These prisoners are strong men, prominent men, & I believe they are all educated men. They are well off; some of them are wealthy. They have a lot of books to read, they play games & smoke, & for a while they will be able to bear up in their captivity; but not for long, not for very long, I take it. I am told they have times of deadly brooding and depression. I made them a speech—sitting down. It just happened so. I don't prefer that attitude. Still, it has one advantage—it is only a talk, it doesn't take the form of a speech . . . . I advised them at considerable length to stay where they were—they would get used to it & like it presently; if they got out they would only get in again somewhere else, by the look of their countenances; & I promised to go and see the President & do what I could to get him to double their jail terms…. We had a very good sociable time till the permitted time was up &. a little over & we outsiders had to go. I went again to-day, but the Rev. Mr. Gray had just arrived, & the warden, a genial, elderly Boer named Du Plessis, explained that his orders wouldn't allow him to admit saint & sinner at the same time, particularly on a Sunday. Du Plessis descended from the Huguenot fugitives, you see, of 200 years ago—but he hasn't any French left in him now—all Dutch.
Clemens did visit President Kruger a few days later, but not for the purpose explained. John Hayes Hammond, in a speech not long ago (1911), told how Mark Twain was interviewed by a reporter after he left the jail, and when the reporter asked if the prisoners were badly treated Clemens had replied that he didn't think so, adding:
"As a matter of fact, a great many of these gentlemen have fared far worse in the hotels and mining-camps of the West."
Said Hammond in his speech: "The result of this was that the interview was reported literally and a leader appeared in the next morning's issue protesting against such lenience. The privations, already severe enough, were considerably augmented by that remark, and it required some three or four days' search on the part of some of our friends who were already outside of jail to get hold of Mark Twain and have him go and explain to Kruger that it was all a joke."
Clemens made as good a plea to "Oom Paul" as he could, and in some degree may have been responsible for the improved treatment and the shortened terms of the unlucky reformers.
They did not hurry away from South Africa. Clemens gave many readings and paid a visit to the Kimberley mines. His note-book recalls how poor Riley twenty-five years before had made his fatal journey.
It was the 14th of July, 1896, a year to a day since they left Elmira, that they sailed by the steamer Norman for England, arriving at Southampton the 31st. It was from Southampton that they had sailed for America fourteen months before. They had completed the circuit of the globe.
It had been arranged that Katie Leary should bring Jean and Susy to England. It was expected that they would arrive soon, not later than the 12th, by which time the others would be established. The travelers proceeded immediately to London and engaged for the summer a house in Guildford, modest quarters, for they were still economizing, though Mark Twain had reason to hope that with the money already earned and the profits of the book he would write of his travels he could pay himself free. Altogether, the trip had been prosperous. Now that it was behind him, his health and spirits had improved. The outlook was brighter.
August 12th came, but it did not bring Katie and the children. A letter came instead. Clemens long afterward wrote:
It explained that Susy was slightly ill-nothing of consequence. But we were disquieted and began to cable for later news. This was Friday. All day no answer—and the ship to leave Southampton next day at noon. Clara and her mother began packing, to be ready in case the news should be bad. Finally came a cablegram saying, "Wait for cablegram in the morning." This was not satisfactory—not reassuring. I cabled again, asking that the answer be sent to Southampton, for the day was now closing. I waited in the post- office that night till the doors were closed, toward midnight, in the hope that good news might still come, but there was no message. We sat silent at home till one in the morning waiting—waiting for we knew not what. Then we took the earlier morning train, and when we reached Southampton the message was there. It said the recovery would be long but certain. This was a great relief to me, but not to my wife. She was frightened. She and Clara went aboard the steamer at once and sailed for America, to nurse Susy. I remained behind to search for another and larger house in Guildford.
That was the 15th of August, 1896. Three days later, when my wife and Clara were about half-way across the ocean, I was standing in our dining-room, thinking of nothing in particular, when a cablegram was put into my hand. It said, "Susy was peacefully released to-day."
Some of those who in later years wondered at Mark Twain's occasional attitude of pessimism and bitterness toward all creation, when his natural instinct lay all the other way, may find here some reasons in his logic of gloom. For years he and his had been fighting various impending disasters. In the end he had torn his family apart and set out on a weary pilgrimage to pay, for long financial unwisdom, a heavy price—a penance in which all, without complaint, had joined. Now, just when it seemed about ended, when they were ready to unite and be happy once more, when he could hold up his head among his fellows—in this moment of supreme triumph had come the message that Susy's lovely and blameless life was ended. There are not many greater dramas in fiction or in history than this. The wonder is not that Mark Twain so often preached the doctrine of despair during his later life, but that he did not exemplify it—that he did not become a misanthrope in fact.
Mark Twain's life had contained other tragedies, but no other that equaled this one. This time none of the elements were lacking—not the smallest detail. The dead girl had been his heart's pride; it was a year since he had seen her face, and now by this word he knew that he would never see it again. The blow had found him alone absolutely alone among strangers—those others—half-way across the ocean, drawing nearer and nearer to it, and he with no way to warn them, to prepare them, to comfort them.
Clemens sought no comfort for himself. Just as nearly forty years before he had writhed in self-accusation for the death of his younger brother, and as later he held himself to blame for the death of his infant son, so now he crucified himself as the slayer of Susy. To Mrs. Clemens he poured himself out in a letter in which he charged himself categorically as being wholly and solely responsible for the tragedy, detailing step by step with fearful reality his mistakes and weaknesses which had led to their downfall, the separation from Susy, and this final incredible disaster. Only a human being, he said, could have done these things.
Susy Clemens had died in the old Hartford home. She had been well for a time at Quarry Farm, well and happy, but during the summer of '96 she had become restless, nervous, and unlike herself in many ways. Her health seemed to be gradually failing, and she renewed the old interest in mental science, always with the approval of her parents. Clemens had great faith in mind over matter, and Mrs. Clemens also believed that Susy's high-strung nature was especially calculated to receive benefit from a serene and confident mental attitude. From Bombay, in January, she wrote Mrs. Crane:
I am very glad indeed that Susy has taken up Mental Science, and I do hope it may do her as much good as she hopes. Last winter we were so very anxious to have her get hold of it, and even felt at one time that we must go to America on purpose to have her have the treatment, so it all seems very fortunate that it should have come about as it has this winter.
Just how much or how little Susy was helped by this treatment cannot be known. Like Stevenson, she had "a soul of flame in a body of gauze," a body to be guarded through the spirit. She worked continuously at her singing and undoubtedly overdid herself. Early in the year she went over to Hartford to pay some good-by visit, remaining most of the time in the home of Charles Dudley Warner, working hard at her singing. Her health did not improve, and when Katie Leary went to Hartford to arrange for their departure she was startled at the change in her.
"Miss Susy; you are sick," she said. "You must have the doctor come."
Susy refused at first, but she grew worse and the doctor was sent for. He thought her case not very serious—the result, he said, of overwork. He prescribed some soothing remedies, and advised that she be kept very quiet, away from company, and that she be taken to her own home, which was but a step away. It was then that the letter was written and the first cable sent to England. Mrs. Crane was summoned from Elmira, also Charles Langdon. Mr. Twichell was notified and came down from his summer place in the Adirondacks.
Susy did not improve. She became rapidly worse, and a few days later the doctor pronounced her ailment meningitis. This was on the 15th of August—that hot, terrible August of 1896. Susy's fever increased and she wandered through the burning rooms in delirium and pain; then her sight left her, an effect of the disease. She lay down at last, and once, when Katie Leary was near her, she put her hands on Katie's face and said, "mama." She did not speak after that, but sank into unconsciousness, and on the evening of Tuesday, August 18th, the flame went out forever.
To Twichell Clemens wrote of it:
Ah, well, Susy died at home. She had that privilege. Her dying eyes rested upon no thing that was strange to them, but only upon things which they had known & loved always & which had made her young years glad; & she had you & Sue & Katie & & John & Ellen. This was happy fortune—I am thankful that it was vouchsafed to her. If she had died in another house—well, I think I could not have borne that. To us our house was not unsentient matter—it had a heart & a soul & eyes to see us with, & approvals & solicitudes & deep sympathies; it was of us, & we were in its confidence, & lived in its grace & in the peace of its benediction. We never came home from an absence that its face did not light up & speak out its eloquent welcome—& we could not enter it unmoved. And could we now? oh, now, in spirit we should enter it unshod.
A tugboat with Dr. Rice, Mr. Twichell, and other friends of the family went down the bay to meet the arriving vessel with Mrs. Clemens and Clara on board. It was night when the ship arrived, and they did not show themselves until morning; then at first to Clara. There had been little need to formulate a message—their presence there was enough—and when a moment later Clara returned to the stateroom her mother looked into her face and she also knew. Susy already had been taken to Elmira, and at half past ten that night Mrs. Clemens and Clara arrived there by the through train—the same train and in the same coach which they had taken one year and one month before on their journey westward around the world.
And again Susy was there, not waving her welcome in the glare of the lights as she had waved her farewell to us thirteen months before, but lying white and fair in her coffin in the house where she was born.
They buried her with the Langdon relatives and the little brother, and ordered a headstone with some lines which they had found in Australia:
Warm summer sun shine kindly here;Warm southern wind blow softly here;Green sod above lie light, lie lightGood night, dear heart, good night, good night.
—[These lines at first were generally attributed to Clemens himself.When this was reported to him he ordered the name of the Australian poet,Robert Richardson, cut beneath them. The word "southern" in the originalread "northern," as in Australia, the warm wind is from the north.Richardson died in England in 1901.]
Mrs. Clemens, Clara, and Jean, with Katie Leary, sailed for England without delay. Arriving there, they gave up the house in Guildford, and in a secluded corner of Chelsea, on the tiny and then almost unknown Tedworth Square (No. 23), they hid themselves away for the winter. They did not wish to be visited; they did not wish their whereabouts known except to a few of their closest friends. They wanted to be alone with their sorrow, and not a target for curious attention. Perhaps not a dozen people in London knew their address and the outside world was ignorant of it altogether. It was through this that a wild report started that Mark Twain's family had deserted him—that ill and in poverty he was laboring alone to pay his debts. This report—exploited in five-column head-lines by a hyper-hysterical paper of that period received wide attention.
James Ross Clemens, of the St. Louis branch, a nephew of Frau von Versen, was in London just then, and wrote at once, through Chatto & Windus, begging Mark Twain to command his relative's purse. The reply to this kind offer was an invitation to tea, and "Young Doctor Jim," as he was called, found his famous relative by no means abandoned or in want, but in pleasant quarters, with his family still loyal. The general impression survived, however, that Mark Twain was sorely pressed, and the New York Herald headed a public benefit fund for the payment of his debts. The Herald subscribed one thousand dollars on its own account, and Andrew Carnegie followed with another thousand, but the enterprise was barely under way when Clemens wrote a characteristic letter, in which he declared that while he would have welcomed the help offered, being weary of debt, his family did not wish him to accept and so long as he was able to take care of them through his own efforts.
Meantime he was back into literary harness; a notebook entry for October 24, 1896, says:
"Wrote the fist chapter of the book to-day-'Around the World'."
He worked at it uninterruptedly, for in work; there was respite, though his note-books show something of his mental torture, also his spiritual heresies. His series of mistakes and misfortunes, ending with the death of Susy, had tended to solidify his attitude of criticism toward things in general and the human race in particular.
"Man is the only animal that blushes, or that needs to," was one of his maxims of this period, and in another place he sets down the myriad diseases which human flesh is heir to and his contempt for a creature subject to such afflictions and for a Providence that could invent them. Even Mrs. Clemens felt the general sorrow of the race. "Poor, poor human nature," she wrote once during that long, gloomy winter.
Many of Mark Twain's notes refer to Susy. In one he says:
"I did not hear her glorious voice at its supremest—that was in Hartford a month or two before the end."
Notes of heavy regret most of them are, and self-reproach and the hopelessness of it all. In one place he records her accomplishment of speech, adding:
"And I felt like saying 'you marvelous child,' but never said it; to my sorrow I remember it now. But I come of an undemonstrative race."
He wrote to Twichell:
But I have this consolation: that dull as I was I always knew enough to be proud when she commended me or my work—as proud as if Livy had done it herself—& I took it as the accolade from the hand of genius. I see now—as Livy always saw—that she had greatness in her, & that she herself was dimly conscious of it.
And now she is dead—& I can never tell her.
And closing a letter to Howells:
Good-by. Will healing ever come, or life have value again?
And shall we see Susy? Without doubt! without a shadow of doubt if it can furnish opportunity to break our hearts again.
On November 26th, Thanksgiving, occurs this note:
"We did not celebrate it. Seven years ago Susy gave her play for the first time."
And on Christmas:
London, 11.30 Xmas morning. The Square & adjacent streets are not merely quiet, they are dead. There is not a sound. At intervals a Sunday-looking person passes along. The family have been to breakfast. We three sat & talked as usual, but the name of the day was not mentioned. It was in our minds, but we said nothing.
And a little later:
Since bad luck struck us it is risky for people to have to do with us. Our cook's sweetheart was healthy. He is rushing for the grave now. Emily, one of the maids, has lost the sight of one eye and the other is in danger. Wallace carried up coal & blacked the boots two months—has suddenly gone to the hospital—pleurisy and a bad case. We began to allow ourselves to see a good deal of our friends, the Bigelows—straightway their baby sickened & died. Next Wilson got his skull fractured.
January 23, 1897. I wish the Lord would disguise Himself in citizen's clothing & make a personal examination of the sufferings of the poor in London. He would be moved & would do something for them Himself.
Meantime certain publishing events had occurred. During his long voyage a number of Mark Twain's articles had appeared in the magazines, among them "Mental Telegraphy Again," in Harpers, and in the North American Review that scorching reply to Paul Bourget's reflections upon America. Clemens could criticize his own nation freely enough, but he would hardly be patient under the strictures of a Frenchman, especially upon American women.
There had been book publication also during this period. The Harpers had issued an edition of 'Tom Sawyer Abroad', which included another Tom and Huck story 'Tom Sawyer, Detective', written in Paris, and the contents of the old White Elephant book.
But there had been a much more important book event. The chapters of his story of Joan having run their course in Harper's Magazine had been issued as a volume.
As already mentioned, Joan had been early recognized as Mark Twain's work, and it was now formally acknowledged as such on the title-page. It is not certain now that the anonymous beginning had been a good thing. Those who began reading it for its lofty charm, with the first hint of Mark Twain as the author became fearful of some joke or burlesque. Some who now promptly hastened to read it as Mark Twain's, were inclined to be disappointed at the very lack of these features. When the book itself appeared the general public, still doubtful as to its merits, gave it a somewhat dubious reception. The early sales were disappointing.
Nor were the reviewers enthusiastic, as a rule. Perhaps they did not read it over-carefully, or perhaps they were swayed a good deal by a sort of general verdict that, in attempting 'Joan of Arc', Mark Twain had gone out of his proper field. Furthermore, there were a number of Joan books published just then, mainly sober, somber books, in which Joan was pictured properly enough as a saint, and never as anything else—never being permitted to smile or enjoy the lighter side of life, to be a human being, in fact, at all.
But this is just the very wonder of Mark Twain's Joan. She is a saint; she is rare, she is exquisite, she is all that is lovely, and she is a human being besides. Considered from every point of view, Joan of Arc is Mark Twain's supreme literary expression, the loftiest, the most delicate, the most luminous example of his work. It is so from the first word of its beginning, that wonderful "Translator's Preface," to the last word of the last chapter, where he declares that the figure of Joan with the martyr's crown upon her head shall stand for patriotism through all time.
The idyllic picture of Joan's childhood with her playmates around the fairy tree is so rare in its delicacy and reality that any attempt to recall it here would disturb its bloom. The little poem, "L'Arbre fee de Bourlemont," Mark Twain's own composition, is a perfect note, and that curiously enough, for in versification he was not likely to be strong. Joan's girlhood, the picture of her father's humble cottage, the singing there by the wandering soldier of the great song of Roland which stirred her deepest soul with the love of France, Joan's heroism among her playmates, her wisdom, her spiritual ideals-are not these all reverently and nobly told, and with that touch of tenderness which only Mark Twain could give? And the story of her voices, and her march, and of her first appearance before the wavering king. And then the great coronation scene at Rheims, and the dramatic moment when Joan commands the march on Paris —the dragging of the hopeless trial, and that last, fearful day of execution, what can surpass these? Nor must we forget those charming, brighter moments where Joan is shown just as a human being, laughing until the tears run at the absurdities of the paladin or the simple home prattle of her aged father and uncle. Only here and there does one find a touch—and it is never more than that—of the forbidden thing, the burlesque note which was so likely to be Mark Twain's undoing.
It seems incredible to-day that any reader, whatever his preconceived notions of the writer might have been, could have followed these chapters without realizing their majesty, and that this tale of Joan was a book such as had not before been written. Let any one who read it then and doubted, go back and consider it now. A surprise will await him, and it will be worth while. He will know the true personality of Joan of Arc more truly than ever before, and he will love her as the author loved her, for "the most innocent, the most lovely, the most adorable child the ages have produced."
The tale is matchless in its workmanship. The quaint phrasing of the old Sieur de Conte is perfectly adapted to the subject-matter, and the lovely character of the old narrator himself is so perfectly maintained that we find ourselves all the time as in an atmosphere of consecration, and feel that somehow we are helping him to weave a garland to lay on Joan's tomb. Whatever the tale he tells, he is never more than a step away. We are within sound of his voice, we can touch his presence; we ride with him into battle; we laugh with him in the by-play and humors of warfare; we sit hushed at his side through the long, fearful days of the deadly trial, and when it is all ended it is to him that we turn to weep for Joan—with him only would we mingle our tears. It is all bathed in the atmosphere of romance, but it is the ultimate of realism, too; not hard, sordid, ugly realism, but noble, spiritual, divine realism, belonging to no particular class or school—a creation apart. Not all of Mark Twain's tales have been convincing, but there is no chapter of his Joan that we doubt. We believe it all happened—we know that it must have happened, for our faith in the Sieur de Conte never for an instant wavers.
Aside from the personality of the book—though, in truth, one never is aside from it—the tale is a marvel in its pageantry, its splendid panorama and succession of stirring and stately scenes. The fight before Orleans, the taking of the Tourelles and of Jargeau, all the movement of that splendid march to Rheims, there are few better battle-pictures than these. Howells, always interested mainly in the realism of to-day, in his review hints at staginess in the action and setting and even in Joan herself. But Howells himself did not accept his earlier judgment as final. Five years later he wrote:
"She is indeed realized to the modern sense as few figures of the past have been realized in fiction."
As for the action, suppose we consider a brief bit of Joan's warfare. It is from the attack on the Tourelles:
Joan mounted her horse now with her staff about her, and when our people saw us coming they raised a great shout, and were at once eager for another assault on the boulevard. Joan rode straight to the foss where she had received her wound, and, standing there in the rain of bolts and arrows, she ordered the paladin to let her long standard blow free, and to note when its fringes should touch the fortress. Presently he said:
"It touches."
"Now, then," said Joan to the waiting battalions, "the place is yours—enter in! Bugles, sound the assault! Now, then—all together—go!"
And go it was. You never saw anything like it. We swarmed up the ladders and over the battlements like a wave—and the place was our property. Why, one might live a thousand years and never see so gorgeous a thing as that again….
We were busy and never heard the five cannon-shots fired, but they were fired a moment after Joan had ordered the assault; and so, while we were hammering and being hammered in the smaller fortress, the reserve on the Orleans side poured across the bridge and attacked the Tourelles from that side. A fireboat was brought down and moored under the drawbridge which connected the Tourelles with our boulevard; wherefore, when at last we drove our English ahead of us, and they tried to cross that drawbridge and join their friends in the Tourelles, the burning timbers gave way under them and emptied them in a mass into the river in their heavy armor—and a pitiful sight it was to see brave men die such a death as that.
"God pity them!" said Joan, and wept to see that sorrowful spectacle. She said those gentle words and wept those compassionate tears, although one of those perishing men had grossly insulted her with a coarse name three days before when she had sent him a message asking him to surrender. That was their leader, Sir William Glasdale, a most valorous knight. He was clothed all in steel; so he plunged under the water like a lance, and of course came up no more.
We soon patched a sort of bridge together and threw ourselves against the last stronghold of the English power that barred Orleans from friends and supplies. Before the sun was quite down Joan's forever memorable day's work was finished, her banner floated from the fortress of the Tourelles, her promise was fulfilled, she had raised the siege of Orleans!
England had resented the Yankee, but it welcomed Joan. Andrew Lang adored it, and some years later contemplated dedicating his own book, 'The Maid of France', to Mark Twain.'—[His letter proposing this dedication, received in 1909, appears to have been put aside and forgotten by Mr. Clemens, whose memory had not improved with failing health.]
Brander Matthews ranks Huck Finn before Joan of Arc, but that is understandable. His literary culture and research enable him, in some measure, to comprehend the production of Joan; whereas to him Huck is pure magic. Huck is not altogether magic to those who know the West—the character of that section and the Mississippi River, especially of an older time—it is rather inspiration resulting from these existing things. Joan is a truer literary magic—the reconstruction of a far-vanished life and time. To reincarnate, as in a living body of the present, that marvelous child whose life was all that was pure and exalted and holy, is veritable necromancy and something more. It is the apotheosis of history.
Throughout his life Joan of Arc had been Mark Twain's favorite character in the world's history. His love for her was a beautiful and a sacred thing. He adored young maidenhood always and nobility of character, and he was always the champion of the weak and the oppressed. The combination of these characteristics made him the ideal historian of an individuality and of a career like hers. It is fitting that in his old age (he was nearing sixty when it was finished) he should have written this marvelously beautiful thing. He could not have written it at an earlier time. It had taken him all these years to prepare for it; to become softened, to acquire the delicacy of expression, the refinement of feeling, necessary to the achievement.
It was the only book of all he had written that Mark Twain considered worthy of this dedication:
1870 To MY WIFE 1895OLIVIA LANGDON CLEMENSTHIS BOOK
is tendered on our wedding anniversary in grateful recognitionof her twenty-five years of valued service as my literaryadviser and editor.THE AUTHOR
The Personal Recollections of Joan of Arc was a book not understood in the beginning, but to-day the public, that always renders justice in the end, has reversed its earlier verdict. The demand for Joan has multiplied many fold and it continues to multiply with every year. Its author lived long enough to see this change and to be comforted by it, for though the creative enthusiasm in his other books soon passed, his glory in the tale of Joan never died. On his seventy-third birthday, when all of his important books were far behind him, and he could judge them without prejudice, he wrote as his final verdict:
Nov. 30, 1908
I like the Joan of Arc best of all my books; & it is the best; I know it perfectly well. And besides, it furnished me seven times the pleasure afforded me by any of the others: 12 years of preparation & a years of writing. The others needed no preparation, & got none.
It was during the winter of '96, in London, that Clemens took an active interest in the education of Helen Keller and enlisted the most valuable adherent in that cause, that is to say, Henry H. Rogers. It was to Mrs. Rogers that he wrote, heading his letter:
For & in behalfof Helen Keller,Stone blind & deaf,& formerly dumb.
DEAR MRS. ROGERS,—Experience has convinced me that when one wished to set a hard-worked man at something which he mightn't prefer to be bothered with it is best to move upon him behind his wife. If she can't convince him it isn't worth while for other people to try.
Mr. Rogers will remember our visit with that astonishing girl at Lawrence Hutton's house when she was fourteen years old. Last July, in Boston, when she was 16 she underwent the Harvard examination for admission to Radcliffe College. She passed without a single condition. She was allowed only the same amount of time that is granted to other applicants, & this was shortened in her case by the fact that the question-papers had to be read to her. Yet she scored an average of 90, as against an average of 78 on the part of the other applicants.
It won't do for America to allow this marvelous child to retire from her studies because of poverty. If she can go on with them she will make a fame that will endure in history for centuries. Along her special lines she is the most extraordinary product of all the ages.
There is danger that she must retire from the struggle for a college degree for lack of support for herself & for Miss Sullivan (the teacher who has been with her from the start—Mr. Rogers will remember her). Mrs. Hutton writes to ask me to interest rich Englishmen in her case, & I would gladly try, but my secluded life will not permit it. I see nobody. Nobody knows my address. Nothing but the strictest hiding can enable me to write my book in time.
So I thought of this scheme: Beg you to lay siege to your husband & get him to interest himself and Messrs. John D. & William Rockefeller & the other Standard Oil chiefs in Helen's case; get them to subscribe an annual aggregate of six or seven hundred or a thousand dollars—& agree to continue this for three or four years, until she has completed her college course. I'm not trying to limit their generosity—indeed no; they may pile that Standard Oil Helen Keller College Fund as high as they please; they have my consent.
Mrs. Hutton's idea is to raise a permanent fund, the interest upon which shall support Helen & her teacher & put them out of the fear of want. I sha'n't say a word against it, but she will find it a difficult & disheartening job, & meanwhile what is to become of that miraculous girl?
No, for immediate and sound effectiveness, the thing is for you to plead with Mr. Rogers for this hampered wonder of your sex, & send him clothed with plenary powers to plead with the other chiefs—they have spent mountains of money upon the worthiest benevolences, & I think that the same spirit which moved them to put their hands down through their hearts into their pockets in those cases will answer. "Here!" when its name is called in this one.
There—I don't need to apologize to you or to H. H. for this appealthat I am making; I know you too well for that:
Good-by, with love to all of you,S. L. CLEMENS.
The result of this letter was that Mr. Rogers personally took charge of Helen Keller's fortunes, and out of his own means made it possible for her to continue her education and to achieve for herself the enduring fame which Mark Twain had foreseen.
Mr. Rogers wrote that, by a curious coincidence, a letter had come to him from Mrs. Hutton on the same morning that Mrs. Rogers had received hers from Tedworth Square. Clemens sent grateful acknowledgments to Mrs. Rogers.
DEAR MRS. ROGERS,—It is superb! And I am beyond measure grateful to you both. I knew you would be interested in that wonderful girl, & that Mr. Rogers was already interested in her & touched by her; & I was sure that if nobody else helped her you two would; but you have gone far & away beyond the sum I expected—may your lines fall in pleasant places here, & Hereafter for it!
The Huttons are as glad & grateful as they can be, & I am glad for their sakes as well as for Helen's.
I want to thank Mr. Rogers for crucifying himself on the same old cross between Bliss & Harper; & goodness knows I hope he will come to enjoy it above all other dissipations yet, seeing that it has about it the elements of stability & permanency. However, at any time that he says sign we're going to do it.
Ever sincerely yours,S. L. CLEMENS.
One reading the Equator book to-day, and knowing the circumstances underwhich it was written, might be puzzled to reconcile the secludedhousehold and its atmosphere of sorrow with certain gaieties of thesubject matter. The author himself wondered at it, and to Howells wrote:I don't mean that I am miserable; no-worse than that—indifferent.Indifferent to nearly everything but work. I like that; I enjoy it,& stick to it. I do it without purpose & without ambition; merelyfor the love of it. Indeed, I am a mud-image; & it puzzles me toknow what it is in me that writes & has comedy fancies & findspleasure in phrasing them. It is the law of our nature, of course,or it wouldn't happen; the thing in me forgets the presence of themud-image, goes its own way wholly unconscious of it & apparently ofno kinship with it.
He saw little company. Now and, then a good friend, J.Y.W. MacAlister, came in for a smoke with him. Once Clemens sent this line:
You speak a language which I understand. I would like to see you. Could you come and smoke some manilas; I would, of course, say dine, but my family are hermits & cannot see any one, but I would have a fire in my study, & if you came at any time after your dinner that might be most convenient for you you would find me & a welcome.
Clemens occasionally went out to dinner, but very privately. He dined with Bram Stoker, who invited Anthony Hope and one or two others, and with the Chattos and Mr. Percy Spalding; also with Andrew Lang, who wrote, "Your old friend, Lord Lome, wants to see you again"; with the Henry M. Stanleys and Poultney Bigelow, and with Francis H. Skrine, a government official he had met in India. But in all such affairs he was protected from strangers and his address was kept a secret from the public. Finally, the new-found cousin, Dr. Jim Clemens, fell ill, and the newspapers had it presently that Mark Twain was lying at the point of death. A reporter ferreted him out and appeared at Tedworth Square with cabled instructions from his paper. He was a young man, and innocently enough exhibited his credentials. His orders read:
"If Mark Twain very ill, five hundred words. If dead, send one thousand."
Clemens smiled grimly as he handed back the cable.
"You don't need as much as that," he said. "Just say the report of my death has been grossly exaggerated."
The young man went away quite seriously, and it was not until he was nearly to his office that he saw the joke. Then, of course, it was flashed all over the world.
Clemens kept grinding steadily at the book, for it was to be a very large volume—larger than he had ever written before. To MacAlister, April 6, 1897, he wrote, replying to some invitation:
Ah, but I mustn't stir from my desk before night now when the publisher is hurrying me & I am almost through. I am up at work now—4 o'clock in the morning-and a few more spurts will pull me through. You come down here & smoke; that is better than tempting a working-man to strike & go to tea.
And it would move me too deeply to see Miss Corelli. When I saw herlast it was on the street in Homburg, & Susy was walking with me.
On April 13th he makes a note-book entry: "I finished my book to-day," and on the 15th he wrote MacAlister, inclosing some bits of manuscript:
I finished my book yesterday, and the madam edited this stuff out of it—on the ground that the first part is not delicate & the last part is indelicate. Now, there's a nice distinction for you—& correctly stated, too, & perfectly true.
It may interest the reader to consider briefly the manner in which Mark Twain's "editor" dealt with his manuscript, and a few pages of this particular book remain as examples. That he was not always entirely tractable, or at least submissive, but that he did yield, and graciously, is clearly shown.
In one of her comments Mrs. Clemens wrote:
Page 597. I hate to say it, but it seems to me that you go too minutely into particulars in describing the feats of the aboriginals. I felt it in the boomerang-throwing.
And Clemens just below has written:
Boomerang has been furnished with a special train—that is, I'veturned it into "Appendix." Will that answer?
Page 1002. I don't like the "shady-principled cat that has a familyin every port."
Then I'll modify him just a little.
Page 1020. 9th line from the top. I think some other word would bebetter than "stench." You have used that pretty often.
But can't I get it in anywhere? You've knocked it out every time.Out it goes again. And yet "stench" is a noble, good word.
Page 1038. I hate to have your father pictured as lashing a slaveboy.
It's out, and my father is whitewashed.
Page 1050. 2d line from the bottom. Change breech-clout. It's a word that you love and I abominate. I would take that and "offal" out of the language.
You are steadily weakening the English tongue, Livy.
Page 1095. Perhaps you don't care, but whoever told you that thePrince's green stones were rubies told an untruth. They were superbemeralds. Those strings of pearls and emeralds were famous all overBombay.
All right, I'll make them emeralds, but it loses force. Greenrubies is a fresh thing. And besides it was one of the Prince's ownstaff liars that told me.
That the book was not quite done, even after the triumphant entry of April 13th, is shown by another note which followed something more than a month later:
May 18, 1897. Finished the book again—addition of 30,000 words.
And to MacAlister he wrote:
I have finished the book at last—and finished it for good this time. Now I am ready for dissipation with a good conscience. What night will you come down & smoke?
His book finished, Clemens went out rather more freely, and one evening allowed MacAlister to take him around to the Savage Club. There happened to be a majority of the club committee present, and on motion Mark Twain was elected an honorary life member. There were but three others on whom this distinction had been conferred—Stanley, Nansen, and the Prince of Wales. When they told Mark Twain this he said:
"Well, it must make the Prince feel mighty fine."—[In a volume of Savage Club anecdotes the date of Mark Twain's election to honorary membership is given as 1899. Clemens's notebook gives it in 1897.]
He did not intend to rest; in another entry we find:
May 23, 1897. Wrote first chapter of above story to-day.
The "above story" is a synopsis of a tale which he tried then and later in various forms—a tale based on a scientific idea that one may dream an episode covering a period of years in minute detail in what, by our reckoning, may be no more than a few brief seconds. In this particular form of the story a man sits down to write some memories and falls into a doze. The smell of his cigarette smoke causes him to dream of the burning of his home, the destruction of his family, and of a long period of years following. Awakening a few seconds later, and confronted by his wife and children, he refuses to believe in their reality, maintaining that this condition, and not the other, is the dream. Clemens tried the psychological literary experiment in as many as three different ways during the next two or three years, and each at considerable length; but he developed none of them to his satisfaction, or at least he brought none of them to conclusion. Perhaps the most weird of these attempts, and the most intensely interesting, so long as the verisimilitude is maintained, is a dream adventure in a drop of water which, through an incredible human reduction to microbic, even atomic, proportions, has become a vast tempestuous sea. Mark Twain had the imagination for these undertakings and the literary workmanship, lacking only a definite plan for development of his tale—a lack which had brought so many of his literary ventures to the rocks.
The Queen's Jubilee came along—June 22, 1897, being the day chosen to celebrate the sixty-year reign. Clemens had been asked to write about it for the American papers, and he did so after his own ideas, illustrating some of his material with pictures of his own selection. The selections were made from various fashion-plates, which gave him a chance to pick the kind of a prince or princess or other royal figure that he thought fitted his description without any handicap upon his imagination. Under his portrait of Henry V. (a very correctly dressed person in top hat and overcoat) he wrote:
In the original the King has a crown on. That is no kind of a thing for the King to wear when he has come home on business. He ought to wear something he can collect taxes in. You will find this represenation of Henry V. active, full of feeling, full of sublimity. I have pictured him looking out over the battle of Agincourt and studying up where to begin.
Mark Twain's account of the Jubilee probably satisfied most readers; but James Tufts, then managing editor of the San Francisco Examiner, had a rather matter-of-fact Englishman on the staff, who, after reading the report, said:
"Well, Jim Tufts, I hope you are satisfied with that Mark Twain cable."
"Why, yes," said Tufts; "aren't you?"
"I should say not. Just look what he says about the number of soldiers. He says, 'I never saw so many soldiers anywhere except on the stage of a theater.' Why, Tufts, don't you know that the soldiers in the theater are the same old soldiers marching around and around? There aren't more than a hundred soldiers in the biggest army ever put on the stage."
It was decided to vacate the house in Tedworth Square and go to Switzerland for the summer. Mrs. Crane and Charles Langdon's daughter, Julia, joined them early in July, and they set out for Switzerland a few days later. Just before leaving, Clemens received an offer from Pond of fifty thousand dollars for one hundred and twenty-five nights on the platform in America. It was too great a temptation to resist at once, and they took it under advisement. Clemens was willing to accept, but Mrs. Clemens opposed the plan. She thought his health no longer equal to steady travel. She believed that with continued economy they would be able to manage their problem without this sum. In the end the offer was declined.
They journeyed to Switzerland by way of Holland and Germany, the general destination being Lucerne. They did not remain there, however. They found a pretty little village farther up the lake—Weggis, at the foot of the Rigi—where, in the Villa Buhlegg, they arranged for the summer at very moderate rates indeed. Weggis is a beautiful spot, looking across the blue water to Mount Pilatus, the lake shore dotted with white villages. Down by the water, but a few yards from the cottage—for it was scarcely a villa except by courtesy—there was a little inclosure, and a bench under a large tree, a quiet spot where Clemens often sat to rest and smoke. The fact is remembered there to-day, and recorded. A small tablet has engraved upon it "Mark Twain Ruhe." Farther along the shore he discovered a neat, white cottage were some kindly working-people agreed to rent him an upper room for a study. It was a sunny room with windows looking out upon the lake, and he worked there steadily. To Twichell he wrote:
This is the charmingest place we have ever lived in for repose and restfulness, superb scenery whose beauty undergoes a perpetual change from one miracle to another, yet never runs short of fresh surprises and new inventions. We shall always come here for the summers if we can.
The others have climbed the Rigi, he says, and he expects to some day if Twichell will come and climb it with him. They had climbed it together during that summer vagabondage, nineteen years before.
He was full of enthusiasm over his work. To F. H. Skrine, in London, he wrote that he had four or five books all going at once, and his note-book contains two or three pages merely of titles of the stories he proposed to write.
But of the books begun that summer at Weggis none appears to have been completed. There still exists a bulky, half-finished manuscript about Tom and Huck, most of which was doubtless written at this time, and there is the tale already mentioned, the "dream" story; and another tale with a plot of intricate psychology and crime; still another with the burning title of "Hell-Fire Hotchkiss"—a story of Hannibal life—and some short stories. Clemens appeared to be at this time out of tune with fiction. Perhaps his long book of travel had disqualified his invention. He realized that these various literary projects were leading nowhere, and one after another he dropped them. The fact that proofs of the big book were coming steadily may also have interfered with his creative faculty.
As was his habit, Clemens formed the acquaintance of a number of the native residents, and enjoyed talking to them about their business and daily affairs. They were usually proud and glad of these attentions, quick to see the humor of his remarks.
But there was an old watchmaker-an 'Uhrmacher' who remained indifferent.He would answer only in somber monosyllables, and he never smiled.Clemens at last brought the cheapest kind of a watch for repairs.
"Be very careful of this watch," he said. "It is a fine one."
The old man merely glared at him.
"It is not a valuable watch. It is a worthless watch."
"But I gave six francs for it in Paris."
"Still, it is a cheap watch," was the unsmiling answer. Defeat waits somewhere for every conqueror.
Which recalls another instance, though of a different sort. On one of his many voyages to America, he was sitting on deck in a steamer-chair when two little girls stopped before him. One of them said, hesitatingly:
"Are you Mr. Mark Twain?"
"Why, yes, dear, they call me that."
"Won't you please say something funny?"
And for the life of him he couldn't make the required remark.
In one of his letters to Twichell of that summer, Clemens wrote of the arrival there of the colored jubilee singers, always favorites of his, and of his great delight in them.
We went down to the village hotel & bought our tickets & entered the beer-hall, where a crowd of German & Swiss men & women sat grouped around tables with their beer-mugs in front of them—self-contained & unimpressionable-looking people—an indifferent & unposted & disheartening audience—& up at the far end of the room sat the jubilees in a row. The singers got up & stood—the talking & glass- jingling went on. Then rose & swelled out above those common earthly sounds one of those rich chords, the secret of whose make only the jubilees possess, & a spell fell upon that house. It was fine to see the faces light up with the pleased wonder & surprise of it. No one was indifferent any more; & when the singers finished the camp was theirs. It was a triumph. It reminded me of Lancelot riding in Sir Kay's armor, astonishing complacent knights who thought they had struck a soft thing. The jubilees sang a lot of pieces. Arduous & painstaking cultivation has not diminished or artificialized their music, but on the contrary—to my surprise—has mightily reinforced its eloquence and beauty. Away back in the beginning—to my mind—their music made all other vocal music cheap; & that early notion is emphasized now. It is entirely beautiful to me; & it moves me infinitely more than any other music can. I think that in the jubilees & their songs America has produced the perfectest flower of the ages; & I wish it were a foreign product, so that she would worship it & lavish money on it & go properly crazy over it.
Now, these countries are different: they would do all that if it were native. It is true they praise God, but that is merely a formality, & nothing in it; they open out their whole hearts to no foreigner.
As the first anniversary of Susy's death drew near the tension became very great. A gloom settled on the household, a shadow of restraint. On the morning of the 18th Clemens went early to his study. Somewhat later Mrs. Clemens put on her hat and wrap, and taking a small bag left the house. The others saw her go toward the steamer-landing, but made no inquiries as to her destination. They guessed that she would take the little boat that touched at the various points along the lake shore. This she did, in fact, with no particular plan as to where she would leave it. One of the landing-places seemed quiet and inviting, and there she went ashore, and taking a quiet room at a small inn spent the day in reading Susy's letters. It was evening when she returned, and her husband, lonely and anxious, was waiting for her at the landing. He had put in the day writing the beautiful poem, "In Memoriam," a strain lofty, tender, and dirge-like-liquidly musical, though irregular in form.—[Now included in the Uniform Edition.]
They remained two months in Weggis—until toward the end of September; thence to Vienna, by way of Innsbruck, in the Tyrol, "where the mountains seem more approachable than in Switzerland." Clara Clemens wished to study the piano under Leschetizky, and this would take them to Austria for the winter. Arriving at Vienna, they settled in the Hotel Metropole, on the banks of the Danube. Their rooms, a corner suite, looked out on a pretty green square, the Merzimplatz, and down on the Franz Josef quay. A little bridge crosses the river there, over which all kinds of life are continually passing. On pleasant days Clemens liked to stand on this bridge and watch the interesting phases of the Austrian capital. The Vienna humorist, Poetzl, quickly formed his acquaintance, and they sometimes stood there together. Once while Clemens was making some notes, Poetzl interested the various passers by asking each one—the errand-boy, the boot-black, the chestnut-vender, cabmen, and others—to guess who the stranger was and what he wanted. Most of them recognized him when their attention was called, for the newspapers had proudly heralded his arrival and his picture was widely circulated.
Clemens had scarcely arrived in Vienna, in fact, before he was pursued by photographers, journalists, and autograph-hunters. The Viennese were his fond admirers, and knowing how the world elsewhere had honored him they were determined not to be outdone. The 'Neues Viener Tageblatt', a fortnight after his arrival, said:
It is seldom that a foreign author has found such a hearty reception in Vienna as that accorded to Mark Twain, who not only has the reputation of being the foremost humorist in the whole civilized. world, but one whose personality arouses everywhere a peculiar interest on account of the genuine American character which sways it.
He was the guest of honor at the Concordia Club soon after his arrival, and the great ones of Vienna assembled to do him honor. Charlemagne Tower, then American minister, was also one of the guests. Writers, diplomats, financiers, municipal officials, everybody in Vienna that was worth while, was there. Clemens gave them a surprise, for when Ferdinand Gross, Concordia president, introduced him first in English, then in German, Mark Twain made his reply wholly in the latter language.
The paper just quoted gives us a hint of the frolic and wassail of that old 'Festkneipe' when it says:
At 9 o'clock Mark Twain appeared in the salon, and amid a storm of applause took his seat at the head of the table. His characteristic shaggy and flowing mane of hair adorning a youthful countenance attracted the attention at once of all present. After a few formal convivial commonplaces the president of the Concordia, Mr. Ferdinand Gross, delivered an excellent address in English, which he wound up with a few German sentences. Then Mr. Tower was heard in praise of his august countryman. In the course of his remarks he said he could hardly find words enough to express his delight at the presence of the popular American. Then followed the greatest attraction of the evening, an impromptu speech by Mark Twain in the German language, which it is true he has not fully mastered, but which he nevertheless controls sufficiently well to make it difficult to detect any harsh foreign accent. He had entitled his speech, "Die Schrecken der Deutschen Sprache" (the terrors of the German language). At times he would interrupt himself in English and ask, with a stuttering smile, "How do you call this word in German" or "I only know that in mother-tongue." The Festkneipe lasted far into the morning hours.
It was not long after their arrival in Vienna that the friction among the unamalgamated Austrian states flamed into a general outbreak in the Austrian Reichsrath, or Imperial Parliament. We need not consider just what the trouble was. Any one wishing to know can learn from Mark Twain's article on the subject, for it is more clearly pictured there than elsewhere. It is enough to say here that the difficulty lay mainly between the Hungarian and German wings of the house; and in the midst of it Dr. Otto Lecher made his famous speech, which lasted twelve hours without a break, in order to hold the floor against the opposing forces. Clemens was in the gallery most of the time while that speech, with its riotous accompaniment, was in progress.—["When that house is legislating you can't tell it from artillery practice." From Mark Twain's report, "Stirring Times in Austria," in Literary Essays,]—He was intensely interested. Nothing would appeal to him more than that, unless it should be some great astronomic or geologic change. He was also present somewhat later when a resolution was railroaded through which gave the chair the right to invoke the aid of the military, and he was there when the military arrived and took the insurgents in charge. It was a very great occasion, a "tremendous episode," he says.
The memory of it will outlast all the others that exist to-day. In the whole history of free parliament the like of it had been seen but three times before. It takes imposing place among the world's unforgetable things. I think that in my lifetime I have not twice seen abiding history made before my eyes, but I know that I have seen it once.
Wild reports were sent to the American press; among them one that Mark Twain had been hustled out with the others, and that, having waved his handkerchief and shouted "Hoch die Deutschen!" he had been struck by an officer of the law. Of course nothing of the kind happened. The sergeant-at-arms, who came to the gallery where he sat, said to a friend who suggested that Clemens be allowed to remain:
"Oh, I know him very well. I recognize him by his pictures, and I should be very glad to let him stay, but I haven't any choice because of the strictness of the order."
Clemens, however, immediately ran across a London Times correspondent, who showed him the way into the first gallery, which it seems was not emptied, so he lost none of the exhibit.
Mark Twain's report of the Austrian troubles, published in Harper's Magazine the following March and now included with the Literary Essays, will keep that episode alive and important as literature when otherwise it would have been merely embalmed, and dimly remembered, as history.
It was during these exciting political times in Vienna that a representative of a New York paper wrote, asking for a Mark Twain interview. Clemens replied, giving him permission to call. When the reporter arrived Clemens was at work writing in bed, as was so much his habit. At the doorway the reporter paused, waiting for a summons to enter. The door was ajar and he heard Mrs. Clemens say:
"Youth, don't you think it will be a little embarrassing for him, your being in bed?"
And he heard Mark Twain's easy, gentle, deliberate voice reply:
"Why, Livy, if you think so, we might have the other bed made up for him."
Clemens became a privileged character in Vienna. Official rules were modified for his benefit. Everything was made easy for him. Once, on a certain grand occasion, when nobody was permitted to pass beyond a prescribed line, he was stopped by a guard, when the officer in charge suddenly rode up:
"Let him pass," he commanded. "Lieber Gott! Don't you see it's HerrMark Twain?"
The Clemens apartments at the Metropole were like a court, where with those of social rank assembled the foremost authors, journalists, diplomats, painters, philosophers, scientists, of Europe, and therefore of the world. A sister of the Emperor of Germany lived at the Metropole that winter and was especially cordial. Mark Twain's daily movements were chronicled as if he had been some visiting potentate, and, as usual, invitations and various special permissions poured in. A Vienna paper announced:
He has been feted and dined from morn till eve. The homes of the aristocracy are thrown open to him, counts and princes delight to do him honor, and foreign audiences hang upon the words that fall from his lips, ready to burst out any instant into roars of laughter.
Deaths never came singly in the Clemens family. It was on the 11th of December, 1897, something more than a year after the death of Susy, that Orion Clemens died, at the age of seventy-two. Orion had remained the same to the end, sensitively concerned as to all his brother's doings, his fortunes and misfortunes: soaring into the clouds when any good news came; indignant, eager to lend help and advice in the hour of defeat; loyal, upright, and generally beloved by those who knew and understood his gentle nature. He had not been ill, and, in fact, only a few days before he died had written a fine congratulatory letter on his brother's success in accumulating means for the payment of his debts, entering enthusiastically into some literary plans which Mark Twain then had in prospect, offering himself for caricature if needed.
I would fit in as a fool character, believing, what the Tennessee mountaineers predicted, that I would grow up to be a great man and go to Congress. I did not think it worth the trouble to be a common great man like Andy Johnson. I wouldn't give a pinch of snuff, little as I needed it, to be anybody, less than Napoleon. So when a farmer took my father's offer for some chickens under advisement till the next day I said to myself, "Would Napoleon Bonaparte have taken under advisement till the next day an offer to sell him some chickens?"
To his last day and hour Orion was the dreamer, always with a new plan. It was one morning early that he died. He had seated himself at a table with pencil and paper and was setting down the details of his latest project when death came to him, kindly enough, in the moment of new hope.
There came also, just then, news of the death of their old Hartford butler, George. It saddened them as if it had been a member of the household. Jean, especially, wept bitterly.