ANN. And a very good thing for her, too. It was my duty to stop her misconduct; and she is thankful to me for it now.
TANNER. Is she?
ANN. She ought to be, at all events.
TANNER. It was not your duty to stop my misconduct, I suppose.
ANN. I did stop it by stopping her.
TANNER. Are you sure of that? You stopped my telling you about my adventures; but how do you know that you stopped the adventures?
ANN. Do you mean to say that you went on in the same way with other girls?
TANNER. No. I had enough of that sort of romantic tomfoolery with Rachel.
ANN. [unconvinced] Then why did you break off our confidences and become quite strange to me?
TANNER. [enigmatically] It happened just then that I got something that I wanted to keep all to myself instead of sharing it with you.
ANN. I am sure I shouldn't have asked for any of it if you had grudged it.
TANNER. It wasn't a box of sweets, Ann. It was something you'd never have let me call my own.
ANN. [incredulously] What?
TANNER. My soul.
ANN. Oh, do be sensible, Jack. You know you're talking nonsense.
TANNER. The most solemn earnest, Ann. You didn't notice at that time that you were getting a soul too. But you were. It was not for nothing that you suddenly found you had a moral duty to chastise and reform Rachel. Up to that time you had traded pretty extensively in being a good child; but you had never set up a sense of duty to others. Well, I set one up too. Up to that time I had played the boy buccaneer with no more conscience than a fox in a poultry farm. But now I began to have scruples, to feel obligations, to find that veracity and honor were no longer goody-goody expressions in the mouths of grown up people, but compelling principles in myself.
ANN. [quietly] Yes, I suppose you're right. You were beginning to be a man, and I to be a woman.
TANNER. Are you sure it was not that we were beginning to be something more? What does the beginning of manhood and womanhood mean in most people's mouths? You know: it means the beginning of love. But love began long before that for me. Love played its part in the earliest dreams and follies and romances I can remember—may I say the earliest follies and romances we can remember?—though we did not understand it at the time. No: the change that came to me was the birth in me of moral passion; and I declare that according to my experience moral passion is the only real passion.
ANN. All passions ought to be moral, Jack.
TANNER. Ought! Do you think that anything is strong enough to impose oughts on a passion except a stronger passion still?
ANN. Our moral sense controls passion, Jack. Don't be stupid.
TANNER. Our moral sense! And is that not a passion? Is the devil to have all the passions as well as all the good times? If it were not a passion—if it were not the mightiest of the passions, all the other passions would sweep it away like a leaf before a hurricane. It is the birth of that passion that turns a child into a man.
ANN. There are other passions, Jack. Very strong ones.
TANNER. All the other passions were in me before; but they were idle and aimless—mere childish greedinesses and cruelties, curiosities and fancies, habits and superstitions, grotesque and ridiculous to the mature intelligence. When they suddenly began to shine like newly lit flames it was by no light of their own, but by the radiance of the dawning moral passion. That passion dignified them, gave them conscience and meaning, found them a mob of appetites and organized them into an army of purposes and principles. My soul was born of that passion.
ANN. I noticed that you got more sense. You were a dreadfully destructive boy before that.
TANNER. Destructive! Stuff! I was only mischievous.
ANN. Oh Jack, you were very destructive. You ruined all the young fir trees by chopping off their leaders with a wooden sword. You broke all the cucumber frames with your catapult. You set fire to the common: the police arrested Tavy for it because he ran away when he couldn't stop you. You—
TANNER. Pooh! pooh! pooh! these were battles, bombardments, stratagems to save our scalps from the red Indians. You have no imagination, Ann. I am ten times more destructive now than I was then. The moral passion has taken my destructiveness in hand and directed it to moral ends. I have become a reformer, and, like all reformers, an iconoclast. I no longer break cucumber frames and burn gorse bushes: I shatter creeds and demolish idols.
ANN. [bored] I am afraid I am too feminine to see any sense in destruction. Destruction can only destroy.
TANNER. Yes. That is why it is so useful. Construction cumbers the ground with institutions made by busybodies. Destruction clears it and gives us breathing space and liberty.
ANN. It's no use, Jack. No woman will agree with you there.
TANNER. That's because you confuse construction and destruction with creation and murder. They're quite different: I adore creation and abhor murder. Yes: I adore it in tree and flower, in bird and beast, even in you. [A flush of interest and delight suddenly clears the growing perplexity and boredom from her face]. It was the creative instinct that led you to attach me to you by bonds that have left their mark on me to this day. Yes, Ann: the old childish compact between us was an unconscious love compact.
ANN. Jack!
TANNER. Oh, don't be alarmed—
ANN. I am not alarmed.
TANNER. [whimsically] Then you ought to be: where are your principles?
ANN. Jack: are you serious or are you not?
TANNER. Do you mean about the moral passion?
ANN. No, no; the other one. [Confused] Oh! you are so silly; one never knows how to take you.
TANNER. You must take me quite seriously. I am your guardian; and it is my duty to improve your mind.
ANN. The love compact is over, then, is it? I suppose you grew tired of me?
TANNER. No; but the moral passion made our childish relations impossible. A jealous sense of my new individuality arose in me.
ANN. You hated to be treated as a boy any longer. Poor Jack!
TANNER. Yes, because to be treated as a boy was to be taken on the old footing. I had become a new person; and those who knew the old person laughed at me. The only man who behaved sensibly was my tailor: he took my measure anew every time he saw me, whilst all the rest went on with their old measurements and expected them to fit me.
ANN. You became frightfully self-conscious.
TANNER. When you go to heaven, Ann, you will be frightfully conscious of your wings for the first year or so. When you meet your relatives there, and they persist in treating you as if you were still a mortal, you will not be able to bear them. You will try to get into a circle which has never known you except as an angel.
ANN. So it was only your vanity that made you run away from us after all?
TANNER. Yes, only my vanity, as you call it.
ANN. You need not have kept away from ME on that account.
TANNER. From you above all others. You fought harder than anybody against my emancipation.
ANN. [earnestly] Oh, how wrong you are! I would have done anything for you.
TANNER. Anything except let me get loose from you. Even then you had acquired by instinct that damnable woman's trick of heaping obligations on a man, of placing yourself so entirely and helplessly at his mercy that at last he dare not take a step without running to you for leave. I know a poor wretch whose one desire in life is to run away from his wife. She prevents him by threatening to throw herself in front of the engine of the train he leaves her in. That is what all women do. If we try to go where you do not want us to go there is no law to prevent us, but when we take the first step your breasts are under our foot as it descends: your bodies are under our wheels as we start. No woman shall ever enslave me in that way.
ANN. But, Jack, you cannot get through life without considering other people a little.
TANNER. Ay; but what other people? It is this consideration of other people or rather this cowardly fear of them which we call consideration that makes us the sentimental slaves we are. To consider you, as you call it, is to substitute your will for my own. How if it be a baser will than mine? Are women taught better than men or worse? Are mobs of voters taught better than statesmen or worse? Worse, of course, in both cases. And then what sort of world are you going to get, with its public men considering its voting mobs, and its private men considering their wives? What does Church and State mean nowadays? The Woman and the Ratepayer.
ANN. [placidly] I am so glad you understand politics, Jack: it will be most useful to you if you go into parliament [he collapses like a pricked bladder]. But I am sorry you thought my influence a bad one.
TANNER. I don't say it was a bad one. But bad or good, I didn't choose to be cut to your measure. And I won't be cut to it.
ANN. Nobody wants you to, Jack. I assure you—really on my word—I don't mind your queer opinions one little bit. You know we have all been brought up to have advanced opinions. Why do you persist in thinking me so narrow minded?
TANNER. That's the danger of it. I know you don't mind, because you've found out that it doesn't matter. The boa constrictor doesn't mind the opinions of a stag one little bit when once she has got her coils round it.
ANN. [rising in sudden enlightenment] O-o-o-o-oh! NOW I understand why you warned Tavy that I am a boa constrictor. Granny told me. [She laughs and throws her boa around her neck]. Doesn't it feel nice and soft, Jack?
TANNER. [in the toils] You scandalous woman, will you throw away even your hypocrisy?
ANN. I am never hypocritical with you, Jack. Are you angry? [She withdraws the boa and throws it on a chair]. Perhaps I shouldn't have done that.
TANNER. [contemptuously] Pooh, prudery! Why should you not, if it amuses you?
ANN. [Shyly] Well, because—because I suppose what you really meant by the boa constrictor was THIS [she puts her arms round his neck].
TANNER. [Staring at her] Magnificent audacity! [She laughs and pats his cheeks]. Now just to think that if I mentioned this episode not a soul would believe me except the people who would cut me for telling, whilst if you accused me of it nobody would believe my denial.
ANN. [taking her arms away with perfect dignity] You are incorrigible, Jack. But you should not jest about our affection for one another. Nobody could possibly misunderstand it. YOU do not misunderstand it, I hope.
TANNER. My blood interprets for me, Ann. Poor Ricky Tiky Tavy!
ANN. [looking quickly at him as if this were a new light] Surely you are not so absurd as to be jealous of Tavy.
TANNER. Jealous! Why should I be? But I don't wonder at your grip of him. I feel the coils tightening round my very self, though you are only playing with me.
ANN. Do you think I have designs on Tavy?
TANNER. I know you have.
ANN. [earnestly] Take care, Jack. You may make Tavy very happy if you mislead him about me.
TANNER. Never fear: he will not escape you.
ANN. I wonder are you really a clever man!
TANNER. Why this sudden misgiving on the subject?
ANN. You seem to understand all the things I don't understand; but you are a perfect baby in the things I do understand.
TANNER. I understand how Tavy feels for you, Ann; you may depend on that, at all events.
ANN. And you think you understand how I feel for Tavy, don't you?
TANNER. I know only too well what is going to happen to poor Tavy.
ANN. I should laugh at you, Jack, if it were not for poor papa's death. Mind! Tavy will be very unhappy.
TANNER. Yes; but he won't know it, poor devil. He is a thousand times too good for you. That's why he is going to make the mistake of his life about you.
ANN. I think men make more mistakes by being too clever than by being too good [she sits down, with a trace of contempt for the whole male sex in the elegant carriage of her shoulders].
TANNER. Oh, I know you don't care very much about Tavy. But there is always one who kisses and one who only allows the kiss. Tavy will kiss; and you will only turn the cheek. And you will throw him over if anybody better turns up.
ANN. [offended] You have no right to say such things, Jack. They are not true, and not delicate. If you and Tavy choose to be stupid about me, that is not my fault.
TANNER. [remorsefully] Forgive my brutalities, Ann. They are levelled at this wicked world, not at you. [She looks up at him, pleased and forgiving. He becomes cautious at once]. All the same, I wish Ramsden would come back. I never feel safe with you: there is a devilish charm—or no: not a charm, a subtle interest [she laughs]. Just so: you know it; and you triumph in it. Openly and shamelessly triumph in it!
ANN. What a shocking flirt you are, Jack!
TANNER. A flirt!! I!!
ANN. Yes, a flirt. You are always abusing and offending people, but you never really mean to let go your hold of them.
TANNER. I will ring the bell. This conversation has already gone further than I intended.
Ramsden and Octavius come back with Miss Ramsden, a hardheaded old maiden lady in a plain brown silk gown, with enough rings, chains and brooches to show that her plainness of dress is a matter of principle, not of poverty. She comes into the room very determinedly: the two men, perplexed and downcast, following her. Ann rises and goes eagerly to meet her. Tanner retreats to the wall between the busts and pretends to study the pictures. Ramsden goes to his table as usual; and Octavius clings to the neighborhood of Tanner.
MISS RAMSDEN. [almost pushing Ann aside as she comes to Mr. Whitefield's chair and plants herself there resolutely] I wash my hands of the whole affair.
OCTAVIUS. [very wretched] I know you wish me to take Violet away, Miss Ramsden. I will. [He turns irresolutely to the door].
RAMSDEN. No no—
MISS RAMSDEN. What is the use of saying no, Roebuck? Octavius knows that I would not turn any truly contrite and repentant woman from your doors. But when a woman is not only wicked, but intends to go on being wicked, she and I part company.
ANN. Oh, Miss Ramsden, what do you mean? What has Violet said?
RAMSDEN. Violet is certainly very obstinate. She won't leave London. I don't understand her.
MISS RAMSDEN. I do. It's as plain as the nose on your face, Roebuck, that she won't go because she doesn't want to be separated from this man, whoever he is.
ANN. Oh, surely, surely! Octavius: did you speak to her?
OCTAVIUS. She won't tell us anything. She won't make any arrangement until she has consulted somebody. It can't be anybody else than the scoundrel who has betrayed her.
TANNER. [to Octavius] Well, let her consult him. He will be glad enough to have her sent abroad. Where is the difficulty?
MISS RAMSDEN. [Taking the answer out of Octavius's mouth]. The difficulty, Mr Jack, is that when he offered to help her I didn't offer to become her accomplice in her wickedness. She either pledges her word never to see that man again, or else she finds some new friends; and the sooner the better.
[The parlormaid appears at the door. Ann hastily resumes her seat, and looks as unconcerned as possible. Octavius instinctively imitates her].
THE MAID. The cab is at the door, ma'am.
MISS RAMSDEN. What cab?
THE MAID. For Miss Robinson.
MISS RAMSDEN. Oh! [Recovering herself] All right. [The maid withdraws]. She has sent for a cab.
TANNER. I wanted to send for that cab half an hour ago.
MISS RAMSDEN. I am glad she understands the position she has placed herself in.
RAMSDEN. I don't like her going away in this fashion, Susan. We had better not do anything harsh.
OCTAVIUS. No: thank you again and again; but Miss Ramsden is quite right. Violet cannot expect to stay.
ANN. Hadn't you better go with her, Tavy?
OCTAVIUS. She won't have me.
MISS RAMSDEN. Of course she won't. She's going straight to that man.
TANNER. As a natural result of her virtuous reception here.
RAMSDEN. [much troubled] There, Susan! You hear! and there's some truth in it. I wish you could reconcile it with your principles to be a little patient with this poor girl. She's very young; and there's a time for everything.
MISS RAMSDEN. Oh, she will get all the sympathy she wants from the men. I'm surprised at you, Roebuck.
TANNER. So am I, Ramsden, most favorably.
Violet appears at the door. She is as impenitent and self-assured a young lady as one would desire to see among the best behaved of her sex. Her small head and tiny resolute mouth and chin; her haughty crispness of speech and trimness of carriage; the ruthless elegance of her equipment, which includes a very smart hat with a dead bird in it, mark a personality which is as formidable as it is exquisitely pretty. She is not a siren, like Ann: admiration comes to her without any compulsion or even interest on her part; besides, there is some fun in Ann, but in this woman none, perhaps no mercy either: if anything restrains her, it is intelligence and pride, not compassion. Her voice might be the voice of a schoolmistress addressing a class of girls who had disgraced themselves, as she proceeds with complete composure and some disgust to say what she has come to say.
VIOLET. I have only looked in to tell Miss Ramsden that she will find her birthday present to me, the filagree bracelet, in the housekeeper's room.
TANNER. Do come in, Violet, and talk to us sensibly.
VIOLET. Thank you: I have had quite enough of the family conversation this morning. So has your mother, Ann: she has gone home crying. But at all events, I have found out what some of my pretended friends are worth. Good bye.
TANNER. No, no: one moment. I have something to say which I beg you to hear. [She looks at him without the slightest curiosity, but waits, apparently as much to finish getting her glove on as to hear what he has to say]. I am altogether on your side in this matter. I congratulate you, with the sincerest respect, on having the courage to do what you have done. You are entirely in the right; and the family is entirely in the wrong.
Sensation. Ann and Miss Ramsden rise and turn toward the two. Violet, more surprised than any of the others, forgets her glove, and comes forward into the middle of the room, both puzzled and displeased. Octavius alone does not move or raise his head; he is overwhelmed with shame.
ANN. [pleading to Tanner to be sensible] Jack!
MISS RAMSDEN. [outraged] Well, I must say!
VIOLET. [sharply to Tanner] Who told you?
TANNER. Why, Ramsden and Tavy of course. Why should they not?
VIOLET. But they don't know.
TANNER. Don't know what?
VIOLET. They don't know that I am in the right, I mean.
TANNER. Oh, they know it in their hearts, though they think themselves bound to blame you by their silly superstitions about morality and propriety and so forth. But I know, and the whole world really knows, though it dare not say so, that you were right to follow your instinct; that vitality and bravery are the greatest qualities a woman can have, and motherhood her solemn initiation into womanhood; and that the fact of your not being legally married matters not one scrap either to your own worth or to our real regard for you.
VIOLET. [flushing with indignation] Oh! You think me a wicked woman, like the rest. You think I have not only been vile, but that I share your abominable opinions. Miss Ramsden: I have borne your hard words because I knew you would be sorry for them when you found out the truth. But I won't bear such a horrible insult as to be complimented by Jack on being one of the wretches of whom he approves. I have kept my marriage a secret for my husband's sake. But now I claim my right as a married woman not to be insulted.
OCTAVIUS. [raising his head with inexpressible relief] You are married!
VIOLET. Yes; and I think you might have guessed it. What business had you all to take it for granted that I had no right to wear my wedding ring? Not one of you even asked me: I cannot forget that.
TANNER. [in ruins] I am utterly crushed. I meant well—I apologize—abjectly apologize.
VIOLET. I hope you will be more careful in future about the things you say. Of course one does not take them seriously. But they are very disagreeable, and rather in bad taste.
TANNER. [bowing to the storm] I have no defence: I shall know better in future than to take any woman's part. We have all disgraced ourselves in your eyes, I am afraid, except Ann, SHE befriended you. For Ann's sake, forgive us.
VIOLET. Yes: Ann has been very kind; but then Ann knew.
TANNER. Oh!
MISS RAMSDEN. [stiffly] And who, pray, is the gentleman who does not acknowledge his wife?
VIOLET. [promptly] That is my business, Miss Ramsden, and not yours. I have my reasons for keeping my marriage a secret for the present.
RAMSDEN. All I can say is that we are extremely sorry, Violet. I am shocked to think of how we have treated you.
OCTAVIUS. [awkwardly] I beg your pardon, Violet. I can say no more.
MISS RAMSDEN. [still loth to surrender] Of course what you say puts a very different complexion on the matter. All the same, I owe it to myself—
VIOLET. [cutting her short] You owe me an apology, Miss Ramsden: that's what you owe both to yourself and to me. If you were a married woman you would not like sitting in the housekeeper's room and being treated like a naughty child by young girls and old ladies without any serious duties and responsibilities.
TANNER. Don't hit us when we're down, Violet. We seem to have made fools of ourselves; but really it was you who made fools of us.
VIOLET. It was no business of yours, Jack, in any case.
TANNER. No business of mine! Why, Ramsden as good as accused me of being the unknown gentleman.
Ramsden makes a frantic demonstration; but Violet's cool keen anger extinguishes it.
VIOLET. You! Oh, how infamous! how abominable! How disgracefully you have all been talking about me! If my husband knew it he would never let me speak to any of you again. [To Ramsden] I think you might have spared me, at least.
RAMSDEN. But I assure you I never—at least it is a monstrous perversion of something I said that—
MISS RAMSDEN. You needn't apologize, Roebuck. She brought it all on herself. It is for her to apologize for having deceived us.
VIOLET. I can make allowances for you, Miss Ramsden: you cannot understand how I feel on this subject though I should have expected rather better taste from people of greater experience. However, I quite feel that you have all placed yourselves in a very painful position; and the most truly considerate thing for me to do is to go at once. Good morning.
She goes, leaving them staring.
Miss RAMSDEN. Well, I must say—!
RAMSDEN. [plaintively] I don't think she is quite fair to us.
TANNER. You must cower before the wedding ring like the rest of us, Ramsden. The cup of our ignominy is full.
On the carriage drive in the park of a country house near Richmond a motor car has broken down. It stands in front of a clump of trees round which the drive sweeps to the house, which is partly visible through them: indeed Tanner, standing in the drive with the car on his right hand, could get an unobstructed view of the west corner of the house on his left were he not far too much interested in a pair of supine legs in blue serge trousers which protrude from beneath the machine. He is watching them intently with bent back and hands supported on his knees. His leathern overcoat and peaked cap proclaim him one of the dismounted passengers.
THE LEGS. Aha! I got him.
TANNER. All right now?
THE LEGS. All right now.
Tanner stoops and takes the legs by the ankles, drawing their owner forth like a wheelbarrow, walking on his hands, with a hammer in his mouth. He is a young man in a neat suit of blue serge, clean shaven, dark eyed, square fingered, with short well brushed black hair and rather irregular sceptically turned eyebrows. When he is manipulating the car his movements are swift and sudden, yet attentive and deliberate. With Tanner and Tanner's friends his manner is not in the least deferential, but cool and reticent, keeping them quite effectually at a distance whilst giving them no excuse for complaining of him. Nevertheless he has a vigilant eye on them always, and that, too, rather cynically, like a man who knows the world well from its seamy side. He speaks slowly and with a touch of sarcasm; and as he does not at all affect the gentleman in his speech, it may be inferred that his smart appearance is a mark of respect to himself and his own class, not to that which employs him.
He now gets into the car to test his machinery and put his cap and overcoat on again. Tanner takes off his leather overcoat and pitches it into the car. The chauffeur (or automobilist or motoreer or whatever England may presently decide to call him) looks round inquiringly in the act of stowing away his hammer.
THE CHAUFFEUR. Had enough of it, eh?
TANNER. I may as well walk to the house and stretch my legs and calm my nerves a little. [Looking at his watch] I suppose you know that we have come from Hyde Park Corner to Richmond in twenty-one minutes.
THE CHAUFFEUR. I'd have done it under fifteen if I'd had a clear road all the way.
TANNER. Why do you do it? Is it for love of sport or for the fun of terrifying your unfortunate employer?
THE CHAUFFEUR. What are you afraid of?
TANNER. The police, and breaking my neck.
THE CHAUFFEUR. Well, if you like easy going, you can take a bus, you know. It's cheaper. You pay me to save your time and give you the value of your thousand pound car. [He sits down calmly].
TANNER. I am the slave of that car and of you too. I dream of the accursed thing at night.
THE CHAUFFEUR. You'll get over that. If you're going up to the house, may I ask how long you're goin to stay there? Because if you mean to put in the whole morning talkin to the ladies, I'll put the car in the stables and make myself comfortable. If not, I'll keep the car on the go about here til you come.
TANNER. Better wait here. We shan't be long. There's a young American gentleman, a Mr Malone, who is driving Mr Robinson down in his new American steam car.
THE CHAUFFEUR. [springing up and coming hastily out of the car to Tanner] American steam car! Wot! racin us down from London!
TANNER. Perhaps they're here already.
THE CHAUFFEUR. If I'd known it! [with deep reproach] Why didn't you tell me, Mr Tanner?
TANNER. Because I've been told that this car is capable of 84 miles an hour; and I already know what YOU are capable of when there is a rival car on the road. No, Henry: there are things it is not good for you to know; and this was one of them. However, cheer up: we are going to have a day after your own heart. The American is to take Mr Robinson and his sister and Miss Whitefield. We are to take Miss Rhoda.
THE CHAUFFEUR. [consoled, and musing on another matter] That's Miss Whitefield's sister, isn't it?
TANNER. Yes.
THE CHAUFFEUR. And Miss Whitefield herself is goin in the other car? Not with you?
TANNER. Why the devil should she come with me? Mr Robinson will be in the other car. [The Chauffeur looks at Tanner with cool incredulity, and turns to the car, whistling a popular air softly to himself. Tanner, a little annoyed, is about to pursue the subject when he hears the footsteps of Octavius on the gravel. Octavius is coming from the house, dressed for motoring, but without his overcoat]. We've lost the race, thank Heaven: here's Mr Robinson. Well, Tavy, is the steam car a success?
OCTAVIUS. I think so. We came from Hyde Park Corner here in seventeen minutes. [The Chauffeur, furious, kicks the car with a groan of vexation]. How long were you?
TANNER. Oh, about three quarters of an hour or so.
THE CHAUFFEUR. [remonstrating] Now, now, Mr Tanner, come now! We could ha done it easy under fifteen.
TANNER. By the way, let me introduce you. Mr Octavius Robinson: Mr Enry Straker.
STRAKER. Pleased to meet you, sir. Mr Tanner is gittin at you with his Enry Straker, you know. You call it Henery. But I don't mind, bless you.
TANNER. You think it's simply bad taste in me to chaff him, Tavy. But you're wrong. This man takes more trouble to drop his aiches than ever his father did to pick them up. It's a mark of caste to him. I have never met anybody more swollen with the pride of class than Enry is.
STRAKER. Easy, easy! A little moderation, Mr Tanner.
TANNER. A little moderation, Tavy, you observe. You would tell me to draw it mild, But this chap has been educated. What's more, he knows that we haven't. What was that board school of yours, Straker?
STRAKER. Sherbrooke Road.
TANNER. Sherbrooke Road! Would any of us say Rugby! Harrow! Eton! in that tone of intellectual snobbery? Sherbrooke Road is a place where boys learn something; Eton is a boy farm where we are sent because we are nuisances at home, and because in after life, whenever a Duke is mentioned, we can claim him as an old schoolfellow.
STRAKER. You don't know nothing about it, Mr. Tanner. It's not the Board School that does it: it's the Polytechnic.
TANNER. His university, Octavius. Not Oxford, Cambridge, Durham, Dublin or Glasgow. Not even those Nonconformist holes in Wales. No, Tavy. Regent Street, Chelsea, the Borough—I don't know half their confounded names: these are his universities, not mere shops for selling class limitations like ours. You despise Oxford, Enry, don't you?
STRAKER. No, I don't. Very nice sort of place, Oxford, I should think, for people that like that sort of place. They teach you to be a gentleman there. In the Polytechnic they teach you to be an engineer or such like. See?
TANNER. Sarcasm, Tavy, sarcasm! Oh, if you could only see into Enry's soul, the depth of his contempt for a gentleman, the arrogance of his pride in being an engineer, would appal you. He positively likes the car to break down because it brings out my gentlemanly helplessness and his workmanlike skill and resource.
STRAKER. Never you mind him, Mr Robinson. He likes to talk. We know him, don't we?
OCTAVIUS. [earnestly] But there's a great truth at the bottom of what he says. I believe most intensely in the dignity of labor.
STRAKER. [unimpressed] That's because you never done any, Mr Robinson. My business is to do away with labor. You'll get more out of me and a machine than you will out of twenty laborers, and not so much to drink either.
TANNER. For Heaven's sake, Tavy, don't start him on political economy. He knows all about it; and we don't. You're only a poetic Socialist, Tavy: he's a scientific one.
STRAKER. [unperturbed] Yes. Well, this conversation is very improvin; but I've got to look after the car; and you two want to talk about your ladies. I know. [He retires to busy himself about the car; and presently saunters off towards the house].
TANNER. That's a very momentous social phenomenon.
OCTAVIUS. What is?
TANNER. Straker is. Here have we literary and cultured persons been for years setting up a cry of the New Woman whenever some unusually old fashioned female came along; and never noticing the advent of the New Man. Straker's the New Man.
OCTAVIUS. I see nothing new about him, except your way of chaffing him. But I don't want to talk about him just now. I want to speak to you about Ann.
TANNER. Straker knew even that. He learnt it at the Polytechnic, probably. Well, what about Ann? Have you proposed to her?
OCTAVIUS. [self-reproachfully] I was brute enough to do so last night.
TANNER. Brute enough! What do you mean?
OCTAVIUS. [dithyrambically] Jack: we men are all coarse. We never understand how exquisite a woman's sensibilities are. How could I have done such a thing!
TANNER. Done what, you maudlin idiot?
OCTAVIUS. Yes, I am an idiot. Jack: if you had heard her voice! if you had seen her tears! I have lain awake all night thinking of them. If she had reproached me, I could have borne it better.
TANNER. Tears! that's dangerous. What did she say?
OCTAVIUS. She asked me how she could think of anything now but her dear father. She stifled a sob—[he breaks down].
TANNER. [patting him on the back] Bear it like a man, Tavy, even if you feel it like an ass. It's the old game: she's not tired of playing with you yet.
OCTAVIUS. [impatiently] Oh, don't be a fool, Jack. Do you suppose this eternal shallow cynicism of yours has any real bearing on a nature like hers?
TANNER. Hm! Did she say anything else?
OCTAVIUS. Yes; and that is why I expose myself and her to your ridicule by telling you what passed.
TANNER. [remorsefully] No, dear Tavy, not ridicule, on my honor! However, no matter. Go on.
OCTAVIUS. Her sense of duty is so devout, so perfect, so—
TANNER. Yes: I know. Go on.
OCTAVIUS. You see, under this new arrangement, you and Ramsden are her guardians; and she considers that all her duty to her father is now transferred to you. She said she thought I ought to have spoken to you both in the first instance. Of course she is right; but somehow it seems rather absurd that I am to come to you and formally ask to be received as a suitor for your ward's hand.
TANNER. I am glad that love has not totally extinguished your sense of humor, Tavy.
OCTAVIUS. That answer won't satisfy her.
TANNER. My official answer is, obviously, Bless you, my children: may you be happy!
OCTAVIUS. I wish you would stop playing the fool about this. If it is not serious to you, it is to me, and to her.
TANNER. You know very well that she is as free to choose as you. She does not think so.
OCTAVIUS.She does not think so.
TANNER. Oh, doesn't she! just! However, say what you want me to do.
OCTAVIUS. I want you to tell her sincerely and earnestly what you think about me. I want you to tell her that you can trust her to me—that is, if you feel you can.
TANNER. I have no doubt that I can trust her to you. What worries me is the idea of trusting you to her. Have you read Maeterlinck's book about the bee?
OCTAVIUS. [keeping his temper with difficulty] I am not discussing literature at present.
TANNER. Be just a little patient with me. I am not discussing literature: the book about the bee is natural history. It's an awful lesson to mankind. You think that you are Ann's suitor; that you are the pursuer and she the pursued; that it is your part to woo, to persuade, to prevail, to overcome. Fool: it is you who are the pursued, the marked down quarry, the destined prey. You need not sit looking longingly at the bait through the wires of the trap: the door is open, and will remain so until it shuts behind you for ever.
OCTAVIUS. I wish I could believe that, vilely as you put it.
TANNER. Why, man, what other work has she in life but to get a husband? It is a woman's business to get married as soon as possible, and a man's to keep unmarried as long as he can. You have your poems and your tragedies to work at: Ann has nothing.
OCTAVIUS. I cannot write without inspiration. And nobody can give me that except Ann.
TANNER. Well, hadn't you better get it from her at a safe distance? Petrarch didn't see half as much of Laura, nor Dante of Beatrice, as you see of Ann now; and yet they wrote first-rate poetry—at least so I'm told. They never exposed their idolatry to the test of domestic familiarity; and it lasted them to their graves. Marry Ann and at the end of a week you'll find no more inspiration than in a plate of muffins.
OCTAVIUS. You think I shall tire of her.
TANNER. Not at all: you don't get tired of muffins. But you don't find inspiration in them; and you won't in her when she ceases to be a poet's dream and becomes a solid eleven stone wife. You'll be forced to dream about somebody else; and then there will be a row.
OCTAVIUS. This sort of talk is no use, Jack. You don't understand. You have never been in love.
TANNER. I! I have never been out of it. Why, I am in love even with Ann. But I am neither the slave of love nor its dupe. Go to the bee, thou poet: consider her ways and be wise. By Heaven, Tavy, if women could do without our work, and we ate their children's bread instead of making it, they would kill us as the spider kills her mate or as the bees kill the drone. And they would be right if we were good for nothing but love.
OCTAVIUS. Ah, if we were only good enough for Love! There is nothing like Love: there is nothing else but Love: without it the world would be a dream of sordid horror.
TANNER. And this—this is the man who asks me to give him the hand of my ward! Tavy: I believe we were changed in our cradles, and that you are the real descendant of Don Juan.
OCTAVIUS. I beg you not to say anything like that to Ann.
TANNER. Don't be afraid. She has marked you for her own; and nothing will stop her now. You are doomed. [Straker comes back with a newspaper]. Here comes the New Man, demoralizing himself with a halfpenny paper as usual.
STRAKER. Now, would you believe it: Mr Robinson, when we're out motoring we take in two papers, the Times for him, the Leader or the Echo for me. And do you think I ever see my paper? Not much. He grabs the Leader and leaves me to stodge myself with his Times.
OCTAVIUS. Are there no winners in the Times?
TANNER. Enry don't old with bettin, Tavy. Motor records are his weakness. What's the latest?
STRAKER. Paris to Biskra at forty mile an hour average, not countin the Mediterranean.
TANNER. How many killed?
STRAKER. Two silly sheep. What does it matter? Sheep don't cost such a lot: they were glad to ave the price without the trouble o sellin em to the butcher. All the same, d'y'see, there'll be a clamor agin it presently; and then the French Government'll stop it; an our chance will be gone see? That what makes me fairly mad: Mr Tanner won't do a good run while he can.
TANNER. Tavy: do you remember my uncle James?
OCTAVIUS. Yes. Why?
TANNER. Uncle James had a first rate cook: he couldn't digest anything except what she cooked. Well, the poor man was shy and hated society. But his cook was proud of her skill, and wanted to serve up dinners to princes and ambassadors. To prevent her from leaving him, that poor old man had to give a big dinner twice a month, and suffer agonies of awkwardness. Now here am I; and here is this chap Enry Straker, the New Man. I loathe travelling; but I rather like Enry. He cares for nothing but tearing along in a leather coat and goggles, with two inches of dust all over him, at sixty miles an hour and the risk of his life and mine. Except, of course, when he is lying on his back in the mud under the machine trying to find out where it has given way. Well, if I don't give him a thousand mile run at least once a fortnight I shall lose him. He will give me the sack and go to some American millionaire; and I shall have to put up with a nice respectful groom-gardener-amateur, who will touch his hat and know his place. I am Enry's slave, just as Uncle James was his cook's slave.
STRAKER. [exasperated] Garn! I wish I had a car that would go as fast as you can talk, Mr Tanner. What I say is that you lose money by a motor car unless you keep it workin. Might as well ave a pram and a nussmaid to wheel you in it as that car and me if you don't git the last inch out of us both.
TANNER. [soothingly] All right, Henry, all right. We'll go out for half an hour presently.
STRAKER. [in disgust] Arf an ahr! [He returns to his machine; seats himself in it; and turns up a fresh page of his paper in search of more news].
OCTAVIUS. Oh, that reminds me. I have a note for you from Rhoda. [He gives Tanner a note].
TANNER. [opening it] I rather think Rhoda is heading for a row with Ann. As a rule there is only one person an English girl hates more than she hates her mother; and that's her eldest sister. But Rhoda positively prefers her mother to Ann. She—[indignantly] Oh, I say!
OCTAVIUS. What's the matter?
TANNER. Rhoda was to have come with me for a ride in the motor car. She says Ann has forbidden her to go out with me.
Straker suddenly begins whistling his favorite air with remarkable deliberation. Surprised by this burst of larklike melody, and jarred by a sardonic note in its cheerfulness, they turn and look inquiringly at him. But he is busy with his paper; and nothing comes of their movement.
OCTAVIUS. [recovering himself] Does she give any reason?
TANNER. Reason! An insult is not a reason. Ann forbids her to be alone with me on any occasion. Says I am not a fit person for a young girl to be with. What do you think of your paragon now?
OCTAVIUS. You must remember that she has a very heavy responsibility now that her father is dead. Mrs Whitefield is too weak to control Rhoda.
TANNER. [staring at him] In short, you agree with Ann.
OCTAVIUS. No; but I think I understand her. You must admit that your views are hardly suited for the formation of a young girl's mind and character.
TANNER. I admit nothing of the sort. I admit that the formation of a young lady's mind and character usually consists in telling her lies; but I object to the particular lie that I am in the habit of abusing the confidence of girls.
OCTAVIUS. Ann doesn't say that, Jack.
TANNER. What else does she mean?
STRAKER. [catching sight of Ann coming from the house] Miss Whitefield, gentlemen. [He dismounts and strolls away down the avenue with the air of a man who knows he is no longer wanted].
ANN. [coming between Octavius and Tanner]. Good morning, Jack. I have come to tell you that poor Rhoda has got one of her headaches and cannot go out with you to-day in the car. It is a cruel disappointment to her, poor child!
TANNER. What do you say now, Tavy.
OCTAVIUS. Surely you cannot misunderstand, Jack. Ann is showing you the kindest consideration, even at the cost of deceiving you.
ANN. What do you mean?
TANNER. Would you like to cure Rhoda's headache, Ann?
ANN. Of course.
TANNER. Then tell her what you said just now; and add that you arrived about two minutes after I had received her letter and read it.
ANN. Rhoda has written to you!
TANNER. With full particulars.
OCTAVIUS. Never mind him, Ann. You were right, quite right. Ann was only doing her duty, Jack; and you know it. Doing it in the kindest way, too.
ANN. [going to Octavius] How kind you are, Tavy! How helpful! How well you understand!
Octavius beams.
TANNER. Ay: tighten the coils. You love her, Tavy, don't you?
OCTAVIUS. She knows I do.
ANN. Hush. For shame, Tavy!
TANNER. Oh, I give you leave. I am your guardian; and I commit you to Tavy's care for the next hour.
ANN. No, Jack. I must speak to you about Rhoda. Ricky: will you go back to the house and entertain your American friend? He's rather on Mamma's hands so early in the morning. She wants to finish her housekeeping.
OCTAVIUS. I fly, dearest Ann [he kisses her hand].
ANN. [tenderly] Ricky Ticky Tavy!
He looks at her with an eloquent blush, and runs off.
TANNER. [bluntly] Now look here, Ann. This time you've landed yourself; and if Tavy were not in love with you past all salvation he'd have found out what an incorrigible liar you are.
ANN. You misunderstand, Jack. I didn't dare tell Tavy the truth.
TANNER. No: your daring is generally in the opposite direction. What the devil do you mean by telling Rhoda that I am too vicious to associate with her? How can I ever have any human or decent relations with her again, now that you have poisoned her mind in that abominable way?
ANN. I know you are incapable of behaving badly.
TANNER. Then why did you lie to her?
ANN. I had to.
TANNER. Had to!
ANN. Mother made me.
TANNER. [his eye flashing] Ha! I might have known it. The mother! Always the mother!
ANN. It was that dreadful book of yours. You know how timid mother is. All timid women are conventional: we must be conventional, Jack, or we are so cruelly, so vilely misunderstood. Even you, who are a man, cannot say what you think without being misunderstood and vilified—yes: I admit it: I have had to vilify you. Do you want to have poor Rhoda misunderstood and vilified to the same way? Would it be right for mother to let her expose herself to such treatment before she is old enough to judge for herself?
TANNER. In short, the way to avoid misunderstanding is for everybody to lie and slander and insinuate and pretend as hard as they can. That is what obeying your mother comes to.
ANN. I love my mother, Jack.
TANNER. [working himself up into a sociological rage] Is that any reason why you are not to call your soul your own? Oh, I protest against this vile abjection of youth to age! look at fashionable society as you know it. What does it pretend to be? An exquisite dance of nymphs. What is it? A horrible procession of wretched girls, each in the claws of a cynical, cunning, avaricious, disillusioned, ignorantly experienced, foul-minded old woman whom she calls mother, and whose duty it is to corrupt her mind and sell her to the highest bidder. Why do these unhappy slaves marry anybody, however old and vile, sooner than not marry at all? Because marriage is their only means of escape from these decrepit fiends who hide their selfish ambitions, their jealous hatreds of the young rivals who have supplanted them, under the mask of maternal duty and family affection. Such things are abominable: the voice of nature proclaims for the daughter a father's care and for the son a mother's. The law for father and son and mother and daughter is not the law of love: it is the law of revolution, of emancipation, of final supersession of the old and worn-out by the young and capable. I tell you, the first duty of manhood and womanhood is a Declaration of Independence: the man who pleads his father's authority is no man: the woman who pleads her mother's authority is unfit to bear citizens to a free people.
ANN. [watching him with quiet curiosity] I suppose you will go in seriously for politics some day, Jack.
TANNER. [heavily let down] Eh? What? Wh—? [Collecting his scattered wits] What has that got to do with what I have been saying?
ANN. You talk so well.
TANNER. Talk! Talk! It means nothing to you but talk. Well, go back to your mother, and help her to poison Rhoda's imagination as she has poisoned yours. It is the tame elephants who enjoy capturing the wild ones.
ANN. I am getting on. Yesterday I was a boa constrictor: to-day I am an elephant.
TANNER. Yes. So pack your trunk and begone; I have no more to say to you.
ANN. You are so utterly unreasonable and impracticable. What can I do?
TANNER. Do! Break your chains. Go your way according to your own conscience and not according to your mother's. Get your mind clean and vigorous; and learn to enjoy a fast ride in a motor car instead of seeing nothing in it but an excuse for a detestable intrigue. Come with me to Marseilles and across to Algiers and to Biskra, at sixty miles an hour. Come right down to the Cape if you like. That will be a Declaration of Independence with a vengeance. You can write a book about it afterwards. That will finish your mother and make a woman of you.
ANN. [thoughtfully] I don't think there would be any harm in that, Jack. You are my guardian: you stand in my father's place, by his own wish. Nobody could say a word against our travelling together. It would be delightful: thank you a thousand times, Jack. I'll come.
TANNER. [aghast] You'll come!!!
ANN. Of course.
TANNER. But— [he stops, utterly appalled; then resumes feebly] No: look here, Ann: if there's no harm in it there's no point in doing it.
ANN. How absurd you are! You don't want to compromise me, do you?
TANNER. Yes: that's the whole sense of my proposal.
ANN. You are talking the greatest nonsense; and you know it. You would never do anything to hurt me.
TANNER. Well, if you don't want to be compromised, don't come.
ANN. [with simple earnestness] Yes, I will come, Jack, since you wish it. You are my guardian; and think we ought to see more of one another and come to know one another better. [Gratefully] It's very thoughtful and very kind of you, Jack, to offer me this lovely holiday, especially after what I said about Rhoda. You really are good—much better than you think. When do we start?
TANNER. But—
The conversation is interrupted by the arrival of Mrs Whitefield from the house. She is accompanied by the American gentleman, and followed by Ramsden and Octavius.
Hector Malone is an Eastern American; but he is not at all ashamed of his nationality. This makes English people of fashion think well of him, as of a young fellow who is manly enough to confess to an obvious disadvantage without any attempt to conceal or extenuate it. They feel that he ought not to be made to suffer for what is clearly not his fault, and make a point of being specially kind to him. His chivalrous manners to women, and his elevated moral sentiments, being both gratuitous and unusual, strike them as being a little unfortunate; and though they find his vein of easy humor rather amusing when it has ceased to puzzle them (as it does at first), they have had to make him understand that he really must not tell anecdotes unless they are strictly personal and scandalous, and also that oratory is an accomplishment which belongs to a cruder stage of civilization than that in which his migration has landed him. On these points Hector is not quite convinced: he still thinks that the British are apt to make merits of their stupidities, and to represent their various incapacities as points of good breeding. English life seems to him to suffer from a lack of edifying rhetoric (which he calls moral tone); English behavior to show a want of respect for womanhood; English pronunciation to fail very vulgarly in tackling such words as world, girl, bird, etc.; English society to be plain spoken to an extent which stretches occasionally to intolerable coarseness; and English intercourse to need enlivening by games and stories and other pastimes; so he does not feel called upon to acquire these defects after taking great paths to cultivate himself in a first rate manner before venturing across the Atlantic. To this culture he finds English people either totally indifferent as they very commonly are to all culture, or else politely evasive, the truth being that Hector's culture is nothing but a state of saturation with our literary exports of thirty years ago, reimported by him to be unpacked at a moment's notice and hurled at the head of English literature, science and art, at every conversational opportunity. The dismay set up by these sallies encourages him in his belief that he is helping to educate England. When he finds people chattering harmlessly about Anatole France and Nietzsche, he devastates them with Matthew Arnold, the Autocrat of the Breakfast Table, and even Macaulay; and as he is devoutly religious at bottom, he first leads the unwary, by humorous irreverences, to wave popular theology out of account in discussing moral questions with him, and then scatters them in confusion by demanding whether the carrying out of his ideals of conduct was not the manifest object of God Almighty in creating honest men and pure women. The engaging freshness of his personality and the dumbfoundering staleness of his culture make it extremely difficult to decide whether he is worth knowing; for whilst his company is undeniably pleasant and enlivening, there is intellectually nothing new to be got out of him, especially as he despises politics, and is careful not to talk commercial shop, in which department he is probably much in advance of his English capitalist friends. He gets on best with romantic Christians of the amoristic sect: hence the friendship which has sprung up between him and Octavius.
In appearance Hector is a neatly built young man of twenty-four, with a short, smartly trimmed black beard, clear, well shaped eyes, and an ingratiating vivacity of expression. He is, from the fashionable point of view, faultlessly dressed. As he comes along the drive from the house with Mrs Whitefield he is sedulously making himself agreeable and entertaining, and thereby placing on her slender wit a burden it is unable to bear. An Englishman would let her alone, accepting boredom and indifference of their common lot; and the poor lady wants to be either let alone or let prattle about the things that interest her.
Ramsden strolls over to inspect the motor car. Octavius joins Hector.
ANN. [pouncing on her mother joyously] Oh, mamma, what do you think! Jack is going to take me to Nice in his motor car. Isn't it lovely? I am the happiest person in London.
TANNER. [desperately] Mrs Whitefield objects. I am sure she objects. Doesn't she, Ramsden?
RAMSDEN. I should think it very likely indeed.
ANN. You don't object, do you, mother?
MRS WHITEFIELD. I object! Why should I? I think it will do you good, Ann. [Trotting over to Tanner] I meant to ask you to take Rhoda out for a run occasionally: she is too much in the house; but it will do when you come back.
TANNER. Abyss beneath abyss of perfidy!
ANN. [hastily, to distract attention from this outburst] Oh, I forgot: you have not met Mr Malone. Mr Tanner, my guardian: Mr Hector Malone.
HECTOR. Pleased to meet you, Mr Tanner. I should like to suggest an extension of the travelling party to Nice, if I may.
ANN. Oh, we're all coming. That's understood, isn't it?
HECTOR. I also am the modest possessor of a motor car. If Miss Robinson will allow me the privilege of taking her, my car is at her service.
OCTAVIUS. Violet!
General constraint.
ANN. [subduedly] Come, mother: we must leave them to talk over the arrangements. I must see to my travelling kit.
Mrs Whitefield looks bewildered; but Ann draws her discreetly away; and they disappear round the corner towards the house.
HECTOR. I think I may go so far as to say that I can depend on Miss Robinson's consent.
Continued embarrassment.
OCTAVIUS. I'm afraid we must leave Violet behind, There are circumstances which make it impossible for her to come on such an expedition.
HECTOR. [amused and not at all convinced] Too American, eh? Must the young lady have a chaperone?
OCTAVIUS. It's not that, Malone—at least not altogether.
HECTOR. Indeed! May I ask what other objection applies?
TANNER. [impatiently] Oh, tell him, tell him. We shall never be able to keep the secret unless everybody knows what it is. Mr Malone: if you go to Nice with Violet, you go with another man's wife. She is married.
HECTOR. [thunderstruck] You don't tell me so!
TANNER. We do. In confidence.
RAMSDEN. [with an air of importance, lest Malone should suspect a misalliance] Her marriage has not yet been made known: she desires that it shall not be mentioned for the present.
HECTOR. I shall respect the lady's wishes. Would it be indiscreet to ask who her husband is, in case I should have an opportunity of consulting him about this trip?
TANNER. We don't know who he is.
HECTOR. [retiring into his shell in a very marked manner] In that case, I have no more to say.
They become more embarrassed than ever.
OCTAVIUS. You must think this very strange.
HECTOR. A little singular. Pardon me for saving so.
RAMSDEN. [half apologetic, half huffy] The young lady was married secretly; and her husband has forbidden her, it seems, to declare his name. It is only right to tell you, since you are interested in Miss—er—in Violet.
OCTAVIUS. [sympathetically] I hope this is not a disappointment to you.
HECTOR. [softened, coming out of his shell again] Well it is a blow. I can hardly understand how a man can leave a wife in such a position. Surely it's not customary. It's not manly. It's not considerate.
OCTAVIUS. We feel that, as you may imagine, pretty deeply.
RAMSDEN. [testily] It is some young fool who has not enough experience to know what mystifications of this kind lead to.
HECTOR. [with strong symptoms of moral repugnance] I hope so. A man need be very young and pretty foolish too to be excused for such conduct. You take a very lenient view, Mr Ramsden. Too lenient to my mind. Surely marriage should ennoble a man.
TANNER. [sardonically] Ha!
HECTOR. Am I to gather from that cacchination that you don't agree with me, Mr Tanner?
TANNER. [drily] Get married and try. You may find it delightful for a while: you certainly won't find it ennobling. The greatest common measure of a man and a woman is not necessarily greater than the man's single measure.
HECTOR. Well, we think in America that a woman's moral number is higher than a man's, and that the purer nature of a woman lifts a man right out of himself, and makes him better than he was.
OCTAVIUS. [with conviction] So it does.
TANNER. No wonder American women prefer to live in Europe! It's more comfortable than standing all their lives on an altar to be worshipped. Anyhow, Violet's husband has not been ennobled. So what's to be done?
HECTOR. [shaking his head] I can't dismiss that man's conduct as lightly as you do, Mr Tanner. However, I'll say no more. Whoever he is, he's Miss Robinson's husband; and I should be glad for her sake to think better of him.
OCTAVIUS. [touched; for he divines a secret sorrow] I'm very sorry, Malone. Very sorry.
HECTOR. [gratefully] You're a good fellow, Robinson, Thank you.
TANNER. Talk about something else. Violet's coming from the house.
HECTOR. I should esteem it a very great favor, men, if you would take the opportunity to let me have a few words with the lady alone. I shall have to cry off this trip; and it's rather a delicate—
RAMSDEN. [glad to escape] Say no more. Come Tanner, Come, Tavy. [He strolls away into the park with Octavius and Tanner, past the motor car].
Violet comes down the avenue to Hector.