[3]Hegel,Werke, viii., "Philosophie des Rechts," 367; Heiberg,Pros. Skrifter, 10 B, 335.
[3]Hegel,Werke, viii., "Philosophie des Rechts," 367; Heiberg,Pros. Skrifter, 10 B, 335.
[4]Hegel,Werke, viii. 314.
[4]Hegel,Werke, viii. 314.
[5]Haller, in his famousRestauration der Staatswissenschaft, chooses exactly the same point of departure as Bonald, namely, an attack onLe Contrat Social.
[5]Haller, in his famousRestauration der Staatswissenschaft, chooses exactly the same point of departure as Bonald, namely, an attack onLe Contrat Social.
[6]Bonald,Du Divorce, considéré au 19me siècle relativement à l'état domestique et à l'état publique de la société(edition of 1817, pp. 29 and 31).
[6]Bonald,Du Divorce, considéré au 19me siècle relativement à l'état domestique et à l'état publique de la société(edition of 1817, pp. 29 and 31).
[7]We owe to Madame Girardin the one witty thing that has been said on the subject of Buffon's dictum. When trying to prove that in each of George Sand's novels the influence of some real personage enthusiastically admired by the authoress is to be distinctly traced, she quotes the saying of a wit: "It is when we are criticising the works of women writers that we are most often obliged to exclaim with Buffon:Le style c'est l'homme." (Le Vicomte de Launay,Lettres parisiennes, i. 89).
[7]We owe to Madame Girardin the one witty thing that has been said on the subject of Buffon's dictum. When trying to prove that in each of George Sand's novels the influence of some real personage enthusiastically admired by the authoress is to be distinctly traced, she quotes the saying of a wit: "It is when we are criticising the works of women writers that we are most often obliged to exclaim with Buffon:Le style c'est l'homme." (Le Vicomte de Launay,Lettres parisiennes, i. 89).
[8]Cf.The Romantic School in Germany, p. 42.
[8]Cf.The Romantic School in Germany, p. 42.
[9]Cf.The Romantic School in Germany, pp. 12, 326.
[9]Cf.The Romantic School in Germany, pp. 12, 326.
[10]Sources: Bonald,Théorie du pouvoir, i-iii.;La législation primitive; Essai analytique sur les lois naturelles; Du divorce; Barante,Tableau de la littérature française au 18me siècle; Lamennais,Essai sur l'indifférence en matière de religion; Laurent,Histoire du droit des gens, xvi.
[10]Sources: Bonald,Théorie du pouvoir, i-iii.;La législation primitive; Essai analytique sur les lois naturelles; Du divorce; Barante,Tableau de la littérature française au 18me siècle; Lamennais,Essai sur l'indifférence en matière de religion; Laurent,Histoire du droit des gens, xvi.
CHATEAUBRIAND
CHATEAUBRIAND
Chateaubriand's book,Le Génie du Christianisme, which originally bore the significant titleBeautés de la Religion Chrétienne, marks the transition from the first to the second stage of the reaction, because, cold and devoid of real feeling as it is, it is an attempt to vindicate and rehabilitate authority by means of an appeal to sentiment and imagination.
It was a defence of Christianity of a perfectly new species, from the fact that it appealed to imagination, not to faith; to sentiment, not to reason. It impresses one as being proffered under the conviction that reason was now inimical to Christianity, and that faith no longer existed.
The author, not many years before he wrote this work, had been a free-thinker, indeed a materialist. We have proof of this in some marginal notes in his own handwriting, discovered by Sainte-Beuve in a book which had belonged to him. Alongside of the words: "God, matter, and destiny are one," Chateaubriand has written: "This is my system; this is what I believe." Alongside of the following sentences: "You say that God has created you free. That is not the point in question. Did he foresee that I should fall, that I should be miserable to all eternity? Yes, undoubtedly. In that case your God is nothing but a horrible and unreasonable tyrant," we read in the margin: "This objection is irrefutable, and completely demolishes the whole edifice of Christian doctrine. But in any case it is doctrine which no one believes in now."
This is the standpoint of Chateaubriand's youth, but one to which he did not long adhere. He was too much the born doubter to be able to hold firmly to even a negative conviction. What there was of faith in the philosophy of the eighteenth century, namely, its belief in the steady progress of humanity, was probably what he first rejected, and on the loss of this conviction quickly followed the loss of all the rest. He himself attributes his conversion to the influence of his mother's dying prayer to him to keep to her faith. "I wept and believed," he says.
Himself converted, or half converted, by means of sentiment, he now endeavoured to influence others in the same manner. Although intellectual receptivity for the dogmas of Christianity was no longer to be looked for, it was surely still possible to arouse sympathy with its touching, noble poetry. It was an idea characteristic of both the period and the man, this of transforming the apology for Christianity into aesthetics. He devotes a whole chapter to the sweet, melodious music of the church bells. He describes the simple village church, with its feeling of innocence and peace. He presents us with pictures and symbols when we expect proofs. Bonald remarked that in books which were works of reason, such as his own, truth displayed itself like a king at the head of his army on the day of battle, while in books like Chateaubriand'sGénie du Christianismeit had more resemblance to a queen on her coronation day, surrounded with everything magnificent and beautiful that could be got together. His meaning is that Chateaubriand aims rather at moving men than at convincing them. In private conversation he expressed himself more bluntly. He said: "I gave my pills as they were; he gave his with sugar."
Certainly no book affords a clearer indication of the want of serious reality in the religious regeneration of the day. Its point of view is that which men have agreed to call the romantic. It is to the past it turns, and as the Romanticist is a man of imagination, he sees the past in an imaginary light. The religion of the Romanticist is a parade religion, a tool for the politician, a lyre for the poet, a symbol for the philosopher, a fashion for the man of the world.
Like the German, the Danish, and, at a later period, the French Romanticists, Chateaubriand loves the mysterious. He begins his vindication of belief in authority by appealing to men's sense of mystery in life generally: "There is nothing beautiful or sweet or great in life that is not mysterious. The most wonderful feelings are those which at once move and perplex us. Bashfulness, chaste love, pure friendship, are full of mystery.... Is not innocence, which in its essence is nothing but holy ignorance, the most ineffable mystery? Women, the more admirable half of the human race, cannot live without mysteries." The transition from this to the dogmas of a so-called revealed religion strikes us as sudden.
De Maistre makes a somewhat similar use of mystery. When he has shown that such and such a social institution is inexplicable, he believes that he has proved it to be divine. There is, in his opinion, no reasonable explanation for hereditary royalty and hereditary nobility—which is proof sufficient that they exist by the grace of God. What is there to be said in defence of war? Hardly anything, thinks De Maistre; consequently war too is a mystery. A little reflection shows us the necessity of such argument. Authority demands mystery as its counterpart. Note what Michaud says in the dedication of his poem, "An Exile's Spring" (Le printemps d'un proscrit), 1803: "Society ought to have its mysterious side as well as religion; I have always thought that we should at times believe in the laws of our country as we believe in the commandments of God. In private as well as in public life there are things which a man does better if he does them without reflecting upon his reason for acting."
The style of Chateaubriand's work is dazzlingly brilliant. But for this it would not have created the sensation it did. It contains descriptions of nature, emotional outbursts, and some few sparsely scattered thoughts of real value. But all that is of genuine value from the literary and poetical point of view is to be found in the talesAtalaandRené, which, according to Chateaubriand's original plan, were to have formed chapters of the work—where they would have cut a curious figure among such chapters as those on missionaries and sisters of mercy. They were, preliminarily, sent out as feelers long before the main work, and they do not concern us now; we have studied them in their historical significance in their proper place.[1]
InLe Génie du ChristianismeChateaubriand did not, he has himself told us, endeavour to prove that Christianity is excellent because it comes from God, but that it comes from God because it is excellent.
He shows that men have been wrong in despising Christianity, that it has beautiful, noble, poetic qualities. He does not perceive that, even if he succeeds in proving in many instances the narrowness of view of those Encyclopedists whom he is continually attacking, this in itself is no manner of proof of the divine origin of religion.
The whole work is in reality an outcome of the dislike and contempt which he had gradually developed for the philosophy and literature of the eighteenth century. The spirit of this philosophy and literature now appeared to him to be fatal to all the higher desires and aspirations of the human soul. The eighteenth century had misunderstood feeling and poetry. Therefore what it had exalted must be condemned, and what it had dared to disdain must be exalted. And for what had it shown greater contempt than for Christianity!
Chateaubriand was not a man of a pious, but of an artistic nature; and he conceived a fruitful artistic idea. Perceiving that the classic period in France had reached the term of its natural life, he contended that the imitation of the works of heathen antiquity ought now to cease. It had gone on, at least in appearance, for not less than 250 years. Poets had neglected national and religious subjects for those of ancient mythology; by the end of the eighteenth century they were not even imitating antiquity, but the seventeenth-century authors of their own country. Now there had been enough of it; now it was time for France to dismiss mythology and have a literature inspired by its own history and its own religion.
In this roundabout way Chateaubriand arrived at his vindication of the beauty of Christianity, and of its superiority in artistic value to any of the heathen religions.
The nature of the vindication evidences the nature of the whole movement which the work inaugurates. Its æsthetic part is preceded by a dogmatic introduction which, in keeping with the rest of the book, aims at proving the beauty of the dogmas of Christianity. I adduce a few examples of the absurd results of this "how beautiful!" style of reasoning.
Of the sacrament of the Lord's Supper Chateaubriand writes: "We do not know what objections could be offered to a means of grace which evokes such a chain of poetical, moral, historical, and supernatural ideas, a means of grace which, beginning with flowers, youth, and charm, ends with bringing God down to earth to give Himself as spiritual sustenance to man." What objection indeed could be offered? None, if all this be true.
In spite of his æsthetic bias, Chateaubriand sets to work with a good deal of pedantry. Celibacy, as enjoined on the Catholic priesthood, is considered first from the moral point of view, and, thus considered, is denominated the most moral of institutions. A second chapter, with the somewhat comical title: "Virginity, considered from the poetical point of view," is devoted to the same subject. It ends with the following burst of eloquence: "Thus we see that virginity, beginning in the lowest link of the chain of beings (its significance among animals had been taken into consideration), makes its way upwards to man, from man to the angels, and from the angels to God, to lose itself in Him." In the original edition, as if this were not enough, there was added: "God is the great solitary, the eternal celibate of the universe." It is curious that no notice should be taken of His paternal relation to the second person of the Trinity. But this omission makes the appeal to the case of the Saviour the more effective. Chateaubriand says: "The law-giver of Christianity was born of a virgin and died virgin." And to this he adds: "Did he not intend thereby to teach us that the earth, as regarded human beings, was now, both for political and natural reasons, sufficiently populated, and that, far from multiplying the race, we ought rather to restrict its increase?"
We are struck dumb by finding Malthus's theory of population come out as the sum and end of this Christian Romanticism. Who would have believed that there was so much political economy in the Gospels!
On the subject of the Trinity we read: "In nature the number 3 seems to be the number superior to all others; it is not a product; hence Pythagoras calls it the number without a mother. Even in the doctrines of polytheistic religions we here and there come upon a dim intuition of the Trinity. The Graces chose its number as theirs."
Thus in Chateaubriand's imagination the Trinity is upborne by the three Graces as Caryatides. In keeping with this is his attempt to prove the divine origin of the cross from the existence of the constellation, the Southern Cross.
In keeping with his defence of Christian dogma is such a defence of the Christian form of worship as the following: "Speaking generally, we may answer that the rites of Christianity are in the highest degree moral, if for no other reason than that they have been practised by our fathers, that our mothers have watched over our cradles as Christian women, that the Christian religion has chanted its psalms over our parents' coffins and invoked peace upon them in their graves." If argument were required when it is perfectly self-evident that the same defence may be offered for any religion, we might urge that it is a very unsuitable one in this particular case, where the object in view was to induce sons to abjure the anti-Christian beliefs professed by their fathers.
No less droll are the arguments drawn from natural history to prove the love displayed in the order of the universe. Chateaubriand writes: "Is an alligator, is a serpent, is a tiger less loving to its young than a nightingale, a hen, or even a woman?... Is it not as wonderful as it is touching to see an alligator build a nest and lay eggs like a hen, and a little monster come out of the shell just like a chicken? How many touching truths are contained in this strange contrast! how it leads us to love the goodness of God!"
Chateaubriand is positively jocose in his attempts to prove the divine purpose evident in nature. He declares that the birds of passage come to us at a season when the earth yields no crops on purpose to be fed; and he maintains that the domestic animals are born with exactly the amount of instinct required to enable us to tame them.
When the Neo-Catholic authors embark on any subject connected with natural science, they at once become extremely comic. Any one interested should read (in his review of Bonald'sLa législation primitive) Chateaubriand's outburst of horror at having heard a little boy answer his teacher's question: What is man? with the words: A mammal. And in the same spirit De Maistre repeatedly asserts that the whole science of chemistry requires to be placed on a different, a religious basis, or declares his conviction that some honest scientist will certainly succeed in proving that it is not the moon, but God, who produces the ebb and flow of the tide, as also that water, which is an element, cannot be resolved into oxygen and hydrogen. He is of opinion that birds are a living proof of the incorrectness of the law of gravitation. In this connection one of the characters in hisSoirées de St. Pétersbourgremarks that there is more of the supernatural in birds than in other animals, a fact witnessed to by the signal honour shown them in the choice of the dove to represent the Holy Spirit. That alligators should lay eggs, that birds should fly—such feats are miracles in the eyes of the Neo-Catholics.
On the dogmatic part of the work follows the æsthetic, which is the more important. In it Chateaubriand endeavours to prove that "of all the religions which have ever existed, the Christian religion is the most poetical, the most human, the most favourable to freedom, to art, and to literature—that to it the modern world owes everything, from agriculture to the abstract sciences, from asylums for the unfortunate to churches built by Michael Angelo and ornamented by Raphael—that there is nothing more divine than its morality, nothing more beautiful and noble than its dogmas and its rites—that it favours genius, purifies taste, approves and stimulates virtuous passion, invigorates thought, provides poets and artists with the noblest themes, &c., &c."
For two hundred years the great dispute had been going on as to the comparative superiority of the works of ancient and modern literature. It had occupied the minds of Corneille and Racine; it had produced the earliest translations of Greek and Roman poetry; and it had by slow degrees led the modern mind to recover its self-confidence, after the first overpowering impression of the grandeur of ancient literature had worn off. It was this two hundred years' long discussion which Chateaubriand revived in a new form, namely, as the question of the value of the Christian religion to poetry and the arts, compared with that of the old mythologies. In the most remarkable manner he ignores the fact that the great question in the case of a religion is not whether or in what degree it is poetical, but whether it has the truth on its side or not. Very remarkable, too, are the arguments to which he has recourse to support his assertions! He vaunts, for example, the æsthetic superiority of the Christian hell to the heathen Tartarus. Is it not infinitely grander—"poetry of torture, hymns of flesh and blood"?
He poetically jingles hell's instruments of torture, employs them as æsthetic rattles for the old, dull children of the new century, and brings into fashion a sort of drawing-room Christianity, specially adapted to the requirements of theblasésupper classes of France. In the seventeenth century men believed in Christianity, in the eighteenth they renounced and extirpated it, and now, in the nineteenth, the kind of piety was coming into vogue which consisted in looking at it pathetically, gazing at it from the outside, as one looks at an object in a museum, and saying: How poetic! how touching! how beautiful! Fragments from the ruins of monasteries were set up in gardens, with a figure dressed as a hermit guarding them; a gold cross was once more thought a most becoming ornament for a fashionable lady; the audiences at sacred concerts melted into tears. Men were touched by the thought of all the comfort religion affords to the poor and the suffering. They had lost the simple faith of olden days and now clung to externals, to the significance of the Catholic church in literature and art, its influence on society and the state. To make the antiquated principle of authority look young and attractive they painted it with the rouge of sentimental enthusiasm; but they only succeeded in making the principle that had once been so awe-inspiring, ridiculous.
Constant wrote his book on religion in the house of his friend, Madame de Charrière, Chateaubriand wrote his in the companionship of his devoted and intimate friend, Madame de Beaumont, who assisted him by searching for the quotations he required. His mind does not seem to have been taken up with his work to the exclusion of all mundane thoughts.
We know how grandiloquently Chateaubriand inveighed during Louis XVIII.'s reign against the married priests, in what a bitter spirit he stirred up the royalist and church party against them, how determined he was that they should be deprived of every sou of their pay, to punish them for having taken advantage of the laws of the Republic to marry like other citizens. Yet was not he himself, as the author ofLe Génie du Christianisme(in the preface to which he writes of himself as "the humble Lévite"), a kind of priest, nay, more than a common priest? And was not he married, and that, too, without the aid of a priest? I draw attention to this because it is one of the thousand signs of something that is to be detected everywhere throughout this religious reaction, something to which I believe we are justified in applying, ugly as it is, the word "hypocrisy."
Such, then, is Chateaubriand's book, and such are the circumstances in which it came into being. To its unprecedented success and enormous influence it owes an importance greater than its proper due. It was the book of the moment; it smuggled in, well packed in sentimentality, that principle of authority which was soon to ascend the throne.
[1]Emigrant Literature, pp. 17, 33.
[1]Emigrant Literature, pp. 17, 33.
The ascension was brought about by a man of a very different stamp.
Count Joseph de Maistre was born at Chambéry in Savoy in 1754. The De Maistre family, which belonged to the highest class of the bureaucracy, had immigrated from France at the beginning of the seventeenth century. In the boy's home his father's severe, imperious spirit, with its strong tone of old-fashioned piety, ruled supreme. Joseph, who was the eldest of ten children, was trained in such absolute obedience that even when he was at the University of Turin he never allowed himself to read a book without first writing to ask his father's permission. From a very early age he was devoted to serious study. He learned seven languages, which is an uncommon thing for a Frenchman to do even now, and was more uncommon then. He entered the civil service, became, like his father before him, a magistrate in his native town and a senator, and married at the age of thirty-two.
Two children had been born to him when the French Revolution broke out and made a complete change in his life. Savoy was incorporated with France, and to remain faithful to his king Joseph de Maistre gave up his home; he had to choose between becoming a citizen of the French Republic and having all his property confiscated, and he chose without hesitation. For a few years he lived in Switzerland. Here he wrote his first work,Considérations sur la France(published anonymously in London in 1797), and made the acquaintance of Madame de Staël. Though he considered that her head had been turned by modern philosophy (in his opinion an inevitable consequence in the case of any woman), he acknowledged her to be "astonishingly brilliant, especially when she was not trying to be so." They bickered and wrangled, but were none the less good friends.
In 1797, when the King of Sardinia was obliged to leave his continental territories and take refuge on his rocky island, Count de Maistre happened to be in Turin. He fled to Venice, arriving after many hairbreadth escapes, and there he and his family suffered great privations. From 1800 to 1802, as chief magistrate of Sardinia, he laboured hard to improve the slovenly administration of justice which he found prevailing there. In 1802 the deserted king sent him as envoy-extraordinary and minister plenipotentiary to St. Petersburg. His acceptance of this appointment obliged him to part from his wife and children, to whom he was tenderly attached. The pay was so miserable that it barely sufficed to cover his own necessary expenses—he could not afford to provide himself with a fur-lined coat. But in Russia, now passing through the most prosperous period of the reign of Alexander I, De Maistre's capacities found scope for development, and this poor ambassador of a petty power succeeded in winning the Emperor's entire confidence. The strength and purity of his character, his pronounced royalist and conservative views, his knowledge, his sagacity, and his wit ensured him a prominent place at a court whose sovereign knew how to appreciate both an uncommon character and remarkable talent.
Although by birth a Piedmontese, and as a diplomatist to a certain extent a cosmopolitan, Joseph de Maistre belongs by his language—and not by that alone—to French literature. All his literary theories were French, and there was much that was French in his intellectual idiosyncrasy. Not only was France always in his eyes the chief power in Europe, and the King of France, as "the most Christian king," the main bulwark of monarchy and Christianity, but he was at heart on the side of France even when it was for his ideas that her enemies were waging war upon her. In spite of everything he rejoiced when Republican France defeated the army of the allied monarchs. For what they desired was the division of France, the annihilation of its power. "But our descendants, who will think with indifference of our sufferings and dance upon our graves, will make very light of the excesses which we have witnessed and which have preserved undivided the most delectable kingdom after that of heaven." He desires the defeat of the Jacobins, but not the ruin of France, which would be equivalent to the inevitable intellectual relapse of the human race.
DE MAISTRE
DE MAISTRE
In a manner he felt himself to be a Frenchman. All his life long he proclaims, and by his actions proves, himself to be the loyal subject and servant of the King of Sardinia; but, when he is more than usually ill rewarded for his services, the thought strikes him that it was really by a kind of mistake of nature that he was not born a Frenchman. We read in one of his letters (Correspondance diplomatique, i. 197): "I cannot get rid of the feeling that, let me do what I will, I am not the man to suit His Majesty. Sometimes in my poetic day-dreams I imagine that nature, carrying me in her apron from Nice to France, tripped on the Alps (a very excusable thing in an old lady) and let me fall into Chambéry. She ought by rights to have gone straight to Paris, or at any rate to have stopped at Turin, where I could have developed properly; but on the 1st of April 1754 the irreparable mistake was made. I discover in myself a certain Gallican element, for which, be it observed, I have all due respect." Thus it is not merely permissible but obligatory to set De Maistre's name first on the list of the men who brought about the powerful reaction in France against the fundamental ideas of the eighteenth century.
His first book, written in 1796, already shows the character of the reaction to which he gives expression, and which he endows with stubborn consistency. While the Revolution is still proceeding, but at the moment when the counter-revolution is beginning to make its influence felt, he eagerly vindicates the two powers which the century had repudiated—belief in the supernatural and fidelity to political tradition.
Maintaining that every nation, like every individual, has its mission to fulfil, he declares that France has guiltily abused the position of authority given to her in Europe. She stood at the head of the religious system, and not without reason were her kings called "the most Christian." As she has used her power to act in direct contradiction to her mission, it can surprise no one that she is being brought back to the right path by terrible chastisements. The French Revolution is marked bySatanictraits, which distinguish it from anything ever seen before and possibly from anything that will ever be seen again. Its so-called legislators have issued such a proclamation as this: "The nation supports no religion," words which would almost seem to indicate hatred of the Divine Being.
Even Rousseau, though he was "the most mistaken of men," perceived that it was only a narrow-minded and arrogant philosophy which could suppose the founders of such religions as the Jewish and the Mahometan to be nothing but lucky impostors. Philosophy is a disintegrating, religion alone an organising power. But no religion in the world can be compared with Christianity. It alone, although it is founded upon supernatural facts and is a revelation of incomprehensible dogmas, has been believed for eighteen centuries and been defended by the greatest men of all ages, from Origen to Pascal. Now it has been dethroned and its altars have been overturned. Philosophy reigns triumphant. But if Christianity issues from this ordeal purer and stronger than ever—then, Frenchmen, make way for the most Christian king, place him on his ancient throne, lift high his flaming banner (oriflamme), and proclaim that Christ commands, guides, and conquers!
There is no government but theocracy (priestly rule), and every constitution comes from God. A constitution is never the result of a contract, and the laws which rule the nations are never written laws, for those constitutions which are written are never anything but proclamations of older laws, of which all that can be said is that they exist because they exist. The constitution of 1795 is, like earlier revolutionary constitutions, made forman. But there is not such a thing asman: "In the course of my life I have seen Frenchmen, Italians, Russians, & I know, too, thanks to Montesquieu, that there are Persians; butmanI have never met; if he exists, it is contrary to my knowledge." No; when the population, the customs, the religion, the geographical position, the existing political conditions, the good and bad qualities of a nation are known, then a constitution is the solution to the problem of finding the laws suitable for that particular nation.
De Maistre traces the probable course of the counter-revolution. He sagaciously demonstrates the unreasonableness of the supposition that it can only be the outcome of the will of the people. Very possibly a minority of four or five persons, he says, will give France a king. Letters from Paris will announce to the provinces that the country has a king, and the provinces will shout:Vive le roi!With his obstinate faith in providence he foretells the restoration (even in its details) at a time when all hopes of such an event seemed indeed to be built upon sand, and in process of so doing exhibits a fascinating combination of excessive enthusiasm for the pre-revolutionary conditions with a practical political sagacity which avoids any overstraining of principle that would make the restoration of these conditions impossible. On the delicate question, whether or not the restoration of the monarchy will entail the return of the national property to its original owners, he expresses himself with a caution which is strikingly at variance with the generally confident, defiant tone of the book. He explains that a revolutionary government is, by its very nature, an unsteady government. Under it nothing is certain. As the ownership of national property is not yet, in the opinion of the general public, free from the reproach originally attaching to it, a government which considered itself in no way debarred from undoing what it had done would in all probability lay hands on this property as soon as it could. "But under a steady, permanent government everything is permanent, so that even for the acquirers of national property it is important that the monarchy should be restored; they will then know what they have to rely upon." In other words, he has at least so much regard for actual circumstances as to acknowledge that it will not be possible to reign after the Revolution in exactly the same manner as before it.
His fundamental political doctrine is that the state is an organism, that as an organism it possesses real unity, and lives its life by virtue of a far-off past, from which it refreshes itself as from a perennial source, and by virtue of an inward, secret fountain of life. It is not the outcome of discussion and arrangement, but of an unfathomable mystery. Hence a written constitution signifies nothing. It is the soul of the nation which gives the nation unity and permanence, and this soul is the love of the nation for itself and its national memories. France is not thirty millions of human beings living between the Pyrenees and the Rhine, but a thousand millions who have lived there. Our country is nought else but the unity of those who live, those who have lived, and those who will live in the days to come on the same fragment of the earth's surface. The fact that one family is the symbol of the continued existence of this nation leads De Maistre to monarchy.
Sovereignty cannot be divided. Therefore the king does not share his power with the great of the land. These latter have no privileges, but they have duties. They form the king's council; they are guardians of the national unity, inasmuch as they unite the people to the throne, and guardians of the national continuity, inasmuch as they are the sustainers of tradition. It is their duty perpetually to proclaim to the people the benefit of authority, and to the king the benefits of liberty. The law is, as law, the same for all, therefore destitute of the pliability which is a necessity if freedom is to be granted and ensured. An enlightened autocracy secures liberty.
When Bonaparte appears and quickly develops into Napoleon, Joseph de Maistre is, naturally, his implacable enemy. Nevertheless, he recognises the autocrat in him. He feels that the unity of the French nation is embodied in him, and this though he regards him as thedemonium meridianum(seeCorrespondance diplomatique, ii. 65). In July 1807 he writes: "In those newspapers which are his organs Bonaparte causes himself to be called the messenger of God. Nothing could be truer. Bonaparte comes straight from heaven ... as lightning does." In other words, De Maistre saw in the calamities which Napoleon brought upon Europe, as in all "heaven-sent" calamities, judgments, the justice of which did not diminish the guilt of those who executed them. In 1808, out of love for his country, he did violence to his own inclinations by endeavouring to obtain an audience of Napoleon for the purpose of pleading the cause of Sardinia. He took this step not in his capacity of minister, but privately and on his own responsibility. Napoleon, though he did not answer De Maistre's letter (written from St. Petersburg), was evidently impressed by the quality of the man; he ordered the French ambassador at the Russian court to show him favour, and did not take his audacity at all amiss. De Maistre's own court, however, did. It was intimated to him that the Cabinet, to which he had sent immediate notice of the measure taken, had been disagreeably surprised by it. He replies proudly and satirically: "The Cabinet has been surprised! The skies may fall—that is a matter of no consequence—but heaven preserve us from an unexpected idea! I am now more than ever persuaded that I am not the man you want. I can promise you to transact His Majesty's affairs as well as any man, but I cannot promise never to surprise you. That is a weakness in my character which I am incapable of curing." He proved the truth of what he himself somewhere says, that trusting to the constancy of court favour is "like lying down on the wing of a windmill to sleep soundly." When vindicating himself he writes: "I know everything that can be said against Bonaparte; he is ausurper, he is amurderer; but note well that he is less of a usurper than William of Orange and less of a murderer than Elizabeth of England. ... As yet we are not stronger than God, and we must come to terms with him to whom it has pleased God to entrust the power." (Lettres et opuscules, i. 114.)
Joseph de Maistre spent fourteen years of his life as envoy at St. Petersburg. The long separation from the female members of his family was very painful to him, and the cares of a father often weighed heavily on his mind. It is touching to read in one of his letters that when he was lying awake at night, over-tired with work, he often imagined that he heard his youngest little daughter, whom he did not know, crying in Turin.
As a proof of his favour and esteem for De Maistre, the Czar gave commissions in the Russian army to his brother and son. The brother was wounded during the campaign in the Caucasus. The son fought in the war against Napoleon. "No one," writes the father, "knows what war is unless he has a son fighting. I do what I can to banish the thoughts of hewn-off arms and smashed skulls that constantly torment me; then I sup like a youth, sleep like a child, and awake like a man, that is to say, early."
The great panegyrist of the executioner and theauto da féhad in private life a very tender heart. His private utterances often convey the impression of kindliness, as his public do of whimsical wit.
He perhaps shows most amiably in his letters to his daughter: "You ask me, dear child, why it is that women are condemned to mediocrity. They are not. They may become great, but it must be in a feminine way. Every creature ought to keep to its own place and not strive after advantages other than those which properly belong to it. I have a dog called Biribi, who is a great amusement to us all; if he were to take it into his head to have himself saddled and bridled to carry me out into the country, I should be as little pleased with him as with your brother's English mare if she were to take it into her head to jump on my knee or to sit down at the breakfast-table with me. The mistakes some women make come from their imagining that in order to rise above the common level they must act like men.... If twenty years ago a pretty woman had asked me: 'Do you not believe that a woman is just as capable of being a great general as a man?' I should have answered: 'Most undoubtedly I do, Madam. If you commanded an army, the enemy would fall on their knees to you as I do now, and you would enter their capital with drums beating and banners flying.' If she had said to me: 'What is there to prevent my knowing as much of astronomy as Newton?' I should have replied with equal sincerity: 'Nothing whatever, O peerless beauty! You have but to look through the telescope, and the stars will consider it an honour to be gazed at by your beautiful eyes, and will hasten to discover all their mysteries to you.' These are the things we say to women, both in prose and verse; but the woman who takes such speeches seriously is uncommonly stupid." After declaring that woman's mission is to bear and to bring up men, he adds: "But, dear child, I am for moderation in everything. I believe, speaking generally, that women ought not to aim at acquirements which are at variance with their duties, but I am far from thinking that they ought to be perfectly ignorant. I do not wish them to believe that Pekin is in France, or that Alexander the Great proposed marriage to a daughter of Louis XIV." And in a following letter he writes: "I see that you are angry with me for my impertinent attack on learned women. It is absolutely necessary that we should make friends again before Easter. The fact that you have misunderstood me ought to make the process easy. I never said that women were monkeys; I swear to you by all that is most holy that I have always thought them incomparably more beautiful, more amiable, and more useful; but I did say, and this I abide by, that the women who want to be men are monkeys; for wanting to be learned is wanting to be a man. I think that the Holy Spirit has shown His wisdom in arranging things as they are, sad as it may seem. I make my humble obeisance to the young lady you tell me of, who is writing an epic poem, but heaven preserve me from becoming her husband; I should live in terror of seeing her delivered in my house of a tragedy, or possibly even of a farce—for when talent has once set off, there is no knowing where it will stop."
"The best and most convincing observation in your letter is that upon the raw material employed in the creation of man. Strictly speaking, it is only man who is made of dust and ashes, or, not to mince matters, of dirt, whereas woman was made of a mire that had already been prepared and elevated to the dignity of a rib.Corpo di Bacco! questo vuol dir molto. You cannot say too much, my dear child, as far as I am concerned, about the nobility of women, even those of the bourgeois class; to a man there should be nothing more excellent than a woman, just as to a woman, &c., &c.... But it is precisely because of the exalted opinion I have of these noble ribs that I become seriously angry when I see any of them desiring to transform themselves into original mire. And now it seems to me that the question is completely disposed of." (Lettres et opuscules, i. 145, 156).
It surprises us to find the strictly orthodox Catholic jesting thus lightly with Bible legend; but even in his witty and sportive moods De Maistre is faithful to his reactionary principles. It is one of his characteristics that a certain piquant wit goes hand in hand with the violent, dæmonic energy of his attack, an energy which reveals itself even in the little fact that his favourite expression isà brûle-pourpoint(in its literal meaning—to fire with the muzzle of one's pistol upon one's antagonist's coat).
In theSoirées de St. Pétersbourg, in which he already writes of Bacon with some of that animosity to which he afterwards gave full vent in a large and erudite work, he makes a humorous observation which is quite in accord with the newest scientific view of the matter: "Bacon was a barometer that announced fine weather, and because he announced it, men believed that it was he who had produced it." And in a letter he writes: "I cannot tell how there came to be this war to the death between me and the late Lord Chancellor Bacon. We have boxed like two Fleet Street boxers, and if he has pulled out some of my hair, I imagine that his wig no longer sits very straight on his head."
When De Maistre is broaching his favourite theories, his humour is often very sarcastic, as, for instance, when he discourses, in the second part of theSoirées, on the ways of maintainingesprit de corps. There is much cynicism in such pleasantry as this: "To produce discipline and the feeling of honour in any corps or society, special rewards are of less avail than special punishments." He shows how the idea had occurred to the Romans of making military punishment a privilege—only soldiers had the right to be beaten with rods made of the wood of the vine. No man who was not a soldier might be beaten with such a rod, and no other kind of rod might be used to flog a soldier with. "I cannot understand how some such idea has not occurred to any of our modern rulers. If I were asked for advice on the subject, I should not go back to the vine rod, for slavish imitation is useless. I should suggest laurel rods." He further proposes that a great forcing-house should be erected in the capital, exclusively for the purpose of producing the necessary supply of laurel branches with which the non-commissioned officers are to belabour the backs of the Russian army. This forcing-house is to be under the supervision of a general, who must also be a Knight of St. George of the Second Class, at lowest, and whose title is to be "Chief Inspector of the Laurel Forcing-House"; the trees are to be attended to by old pensioners of unblemished character; models of the rods, which must all be exactly alike, are to be kept in a red case at the War Office; each non-commissioned officer is to carry one hanging by a ribbon of St. George from his button-hole; and on the façade of the forcing-house is to be inscribed: This ismytree, which brings forthmyleaves.
De Maistre lived at St. Petersburg in great poverty, which he bore without being humiliated by it. He was distrusted and constantly left in the lurch by his ungrateful court, which did not even repay him the sums that from time to time he was obliged to advance out of his slender means to necessitous fellow-countrymen in Russia. During these years his theories matured and his intellectual idiosyncrasies became more marked. The letters, private as well as diplomatic, which he wrote at this time give us an excellent idea of the spirit and the general conditions prevailing at the court of Alexander I. Those written previous to and during Napoleon's campaign in Russia are especially interesting from the graphic impression they give of the fears, hopes, panics, and rejoicings produced at that time throughout the Russian empire by war news, whether true or false. At first De Maistre is in great anxiety about the issue of the war. He clearly sees the incompetence of the generals who are appointed to direct the operations against such a leader as the Emperor of the French. But from the moment when it is known how ill-equipped the French army is to face the Russian autumn, not to mention the Russian winter, he is no longer in doubt; he foresees that Napoleon's fall and the restitution of all his conquests—events which he had long regarded as certain to happen sooner or later—are close at hand.
Six of De Maistre's works were written at St. Petersburg. Of theseDu Pape, De l'Église Gallicane, Examen de la Philosophie de Bacon, andSoirées de St. Pétersbourgare the most important and the most characteristic of their author.
TheSoiréescontain the ideas on the subject of God and the world upon which his theory of the state is based. Anticipating the objection that the authority of his absolute monarchs rests upon no foundation, that they are utterly irresponsible, that, in other words, autocracy is unjust, he meets it with the preliminary general answer that injustice is the law of every society, because it is the law of all life on earth. In nature itself might is right—with the right of the stronger, plants and animals are perpetually destroying one another. And this law: Might is right, is far from losing its validity in the world of man; here also it prevails, as the law of war. War is a perpetually recurring phenomenon in the life of the human race. Except for a few years in each century, it has raged from the most ancient times until now, and it will continue to do so. Human blood will always be flowing upon earth. For the chastisement of heaven is upon man. To this conception of war the military profession owes the high position it holds and always has held. No trade is considered so honourable as that of the soldier. The human race, taken as a whole, is guilty and deserves the scourge of war, unjustly though the punishment may fall in single cases.
It is, then, as the representative of God upon earth that the autocrat is, in the first place, the war-lord, in the second, the possessor of the divine and terrible prerogative ofpunishing the guilty. This prerogative necessarily entails the existence of a man whose profession it is to execute the punishments ordained by human justice. And such a man is always to be found—a strange and inexplicable fact, for our reason is at a loss to discover any motive which can lead a man to choose such a profession. Hence the character who is the mouthpiece of De Maistre's own opinions is inspired with a feeling of awe and reverence by the much misjudged executioner.
According to the general, and, in De Maistre's opinion, entirely justifiable verdict, every soldier, simply as such, is so noble that he ennobles even those actions which are generally regarded as the most degrading; he may exercise the calling of the executioner without suffering the slightest degradation, so long as he only carries out the sentence of death upon members of his own profession and uses no other instruments for the purpose but its weapons. It is not without its significance that on every page of the Old Testament shines the name, the Lord of Hosts. No action is more inseparably connected in men's minds with honour than the innocent shedding of innocent blood. It is in the very passion of carnage that De Maistre admires the soldier most. Such a thing has never been known as an army refusing to fight. It is an irresistible impulse that drives men onward into battle. And why is this so? In order that to the end of time there may be fulfilled that law of the violent destruction of living beings which extends throughout creation, from the lowest animal to man.
But although from time immemorial there has been no calling more honourable than that which involves the shedding of innocent blood, a remarkable prejudice has caused the calling of the executioner to be as much disdained as the soldier's is respected.
De Maistre inquires if this man who, in preference to all profitable and honourable callings, has chosen that of torturing and killing his fellow-men, is not really a being of some peculiar and higher kind. And in his dialogues the Count, who is his own mouthpiece, answers:—
"I myself have no doubt on the subject. Outwardly, he is formed like ourselves; but he is an abnormal being, and it is only a special act of creative power which can add such a member to the human family. He is like a world in himself. All shun him; his house stands in a desert place, every one withdrawing as far as possible from the spot where he lives with his mate and his young ones, whose voices are the only cheerful human sounds that fall upon his ear; but for them he would hear nothing but shrieks of agony.... A sinister signal is given. One of the lowest menials of justice knocks at his door and informs him that his services are required; he sets off; he arrives at a public place where human beings are crowding together in excited expectancy. A prisoner—a parricide, a committer of sacrilege—is flung at his feet; he seizes this man, binds him to a cross which is lying on the ground, then raises his arm—the terrible silence that follows is only broken by the sound of the crashing of bones under the blows of the iron mace and the screams of the victim. He unbinds the man; he carries him to the wheel; the broken limbs are twined round its spokes, the head hangs down, the hair stands on end, and from the mouth, open like the opening of a glowing furnace, there come at intervals a few broken syllables of entreaty for death.—He has finished his task; his heart is beating, but it is with pleasure; he is satisfied with his work; he says in his heart: No man breaks on the wheel better than I. He comes down from the scaffold and holds out his bloody hand, into which, from as great a distance as possible, the official whose duty it is to pay him flings a few gold pieces, with which he marches off between two rows of human beings who shrink from him with horror. He sits down to table and eats; he goes to bed and sleeps; and when he awakes next morning his thoughts run on everything but his occupation of the day before. Is he a man? Yes. God allows him to enter His temples and accepts his prayer. He is no criminal, and yet in no human language is he called honourable or estimable."
"Nevertheless all greatness, all power, all order depend upon the executioner. He is the terror of human society and the tie that holds it together. Take away this incomprehensible force, and that very moment order is superseded by chaos, thrones fall, and states disappear. God, who is the source of the power of the ruler, is also the source of punishment; He has suspended our world upon these two poles, for the Lord is the Lord of the poles, and round them He sets the world revolving."
And in order that this reverence for the office of the executioner which it is in keeping with his plan to inculcate, and which it entertains him to astound with, may make a proper impression on the reader, De Maistre takes up the subject again in one of the later conversations. He asks what a reasoning being coming from another world to investigate into the conditions prevailing in ours would think of the executioner, and himself gives the answer: "He is an august being, the corner-stone of society. Since crime has undoubtedly taken up its abode upon earth, and since it can only be kept in check by punishment, it is plain that, if the executioner disappeared, all order would disappear with him. And what greatness of soul, what noble disinterestedness must we presume that man to be possessed of who takes upon himself the execution of a task which, though certainly a very honourable one, is most painful and repugnant to human nature, &c."
In these utterances we have at one and the same time the delight in consistency which is to be observed in the earliest nineteenth-century devotees of the principle of authority, the delight in a disconcerting idea which is one of De Maistre's own chief mental characteristics, and the delight in describing suffering which he has in common with Görres and so many of the other champions of the gloomy doctrine of the necessary subjection of humanity to kings and priests.
De Maistre resents hearing men so often talk as if crime went unpunished. What do they mean by this? "For whom are the gallows, the knout, the wheel, and the stake and fagot provided? Surely for the criminal." Justice may sometimes miscarry, but such exceptions do not alter the rule. It is folly to believe in all the judicial murders one hears talked about. Take the frequently quoted case of Calas. Nothing is more doubtful than his innocence.
The very fact that Voltaire defended him speaks against it.
But given the worst—that an innocent man is deprived of his life—why, it is simply a misfortune like any other. When a guilty man escapes we have another exception and misfortune of the same kind. The events which lead to the discovery of a crime are, however, often so unexpected and improbable that we cannot but believe that human justice is supported by higher aid. And all the time that we are foolishly blaming human justice for having punished an innocent man, nothing is more probable than that he really is guilty, though of some other, unknown crime. Many such cases are on record, the truth coming to light through the confession of the criminals. De Maistre, we observe, understands how to extricate himself from a difficulty.
Something of the same nature holds good in the matter of sickness. Its injustice, too, is only apparent. If every kind of intemperance could be prevented, most, nay, in reality all diseases would be done away with. This inference may be arrived at by arguing as follows: If there were no moral evil in the world there would be no physical evil, and since an infinite number of diseases are direct consequences of certain offences, it is permissible to generalise and say that this holds good of them all.
Everything, then, is ordered upon moral principles. It is undeniable that life is a terrible thing, but this does not prove that God is unjust; he is offended, he is insulted, and to appease his anger blood is required. Man early comprehended his own fall, early understood that it is the innocent who must and alone can, by the transference of merit, atone for the sins of the guilty, that there is no salvation without the shedding of sacrificial blood.
Hence the idea of sacrifice is one of perpetual and keen interest to De Maistre. Sacrifice is ideal slaughter, slaughter the one and only aim of which is the accomplishment of what is right and meet. From the earliest ages men have offered both animal and human sacrifices; and in Christianity the practice is sanctified and acquires a deeper meaning. Here it is not any chance and possibly guilty individual who is the victim, but a being who is elected to die because of his innocence. This, therefore, is ideal sacrifice.
All this is undoubtedly an offence to reason. But contrariety to reason is the sign and seal of truth. The theory which is the most obviously reasonable is the theory which never stands the test of practice. Nothing could be more obviously reasonable than the whole philosophy of the eighteenth century, with its faith in man and its liberalism. But its very reasonableness bespeaks its superficiality. It satisfies reason; but experience opens men's eyes to its futility. Nothing seems more self-evident than that man is born free. Yet when Rousseau writes: "Man is born free, nevertheless he is everywhere in fetters," he does not notice that he is not only writing nonsense, but distinctly affirming that he is doing so. It would be quite as sensible to say; Sheep are born carnivorous, nevertheless they everywhere live on vegetable food. In the same way, nothing is theoretically more unreasonable than hereditary monarchy. If, without any previous experience, men were called on to choose a government, that man would be thought mad who hesitated to give an elective monarchy the preference over a hereditary one. And yet we know from experience that the latter is the best, the former the worst form of government. In other words, the world, far from being a reasonable world, is full of things that are profoundly at variance with reason.
Christianity, the Christian conception of life, is therefore no new, hitherto unknown conception. It is connected by many links with the whole succession of heathen religions, and is prepared for by them. All the truths of Christianity are foreshadowed in the creeds of heathendom. In heathen sacrificial practices, for instance, we already have the essential idea of sacrifice. And De Maistre waxes wroth over Voltaire's violent, irreligious tirades against the sacrificial festivals of the old pagans. He is yet more exasperated when, at the end of a description of a sacrifice of both adults and children, he comes upon the words; "However, the sacrifices of the Inquisition, of which we have so often spoken, are a hundred times more execrable."
It is apropos of this utterance that (in his essayÉclaircissement sur les sacrifices) De Maistre first takes up the cudgels for the Inquisition, to the defence of which institution he was ere long to devote a special work. He writes: "The passage relating to the Inquisition appears to have been written during an attack of delirium. What! The lawful execution of a small number of human beings, condemned to death by a fully qualified court of justice according to the strict letter of a penal law which had previously been solemnly proclaimed, and which each one of the victims was perfectly free to avoid transgressing—to call such an execution a hundred times more abominable than the horrible act of the parents who cast their children into the flaming arms of Moloch! What wild insanity! What forgetfulness of all reason, all justice, all shame!" De Maistre storms thus because he is here attacking the man who was his opposite, and who fought, like himself, with the weapons of wit and paradox, but wielded them with far greater power.
Founding his theory of the state upon the basis of religion, De Maistre derived the power of the ruler from God. It is from God that kings receive their rights, and to God that they owe duty. It is not the king's power but his duty that is absolute, for it is duty to the Absolute. The rights of the people may be called the duty of the king to God. In the proverb: "The voice of the people is the voice of God," there is this truth, that the rights of the people are the rights of God in His relation to the king. And "the voice of God" is not a mere figure of speech; the living voice of God speaks through the church. The king is responsible to God, and the church is the depositary of divine truth. But the church, as well as the state, is under the rule of an autocrat. As the state means the king, advised and guided by the great men of his country, so the church means the Pope, advised and guided by cardinals and bishops. The very idea of sovereignty implies that the king is absolute, the Pope infallible. People are not surprised that the captain of a ship should be, as such, an infallible sovereign, should permit no criticism of his orders, should issue unqualified commands and require them to be obeyed blindly; yet they are surprised that in all church matters the Pope should be infallible. They are accustomed to the idea that all the other courts of justice, low and high, are submitted to the jurisdiction of a highest court, the judgments of which are irreversible and may not be criticised; yet they are astonished that the Pope, as head of the church, is infallible. If they had any conception of what sovereignty means, they would not be astonished. A skilful attempt, this of De Maistre's, to prove to laymen the reasonableness of ecclesiastical dogma.
In his bookDu Pape, which Catholics consider a work of the first importance, he carries his reasoning on ecclesiastical matters to its logical conclusion.
This book was the outcome of the remorse he felt for having, at a trying moment, forgotten the reverence due to the head of the church. When, three years after the conclusion of the Concordat, the Pope went to Paris, at Napoleon's request, to anoint and crown him Emperor, Joseph de Maistre, the ardent royalist, was so incensed that in various letters to his court he used such language in writing of the Holy Father that hisMémoires et correspondance diplomatiqueof these years were published by Cavour in 1858 with the view of depriving the papal power of a spiritual ally. In the course of a few years Napoleon and the Pope quarrelled, and when De Maistre saw the Pope insulted and ill-used by the Emperor, he repented his hasty words, and resolved to make ample reparation.
The fundamental idea ofDu Papeis that there is no human society without government, no government without sovereignty, and no sovereignty without infallibility. This attribute of infallibility is so indispensable that men are obliged to assume its existence even in secular societies (where it does not exist) on pain of seeing these societies dissolved. The church lays claim to no more than do the other authorities, although it has this immeasurable advantage over them, that its infallibility is not only taken for granted by man, but also guaranteed by God.
De Maistre writes: "A great and powerful nation has lately, before our own eyes, made the most strenuous efforts in the direction of liberty which the world has ever beheld. What has it gained by these? It has covered itself with ridicule and shame, and has ended by setting a Corsican gendarme on the throne of the kings of France." He shows how the Catholic religion necessarily forbids every kind of revolt, whereas Protestantism, which is a result of the sovereignty of the people, leaves the decision of everything to private feeling—a supposed species of moral instinct. "There is such accordance, such a strong family likeness, such interdependence between the papal and the kingly power that the former has never been shaken without the latter suffering too." As a proof of this he quotes the following utterance of Luther: "Princes are as a rule the greatest fools and the most arrant rogues on the face of the earth; nothing good can be expected from them; they are God's executioners, whom He employs to chastise us." He avers that Protestantism, which has no reverence for royalty, has no respect for marriage: "Had not Luther the audacity to write in his exposition of the book of Genesis (1525) that the example of the patriarchs leaves it an open question whether or not a man may have more than one wife, that the thing is neither sanctioned nor forbidden, and that he, for his part, will not take it upon him to decide one way or other?—edifying doctrine, of which practical application was soon made in the family of the Landgrave of Hesse-Cassel." (Luther gave his consent to this prince having two wives at the same time.)
In opposition to Rousseau's doctrine De Maistre maintains that man is by nature a slave, but that Christianity has, in a supernatural manner, emancipated him. For this reason he calls the Christian woman a truly supernatural being. Voltaire he without more ado calls the man "into whose hands hell has given all its power." And he puts the crowning touch to his work by propounding the following theory: "Monarchy is amiracle, and instead of reverencing it as such, we rail against it as tyranny. The soldier who does not kill a man when commanded to do so by his lawful sovereign is not less guilty than he who kills without having received orders to do so." Those states which have introduced Protestantism have been punished by the loss of their monarchs. De Maistre has discovered that the average length of reigns is shorter in Protestant than in Catholic countries. The one inexplicable exception to this rule is provided by Denmark, which is the only Protestant country whose sovereigns live as long after the Reformation as before it. "Denmark appears, from some unknown reason, but doubtless one honourable to the nation, to have been exempted from this law of the shortening of reigns."[1]
The fifth book of the earliest edition ofDu Papewas afterwards published as a separate work. It is the well-knownDe l'Église Gallicane, a treatise in which De Maistre draws from the doctrine of papal authority conclusions utterly subversive of the claim of the French church to relative independence. On this occasion he assumes an antagonistic and supercilious attitude towards Bossuet, a man for whom he generally has nothing but praise. The special object of his attack and invective is the Church Council held in France in 1682 for the purpose of strictly defining the limits of the Pope's power. He is almost as much incensed against that of 1700, which pronounced Jesuits and Jansenists to be equally blameworthy. It is to a life-long enthusiasm that De Maistre here gives expression. From his youth he had been the devoted friend, admirer, and supporter of the Jesuits. His diplomatic letters from Russia tell of his constant endeavours to be of assistance to them in their difficult position as Roman Catholics in a Greek Catholic country, of his anxiety to shield them when the court is exasperated by their efforts to convert members of the aristocracy, &c., &c. He now, as their champion, attacks Pascal. His attack is not made from the standpoint of philosophy, as it easily might have been, in so far as their sensible apprehension of the fact that there can be no other morality except morality of intention gives the Jesuits in certain ways the advantage over the man of genius who impeached them. Nor is his defence of the Jesuits conducted altogether from the standpoint of the man of the world, as it might well have been, in so far as the Jesuits, with their modification of principles and their practical indulgence, have followed the prudent rule that it is unwise to alarm and better to have some of the moral law fulfilled by demanding little than none by demanding all. He contents himself with maintaining that the Jesuit treatises on morality attacked by Pascal are obsolete, unread books, which Pascal dragged from their mouldy obscurity with the sole aim of insulting and injuring an order, the strict morality and stern self-discipline of which even its enemies had been forced to admit. Then, by way of variety taking up for a moment the standpoint of the worldling, he remarks humorously: "It is, when we come to think of it, very comical that we worldlings should take upon us to inveigh against thelax moralityof the Jesuits. This much is certain, that the whole aspect of society would be changed if every member of it acted up even to Escobar's moral standard, and were guilty of no shortcomings other than those excused by him."
It was very natural that the energetic champion of the ideas of the past should, towards the close of his career, make a special effort to clear the reputation of the great, misunderstood, misjudged Inquisition. This he did in hisLetters to a Russian Nobleman on the Subject of the Spanish Inquisition. In these letters De Maistre says everything that can be said in vindication and in honour of the Inquisition; yet in reading them we are irresistibly reminded of the remark of the old tiger in theHitopadesa: "Nevertheless," says the tiger, "nevertheless, it is difficult to prove the falsehood of the report that tigers eat men." De Maistre shows that many of the assertions made of the Inquisition are incorrect; he proves, for instance, that it was a secular, not an ecclesiastical court of justice. But the only part of the book that has any attraction for us is that in which he defends its proceedings. He says: "In Spain and Portugal, as elsewhere, every man who lives quietly is unmolested; as to the rash person who attempts to teach others what to believe, or who disturbs public order, he has only himself to blame.... The modern propagator of heretical doctrine, haranguing at his ease in his own room, is quite untroubled by the knowledge that Luther's line of argument produced the Thirty Years' War; but the old legislators, who knew the price men might have to pay for these fatal doctrines, most justly punished with death a crime which was capable of shaking society to its foundations and bathing it in blood.... It is thanks to the Inquisition that for the last three hundred years there has been more happiness and peace in Spain than anywhere else in Europe."
To theLettersDe Maistre has prefixed a quotation, which is to the effect that all great men have been intolerant, and that it is right to be so. "Let him who comes across a well-intentioned sovereign," says Grimm, the Encyclopedist, "preach tolerance in matters of faith to him, so that he may fall into the snare, and, by his toleration, give the persecuted party time to recover and prepare itself, when its turn of power comes, to crush its opponent. Voltaire's discourse, with its babble of tolerance, is a discourse only for simpletons and those who allow themselves to be fooled, or for people who have no interest in the matter."
A gross fallacy conceals itself in this argument. Every genuine, overpowering enthusiasm naturally makes tolerance impossible. Yet Voltaire's doctrine is none the less valid because of this. The difficulty is easy of solution. The principle of intolerance is the theoretical, that of tolerance the practical, principle. In theory no consideration, no toleration, no mercy! For error must be crushed and torn asunder, follies must be blown from the cannon's mouth, and lies flayed alive. But what about the liar, and the fool, and the erring one? Are they also to be hewn asunder, or flayed alive, or blown from the cannon's mouth? They are to go their way. The domain of real life is the domain of tolerance.
De Maistre'sExamen de la philosophie de Baconwas not published until after its author's death. It is the most disputatious and tedious of his works, and one in which the combative champion of Christianity is plainly grappling with a subject that is beyond his powers. He desired to confute Bacon because he believed that the ungodliness of the French philosophy of the eighteenth century was entirely to be ascribed to his influence; and he falls upon him with positive theological fury, attacking all his theories—his theory of consciousness, of nature, of light, of the weather, of the soul, of religion; attacking him where he is right, and where, for once in a way, he is wrong; finding him out in immaterial and merely superficial inconsistencies; pointing out defects in his Latin and in his taste; fighting in a noisy, violent, dogmatic manner, with weapons drawn from the arsenals of supernaturalism and tradition. In single chapters, such as that onCauses Finales, he displays a certain futile acuteness; in others, such as that entitledUnion de la Religion et de la Science, cold-blooded fanaticism. In this latter chapter we read: "Science undoubtedly has its value, but it is necessary that it should be kept within bounds.... It has been very aptly said that science resembles fire: confined to the hearths which are destined to receive it, it is man's most useful and powerful servant; left to the hazard of chance, it is a terrible scourge."
Faithful to his rule of allowing no stain to cling to the shield or sword of the church, he vehemently maintains (contradicting an assertion of Bacon's French translator) that the church has never opposed the progress of natural science. The translator had plainly affirmed that nothing had injured the church more than the clear demonstration of the truth of certain facts which it had long denied, and the proclaimers of which it had actually persecuted; and he had named Galileo as an example. After lauding the church as the patron of science in other cases, and trying as far as possible to explain away the case of Galileo, De Maistre is forced to make an admission. And this is how he does it: "Galileo was condemned by the Inquisition, that is to say, by a court liable to err like any other, and which in this case actually was mistaken regarding the main point at issue; but Galileo in numberless ways damaged his own cause, and by his own repeated indiscretions brought upon himself a humiliation which he might easily, and without dishonour, have avoided.... If he had kept his promise not to write, if he had not been determined to find proof in Holy Scripture of the truth of the Copernican theory, if he had even written in Latin instead of unsettling the public mind by employing the vulgar tongue, nothing would have happened to him."
To the end De Maistre was true to his character; he would not yield a foot of the ground that had been lost centuries before.[2]
He is a great and fascinating personality, this successful advocate of a lost cause, which unmistakably gained ground during his lifetime. As the upholder of authority, of monarchy, and of the gloomy view of life, as the disputant, as the knight of Christianity, and as the scorner of science, he has a faint resemblance to Kierkegaard. But his system is an edifice of ideas relating to the outer, Kierkegaard's one of ideas relating to the inner, world.
De Maistre is the thoroughly convinced and vehement, yet cold-hearted champion of the principle of authority. There is heart in his letters, but there is none in his books. In them there is nothing but heated argument, propounded with much subtlety of logic and pungency of wit. In his sarcasm he often reminds us of Voltaire, and his grim delight in horrors at times recalls Swift. It gives him pleasure to astonish and to irritate. He loves paradox, because it makes him feel his superiority, because it perplexes the reader, and because it makes attack difficult, paradox being a redoubt which one can without dishonour evacuate before the assault.
His Christianity is an entirely external thing. He is a Christian as a man is a Protectionist or a Free-trader, on grounds of general theoretical conviction. His Christianity is a Christianity without brotherly love—nay, it is a Christianity without Christ as saviour and reconciler. In it Christ is only the sanguinary sacrifice demanded by the offended Deity—like Iphigenia or Jephthah's daughter. Faguet has aptly said that De Maistre's Christianity is "fear, passive obedience, and state religion." It is a Christianity which does not originate in Jerusalem, but in Rome; and he himself "is something in the nature of an officer of the Pope's bodyguard."