself have said why, or whether it was from delight or alarm. . . . The deacon went about grinning.
The following Saturday evening Father Kuzma went to the sacristan’s lodgings. His face was pale, his shoulders drooped, the lilac of his cassock looked faded.
“I have just been at his Excellency’s,” he said to the sacristan, stammering. “He is a cultivated gentleman with refined ideas. But . . . er . . . it’s mortifying, brother. . . . ‘At what o’clock, your Excellency, do you desire us to ring for Mass to-morrow?’ And he said: ‘As you think best. Only, couldn’t it be as short and quick as possible without a choir.’ Without a choir! Er . . . do you understand, without, without a choir. . . .”
Alexey Alexeitch turned crimson. He would rather have spent two hours on his knees again than have heard those words! He did not sleep all night. He was not so much mortified at the waste of his labours as at the fact that the deacon would give him no peace now with his jeers. The deacon was delighted at his discomfiture. Next day all through the service he was casting disdainful glances towards the choir where Alexey Alexeitch was booming responses in solitude. When he passed by the choir with the censer he muttered:
“Perform your music! Do your utmost! The Count will give a ten-rouble note to the choir!”
After the service the sacristan went home, crushed and ill with mortification. At the gate he was overtaken by the red-faced deacon.
“Stop a minute, Alyosha!” said the deacon. “Stop a minute, silly, don’t be cross! You are not the only one, I am in for it too! Immediately after the Mass Father Kuzma went up to the Count and asked: ‘And what did you think of the deacon’s voice, your Excellency. He has a deep bass, hasn’t he?’ And the Count—do you know what he answered by way of compliment? ‘Anyone can bawl,’ he said. ‘A man’s voice is not as important as his brains.’ A learned gentleman from Petersburg! An atheist is an atheist, and that’s all about it! Come, brother in misfortune, let us go and have a drop to drown our troubles!”
And the enemies went out of the gate arm-in-arm.