CCXXXI

In one of his notes near the end of April Clemens writes that once more, as at Riverdale, he has been excluded from Mrs. Clemens's room except for the briefest moment at a time. But on May 12th, to R. W. Gilder, he reported:

For two days now we have not been anxious about Mrs. Clemens (unberufen). After 20 months of bedridden solitude & bodily misery she all of a sudden ceases to be a pallid, shrunken shadow, & looks bright & young & pretty. She remains what she always was, the most wonderful creature of fortitude, patience, endurance, and recuperative power that ever was. But ah, dear! it won't last; this fiendish malady will play new treacheries upon her, and I shall go back to my prayers again—unutterable from any pulpit!

May 13, A.M. I have just paid one of my pair of permitted 2-minute visits per day to the sick-room. And found what I have learned to expect—retrogression.

There was a day when she was brought out on the terrace in a wheel-chair to see the wonder of the early Italian summer. She had been a prisoner so long that she was almost overcome with the delight of it all—the more so, perhaps, in the feeling that she might so soon be leaving it.

It was on Sunday, the 5th of June, that the end came. Clemens and Jean had driven out to make some calls, and had stopped at a villa, which promised to fulfil most of the requirements. They came home full of enthusiasm concerning it, and Clemens, in his mind, had decided on the purchase. In the corridor Clara said:

"She is better to-day than she has been for three months."

Then quickly, under her breath, "Unberufen," which the others, too, added hastily—superstitiously.

Mrs. Clemens was, in fact, bright and cheerful, and anxious to hear all about the new property which was to become their home. She urged him to sit by her during the dinner-hour and tell her the details; but once, when the sense of her frailties came upon her, she said they must not mind if she could not go very soon, but be content where they were. He remained from half past seven until eight—a forbidden privilege, but permitted because she was so animated, feeling so well. Their talk was as it had been in the old days, and once during it he reproached himself, as he had so often done, and asked forgiveness for the tears he had brought into her life. When he was summoned to go at last he chided himself for remaining so long; but she said there was no harm, and kissed him, saying: "You will come back," and he answered, "Yes, to say good night," meaning at half past nine, as was the permitted custom. He stood a moment at the door throwing kisses to her, and she returning them, her face bright with smiles.

He was so hopeful and happy that it amounted to exaltation. He went to his room at first, then he was moved to do a thing which he had seldom done since Susy died. He went to the piano up-stairs and sang the old jubilee songs that Susy had liked to hear him sing. Jean came in presently, listening. She had not done this before, that he could remember. He sang "Swing Low, Sweet Chariot," and "My Lord He Calls Me." He noticed Jean then and stopped, but she asked him to go on.

Mrs. Clemens, in her room, heard the distant music, and said to her attendant:

"He is singing a good-night carol to me."

The music ceased presently, and then a moment later she asked to be lifted up. Almost in that instant life slipped away without a sound.

Clemens, coming to say good night, saw a little group about her bed, Clara and Jean standing as if dazed. He went and bent over and looked into her face, surprised that she did not greet him. He did not suspect what had happened until he heard one of the daughters ask:

"Katie, is it true? Oh, Katie, is it true?"

He realized then that she was gone.

In his note-book that night he wrote:

At a quarter past 9 this evening she that was the life of my life passed to the relief & the peace of death after as months of unjust & unearned suffering. I first saw her near 37 years ago, & now I have looked upon her face for the last time. Oh, so unexpected!… I was full of remorse for things done & said in these 34 years of married life that hurt Livy's heart.

He envied her lying there, so free from it all, with the great peace upon her face. He wrote to Howells and to Twichell, and to Mrs. Crane, those nearest and dearest ones. To Twichell he said:

How sweet she was in death, how young, how beautiful, how like her dear girlish self of thirty years ago, not a gray hair showing! This rejuvenescence was noticeable within two hours after her death; & when I went down again (2.30) it was complete. In all that night & all that day she never noticed my caressing hand—it seemed strange.

To Howells he recalled the closing scene:

I bent over her & looked in her face & I think I spoke—I was surprised & troubled that she did not notice me. Then we understood & our hearts broke. How poor we are to-day!

But how thankful I am that her persecutions are ended! I would not call her back if I could.

To-day, treasured in her worn, old Testament, I found a dear & gentle letter from you dated Far Rockaway, September 13, 1896, about our poor Susy's death. I am tired & old; I wish I were with Livy.

And in a few days:

It would break Livy's heart to see Clara. We excuse ourself from all the friends that call—though, of course, only intimates come. Intimates —but they are not the old, old friends, the friends of the old, old times when we laughed. Shall we ever laugh again? If I could only see a dog that I knew in the old times & could put my arms around his neck and tell him all, everything, & ease my heart!

A tidal wave of sympathy poured in. Noble and commoner, friend and stranger—humanity of every station—sent their messages of condolence to the friend of mankind. The cablegrams came first—bundles of them from every corner of the world—then the letters, a steady inflow. Howells, Twichell, Aldrich—those oldest friends who had themselves learned the meaning of grief—spoke such few and futile words as the language can supply to allay a heart's mourning, each recalling the rarity and beauty of the life that had slipped away. Twichell and his wife wrote:

DEAR, DEAR MARK,—There is nothing we can say. What is there to say?But here we are—with you all every hour and every minute—filled withunutterable thoughts; unutterable affection for the dead and for theliving.HARMONY AND JOE.

Howells in his letter said:

She hallowed what she touched far beyond priests . . . . What are you going to do, you poor soul?

A hundred letters crowd in for expression here, but must be denied—not, however, the beam of hope out of Helen Keller's illumined night:

Do try to reach through grief and feel the pressure of her hand, as I reach through darkness and feel the smile on my friends' lips and the light in their eyes though mine are closed.

They were adrift again without plans for the future. They would return to America to lay Mrs. Clemens to rest by Susy and little Langdon, but beyond that they could not see. Then they remembered a quiet spot in Massachusetts, Tyringham, near Lee, where the Gilders lived, and so, on June 7th, he wrote:

DEAR GILDER FAMILY,—I have been worrying and worrying to know what to do; at last I went to the girls with an idea—to ask the Gilders to get us shelter near their summer home. It was the first time they have not shaken their heads. So to-morrow I will cable to you and shall hope to be in time.

An hour ago the best heart that ever beat for me and mine was carried silent out of this house, and I am as one who wanders and has lost his way. She who is gone was our head, she was our hands. We are now trying to make plans—we: we who have never made a plan before, nor ever needed to. If she could speak to us she would make it all simple and easy with a word, & our perplexities would vanish away. If she had known she was near to death she would have told us where to go and what to do, but she was not suspecting, neither were we. She was all our riches and she is gone; she was our breath, she was our life, and now we are nothing.

We send you our love-and with it the love of you that was in herheart when she died.S. L. CLEMENS.

They arranged to sail on the Prince Oscar on the 29th of June. There was an earlier steamer, but it was the Princess Irene, which had brought them, and they felt they would not make the return voyage on that vessel. During the period of waiting a curious thing happened. Clemens one day got up in a chair in his room on the second floor to pull down the high window-sash. It did not move easily and his hand slipped. It was only by the merest chance that he saved himself from falling to the ground far below. He mentions this in his note-book, and once, speaking of it to Frederick Duneka, he said:

"Had I fallen it would probably have killed me, and in my bereaved circumstances the world would have been convinced that it was suicide. It was one of those curious coincidences which are always happening and being misunderstood."

The homeward voyage and its sorrowful conclusion are pathetically conveyed in his notes:

June 29, 1904. Sailed last night at 10. The bugle-call to breakfast. I recognized the notes and was distressed. When I heard them last Livy heard them with me; now they fall upon her ear unheeded.

In my life there have been 68 Junes—but how vague & colorless 67 of them are contrasted with the deep blackness of this one!

July 1, 1904. I cannot reproduce Livy's face in my mind's eye—I was never in my life able to reproduce a face. It is a curious infirmity—& now at last I realize it is a calamity.

July 2, 1904. In these 34 years we have made many voyages together,Livy dear—& now we are making our last; you down below & lonely; Iabove with the crowd & lonely.

July 3, 1904. Ship-time, 8 A.M. In 13 hours & a quarter it will be4 weeks since Livy died.

Thirty-one years ago we made our first voyage together—& this isour last one in company. Susy was a year old then. She died at 24& had been in her grave 8 years.

July 10, 1904. To-night it will be 5 weeks. But to me it remains yesterday—as it has from the first. But this funeral march—how sad & long it is!

Two days more will end the second stage of it.

July 14, 1904 (ELMIRA). Funeral private in the house of Livy's young maidenhood. Where she stood as a bride 34 years ago there her coffin rested; & over it the same voice that had made her a wife then committed her departed spirit to God now.

It was Joseph Twichell who rendered that last service. Mr. Beecher was long since dead. It was a simple, touching utterance, closing with this tender word of farewell:

Robert Browning, when he was nearing the end of his earthly days, said that death was the thing that we did not believe in. Nor do we believe in it. We who journeyed through the bygone years in companionship with the bright spirit now withdrawn are growing old. The way behind is long; the way before is short. The end cannot be far off. But what of that? Can we not say, each one:

"So long that power hath blessed me, sure it stillWill lead me on;O'er moor and fen; o'er crag and torrent, tillThe night is gone;And with the morn, their angel faces smile,Which I have loved long since, and lost awhile!"

And so good-by. Good-by, dear heart! Strong, tender, and true.Good-by until for us the morning break and these shadows fly away.

Dr. Eastman, who had succeeded Mr. Beecher, closed the service with a prayer, and so the last office we can render in this life for those we love was finished.

Clemens ordered that a simple marker should be placed at the grave, bearing, besides the name, the record of birth and death, followed by the German line:

'Gott sei dir gnadig, O meine Wonne'!

There was an extra cottage on the Gilder place at Tyringham, and this they occupied for the rest of that sad summer. Clemens, in his note-book, has preserved some of its aspects and incidents.

July 24, 1904. Rain—rain—rain. Cold. We built a fire in my room. Then clawed the logs out & threw water, remembering there was a brood of swallows in the chimney. The tragedy was averted.

July 31. LEE, MASSACHUSETTS (BERKSHIRE HILLS). Last night the young people out on a moonlight ride. Trolley frightened Jean's horse —collision—horse killed. Rodman Gilder picked Jean up, unconscious; she was taken to the doctor, per the car. Face, nose, side, back contused; tendon of left ankle broken.

August 10. NEW YORK. Clam here sick—never well since June 5. Jean is at the summer home in the Berkshire Hills crippled.

The next entry records the third death in the Clemens family within a period of eight months—that of Mrs. Moffett, who had been Pamela Clemens. Clemens writes:

September 1. Died at Greenwich, Connecticut, my sister, PamelaMoffett, aged about 73.

Death dates this year January 14, June 5, September 1.

That fall they took a house in New York City, on the corner of Ninth Street and Fifth Avenue, No. 21, remaining for a time at the Grosvenor while the new home was being set in order. The home furniture was brought from Hartford, unwrapped, and established in the light of strange environment. Clemens wrote:

We have not seen it for thirteen years. Katie Leary, our old housekeeper, who has been in our service more than twenty-four years, cried when she told me about it to-day. She said, "I had forgotten it was so beautiful, and it brought Mrs. Clemens right back to me—in that old time when she was so young and lovely."

Clara Clemens had not recovered from the strain of her mother's long illness and the shock of her death, and she was ordered into retirement with the care of a trained nurse. The life at 21 Fifth Avenue, therefore, began with only two remaining members of the broken family —Clemens and Jean.

Clemens had undertaken to divert himself with work at Tyringham, though without much success. He was not well; he was restless and disturbed; his heart bleak with a great loneliness. He prepared an article on Copyright for the 'North American Review',—[Published Jan., 7905. A dialogue presentation of copyright conditions, addressed to Thorwald Stolberg, Register of Copyrights, Washington, D. C. One of the best of Mark Twain's papers on the subject.]—and he began, or at least contemplated, that beautiful fancy, 'Eve's Diary', which in the widest and most reverential sense, from the first word to the last, conveys his love, his worship, and his tenderness for the one he had laid away. Adam's single comment at the end, "Wheresoever she was, there was Eden," was his own comment, and is perhaps the most tenderly beautiful line he ever wrote. These two books, Adam's Diary and Eve's—amusing and sometimes absurd as they are, and so far removed from the literal—are as autobiographic as anything he has done, and one of them as lovely in its truth. Like the first Maker of men, Mark Twain created Adam in his own image; and his rare Eve is no less the companion with whom, half a lifetime before, he had begun the marriage journey. Only here the likeness ceases. No Serpent ever entered their Eden. And they never left it; it traveled with them so long as they remained together.

In the Christmas Harper for 1904 was published "Saint Joan of Arc"—the same being the Joan introduction prepared in London five years before. Joan's proposed beatification had stirred a new interest in the martyred girl, and this most beautiful article became a sort of key-note of the public heart. Those who read it were likely to go back and read the Recollections, and a new appreciation grew for that masterpiece. In his later and wider acceptance by his own land, and by the world at large, the book came to be regarded with a fresh understanding. Letters came from scores of readers, as if it were a newly issued volume. A distinguished educator wrote:

I would rather have written your history of Joan of Arc than any other piece of literature in any language.

And this sentiment grew. The demand for the book increased, and has continued to increase, steadily and rapidly. In the long and last analysis the good must prevail. A day will come when there will be as many readers of Joan as of any other of Mark Twain's works.

[The growing appreciation of Joan is shown by the report of sales for the three years following 1904. The sales for that year in America were 1,726; for 1905, 2,445 for 1906, 5,381; for 1907, 6,574. At this point it passed Pudd'nhead Wilson, the Yankee, The Gilded Age, Life on the Mississippi, overtook the Tramp Abroad, and more than doubled The American Claimant. Only The Innocents Abroad, Huckleberry Finn, Tom Sawyer, and Roughing It still ranged ahead of it, in the order named.]

The house at 21 Fifth Avenue, built by the architect who had designed Grace Church, had a distinctly ecclesiastical suggestion about its windows, and was of fine and stately proportions within. It was a proper residence for a venerable author and a sage, and with the handsome Hartford furnishings distributed through it, made a distinctly suitable setting for Mark Twain. But it was lonely for him. It lacked soul. He added, presently, a great AEolian Orchestrelle, with a variety of music for his different moods. He believed that he would play it himself when he needed the comfort of harmony, and that Jean, who had not received musical training, or his secretary could also play to him. He had a passion for music, or at least for melody and stately rhythmic measures, though his ear was not attuned to what are termed the more classical compositions. For Wagner, for instance, he cared little, though in a letter to Mrs. Crane he said:

Certainly nothing in the world is so solemn and impressive and so divinely beautiful as "Tannhauser." It ought to be used as a religious service.

Beethoven's sonatas and symphonies also moved him deeply. Once, writing to Jean, he asked:

What is your favorite piece of music, dear? Mine is Beethoven's FifthSymphony. I have found that out within a day or two.

It was the majestic movement and melodies of the second part that he found most satisfying; but he oftener inclined to the still tenderer themes of Chopin's nocturnes and one of Schubert's impromptus, while the "Lorelei" and the "Erlking" and the Scottish airs never wearied him. Music thus became a chief consolation during these lonely days—rich organ harmonies that filled the emptiness of his heart and beguiled from dull, material surroundings back into worlds and dreams that he had known and laid away.

He went out very little that winter—usually to the homes of old and intimate friends. Once he attended a small dinner given him by George Smalley at the Metropolitan Club; but it was a private affair, with only good friends present. Still, it formed the beginning of his return to social life, and it was not in his nature to retire from the brightness of human society, or to submerge himself in mourning. As the months wore on he appeared here and there, and took on something of his old-time habit. Then his annual bronchitis appeared, and he was confined a good deal to his home, where he wrote or planned new reforms and enterprises.

The improvement of railway service, through which fewer persons should be maimed and destroyed each year, interested him. He estimated that the railroads and electric lines killed and wounded more than all of the wars combined, and he accumulated statistics and prepared articles on the subject, though he appears to have offered little of such matter for publication. Once, however, when his sympathy was awakened by the victim of a frightful trolley and train collision in Newark, New Jersey, he wrote a letter which promptly found its way into print.

DEAR MISS MADELINE, Your good & admiring & affectionate brother has told me of your sorrowful share in the trolley disaster which brought unaccustomed tears to millions of eyes & fierce resentment against those whose criminal indifference to their responsibilities caused it, & the reminder has brought back to me a pang out of that bygone time. I wish I could take you sound & whole out of your bed & break the legs of those officials & put them in it—to stay there. For in my spirit I am merciful, and would not break their necks & backs also, as some would who have no feeling.

It is your brother who permits me to write this line—& so it is notan intrusion, you see.

May you get well-& soon!Sincerely yours,S. L. CLEMENS.

A very little later he was writing another letter on a similar subject to St. Clair McKelway, who had narrowly escaped injury in a railway accident.

DEAR McKELWAY, Your innumerable friends are grateful, most grateful.

As I understand the telegrams, the engineers of your train had never seen a locomotive before . . . . The government's official report, showing that our railways killed twelve hundred persons last year & injured sixty thousand, convinces me that under present conditions one Providence is not enough properly & efficiently to take care of our railroad business. But it is characteristically American—always trying to get along short-handed & save wages.

A massacre of Jews in Moscow renewed his animosity for semi-barbaricRussia. Asked for a Christmas sentiment, he wrote:

It is my warm & world-embracing Christmas hope that all of us that deserve it may finally be gathered together in a heaven of rest & peace, & the others permitted to retire into the clutches of Satan, or the Emperor of Russia, according to preference—if they have a preference.

An article, "The Tsar's Soliloquy," written at this time, was published in the North American Review for March (1905). He wrote much more, but most of the other matter he put aside. On a subject like that he always discarded three times as much as he published, and it was usually about three times as terrific as that which found its way into type. "The Soliloquy," however, is severe enough. It represents the Tsar as contemplating himself without his clothes, and reflecting on what a poor human specimen he presents:

Is it this that 140,000,000 Russians kiss the dust before and worship?—manifestly not! No one could worship this spectacle which is Me. Then who is it, what is it, that they worship? Privately, none knows better than I: it is my clothes! Without my clothes I should be as destitute of authority as any other naked person. No one could tell me from a parson and barber tutor. Then who is the real Emperor of Russia! My clothes! There is no other.

The emperor continues this fancy, and reflects on the fierce cruelties that are done in his name. It was a withering satire on Russian imperialism, and it stirred a wide response. This encouraged Clemens to something even more pretentious and effective in the same line. He wrote "King Leopold's Soliloquy," the reflections of the fiendish sovereign who had maimed and slaughtered fifteen millions of African subjects in his greed—gentle, harmless blacks-men, women, and little children whom he had butchered and mutilated in his Congo rubber-fields. Seldom in the history of the world have there been such atrocious practices as those of King Leopold in the Congo, and Clemens spared nothing in his picture of them. The article was regarded as not quite suitable for magazine publication, and it was given to the Congo Reform Association and issued as a booklet for distribution, with no return to the author, who would gladly have written a hundred times as much if he could have saved that unhappy race and have sent Leopold to the electric chair.—[The book was price-marked twenty-five cents, but the returns from such as were sold went to the cause. Thousands of them were distributed free. The Congo, a domain four times as large as the German empire, had been made the ward of Belgium at a convention in Berlin by the agreement of fourteen nations, America and thirteen European states. Leopold promptly seized the country for his personal advantage and the nations apparently found themselves powerless to depose him. No more terrible blunder was ever committed by an assemblage of civilized people.]

Various plans and movements were undertaken for Congo reform, and Clemens worked and wrote letters and gave his voice and his influence and exhausted his rage, at last, as one after another of the half-organized and altogether futile undertakings showed no results. His interest did not die, but it became inactive. Eventually he declared: "I have said all I can say on that terrible subject. I am heart and soul in any movement that will rescue the Congo and hang Leopold, but I cannot write any more."

His fires were likely to burn themselves out, they raged so fiercely. His final paragraph on the subject was a proposed epitaph for Leopold when time should have claimed him. It ran:

Here under this gilded tomb lies rotting the body of one the smell of whose name will still offend the nostrils of men ages upon ages after all the Caesars and Washingtons & Napoleons shall have ceased to be praised or blamed & been forgotten—Leopold of Belgium.

Clemens had not yet lost interest in the American policy in the Philippines, and in his letters to Twichell he did not hesitate to criticize the President's attitude in this and related matters. Once, in a moment of irritation, he wrote:

DEAR JOE,—I knew I had in me somewhere a definite feeling about thePresident. If I could only find the words to define it with! Herethey are, to a hair—from Leonard Jerome:

"For twenty years I have loved Roosevelt the man, and hatedRoosevelt the statesman and politician."

It's mighty good. Every time in twenty-five years that I have met Roosevelt the man a wave of welcome has streaked through me with the hand-grip; but whenever (as a rule) I meet Roosevelt the statesman & politician I find him destitute of morals & not respect-worthy. It is plain that where his political self & party self are concerned he has nothing resembling a conscience; that under those inspirations he is naively indifferent to the restraints of duty & even unaware of them; ready to kick the Constitution into the back yard whenever it gets in his way….

But Roosevelt is excusable—I recognize it & (ought to) concede it. We are all insane, each in his own way, & with insanity goes irresponsibility. Theodore the man is sane; in fairness we ought to keep in mind that Theodore, as statesman & politician, is insane & irresponsible.

He wrote a great deal more from time to time on this subject; but that is the gist of his conclusions, and whether justified by time, or otherwise, it expresses today the deduction of a very large number of people. It is set down here, because it is a part of Mark Twain's history, and also because a little while after his death there happened to creep into print an incomplete and misleading note (since often reprinted), which he once made in a moment of anger, when he was in a less judicial frame of mind. It seems proper that a man's honest sentiments should be recorded concerning the nation's servants.

Clemens wrote an article at this period which he called the "War Prayer." It pictured the young recruits about to march away for war—the excitement and the celebration—the drum-beat and the heart-beat of patriotism—the final assembly in the church where the minister utters that tremendous invocation:

God the all-terrible! Thou who ordainest,Thunder, Thy clarion, and lightning, Thy sword!

and the "long prayer" for victory to the nation's armies. As the prayer closes a white-robed stranger enters, moves up the aisle, and takes the preacher's place; then, after some moments of impressive silence, he begins:

"I come from the Throne-bearing a message from Almighty God!….. He has heard the prayer of His servant, your shepherd, & will grant it if such shall be your desire after I His messenger shall have explained to you its import—that is to say its full import. For it is like unto many of the prayers of men in that it asks for more than he who utters it is aware of—except he pause & think.

"God's servant & yours has prayed his prayer. Has he paused & taken thought? Is it one prayer? No, it is two—one uttered, the other not. Both have reached the ear of Him who heareth all supplications, the spoken & the unspoken . . . .

"You have heard your servant's prayer—the uttered part of it. I am commissioned of God to put into words the other part of it—that part which the pastor—and also you in your hearts—fervently prayed, silently. And ignorantly & unthinkingly? God grant that it was so! You heard these words: 'Grant us the victory, O Lord our God!' That is sufficient. The whole of the uttered prayer is completed into those pregnant words.

"Upon the listening spirit of God the Father fell also the unspoken part of the prayer. He commandeth me to put it into words. Listen!

"O Lord our Father, our young patriots, idols of our hearts, go forth to battle—be Thou near them! With them—in spirit—we also go forth from the sweet peace of our beloved firesides to smite the foe.

"O Lord our God, help us to tear their soldiers to bloody shreds with our shells; help us to cover their smiling fields with the pale forms of their patriot dead; help us to drown the thunder of the guns with the wounded, writhing in pain; help us to lay waste their humble homes with a hurricane of fire; help us to wring the hearts of their unoffending widows with unavailing grief; help us to turn them out roofless with their little children to wander unfriended through wastes of their desolated land in rags & hunger & thirst, sport of the sun- flames of summer & the icy winds of winter, broken in spirit, worn with travail, imploring Thee for the refuge of the grave & denied it—for our sakes, who adore Thee, Lord, blast their hopes, blight their lives, protract their bitter pilgrimage, make heavy their steps, water their way with their tears, stain the white snow with the blood of their wounded feet! We ask of one who is the Spirit of love & who is the ever-faithful refuge & friend of all that are sore beset, & seek His aid with humble & contrite hearts. Grant our prayer, O Lord; & Thine shall be the praise & honor & glory now & ever, Amen."

(After a pause.) "Ye have prayed it; if ye still desire it, speak!—the messenger of the Most High waits."

. . . . . . . . . . . . . . .

It was believed, afterward, that the man was a lunatic, because there was no sense in what he said.

To Dan Beard, who dropped in to see him, Clemens read the "War Prayer," stating that he had read it to his daughter Jean, and others, who had told him he must not print it, for it would be regarded as sacrilege.

"Still you—are going to publish it, are you not?"

Clemens, pacing up and down the room in his dressing-gown and slippers, shook his head.

"No," he said, "I have told the whole truth in that, and only dead men can tell the truth in this world. It can be published after I am dead."

He did not care to invite the public verdict that he was a lunatic, or even a fanatic with a mission to destroy the illusions and traditions and conclusions of mankind. To Twichell he wrote, playfully but sincerely:

Am I honest? I give you my word of honor (privately) I am not. For seven years I have suppressed a book which my conscience tells me I ought to publish. I hold it a duty to publish it. There are other difficult duties which I am equal to, but I am not equal to that one. Yes, even I am dishonest. Not in many ways, but in some. Forty-one, I think it is. We are certainly all honest in one or several ways—every man in the world—though I have a reason to think I am the only one whose blacklist runs so light. Sometimes I feel lonely enough in this lofty solitude.

It was his Gospel he referred to as his unpublished book, his doctrine of Selfishness, and of Man the irresponsible Machine. To Twichell he pretended to favor war, which he declared, to his mind, was one of the very best methods known of diminishing the human race.

What a life it is!—this one! Everything we try to do, somebody intrudes & obstructs it. After years of thought & labor I have arrived within one little bit of a step of perfecting my invention for exhausting the oxygen in the globe's air during a stretch of two minutes, & of course along comes an obstructor who is inventing something to protect human life. Damn such a world anyway.

He generally wrote Twichell when he had things to say that were outside of the pale of print. He was sure of an attentive audience of one, and the audience, whether it agreed with him or not, would at least understand him and be honored by his confidence. In one letter of that year he said:

I have written you to-day, not to do you a service, but to do myself one. There was bile in me. I had to empty it or lose my day to-morrow. If I tried to empty it into the North American Review—oh, well, I couldn't afford the risk. No, the certainty! The certainty that I wouldn't be satisfied with the result; so I would burn it, & try again to-morrow; burn that and try again the next day. It happens so nearly every time. I have a family to support, & I can't afford this kind of dissipation. Last winter when I was sick I wrote a magazine article three times before I got it to suit me. I Put $500 worth of work on it every day for ten days, & at last when I got it to suit me it contained but 3,000 words-$900. I burned it & said I would reform.

And I have reformed. I have to work my bile off whenever it gets to where I can't stand it, but I can work it off on you economically, because I don't have to make it suit me. It may not suit you, but that isn't any matter; I'm not writing it for that. I have used you as an equilibrium—restorer more than once in my time, & shall continue, I guess. I would like to use Mr. Rogers, & he is plenty good-natured enough, but it wouldn't be fair to keep him rescuing me from my leather-headed business snarls & make him read interminable bile-irruptions besides; I can't use Howells, he is busy & old & lazy, & won't stand it; I dasn't use Clara, there's things I have to say which she wouldn't put up with—a very dear little ashcat, but has claws. And so—you're It.

[See the preface to the "Autobiography of Mark Twain": 'I am writing from the grave. On these terms only can a man be approximately frank. He cannot be straitly and unqualifiedly frank either in the grave or out of it.' D.W.]

He took for the summer a house at Dublin, New Hampshire, the home of Henry Copley Greene, Lone Tree Hill, on the Monadnock slope. It was in a lovely locality, and for neighbors there were artists, literary people, and those of kindred pursuits, among them a number of old friends. Colonel Higginson had a place near by, and Abbott H. Thayer, the painter, and George de Forest Brush, and the Raphael Pumpelly family, and many more.

Colonel Higginson wrote Clemens a letter of welcome as soon as the news got out that he was going to Dublin; and Clemens, answering, said:

I early learned that you would be my neighbor in the summer & I rejoiced, recognizing in you & your family a large asset. I hope for frequent intercourse between the two households. I shall have my youngest daughter with me. The other one will go from the rest- cure in this city to the rest-cure in Norfolk, Connecticut; & we shall not see her before autumn. We have not seen her since the middle of October.

Jean, the younger daughter, went to Dublin & saw the house & came back charmed with it. I know the Thayers of old—manifestly there is no lack of attractions up there. Mrs. Thayer and I were shipmates in a wild excursion perilously near 40 years ago.

Aldrich was here half an hour ago, like a breeze from over the fields, with the fragrance still upon his spirit. I am tired wanting for that man to get old.

They went to Dublin in May, and became at once a part of the summer colony which congregated there. There was much going to and fro among the different houses, pleasant afternoons in the woods, mountain-climbing for Jean, and everywhere a spirit of fine, unpretentious comradeship.

The Copley Greene house was romantically situated, with a charming outlook. Clemens wrote to Twichell:

We like it here in the mountains, in the shadows of Monadnock. It is a woody solitude. We have no near neighbors. We have neighbors and I can see their houses scattered in the forest distances, for we live on a hill. I am astonished to find that I have known 8 of these 14 neighbors a long time; 10 years is the shortest; then seven beginning with 25 years & running up to 37 years' friendship. It is the most remarkable thing I ever heard of.

This letter was written in July, and he states in it that he has turned out one hundred thousand words of a large manuscript. . It was a fantastic tale entitled "3,000 Years among the Microbes," a sort of scientific revel—or revelry—the autobiography of a microbe that had been once a man, and through a failure in a biological experiment transformed into a cholera germ when the experimenter was trying to turn him into a bird. His habitat was the person of a disreputable tramp named Blitzowski, a human continent of vast areas, with seething microbic nations and fantastic life problems. It was a satire, of course —Gulliver's Lilliput outdone—a sort of scientific, socialistic, mathematical jamboree.

He tired of it before it reached completion, though not before it had attained the proportions of a book of size. As a whole it would hardly have added to his reputation, though it is not without fine and humorous passages, and certainly not without interest. Its chief mission was to divert him mentally that summer during, those days and nights when he would otherwise have been alone and brooding upon his loneliness.—[For extracts from "3,000 Years among the Microbes" see Appendix V, at the end of this work.] MARK TWAIN'S SUGGESTED TITLE-PAGE FOR HIS MICROBE BOOK:

By a Microbe

WITH NOTESadded by the same Hand7000 years later

Translated from the OriginalMicrobicby

Mark Twain

His inability to reproduce faces in his mind's eye he mourned as an increasing calamity. Photographs were lifeless things, and when he tried to conjure up the faces of his dead they seemed to drift farther out of reach; but now and then kindly sleep brought to him something out of that treasure-house where all our realities are kept for us fresh and fair, perhaps for a day when we may claim them again. Once he wrote to Mrs. Crane:

SUSY DEAR,—I have had a lovely dream. Livy, dressed in black, was sitting up in my bed (here) at my right & looking as young & sweet as she used to when she was in health. She said, "What is the name of your sweet sister?" I said, "Pamela." "Oh yes, that is it, I thought it was—(naming a name which has escaped me) won't you write it down for me?" I reached eagerly for a pen & pad, laid my hands upon both, then said to myself, "It is only a dream," and turned back sorrowfully & there she was still. The conviction flamed through me that our lamented disaster was a dream, & this a reality. I said, "How blessed it is, how blessed it is, it was all a dream, only a dream!" She only smiled and did not ask what dream I meant, which surprised me. She leaned her head against mine & kept saying, "I was perfectly sure it was a dream; I never would have believed it wasn't." I think she said several things, but if so they are gone from my memory. I woke & did not know I had been dreaming. She was gone. I wondered how she could go without my knowing it, but I did not spend any thought upon that. I was too busy thinking of how vivid & real was the dream that we had lost her, & how unspeakably blessed it was to find that it was not true & that she was still ours & with us.

He had the orchestrelle moved to Dublin, although it was no small undertaking, for he needed the solace of its harmonies; and so the days passed along, and he grew stronger in body and courage as his grief drifted farther behind him. Sometimes, in the afternoon or in the evening; when the neighbors had come in for a little while, he would walk up and down and talk in his old, marvelous way of all the things on land and sea, of the past and of the future, "Of Providence, foreknowledge, will, and fate," of the friends he had known and of the things he had done, of the sorrow and absurdities of the world.

It was the same old scintillating, incomparable talk of which Howells once said:

"We shall never know its like again. When he dies it will die with him."

It was during the summer at Dublin that Clemens and Rogers together made up a philanthropic ruse on Twichell. Twichell, through his own prodigal charities, had fallen into debt, a fact which Rogers knew. Rogers was a man who concealed his philanthropies when he could, and he performed many of them of which the world will never know: In this case he said:

"Clemens, I want to help Twichell out of his financial difficulty. I will supply the money and you will do the giving. Twichell must think it comes from you."

Clemens agreed to this on the condition that he be permitted to leave a record of the matter for his children, so that he would not appear in a false light to them, and that Twichell should learn the truth of the gift, sooner or later. So the deed was done, and Twichell and his wife lavished their thanks upon Clemens, who, with his wife, had more than once been their benefactors, making the deception easy enough now. Clemens writhed under these letters of gratitude, and forwarded them to Clara in Norfolk, and later to Rogers himself. He pretended to take great pleasure in this part of the conspiracy, but it was not an unmixed delight. To Rogers he wrote:

I wanted her [Clara] to see what a generous father she's got. I didn't tell her it was you, but by and by I want to tell her, when I have your consent; then I shall want her to remember the letters. I want a record there, for my Life when I am dead, & must be able to furnish the facts about the Relief-of-Lucknow-Twichell in case I fall suddenly, before I get those facts with your consent, before the Twichells themselves.

I read those letters with immense pride! I recognized that I had scored one good deed for sure on my halo account. I haven't had anything that tasted so good since the stolen watermelon.

P. S.-I am hurrying them off to you because I dasn't read them again! I should blush to my heels to fill up with this unearned gratitude again, pouring out of the thankful hearts of those poor swindled people who do not suspect you, but honestly believe I gave that money.

Mr. Rogers hastily replied:

MY DEAR CLEMENS,—The letters are lovely. Don't breathe. They are so happy! It would be a crime to let them think that you have in any way deceived them. I can keep still. You must. I am sending you all traces of the crime, so that you may look innocent and tell the truth, as you usually do when you think you can escape detection. Don't get rattled.

Seriously. You have done a kindness. You are proud of it, I know. You have made your friends happy, and you ought to be so glad as to cheerfully accept reproof from your conscience. Joe Wadsworth and I once stole a goose and gave it to a poor widow as a Christmas present. No crime in that. I always put my counterfeit money on the plate. "The passer of the sasser" always smiles at me and I get credit for doing generous things. But seriously again, if you do feel a little uncomfortable wait until I see you before you tell anybody. Avoid cultivating misery. I am trying to loaf ten solid days. We do hope to see you soon.

The secret was kept, and the matter presently (and characteristically) passed out of Clemens's mind altogether. He never remembered to tell Twichell, and it is revealed here, according to his wish.

The Russian-Japanese war was in progress that summer, and its settlement occurred in August. The terms of it did not please Mark Twain. When a newspaper correspondent asked him for an expression of opinion on the subject he wrote:

Russia was on the highroad to emancipation from an insane and intolerable slavery. I was hoping there would be no peace until Russian liberty was safe. I think that this was a holy war, in the best and noblest sense of that abused term, and that no war was ever charged with a higher mission.

I think there can be no doubt that that mission is now defeated and Russia's chain riveted; this time to stay. I think the Tsar will now withdraw the small humanities that have been forced from him, and resume his medieval barbarisms with a relieved spirit and an immeasurable joy. I think Russian liberty has had its last chance and has lost it.

I think nothing has been gained by the peace that is remotely comparable to what has been sacrificed by it. One more battle would have abolished the waiting chains of billions upon billions of unborn Russians, and I wish it could have been fought. I hope I am mistaken, yet in all sincerity I believe that this peace is entitled to rank as the most conspicuous disaster in political history.

It was the wisest public utterance on the subject—the deep, resonant note of truth sounding amid a clamor of foolish joy-bells. It was the message of a seer—the prophecy of a sage who sees with the clairvoyance of knowledge and human understanding. Clemens, a few days later, was invited by Colonel Harvey to dine with Baron Rosen and M. Sergius Witte; but an attack of his old malady—rheumatism—prevented his acceptance. His telegram of declination apparently pleased the Russian officials, for Witte asked permission to publish it, and declared that he was going to take it home to show to the Tsar. It was as follows:

To COLONEL HARVEY,—I am still a cripple, otherwise I should be more than glad of this opportunity to meet the illustrious magicians who came here equipped with nothing but a pen, & with it have divided the honors of the war with the sword. It is fair to presume that in thirty centuries history will not get done in admiring these men who attempted what the world regarded as the impossible & achieved it. MARK TWAIN.

But this was a modified form. His original draft would perhaps have been less gratifying to that Russian embassy. It read:

To COLONEL HARVEY,—I am still a cripple, otherwise I should be more than glad of this opportunity to meet those illustrious magicians who with the pen have annulled, obliterated, & abolished every high achievement of the Japanese sword and turned the tragedy of a tremendous war into a gay & blithesome comedy. If I may, let me in all respect and honor salute them as my fellow-humorists, I taking third place, as becomes one who was not born to modesty, but by diligence & hard work is acquiring it. MARK.

There was still another form, brief and expressive:

DEAR COLONEL,—No, this is a love-feast; when you call a lodge of sorrow send for me. MARK.

Clemens's war sentiment was given the widest newspaper circulation, and brought him many letters, most of them applauding his words. Charles Francis Adams wrote him:

It attracted my attention because it so exactly expresses the viewsI have myself all along entertained.

And this was the gist of most of the expressed sentiments which came to him.

Clemens wrote a number of things that summer, among them a little essay entitled, "The Privilege of the Grave"—that is to say, free speech. He was looking forward, he said, to the time when he should inherit that privilege, when some of the things he had said, written and laid away, could be published without damage to his friends or family. An article entitled, "Interpreting the Deity," he counted as among the things to be uttered when he had entered into that last great privilege. It is an article on the reading of signs and auguries in all ages to discover the intentions of the Almighty, with historical examples of God's judgments and vindications. Here is a fair specimen. It refers to the chronicle of Henry Huntington:

All through this book Henry exhibits his familiarity with the intentions of God and with the reasons for the intentions. Sometimes very often, in fact—the act follows the intention after such a wide interval of time that one wonders how Henry could fit one act out of a hundred to one intention, and get the thing right every time, when there was such abundant choice among acts and intentions. Sometimes a man offends the Deity with a crime, and is punished for it thirty years later; meantime he has committed a million other crimes: no matter, Henry can pick out the one that brought the worms. Worms were generally used in those days for the slaying of particularly wicked people. This has gone out now, but in the old times it was a favorite. It always indicated a case of "wrath." For instance:

"The just God avenging Robert Fitzhildebrand's perfidity, a worm grew in his vitals which, gradually gnawing its way through his intestines, fattened on the abandoned man till, tortured with excruciating sufferings and venting himself in bitter moans, he was by a fitting punishment brought to his end" (p. 400).

It was probably an alligator, but we cannot tell; we only know it was a particular breed, and only used to convey wrath. Some authorities think it was an ichthyosaurus, but there is much doubt.

The entire article is in this amusing, satirical strain, and might well enough be printed to-day. It is not altogether clear why it was withheld, even then.

He finished his Eve's Diary that summer, and wrote a story which was originally planned to oblige Mrs. Minnie Maddern Fiske, to aid her in a crusade against bullfighting in Spain. Mrs. Fiske wrote him that she had read his dog story, written against the cruelties of vivisection, and urged him to do something to save the horses that, after faithful service, were sacrificed in the bull-ring. Her letter closed:

I have lain awake nights very often wondering if I dare ask you to write a story of an old horse that is finally given over to the bull-ring. The story you would write would do more good than all the laws we are trying to have made and enforced for the prevention of cruelty to animals in Spain. We would translate and circulate the story in that country. I have wondered if you would ever write it.

With most devoted homage,Sincerely yours,MINNIE MADDERN FISKE.

Clemens promptly replied:

DEAR MRS. FISKE, I shall certainly write the story. But I may not get it to suit me, in which case it will go in the fire. Later I will try it again—& yet again—& again. I am used to this. It has taken me twelve years to write a short story—the shortest one I ever wrote, I think. —[Probably "The Death Disk:"]—So do not be discouraged; I will stick to this one in the same way.

Sincerely yours,S. L. CLEMENS.

It was an inspiring subject, and he began work on it immediately. Within a month from the time he received Mrs. Fiske's letter he had written that pathetic, heartbreaking little story, "A Horse's Tale," and sent it to Harper's Magazine for illustration. In a letter written to Mr. Duneka at the time, he tells of his interest in the narrative, and adds:

This strong interest is natural, for the heroine is my small daughter Susy, whom we lost. It was not intentional—it was a good while before I found it out, so I am sending you her picture to use —& to reproduce with photographic exactness the unsurpassable expression & all. May you find an artist who has lost an idol.

He explains how he had put in a good deal of work, with his secretary, on the orchestrelle to get the bugle-calls.

We are to do these theatricals this evening with a couple ofneighbors for audience, and then pass the hat.

It is not one of Mark Twain's greatest stories, but its pathos brings the tears, and no one can read it without indignation toward the custom which it was intended to oppose. When it was published, a year later, Mrs. Fiske sent him her grateful acknowledgments, and asked permission to have it printed for pamphlet circulation m Spain.

A number of more or less notable things happened in this, Mark Twain's seventieth year. There was some kind of a reunion going on in California, and he was variously invited to attend. Robert Fulton, of Nevada, was appointed a committee of one to invite him to Reno for a great celebration which was to be held there. Clemens replied that he remembered, as if it were but yesterday, when he had disembarked from the Overland stage in front of the Ormsby Hotel, in Carson City, and told how he would like to accept the invitation.

If I were a few years younger I would accept it, and promptly, and I would go. I would let somebody else do the oration, but as for me I would talk—just talk. I would renew my youth; and talk—and talk—and talk—and have the time of my life! I would march the unforgotten and unforgetable antiques by, and name their names, and give them reverent hail and farewell as they passed—Goodman, McCarthy, Gillis, Curry, Baldwin, Winters, Howard, Nye, Stewart, Neely Johnson, Hal Clayton, North, Root—and my brother, upon whom be peace!—and then the desperadoes, who made life a joy, and the "slaughter-house," a precious possession: Sam Brown, Farmer Pete, Bill Mayfield, Six-fingered Jake, Jack Williams, and the rest of the crimson discipleship, and so on, and so on. Believe me, I would start a resurrection it would do you more good to look at than the next one will, if you go on the way you are going now.

Those were the days!—those old ones. They will come no more; youth will come no more. They were so full to the brim with the wine of life; there have been no others like them. It chokes me up to think of them. Would you like me to come out there and cry? It would not beseem my white head.

Good-by. I drink to you all. Have a good time-and take an old man's blessing.

In reply to another invitation from H. H. Bancroft, of San Francisco, he wrote that his wandering days were over, and that it was his purpose to sit by the fire for the rest of his "remnant of life."

A man who, like me, is going to strike 70 on the 30th of next November has no business to be flitting around the way Howells does —that shameless old fictitious butterfly. (But if he comes don't tell him I said it, for it would hurt him & I wouldn't brush a flake of powder from his wing for anything. I only say it in envy of his indestructible youth anyway. Howells will be 88 in October.)

And it was either then or on a similar occasion that he replied after this fashion:

I have done more for San Francisco than any other of its old residents. Since I left there it has increased in population fully 300,000. I could have done more—I could have gone earlier—it was suggested.

Which, by the way, is a perfect example of Mark Twain's humorous manner, the delicately timed pause, and the afterthought. Most humorists would have been contented to end with the statement, "I could have gone earlier." Only Mark Twain could have added that final exquisite touch —"it was suggested."


Back to IndexNext