HARMEN POLS

IT IS A FAVOURITE CLAIM OF OURS WHO ARE BIDDEN TO THAT HOME THAT IT IS AN ENCHANTED ISLEIT IS A FAVOURITE CLAIM OF OURS WHO ARE BIDDEN TO THAT HOME THAT IT IS AN ENCHANTED ISLE

It is a favourite claim of ours who are bidden to that home that it is an enchanted isle, and that he only brushes it with his wings, gliding over, and turns the scythe away and holds the hour-glass steady. Even the children feel it: it is a half-jesting, half-serious plaint with them that the goats, the donkeys, and the ponies to which they successively transfer their affections can never secure immortal youth by a yearly sojourn in that happy kingdom. I offered once to rebuild our old bridge—to make it a drawbridge, even, and thus keep our treasure safe, but after a long council it was rejected.

"It wouldn't be a really island, then, you see, Jerry dear," said my Peggy (always deputed to bear an ultimatum to me) "and we like it better an island—don't you?"

Of course it must be an island! It was marked out for an island when first the waters were gathered up and the dry land appeared. I think all the happy places are islands—I should like to make one of Italy. I am convinced that when the Garden of Eden is definitely settled (and Major Upgrove is trying to persuade me to come with him to find it—he has a theory) it will be found to be a secret isle in some great estuary or arm of that ageless Eastern river suspected by the major. Surely that mysterious Apple (of whose powers Margarita was once so sceptical) never grew on any vulgar, easily-to-be-come-at mainland! No, it lurks to-day in its own island Paradise, and the angel with the flaming sword cut the land apart from all common ground so that the furrows smoked beneath it as the floods raced in. If we find it—the major and I—shall we bring some apples back to Peggy? In truth, I am none too sure. Why my darling's sex has been so eager for that Apple is not yet entirely evident—though I am not too stupidly obstinate to admit that it may be evident, one day. But the fact remains that Eve certainly regretted it, and Adam, one would suppose, must have, for he has been settling dressmaker's accounts ever since!

As to the position held by this father of mankind among the Bradley children, by the way, volumes might be written. To suppose that Barbara Jencks, their bond slave in all else, has remitted an atom of her zeal in bringing them into the state of religious conviction enjoyed by the Governour-General's family, would indicate the densest ignorance of her character. And success has not been entirely lacking, for my namesake delights in the battles of the Kings and Sue's sweet life is a very Sermon on the Mount. But Lockwood still sacrifices to Pan among the beehives and propitiates the Thunder God with favourite kittens, and Roger the Second long ago informed his would-be mentor, to her horror, that if a fellow tried to be like his father and told the truth and worked hard, he thought that fellow could take his chances with God! Dear, obstinate lad, with your cleft chin and your blue eyes, it is not your grandmother, who leaves her Emerson and her Psalms unread together, when she can fill her keen, proud eyes with you, that will deny your simple creed!

But my little Peggy has outgrown Pan, and scorns to appease her baby brother's deities.

"I asked Roger," she said to me one late afternoon, when we sat in her mother's rocky seat and watched the red sun sink, "why the sun was here—just so that we could see things? And he said yes. And the moon the same way, for night. But that little blind girl I see in the Park, in New York,shecan't see things, Jerry dear. She never can. What is that for?"

"I can't tell, sweetheart."

"You don't know, Jerry dear?"

"No, Peggy, I don't know."

"But someone knows?"

"That I can't tell, either."

She turned her serious, deep eyes on me.

"But, Jerry dear, nothing can be that someone—Someone—don'tknow, can it? That wouldn't be right. There must beSome one?"

"I hope so, sweetheart."

She stared quietly at the rosy ball that sank, below us and far away, at the rim of the sea—Margarita's sea.

"I know there is, Jerry," she said simply. "Look at that, the way I do, and you'll know, too."

And just then, I thought I did ...

Sue was at the wedding, of course, grey, and a little worn, now, but dressedà merveilleand delightful in her pride at her genius-boy. His sister, a wonderful, modern young woman, has learned her "trade," indeed, though one that her mother never dreamed of, and will decorate, furnish and supply with everything from ancestral portraits to patent mouse-traps any structure from a hotel to a steam-yacht that you may place in her capable, college-bred hands. A remarkable achievement is young Susan—the achievement of thefin de sièclegeneration. At the wedding-breakfast she described to me her last "job"; the putting in commission of a dilapidated fifteenth-centurychâteaufor its new oil-king owner—he was born in a bog-cabin in Ireland and never tasted anything but potatoes and stir-about till he was fourteen. But Susan has raked Europe for a service fit for him to eat his cabbage from and Asia for rugs fit for his no longer bare feet, and has deposited his good American cheque in her bank. She is improving the occasion of her American visit by an extended hunt for old silver and brasses and china for a great country house on the Hudson—its many-millioned mistress will pay well for her "imported" treasures!

Truly is Susan a lesson to us, and wide would be her great-grandmother's eyes could she see Susan disposing of her girlish samplers and draping her camel's-hair shawl behind a Hawthorne jar. And I am bound to admit that Susan is not marrying, though her mother was struggling with two delicate children at her age. No, Susan has noneed to "marry to get away from home." As fast as this accomplished young woman establishes herself in a charming house, some envious person buys it of her, and she moves serenely to a new one, a contented, self-respecting Arab with a bank account.

Ah, well, perhaps it will be, as her mother triumphantly declares, all the more honour to the man who gets her, after all! We oldsters must not be stubborn, nowadays.

My mother, like old Mrs. Upgrove, is living still; well and happy, both of them, thank God, and as proud of their sons as if either had ever done anything to deserve it. Neither of them has much to say of Margarita, I have noticed, though both fondle her children, a little absently, perhaps, and feign to wonder what it is we see in Peggy that blinds us to the excellencies of the others—stouter children and more respectful, my dear!

And Death, that spares them both, and old Madam Bradley, too (eighty-eight now and half paralysed for nearly twenty years!), what had we done that he should take away one whom we and the world—her world—could so ill spare? DoesSomeone, indeed, know why, my sweetheart Peggy? I try to think so, but it is hard to see.

Nine years ago Harriet put Peggy into her mother's arms and praised the little thing and kissed them both, and then told Roger that she must leave them, for she felt ill and would not risk the responsibility of further nursing. She would send a good nurse straight from New York, she said, and Roger himself took her there, leaving the doctor with Margarita, as soon as he dared. He brought back the other nurse, wired me to look after Harriet, and left her comfortable in the little apartment of a good friend of hers, with a promise of a speedy return. He never saw her alive again.

Dr. McGee, even then a famous physician and devotedly attached to her, worked day and night over her, but it was useless; the over-strained, busy heart had given way and she lived only three days, growing feebler with every hour.

I was sitting beside her in the afternoon, trying to be cheerful, trying to cheer her with those futile subterfuges we are forced to, trying to get it all clear in my own troubled mind, when she smiled whimsically at me and begged me to spare myself such pain.

"A nurse is the last person to need such talk, dear Mr. Jerrolds," she whispered to me, and as the good deaconess who had been her first helper in her chosen work burst into tears and stumbled from the room, she put out her hand and I took it silently.

"What you have been—what you have been, Harriet!" I muttered unsteadily, and then her eyes met mine.

"What have I been?" her lips barely formed the words, "do you know?"

There in her soft brown eyes I saw at last—at once. God knows I never guessed before. They met mine so calmly, so honestly, so fearlessly—alas, they could be fearless now!

"And I have been such a fool—such a brute!"

"Hush! you never knew," she whispered, "you could not help it, my dear. It was so from the very first—when you saw my diary."

"But I might—I might have——"

Again she smiled whimsically.

"O no," she said quietly, "there was no chance for me, of course. I never dreamed of it, my dear. But—but I wanted you to know it. There has never been anybody but you."

I tried to speak, but could not, and again, but the words dried on my lips. Then I saw that she was sleeping—from exhaustion, probably, and sat by her in silence till the deaconess came back, red-eyed, and sent me away. I bent over her and kissed her cheek, before I left, and I am sure that her lips moved and that the hand I had held while she slept pressed mine faintly. But she did not open her eyes, and in the morning the message camethat she had drifted easily away, in that same sleep before dawn.

Gone—and I never knew, never faintly surmised, never considered!

Gone—and there had never been anybody but me!

Ah, Peggy, there had need beSomeonethat knows, to make good the pity of it, the cruelty of it, the senseless waste of it!

But we three, whom she gave so generously to each other, whom, in turn, she tended back to life, into whose lives she has grown as a tree grows, can we call her love wasted?

Nor is it among us alone that her memory flourishes. No woman in all those mountain parishes she loved so well faces her dark hour of travail without blessing her name and the name of her messengers, whom, in the endowment called in memorial of her, Margarita sends to them, to tend them and the children they bear, as Harriet helped her and hers. She lies among them, a stone's throw from the corner-stone she laid nearly twenty years ago, now, and many visitors have never seen the tablet that lies along her grave—so thick the flowers are always lying there.

"Mother says you are not to look so sad, Jerry dear, because it isn't me that Freddy's marrying!" says Peggy softly, behind me, and I come back to the present, with a jerk.

"Not Freddy, perhaps," I answer with pretended severity, "but some other young sprig no better than Freddy, and then poor old Jerry may go hang!"

She slips her firm little hand—Margarita's hand—into mine shyly.

"Now, Jerry, how silly you are!" she says, looking carefully to see if I am teasing her or by any chance in earnest.

"How can I marry a young sprig, when I am going to marry you?"

"Since when?" I inquire sardonically.

"Why, Jerry!"

Her big eyes open wide, she plants herself before me and stares accusingly.

"You know very well—you can't have forgotten? You and I and little Jerry and Miss Jencks are going round the world when I am sixteen! To Japan, and see the wistaria and the cherry blossoms and the five hundred little stone Buddha-gods that get all wet with spray and the red bridge nobody may walk on!"

"Anywhere else?"

"Yes, to Vevay and see where Mr. Boffin used to live and old Joseph that told you when you were all grown big and went back,

"C'est moi, Monsieur, qui suis Joseph: j' ai nettoyé les premières bottes de Monsieur!"

How well I remember those first formidable boots, and my manly feelings when I clumped them down in the hall before my door for Joseph to clean! Jerry and Peggy and I are going over every foot of the old grounds—the school, where the little fellows still sport their comfortable, round capes; the way, well trodden still, I'll wager, to the oldpatisseriewith its tempting windows of indigestible joys; the natatorium where we dived like frogs; the English church where we learned the Collects and eyed the young ladies' school gravely till it blushed individually and collectively; the famous field where I fought the grocer's boy who cried "à bas les Anglais!" three days running. (He beat me, incidentally.)

I find that all the old memories come back very sweetly: I had a happy childhood, on the whole, one that never lacked love and sympathy. Believe me, ye parents, who think that these days will soon be forgotten, they make a difference, these idle memories, and life is inexpressibly richer if those early days are rich in pleasant little adventures and cheery little experiences, cheerily shared! I have more to remember than Roger, whose early boyhood was, though far wealthier than mine, strangely poorer fromthe lack of just this mellow glow over and through it.

And Margarita's? We shall never know what filled those silent, childish hours of hers, alone with the dogs and the gulls. Her quaint lonely games, her towers of sand and shell, her musings by the tide, her dreams on the sun-warmed rocks—I fancy I see them all in watching Peggy. She cannot tell herself.

"I began to live," she says, "when I met Roger."

"You have lived a great deal, since, have you not, Margarita?" I say, a little wistfully, perhaps, she is so splendid and so complete, and one seems so broken and colourless and middle-aged beside her.

"A great deal. Yes, I suppose so," she answers, and her eye rests quickly but surely on Roger, on each of the yellow heads, then on the dark one, and then, at last, on me.

"You have given up a great deal for those handsome heads, Margarita," I go on, under the spur of some curious impulse, "did you never regret it? You had the world at your feet, Madame used to say, and you gave it up ..."

She looks at me with the only eyes in the world that can make me forget Peggy's, and gives me both her hands (one with a flashing, cloudy star sapphire burning on it) in that free, lovely gesture so characteristic of her.

"Don't, Jerry!" she says in her sweet, husky voice, and Roger hearing it, turns slightly from his guests and gives her a swift, strong look. The gay wedding crowd melts away, the clatter of the wine-glasses is the wash of pebbles on the beach, her hand in mine seems wet with flying spray, as she speaks in that rich, vibrating voice, for me alone:

"I had the world at my feet—yes, Jerry dear, and I nearly lost it, did I not? I did not know, you see. And I have it now, Jerry, I have it now!" (O, Susan of the bank account, who need not marry to get away from home, will that look come to your eyes and glow there till your faceis too bright for an elderly bachelor to bear? Indeed, I hope it may!)

"There is only one world for a woman, Jerry," says Margarita softly, "and no one can be happy, like me, till she lives in it—the hearts that love her. His and theirs—and yours, dear Jerry, O always yours!"

His and Theirs and Mine!

Amen to that, my dear, and surely if there isSomeonethat knows, He knows that what you say is true!

Cloth.12mo.$1.35 net.Postage 12 cents.

"Far and away the most satisfactory story we have had from this Dutch writer. In fact, we have not read any story by any one in some time that makes a stronger impression.... A tale of real merit and strong interest."—New York Globe and Commercial Advertiser."The book is a great picture of life, done in the very spirit that shaped the whole Dutch school of art."—Washington Evening Star."Mr. Maartens' description of events is fascinating and interesting, and goes to make up one of the best novels of recent issue."—Detroit News."A powerful story. One of the finest bits of fiction of recent issue."—Buffalo Courier."The reality of the book fairly grips the reader. The power of the story is no less marked than its fidelity to fact, and it is a triumph of artistic characterization."—The Dial.

"Far and away the most satisfactory story we have had from this Dutch writer. In fact, we have not read any story by any one in some time that makes a stronger impression.... A tale of real merit and strong interest."—New York Globe and Commercial Advertiser.

"The book is a great picture of life, done in the very spirit that shaped the whole Dutch school of art."—Washington Evening Star.

"Mr. Maartens' description of events is fascinating and interesting, and goes to make up one of the best novels of recent issue."—Detroit News.

"A powerful story. One of the finest bits of fiction of recent issue."—Buffalo Courier.

"The reality of the book fairly grips the reader. The power of the story is no less marked than its fidelity to fact, and it is a triumph of artistic characterization."—The Dial.

"Life is a glorious thing."—W. J. Locke

"If you wish to be lifted out of the petty cares of to-day, read one of Locke's novels. You may select any from the following titles and be certain of meeting some new and delightful friends. His characters are worth knowing."—Baltimore Sun.

"If you wish to be lifted out of the petty cares of to-day, read one of Locke's novels. You may select any from the following titles and be certain of meeting some new and delightful friends. His characters are worth knowing."—Baltimore Sun.

12mo.Cloth.$1.50 each

Thirteen volumes bound in green cloth. Uniform edition in box.

$19.00 per set.Half Morocco $50.00 net.Express prepaid.

Simon the Jester(Profusely illustrated by James Montgomery Flagg)

"It has all the charm and surprise of his famous 'Simple Septimus.' It is a novel full of wit and action and life. The characters are all out-of-the-ordinary and splendidly depicted; and the end is an artistic triumph—a fitting climax for a story that's full of charm and surprise."—American Magazine.

"It has all the charm and surprise of his famous 'Simple Septimus.' It is a novel full of wit and action and life. The characters are all out-of-the-ordinary and splendidly depicted; and the end is an artistic triumph—a fitting climax for a story that's full of charm and surprise."—American Magazine.

The Beloved Vagabond

"'The Beloved Vagabond' is a gently-written, fascinating tale. Make his acquaintance some dreary, rain-soaked evening and find the vagabond nerve-thrilling in your own heart."—Chicago Record-Herald.

"'The Beloved Vagabond' is a gently-written, fascinating tale. Make his acquaintance some dreary, rain-soaked evening and find the vagabond nerve-thrilling in your own heart."—Chicago Record-Herald.

Septimus(Illustrated by James Montgomery Flagg)

"Septimus is the joy of the year."—American Magazine.

"Septimus is the joy of the year."—American Magazine.

The Morals of Marcus Ordeyne

"One of those rare and much-to-be-desired stories which keep one divided between an interested impatience to get on and an irresistible temptation to linger for full enjoyment by the way."—Life.

"One of those rare and much-to-be-desired stories which keep one divided between an interested impatience to get on and an irresistible temptation to linger for full enjoyment by the way."—Life.

Where Love Is

"One of those unusual novels of which the end is as good as the beginning."—New York Globe.

"One of those unusual novels of which the end is as good as the beginning."—New York Globe.

The Usurper

"Contains the hall-mark of genius itself. The plot is masterly in conception, the descriptions are all vivid flashes from a brilliant pen. It is impossible to read and not marvel at the skilled workmanship and the constant dramatic intensity of the incident, situations and climax."—The Boston Herald.

"Contains the hall-mark of genius itself. The plot is masterly in conception, the descriptions are all vivid flashes from a brilliant pen. It is impossible to read and not marvel at the skilled workmanship and the constant dramatic intensity of the incident, situations and climax."—The Boston Herald.

Derelicts

"Mr. Locke tells his story in a very true, a very moving, and a very noble book. If any one can read the last chapter with dry eyes we shall be surprised. 'Derelicts' is an impressive, an important book. Yvonne is a creation that any artist might be proud of."—The Daily Chronicle.

"Mr. Locke tells his story in a very true, a very moving, and a very noble book. If any one can read the last chapter with dry eyes we shall be surprised. 'Derelicts' is an impressive, an important book. Yvonne is a creation that any artist might be proud of."—The Daily Chronicle.

Idols

"One of the very few distinguished novels of this present book season."—The Daily Mail."A brilliantly written and eminently readable book."—The London Daily Telegraph.

"One of the very few distinguished novels of this present book season."—The Daily Mail.

"A brilliantly written and eminently readable book."—The London Daily Telegraph.

A Study in Shadows

"Mr. Locke has achieved a distinct success in this novel. He has struck many emotional chords, and struck them all with a firm, sure hand. In the relations between Katherine and Raine he had a delicate problem to handle, and he has handled it delicately."—The Daily Chronicle.

"Mr. Locke has achieved a distinct success in this novel. He has struck many emotional chords, and struck them all with a firm, sure hand. In the relations between Katherine and Raine he had a delicate problem to handle, and he has handled it delicately."—The Daily Chronicle.

The White Dove

"It is an interesting story. The characters are strongly conceived and vividly presented, and the dramatic moments are powerfully realized."—The Morning Post.

"It is an interesting story. The characters are strongly conceived and vividly presented, and the dramatic moments are powerfully realized."—The Morning Post.

The Demagogue and Lady Phayre

"Think of Locke's clever books. Then think of a book as different from any of these as one can well imagine—that will be Mr. Locke's new book."—New York World.

"Think of Locke's clever books. Then think of a book as different from any of these as one can well imagine—that will be Mr. Locke's new book."—New York World.

At the Gate of Samaria

"William J. Locke's novels are nothing if not unusual. They are marked by a quaint originality. The habitual novel reader inevitably is grateful for a refreshing sense of escaping the commonplace path of conclusion."—Chicago Record-Herald.

"William J. Locke's novels are nothing if not unusual. They are marked by a quaint originality. The habitual novel reader inevitably is grateful for a refreshing sense of escaping the commonplace path of conclusion."—Chicago Record-Herald.

12mo.$1.50 each

"Dolf Wyllarde sees life with clear eyes and puts down what she sees with a fearless pen.... More than a little of the flavor of Kipling in the good old days of Plain Tales from the Hills."—New York Globe.

"Dolf Wyllarde sees life with clear eyes and puts down what she sees with a fearless pen.... More than a little of the flavor of Kipling in the good old days of Plain Tales from the Hills."—New York Globe.

Mafoota

A Romance of Jamaica

"The plot has a resemblance to that of Wilkie Collins' 'The New Magdalen,' but the heroine is a Puritan of the strictest type; the subject matter is like 'The Helpmate.'"—Springfield Republican.

"The plot has a resemblance to that of Wilkie Collins' 'The New Magdalen,' but the heroine is a Puritan of the strictest type; the subject matter is like 'The Helpmate.'"—Springfield Republican.

As Ye Have Sown

"A brilliant story dealing with the world of fashion."

"A brilliant story dealing with the world of fashion."

Captain Amyas

"Masterly."—San Francisco Examiner."Startlingly plain-spoken."—Louisville Courier-Journal.

"Masterly."—San Francisco Examiner.

"Startlingly plain-spoken."—Louisville Courier-Journal.

The Rat Trap

"The literary sensation of the year."—Philadelphia Item.

"The literary sensation of the year."—Philadelphia Item.

The Story of Eden

"Bold and outspoken, a startling book."—Chicago Record-Herald."A real feeling of brilliant sunshine and exhilarating air."—Spectator.

"Bold and outspoken, a startling book."—Chicago Record-Herald.

"A real feeling of brilliant sunshine and exhilarating air."—Spectator.

Rose-White Youth

[***] The love-story of a young girl.

The Pathway of the Pioneer

[***] The story of seven girls who have banded themselves together for mutual help and cheer under the name of "Nous Autres." They represent, collectively, the professions open to women of no deliberate training, though well-educated. They are introduced to the reader at one of their weekly gatherings and then the author proceeds to depict the home and business life of each one individually.

Tropical Tales

[***] A collection of short stories dealing with "all sorts and conditions" of men and women in all classes of life; some of the tales sounding the note of joy and happiness; others portraying the pathetic, and even the shady side of life; all written in the interesting manner characteristic of the author.

The Riding Master.Cloth.12mo.$1.50

Profusely Illustrated. Sixteen full-page half-tone illustrations.Numerous line cuts, reproduced from drawings by J. Scott Williams.Also Whistler Butterfly Decorations.

Cloth.12mo.$1.50

"Filled with imaginative touches, resourceful, intelligent and amusing. An ingenious plot that keeps the interest suspended until the end, and has a quick and shrewd sense of humor."—Boston Transcript."A reviewer would hesitate to say how long it is since a writer gave us so beautiful, so naïve, so strangely brought up and introduced, a heroine. It is to be hoped that the author is already at work on another novel."—Toronto Globe."May cause the reader to miss an important engagement or neglect his business. A love story of sweetness and purity touched with the mythical light of Romance and aglow with poetry and tenderness. One of the most enchanting creatures in modern fiction."—San Francisco Bulletin."It is extremely entertaining from start to finish, and there are most delightful chapters of description and romantic scenes which hold one positively charmed by their beauty and unusualness."—Boston Herald."Sentimental, with the wholesome, pleasing sentimentality of the old bachelor who has not turned crusty.... A Thackerayan touch."—New York Tribune."Captures the imagination at the outset by the boldness of the situation.... We should be hard put to it to name a better American novel of the month."—The Outlook.

"Filled with imaginative touches, resourceful, intelligent and amusing. An ingenious plot that keeps the interest suspended until the end, and has a quick and shrewd sense of humor."—Boston Transcript.

"A reviewer would hesitate to say how long it is since a writer gave us so beautiful, so naïve, so strangely brought up and introduced, a heroine. It is to be hoped that the author is already at work on another novel."—Toronto Globe.

"May cause the reader to miss an important engagement or neglect his business. A love story of sweetness and purity touched with the mythical light of Romance and aglow with poetry and tenderness. One of the most enchanting creatures in modern fiction."—San Francisco Bulletin.

"It is extremely entertaining from start to finish, and there are most delightful chapters of description and romantic scenes which hold one positively charmed by their beauty and unusualness."—Boston Herald.

"Sentimental, with the wholesome, pleasing sentimentality of the old bachelor who has not turned crusty.... A Thackerayan touch."—New York Tribune.

"Captures the imagination at the outset by the boldness of the situation.... We should be hard put to it to name a better American novel of the month."—The Outlook.

"Anatole France is a writer whose personality is very strongly reflected in his works.... To reproduce his evanescent grace and charm is not to be lightly achieved, but the translators have done their work with care, distinction, and a very happy sense of the value of words."—Daily Graphic."We must now all read all of Anatole France. The offer is too good to be shirked. He is just Anatole France, the greatest living writer of French."—Daily Chronicle.

"Anatole France is a writer whose personality is very strongly reflected in his works.... To reproduce his evanescent grace and charm is not to be lightly achieved, but the translators have done their work with care, distinction, and a very happy sense of the value of words."—Daily Graphic.

"We must now all read all of Anatole France. The offer is too good to be shirked. He is just Anatole France, the greatest living writer of French."—Daily Chronicle.

Complete Limited Edition in English

Under the general editorship of Frederic Chapman. 8vo., special light-weight paper, wide margins, Caslon type, bound in red and gold, gilt top, end papers from designs by Beardsley, initials by Ospovat. $2.00per volume(except Joan of Arc),postpaid.

"Always entertaining."—New York Evening Sun."Always original."—Chicago Tribune.

"Always entertaining."—New York Evening Sun."Always original."—Chicago Tribune.

Heretics12mo.$1.50 netPostage 12 cents

"His thinking is as sane as his language is brilliant."—Chicago Record-Herald.

"His thinking is as sane as his language is brilliant."—Chicago Record-Herald.

Orthodoxy.Uniform with "Heretics."12mo.$1.50 netPostage 12 cents

"A work of genius."—Chicago Evening Post.

"A work of genius."—Chicago Evening Post.

All Things ConsideredCloth.12mo.$1.50Postage 12 cents

"Full of the author's abundant vitality, wit and unflinching optimism."—Book News.

"Full of the author's abundant vitality, wit and unflinching optimism."—Book News.

George Bernard Shaw.A BiographyCloth.12mo.$1.50Postage 12 cents

"It is a fascinating portrait study and I am proud to have been the painter's model."—George Bernard Shaw inThe Nation(London).

"It is a fascinating portrait study and I am proud to have been the painter's model."—George Bernard Shaw inThe Nation(London).

The Napoleon of Notting Hill.A Romance. WithIllustrations byGraham RobertsonCloth.12mo.$1.50

"A brilliant piece of satire, gemmed with ingenious paradox. Every page is pregnant with vitality."—Boston Herald.

"A brilliant piece of satire, gemmed with ingenious paradox. Every page is pregnant with vitality."—Boston Herald.

The Ball and the CrossCloth.12mo.$1.50

"The most strikingly original novel of the present season. It is studded with intellectual brilliants. Its satire is keener than that of Bernard Shaw. Behind all this foolery there shines the light of Truth. A brilliant piece of satire—a gem that sparkles from any point of view the reader may choose to regard it."—San Francisco Bulletin.

"The most strikingly original novel of the present season. It is studded with intellectual brilliants. Its satire is keener than that of Bernard Shaw. Behind all this foolery there shines the light of Truth. A brilliant piece of satire—a gem that sparkles from any point of view the reader may choose to regard it."—San Francisco Bulletin.

The Thief of VirtueCloth.12mo.$1.50

"If living characters, perfect plot construction, imaginative breadth of canvas and absolute truth to life are the primary qualities of great realistic fiction, Mr. Phillpotts is one of the greatest novelists of the day.... He goes on turning out one brilliant novel after another, steadily accomplishing for Devon what Mr. Hardy did for Wessex. This is another of Mr. Phillpotts' Dartmoor novels, and one that will rank with his best.... Something of kinship with 'King Lear' and 'Pere Goriot.'"—Chicago Record Herald."The Balzac of Dartmore. It is easy and true to say that Mr. Phillpotts in all his work has done no single piece of portraiture better than this presentation of Philip Ouldsbroom.... A triumph of the novelist's understanding and keen drawing.... A Dartmoor background described in terms of an artist's deeply felt appreciation.—New York World."No other English writer has painted such fascinating and colorful word-pictures of Dartmoor's heaths and hills, woods and vales, and billowy plains of pallid yellow and dim green. Few others have attempted such vivid character-portrayal as marks this latest work from beginning to end."—The North American."A strong book, flashing here and there with beautiful gems of poetry.... Providing endless food for thought.... An intellectual treat."—London Evening Standard.

"If living characters, perfect plot construction, imaginative breadth of canvas and absolute truth to life are the primary qualities of great realistic fiction, Mr. Phillpotts is one of the greatest novelists of the day.... He goes on turning out one brilliant novel after another, steadily accomplishing for Devon what Mr. Hardy did for Wessex. This is another of Mr. Phillpotts' Dartmoor novels, and one that will rank with his best.... Something of kinship with 'King Lear' and 'Pere Goriot.'"—Chicago Record Herald.

"The Balzac of Dartmore. It is easy and true to say that Mr. Phillpotts in all his work has done no single piece of portraiture better than this presentation of Philip Ouldsbroom.... A triumph of the novelist's understanding and keen drawing.... A Dartmoor background described in terms of an artist's deeply felt appreciation.—New York World.

"No other English writer has painted such fascinating and colorful word-pictures of Dartmoor's heaths and hills, woods and vales, and billowy plains of pallid yellow and dim green. Few others have attempted such vivid character-portrayal as marks this latest work from beginning to end."—The North American.

"A strong book, flashing here and there with beautiful gems of poetry.... Providing endless food for thought.... An intellectual treat."—London Evening Standard.

The HavenCloth.12mo.$1.50

"The foremost English novelist with the one exception of Thomas Hardy.... His descriptions of the sea and his characterization of the fisher folks are picturesque, true to life, full of humorous philosophy."—Jeannette L. GilderinThe Chicago Tribune."It is no dry bones of a chronicle, but touched by genius to life and vividness."—Louisville, Kentucky, Post."A close, thoughtful study of universal human nature."—The Outlook."One of the best of this author's many works."—The Bookman.

"The foremost English novelist with the one exception of Thomas Hardy.... His descriptions of the sea and his characterization of the fisher folks are picturesque, true to life, full of humorous philosophy."—Jeannette L. GilderinThe Chicago Tribune.

"It is no dry bones of a chronicle, but touched by genius to life and vividness."—Louisville, Kentucky, Post.

"A close, thoughtful study of universal human nature."—The Outlook.

"One of the best of this author's many works."—The Bookman.

New York Times: "Above the multitude of novels (erotic and neurotic) hers shine like stars. She has produced a comprehensive and full drama of life, rich in humanity; noble, satisfying—it is not too much to say great."

New York Times: "Above the multitude of novels (erotic and neurotic) hers shine like stars. She has produced a comprehensive and full drama of life, rich in humanity; noble, satisfying—it is not too much to say great."

Cloth,12mo.$1.50 each.

The Argonaut (San Francisco): "We doubt if any other writer gives us so composite and convincing a picture of that curious mixture of soldier and civilian that makes up Indian society. She shows us the life of the country from many standpoints, giving us the idea of a storehouse of experience so well stocked that incidents can be selected with a fastidious and dainty care."London Morning Post: "Vigor of characterization accompanied by an admirable terseness and simplicity of expression."Literary World: "Undoubtedly some of the finest novels that Indian life has produced."London Telegraph: "Some sincere pictures of Indian life which are as real and convincing as any which have entered into the pages of fiction."The Chicago Tribune: "The characterization is excellent and her presentation of frontier life and of social conditions produces a strong impression of truth."Boston Evening Transcript: "Knows absolutely the life that she depicts. Her characters are excellently portrayed."Chicago Record Herald: "Well told; the humanization good and the Indian atmosphere, always dramatic, is effectively depicted. Holds the attention without a break."Toronto Mail: "Real imagination, force, and power. Rudyard Kipling and imitators have shown us the sordid side of this social life. It remains for Mrs. Diver to depict tender-hearted men and brave, true women. Her work is illuminated by flashes of spiritual insight that one longs to hold in memory."

The Argonaut (San Francisco): "We doubt if any other writer gives us so composite and convincing a picture of that curious mixture of soldier and civilian that makes up Indian society. She shows us the life of the country from many standpoints, giving us the idea of a storehouse of experience so well stocked that incidents can be selected with a fastidious and dainty care."

London Morning Post: "Vigor of characterization accompanied by an admirable terseness and simplicity of expression."

Literary World: "Undoubtedly some of the finest novels that Indian life has produced."

London Telegraph: "Some sincere pictures of Indian life which are as real and convincing as any which have entered into the pages of fiction."

The Chicago Tribune: "The characterization is excellent and her presentation of frontier life and of social conditions produces a strong impression of truth."

Boston Evening Transcript: "Knows absolutely the life that she depicts. Her characters are excellently portrayed."

Chicago Record Herald: "Well told; the humanization good and the Indian atmosphere, always dramatic, is effectively depicted. Holds the attention without a break."

Toronto Mail: "Real imagination, force, and power. Rudyard Kipling and imitators have shown us the sordid side of this social life. It remains for Mrs. Diver to depict tender-hearted men and brave, true women. Her work is illuminated by flashes of spiritual insight that one longs to hold in memory."

The Intruding AngelCloth.12mo.$1.50.

The story of a mistaken marriage, and the final solution of the problem for the happiness of all parties concerned.

The story of a mistaken marriage, and the final solution of the problem for the happiness of all parties concerned.

When a Woman WoosCloth.12mo.$1.50.

"Unique. The book is on the whole a study of the relations of men and women in the particular institution of marriage. It is an attempt to define what a real marriage is, and it shows very decidedly what it is not. Full of the material of life."—New York Times Book Review.

"Unique. The book is on the whole a study of the relations of men and women in the particular institution of marriage. It is an attempt to define what a real marriage is, and it shows very decidedly what it is not. Full of the material of life."—New York Times Book Review.

A Spanish HolidayIllustrated.Cloth.8vo.$2.50 net.Postage 20 cents.

"The spirit of Spain has been caught to a very great degree by the author of this book, and held fast between its covers."—Book News.

"The spirit of Spain has been caught to a very great degree by the author of this book, and held fast between its covers."—Book News.

Olivia L. CarewCloth.12mo.$1.50

An interesting character study of a passionless, self-absorbed woman humanized by the influence of a man's love and loyal devotion.

An interesting character study of a passionless, self-absorbed woman humanized by the influence of a man's love and loyal devotion.

Anne PageA Love-story of To-dayCloth.12mo.$1.50

"Readers must judge for themselves. Women may read it for warning as well as entertainment, and they will find both. Men may read it for reproach that any of their kind can treat such women so. And moralists of either sex will find instructions for their homilies, as well as a warning that there may be more than one straight and narrow way."—New York Times.

"Readers must judge for themselves. Women may read it for warning as well as entertainment, and they will find both. Men may read it for reproach that any of their kind can treat such women so. And moralists of either sex will find instructions for their homilies, as well as a warning that there may be more than one straight and narrow way."—New York Times.

Six Fairy Plays for ChildrenSq.12mo.$1.00 net.Postage 8 cents.

Cloth.12mo.75 cents net.Postage 10 cts.

"A splendid figure for biographical study."—The Call.

"A splendid figure for biographical study."—The Call.

Cottage PieCloth.12mo.$1.50

A Country Spread. A Novel.

Sixpenny PiecesCloth.12mo.$1.50

The Story of a Sixpenny Doctor

"Not since famous 'No. 5 John Street' has been offered so telling and characteristic a work. Power to stir human hearts and sway human sympathies. Holds the interest with a grip of iron and will make many think."—Chicago Record Herald."Unique in style and matter and intense in human interest."—Louisville Courier Journal."Notable, pathetic, humorous and tragic. In realistic force and convincing truth of characterization it is a striking achievement. Slum life has never been better portrayed."—Brooklyn Eagle.

"Not since famous 'No. 5 John Street' has been offered so telling and characteristic a work. Power to stir human hearts and sway human sympathies. Holds the interest with a grip of iron and will make many think."—Chicago Record Herald.

"Unique in style and matter and intense in human interest."—Louisville Courier Journal.

"Notable, pathetic, humorous and tragic. In realistic force and convincing truth of characterization it is a striking achievement. Slum life has never been better portrayed."—Brooklyn Eagle.

Arthur's HotelCloth.12mo.$1.50

"Sketches of low life in London. The book will delight visitors to the slums."—New York Sun.

"Sketches of low life in London. The book will delight visitors to the slums."—New York Sun.

The Way UpCloth.12mo.$1.50

The Romance of an Ironmaster Touching Three Vital Questions

(a)Capital and Labor.(b)The Claims of the Individual Against Those of the State.(c)The Right of a Woman to Her Own Individuality.

"M. P. Willcocks is an English writer of unusual force and that dry, incisive humor dearly beloved of the intellectual reader. In 'The Way Up' this writer crystallizes a tense and telling problem. The book is earnest enough for the most serious of readers, yet never dull or dreary. The humanization is admirable."—Chicago Record-Herald."Miss Willcocks shows the wit of Barrie in close alliance with the bold realism of Thomas Hardy and the philosophic touches of George Meredith."—Literary World, London."Striking studies of character and grace of charm and style."—New York Sun."Such books are worth keeping on the shelves, even by the classics, for they are painted in colors which do not fade."—London Times.

"M. P. Willcocks is an English writer of unusual force and that dry, incisive humor dearly beloved of the intellectual reader. In 'The Way Up' this writer crystallizes a tense and telling problem. The book is earnest enough for the most serious of readers, yet never dull or dreary. The humanization is admirable."—Chicago Record-Herald.

"Miss Willcocks shows the wit of Barrie in close alliance with the bold realism of Thomas Hardy and the philosophic touches of George Meredith."—Literary World, London.

"Striking studies of character and grace of charm and style."—New York Sun.

"Such books are worth keeping on the shelves, even by the classics, for they are painted in colors which do not fade."—London Times.

The Wingless VictoryCloth.12mo.$1.50

"A most remarkable novel which places the author in the first rank. This is a novel built to last."—The Outlook."A book worth keeping on the shelves, even by the classics, for it is painted in colors which do not fade."—The Times."It is an excellent thing for any reader to come across this book."—Standard."A splendid book."—Tribune.

"A most remarkable novel which places the author in the first rank. This is a novel built to last."—The Outlook.

"A book worth keeping on the shelves, even by the classics, for it is painted in colors which do not fade."—The Times.

"It is an excellent thing for any reader to come across this book."—Standard.

"A splendid book."—Tribune.

A Man of GeniusCloth.12mo.$1.50

"Far above the general level of contemporary fiction. A work of unusual power."—Professor William Lyon Phelps.

"Far above the general level of contemporary fiction. A work of unusual power."—Professor William Lyon Phelps.

WiddicombeCloth.12mo.$1.50

A Romance of the Devonshire Moors

The Wine of LifeCloth.12mo.$1.50

"The story is well worth reading; it is never dull and is positively superior in the distinctness of its character portraiture to the common run of drawing-room fiction."—Charleston News and Courier.

"The story is well worth reading; it is never dull and is positively superior in the distinctness of its character portraiture to the common run of drawing-room fiction."—Charleston News and Courier.

The Door of DarknessCloth.12mo.$1.50


Back to IndexNext