Chapter 3

We merely quote these safeguards against imprudent marriages to show our brides how free they are. And perhaps, as we sometimes find, they are too free; there is danger that there may be too much ease in tying the knot that so many wish untied later, judging from the frequency of divorce.

However, we will not throw a damper on that occasion which for whirl and bustle and gayety and excitement is not equalled by any other day in a person's life. The city wedding in New York is marked first by the arrival of the caterer, who comes to spread the wedding breakfast; and later on by the florist, who appears to decorate the rooms, to hang the floral bell, or to spread the floral umbrella, or to build a grotto of flowers in the bow-window where the happy couple shall stand. Some of the latest freaks in floral fashion cause a bower of tall-growing ferns to be constructed, the ferns meeting over the bridal pair. This is, of course, supposing that the wedding takes place at home. Then another construction is a house entirely of roses, large enough to hold the bride and bridegroom. This is first built of bamboo or light wood, then covered thick with roses, and is very beautiful and almost too fragrant. If some one had not suggested "bathing-house," as he looked at this floral door to matrimony, it would have been perfect. It also looks a little like a confessional. Perhaps a freer sweep is better for both bride and groom. There should not be a close atmosphere, or too many overfragrant flowers; for at a home wedding, however well the arrangements have been anticipated, there is always a little time spent in waiting for the bride, a few presents arrive late, and there is always a slight confusion, so that the mamma is apt to be nervous and flushed, and the bride agitated.

A church wedding involves a great deal more trouble with carriages for the bridesmaids and for the family, and for the bride and her father, who must go together to the church.

Fortunately there is no stern law, if every one is late at church, for the hour appointed, as in England. There the law would read, "The rite of marriage is to be performed between the hours of 8 A.M. and noon, upon pain of suspension and felony with fourteen years' transportation." Such is the stern order to the officiating priests.

The reason for this curious custom and the terrible penalty awaiting its infringement is traceable, it is said, to the wrongs committed on innocent parties by the "hedge" parsons. Also, alas! because our English ancestors were apt to be drunk after midday, and unable to take an oath.

Here the guests arrive first at the church. The groom emerges from the vestry, supported by his best man, and then the organ strikes up the Wedding March.

Two little girls, beautifully dressed in Kate Greenaway hats and white gowns, and with immense sashes, carrying bouquets, come in first; then the bridesmaids, who form an avenue. Then the bride and her father walk up to the altar, where the groom claims her, and her father steps back. The bride stands on the left hand of the bridegroom; her first bridesmaid advances nearly behind her, ready to receive the glove and bouquet. After the ceremony is over, the bride and groom walk down the aisle first, and the children follow; after them the bridesmaids, then the ushers, then the father and mother, and so on. Sometimes the ushers go first, to be ready to cloak the bride, open the doors, keep back the people, and generally preserve order.

The signing of the register in the vestry is not an American custom, but it is now the fashion to have a highly illuminated parchment certificate signed by the newly married pair, with two or three witnesses, the bridesmaids, the best man, the father and mother, and so on, generally being the attesting parties.

If a sit-down wedding breakfast has been arranged, it occurs about half an hour after the parties return from church. An attempt is being made to return to the manners of the past, and for the bridegroom (laSir Charles Grandison) to wait on the guests with a napkin on his arm. This often makes much amusement, and breaks in on the formality. Of course his waiting is very much of a sinecure and a joke.

The table for a wedding breakfast of this sort should be of a horseshoe shape. But for a city wedding, where many guests are to be invited in a circle which is forever widening, this sort of an exclusive breakfast is almost impossible, and a large table is generally spread, where the guests go in uninvited, and are helped by the waiters.

Eight bridesmaids is a fashionable number; and the bride has, of course, the privilege of choosing the dresses. The prettiest toilettes we have seen were of heliotropegazeover satin; and again clover red, lighted up with white lace. The bonnets were of white chip, with feathers of red, for this last dress; broad hats of yellow satin, with yellow plumes, will surmount the heliotrope bridesmaids. One set of bridesmaids will wear Nile-green dresses, with pink plumes in their coiffures; another set, probably those with the pink bride, will be in white satin and silver.

A bride's dress has lately been ornamented with orange blossoms and lilacs. The veil was fastened on with orange flowers; the corsage bouquet was of orange flowers and lilacs mixed; the lace over-dress was caught up with lilac sprays; the hand bouquet wholly of lilacs; The gardener's success in producing these dwarf bushes covered with white lilacs has given us the beautiful flower in great perfection. Cowslips are to be used as corsage and hand bouquets for bridesmaids' dresses, the dresses being of pale blue surah, with yellow satin Gainsborough hats, and yellow plumes. White gloves and shoes are proper for brides. The white undressed kid or Swedish glove will be the favorite; and high princesse dresses with long sleeves are still pronounced the best style.

As for wedding presents, great favor is shown to jewelry and articles somewhat out of the common. Vases of costly workmanship, brass wine-coolers, enamelled glass frames, small mirrors set in silver, belt clasps, pins of every sort of conceit for the hair, choice old Louis Treize silver boxes of curious design, and watches, even old miniatures, are all of the order of things most desired. So many of our spring brides are going immediately to Europe that it seems absurd to load them down with costly dinner sets, or the usual lamps and pepper-casters. These may come later. How much prettier to give the bride something she can wear!

Wedding presents, if shown, will be in the second-story front room, spread on tables and surrounded by flowers. Some brides will give an afternoon tea the day before to show the presents to a few intimate friends. Each present will bear the name of the giver on his or her card.

One bride intends to make a most original innovation. Instead of going immediately out of town, she will remain at home and attend the Bachelors' Ball, in the evening, leaving for Philadelphia at three in the morning. At several of the church weddings the guests are only bidden there; there will be no reception.

Widows who are to be married again should be reminded that they can neither have wedding favors nor wear a veil or orange blossoms. A widow bride should wear a bonnet, she should have no bridesmaids, and a peach-blossom silk or velvet is a very pretty dress. At a certain up-town wedding all the gentlemen will wear a wedding favor excepting the groom. He always wears only a flower.

Wedding favors should be made of white ribbon and silver leaves. Large bouquets of white flowers should ornament the ears of the horses and the coats of the coachmen and footmen.

It is a matter of taste whether the bride wears her gloves to the altar or whether she goes up with uncovered hands. "High-Church" brides prefer the latter custom, The bride carries a prayer-book, if she prefers, instead of a bouquet. The Holy Communion is administered to the married pair if they desire it.

One correspondent inquires, "Who should be asked to a wedding?" We should say all your visiting list, or none. There is an unusual feeling about being left out at a wedding, and no explanation that it is "a small and not general invitation" seems to satisfy those who are thus passed over. It is much better to offend no one on so important an occasion.

Wedding cards and wedding stationery have not altered at all. The simple styles are the best. The bridal linen should be marked with the maiden name of the bride.

If brides could only find out some way to let their friends know where they are to be found after marriage it, would be a great convenience.

The newest style of engagement ring is a diamond and a ruby, or a diamond and a sapphire, set at right angles or diagonally. Bangles with the bridal monogram set in jewels are very pretty, and a desirable ornament for the bridesmaids' gifts, serving as a memento and a particularly neat ornament. They seem to have entirely superseded the locket. The bride's name cut in silver or gold serves for a lace pin, and is quite effective.

A new fashion in the engraving of the wedding note-paper is the first novelty of the early summer wedding. The card is entirely discarded, and sheets of note-paper, with the words of the invitation invery finerunning script, are now universally used, without crests or ciphers. We are glad to see that the very respectful form of invitation, "Mr. and Mrs. John H. Brown request the honor of your presence," etc., is returning to fashionable favor. It never should have gone out. Nothing is more self-respecting than respect, and when we ask our friends to visit us we can well afford to be unusually courteous. The brief, curt, and not too friendly announcement, "Mr. and Mrs. John H. Brown request your presence," etc., etc., may well yield to the much more elegant and formal compliment.

From high social authority in New York we have an invitation much simpler and more cordial, also worthy of imitation: "Mr. and Mrs. Winslow Appleblossom request the pleasure of your company at the wedding reception of their daughter, on Tuesday afternoon June the sixteenth." This is without cards or names, presuming that the latter will follow later on.

Another very comprehensive and useful announcement of a wedding, from a lady living out of town, conveys, however, on one sheet of paper the desired information of where to find the bride:

_Mrs. Seth Osborneannounces the marriage of her daughterMarguritetoMr. Joseph Wendon,onWednesday, September the ninth,atBristol, Connecticut.

At Home after January first,at 758 Wood Street._

This card of announcement is a model of conciseness, and answers the oft-repeated question, "Where shall we go to find the married couple next winter?"

In arranging the house for the spring wedding the florists have hit upon a new device of having onlyoneflower in masses; so we hear of the apple-blossom wedding, the lilac wedding, the lily wedding, the rose wedding and the daffodil wedding, the violet wedding, and the daisy wedding. So well has this been carried out that at a recent daisy wedding the bride's lace and diamond ornaments bore the daisy pattern, and each bridesmaid received a daisy pin with diamond centre.

This fashion of massing a single flower has its advantages when that flower is the beautiful feathery lilac, as ornamental as a plume; but it is not to be commended when flowers are as sombre as the violet, which nowadays suggests funerals. Daffodils are lovely and original, and apple-blossoms make a hall in a Queen Anne mansion very decorative. No one needs to be told that roses look better for being massed, and it is a pretty conceit for a bride to make the flower which was the ornament of her weddingherflower for life.

The passion for little girls as bridesmaids receives much encouragement at the spring and summer weddings. One is reminded of the children weddings of the fifteenth century, as these darlings, wearing Kate Greenaway hats, walk up the aisle, preceding the bride. The young brother of the bride, a mere boy, who, in the fatherless condition of his sister, recently gave her away, also presented a touching picture. It has become a fashion now to invoke youth as well as age to give the blessings once supposed to be alone at the beck and call of those whom Time had sanctified.

The bridal dresses are usually of white satin and point lace, a preference for tulle veils being very evident. A pin for the veil, with a diamond ornament, and five large diamonds hanging by little chains, makes a very fine effect, and is a novelty. The groom at a recent wedding gave cat's-eyes set round with diamonds to his ushers for scarf pins, the cat's-eye being considered a very lucky stone.

The ushers and the groom wear very largeboutonnieresof stephanotis and gardenias, or equally large bunches of lilies-of-the-valley, in their button-holes.

At one of the country weddings of the spring a piper in full Scotch costume discoursed most eloquent music on the lawn during the wedding ceremony. This was a compliment to the groom, who is a captain in a Highland regiment.

A prevailing fashion for wedding presents is to give heavy pieces of furniture, such as sideboards, writing-tables, cabinets, and pianos.

A favorite dress for travelling is heliotrope cashmere, with bonnet to match. For a dark bride nothing is more becoming than dark blue tailormade with white vest and sailor collar. Gray cashmere with steel passementerie has also been much in vogue. A light gray mohair, trimmed with lace of the same color, was also much admired.

We have mentioned the surroundings of the brides, but have not spoken of the background. A screen hung with white and purple lilacs formed the background of one fair bride, a hanging curtain of Jacque-minot roses formed the appropriate setting of another. Perhaps the most regal of these floral screens was one formed of costly orchids, each worth a fortune. One of the most beautiful of the spring wedding dresses was made of cream-white satin over a tulle petticoat, the tulle being held down by a long diagonal band of broad pearl embroidery, the satin train trimmed with bows of ribbon in true-lovers' knots embroidered in seed-pearls; a shower of white lilacs trimmed one side of the skirt.

Another simple dress was made of white silk, trimmed with old Venetian point, the train of striped ivory point and white satin dependinglaWatteau from the shoulders, and fastened at the point of the waist. At the side three large pleats formed a drapery, which was fringed with orange-blossoms.

From England we hear of the most curious combinations as to travelling-dresses. Biscuit-colored canvas, embroidered around the polonaise in green and gold, while the skirt is edged with a broad band of green velvet. The new woollen laces of all colors make a very good effect in the "going-away dress" of a bride.

We are often asked by summer brides whether they should wear bonnets or round hats for their travelling-dress. We unhesitatingly say bonnets. A very pretty wedding bonnet is made of lead-colored beads without foundation, light and transparent; strings of red velvet and a bunch of red plums complete this bonnet. Gold-colored straw, trimmed with gold-brown velvet and black net, makes a pretty travelling-bonnet. Open-work black straw trimmed with black lace and red roses, very high in the crown, with a "split front," is a very becoming and appropriate bonnet for a spring costume.

A pretty dress for the child bridemaids is a pink faille slip covered with dotted muslin, not tied in at the waist, and the broadest of high Gainsborough hats of pale pink silk with immense bows, from the well-known pictures of Gainsborough's pretty women.

But if a summer bride must travel in a bonnet, there is no reason that her trousseau should not contain a large Leghorn hat, the straw caught up on the back in long loops, the spaces between filled in with bows of heliotrope ribbon. The crown should be covered with white ostrich tips. This is a very becoming hat for a lawn party.

It would be a charming addition to our well-known and somewhat worn-out Wedding-March, always played as the bride walks up the aisle, if a chorus of choir boys would sing an epithalamium, as is now done in England. These fresh young voices hailing the youthful couple would be in keeping with the child bridesmaids and the youthful brothers. Nay, they would suggest those frescoes of the Italian villas where Hymen and Cupid, two immortal boys, always precede the happy pair.

It is a pleasant part of weddings everywhere that the faithful domestics who have loved the bride from childhood are expected to assist by their presence at the ceremony, each wearing a wedding favor made by the fair hand of the bride herself. An amusing anecdote is told of a Yorkshire coachman, who, newly arrived in America, was to drive the bride to church. Not knowing him, particularly as he was a new addition to the force, the bride sent him his favor by the hands of her maid. But Yorkshire decided stoutly against receiving such a vicarious offering, and remarked, "Tell she I'd rather 'ave it from she." And so "she" was obliged to come down and affix the favor to his livery coat, or he would have resigned the "ribbons." The nurses, the cook, the maids, and the men-servants in England always expect a wedding favor and a small gratuity at a wedding, and in this country should be remembered by a box of cake, and possibly by a new dress, cap, or bonnet, or something to recall the day.

The plan of serving the refreshments at a buffet all through the reception retains its place as the most convenient and appropriate of forms. The wedding breakfast, where toasts are drunk and speeches made, is practicable in England, but hardly here, where we are not to the manner born. The old trained domestics who serve such a feast can not be invented at will in America, so that it is better to allow our well-filled tables to remain heavily laden, as they are, with dainties which defy competition, served by a corps of waiters.

The pretty plan of cutting the bride cake and hunting for a ring has been long exploded, as the bridesmaids declare that it ruins their gloves, and that in these days of eighteen buttons it is too much trouble to take off and put on a glove for the sake of finding a ring in a bit of greasy pastry. However, it might supplement a wedding supper.

The first thing which strikes the eye of the fortunate person who is invited to see the bridal gifts is the predominance of silver-ware. We have now passed the age of bronze and that of brass, and silver holds the first place of importance. Not only the coffee and tea sets, but the dinner sets and the whole furniture of the writing-table, and even brooms and brushes, are made with repouss silver handles—the last, of course, for the toilette, as for dusting velvet, feathers, bonnets, etc.

The oxidized, ugly, discolored silver is not so fashionable as it was, and the beautiful, bright, highly polished silver, with its own natural and unmatchable color, has come in. The salvers afford a splendid surface for a monogram, which is now copied from the old Dutch silver, and bears many a true-lovers' knot, and every sort and kind of ornamentation; sometimes even a little verse, or posy, as it was called in olden time. One tea-caddy at a recent wedding bore the following almost obsolete rhyme, which Corydon might have sent to Phyllis in pastoral times:

"My heart to you is given;Oh do give yours to me:We'll lock them up together,And throw away the key."

It should be added that the silver tea-caddy was in the shape of a heart, and that it had a key. Very dear to the heart of a housewife is the tea-caddy which can be locked.

Another unique present was a gold tea scoop of ancient pattern, probably once a baby's pap spoon. There were also apostle-spoons, and little silver canoes and other devices to hold cigarettes and ashes; little mysterious boxes for the toilette, to hold the tongs for curling hair, and hair-pins; mirror frames, and even chair-backs and tables—all of silver.

Several beautiful umbrellas, with all sorts of handles, recalled the anecdote of the man who said he first saw his wife in a storm, married her in a storm, lived with her in a hurricane, but buried her in pleasant weather; parasols with jewelled handles, and beautiful painted fans, are also favorite offerings to the newly married.

Friends conspire to make their offerings together, so that there may be no duplicates, and no pieces in the silver service which do not match. This is a very excellent plan. Old pieces like silver tankards, Queen Anne silver, and the ever beautiful Baltimore workmanship, are highly prized.

It is no longer the fashion to display the presents at the wedding. They are arranged in an upper room, and shown to a few friends of the bride the day before the ceremony. Nor is it the fashion for the bride to wear many jewels. These are reserved for her first appearance as a married woman.

Clusters of diamond stars, daisies, or primroses that can be grouped together are now favorite gifts. In this costly gift several friends join again, as in the silver presentation. Diamond bracelets that can be used as necklaces are also favorite presents. All sorts of vases, bits of china, cloisonn, clocks (although there is not such a stampede of clocks and lamps as a few years ago), choice etchings framed, and embroidered table-cloths, doyleys, and useful coverings for bureau and wash-stands, are in order.

The bride now prefers simplicity in her dress—splendid and costly simplicity. An elegant white-satin and a tulle veil, the latter very full, the former extremely long and with a sweeping train, high corsage, and long sleeves, long white gloves, and perhaps a flower in the hair—such is the latest fashion for an autumn bride. The young ladies say they prefer that their magnificence should wait for the days after marriage, when their jewels can be worn. There is great sense in this, for a bride is interesting enough when she is simply attired.

The solemnization of the marriage should be in a church, and a high ecclesiastical functionary should be asked to solemnize it. The guests are brought in by the ushers, who, by the way, now wear pearl-colored kid-gloves, embroidered in black, as do the groom and best man. The front seats are reserved for the relatives and intimate friends, and the head usher has a paper on which are written the names of people entitled to these front seats. The seats thus reserved have a white ribbon as a line of demarcation. Music should usher in the bride.

The fashion of bridesmaids has gone out temporarily, and one person, generally a sister, alone accompanies the bride to the altar as her female aid. The bride, attended by her father or near friend, comes in last, after the ushers. After her mother, sister, and family have preceded her, these near relatives group themselves about the altar steps. Her sister, or one bridesmaid, stands near her at the altar rail, and kneels with her and the bridegroom, as does the best man. The groom takes his bride from the hand of her father or nearest friend, who then retires and stands a little behind the bridal pair. He must be near enough to respond quickly when he hears the words, "Who giveth this woman to be married to this man?" The bride and groom walk out together after the ceremony, followed by the nearest relatives, and proceed to the home where the wedding breakfast is served. Here the bridal pair stand under an arch of autumn-leaves, golden-rod, asters, and other seasonable flowers, and receive their friends, who are presented by the ushers.

The father and mother do not take any stated position on this occasion, but mingle with the guests, and form a part of the company. In an opulent countryhouse, if the day is fine, little tables are set out on the lawn, the ladies seat themselves around, and the gentlemen carry the refreshments to them; or the piazzas are beautifully decorated with autumn boughs and ferns, flowers, evergreens, and the refreshments are served there. If it is a bad day, of course the usual arrangements of a crowded buffet are in order; there is no longer a "sit-down" wedding breakfast; it does not suit our American ideas, as recent experiments have proved. We have many letters asking if the gentlemen of the bride's family should wear gloves. They should, and, as we have indicated, they should be of pearl-colored kid, embroidered in the seams with black.

The one bridesmaid must be dressed in colors. At a recent very fashionable wedding the bridesmaid wore bright buttercup yellow, a real Directoire dress, white lace skirt, yellow bodice, hat trimmed with yellow—a very picturesque, pretty costume. The silk stockings and slippers were of yellow, the hat of Leghorn, very large, turned up at one side, yellow plumes, and long streamers of yellow-velvet ribbon. Yellow is now esteemed a favorite color and a fortunate one. It once was deemed the synonym for envy, but that has passed away.

The carrying of an ivory prayer-book was found to be attended with inconvenience, therefore was discontinued. Still, if a young lady wishes to have her prayer-book associated with her vows at the altar, she can properly carry it. Brides are, however, leaving their bouquets at home, as the immense size of a modern bouquet interfered with the giving and taking of the ring.

A very pretty bit of ornamentation for an autumn wedding is the making of a piece of tapestry of autumn leaves to hang behind the bride as she receives. This can be done by sewing the leaves on a piece of drugget on which some artist has drawn a clever sketch with chalk and charcoal. We have seen some really elaborate and artistic groups done in this way by earnest and unselfish girl friends. Romeo and Juliet, Hamlet and Ophelia, Tristan and Iseult, can thus be made to serve as decorations.

The walls of the church can, of course, be exquisitely decorated with palms in an Oriental pattern, flowers, and leaves. The season is one when nature's bounty is so profuse that even the fruits can be pressed into service. Care should be taken not to put too many tuberoses about, for the perfume is sickening to some.

The engagement ring should be worn on the third finger of the left hand. It should have a solitaire stone—either a diamond or a colored stone. Colored stones and diamonds, set diagonally, as a sapphire and a diamond, are also worn; but not a pearl, as, according to the German idea, "pearls are tears for a bride." The wedding ring is entirely different, being merely a plain gold ring, not very wide nor a square band, as it was a few years since, and the engagement ring is worn as a guard above the wedding ring. It is not usual for the bride expectant to give a ring to her intended husband, but many girls like to give an engagement gift to their betrothed. Inside the engagement ring is the date of the engagement and the initials of each of the contracting parties. The wedding ring has the date of the marriage and the initials.

If the marriage takes place at home, the bride and groom enter together, and take their place before the clergyman, who has already entered; then come the father and mother and other friends. A pair of hassocks should be arranged for the bridal pair to kneel upon, and the father should be near to allow the clergyman to see him when he asks for his authority.

For autumn weddings nothing is so pretty for the travelling-dress as a tailor-made costume of very light cloth, with sacque to match for a cold day. No travelling-dress should of itself be too heavy, as our railway carriages are kept so very warm.

We have been asked to define the meaning of the word "honeymoon." It comes from the Germans, who drank mead, or metheglin—a beverage made of honey—for thirty days after the wedding.

The bride-cake is no longer cut and served at weddings; the present of cake in boxes has superseded that. At the wedding breakfast the ices are now packed in fancy boxes, which bear nuptial mottoes and orange-blossoms and violets on their surfaces. As the ring is the expressive emblem of the perpetuity of the compact, and as the bride-cake and customary libations form significant symbols of the nectar sweets of matrimony, it will not do to banish the cake altogether, although few people eat it, and few wish to carry it away.

Among the Romans, June was considered the most propitious month for marriage; but with the Anglo-Saxons October has always been a favorite and auspicious season. We find that the festival has always been observed in very much the same way, whether druidical, pagan, or Christian.

We have been asked, Who shall conduct the single bridesmaid to the altar? It should be the brother of the groom, her ownfianc, or some chosen friend—never the best man; he does not leave his friend the groom until he sees him fairly launched on that hopeful but uncertain sea whose reverses and whose smiles are being constantly tempted.

"That man must lead a happy lifeWho is directed by a wife.Who's freed from matrimonial claimsIs sure to suffer for his pains."

This is a "posy" for some October silver.

The reception of an engaged girl by the family of her future husband should be most cordial, and no time should be lost in giving her a warm welcome. It is the moment of all others when she will feet such a welcome most gratefully, and when any neglect will be certain to give her the keenest unhappiness.

It is the fashion for the mother of the groom to invite both the family of the expectant bride and herself to a dinner as soon as possible after the formal announcement of the engagement. The two families should meet and should make friendships at once. This is important.

It is to these near relatives that the probable date of the wedding-day is first whispered, in time to allow of much consultation and preparation in the selection of wedding gifts. In opulent families each has sometimes given the young couple a silver dinner service and much silver besides, and the rooms of the bride's father's house look like a jeweller's shop when the presents are shown. All the magnificent ormolu ornaments for the chimney-piece, handsome clocks and lamps, fans in large quantities, spoons, forks by the hundred, and of late years the fine gilt ornaments, furniture, camel's-hair shawls, bracelets—all are piled up in most admired confusion. And when the invitations are out, then come in the outer world with their more hastily procured gifts; rare specimens of china, little paintings, ornaments for the person—all, all are in order.

A present is generally packed where it is bought, and sent with the giver's card from the shop to the bride directly. She should always acknowledge its arrival by a personal note written by herself. A young bride once gave mortal offence by not thus acknowledging her gifts. She said she had so many that she could not find time to write the notes, which was naturally considered boastful and most ungracious.

Gifts which owe their value to the personal taste or industry of the friend who sends are particularly complimentary. A piece of embroidery, a painting, a water-color, are most flattering gifts, as they betoken a long and predetermined interest.

No friend should be deterred from sending a small present, one not representing a money value, because other and richer people can send a more expensive one. Often the little gift remains as a most endearing and useful souvenir.

As for showing the wedding gifts, that is a thing which must be left to individual taste. Some people disapprove of it, and consider it ostentatious; others have a large room devoted to the display of the presents, and it is certainly amusing to examine them.

As for the conduct of the betrothed pair during their engagement, our American mammas are apt to be somewhat more lenient in their views of the liberty to be allowed than are the English. With the latter, no young lady is allowed to drive alone with herfianc; there must be a servant in attendance. No young lady must visit in the family of herfianc, unless he has a mother to receive her. Nor is she allowed to go to the theatre alone with him, or to travel under his escort, to stop at the same hotel, or to relax one of those rigid rules which a severe chaperon would enforce; and it must be allowed that this severe and careful attention to appearances is in the best taste.

As for the engagement-ring, modern fashion prescribes a diamond solitaire, which may range in price from two hundred and fifty to two thousand dollars. The matter of presentation is a secret between the engaged pair.

Evening weddings do not differ from day weddings essentially, except that the bridegroom wears evening dress.

If the wedding is at home, the space where the bridal party is to stand is usually marked off by a ribbon, and the clergyman comes down in his robes before the bridal pair; they face him, and he faces the company. Hassocks are prepared for them to kneel upon. After the ceremony the clergyman retires, and the bridal party take his place, standing to receive their friends' congratulations.

Should there be dancing at a wedding, it is proper for the bride to open the first quadrille with the best man, the groom dancing with the first bridesmaid. It is not, however, very customary for a bride to dance, or for dancing to occur at an evening wedding, but it is not a bad old custom.

After the bridal pair return from their wedding-tour, the bridesmaids each give them a dinner or a party, or show some attention, if they are so situated that they can do so. The members of the two families, also, each give a dinner to the young couple.

It is now a very convenient and pleasant custom for the bride to announce with her wedding-cards two or more reception days during the winter after her marriage, on which her friends can call upon her. The certainty of finding a bride at home is very pleasing. On these occasions she does not wear her wedding-dress, but receives as if she had entered society as one of its members. The wedding trappings are all put away, and she wears a dark silk, which may be as handsome as she chooses. As for wearing her wedding-dress to balls or dinners after her marriage, it is perfectly proper to do so, if she divests herself of her veil and her orange-blossoms.

The bride should be very attentive and conciliatory to all her husband's friends, They will look with interest upon her from the moment they hear of the engagement, and it is in the worst taste for her to show indifference to them.

Quiet weddings, either in church or at the house, are very much preferred by some families. Indeed, the French, from whom we have learned many—and might learn more—lessons of grace and good taste, infinitely prefer them.

For a quiet wedding the bride dresses in a travelling dress and bonnet, and departs for her wedding-tour. It is the custom in England, as we have said, for the bride and groom to drive off in their own carriage, which is dressed with white ribbons, the coach-man and groom wearing white bouquets, and favors adorning the horses' ears, and for them to take a month's honeymoon. There also the bride (if she be Hannah Rothschild or the Baroness Burdett-Coutts) gives her bridesmaids very elegant presents, as a locket or a bracelet, while the groom gives the best man a scarf-pin or some gift. The American custom is not so universal. However, either bride or groom gives something to the bridesmaid and a scarf-pin to each usher. Thus a wedding becomes a very expensive and elaborate affair, which quiet and economical people are sometimes obliged to avoid.

After the marriage invitations are issued, the lady does not appear in public.

The period of card-leaving after a wedding is not yet definitely fixed. Some authorities say ten days, but that in a crowded city, and with an immense acquaintance, would be quite impossible.

If only invited to the church, many ladies consider that they perform their whole duty by leaving a card sometime during the winter, and including the young couple in their subsequent invitations. Very rigorous people call, however, within ten days, and if invited to the house, the call is still more imperative, and should be made soon after the wedding.

But if a young couple do not send their future address, but only invite one to a church-wedding, there is often a very serious difficulty in knowing where to call, and the first visit must be indefinitely postponed until they send cards notifying their friends of their whereabouts.

Wedding invitations require no answer. But people living at a distance, who cannot attend the wedding, should send their cards by mail, to assure the hosts that the invitation has been received. The usual form for wedding-cards is this:

Mr. and Mrs. Theodore Chapman request your presence at the marriage of their daughter, on Wednesday evening, November fourth, at eight o'clock. Grace Church.

The card of the young lady, that of her intended husband, and another card to the favored—

At Home after the ceremony, 7 East Market Street—

is also enclosed.

People with a large acquaintance cannot always invite all their friends, of course, to a wedding reception, and therefore invite all to the church. Sometimes people who are to give a small wedding at home request an answer to the wedding invitation; in that case, of course, an answer should be sent, and people should be very careful not to ignore these flattering invitations. Any carelessness is inexcusable when so important an event is on thetapis. Bridesmaids, if prevented by illness or sudden bereavement from officiating, should notify the bride as soon as possible, as it is a difficult thing after a bridal cortge is arranged to reorganize it.

As to the wedding-tour, it is no longer considered obligatory, nor is the seclusion of the honey-moon demanded. A very fashionable girl who married an Englishman last summer at Newport returned in three days to take her own house at Newport, and to receive and give out invitations. If the newly married pair thus begin house-keeping in their own way, they generally issue a few "At Home" cards, and thereby open an easy door for future hospitalities. Certainly the once perfunctory bridal tour is no longer deemed essential, and the more sensible fashion exists of the taking of a friend's house a few miles out of town for a month.

If the bridal pair go to a watering-place during their early married days, they should be very careful of outward display of tenderness.

Such exhibitions in the cars or in public places as one often sees, of the bride laying her head on her husband's shoulder, holding hands, or kissing, are at once vulgar and indecent. All public display of an affectionate nature should be sedulously avoided. The affections are too sacred for such outward showing, and the lookers-on are in a very disagreeable position. The French call love-makingl'…… deux, and no egotism is agreeable. People who see a pair of young doves cooing in public are apt to say that a quarrel is not far off. It is possible for a lover to show every attention, every assiduity, and not to overdo his demonstrations. It is quite possible for the lady to be fond of her husband without committing the slightest offence against good taste.

The young couple are not expected, unless Fortune has been exceptionally kind, to be immediately responsive in the matter of entertainments. The outer world is only too happy to entertain them. Nothing can be more imprudent than for a young couple to rush into expenditures which may endanger their future happiness and peace of mind, nor should they feel that they are obliged at once to return the dinners and the parties given to them. The time will come, doubtless, when they will be able to do so.

But the announcement of a day on which the bride will receive her friends is almost indispensable. The refreshments on these occasions should not exceed tea and cake, or, at the most, punch, tea, chocolate, and cakes, which may stand on a table at one end of the room, or may be handed by a waiter. Bouillon, on a cold day of winter, is also in order, and is perhaps the most serviceable of all simple refreshments. For in giving a "four-o'clock tea," or several day receptions, a large entertainment is decidedly vulgar.

Very few people have the golden opportunity of living together for fifty years in the holy estate of matrimony. When they have overcome in so great a degree the many infirmities of the flesh, and the common incompatibility of tempers, they deserve to be congratulated, and to have a wedding festivity which shall be as ceremonious as the first one, and twice as impressive. But what shall we give them?

The gifts of gold must be somewhat circumscribed, and therefore the injunction, so severe and so unalterable, which holds good at tin and silver weddings, that no presents must be given of any other metal than that designated by the day, does not hold good at a golden wedding. A card printed in gold letters, announcing that John Anderson and Mary Brown were married, for instance, in 1830, and will celebrate their golden wedding in 1880, is generally the only golden manifestation. One of the cards recently issued reads in this way:

1831. 1881.

Mr. and Mrs. John Anderson,At Home November twenty-first, 1881,Golden Wedding,17 Carmichael Street,at eight o'clock.

All done in gold, on white, thick English paper, that is nearly all the exhibition of gold necessary at a golden wedding, unless some friend gives the aged bride a present of jewellery. The bride receives her children and grandchildren dressed in some article which she wore at her first wedding, if any remain. Sometimes a veil, or a handkerchief, or a fan, scarcely ever the whole dress, has lasted fifty years, and she holds a bouquet of white flowers. A wedding-cake is prepared with a ring in it, and on the frosting is the date, and the monogram of the two, who have lived together so long.

These golden weddings are apt to be sad. It is not well for the old to keep anniversaries—too many ghosts come to the feast. Still, if people are happy enough to wish to do so, there can be no harm in it. Their surroundings may possibly surpass their fondest dreams, but as it regards themselves, the contrast is painful. They have little in common with bridal joys, and unless it is the wish of some irrepressible descendant, few old couples care to celebrate the golden wedding save in their hearts. If they have started at the foot of the ladder, and have risen, they may not wish to remember their early struggles; if they have started high, and have gradually sunk into poverty or ill health, they certainly do not wish to photograph those better days by the fierce light of an anniversary, It is only the very exceptionally good, happy, and serene people who can afford to celebrate a golden wedding.

Far otherwise with the silver wedding, which comes in this country while people are still young, in the very prime of life, With much before them, and when to stop midway to take an account of one's friends and one's blessings is a wise and a pleasant thing. The cards are issued, printed in silver, somewhat in this style:

1856. 1881.

_Mr. and Mrs. Carter request the pleasure of your company on Wednesday, October the twenty-seventh, at eight o'clock. Silver Wedding.

John Carter. Sarah Smith._

Such, at least, is one form. Many people do not, however, add their names at the end; while, again, some go even farther; and transcribe the marriage notice from the newspaper of the period.

Gifts of silver being comparatively inexpensive, and always useful, almost all friends who are invited send a gift of silver-ware, marked "Silver Wedding" or, still better, marked with an appropriate motto, and the initials of the pair, engraved in a true-lover's knot.

In old Dutch silver these pretty monograms and the lover's knot are very common. This was probably put upon the original wedding silver, and we know that the art was studied by such men as Albrecht Drer, Benvenuto Cellini, and Rubens, for we find among their drawings many monograms and such devices. It adds very much to the beauty of a piece of silver to bear such engraving, and it is always well to add a motto, or a "posy," as the bid phrase has it, thus investing the gift with a personal interest, in our absence of armorial bearings. Since many pretty ornaments come in silver, it is possible to vary the gifts by sometimes presentingflacons(a pendantflaconfor thechatelaine: some very artistic things come in this pretty ornament now, with colored plaques representing antique figures, etc.). Sometimes a costly intaglio is sunk in silver and set as a pin. Clocks of silver, bracelets, statuary in silver, necklaces, picture-frames, and filigree pendants hanging to silver necklaces which resemble pearls; beautiful jewel-cases and boxes for the toilet; dressing-cases well furnished with silver; hand-mirrors set in fretted silver; bracelets, pendant seals, and medallions in high relief—all come now for gifts in the second precious metal. A very pretty gift was designed by a young artist for his mother on the celebration of her silver wedding. It was a monogram and love-knot after the fashion of the seventeenth century, and made, when joined, a superb belt-clasp, each little ornament of the relief repeating the two dates. Mantle clasps of solid silver ornamented with precious stones, and known in the Middle Ages asfermillets, are pretty presents, and these ornaments can be also enriched with gold and enamel without losing their silver character. Chimerical animals and floral ornaments are often used in enriching theseagrafes.

Mirrors set in silver are very handsome for the toilet-table; also, brushes and combs can be made of it. All silver is apt to tarnish, but a dip in water and ammonia cleans it at once, and few people now like the white foamy silver; that which has assumed a gray tint is much more admired. Indeed, artistic jewellers have introduced the hammered silver, which looks like an old tin teapot, and to the admirers of the real silver tint is very ugly; but it renders the wearing of a silverchtelainevery much easier, for the chains and ornaments which a lady now wears on her belt are sure to grow daily into the fashion. Silver parasol handles are also very fashionable. We have enlarged upon this subject of gifts of silver in answer to several questions as to what it is proper to give at a silver wedding. Of course the wealthy can send pitchers, vases, vegetable dishes, soup tureens, and waiters. All the beautiful things which are now made by our silversmiths are tempting to the purse. There are also handsome silver necklaces, holding old and rare coins, and curious watches of silver, resembling fruits, nuts, and animals. The farther back we go in the history of silver-ware, the better models we are sure to obtain.

As for the entertainment, it includes the inevitable cake, of course, and the bride puts the knife into it as she did twenty-five years ago. The ring is eagerly sought for. Then a large and plentiful repast is offered, exactly like that of any reception-table. Champagne is in order, healths are drunk, and speeches made at most of these silver weddings.

Particularly delightful are silver weddings which are celebrated in the country, especially if the house is large enough to hold a number of guests. Then many a custom can be observed of peculiar significance and friendliness; everybody can help to prepare the feast, decorate the house with flowers, and save the bride from those tearful moments which come with any retrospect. All should try to make the scene a merry one, for there is no other reason for its celebration.

Tin weddings, which occur after ten years have passed over two married heads, are signals for a general frolic. Not only are the usual tin utensils which can be used for the kitchen and household purposes offered, but fantastic designs and ornaments are gotten up for the purpose of raising a laugh. One young bride received a handsome check from her father-in-law, who labelled it "Tin," and sent it to her in a tin pocket-book elaborately constructed for the purpose. One very pretty tin fender was constructed for the fireplace of another, and was not so ugly. A tin screen, tin chandeliers, tin fans, and tin tables have been offered. If these serve no other purpose, they do admirably for theatrical properties later, if the family like private plays, etc., at home.

Wooden weddings occur after five years of marriage, and afford the bride much refurnishing of the kitchen, and nowadays some beautiful presents of wood-carving. The wooden wedding, which was begun in jest with a step-ladder and a rolling-pin several years ago, now threatens to become a very splendid anniversary indeed, since the art of carving in wood is so popular, and so much practised by men and women. Every one is ready for a carved box, picture-frame, screen, sideboard, chair, bureau, dressing-table, crib, or bedstead. Let no one be afraid to offer a bit of wood artistically carved. Everything is in order but wooden nutmegs; they are ruled out.

At one of the golden weddings of the Rothschilds we read of such presents as a solid gold dinner service; a chased cup of Benvenuto Cellini in solid gold, enriched with precious stones; a box, with cover of gold, in the early Renaissance, with head of Marie de Medicis in oxidized gold; of rings from Cyprus, containing sapphires from the tombs of the Crusaders; of solid crystals cut in drinking cups, with handles of gold; of jade goblets set in gold saucers; of singing-birds in gold; and of toilet appliances, all in solid gold, not to speak of chains, rings, etc. This is luxury, and as such to be commended to those who can afford it. But it must entail great inconvenience. Gold is so valuable that a small piece of it goes a great way, and even a Rothschild would not like to leave out a gold dressing-case, lest it might tempt the most honest of waiting-women.

No doubt some of our millionaire Americans can afford such golden wedding-presents, but of course they are rare, and even if common, would be less in keeping than some less magnificent gifts. Our republican simplicity would be outraged and shocked at seeing so much coin of the realm kept out of circulation.

There are, however, should we wish to make a present to a bride of fifty years' standing, many charming bits of gold jewellery very becoming, very artistic, and not too expensive for a moderate purse. There are the delicate productions of Castellani, the gold and enamel of Venice, the gold-work of several different colors which has become so artistic; there are the modern antiques, copied from the Phoenician jewellery found at Cyprus—these made into pins for the cap, pendants for the neck, rings and bracelets, boxes for the holding of small sweetmeats, so fashionable many years ago, are pretty presents for an elderly lady. For a gentleman it is more difficult to find souvenirs. We must acknowledge that it is always difficult to select a present for a gentleman. Unless he has as many feet as Briareus had hands, or unless he is a centipede, he cannot wear all the slippers given to him; and the shirt-studs and sleeve-buttons are equally burdensome. Rings are now fortunately in fashion, and can be as expensive as one pleases. But one almost regrets the disuse of snuff, as that gave occasion for many beautiful boxes. It would be difficult to find, however, such gold snuffboxes as were once handed round among monarchs and among wealthy snuffers. The giving of wedding-presents has had to endure many changes since its first beginning, which was a wise and generous desire to help the young pair to begin house-keeping. It has become now an occasion of ostentation. So with the gifts at the gold and silver weddings. They have almost ceased to be friendly offerings, and are oftener a proof of the giver's wealth than of his love.

No wonder that some delicate-minded people, wishing to celebrate their silver wedding, cause a line to be printed on their invitations, "No presents received."

Foreigners have a beautiful custom, which we have not, of remembering every fte day, every birthday, every saint's day, in a friend's calendar. A bouquet, a present of fruit, a kind note, a little celebration which costs nothing, occurs in every family on papa's birthday or mamma's fte day. But as we have nothing of that sort, and as most people prefer that, as in the case of the hero of thePirates, a birthday shall only come once in four years, it is well for us to celebrate the tin, silver, and golden weddings.

The twentieth anniversary of one's wedding is never celebrated. It is considered very unlucky to do so. The Scotch think one or the other will die within the year if the twentieth anniversary is even alluded to.

A hostess must not use the word "ball" on her invitation-cards.She may say,

_Mrs. John Brown requests the pleasure of the company of Mr. and Mrs. Amos Smith on Thursday evening, November twenty-second, at nine o'clock.

Dancing. R.S.V.P._

Or,

_Mrs. John BrownAt HomeThursday evening, November twenty-second,at nine o'clock.

Cotillion at ten. R. S. V. P._

But she should not indicate further the purpose of her party. In New York, where young ladies are introduced to society by means of a ball at Delmonico's, the invitation is frequently worded,

_Mr. and Mrs. Amos Smith request the pleasureof your companyThursday evening, November twenty-second,at nine o'clock.

Delmonico' s._

The card of the young dbutante is sometimes (although not always) enclosed.

If these invitations are sent to new acquaintances, or to strangers in town, the card of the gentleman is enclosed to gentlemen, that of both the gentleman and his wife to ladies and gentlemen, if it is a first invitation.

A ballroom should be very well lighted, exceedingly well ventilated, and very gayly dressed. It is the height of the gayety of the day; and although dinner calls for handsome dress, a ball demands it. Young persons of slender figure prefer light, diaphanous dresses; the chaperons can wear heavy velvet and brocade. Jewels are in order. A profusion of flowers in the hands of the women should add their brightness and perfume to the rooms. The great number of bouquets sent to a dbutante is often embarrassing. The present fashion is to have them hung, by different ribbons, on the arm, so that they look as if almost a trimming to the dress.

Gentlemen who have not selected partners before the ball come to their hostess and ask to be presented to ladies who will dance with them. As a hostess cannot leave her place while receiving, and people come at all hours to a ball, she generally asks two or three well-known society friends to receive with her, who will take this part of her duty off her hands, for no hostess likes to see "wall-flowers" at her ball: she wishes all her young people to enjoy themselves. Well-bred young men always say to the hostess that they beg of her to introduce them to ladies who may be without partners, as they would gladly make themselves useful to her. After dancing with a lady, and walking about the room with her for a few times, a gentleman is at perfect liberty to take the young lady back to her chaperon and plead another engagement.

A great drawback to balls in America is the lack of convenience for those who wish to remain seated. In Europe, where the elderly are first considered, seats are placed around the room, somewhat high, for the chaperons, and at their feet sit the debutantes. These red-covered sofas, in two tiers, as it were, are brought in by the upholsterer (as we hire chairs for the crowdedmusicalesor readings so common in large cities), and are very convenient. It is strange that all large halls are not furnished with them, as they make every one comfortable at very little expense, and add to the appearance of the room. A row of well-dressed ladies, in velvet, brocade, and diamonds, some with white hair, certainly forms a very distinguished background for those who sit at their feet.

Supper is generally served all the evening from a table on which flowers, fruits, candelabra, silver, and glass are displayed, and which is loaded with hot oysters, boned turkey, salmon, gamepts, salads, ices, jellies, and fruits, from the commencement of the evening. A hot supper, with plentiful cups of bouillon, is served again for those who dance the german.

But if the hostess so prefer, the supper is not served until she gives the word, when her husband leads the way with the most distinguished lady present, the rest of the company following. The hostess rarely goes in to supper until every one has been served. She takes the opportunity of walking about her ballroom to see if every one is happy and attended to. If she does go to supper, it is in order to accompany some distinguished guest—like the President, for instance. This is, however, a point which may be left to the tact of the hostess.

A young lady is not apt to forget her ballroom engagements, but she should be sure not to do so. She must be careful not to offend one gentleman by refusing to dance with him, and then accepting the offer of another. Such things, done by frivolous girls, injure a young man's feelings unnecessarily, and prove that the young lady has not had the training of a gentlewoman. A young man should not forget if he has asked a young lady for the german. He must send her a bouquet, and be on hand to dance with her. If kept away by sickness, or a death in his family, he must send her a note before the appointed hour.

It is not necessary to take leave of your hostess at a ball. All that she requires of you is to bow to her on entering, and to make yourself as agreeable and happy as you can while in her house.

Young men are not always as polite as they should be at balls. They ought, if well-bred, to look about, and see if any lady has been left unattended at supper, to ask if they can go for refreshments, if they can lead a lady to a seat, go for a carriage, etc. It is not an impertinence for a young man thus to speak to a lady older than himself, even if he has not been introduced; the roof is a sufficient introduction for any such purpose.

The first persons asked to dance by the young gentlemen invited to a house should be the daughters of the house. To them and to their immediate relatives and friends must the first attentions be paid.

It is not wise for young ladies to join in every dance, nor should a young chaperon dance, leaving her protege sitting. The very bad American custom of sending several young girls to a ball with a very young chaperon—perhaps one of their number who has just been married—has led to great vulgarity in our American city life, not to say to that general misapprehension of foreigners which offends without correcting our national vanity. A mother should endeavor to attend balls with her daughters, and to stay as long as they do. But many mothers say, "We are not invited: there is not room for us." Then her daughters should not accept. It is a very poor American custom not to invite the mothers. Let a lady give two or three balls, if her list is so large that she can only invite the daughters. If it be absolutely necessary to limit the invitations, the father should go with the daughters, for who else is to escort them to their carriage, take care of them if they faint, or look to their special or accidental wants? The fact that a few established old veterans of society insist upon "lagging superfluous on the stage" should not deter ladies who entertain from being true to the ideas of the best society, which certainly are in favor of chaperonage.

A lady should not overcrowd her rooms. To put five hundred people into a hot room, with no chairs to rest in, and little air to breathe, is to apply a very cruel test to friendship. It is this impossibility of putting one's "five hundred dear friends" into a narrow house which has led to the giving of balls at public rooms—an innovation which shocked a French woman of rank who married an American. "You have no safeguard for society in America," she observed, "but your homes. No aristocracy, no king, no courts, no traditions, but the sacred one of home. Now, do you not run great risks when you abandon your homes, and bring out your girls at a hotel?" There is something in her wise remarks; and with the carelessness of chaperonage in cities which are now largely populated by irresponsible foreigners the dangers increase.

The first duty of a gentleman on entering a ballroom is to make his bow to the lady of the house and to her daughters; he should then strive to find his host—a very difficult business sometimes. Young men are to be very much censured, however, who do not find out their host, and insist on being presented to him. Paterfamilias in America is sometimes thought to hold a very insignificant place in his own house, and be good for nothing but to draw checks. This is indicative of a very low social condition, and no man invited to a gentleman's house should leave it until he has made his bow to the head thereof.

It is proper for intimate friends to ask for invitations for other friends to a ball, particularly for young gentlemen who are "dancing men." More prudence should be exercised in asking in behalf of ladies, but the hostess has always the privilege of saying that her list is full, if she does not wish to invite her friends' friends. No offence should be taken if this refusal be given politely. In a majority of luxurious houses a tea-room is open from the beginning to the end of a ball, frequently on the second story, where bouillon, tea, coffee, and macaroons are in order, or a plate of sandwiches, or any such light refreshment, for those who do not wish a heavy supper. A large bowl of iced lemonade is also in this room—a most grateful refreshment after leaving a hot ballroom.

The practice of putting crash over carpets has proved so unhealthy to the dancers, on account of the fine fuzz which rises from it in dancing, that it is now almost wholly abandoned; and parquet floors are becoming so common, and the dancing on them is so much more agreeable in every way, that ladies have their heavy parlor carpets taken up before a ball rather than lay a crash.

A smoking-room, up or down stairs, is set apart for the gentlemen, where, in some houses, cigars and brandy and effervescent waters are furnished. If this provision be not made, it is the height of indelicacy for gentlemen to smoke in the dressing-rooms.

The bad conduct of young men at large balls, where they abuse their privileges by smoking, getting drunk at supper, eating unreasonably, blockading the tables, and behaving in an unseemly manner, even coming to blows in the supper-rooms, has been dwelt upon in the annals of the past, which annals ever remain a disgrace to the young fashionables of any city. Happily, such breaches of decorum are now so rare that there is no need to touch upon them here.

Many of our correspondents ask the embarrassing question, "Who is it proper to invite to a first ball?" This is a question which cannot be answered in a general way. The tact and delicacy of the host must decide it.

At public balls there should be managers, ushers, stewards, and, if possible, a committee of ladies to receive. It is very much more conducive to the elegance of a ball if there be a recognized hostess, or committee of hostesses: the very aspect of the room is thus improved. And to a stranger from another city these ladies should be hospitable, taking care that she be introduced and treated with suitable attention.

An awning and carpet should be placed at the front entrance of a house in which a ball is to be given, to protect the guests against the weather and the gaze of the crowd of by-standers who always gather in a great city to see the well-dressed ladies alight. Unfortunately, in a heavy rain these awnings are most objectionable; they are not water-proof, and as soon as they are thoroughly wet they afford no protection whatever.

The cotillion styled the German was first danced by the German court just after the battle of Waterloo, probably at the ball at Aix-la-Chapelle given to the allied sovereigns. Favors are given merely to promote enjoyment and to give variety. It is not necessary that people be matrimonially engaged to dance it. One engages his partner for it as for any other dance. It had been fashionable in Europe many years before it came to this country, but has been danced here for over forty years, first coming out at Washington.

The return to quadrilles at some of the latest balls at Delmonico's in the winter of 1884 was an important epoch in the history of dancing, reiterating the well-known proverb of the dressmakers that everything comes round in fifty years. Fashion seems to be perennial in this way, for it is almost fifty years—certainly forty—since the quadrille was at the height of fashion. In Germany, where they dance for dancing's sake, the quadrille was long ago votedrococoand stiff. In England and at court balls it served always as a way, a dignified manner, for sovereigns and people of inconveniently high rank to begin a ball, to open a festivity, and it had a sporadic existence in the country and at Washington even during the years when the Lancers, a much livelier dance, had chased it away from the New York balls for a long period of time.

The quadrille is a stately and a conversational dance. The figures are accurate, and every one should know them well enough to respond to the voice of the leader. But inasmuch as the figures are always calling one away from his partner, the first law is to have a large supply of small-talk, so that, on rejoining, a remark and a smile may make up for lost time. A calm, graceful carriage, the power to make an elegant courtesy, are necessary to a lady. No one in these days takes steps; a sort of galop is, however, allowed in the rapid figures of the quadrille. A defiant manner, sometimes assumed by a bashful man, is out of place, although there are certain figures which make a man feel rather defiant. One of these is where he is obliged, ascavalier seul, to advance to three ladies, who frequently laugh at him. Then a man should equally avoid a boisterous demeanor in a quadrille; not swinging the lady round too gayly. It is never a romping dance, like the Virginia reel, for instance.

All people are apt to walk through a quadrille slowly, to music, until they come to the "ladies' chain" or the "promenade." It is, however, permissible to add a little swinging-step and a graceful dancing-movement to this stately promenade. A quadrille cannot go on evenly if any confusion arises from the ignorance, obstinacy, or inattention of one of the dancers. It is proper, therefore, if ignorant of the figures, to consult a dancing-master and to learn them. It is a most valuable dance, as all ages, sizes, and conditions of men and women can join in it. The young, old, stout, thin, lazy, active, maimed, or single,without loss of caste, can dance a quadrille. No one looks ridiculous dancing a quadrille. It is decidedly easier than the German, makes a break in atte- -tteconversation, and enables a gentleman to be polite to a lady who may not be a good dancer for waltz or polka. The morality of round dances seems now to be little questioned. At any rate, young girls in the presence of their mothers are not supposed to come to harm from their enjoyment. Dancing is one of the oldest, the most historical, forms of amusement. Even Socrates learned to dance. There is no longer an excommunication on the waltz, that dance which Byron abused.

In England thevalse deux tempsis still the most fashionable, as it always will be the most beautiful, of dances. Some of the critics of all countries have said that only Germans, Russians, and Americans can dance it. The Germans dance it very quickly, with a great deal of motion, but render it elegant by slacking the pace every now and then. The Russians waltz so quietly, on the contrary, that they can go round the room holding a brimming glass of champagne without spilling a drop. This evenness in waltzing is very graceful, and can only be reached by long practice, a good ear for music, and a natural gracefulness. Young Americans, who, as a rule, are the best dancers in the world, achieve this step to admiration. It is the gentleman's duty in any round dance to guide his fair companion gracefully; he must not risk a collision or the chance of a fall. A lady should never waltz if she feels dizzy. It is a sign of disease of the heart, and has brought on death. Neither should she step flat-footed, and make her partner carry her round; but must do her part of the work, and dance lightly and well, or not at all. Then, again, neither should her partner waltz on the tip of his toes, nor lift his partner too much off the floor; all should be smooth, graceful, delicate.

The American dance of the season is, however, the polka—not the old-fashioned "heel and toe," but the step, quick and gay, of the Sclavonic nationalities. It may be danced slowly or quickly. It is always, however, a spirited step, and the music is undoubtedly pretty. The dancing-masters describe the step of a polka as being a "hop, three glides, and a rest," and the music is two-four time. In order to apply the step to the music one must make it in four-eight time, counting four to each measure of the music, each measure taking about a second of time by the watch. The polka redowa and the polka mazourka are modifications of this step to different times.

The galop is another fashionable dance this winter. It is very easy, and is danced to very quick music; it is inspiriting at the end of a ball.

Theminuet de la courwas first danced in the ancient province of Poitou, France. In Paris, in 1653, Louis XIV., who was passionately fond of it, danced it to perfection. In 1710, Marcel, the renowned dancing-master, introduced it into England. Then it went out for many years, until Queen Victoria revived it at abal costumat Buckingham Palace in 1845. In New York it was revived and ardently practised for Mrs. W. K. Vanderbilt's splendid fancy ball in 1883, and it was much admired. There seems no reason why the grace, the dignity, the continuous movement; the courtesy, thepas grace, the skilfully-managed train, the play with the fan, should not commend this elegant dance to even our republican dancers; but it has not been danced this winter. It is possibly too much trouble. A dancing-master worked all winter to teach it to the performers of the last season.

To make a courtesy (or, as we are fond of saying, acurtsy) properly is a very difficult art, yet all who dance the quadrille must learn it. To courtesy to her partner the lady steps off with the right foot, carrying nearly all her weight upon it, at the same time raising the heel of the left foot, thus placing herself in the second position, facing her partner, countingone. She then glides the left foot backward and across till the toe of the left foot is directly behind the right heel, the feet about one half of the length of the foot apart. This glide commences on the ball of the left foot, and terminates with both feet flat upon the floor, and the transfer of the weight to the backward foot. The bending of the knees and the casting down of the eyes begin with the commencement of the glide with the left foot, and the genuflection is steadily continued until the left foot reaches the position required, countingtwo; then, without changing the weight from the backward foot, she gradually rises, at the same time raising the forward heel and lifting the eyes, until she recovers her full height, countingthree; and finally transfers the weight to the forward foot, countingfour. Such is the elaborate and the graceful courtesy. It should be studied with a master.


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