Lord Maxwell started and recollected himself. After a pause he said, looking down under his spectacles at his grandson with an expression in which discomfort strove with humour—
"I see. You think we are beating about the bush. Perhaps we are. It is the difference between being old and being young, Aldous, my boy. Well—now then—for Miss Boyce. How much have you seen of her?—how deep has it gone? You can't wonder that I am knocked over. To bring that man amongst us! Why, the hound!" cried the old man, suddenly, "we could not even get him to come and see his father when he was dying. John had lost his memory mostly—had forgotten, anyway, to be angry—and justcravedfor Dick, for the only creature he had ever loved. With great difficulty I traced the man, and tried my utmost. No good! He came when his father no longer knew him, an hour before the end. His nerves, I understood, were delicate—not so delicate, however, as to prevent his being present at the reading of the will! I have never forgiven him that cruelty to the old man, and never will!"
And Lord Maxwell began to pace the library again, by way of working off memory and indignation.
Aldous watched him rather gloomily. They had now been discussing Boyce's criminalities in great detail for a considerable time, and nothing else seemed to have any power to touch—or, at any rate, to hold—Lord Maxwell's attention. A certain deep pride in Aldous—the pride of intimate affection—felt itself wounded.
"I see that you have grave cause to think badly of her father," he said at last, rising as he spoke. "I must think how it concerns me. And to-morrow you must let me tell you something about her. After all, she has done none of these things. But I ought not to keep you up like this. You will remember Clarke was very emphatic about your not exhausting yourself at night, last time he was here."
Lord Maxwell turned and stared.
"Why—why, what is the matter with you, Aldous? Offended?Well—well—There—Iaman old fool!"
And, walking up to his grandson, he laid an affectionate and rather shaking hand on the younger's shoulder.
"You have a great charge upon you, Aldous—a charge for the future. It has upset me—I shall be calmer to-morrow. But as to any quarrel between us! Are you a youth, or am I a three-tailed bashaw? As to money, you know, I care nothing. But it goes against me, my boy, it goes against me, thatyourwife should bring such a story as that with her into this house!"
"I understand," said Aldous, wincing. "But you must see her, grandfather. Only, let me say it again—don't for one moment take it for granted that she will marry me. I never saw any one so free, so unspoilt, so unconventional."
His eyes glowed with the pleasure of remembering her looks, her tones.
Lord Maxwell withdrew his hand and shook his head slowly.
"You have a great deal to offer. No woman, unless she were either foolish or totally unexperienced, could overlook that. Is she about twenty?"
"About twenty."
Lord Maxwell waited a moment, then, bending over the fire, shrugged his shoulders in mock despair.
"It is evident you are out of love with me, Aldous. Why, I don't know yet whether she is dark or fair!"
The conversation jarred on both sides. Aldous made an effort.
"She is very dark," he said; "like her mother in many ways, only quite different in colour. To me she seems the most beautiful—the only beautiful woman I have ever seen. I should think she was very clever in some ways—and very unformed—childish almost—in others. The Hardens say she has done everything she could—of course it isn't much—for that miserable village in the time she has been there. Oh! by the way, she is a Socialist. She thinks that all we landowners should be done away with."
Aldous looked round at his grandfather, so soon probably to be one of the lights of a Tory Cabinet, and laughed. So, to his relief, did Lord Maxwell.
"Well, don't let her fall into young Wharton's clutches, Aldous, or he will be setting her to canvas. So, she is beautiful and she is clever—andgood, my boy? If she comes here, she will have to fill your mother's and your grandmother's place."
Aldous tried to reply once or twice, but failed.
"If I did not feel that she were everything in herself to be loved and respected"—he said at last with some formality—"I should not long, as I do, to bring you and her together."
Silence fell again. But instinctively Aldous felt that his grandfather's mood had grown gentler—his own task easier. He seized on the moment at once.
"In the whole business," he said, half smiling, "there is only one thing clear, grandfather, and that is, that, if you will, you can do me a great service with Miss Boyce."
Lord Maxwell turned quickly and was all sharp attention, the keen commanding eyes under their fine brows absorbing, as it were, expression and life from the rest of the blanched and wrinkled face.
"You could, if you would, make matters easy for her and her mother in the county," said Aldous, anxious to carry it off lightly. "You could, if you would, without committing yourself to any personal contact with Boyce himself, make it possible for me to bring her here, so that you and my aunt might see her and judge."
The old man's expression darkened.
"What, take back that note, Aldous! I never wrote anything with greater satisfaction in my life!"
"Well,—more or less," said Aldous, quietly. "A very little would do it. A man in Richard Boyce's position will naturally not claim very much—will take what he can get."
"And you mean besides," said his grandfather, interrupting him, "that I must send your aunt to call?"
"It will hardly be possible to ask Miss Boyce here unless she does!" said Aldous.
"And you reckon that I am not likely to go to Mellor, even to see her? And you want me to say a word to other people—to the Winterbournes and the Levens, for instance?"
"Precisely," said Aldous.
Lord Maxwell meditated; then rose.
"Let me now appease the memory of Clarke by going to bed!" (Clarke was his lordship's medical attendant and autocrat.) "I must sleep upon this, Aldous."
"I only hope I shall not have tired you out."
Aldous moved to extinguish a lamp standing on a table near.
Suddenly his grandfather called him.
"Aldous!"
"Yes."
But, as no words followed, Aldous turned. He saw his grandfather standing erect before the fire, and was startled by the emotion he instantly perceived in eye and mouth.
"You understand, Aldous, that for twenty years—it is twenty years last month since your father died—you have been the blessing of my life? Oh! don't say anything, my boy; I don't want any more agitation. I have spoken strongly; it was hardly possible but that on such a matter I should feel strongly. But don't go away misunderstanding me—don't imagine for one instant that there is anything in the world that really matters to me in comparison with your happiness and your future!"
The venerable old man wrung the hand he held, walked quickly to the door, and shut it behind him.
* * * * *
An hour later, Aldous was writing in his own sitting-room, a room on the first floor, at the western corner of the house, and commanding by daylight the falling slopes of wood below the Court, and all the wide expanses of the plain. To-night, too, the blinds were up, and the great view drawn in black and pearl, streaked with white mists in the ground hollows and overarched by a wide sky holding a haloed moon, lay spread before the windows. On a clear night Aldous felt himself stifled by blinds and curtains, and would often sit late, reading and writing, with a lamp so screened that it threw light upon his book or paper, while not interfering with the full range of his eye over the night-world without. He secretly believed that human beings see far too little of the night, and so lose a host of august or beautiful impressions, which might be honestly theirs if they pleased, without borrowing or stealing from anybody, poet or painter.
The room was lined with books, partly temporary visitors from the great library downstairs, partly his old college books and prizes, and partly representing small collections for special studies. Here were a large number of volumes, blue books, and pamphlets, bearing on the condition of agriculture and the rural poor in England and abroad; there were some shelves devoted to general economics, and on a little table by the fire lay the recent numbers of various economic journals, English and foreign. Between the windows stood a small philosophical bookcase, the volumes of it full of small reference slips, and marked from end to end; and on the other side of the room was a revolving book-table crowded with miscellaneous volumes of poets, critics, and novelists—mainly, however, with the first two. Aldous Raeburn read few novels, and those with a certain impatience. His mind was mostly engaged in a slow wrestle with difficult and unmanageable fact; and for that transformation and illumination of fact in which the man of idealist temper must sometimes take refuge and comfort, he went easily and eagerly to the poets and to natural beauty. Hardly any novel writing, or reading, seemed to him worth while. A man, he thought, might be much better employed than in doing either.
Above the mantelpiece was his mother's picture—the picture of a young woman in a low dress and muslin scarf, trivial and empty in point of art, yet linked in Aldous's mind with a hundred touching recollections, buried all of them in the silence of an unbroken reserve. She had died in childbirth when he was nine; her baby had died with her, and her husband, Lord Maxwell's only son and surviving child, fell a victim two years later to a deadly form of throat disease, one of those ills which come upon strong men by surprise, and excite in the dying a sense of helpless wrong which even religious faith can only partially soothe.
Aldous remembered his mother's death; still more his father's, that father who could speak no last message to his son, could only lie dumb upon his pillows, with those eyes full of incommunicable pain, and the hand now restlessly seeking, now restlessly putting aside the small and trembling hand of the son. His boyhood had been spent under the shadow of these events, which had aged his grandfather, and made him too early realise himself as standing alone in the gap of loss, the only hope left to affection and to ambition. This premature development, amid the most melancholy surroundings, of the sense of personal importance—not in any egotistical sense, but as a sheer matter of fact—had robbed a nervous and sensitive temperament of natural stores of gaiety and elasticity which it could ill do without. Aldous Raeburn had been too much thought for and too painfully loved. But for Edward Hallin he might well have acquiesced at manhood in a certain impaired vitality, in the scholar's range of pleasures, and the landowner's customary round of duties.
It was to Edward Hallin he was writing to-night, for the stress and stir of feeling caused by the events of the day, and not least by his grandfather's outburst, seemed to put sleep far off. On the table before him stood a photograph of Hallin, besides a miniature of his mother as a girl. He had drawn the miniature closer to him, finding sympathy and joy in its youth, in the bright expectancy of the eyes, and so wrote, as it were, having both her and his friend in mind and sight.
To Hallin he had already spoken of Miss Boyce, drawing her in light, casual, and yet sympathetic strokes as the pretty girl in a difficult position whom one would watch with curiosity and some pity. To-night his letter, which should have discussed a home colonisation scheme of Hallin's, had but one topic, and his pen flew.
"Would you call her beautiful? I ask myself again and again, trying to put myself behind your eyes. She has nothing, at any rate, in common with the beauties we have down here, or with those my aunt bade me admire in London last May. The face has a strong Italian look, but not Italian of to-day. Do you remember the Ghirlandajo frescoes in Santa Maria Novella, or the side groups in Andrea's frescoes at the Annunziata? Among them, among the beautiful tall women of them, there are, I am sure, noble, freely-poised, suggestive heads like hers—hair, black wavy hair, folded like hers in large simple lines, and faces with the same long, subtle curves. It is a face of the Renaissance, extraordinarily beautiful, as it seems to me, in colour and expression; imperfect in line, as the beauty which marks the meeting point between antique perfection and modern character must always be. It hasmorbidezza—unquiet melancholy charm, then passionate gaiety—everything that is most modern grafted on things Greek and old. I am told that Burne Jones drew her several times while she was in London, with delight. It is the mostartisticbeauty, having both the harmonies and the dissonances that a full-grown art loves.
"She may be twenty or rather more. The mind has all sorts of ability; comes to the right conclusion by a divine instinct, ignoring the how and why. What does such a being want with the drudgery of learning? to such keenness life will be master enough. Yet she has evidently read a good deal—much poetry, some scattered political economy, some modern socialistic books, Matthew Arnold, Ruskin, Carlyle. She takes everything dramatically, imaginatively, goes straight from it to life, and back again. Among the young people with whom she made acquaintance while she was boarding in London and working at South Kensington, there seem to have been two brothers, both artists, and both Socialists; ardent young fellows, giving all their spare time to good works, who must have influenced her a great deal. She is full of angers and revolts, which you would delight in. And first of all, she is applying herself to her father's wretched village, which will keep her hands full. A large and passionate humanity plays about her. What she says often seems to me foolish—in the ear; but the inner sense, the heart of it, command me.
"Stare as you please, Ned! Only write to me, and come down here as soon as you can. I can and will hide nothing from you, so you will believe me when I say that all is uncertain, that I know nothing, and, though I hope everything, may just as well fear everything too. But somehow I am another man, and the world shines and glows for me by day and night."
Aldous Raeburn rose from his chair and, going to the window, stood looking out at the splendour of the autumn moon. Marcella moved across the whiteness of the grass; her voice was still speaking to his inward ear. His lips smiled; his heart was in a wild whirl of happiness.
Then he walked to the table, took up his letter, read it, tore it across, and locked the fragments in a drawer.
"Not yet, Ned—not yet, dear old fellow, even to you," he said to himself, as he put out his lamp.
Three days passed. On the fourth Marcella returned late in the afternoon from a round of parish visits with Mary Harden. As she opened the oak doors which shut off the central hall of Mellor from the outer vestibule, she saw something white lying on the old cut and disused billiard table, which still occupied the middle of the floor till Richard Boyce, in the course of his economies and improvements, could replace it by a new one.
She ran forward and took up a sheaf of cards, turning them over in asmiling excitement. "Viscount Maxwell," "Mr. Raeburn," "Miss Raeburn,""Lady Winterbourne and the Misses Winterbourne," two cards of LordWinterbourne's—all perfectly in form.
Then a thought flashed upon her. "Of course it is his doing—and I asked him!"
The cards dropped from her hand on the billiard table, and she stood looking at them, her pride fighting with her pleasure. There was something else in her feeling too—the exultation of proved power over a person not, as she guessed, easily influenced, especially by women.
"Marcella, is that you?"
It was her mother's voice. Mrs. Boyce had come in from the garden through the drawing-room, and was standing at the inner door of the hall, trying with shortsighted eyes to distinguish her daughter among the shadows of the great bare place. A dark day was drawing to its close, and there was little light left in the hall, except in one corner where a rainy sunset gleam struck a grim contemporary portrait of Mary Tudor, bringing out the obstinate mouth and the white hand holding a jewelled glove.
Marcella turned, and by the same gleam her mother saw her flushed and animated look.
"Any letters?" she asked.
"No; but there are some cards. Oh yes, there is a note," and she pounced upon an envelope she had overlooked. "It is for you, mother—from the Court."
Mrs. Boyce came up and took note and cards from her daughter's hand.Marcella watched her with quick breath.
Her mother looked through the cards, slowly putting them down one by one without remark.
"Oh, mother! do read the note!" Marcella could not help entreating.
Mrs. Boyce drew herself together with a quick movement as though her daughter jarred upon her, and opened the note. Marcella dared not look over her. There was a dignity about her mother's lightest action, about every movement of her slender fingers and fine fair head, which had always held the daughter in check, even while she rebelled.
Mrs. Boyce read it, and then handed it to Marcella.
"I must go and make the tea," she said, in a light, cold tone, and turning, she went back to the drawing-room, whither afternoon tea had just been carried.
Marcella followed, reading. The note was from Miss Raeburn, and it contained an invitation to Mrs. Boyce and her daughter to take luncheon at the Court on the following Friday. The note was courteously and kindly worded. "We should be so glad," said the writer, "to show you and Miss Boyce our beautiful woods while they are still at their best, in the way of autumn colour."
"How will mamma take it?" thought Marcella anxiously. "There is not a word of papa!"
When she entered the drawing-room, she caught her mother standing absently at the tea-table. The little silver caddy was still in her hand as though she had forgotten to put it down; and her eyes, which evidently saw nothing, were turned to the window, the brows frowning. The look of suffering for an instant was unmistakable; then she started at the sound of Marcella's step, and put down the caddy amid the delicate china crowded on the tray, with all the quiet precision of her ordinary manner.
"You will have to wait for your tea," she said, "the water doesn't nearly boil."
Marcella went up to the fire and, kneeling before it, put the logs with which it was piled together. But she could not contain herself for long.
"Will you go to the Court, mamma?" she asked quickly, without turning round.
There was a pause. Then Mrs. Boyce said drily—
"Miss Raeburn's proceedings are a little unexpected. We have been here four months, within two miles of her, and it has never occurred to her to call. Now she calls and asks us to luncheon in the same afternoon. Either she took too little notice of us before, or she takes too much now—don't you think so?"
Marcella was silent a moment. Should she confess? It began to occur to her for the first time that in her wild independence she had been taking liberties with her mother.
"Mamma!"
"Yes."
"I asked Mr. Aldous Raeburn the other day whether everybody here was going to cut us! Papa told me that Lord Maxwell had written him an uncivil letter and—"
"You—asked—Mr. Raeburn—" said Mrs. Boyce, quickly. "What do you mean?"
Marcella turned round and met the flash of her mother's eyes.
"I couldn't help it," she said in a low hurried voice. "It seemed so horrid to feel everybody standing aloof—we were walking together—he was very kind and friendly—and I asked him to explain."
"I see!" said Mrs. Boyce. "And he went to his aunt—and she went to Lady Winterbourne—they were compassionate—and there are the cards. You have certainly taken us all in hand, Marcella!"
Marcella felt an instant's fear—fear of the ironic power in the sparkling look so keenly fixed on her offending self; she shrank before the proud reserve expressed in every line of her mother's fragile imperious beauty. Then a cry of nature broke from the girl.
"You have got used to it, mamma! I feel as if it would kill me to live here, shut off from everybody—joining with nobody—with no friendly feelings or society. It was bad enough in the old lodging-house days; but here—whyshouldwe?"
Mrs. Boyce had certainly grown pale.
"I supposed you would ask sooner or later," she said in a low determined voice, with what to Marcella was a quite new note of reality in it. "Probably Mr. Raeburn told you—but you must of course have guessed it long ago—that society does not look kindly on us—and has its reasons. I do not deny in the least that it has its reasons. I do not accuse anybody, and resent nothing. But the question with me has always been, Shall I accept pity? I have always been able to meet it with a No! You are very different from me—but for you also I believe it would be the happiest answer."
The eyes of both met—the mother's full of an indomitable fire which had for once wholly swept away her satiric calm of every day; the daughter's troubled and miserable.
"I want friends!" said Marcella, slowly. "There are so many things I want to do here, and one can do nothing if every one is against you. People would be friends with you and me—and with papa too,—through us. Some of them wish to be kind"—she added insistently, thinking of Aldous Raeburn's words and expression as he bent to her at the gate—"I know they do. And if we can't hold our heads high because—because of things in the past—ought we to be so proud that we won't take their hands when they stretch them out—when they write so kindly and nicely as this?"
And she laid her fingers almost piteously on the note upon her knee.
Mrs. Boyce tilted the silver urn and replenished the tea-pot. Then with a delicate handkerchief she rubbed away a spot from the handle of a spoon near her.
"You shall go," she said presently—"you wish it—then go—go by all means. I will write to Miss Raeburn and send you over in the carriage. One can put a great deal on health—mine is quite serviceable in the way of excuses. I will try and do you no harm, Marcella. If you have chosen your line and wish to make friends here—very well—I will do what I can for you so long as you do not expect me to change my life—for which, my dear, I am grown too crotchety and too old."
Marcella looked at her with dismay and a yearning she had never felt before.
"And you will never go out with me, mamma?"
There was something childlike and touching in the voice, something which for once suggested the normal filial relation. But Mrs. Boyce did not waver. She had long learnt perhaps to regard Marcella as a girl singularly well able to take care of herself; and had recognised the fact with relief.
"I will not go to the Court with you anyway," she said, daintily sipping her tea—"in your interests as well as mine. You will make all the greater impression, my dear, for I have really forgotten how to behave. Those cards shall be properly returned, of course. For the rest—let no one disturb themselves till they must. And if I were you, Marcella, I would hardly discuss the family affairs any more—with Mr. Raeburn or anybody else."
And again her keen glance disconcerted the tall handsome girl, whose power over the world about her had never extended to her mother. Marcella flushed and played with the fire.
"You see, mamma," she said after a moment, still looking at the logs and the shower of sparks they made as she moved them about, "you never let me discuss them with you."
"Heaven forbid!" said Mrs. Boyce, quickly; then, after a pause: "You will find your own line in a little while, Marcella, and you will see, if you so choose it, that there will be nothing unsurmountable in your way. One piece of advice let me give you. Don't be toogratefulto Miss Raeburn, or anybody else! You take great interest in your Boyce belongings, I perceive. You may remember too, perhaps, that there is other blood in you—and that no Merritt has ever submitted quietly to either patronage or pity."
Marcella started. Her mother had never named her own kindred to her before that she could remember. She had known for many years that there was a breach between the Merritts and themselves. The newspapers had told her something at intervals of her Merritt relations, for they were fashionable and important folk, but no one of them had crossed the Boyces' threshold since the old London days, wherein Marcella could still dimly remember the tall forms of certain Merritt uncles, and even a stately lady in a white cap whom she knew to have been her mother's mother. The stately lady had died while she was still a child at her first school; she could recollect her own mourning frock; but that was almost the last personal remembrance she had, connected with the Merritts.
And now this note of intense personal and family pride, under which Mrs. Boyce's voice had for the first time quivered a little! Marcella had never heard it before, and it thrilled her. She sat on by the fire, drinking her tea and every now and then watching her companion with a new and painful curiosity. The tacit assumption of many years with her had been that her mother was a dry limited person, clever and determined in small ways, that affected her own family, but on the whole characterless as compared with other people of strong feelings and responsive susceptibilities. But her own character had been rapidly maturing of late, and her insight sharpening. During these recent weeks of close contact, her mother's singularity had risen in her mind to the dignity at least of a problem, an enigma.
Presently Mrs. Boyce rose and put the scones down by the fire.
"Your father will be in, I suppose. Yes, I hear the front door."
As she spoke she took off her velvet cloak, put it carefully aside on a sofa, and sat down again, still in her bonnet, at the tea-table. Her dress was very different from Marcella's, which, when they were not in mourning, was in general of the ample "aesthetic" type, and gave her a good deal of trouble out of doors. Marcella wore "art serges" and velveteens; Mrs. Boyce attired herself in soft and costly silks, generally black, closely and fashionably made, and completed by various fanciful and distinguished trifles—rings, an old chatelaine, a diamond brooch—which Marcella remembered, the same, and worn in the same way, since her childhood. Mrs. Boyce, however, wore her clothes so daintily, and took such scrupulous and ingenious care of them, that her dress cost, in truth, extremely little—certainly less than Marcella's.
There were sounds first of footsteps in the hall, then of some scolding of William, and finally Mr. Boyce entered, tired and splashed from shooting, and evidently in a bad temper.
"Well, what are you going to do about those cards?" he asked his wife abruptly when she had supplied him with tea, and he was beginning to dry by the fire. He was feeling ill and reckless; too tired anyway to trouble himself to keep up appearances with Marcella.
"Return them," said Mrs. Boyce, calmly, blowing out the flame of her silver kettle.
"Idon't want any of their precious society," he said irritably. "They should have done their calling long ago. There's no grace in it now; I don't know that one isn't inclined to think it an intrusion."
But the women were silent. Marcella's attention was diverted from her mother to the father's small dark head and thin face. There was a great repulsion and impatience in her heart, an angry straining against circumstance and fate; yet at the same time a mounting voice of natural affection, an understanding at once sad and new, which paralysed and silenced her. He stood in her way—terribly in her way—and yet it strangely seemed to her, that never before till these last few weeks had she felt herself a daughter.
"You are very wet, papa," she said to him as she took his cup; "don't you think you had better go at once and change?"
"I'm all right," he said shortly—"as right as I'm likely to be, anyway. As for the shooting, it's nothing but waste of time and shoe leather. I shan't go out any more. The place has been clean swept by some of those brutes in the village—your friends, Marcella. By the way, Evelyn, I came across young Wharton in the road just now."
"Wharton?" said his wife, interrogatively. "I don't remember—ought I?"
"Why, the Liberal candidate for the division, of course," he said testily. "I wish you would inform yourself of what goes on. He is working like a horse, he tells me. Dodgson, the Raeburns' candidate, has got a great start; this young man will want all his time to catch him up. I like him. I won't vote for him; but I'll see fair play. I've asked him to come to tea here on Saturday, Evelyn. He'll be back again by the end of the week. He stays at Dell's farm when he comes—pretty bad accommodation, I should think. We must show him some civility."
He rose and stood with his back to the fire, his spare frame stiffening under his nervous determination to assert himself—to hold up his head physically and morally against those who would repress him.
Richard Boyce took his social punishment badly. He had passed his first weeks at Mellor in a tremble of desire that his father's old family and country friends should recognise him again and condone his "irregularities." All sorts of conciliatory ideas had passed through his head. He meant to let people see that he would be a good neighbour if they would give him the chance—not like that miserly fool, his brother Robert. The past was so much past; who now was more respectable or more well intentioned than he? He was an impressionable imaginative man in delicate health; and the tears sometimes came into his eyes as he pictured himself restored to society—partly by his own efforts, partly, no doubt, by the charms and good looks of his wife and daughter—forgiven for their sake, and for the sake also of that store of virtue he had so laboriously accumulated since that long-past catastrophe. Would not most men have gone to the bad altogether, after such a lapse? He, on the contrary, had recovered himself, had neither drunk nor squandered, nor deserted his wife and child. These things, if the truth were known, were indeed due rather to a certain lack of physical energy and vitality, which age had developed in him, than to self-conquest; but he was no doubt entitled to make the most of them. There were signs indeed that his forecast had been not at all unreasonable. His womenkindweremaking their way. At the very moment when Lord Maxwell had written him a quelling letter, he had become aware that Marcella was on good terms with Lord Maxwell's heir. Had he not also been stopped that morning in a remote lane by Lord Winterbourne and Lord Maxwell on their way back from the meet, and had not both recognised and shaken hands with him? And now there were these cards.
Unfortunately, in spite of Raeburn's opinion to the contrary, no man in such a position and with such a temperament ever gets something without claiming more—and more than he can conceivably or possibly get. Startled and pleased at first by the salutation which Lord Maxwell and his companion had bestowed upon him, Richard Boyce had passed his afternoon in resenting and brooding over the cold civility of it. So these were the terms he was to be on with them—the deuce take them and their pharisaical airs! If all the truth were known, most men would look foolish; and the men who thanked God that they were not as other men, soonest of all. He wished he had not been taken by surprise; he wished he had not answered them; he would show them in the future that he would eat no dirt for them or anybody else.
So on the way home there had been a particular zest in his chance encounter with the young man who was likely to give the Raeburns and their candidate—so all the world said—a very great deal of trouble. The seat had been held to be an entirely safe one for the Maxwell nominee. Young Wharton, on the contrary, was making way every day, and, what with securing Aldous's own seat in the next division, and helping old Dodgson in this, Lord Maxwell and his grandson had their hands full. Dick Boyce was glad of it. He was a Tory; but all the same he wished every success to this handsome, agreeable young man, whose deferential manners to him at the end of the day had come like ointment to a wound.
The three sat on together for a little while in silence. Marcella kept her seat by the fire on the old gilt fenderstool, conscious in a dreamlike way of the room in front of her—the stately room with its stucco ceiling, its tall windows, its Prussian-blue wall-paper behind the old cabinets and faded pictures, and the chair covers in Turkey-red twill against the blue, which still remained to bear witness at once to the domestic economies and the decorative ideas of old Robert Boyce—conscious also of the figures on either side of her, and of her own quick-beating youth betwixt them. She was sore and unhappy; yet, on the whole, what she was thinking most about was Aldous Raeburn. What had he said to Lord Maxwell?—and to the Winterbournes? She wished she could know. She wished with leaping pulse that she could see him again quickly. Yet it would be awkward too.
* * * * *
Presently she got up and went away to take off her things. As the door closed behind her, Mrs. Boyce held out Miss Raeburn's note, which Marcella had returned to her, to her husband.
"They have asked Marcella and me to lunch," she said. "I am not going, but I shall send her."
He read the note by the firelight, and it produced the most contradictory effects upon him.
"Why don't you go?" he asked her aggressively, rousing himself for a moment to attack her, and so vent some of his ill-humour.
"I have lost the habit of going out," she said quietly, "and am too old to begin again."
"What! you mean to say," he asked her angrily, raising his voice, "that you have nevermeantto do your duties here—the duties of your position?"
"I did not foresee many, outside this house and land. Why should we change our ways? We have done very well of late. I have no mind to risk what I have got."
He glanced round at her in a quick nervous way, and then looked back again at the fire. The sight of her delicate blanched face had in some respects a more and more poignant power with him as the years went on. His anger sank into moroseness.
"Then why do you let Marcella go? What good will it do her to go about without her parents? People will only despise her for a girl of no spirit—as they ought."
"It depends upon how it is done. I can arrange it, I think," said Mrs. Boyce. "A woman has always convenient limitations to plead in the way of health. She need never give offence if she has decent wits. It will be understood that I do not go out, and then someone—Miss Raeburn or Lady Winterbourne—will take up Marcella and mother her."
She spoke with her usual light gentleness, but he was not appeased.
"If you were to talk ofmyhealth, it would be more to the purpose," he said, with grim inconsequence. And raising his heavy lids he looked at her full.
She got up and went over to him.
"Do you feel worse again? Why will you not change your things directly you come in? Would you like Dr. Clarke sent for?"
She was standing close beside him; her beautiful hand, for which in their young days it had pleased his pride to give her rings, almost touched him. A passionate hunger leapt within him. She would stoop and kiss him if he asked her; he knew that. But he would not ask her; he did not want it; he wanted something that never on this earth would she give him again.
Then moral discomfort lost itself in physical.
"Clarke does me no good—not an atom," he said, rising. "There—don't you come. I Can look after myself."
He went, and Mrs. Boyce remained alone in the great fire-lit room. She put her hands on the mantelpiece, and dropped her head upon them, and so stood silent for long. There was no sound audible in the room, or from the house outside. And in the silence a proud and broken heart once more nerved itself to an endurance that brought it peace with neither man nor God.
* * * * *
"I shall go, for all our sakes," thought Marcella, as she stood late that night brushing her hair before her dimly-lighted and rickety dressing-table. "We have, it seems, no right to be proud."
A rush of pain and bitterness filled her heart—pain, new-born and insistent, for her mother, her father, and herself. Ever since Aldous Raeburn's hesitating revelations, she had been liable to this sudden invasion of a hot and shamed misery. And to-night, after her talk with her mother, it could not but overtake her afresh.
But her strong personality, her passionate sense of a moral independence not to be undone by the acts of another, even a father, made her soon impatient of her own distress, and she flung it from her with decision.
"No, we have no right to be proud," she repeated to herself. "It must be all true what Mr. Raeburn said—probably a great deal more. Poor, poor mamma! But, all the same, there is nothing to be got out of empty quarrelling and standing alone. And it was so long ago."
Her hand fell, and she stood absently looking at her own black and white reflection in the old flawed glass.
She was thinking, of course, of Mr. Raeburn. He had been very prompt in her service. There could be no question but that he was specially interested in her.
And he was not a man to be lightly played upon—nay, rather a singularly reserved and scrupulous person. So, at least, it had been always held concerning him. Marcella was triumphantly conscious that he had not from the beginning givenhermuch trouble. But the common report of him made his recent manner towards her, this last action of his, the more significant. Even the Hardens—so Marcella gathered from her friend and admirer Mary—unworldly dreamy folk, wrapt up in good works, and in the hastening of Christ's kingdom, were on the alert and beginning to take note.
It was not as though he were in the dark as to her antecedents. He knew all—at any rate, more than she did—and yet it might end in his asking her to marry him. What then?
Scarcely a quiver in the young form before the glass!Love, at such a thought, must have sunk upon its knees and hid its face for tender humbleness and requital. Marcella only looked quietly at the beauty which might easily prove to be so important an arrow in her quiver.
What was stirring in her was really a passionate ambition—ambition to be the queen and arbitress of human lives—to be believed in by her friends, to make a mark for herself among women, and to make it in the most romantic and yet natural way, without what had always seemed to her the sordid and unpleasant drudgeries of the platform, of a tiresome co-operation with, or subordination to others who could not understand your ideas.
Of course, if it happened, people would say that she had tried to capture Aldous Raeburn for his money and position's sake. Let them say it. People with base minds must think basely; there was no help for it. Those whom she would make her friends would know very well for what purpose she wanted money, power, and the support of such a man, and such a marriage. Her modern realism played with the thought quite freely; her maidenliness, proud and pure as it was, being nowise ashamed. Oh! for something to carry herdeepinto life; into the heart of its widest and most splendid opportunities!
She threw up her hands, clasping them above her head amid her clouds of curly hair—a girlish excited gesture.
"I could revive the straw-plaiting; give them better teaching and better models. The cottages should be rebuilt. Papa would willingly hand the village over to me if I found the money! We would have a parish committee to deal with the charities—oh! the Hardens would come in. The old people should have their pensions as of right. No hopeless old age, no cringing dependence! We would try co-operation on the land, and pull it through. And not in Mellor only. One might be the ruler, the regenerator of half a county!"
Memory brought to mind in vivid sequence the figures and incidents of the afternoon, of her village round with Mary Harden.
"As the eyes of servants towards the hand of their mistress"—the old words occurred to her as she thought of herself stepping in and out of the cottages. Then she was ashamed of herself and rejected the image with vehemence. Dependence was the curse of the poor. Her whole aim, of course, should be to teach them to stand on their own feet, to know themselves as men. But naturally they would be grateful, they would let themselves be led. Intelligence and enthusiasm give power, and ought to give it—power for good. No doubt, under Socialism, there will be less scope for either, because there will be less need. But Socialism, as a system, will not come in our generation. What we have to think for is the transition period. The Cravens had never seen that, but Marcella saw it. She began to feel herself a person of larger experience than they.
As she undressed, it seemed to her as though she still felt the clinging hands of the Hurd children round her knees, and through them, symbolised by them, the suppliant touch of hundreds of other helpless creatures.
She was just dropping to sleep when her own words to Aldous Raeburn flashed across her,—
"Everybody is so ready to take charge of other people's lives, and look at the result!"
She must needs laugh at herself, but it made little matter. She fell asleep cradled in dreams. Aldous Raeburn's final part in them was not great!
Mrs. Boyce wrote her note to Miss Raeburn, a note containing cold though civil excuses as to herself, while accepting the invitation for Marcella, who should be sent to the Court, either in the carriage or under the escort of a maid who could bring her back. Marcella found her mother inclined to insist punctiliously on conventions of this kind. It amused her, in submitting to them, to remember the free and easy ways of her London life. But she submitted—and not unwillingly.
On the afternoon of the day which intervened between the Maxwells' call and her introduction to the Court, Marcella walked as usual down to the village. She was teeming with plans for her new kingdom, and could not keep herself out of it. And an entry in one of the local papers had suggested to her that Hurd might possibly find work in a parish some miles from Mellor. She must go and send him off there.
When Mrs. Hurd opened the door to her, Marcella was astonished to perceive behind her the forms of several other persons filling up the narrow space of the usually solitary cottage—in fact, a tea-party.
"Oh, come in, miss," said Mrs. Hurd, with some embarrassment, as though it occurred to her that her visitor might legitimately wonder to find a person of her penury entertaining company. Then, lowering her voice, she hurriedly explained: "There's Mrs. Brunt come in this afternoon to help me wi' the washin' while I finished my score of plait for the woman who takes 'em into town to-morrow. And there's old Patton an' his wife—you know 'em, miss?—them as lives in the parish houses top o' the common. He's walked out a few steps to-day. It's not often he's able, and when I see him through the door I said to 'em, 'if you'll come in an' take a cheer, I dessay them tea-leaves 'ull stan' another wettin'. I haven't got nothink else.' And there's Mrs. Jellison, she came in along o' the Pattons. You can't say her no, she's a queer one. Do you know her, miss?"
"Oh, bless yer, yes, yes. She knows me!" said a high, jocular voice, making Mrs. Hurd start; "she couldn't be long hereabouts without makkin' eëaste to know me. You coom in, miss. We're not afraid o' you—Lor' bless you!"
Mrs. Hurd stood aside for her visitor to pass in, looking round her the while, in some perplexity, to see whether there was a spare chair and room to place it. She was a delicate, willowy woman, still young in figure, with a fresh colour, belied by the grey circles under the eyes and the pinched sharpness of the features. The upper lip, which was pretty and childish, was raised a little over the teeth; the whole expression of the slightly open mouth was unusually soft and sensitive. On the whole, Minta Hurd was liked in the village, though she was thought a trifle "fine." The whole family, indeed, "kept theirsels to theirsels," and to find Mrs. Hurd with company was unusual. Her name, of course, was short for Araminta.
Marcella laughed as she caught Mrs. Jellison's remarks, and made her way in, delighted. For the present, these village people affected her like figures in poetry or drama. She saw them with the eye of the imagination through a medium provided by Socialist discussion, or by certain phases of modern art; and the little scene of Mrs. Hurd's tea-party took for her in an instant the dramatic zest and glamour.
"Look here, Mrs. Jellison," she said, going up to her; "I was just going to leave these apples for your grandson. Perhaps you'll take them, now you're here. They're quite sweet, though they look green. They're the best we've got, the gardener says."
"Oh, they are, are they?" said Mrs. Jellison, composedly, looking up at her. "Well, put 'em down, miss. I dare say he'll eat 'em. He eats most things, and don't want no doctor's stuff nayther, though his mother do keep on at me for spoilin' his stummuck."
"You are just fond of that boy, aren't you, Mrs. Jellison?" said Marcella, taking a wooden stool, the only piece of furniture left in the tiny cottage on which it was possible to sit, and squeezing herself into a corner by the fire, whence she commanded the whole group. "No! don't you turn Mr. Patton out of that chair, Mrs. Hurd, or I shall have to go away."
For Mrs. Hurd, in her anxiety, was whispering in old Patton's ear that it might be well for him to give up her one wooden arm-chair, in which he was established, to Miss Boyce. But he, being old, deaf, and rheumatic, was slow to move, and Marcella's peremptory gesture bade her leave him in peace.
"Well, it's you that's the young 'un, ain't it, miss?" said Mrs. Jellison, cheerfully. "Poor old Patton, he do get slow on his legs, don't you, Patton? But there, there's no helping it when you're turned of eighty."
And she turned upon him a bright, philosophic eye, being herself a young thing not much over seventy, and energetic accordingly. Mrs. Jellison passed for the village wit, and was at least talkative and excitable beyond her fellows.
"Well,youdon't seem to mind getting old, Mrs. Jellison," saidMarcella, smiling at her.
The eyes of all the old people round their tea-table were by now drawn irresistibly to Miss Boyce in the chimney corner, to her slim grace, and the splendour of her large black hat and feathers. The new squire's daughter had so far taken them by surprise. Some of them, however, were by now in the second stage of critical observation—none the less critical because furtive and inarticulate.
"Ah?" said Mrs. Jellison, interrogatively, with a high, long-drawn note peculiar to her. "Well, I've never found you get forrarder wi' snarlin' over what you can't help. And there's mercies. When you've had a husband in his bed for fower year, miss, and he's took at last, you'llknow."
She nodded emphatically. Marcella laughed.
"I know you were very fond of him, Mrs. Jellison, and looked after him very well, too."
"Oh, I don't say nothin' about that," said Mrs. Jellison, hastily. "But all the same you kin reckon it up, and see for yoursen. Fower year—an' fire upstairs, an' fire downstairs, an' fire all night, an' soomthin' allus wanted. An' he such an objeck afore he died! It do seem like a holiday now to sit a bit."
And she crossed her hands on her lap with a long breath of content. A lock of grey hair had escaped from her bonnet, across her wrinkled forehead, and gave her a half-careless rakish air. Her youth of long ago—a youth of mad spirits, and of an extraordinary capacity for physical enjoyment, seemed at times to pierce to the surface again, even through her load of years. But in general she had a dreamy, sunny look, as of one fed with humorous fancies, but disinclined often to the trouble of communicating them.
"Well, I missed my daughter, I kin tell you," said Mrs. Brunt, with a sigh, "though she took a deal more lookin' after nor your good man, Mrs. Jellison."
Mrs. Brunt was a gentle, pretty old woman, who lived in another of the village almshouses, next door to the Pattons, and was always ready to help her neighbours in their domestic toils. Her last remaining daughter, the victim of a horrible spinal disease, had died some nine or ten months before the Boyces arrived at Mellor. Marcella had already heard the story several times, but it was part of her social gift that she was a good listener to such things even at the twentieth hearing.
"You wouldn't have her back though," she said gently, turning towards the speaker.
"No, I wouldn't have her back, miss," said Mrs. Brunt, raising her hand to brush away a tear, partly the result of feeling, partly of a long-established habit. "But I do miss her nights terrible! 'Mother, ain't it ten o'clock?—mother, look at the clock, do, mother—ain't it time for my stuff, mother—oh, I dohopeit is.' That was her stuff, miss, to make her sleep. And when she'd got it, she'dgroan—you'd think she couldn't be asleep, and yet she was, dead-like—for two hours. I didn't get no rest with her, and now I don't seem to get no rest without her."
And again Mrs. Brunt put her hand up to her eyes.
"Ah, you were allus one for toilin' an' frettin'," said Mrs. Jellison, calmly. "A body must get through wi' it when it's there, but I don't hold wi' thinkin' about it when it's done."
"I know one," said old Patton, slily, "that fretted aboutherdarter when it didn't do her no good."
He had not spoken so far, but had sat with his hands on his stick, a spectator of the women's humours. He was a little hunched man, twisted and bent double with rheumatic gout, the fruit of seventy years of field work. His small face was almost lost, dog-like, under shaggy hair and overgrown eyebrows, both snow-white. He had a look of irritable eagerness, seldom, however, expressed in words. A sudden passion in the faded blue eyes; a quick spot of red in his old cheeks; these Marcella had often noticed in him, as though the flame of some inner furnace leapt. He had been a Radical and a rebel once in old rick-burning days, long before he lost the power in his limbs and came down to be thankful for one of the parish almshouses. To his social betters he was now a quiet and peaceable old man, well aware of the cakes and ale to be got by good manners; but in the depths of him there were reminiscences and the ghosts of passions, which were still stirred sometimes by causes not always intelligible to the bystander.
He had rarely, however, physical energy enough to bring any emotion—even of mere worry at his physical ills—to the birth. The pathetic silence of age enwrapped him more and more. Still he could gibe the women sometimes, especially Mrs. Jellison, who was in general too clever for her company.
"Oh, you may talk, Patton!" said Mrs. Jellison, with a little flash of excitement. "You do like to have your talk, don't you! Well, I dare say Iwasorkard with Isabella. I won't go for to say Iwasn'torkard, for Iwas. She should ha' used me to 't before, if she wor took that way. She and I had just settled down comfortable after my old man went, and I didn't see no sense in it, an' I don't now. She might ha' let the men alone. She'd seen enough o' the worrit ov 'em."
"Well, she did well for hersen," said Mrs. Brunt, with the same gentle melancholy. "She married a stiddy man as 'ull keep her well all her time, and never let her want for nothink."
"A sour, wooden-faced chap as iver I knew," said Mrs. Jellison, grudgingly. "I don't have nothink to say to him, nor he to me. He thinks hissen the Grand Turk, he do, since they gi'en him his uniform, and made him full keeper. A nassty, domineerin' sort, I calls him. He's allus makin' bad blood wi' the yoong fellers when he don't need. It's the way he's got wi' 'im. ButIdon't make no account of 'im, an' I let 'im see 't."
All the tea-party grinned except Mrs. Hurd. The village was well acquainted with the feud between Mrs. Jellison and her son-in-law, George Westall, who had persuaded Isabella Jellison at the mature age of thirty-five to leave her mother and marry him, and was now one of Lord Maxwell's keepers, with good pay, and an excellent cottage some little way out of the village. Mrs. Jellison had never forgiven her daughter for deserting her, and was on lively terms of hostility with her son-in-law; but their only child, little Johnnie, had found the soft spot in his grandmother, and her favourite excitement in life, now that he was four years old, was to steal him from his parents and feed him on the things of which Isabella most vigorously disapproved.
Mrs. Hurd, as has been said, did not smile. At the mention of Westall, she got up hastily, and began to put away the tea things.
Marcella meanwhile had been sitting thoughtful.
"You say Westall makes bad blood with the young men, Mrs. Jellison?" she said, looking up. "Is there much poaching in this village now, do you think?"
There was a dead silence. Mrs. Hurd was at the other end of the cottage with her back to Marcella; at the question, her hands paused an instant in their work. The eyes of all the old people—of Patton and his wife, of Mrs. Jellison, and pretty Mrs. Brunt—were fixed on the speaker, but nobody said a word, not even Mrs. Jellison. Marcella coloured.
"Oh, you needn't suppose—" she said, throwing her beautiful head back, "you needn't suppose thatIcare about the game, or that I would ever be mean enough to tell anything that was told me. I know itdoescause a great deal of quarrelling and bad blood. I believe it does here—and I should like to know more about it. I want to make up my mind what to think. Of course, my father has got his land and his own opinions. And Lord Maxwell has too. But I am not bound to think like either of them—I should like you to understand that. It seems to me right about all such things that people should enquire and find out for themselves."
Still silence. Mrs. Jellison's mouth twitched, and she threw a sly provocative glance at old Patton, as though she would have liked to poke him in the ribs. But she was not going to help him out; and at last the one male in the company found himself obliged to clear his throat for reply.
"We're old folks, most on us, miss, 'cept Mrs. Hurd. We don't hear talk o' things now like as we did when we were younger. If you ast Mr. Harden he'll tell you, I dessay."
Patton allowed himself an inward chuckle. Even Mrs. Jellison, he thought, must admit that he knew a thing or two as to the best way of dealing with the gentry.
But Marcella fixed him with her bright frank eyes.
"I had rather ask in the village," she said. "If you don't know how it is now, Mr. Patton, tell me how it used to be when you were young. Was the preserving very strict about here? Were there often fights, with the keepers—long ago?—in my grandfather's days?—and do you think men poached because they were hungry, or because they wanted sport?"
Patton looked at her fixedly a moment undecided, then her strong nervous youth seemed to exercise a kind of compulsion on him; perhaps, too, the pretty courtesy of her manner. He cleared his throat again, and tried to forget Mrs. Jellison, who would be sure to let him hear of it again, whatever he said.
"Well, I can't answer for 'em, miss, I'm sure, but if you astme, I b'lieve ther's a bit o' boath in it. Yer see it's not in human natur, when a man's young and 's got his blood up, as he shouldn't want ter have 'is sport with the wild creeturs. Perhaps he see 'em when ee's going to the wood with a wood cart—or he cooms across 'em in the turnips—wounded birds, you understan', miss, perhaps the day after the gentry 'as been bangin' at 'em all day. An' ee don't see, not for the life of 'im, why ee shouldn't have 'em. Ther's bin lots an' lots for the rich folks, an' he don't see whyeeshouldn't have a few arter they've enjoyed theirselves. And mebbe he's eleven shillin' a week—an' two-threy little chillen—you understan', miss?"
"Of course I understand!" said Marcella, eagerly, her dark cheek flushing. "Of course I do! But there's a good deal of game given away in these parts, isn't there? I know Lord Maxwell does, and they say Lord Winterbourne gives all his labourers rabbits, almost as many as they want."
Her questions wound old Patton up as though he had been a disused clock. He began to feel a whirr among his creaking wheels, a shaking of all his rusty mind.
"Perhaps they do, miss," he said, and his wife saw that he was beginning to tremble. "I dessay they do—I don't say nothink agen it—though theer's none of it cooms my way. But that isn't all the rights on it nayther—no, that it ain't. The labourin' man ee's glad enough to get a hare or a rabbit for 'is eatin'—but there's more in it nor that, miss. Ee's allus in the fields, that's where it is—ee can't help seein' the hares and the rabbits a-comin' in and out o' the woods, if it were iver so. Ee knows ivery run ov ivery one on 'em; if a hare's started furthest corner o' t' field, he can tell yer whar she'll git in by, because he's allus there, you see, miss, an' it's the only thing he's got to take his mind off like. And then he sets a snare or two—an' ee gits very sharp at settin' on 'em—an' ee'll go out nights for the sport of it. Ther isn't many thingsee'sgot to liven him up; an' ee takes 'is chances o' goin' to jail—it's wuth it, ee thinks."
The old man's hands on his stick shook more and more visibly. Bygones of his youth had come back to him.
"Oh, I know! I know!" cried Marcella, with an accent half of indignation, half of despair. "It's the whole wretched system. It spoils those who've got, and those who haven't got. And there'll be no mending it till thepeopleget the land back again, and till the rights on it are common to all."
"My! she do speak up, don't she?" said Mrs. Jellison, grinning again at her companions. Then, stooping forward with one of her wild movements, she caught Marcella's arm—"I'd like to hear yer tell that to Lord Maxwell, miss. I likes a roompus, I do."
Marcella flushed and laughed.
"I wouldn't mind saying that or anything else to Lord Maxwell," she said proudly. "I'm not ashamed of anything I think."
"No, I'll bet you ain't," said Mrs. Jellison, withdrawing her hand. "Now then, Patton, you say whatyouthinks. You ain't got no vote now you're in the parish houses—I minds that. The quality don't troubleyouat 'lection times. This yoong man, Muster Wharton, as is goin' round so free, promisin' yer the sun out o' the sky, iv yer'll only vote for 'im, so th' men say—eedon't coom an' set down along o' you an' me, an' cocker of us up as ee do Joe Simmons or Jim Hurd here. But that don't matter. Yur thinkin's yur own, anyway."
But she nudged him in vain. Patton had suddenly run down, and there was no more to be got out of him.
Not only had nerves and speech failed him as they were wont, but in his cloudy soul there had risen, even while Marcella was speaking, the inevitable suspicion which dogs the relations of the poor towards the richer class. This young lady, with her strange talk, was the new squire's daughter. And the village had already made up its mind that Richard Boyce was "a poor sort," and "a hard sort" too, in his landlord capacity. He wasn't going to be any improvement on his brother—not a haporth! What was the good of this young woman talking, as she did, when there were three summonses as he, Patton, heard tell, just taken out by the sanitary inspector against Mr. Boyce for bad cottages? And not a farthing given away in the village neither, except perhaps the bits of food that the young lady herself brought down to the village now and then, for which no one, in truth, felt any cause to be particularly grateful. Besides, what did she mean by asking questions about the poaching? Old Patton knew as well as anybody else in the village, that during Robert Boyce's last days, and after the death of his sportsman son, the Mellor estate had become the haunt of poachers from far and near, and that the trouble had long since spread into the neighbouring properties, so that the Winterbourne and Maxwell keepers regarded it their most arduous business to keep watch on the men of Mellor. Of course the young woman knew it all, and she and her father wanted to know more. That was why she talked. Patton hardened himself against the creeping ways of the quality.
"I don't think nought," he said roughly in answer to Mrs. Jellison. "Thinkin' won't come atwixt me and the parish coffin when I'm took. I've no call to think, I tell yer."
Marcella's chest heaved with indignant feeling.
"Oh, but, Mr. Patton!" she cried, leaning forward to him, "won't it comfort you a bit, even if you can't live to see it, to think there's a better time coming? There must be. People can't go on like this always—hating each other and trampling on each other. They're beginning to see it now, they are! When I was living in London, the persons I was with talked and thought of it all day. Some day, whenever the people choose—for they've got the power now they've got the vote—there'll be land for everybody, and in every village there'll be a council to manage things, and the labourer will count for just as much as the squire and the parson, and he'll be better educated and better fed, and care for many things he doesn't care for now. But all the same, if he wants sport and shooting, it will be there for him to get. For everybody will have a chance and a turn, and there'll be no bitterness between classes, and no hopeless pining and misery as there is now!"
The girl broke off, catching her breath. It excited her to say these things to these people, to these poor tottering old things who had lived out their lives to the end under the pressure of an iron system, and had no lien on the future, whatever Paradise it might bring. Again the situation had something foreseen and dramatic in it. She saw herself, as the preacher, sitting on her stool beside the poor grate—she realised as a spectator the figures of the women and the old man played on by the firelight—the white, bare, damp-stained walls of the cottage, and in the background the fragile though still comely form of Minta Hurd, who was standing with her back to the dresser, and her head bent forward, listening to the talk while her fingers twisted the straw she plaited eternally from morning till night, for a wage of about 1s. 3d. a week:
Her mind was all aflame with excitement and defiance—defiance of her father, Lord Maxwell, Aldous Raeburn. Let him come, her friend, and see for himself what she thought it right to do and say in this miserable village. Her soul challenged him, longed to provoke him! Well, she was soon to meet him, and in a new and more significant relation and environment. The fact made her perception of the whole situation the more rich and vibrant.
Patton, while these broken thoughts and sensations were coursing through Marcella's head, was slowly revolving what she had been saying, and the others were waiting for him.
At last he rolled his tongue round his dry lips and delivered himself by a final effort.
"Them as likes, miss, may believe as how things are going to happen that way, but yer won't ketch me! Them as have got 'ullkeep"—he let his stick sharply down on the floor—"an' them as 'aven't got 'ull 'ave to go without andlump it—as long as you're alive, miss, you mark my words!"
"Oh, Lor', you wor allus one for makin' a poor mouth, Patton!" said Mrs. Jellison. She had been sitting with her arms folded across her chest, part absent, part amused, part malicious. "The young lady speaks beautiful, just like a book she do. An' she's likely to know a deal better nor poor persons like you and me. AllIkin say is,—if there's goin' to be dividin' up of other folks' property, when I'm gone, I hope George Westall won't get nothink ov it! He's bad enough as 'tis. Isabella 'ud have a fine time ifeetook to drivin' ov his carriage."
The others laughed out, Marcella at their head, and Mrs. Jellison subsided, the corners of her mouth still twitching, and her eyes shining as though a host of entertaining notions were trooping through her—which, however, she preferred to amuse herself with rather than the public. Marcella looked at Patton thoughtfully.
"You've been all your life in this village, haven't you, Mr. Patton?" she asked him.
"Born top o' Witchett's Hill, miss. An' my wife here, she wor born just a house or two further along, an' we two bin married sixty-one year come next March."
He had resumed his usual almshouse tone, civil and a little plaintive. His wife behind him smiled gently at being spoken of. She had a long fair face, and white hair surmounted by a battered black bonnet, a mouth set rather on one side, and a more observant and refined air than most of her neighbours. She sighed while she talked, and spoke in a delicate quaver.
"D'ye know, miss," said Mrs. Jellison, pointing to Mrs. Patton, "as she kep' school when she was young?"
"Did you, Mrs. Patton?" asked Marcella in her tone of sympathetic interest. "The school wasn't very big then, I suppose?"
"About forty, miss," said Mrs. Patton, with a sigh. "There was eighteen the Rector paid for, and eighteen Mr. Boyce paid for, and the rest paid for themselves."
Her voice dropped gently, and she sighed again like one weighted with an eternal fatigue.
"And what did you teach them?"
"Well, I taught them the plaitin', miss, and as much readin' and writin' as I knew myself. It wasn't as high as it is now, you see, miss," and a delicate flush dawned on the old cheek as Mrs. Patton threw a glance round her companions as though appealing to them not to tell stories of her.
But Mrs. Jellison was implacable. "It wor she taughtme," she said, nodding at Marcella and pointing sideways to Mrs. Patton. "She had a queer way wi' the hard words, I can tell yer, miss. When she couldn't tell 'em herself she'd never own up to it. 'Say Jerusalem, my dear, and pass on.' That's what she'd say, she would, sure's as you're alive! I've heard her do it times. An' when Isabella an' me used to read the Bible, nights, I'd allus rayther do 't than be beholden to me own darter. It gets yer through, anyway."
"Well, it wor a good word," said Mrs. Patton, blushing and mildly defending herself. "It didn't do none of yer any harm."
"Oh, an' before her, miss, I went to a school to another woman, as lived up Shepherd's Row. You remember her, Betsy Brunt?"