Still the Gay Capital of France--Its Environs--Walewska and De Morny--Thackeray in Paris--APensionAdventure
Each of the generations thinks itself commonplace. Familiarity breeds equally indifference and contempt. Yet no age of the world has witnessed so much of the drama of life--of the romantic and picturesque--as the age we live in. The years betwixt Agincourt and Waterloo were not more delightfully tragic than the years between Serajevo and Senlis.
The gay capital of France remains the center of the stage and retains the interest of the onlooking universe. All roads lead to Paris as all roads led to Rome. In Dickens' day "a tale of two cities" could only mean London and Paris then, and ever so unalike. To be brought to date the title would have now to read "three," or even "four," cities, New York and Chicago putting in their claims for mundane recognition.
I have been not only something of a traveller, but a diligent student of history and a voracious novel reader, and, once-in-a-while, I get my history and my fiction mixed. This has been especially the case when the hum-drum of the Boulevards has driven me from the fascinations of the Beau Quartier into the by-ways of the Marais and the fastnesses of what was once the Latin Quarter. More than fifty years of intimacy have enabled me to learn many things not commonly known, among them that Paris is the most orderly and moral city in the world, except when, on rare and brief occasions, it has been stirred to its depths.
I have crossed the ocean many times--have lived, not sojourned, on the banks of the Seine, and, as I shall never see the other side again--do not want to see it in its time of sorrow and garb of mourning--I may be forgiven a retrospective pause in this egotistic chronicle. Or, shall I not say, a word or two of affectionate retrogression, though perchance it leads me after the manner of Silas Wegg to drop into poetry and take a turn with a few ghosts into certain of their haunts, when you, dear sir, or madame, or miss, as the case may be, and I were living that "other life," whereof we remember so little that we cannot recall who we were, or what name we went by, howbeit now-and-then we get a glimpse in dreams, or a "hunch" from the world of spirits, or spirts-and-water, which makes us fancy we might have been Julius Caesar, or Cleopatra--as maybe we were!--or at least Joan of Arc, or Jean Valjean!
Let me repeat that upon no spot of earth has the fable we call existence had so rare a setting and rung up its curtain upon such a succession of performances; has so concentrated human attention upon mundane affairs; has called such a muster roll of stage favorites; has contributed to romance so many heroes and heroines, to history so many signal episodes and personal exploits, to philosophy so much to kindle the craving for vital knowledge, to stir sympathy and to awaken reflection.
Greece and Rome seem but myths of an Age of Fable. They live for us as pictures live, as statues live. What was it I was saying about statues--that they all look alike to me? There are too many of them. They bring the ancients down to us in marble and bronze, not in flesh and blood. We do not really laugh with Terence and Horace, nor weep with Æschylus and Homer. The very nomenclature has a ticket air like tags on a collection of curios in an auction room, droning the dull iteration of a catalogue. There is as little to awaken and inspire in the system of religion and ethics of the pagan world they lived in as in the eyes of the stone effigies that stare blankly upon us in the British Museum, the Uffizi and the Louvre.
We walk the streets of the Eternal City with wonderment, not with pity, the human side quite lost in the archaic. What is Cæsar to us, or we to Cæsar? Jove's thunder no longer terrifies, and we look elsewhere than the Medici Venus for the lights o' love.
Not so with Paris. There the unbroken line of five hundred years--semi-modern years, marking a longer period than we commonly ascribe to Athens or Rome--beginning with the exit of this our own world from the dark ages into the partial light of the middle ages, and continuing thence through the struggle of man toward achievement--tells us a tale more consecutive and thrilling, more varied and instructive, than may be found in all the pages of all the chroniclers and poets of the civilizations which vibrated between the Bosphorus and the Tiber, to yield at last to triumphant Barbarism swooping down from Tyrol crag and Alpine height, from the fastnesses of the Rhine and the Rhone, to swallow luxury and culture. Refinement had done its perfect work. It had emasculated man and unsexed woman and brought her to the front as a political force, even as it is trying to do now.
The Paris of Balzac and Dumas, of De Musset and Hugo--even of Thackeray--could still be seen when I first went there. Though our age is as full of all that makes for the future of poetry and romance, it does not contemporaneously lend itself to sentimental abstraction. Yet it is hard to separate fact and fiction here; to decide between the true and the false; to pluck from the haze with which time has enveloped them, and to distinguish the puppets of actual flesh and blood who lived and moved and had their being, and the phantoms of imagination called into life and given each its local habitation and its name by the poet's pen working its immemorial spell upon the reader's credulity.
To me D'Artagnan is rather more vital than Richelieu. Hugo's imps and Balzac's bullies dance down the stage and shut from the view the tax-collectors and the court favorites. The mousquetaires crowd the field marshals off the scene. There is something real in Quasimodo, in Cæsar de Birotteau, in Robert Macaire, something mythical in Mazarin, in the Regent and in Jean Lass. Even here, in faraway Kentucky, I can shut my eyes and see the Lady of Dreams as plainly as if she were coming out of the Bristol or the Ritz to step into her automobile, while the Grande Mademoiselle is merely a cloud of clothes and words that for me mean nothing at all.
I once passed a week, day by day, roaming through the Musee Carnavalet. Madame de Sevigne had an apartment and held her salon there for nearly twenty years. Hard by is the house where the Marquise de Brinvilliers--a gentle, blue-eyed thing they tell us--a poor, insane creature she must have been--disseminated poison and death, and, just across and beyond the Place des Vosges, the Hotel de Sens, whither Queen Margot took her doll-rags and did her spriting after she and Henri Quatre had agreed no longer to slide down the same cellar door. There is in the Museum a death-mask, colored and exceeding life-like, taken the day after Ravaillac delivered the finishing knife-thrust in the Rue de Ferronnerie, which represents the Bèarnais as anything but a tamer of hearts. He was a fighter, however, from Wayback, and I dare say Dumas' narrative is quite as authentic as any.
One can scarce wonder that men like Hugo and Balzac chose this quarter of the town to live in--and Rachael, too!--it having given such frequent shelter to so many of their fantastic creations, having been the real abode of a train of gallants and bravos, of saints and harlots from the days of Diane de Poitiers to the days of Pompadour and du Barry, and of statesmen and prelates likewise from Sully to Necker, from Colbert to Turgot.
I speak of the Marais as I might speak of Madison Square, or Hyde Park--as a well-known local section--yet how few Americans who have gone to Paris have ever heard of it. It is in the eastern division of the town. One finds it a curious circumstance that so many if not most of the great cities somehow started with the rising, gradually to migrate toward the setting sun.
When I first wandered about Paris there was little west of the Arch of Stars except groves and meadows. Neuilly and Passy were distant villages. Auteuil was a safe retreat for lovers and debtors, with comic opera villas nestled in high-walled gardens. To Auteuil Armand Duval and his Camille hied away for their short-lived idyl. In those days there was a lovely lane called Marguerite Gautier, with a dovecote pointed out as the very "rustic dwelling" so pathetically sung in Verdi's tuneful score and tenderly described in the original Dumas text. The Boulevard Montmorenci long ago plowed the shrines of romance out of the knowledge of the living, and a part of the Longchamps racecourse occupies the spot whither impecunious poets and adventure-seeking wives repaired to escape the insistence of cruel bailiffs and the spies of suspicious and monotonous husbands.
Tempus fugit! I used to read Thackeray's Paris Sketches with a kind of awe. The Thirties and the Forties, reincarnated and inspired by his glowing spirit, seemed clad in translucent garments, like the figures in the Nibelungenlied, weird, remote, glorified. I once lived in the street "for which no rhyme our language yields," next door to a pastry shop that claimed to have furnished the mise en scène for the "Ballad of Bouillabaisse," and I often followed the trail of Louis Dominic Cartouche "down that lonely and crooked byway that, setting forth from a palace yard, led finally to the rear gate of a den of thieves." Ah, well-a-day! I have known my Paris now twice as long as Thackeray knew his Paris, and my Paris has been as interesting as his Paris, for it includes the Empire, the Siege and the Republic.
I knew and sat for months at table with Comtesse Walewska, widow of the bastard son of Napoleon Bonaparte. The Duke de Morny was rather a person in his way and Gambetta was no slouch, as Titmarsh would himself agree. I knew them both. The Mexican scheme, which was going to make every Frenchman rich, was even more picturesque and tragical than the Mississippi bubble. There were lively times round about the last of the Sixties and the early Seventies. The Terror lasted longer, but it was not much more lurid than the Commune; the Hotel de Ville and the Tuileries in flames, the column gone from the Place Vendôme, when I got there just after the siege. The regions of the beautiful Opera House and of the venerable Notre Dame they told me had been but yesterday running streams of blood. At the corner of the Rue de la Paix and the Rue Dannou (they called it then the Rue St. Augustine) thirty men, women, and boys were one forenoon stood against the wall and shot, volley upon volley, to death. In the Sacristy of the Cathedral over against the Morgue and the Hotel Dieu, they exhibit the gore-stained vestments of three archbishops of Paris murdered within as many decades.
Thackeray came to Paris when a very young man. He was for painting pictures, not for writing books, and he retained his artistic yearnings if not ambitions long after he had become a great and famous man of letters. It was in Paris that he married his wife, and in Paris that the melancholy finale came to pass; one of the most heartbreaking chapters in literary history.
His little girls lived here with their grandparents. The elder of them relates how she was once taken up some flights of stairs by the Countess X to the apartment of a frail young man to whom the Countess was carrying a basket of fruit; and how the frail young man insisted, against the protest of the Countess, upon sitting at the piano and playing; and of how they came out again, the eyes of the Countess streaming with tears, and of her saying, as they drove away, "Never, never forget, my child, as long as you live, that you have heard Chopin play." It was in one of the lubberly houses of the Place Vendôme that the poet of the keyboard died a few days later. Just around the corner, in the Rue du Mont Thabor, died Alfred de Musset. A brass plate marks the house.
May I not here transcribe that verse of the famous "Ballad of Bouillabaisse," which I have never been able to recite, or read aloud, and part of which I may at length take to myself:
"Ah me, how quick the days are flitting!I mind me of a time that's gone,When here I'd sit, as now I'm sittingIn this same place--but not alone--A fair young form was nestled near me,A dear, dear face looked fondly up,And sweetly spoke and smiled to hear me,There's no one now to share my cup."
The writer of these lines a cynic! Nonsense. When will the world learn to discriminate?
It is impossible to speak of Paris without giving a foremost place in the memorial retrospect to the Bois de Boulogne, the Parisian's Coney Island. I recall that I passed the final Sunday of my last Parisian sojourn just before the outbreak of the World War with a beloved family party in the joyous old Common. There is none like it in the world, uniting the urban to the rural with such surpassing grace as perpetually to convey a double sensation of pleasure; primal in its simplicity, superb in its setting; in the variety and brilliancy of the life which, upon sunny afternoons, takes possession of it and makes it a cross between a parade and a paradise.
There was a time when, rather far away for foot travel, the Bois might be considered a driving park for the rich. It fairly blazed with the ostentatious splendor of the Second Empire; the shoddy Duke with his shady retinue, in gilded coach-and-four; the world-famous courtesan, bedizened with costly jewels and quite as well known as the Empress; the favorites of the Tuileries, the Comédie Française, the Opera, the Jardin Mabille, forming an unceasing and dazzling line of many-sided frivolity from the Port de Ville to the Port St. Cloud, circling round La Bagatelle and ranging about the Cafe Cascade, a human tiara of diamonds, a moving bouquet of laces and rubies, of silks and satins and emeralds and sapphires. Those were the days when the Due de Morny, half if not full brother of the Emperor, ruled as king of the Bourse, and Cora Pearl, a clever and not at all good-looking Irish girl gone wrong, reigned as Queen of the Demimonde.
All this went by the board years ago. Everywhere, more or less, electricity has obliterated distinctions of rank and wealth. It has circumvented lovers and annihilated romance. The Republic ousted the bogus nobility. The subways and the tram cars connect the Bois de Boulogne and the Bois de Vincennes so closely that the poorest may make himself at home in either or both.
The automobile, too, oddly enough, is proving a very leveller. The crowd recognizes nobody amid the hurly-burly of coupes, pony-carts, and taxicabs, each trying to pass the other. The conglomeration of personalities effaces the identity alike of the statesman and the artist, the savant and the cyprian. No six-inch rules hedge the shade of the trees and limit the glory of the grass. Theouvriercan bring his brood and his basket and have his picnic where he pleases. The pastry cook and his chére amie, the coiffeur and his grisette can spoon by the lake-side as long as the moonlight lasts, and longer if they list, with never a gendarme to say them nay, or a rude voice out of the depths hoarsely to declaim, "allez!" The Bois de Boulogne is literally and absolutely a playground, the playground of the people, and this last Sunday of mine, not fewer than half a million of Parisians were making it their own.
Half of these encircled the Longchamps racecourse. The other half were shared by the boats upon the lagoons and the bosky dells under the summer sky and the cafés and the restaurants with which the Bois abounds. Our party, having exhausted the humors of the drive, repaired to Pré Catalan. Aside from the "two old brides" who are always in evidence on such occasions, there was a veritable "young couple," exceedingly pretty to look at, and delightfully in love! That sort of thing is not so uncommon in Paris as cynics affect to think.
If it be true, as the witty Frenchman observes, that "gambling is the recreation of gentlemen and the passion of fools," it is equally true that love is a game where every player wins if he sticks to it and is loyal to it. Just as credit is the foundation of business is love both the asset and the trade-mark of happiness. To see it is to believe it, and--though a little cash in hand is needful to both--where either is wanting, look out for sheriffs and scandals.
Pré Catalan, once a pasture for cows with a pretty kiosk for the sale of milk, has latterly had a tea-room big enough to seat a thousand, not counting the groves which I have seen grow up about it thickly dotted with booths and tables, where some thousands more may regale themselves. That Sunday it was never so glowing with animation and color. As it makes one happy to see others happy it makes one adore his own land to witness that which makes other lands great.
I have not loved Paris as a Parisian, but as an American; perhaps it is a stretch of words to say I love Paris at all. I used to love to go there and to behold the majesty of France. I have always liked to mark the startling contrasts of light and shade. I have always known what all the world now knows, that beneath the gayety of the French there burns a patriotic and consuming fire, a high sense of public honor; a fine spirit of self-sacrifice along with the sometimes too aggressive spirit of freedom. In 1873 I saw them two blocks long and three files deep upon the Rue St. Honore press up to the Bank of France, old women and old men with their little all tied in handkerchiefs and stockings to take up the tribute required by Bismarck to rid the soil of the detested German. They did it. Alone they did it--the French people--the hard-working, frugal, loyal commonalty of France--without asking the loan of a sou from the world outside.
Writing of that last Sunday in the Bois de Boulogne, I find by recurring to the record that I said: "There is a deal more of good than bad in every Nation. I take off my hat to the French. But, I have had my fling and I am quite ready to go home. Even amid the gayety and the glare, the splendor of color and light, the Hungarian band wafting to the greenery and the stars the strains of the delicious waltz, La Veuve Joyeuse her very self--yea, many of her--tapping the time at many adjacent tables, the song that fills my heart is 'Hame, Hame, Hame!--Hame to my ain countree.' Yet, to come again, d'ye mind? I should be loath to say good-by forever to the Bois de Boulogne. I want to come back to Paris. I always want to come back to Paris. One needs not to make an apology or give a reason.
"We turn rather sadly away from Pré Catalan and the Café Cascade. We glide adown the flower-bordered path and out from the clusters of Chinese lanterns, and leave the twinkling groves to their music and merry-making. Yonder behind us, like a sentinel, rises Mont Valerien. Before us glimmer the lamps of uncountable coaches, as our own, veering toward the city, the moon just topping the tower of St. Jacques de la Boucherie and silver-plating the bronze figures upon the Arch of Stars.
"We enter the Port Maillot. We turn into the Avenue du Bois. Presently we shall sweep with the rest through the Champs Èlysées and on to the ocean of the infinite, the heart of the mystery we call Life, nowhere so condensed, so palpable, so appealing. Roll the screen away! The shades of Clovis and Genevieve may be seen hand-in-hand with the shades of Martel and Pepin, taking the round of the ghost-walk between St. Denis and St. Germain, now le Balafré and again Navarre, now the assassins of the Ligue and now the assassins of the Terror, to keep them company. Nor yet quite all on murder bent, some on pleasure; the Knights and Ladies of the Cloth of Gold and the hosts of the Renaissance: Cyrano de Bergerac and François Villon leading the ragamuffin procession; the jades of the Fronde, Longueville, Chevreuse and fair-haired Anne of Austria; and Ninon, too, and Manon; and the never-to-be-forgotten Four, 'one for all and all for one;' Cagliostro and Monte Cristo; on the side, Rabelais taking notes and laughing under his cowl. Catherine de Medici and Robespierre slinking away, poor, guilty things, into the pale twilight of the Dawn!
"Names! Names! Only names? I am not just so sure about that. In any event, what a roll call! We are such stuff as dreams are made of, and our little life is rounded by a sleep; the selfsame sleep which these, our living dead men and women in steel armor and gauzy muslins, in silken hose and sock and buskin, epaulettes and top boots, brocades and buff facings, have endured so long and know so well!
"If I should die in Paris I should expect them--or some of them--to meet me at the barriers and to say, 'Behold, the wickedness that was done in the world, the cruelty and the wrong, dwelt in the body, not in the soul of man, which freed from its foul incasement, purified and made eternal by the hand of death, shall see both the glory and the hand of God!'"
It was not to be. I shall not die in Paris. I shall never come again. Neither shall I make apology for this long quotation by myself from myself, for am I not inditing an autobiography, so called?
Monte Carlo--The European Shrine of Sport and Fashion--Apocryphal Gambling Stories--Leopold, King of the Belgians--An Able and Picturesque Man of Business
Having disported ourselves in and about Paris, next in order comes a journey to the South of France--that is to the Riviera--by geography the main circle of the Mediterranean Sea, by proclamation Cannes, Nice, and Mentone, by actual fact and count, Monte Carlo--even the swells adopting a certain hypocrisy as due to virtue.
Whilst Monte Carlo is chiefly, I might say exclusively, identified in the general mind with gambling, and was indeed at the outset but a gambling resort, it long ago outgrew the limits of the Casino, becoming a Mecca of the world of fashion as well as the world of sport. Half the ruling sovereigns of Europe and all the leaders of European swelldom, the more prosperous of the demi-mondaines and no end of the merely rich of every land, congregate there and thereabouts. At the top of the season the show of opulence and impudence is bewildering.
The little principality of Monaco is hardly bigger than the Cabbage Patch of the renowned Mrs. Wiggs. It is, however, more happily situate. Nestled under the heights of La Condamine and Tête de Chien and looking across a sheltered bay upon the wide and blue Mediterranean, it has better protection against the winds of the North than Nice, or Cannes, or Mentone. It is an appanage--in point of fact the only estate--remaining to the once powerful Grimaldi family.
In the early days of land-piracy Old Man Grimaldi held his own with Old Man Hohenzollern and Old Man Hapsburg. The Savoys and the Bourbons were kith and kin. But in the long run of Freebooting the Grimaldis did not keep up with the procession. How they retained even this remnant of inherited brigandage and self-appointed royalty, I do not know. They are here under leave of the Powers and the especial protection, strange to say, of the French Republic.
Something over fifty years ago, being hard-up for cash, the Grimaldi of the period fell under the wiles of an ingenious Alsatian gambler, Guerlac by name, who foresaw that Baden-Baden and Hombourg were approaching their finish and that the sports must look elsewhere for their living, the idle rich for their sport. This tiny "enclave" in French territory presented many advantages over the German Dukedoms. It was an independent sovereignty issuing its own coins and postage stamps. It was in proud possession of a half-dozen policemen which it called its "army." It was paradisaic in beauty and climate. Its "ruler" was as poor as Job's turkey, but by no means as proud as Lucifer.
The bargain was struck. The gambler smote the rock of Monte Carlo as with a wand of enchantment and a stream of plenty burst forth. The mountain-side responded to the touch. It chortled in its glee and blossomed as the rose.
The region known as the Riviera comprises, as I have said, the whole land-circle of the Mediterranean Sea. But, as generally written and understood, it stands for the shoreline between Marseilles and Genoa. The two cities are connected by the Corniche Road, built by the First Napoleon, who learned the need of it when he made his Italian campaign, and the modern railway, the distance 260 miles, two-thirds of the way through France, the residue through Italy, and all of it surpassing fine.
The climate is very like that of Southern Florida. But as in Florida they have the "Nor'westers" and the "Nor'easters," on the Riviera they have the "mistral." In Europe there is no perfect winter weather north of Spain, as in the United States none north of Cuba.
I have often thought that Havana might be made a dangerous rival of Monte Carlo under the one-man power, exercising its despotism with benignant intelligence and spending its income honestly upon the development of both the city and the island. The motley populace would probably be none the worse for it. The Government could upon a liberal tariff collect not less than thirty-five millions of annual revenue. Twenty-five of these millions would suffice for its own support. Ten millions a year laid out upon harbors, roadways and internal improvements in general would within ten years make the Queen of the Antilles the garden spot and playground of Christendom. They would build a Casino to outshine even the architectural miracles of Charles Garnier. Then would Havana put Cairo out of business and give the Prince of Monaco a run for his money.
With the opening of every Monte Carlo season the newspapers used to tell of the colossal winnings of purely imaginary players. Sometimes the favored child of chance was a Russian, sometimes an Englishman, sometimes an American. He was usually a myth, of course. As Mrs. Prig observed to Mrs. Camp, "there never was no sich person."
Charles Garnier, the Parisian architect, came and built the Casino, next to the Library of Congress at Washington and the Grand Opera House at Paris the most beautiful building in the world, with incomparable gardens and commanding esplanades to set it off and display it. Around it palatial hotels and private mansions and villas sprang into existence. Within it a gold-making wheel of fortune fabricated the wherewithal. Old Man Grimaldi in his wildest dreams of land-piracy--even Old Man Hohenzollern, or Old Man Hapsburg--never conceived the like.
There is no poverty, no want, no taxes--not any sign of dilapidation or squalor anywhere in the principality of Monaco. Yet the "people," so called, have been known to lapse into a state of discontent. They sometimes "yearned for freedom." Too well fed and cared for, too rid of dirt and debt, too flourishing, they "riz." Prosperity grew monotonous. They even had the nerve to demand a "Constitution."
The reigning Prince was what Yellowplush would call "a scientific gent." His son and heir, however, had not his head in the clouds, being in point of fact of the earth earthly, and, of consequence, more popular than his father. He came down from the Castle on the hill to the marketplace in the town and says he: "What do you galoots want, anyhow?"
First, their "rights." Then a change in the commander-in-chief of the army, which had grown from six to sixteen. Finally, a Board of Aldermen and a Common Council.
"Is that all?" says his Royal Highness. They said it was. "Then," says he, "take it, mes enfants, and bless you!"
So, all went well again. The toy sovereignty began to rattle around in its own conceit, the "people" regarded themselves, and wished to be regarded, as a chartered Democracy. The little gim-crack economic system experienced the joys of reform. A "New Nationalism" was established in the brewery down by the railway station and a reciprocity treaty was negotiated between the Casino and Vanity Fair, witnessing the introduction of two roulette tables and an extra brazier for cigar stumps.
But the Prince of Monaco stood on one point. He would have no Committee on Credentials. He told me once that he had heard of Tom Reed and Champ Clark and Uncle Joe Cannon, but that he preferred Uncle Joe. He would, and he did, name his own committees both in the Board of Aldermen and the Common Council. Thus, for the time being, "insurgency" was quelled. And once more serenely sat the Castle on the hill hard by the Cathedral. Calmly again flowed the waters in the harbor. More and more the autos honked outside the Casino. Within "the little ball ever goes merrily round," and according to the croupiers and the society reporters "the gentleman wins and the poor gambler loses!"
To illustrate, I recall when on a certain season the lucky sport of print and fancy was an Englishman. In one of those farragos of stupidity and inaccuracy which are syndicated and sent from abroad to America, I found the following piece with the stuff and nonsense habitually worked off on the American press as "foreign correspondence":
"Now and then the newspapers report authentic instances of large sums having been won at the gaming tables at Monte Carlo. One of the most fortunate players at Monte Carlo for a long time past has been a Mr. Darnbrough, an Englishman, whose remarkable run of luck had furnished the morsels of gossip in the capitals of Continental Europe recently.
"If reports are true, he left the place with the snug sum of more than 1,000,000 francs to the good as the result of a month's play. But this, I hear, did not represent all of Mr. Darnbrough's winnings. The story goes that on the opening day of his play he staked 24,000 francs, winning all along the line. Emboldened by his success, he continued playing, winning again and again with marvelous luck. At one period, it is said, his credit balance amounted to no less than 1,850,000 francs; but from that moment Dame Fortune ceased to smile upon him. He lost steadily from 200,000 to 300,000 francs a day, until, recognizing that luck had turned against him, he had sufficient strength of will to turn his back on the tables and strike for home with the very substantial winnings that still remained.
"On another occasion a well-known London stock broker walked off with little short of £40,000. This remarkable performance occasioned no small amount of excitement in the gambling rooms, as such an unusual incident does invariably.
"Bent on making a 'plunge,' he went from one table to another, placing the maximum stake on the same number. Strange to relate, at each table the same number won, and it was his number. Recognizing that this perhaps might be his lucky day, the player wended his way to the trente-et-quarante room and put the maximum on three of the tables there. To his amazement, he discovered that there also he had been so fortunate as to select the winning number.
"The head croupier confided to a friend of the writer who happened to be present that that day had been the worst in the history of the Monaco bank for years. He it was also who mentioned the amount won by the fortunate Londoner, as given above."
It is prudent of the space-writers to ascribe such "information" as this to "the head croupier," because it is precisely the like that such an authority would give out. People upon the spot know that nothing of the kind happened, and that no person of that name had appeared upon the scene. The story on the face of it bears to the knowing its own refutation, being absurd in every detail. As if conscious of this, the author proceeds to quality it in the following:
"It is a well-known fact that one of the most successful players at the Monte Carlo tables was Wells, who as the once popular music-hall song put it, 'broke the bank' there. He was at the zenith of his fame, about twenty years ago, when his escapades--and winnings--were talked about widely and envied in European sporting circles and among the demi-monde.
"In ten days, it was said, he made upward of £35,000 clear winnings at the tables after starting with the modest capital of £400. It must not be forgotten, however, that at his trial later Wells denied this, stating that all he had made was £7,000 at four consecutive sittings. He made the statement that, even so, he had been a loser in the end.
"The reader may take his choice of the two statements, but among frequenters of the rooms at Monte Carlo it is generally considered impossible to amass large winnings without risking large stakes. Even then the chances are 1,000 to 1 in favor of the bank. Yet occasionally there are winnings running into four or five figures, and to human beings the possibility of chance constitutes an irresistible fascination.
"Only a few years ago a young American was credited with having risen from the tables $75,000 richer than when first he had sat down. It was his first visit to Monte Carlo and he had not come with any system to break the bank or with any 'get-rich-quick' idea. For the novelty of the thing he risked about $4,000, and lost it all in one fell swoop without turning a hair. Then he 'plunged' with double that amount, but the best part of that, too, went the same way. Nothing daunted, he next ventured $10,000. This time fickle fortune favored him. He played on with growing confidence and when his winnings amounted to the respectable sum of $75,000 he had the good sense to quit and to leave the place despite the temptation to continue."
The "man who broke the bank at Monte Carlo," and gave occasion for the song, was not named "Wells" and he was not an Englishman. He was an American. I knew him well and soon after the event had from his own lips the whole story.
He came to Monte Carlo with a good deal of money won at draw-poker in a club at Paris and went away richer by some 100,000 francs (about $20,000) than he came.
The catch-line of the song is misleading. There is no such thing as "breaking the bank at Monte Carlo." This particular player won so fast upon two or three "spins" that the table at which he played had to suspend until it could be replenished by another "bank," perhaps ten minutes in point of time. There used to be some twenty tables. Just how one man could play at more than one of them at one time a "foreign correspondent," but only a "foreign correspondent," might explain to the satisfaction of the horse-marines.
I very much doubt whether any player ever won more than 100,000 francs at a single sitting. To do even that he must plunge like a ship in a hurricane. There is, of course, a saving limit set by the Casino Company upon the play. It is to the interest of the Casino to cultivate the idea, and the letter writers are willing tools. Not only at Monte Carlo, but everywhere, in dearth of news, gambling stories come cheap and easy. And the cheaper the story the bigger the play. "The Jedge raised him two thousand dollars. The Colonel raised him back ten thousand more. Both of 'em stood pat. The Jedge bet him a hundred thousand. The Colonel called. 'What you got?' says he. 'Ace high,' says the Jedge; 'what you got?' 'Pair o' deuces,' says the Colonel."
Assuredly the "play" in the Casino is entirely fair. It could hardly be otherwise with such crowds of players at the tables, often covering the whole "layout." But there is no such thing as "honest gambling." The "house" must have "the best of it." A famous American gambler, when I had referred to one of his guild, lately deceased, as "an honest gambler," said to me: "What do you mean by 'an honest gambler'?"
"A gambler who will not take unfair advantage!" I answered.
"Well," said he, "the gambler must have his advantage, because gambling is his livelihood. He must fit himself for its profitable pursuit by learning all the tricks of trade like other artists and artificers. With him it is win or starve."
Among the variegate crowds that thronged the highways and byways of Monte Carlo in those days there was no single figure more observed and striking than that of Leopold the Second, King of the Belgians. He had a bungalow overlooking the sea where he lived three months of the year like a country gentleman. Although I have made it a rule to avoid courts and courtiers, an event brought me into acquaintance with this best abused man in Europe, enabling me to form my own estimate of his very interesting personality.
He was not at all what his enemies represented him to be, a sot, a gambler and a roué. In appearance a benignant burgomaster, tall and stalwart; in manner and voice very gentle, he should be described as first of all a man of business. His weakness was rather for money than women. Speaking of the most famous of the Parisian dancers with whom his name had been scandalously associated, he told me that he had never met her but once in his life, and that after the newspaper gossips had been busy for years with their alleged love affair. "I kissed her hand," he related, "and bade her adieu, saying, 'Ah, ma'mselle, you and I have indeed reason to congratulate ourselves.'"
It was the Congo business that lay at the bottom of the abuse of Leopold. Henry Stanley had put him up to this. It turned out a gold mine, and then two streams of defamation were let loose; one from the covetous commercial standpoint and the other from the humanitarian. Between them, seeking to drive him out, they depicted him as a monster of cruelty and depravity.
A King must be an anchorite to escape calumny, and Leopold was not an anchorite. I asked him why I never saw him in the Casino. "Play," he answered, "does not interest me. Besides, I do not enjoy being talked about. Nor do I think the game they play there quite fair."
"In what way do you consider it unfair, your Majesty?" I asked.
"In the zero," he replied. "At the Brussels Casino I do not allow them to have a zero. Come and see me and I will show you a perfectly equal chance for your money, to win or lose."
Years after I was in Brussels. Leopold had gone to his account and his nephew, Albert, had come to the throne. There was not a roulette table in the Casino, but there was one conveniently adjacent thereto, managed by a clique of New York gamblers, which had both a single "and a double O," and, as appeared when the municipality made a descent upon the place, was ingeniously wired to throw the ball wherever the presiding coupier wanted it to go.
I do not believe, however, that Leopold was a party to this, or could have had any knowledge of it. He was a skillful, not a dishonest, business man, who showed his foresight when he listened to Stanley and took him under his wing. If the Congo had turned out worthless nobody would ever have heard of the delinquencies of the King of the Belgians.
A ParisianPension--The Widow of Walewska--Napoleon's Daughter-in-Law--The Changeless--A Moral and Orderly City
I have said that I knew the widow of Walewska, the natural son of Napoleon Bonaparte by the Polish countess he picked up in Warsaw, who followed him to Paris; and thereby hangs a tale which may not be without interest.
In each of our many sojourns in Paris my wife and I had taken an apartment, living the while in the restaurants, at first the cheaper, like the Café de Progress and the Duval places; then the Boeuf à la Mode, the Café Voisin and the Café Anglais, with Champoux's, in the Place de la Bourse, for a regular luncheon resort.
At length, the children something more than half grown, I said: "We have never tried a Parispension."
So with a half dozen recommended addresses we set out on a house hunt. We had not gone far when our search was rewarded by a veritable find. This was on the Avenue de Courcelles, not far from the Pare Monceau; newly furnished; reasonable charges; the lady manager a beautiful well-mannered woman, half Scotch and half French.
We moved in. When dinner was called the boarders assembled in the very elegant drawing-room. Madame presented us to Baron ----. Then followed introductions to Madame la Duchesse and Madame la Princesse and Madame la Comtesse. Then the folding doors opened and dinner was announced.
The baron sat at the center of the table. The meal consisted of eight or ten courses, served as if at a private house, and of surpassing quality. During the three months that we remained there was no evidence of a boarding house. It appeared an aristocratic family into which we had been hospitably admitted. The baron was a delightful person. Madame la Duchesse was the mother of Madame la Princesse, and both were charming. The Comtesse, the Napoleonic widow, was at first a little formal, but she came round after we had got acquainted, and, when we took our departure, it was like leaving a veritable domestic circle.
Years after we had the sequel. The baron, a poor young nobleman, had come into a little money. He thought to make it breed. He had an equally poor Scotch cousin, who undertook to play hostess. Both the Duchess and the Countess were his kinswomen. How could such a ménage last?
He lost his all. What became of our fellow-lodgers I never learned, but the venture coming to naught, the last I heard of the beautiful high-bred lady manager, she was serving as a stewardess on an ocean liner. Nothing, however, could exceed the luxury, the felicity and the good company of those memorable three monthschez l'Avenue de Courcelles, Pare Monceau.
We never tried apensionagain. We chose a delightful hotel in the Rue de Castiglione off the Rue de Rivoli, and remained there as fixtures until we were reckoned the oldest inhabitants. But we never deserted the dear old Boeuf à la Mode, which we lived to see one of the most flourishing and popular places in Paris.
In the old days there was a little hotel on the Rue Dannou, midway between the Rue de la Paix and what later along became the Avenue de l'Opéra, called the Hôtel d'Orient. It was conducted by a certain Madame Hougenin, whose family had held the lease for more than a hundred years, and was typical of what the comfort-seeking visitor, somewhat initiate, might find before the modern tourist onrush overflowed all bounds and effaced the ancient landmarks--or should I say townmarks?--making a resort instead of a home of the gay French capital. The d'Orient was delightfully comfortable and fabulously cheap.
The wayfarer entered a darksome passage that led to an inner court. There were on the four sides of this seven or eight stories pierced by many windows. There was never a lift, or what we Americans call an elevator. If you wanted to go up you walked up; and after dark your single illuminant was candlelight. The service could hardly be recommended, but cleanliness herself could find no fault with the beds and bedding; nor any queer people about; changeless; as still and stationary as a nook in the Rockies.
A young girl might dwell there year in and year out in perfect safety--many young girls did so--madame a kind of duenna. The food--for it was apension--was all a gourmet could desire. And the wine!
I was lunching with an old Parisian friend.
"What do you think of this vintage?" says he.
"Very good," I answered. "Come and dine with me to-morrow and I will give you the mate to it."
"What--at the d'Orient?"
"Yes, at the d'Orient."
"Preposterous!"
Nevertheless, he came. When the wine was poured out he took a sip.
"By ----!" he exclaimed. "That is good, isn't it? I wonder where they got it? And how?"
During the week after we had it every day. Then no more. The headwaiter, with many apologies, explained that he had found those few bottles in a forgotten bin, where they had lain for years, and he begged a thousand pardons of monsieur, but we had drunk them all--rien du plus--no more. I might add that precisely the same thing happened to me at the Hôtel Continental. Indeed, it is not uncommon with the French caravansaries to keep a little extra good wine in stock for those who can distinguish between anordinaireand asupérieur, and are willing to pay the price.
"See Naples and die," say the Italians. "See Paris and live," say the French. Old friends, who have been over and back, have been of late telling me that Paris, having woefully suffered, is nowise the Paris it was, and as the provisional offspring of four years of desolating war I can well believe them. But a year or two of peace, and the city will rise again, as after the Franco-Prussian War and the Commune, which laid upon it a sufficiently blighting hand. In spite of fickle fortune and its many ups and downs it is, and will ever remain, "Paris, the Changeless."
I never saw the town so much itself as just before the beginning of the world war. I took my departure in the early summer of that fateful year and left all things booming--not a sign or trace that there had ever been aught but boundless happiness and prosperity. It is hard, the saying has it, to keep a squirrel on the ground, and surely Paris is the squirrel among cities. The season just ended had been, everybody declared, uncommonly successful from the standpoints alike of the hotels and cafés, the shop folk and their patrons, not to mention the purely pleasure-seeking throng. People seemed loaded with money and giddy to spend it.
The headwaiter at Voisin's told me this: "Mr. Barnes, of New York, ordered a dinner, carte blanche, for twelve.
"'Now,' says he, 'garçon, have everything bang up, and here's seventy-five francs for a starter.'
"The dinner was bang up. Everybody hilarious. Mr. Barnes immensely pleased. When he came to pay his bill, which was a corker, he made no objection.
"'Garçon,' says he, 'if I ask you a question will you tell me the truth?'
"'Oui, monsieur; certainement.'
"Well, how much was the largest tip you ever received?"
"Seventy-five francs, monsieur."
"'Very well; here are 100 francs.'
"Then, after a pause for the waiter to digest his joy and express a proper sense of gratitude and wonder, Mr. Barnes came to time with: 'Do you remember who was the idiot that paid you the seventy-five francs?'
"'Oh, yes, monsieur. It was you.'"
It has occurred to me that of late years--I mean the years immediately before 1914--Paris has been rather more bent upon adapting itself to human and moral as well as scientific progress. There has certainly been less debauchery visible to the naked eye. I was assured that the patronage had so fallen away from the Moulin Rouge that they were planning to turn it into a decent theater. Nor during my sojourn did anybody in my hearing so much as mention the Dead Rat. I doubt whether it is still in existence.
The last time I was in Maxim's--quite a dozen years ago now--a young woman sat next to me whose story could be read in her face. She was a pretty thing not five and twenty, still blooming, with iron-gray hair. It had turned in a night, I was told. She had recently come from Baltimore and knew no more what she was doing or whither she was drifting than a baby. The old, old story: a comfortable home and a good husband; even a child or two; a scoundrel, a scandal, an elopement, and the inevitable desertion. Left without a dollar in the streets of Paris. She was under convoy of a noted procuress.
"A duke or the morgue," she whimpered, "in six months."
Three months sufficed. They dragged all that remained of her out of the Seine, and then the whole of the pitiful disgrace and tragedy came out.
If ever I indite a volume to be entitled Adventures in Paris it will contain not a line to feed any prurient fancy, but will embrace the record of many little journeys between the Coiffeur and the Marché des Fleurs, with maybe an excursion among the cemeteries and the restaurants.
Each city is as one makes it for himself. Paris has contributed greatly to my appreciation, and perhaps my knowledge, of history and literature and art and life. I have seen it in all its aspects; under the empire, when the Due de Morny was king of the Bourse and Mexico was to make every Frenchman rich; after the commune and the siege, when the Hôtel de Ville was in ruins, the palace of the Tuileries still aflame, the column gone from the Place Vendôme, and everything a blight and waste; and I have marked it rise from its ashes, grandly, proudly, and like a queen come to her own again, resume its primacy as the only complete metropolis in all the universe.
There is no denying it. No city can approach Paris in structural unity and regality, in things brilliant and beautiful, in buoyancy, variety, charm and creature comfort. Drunkenness, of the kind familiar to London and New York, is invisible to Paris. The brandy and absinthe habit has been greatly exaggerated. In truth, everywhere in Europe the use of intoxicants is on the decline. They are, for the first time in France, stimulated partly by the alarming adulteration of French wines, rigorously applying and enforcing the pure-food laws.
As a consequence, there is a palpable and decided improvement of the vintage of the Garonne and the Champagne country. One may get a good glass of wine now without impoverishing himself. As men drink wine, and as the wine is pure, they fall away from stronger drink. I have always considered, with Jefferson, the brewery in America an excellent temperance society. That which works otherwise is the dive which too often the brewery fathers. They are drinking more beer in France--even making a fairly good beer. And then--
But gracious, this is getting upon things controversial, and if there is anything in this world that I do hybominate, it is controversy!
Few of the wondrous changes which the Age of Miracles has wrought in my day and generation exceeded those of ocean travel. The modern liner is but a moving palace. Between the ports of the Old World and the ports of the new the transit is so uneventful as to grow monotonous. There are no more adventures on the high seas. The ocean is a thoroughfare, the crossing a ferry. My experience forty years ago upon one of the ancient tubs which have been supplanted by these liners would make queer reading to the latter-day tourist, taking, let us say, any one of the steamers of any one of the leading transatlantic companies. The difference in the appointments of the William Penn of 1865 and the star boats of 1914 is indescribable. It seems a fairy tale to think of a palm garden where the ladies dress for dinner, a Hungarian band which plays for them whilst they dine, and a sky parlor where they go after dinner for their coffee and what not; a tea-room for the five-o'clockers; and except in excessive weather scarcely any motion at all. It is this palm garden which most appeals to a certain lady of my very intimate acquaintance who had made many crossings and never gone to her meals--sick from shore to shore--until the gods ordained for her a watery, winery, flowery paradise--where the billows ceased from troubling and a woman could appear at her best. Since then she has sailed many times, lodged à la Waldorf-Astoria to eat her victuals and sip her wine with perfect contentment. Coming ashore from our last crossing a friend found her in the Red Room of that hostel just as she had been sitting the evening before on shipboard.
"Seems hardly any motion at all," she said, looking about her and fancying herself still at sea, as well she might.