"The priest calls the lawyer a cheat,The lawyer be-knaves the divine,And the statesman because he's so great,Thinks his trade as honest as mine!"
"The priest calls the lawyer a cheat,The lawyer be-knaves the divine,And the statesman because he's so great,Thinks his trade as honest as mine!"
"The priest calls the lawyer a cheat,
The lawyer be-knaves the divine,
And the statesman because he's so great,
Thinks his trade as honest as mine!"
The statesman in the box, whatever he might have felt,was far too astute to show any sign of ill temper. His eternal smile was as smug as ever and so also was it over the duet in the second act:
"When you censure the ageBe cautious and sageLest the courtiers offended should be;If you mention vice or bribe,'Tis so pat to all the tribe,Each cries 'That was levelled at me.'"
"When you censure the ageBe cautious and sageLest the courtiers offended should be;If you mention vice or bribe,'Tis so pat to all the tribe,Each cries 'That was levelled at me.'"
"When you censure the age
Be cautious and sage
Lest the courtiers offended should be;
If you mention vice or bribe,
'Tis so pat to all the tribe,
Each cries 'That was levelled at me.'"
The audience were somewhat timid in applauding this, though all felt how apt it was, until they saw Walpole actually clapping his hands, and then they followed suit right heartily.
Still success was not assured. True Polly captivated her hearers with her sweet natural delivery of "Can love be controlled by advice?" and afterwards with the tender pathos of "Oh ponder well," and there were roars of laughter and half suppressed chuckles from the men and titters from the women at the witty talk and the cynical hits at love and matrimonial felicity, but it was not until Spiller led the rousing choruses, "Fill every glass," and "Let us take the road," the latter adapted to the march from Handel's opera of "Rinaldo," then all the rage, that they were won over. The experienced Duke of Argyll cried out aloud enough for Pope in the next box to hear him, "It'll do—it must do—I see it in the eyes of 'em." And the duke was right.
When all was said and done pretty Polly Peachum was the pivot around which success revolved. Within twenty-four hours all the town was talking of her bewitching face, her artless manner, her sweet voice. The sordid surroundings of Newgate, its thieves, male and female, its thieve takers, gave zest to her naturalness and simplicity. Moreover she was not in a fashionable dress, she wore no hoops (and neither did Lucy) and this in itself was a novelty and a contrast.
It was some time after the performance that Lavinia—whom everyone now called Polly—left the theatre. The noblemen who had seats on the stage crowded round her overwhelming her with compliments and looks of admiration. One of their number, a man of portly presence at least twice her age, whose face suggested good nature but little else, was assiduous in his attentions. Lavinia accepted his flattery as a matter of course, and thought nothing more about him. She was told he was the Duke of Bolton, but duke or earl made no difference to her. Some of her titled admirers offered to escort her home but she shook her head laughingly and refused everyone. She knew very well that Lancelot Vane would be waiting for her as usual at the stage door, and she did not intend either to disappoint him or make him jealous.
She joined him, her cheeks flushed and her eyes shining with excitement. Vane looked eagerly and anxiously into her face and gave a little sigh.
"Well," said she, "are you disappointed with me?"
"Disappointed! Good heavens, no. Why Lavinia—"
"Lavinia," she cried tossing her head coquettishly. "Polly if you please. Polly is to be my name for ever after. Everybody knows me now as Polly, though dear Mr. Gay called me so long and long ago. Isn't it wonderful how his words have come true?"
"Mr. Gay is a clever man—a great man. I wish—"
"Yes, and what do you wish? Something nice I hope."
"I don't know about that. My wish was that I had been born a real poet and dramatist and had written 'The Beggar's Opera' for you. But my wits are dull—like myself."
"Please don't be foolish. I want you to tell me how I sang—how I acted. You didn't mind Tom Walker making love to me?"
"No, I wished my arm had been round you instead of his, that was all."
"Wishing again! Can't you do something beyond wishing?"
She flashed a swift look at him and then the dark silky lashes drooped. He must have been dull indeed not to have understood. His arm was about her. He drew her closer to him passionately. It was the first time, though he had over and over again longed to do so.
"I love you—don't you know I do?" he whispered.
"I've sometimes thought as much but you've been very slow in telling me," she murmured lightly.
"Ah, I was afraid what your answer might be. Ridicule and a reproof for my impertinence. Even now I don't realise my happiness."
"Then youmust," she cried imperiously. "How do you know I shan't be whirled away from you unless you hold me very tight? Oh, Lance, I've a misgiving—"
She stopped. She shivered slightly and he drew her cloak tightly about her and kissed the cherry lips within the hood.
"You're cold, dearest. Let us hurry. I ought not to have lingered," said he.
"No, no. I'm not a bit cold. I only had a sort of feeling that—kiss me again."
He was quick to obey and her kisses were as fervent as his.
"See me to my door and go quickly," she murmured.
"To-morrow, dear love, we shall meet each other again," was his reply.
"Why yes—yes."
"Many times more."
She nodded. Something seemed to choke her utterance. One more kiss and she vanished into the house.
Vane remained for a minute or two gazing at the dwelling that enshrined his divinity and lost in rapture. Then he slowly wandered to his lodgings marvelling at the glimpse of heaven which to his imagination had been revealed to him.
Before the week was out the only topic in which the town took any interest was "The Beggar's Opera," and the "all Conquering Polly," as an advertisement setting forth the attractions of a miniature screen designed as a memento of the opera, had it. In a score of ways enterprising tradesmen adapted the scenes and the songs to their wares and in all Polly was the principal feature. Polly became the fashion everywhere. Amateur flautists played her songs, amateur vocalists warbled them. Hardly a week passed without one daily journal or the other burst into verse in her praise.
As for Polly herself she was inundated with love letters, some written seriously, others purely out of admiration. Offers of marriage came both personally and through the post. The world of gallants was at her feet. She laughed at most of her would-be lovers and listened to none. The good natured Duke of Bolton approached her constantly and was never tired of going to the opera. Seated as he was on the stage it was easy enough for him to express his adoration. He was also ever ready with presents which he proffered with so respectful an air that she could hardly refuse them. But what did the duke mean? Had he not a duchess already? True, he was not on the best of terms with her. He had been forced into marriage by his father and he and his wife had been separated some six years. But this made no difference. The duchess was still in the world.
Polly—henceforth she dropped the Lavinia—heard what his grace had to say but gave him no encouragement beyond smiling bewitchingly now and again. She did notdislike him, but she did not care for him. Lancelot Vane was still the hero of her romance and that romance would never die. Sometimes she amused herself and Lancelot too by telling him of the offers of marriage she had received and how she had refused them, but she never mentioned the Duke of Bolton.
One night—it was the twenty-second performance of the opera—Lancelot Vane was in his accustomed place at the end of the second row in the pit. There was a vacant seat on the other side of his, and half way through the third act a late comer was heard growling and without saying by your leave or with your leave attempted to force himself past Vane into the empty seat.
Lance looked up angry at the rudeness of the fellow. He started. He recognised Jeremy Rofflash-Rofflash very much the worse for the drink, very much the worse in every way since Vane had last set eyes upon him.
Things had gone very badly with the swashbuckler. Archibald Dorrimore, his old patron, was dead, killed by dicing, drinking and other vices. Rofflash had had to take to the "road" more than ever and he'd had very bad luck. A bullet from a coach passenger's pistol had struck his knee and he now limped. He was nearly always drunk and when drunk all his old hatreds were uppermost. Directly he saw Vane, his bleary eyes glistened and his lips tightened over his uneven teeth and the ugly gaps between.
"Devil take me, if it isn't the cockerel whose feathers I've sworn to pluck. Come to ogle the young trollop on the stage, I'll swear. If I know anything about the hussy, she'll turn you down for the first spark who flings a handful of guineas in her lap."
Jeremy's gruff rasping tones were heard all over the house. Polly and Lucy were singing their duet "Would I might be hanged," and both cast indignant looks at the side of the pit whence the interruption came. But theycould only hear, not see, so dimly was the theatre lighted. Meanwhile Vane had sprung to his feet.
"You lie you ruffian," he shouted and his hand went to his sword.
The people in the front and back benches rose; the women screamed; one of the theatre attendants who chanced to be near seized Rofflash who struggled violently and swore loudly. Some of the audience came to the attendant's assistance and the fellow was flung out. The uproar soon subsided—it had not lasted more than a couple of minutes, the music went on and Polly thought no more about it. She had not the slightest idea that the chief actors in it so nearly concerned herself.
The sequel to the discomposing interruption was totally unpremeditated. Polly was the "toast of the town," the idol of the sparks of fashion. Their applause was uproarious when she and Lucy recommenced the duet, but this sympathetic encouragement was not enough for the more ardent spirits. When she issued from the stage door she found awaiting her a bodyguard of young aristocrats dressed in the height of the mode and in the gayest of colours. At her appearance every man's sword flashed from its scabbard and was uplifted to do her honour.
Never was such a triumph. No wonder her heart bounded and her cheeks flushed with pleasure. She smiled right and left and bowed; the rapiers on either side crossed each other over her head and formed a canopy under which she walked with a dainty grace. She was not permitted to pass from beneath its shelter. The canopy kept pace with her, closing behind. And in this way the procession set out to cross Lincoln's Inn Fields amid cheers and shouts of "Pretty Polly Peachum!"
It would seem as though the services of Polly's protectors were not wholly unneeded. As she emerged from the door and the gallants closed round her there was a sudden movement in the mob, a fellow forced his waythrough, hurling curses at anyone who tried to stop him. Apparently his object was to get to a man standing close to the bodyguard. Anyway, when the intruder was behind this man a woman's scream pierced the din of voices, then came the report of a pistol and the man staggered. Those nearest him, seized with panic, fell back and he sank to the ground.
A woman was seen to fling herself on her knees, bend over the body and gaze into the face already becoming ashen. The next instant she sprang to her feet, her features drawn, her eyes blazing. Pointing to the assassin who was rushing through the crowd she begged someone to stop him, but the big pistol he was flourishing deterred them.
"Cowards!" she screamed in fury. "Will no one seize a murderer? If you're men you'll help me."
She made a wild rush in the direction the ruffian had taken and a score or so of apprentices and a handful of Clare Market butchers recovering from their surprise joined her.
Meanwhile Polly and her escort gaily went on their way. They were dimly conscious of the affray but such occurrences at night and especially in Lincoln's Inn Fields were frequent, and not one of the party heeded. How indeed could Polly imagine that her romance had ended in a tragedy, that the man lying so still, his white face upturned to the moonlit sky, was her lover, Lancelot Vane—that the man who had done him to death was Jeremy Rofflash—that the woman in hot chase of his murderer was Sally Salisbury?
Rofflash had made for the network of courts and allies of Clare Market hoping to double upon his pursuers and gain the Strand, and then hurry to the Alsatia of Whitefriars. But some of those following knew the intricacies of Clare Market better than Rofflash, and he twisted and turned like a hunted hare, his difficulties momentarilyincreasing, for as the excited mob fought their way through the narrow lanes their numbers swelled. True, Jeremy Rofflash made his way to the Strand without being captured, but he failed to reach Whitefriars. The Strand and Fleet Street gave his pursuers a better chance. But because of his pistol none dared touch him.
Despite his limp he could run. Along Ludgate skirting St. Paul's, he was soon in Cheapside. By this time Sally Salisbury was nearly exhausted, and in St. Paul's Churchyard she jumped into a hackney coach and shaking her purse at the driver bade him join in the pursuit. The Poultry, the Royal Exchange were left behind, but the coach—with Sally inside continually calling upon the driver to go faster, at the same time promising him any reward he liked to ask—gradually drew upon the fugitive. The latter was close to the road leading to London Bridge, and turning, he fired his second barrel at the horse and the animal stumbled and fell.
Rofflash thought he was safe, but he was not aware that the leader of his pursuers was Sally Salisbury and that she knew perfectly well why he was running towards the bridge. She sprang from the now useless coach and called upon the crowd to follow her. Meanwhile Rofflash had distanced his pursuers.
"The apothecary's shop on London Bridge," she screamed.
Dr. Mountchance at that moment was engaged in what to him was his greatest pleasure in life—counting his gold. He was in the midst of this absorbing occupation when he heard three separate knocks at his outside door given in a peculiarly distinctive way. He knew Jeremy's signal and he hurried his gold into an iron bound coffer which he locked.
"If the captain's made a good haul so much the better," he muttered. "It's time he did. He's had the devil's bad luck of late."
The old man shuffled to the door and shot back the bolts. Rofflash precipitated himself inside with such haste and violence that he nearly upset Mountchance.
"Lock the door," he gasped. "Quick. I've a pack of hungry wolves at my heels."
He leaned against a heavy piece of furniture hardly able to speak while the apothecary hastily fastened the door. Scarcely had he finished than yells and heavy footsteps were heard; there came heavy thuds and fierce kicks followed by repeated hammering. The door was well protected by iron panels and besides its bolts a stout iron bar from post to post helped to make it secure.
The two men looked at each other and Mountchance trembled. The crowd outside were not officers of the law, neither were they soldiery. What had caused them to hunt down Rofflash? Not because he had committed a robbery on the King's highway. The rabble had a secret sympathy with highwaymen.
"What have you done?" whispered the old man through his white lips.
"Shot a man. It was a fair fight—or might have been had it come to a tussle."
Mountchance knew Rofflash to be a hardened liar. The truth probably was that he had committed a murder. But there was no time to argue the point. To judge by the terrific blows which came at regular intervals something much more formidable than an ordinary hammer was being used. Then there was the sound of splintering wood. The door sturdy as it was would not stand much more. As a matter of fact the mob had procured a stout wooden beam from somewhere, twelve or fourteen feet long and were making it serve as a battering-ram.
"Damnation! I'm not going to be trapped," roared Rofflash, "I know the secret way to the chapel. You stay here and face 'em."
"No. If that murderous mob doesn't find you they'll turn upon me. I'm an old man but they'll have no mercy," whined Mountchance.
"You fool. Can't you see that some oneinsidethe house must have bolted and barred the door? If they don't find you they'll search until they do. You must tell them that I'm not in the place—that you haven't seen me. That'll satisfy 'em and they'll go away quickly."
"It's you that's the fool. Somebody must have seen you enter—how else did they know you were here?"
Another ominous splintering noise, then the sharp crack of ripping wood.
"No more of this damned nonsense," muttered Rofflash, and swinging his arm he gave Mountchance a blow with the flat of his hand, toppling him over. Without waiting to see what injury he had inflicted Rofflash rushed to a tall cabinet, entered it and closed the doors after him just as a yell of savage joy was raised outside. The iron bar was still across the entrance but there was a jagged aperture above and below. A couple of seconds more and the cabinet was empty. Rofflash had disappeared through a secret door at the back.
Mountchance's house, as already mentioned, was really an adjunct of St. Thomas's chapel, so far at least as the foundation was concerned. This foundation had once formed the lower chapel or crypt and was then the only distinctive relic of the bridge built by Peter of Colechurch, in the thirteenth century. Rofflash descended the uneven loose bricks of the narrow winding staircase into the dungeon-like apartment. The stone floor was not much above the level of the river at high tide and a lancet window on each side of the bridge admitted a glimmer of light in the day time. It was now pitch dark.
Rofflash groped his way over the slimy floor to a small door which he knew opened on to an abutment between two arches. He only did this by feeling the wall as hewent. He hoped when outside to hail a passing wherry. At any rate it was unlikely his hiding place would be discovered by any of the mob.
In the meantime the shop and room above were filled with a rabble more than half of which was out for plunder. Mountchance was lying on the floor unconscious, but no one bothered about him. In the opinion of some it was perhaps as well, as he would be unable to prevent them doing as they liked. This opinion was not held by Sally Salisbury. She was convinced Rofflash was in the house though she had not seen him actually enter. It angered her to think that Mountchance who could have told her anything was as good as dead. She called upon the crowd to search for the murderer but they turned a deaf ear to her entreaties. They were much more interested in looting the place; and finding the iron bound coffer and hearing the chink of coin within, they attacked it savagely and succeeded in smashing the lock.
The sight of gold was too much for them. They scrambled, they fought, they trampled upon each other. The yellow metal acted upon them like strong drink. In the midst of the pandemonium came a deafening explosion, a vivid flash of red, a volume of acrid suffocating vapour. Another explosion and men came rushing from Mountchance's laboratory—terror written in their faces. Helter-skelter the crowd darted from the house forcing Sally Salisbury with them whether she would or not. In the mad fight for gold large glass bottles filled with acids, alcohol and other inflammable liquids had been upset and smashed, and the smouldering fire in the furnace did the rest. What with the bundles of dried herbs which burnt like so much tinder and the woodwork, the panelled walls and furniture, nothing could save the house.
In the hurry and scramble Sally had been wedged against the wall surmounting the central and largest arch. Upon this arch no house had been built. Below the spot where she was held a prisoner the river was rushing withits monotonous roar as if rejoicing at or indifferent to the terrible tragedy above. At first she saw nothing but clouds of suffocating smoke pouring from the windows, then showers of sparks floating downwards and vanishing in the water, and finally tongues of fire hissing and roaring from within the house and mingling in one huge flaring flame.
Looking over the parapet she caught sight of a gaunt figure on the abutment now strongly illuminated, now in deep shadow according to the height and strength of the flames and the wayward wind. So fantastic, so grotesque was this figure, his gesticulations, his waving hands, he suggested a demon rather than a human being. Now and again he put a curved hand to his mouth. Doubtless he was shouting but the roar of the fire and the howling of the mob smothered every sound.
It was Rofflash—his true character revealed, nerve stricken, a coward at heart. Yet he was in no immediate danger. The fire could not reach him. The only thing he had to fear was the rising tide should it chance to wash over the abutment and sweep him off his feet.
But it is always the unexpected that happens. Some receptacle with inflammable contents which the fire had overlooked—probably it was stored in one of the upper rooms—exploded with terrific violence. Roof, rafters, tiles, brickwork, shot into the air and fell in every direction. Sally with many others was sent prostrate by the shock, but was uninjured. When she was able to rise and look over the parapet no one was on the abutment. Jeremy Rofflash had met his fate.
"The Beggar's Opera" continued on its triumphant way. Night after night the theatre was packed. Night after night Polly was listened to with increasing delight. She had never sung her plaintive ditties with such pathos. No one suspected the reason. No one knew that she had given her heart to the poor young man killed in a brawl—so the newspapers described it—in Lincoln's Inn Fields. Polly's love for Lancelot Vane was a secret sacred to herself. She gave her confidence to nobody—not even to Gay. She had been happy in her love dreams, happier perhaps than if they had become realities. Her roaming life had not brought romance to her until she met Lancelot Vane. The sweetheartings of others had always seemed sordid and commonplace. Had Vane been presumptuous she would have had nothing to say to him, but she was drawn towards him because he was drifting to his ruin and she yearned to save him. That she should see him no more deadened her heart and numbed her brain. So she made no effort to find out the why and wherefore of his death and the story never reached her.
Sally Salisbury could have told her, but Sally, to her credit, be it said, did not seek to inflict a wound for the mere satisfaction of witnessing the agony of her rival. Vane was dead and retribution had swiftly overtaken his assassin. What was left? Nothing. Sally had also found romance, and some tender womanly instinct—an instinct too often blunted by her life and temptations—sealed her lips. She had avenged the death of the only man she ever loved with anything like purity. Let that suffice.
The opera had an unprecedented run of sixty-two nights. Every one marvelled. Such a thing had never happened before and when the next season the run was continued its attractions were undimmed, save in one particular—the original Polly Peachum was no longer to be seen or heard. Gradually it became gossipped about that the Duke of Bolton's suit had succeeded. The Polly over whom everybody, rich and poor, high and low, for nearly five months had lost their heads and their hearts, had quitted the stage for ever. Twenty-three years later the duke was able to prove his devotion by making her his duchess. Even then she rarely took part in fashionable functions. Her simple tastes and dislike of display never deserted her. Yet she was not and is not forgotten, thoughnearly two hundred years have passed away since she burst into the full flush of fame. Her memory is preserved in every one of her innumerable successors who have succeeded in reproducing in any degree her charm and artlessness. This memory is not attached to Lavinia Duchess of Bolton, but to "Pretty Polly Peachum."