The girls now turned their attention to their neglected apples, varying this more serious business with comments on the story that had just been related.
Jessica: I should be glad to know, Jane, what you make of this matter.
Jane: Indeed, Jessica, it is difficult to make anything at all of matter so bewildering. For who could have divined reality to be the illusion and dreams the truth? so that by the light of their dreams the lovers in this tale mistook each other for that which they were not.
Martin: Who indeed, Mistress Jane, save students of human nature like yourselves?—who have doubtless long ago observed how men and women begin by filling a dim dream with a golden thing, such as youth, and end by putting a shining dream into a gray thing, such as age. And in the end it is all one, and lovers will see to the last in each other that which they loved at the first, since things are only what we dream them to be, as you have of course also observed.
Joscelyn: We have observed nothing of the sort, and if we dreamed at all we would dream of things exactly as they are, and never dream of mistaking age for youth. But we do not dream. Women are not given to dreams.
Martin: They are the fortunate sex. Men are such incurable dreamers that they even dream women to be worse preys of the delusive habit than themselves. But I trust you found my story sufficiently wide-awake to keep you so.
Joscelyn: It did not make me yawn. Is this mill still to be found on the Sidlesham marshes?
Martin: It is where it was. But what sort of gold it grinds now, whether corn or dreams, or nothing, I cannot say. Yet such is the power of what has been that I think, were the stones set in motion, any right listener might hear what Helen and Peter once heard, and even more; for they would hear the tale of those lovers' journeys over the changing waters, and their return time and again to the unchanging plot of earth that kept their secrets. Until in the end they were together delivered up to the millstones which thresh the immortal grain from its mortal husk. But this was after long years of gladness and a life kept young by the child which each was always re-discovering in the other's heart.
Jennifer: Oh, I am glad they were glad. Do you know, I had begun to think they would not be.
Jessica: It was exactly so with me. For suppose Peter had never returned, or when he did she had found him dead in the tree?
Jane: And even after he returned and recovered, how nearly they were removed from ever understanding each other!
Joan: Oh, no, Jane! once they came together there could be no doubt of the understanding. As soon as Peter came back, I felt sure it would be all right.
Joyce: And I too, all along, was convinced the tale must end happily.
Martin: Strange! so was I. For Love, in his daily labors, is as swift in averting the nature of perils as he is deft in diverting the causes of misunderstanding. I know in fact of but one thing that would have foiled him.
Four of the Milkmaids: What then?
Martin: Had Helen not been given to dreams.
Not a word was said in the Apple-Orchard.
Joscelyn: It would have done her no harm had she not been, singer. Nor would your story have suffered, being, like all stories, a thing as important as thistledown. In either event, though Peter had perished, or misunderstood her for ever, it would not have concerned me a whit. Or even in both events.
Jessica: Nor me.
Jane: Nor me.
Martin: Then farewell my story. A thing as important as thistledown is as unimportantly dismissed. And yonder in heaven the moon sulks at us through a cloud with a quarter of her eye, reproaching us for our peace-destroying chatter. It destroys our own no less than hers. To dream is forbidden, but at least let us sleep.
One by one the milkmaids settled in the grass and covered their faces with their hands, and went to sleep. But Jennifer remained where she was. She sat with downcast eyes, softly drawing the grassblade through and through her fingers, and the swing swayed a little like a branch moving in an imperceptible wind, and her breast heaved a little as though stirred with inaudible sighs. She sat so long like that that Martin knew she had forgotten he was beside her, and he quietly put out his hand to draw the grassblade from hers. But before he had even touched it he felt something fall upon his palm that was not rain or dew.
"Dear Mistress Jennifer," said Martin gently, "why do you weep?"
She shook her head, since there are times when the voice plays a girl false, and will not serve her.
"Is it," said Martin, "because the grass is not green enough?"
She nodded.
"Pray let me judge," entreated Martin, and took the grassblade from her fingers. Whereupon she put her face into her two hands, whispering:
"Master Pippin, Master Pippin, oh, Master Pippin."
"Let me judge," said Martin again, but in a whisper too.
Then Jennifer took her hands from her wet face, and looked at him with her wet eyes, and said with great braveness and much faltering:
"I will be nineteen in November."
At this Martin looked very grave, and he got down from the tree and walked to the end of the orchard full of thought. But when he turned there he found that she had stolen after him, and was standing near him hanging her head, yet watching him with deep anxiety.
Jennifer: It is t-t-too old, isn't it?
Martin: Too old for what?
Jennifer: I—I—I don't know.
Martin: It is, of course, extremely old. There are things you will never be able to do again, because you are so old.
Jennifer sobbed.
Martin: You are too old to be rocked in a cradle. You are too old to write pothooks and hangers, and too old, alas, to steal pickles and jam when the house is abed. Yet there are still a few things you might do if—
Jennifer: Oh, if?
Martin: If you could find a friend as old as yourself, or even a little older, to help you.
Jennifer: But think how old h—h—h— the friend would have to be.
Martin: What would that matter? For all grass is green enough if it not near grass that looks greener.
Jennifer: Oh, is this true?
Martin: It is indeed. And I believe too that were your friend's hair red enough, and your friend's freckled nose snub enough, since youth resides long in these qualities, you might even, with such a companion, begin once more to steal pickles and jam by night, to learn your pothooks and hangers, and even in time to be rocked asleep by a cradle.
Jennifer: D-d-dear Master Pippin.
Martin: They look quite green, don't they?
And he laid the two blades side by side on her palm, and Jennifer, whose voice once more would not serve her, nodded and put the two blades in her pocket. Then Martin took out his handkerchief and very carefully dried her eyes and cheeks, saying as he did so, "Now that I have explained this to your satisfaction, won't you, please, explain something to mine?"
Jennifer: I will if I can.
Martin: Then explain what it is you have against men.
Jennifer: I don't know how to tell you, it is so terrible.
Martin: I will try to bear it.
Jennifer: They say women cannot—cannot—
Martin: Cannot?
Jennifer: Keep secrets!
Martin: Men say so?
Jennifer: Yes!
Martin: MEN say so?
Jennifer: They do, they do!
Martin: Men! Oh, Jupiter! if this were true—but it is not—these men would be blabbing the greatest of secrets in saying so. If I had a secret—but I have not—do you think I would trust it to a man? Not I! What does a man do with a secret? Forgets it, throws it behind him into some empty chamber of his brain and lets the cobwebs smother it! buries it in some deserted corner of his heart, and lets the weeds grow over it! Is this keeping a secret? Would you keep a garden or a baby so? I will a thousand times sooner give my secret to a woman. She will tend it and cherish it, laugh and cry with it, dress it in a new dress every day and dandle it in the world's eye for joy and pride in it—nay, she will bid the whole world come into her nursery to admire the pretty secret she keeps so well. And under her charge a little secret will grow into a big one, with a hundred charms and additions it had not when I confided it to her, so that I shall hardly know it again when I ask for it: so beautiful, so important, so mysterious will it have become in the woman's care. Oh, believe me, Mistress Jennifer, it is women who keep secrets and men who neglect them.
Jennifer: If I had only thought of these things to say! But I am not clever at argument like men.
Martin: I suspect these clever arguers. They can always find the right thing to say, even if they are in the wrong. Women are not to be blamed for washing their hands of them for ever.
Jennifer: I know. Yet I cannot help wondering who bakes them gingerbread for Sunday.
Martin: Let them go without. They do not deserve gingerbread.
Jennifer: I know, I know. But they like it so much. And it is nice making it, too.
Martin: Then I suppose it will have to be made till the last of Sundays. What a bother it all is.
Jennifer: I know. Good night, dear Master Pippin.
Martin: Dear milkmaid, good night. There lie your fellows, careless of the color of the grass they lie on, and of the years that lie on them. They have forsworn the baking of cakes, the eating of which begets dreams, to which women are not given. Go lie with them, and be if you can as careless and dreamless as they are.
And then, seeing the tears refilling her eyes, he hastily pulled out his handkerchief again and wiped them as they fell, saying, "But if you cannot—if you cannot (don't cry so fast!)—if you cannot, then give me your key (dear Jennifer, please dry up!) to Gillian's Well-House, because you were glad that my tale ended gladly, and also because all lovers, no matter of what age, are green enough, and chiefly because my handkerchief's sopping."
Then Jennifer caught his hands in hers and whispered, "Oh, Martin! are they? ALL lovers?—are they green enough?"
"God help them, yes!" said Martin Pippin.
She dropped his hands, leaving her key in them, and looked up at him with wet lashes, but happiness behind them. So he stooped and kissed the last tears from her eyes. Since his handkerchief had become quite useless for the purpose.
And she stole back to her place, and he lay down in his, and Jennifer dreamed that she was baking gingerbread, and Martin that he was eating it.
"Maids! maids! maids!"
It was Old Gillman on the heels of dawn.
"A pest on him and all farmers," groaned Martin, "who would harvest men's slumbers as soon as they're sown."
"Get into hiding!" commanded Joscelyn.
"I will not budge," said Martin. "I am going to sleep again. For at that moment I had a lion in one hand and a unicorn in the other—"
"WILL you conceal yourself!" whispered Joscelyn, with as much fury as a whisper can compass.
"And the lion had comfits in his crown, and the unicorn a gilded horn. And both were so sticky and spicy and sweet—"
Joscelyn flung herself upon her knees before him, spreading her yellow skirts which barely concealed him, as Old Gillman thrust his head through the hawthorn gap.
"Good morrow, maids," he grunted.
"—that I knew not, dear Mistress Joscelyn," murmured Martin, "which to bite first."
"Good morrow, master!" cried the milkmaids loudly; and they fluttered their petticoats like sunshine between the man at the hedge and the man in the grass.
"Is my daughter any merrier this morning?"
"No, master," said Jennifer, "yet I think I see smiles on their way."
"If they lag much longer," muttered the farmer, "they'll be on the wrong side of her mouth when they do come. For what sort of a home will she return to?—a pothouse! and what sort of a father?—a drunkard! And the fault's hers that deprives him of the drink he loved in his sober days. Gillian!" he exclaimed, "when will ye give up this child's whim to learn by experience, and take an old man's word for it?"
But Gillian was as deaf to him as to the cock crowing in the barnyard.
"Come fetch your portion," said Old Gillman to the milkmaids, "since there's no help for it. And good day to ye, and a better morrow."
"Wait a bit, master!" entreated Jennifer, "and tell me if Daisy, my Lincoln Red, lacks for anything."
"For nothing that Tom can help her to, maid. But she lacks you, and lacking you, her milk. So that being a cow she may be said to lack everything. And so do I, and the men, and the farm—ruin's our portion, nothing but rack and ruin."
Saying which he departed.
"To breakfast," said Martin cheerfully.
"Suppose you'd been seen," scolded Joscelyn.
"Then our tales would have been at an end," said Martin. "Would this have distressed you?"
"The sooner they're ended the better," said Joscelyn, "if you can do nothing but babble of sticky unicorns."
"It was fresh from the oven," explained Martin meekly. "I wish we could have gingerbread for breakfast instead of bread."
"Do not be sure," said Joscelyn severely, "that you will get even bread."
"I am in your hands," said Martin, "but please be kinder to the ducks."
Joscelyn, all of a fluster, then put new bread in the place of Gillian's old; but her annoyance was turned to pleasure when she discovered that the little round top of yesterday's loaf had entirely disappeared.
"Upon my word!" cried she, "the cure is taking effect."
"I believe you are right," said Martin. "How sorry the ducks will be."
They quickly fed the ducks, and then themselves; and Martin received his usual share, Joscelyn having so far relented that she even advised him as to the best tree for apples in the whole orchard.
After breakfast Martin found six pair of eyes fixed so earnestly upon him that he began to laugh.
"Why do you laugh?" asked little Joan.
"Because of my thoughts," said he. So she took a new penny from her pocket and gave it to him.
"I was thinking," said Martin, "how strange it is that girls are all so exactly alike."
"Oh!" cried six different voices in a single key of indignation.
"What a fib!" said Joyce. "I am like nobody but me."
"Nor am!" cried all the others in a breath.
"Yet a moment ago," said Martin, "you, Mistress Joyce, were wondering with all your might what diversion I had hit upon for this morning. And so were Jane and Jessica and Jennifer and Joan and Joscelyn."
"I was NOT!" cried six voices at once.
"What, none of you?" said Martin. "Did I not say so?"
And they were very provoked, not knowing what to answer for fear it might be on the tip of her neighbor's tongue. So they said nothing at all, and with one accord tossed their heads and turned their backs on him. And Martin laughed, leaving them to guess why. On which, greatly put out, every girl without even consulting one another they decided to have nothing further to do with him, and each girl went and sat under a different apple-tree and began to do her hair.
"Heigho!" said Martin. "Then this morning I must divert myself." And he began to spin his golden penny in the sun, sometimes spinning it very dexterously from his elbow and never letting it fall. But the girls wouldn't look, or if they did, it was through stray bits of their hair; when they could not be suspected of looking.
"I shall certainly lose this penny," communed Martin with himself, quite audibly, "if somebody does not lend me a purse to keep it in." But nobody offered him one, so he plucked a blade of Shepherd's Purse from the grass, soliloquizing, "Now had I been a shepherd, or had the shepherd's name been Martin, here was my purse to my hand. And then, having saved my riches I might have got married. Yet I never was a shepherd, nor ever knew a shepherd of my name; and a penny is in any case a great deal too much money for a man to marry on, be he a shepherd or no. For it is always best to marry on next-to-nothing, from which a penny is three times removed."
Then he went on spinning his penny in the air again, humming to himself a song of no value, which, so far as the girls could tell for the hair over their ears, went as follows:
If I should be so luckyAs a farthing for to find.I wouldn't spend the farthingAccording to my mind,But I'd beat it and I'd bend itAnd I'd break it into two,And give one half to a ShepherdAnd the other half to you.And as for both your fortunes,I'd wish you nothing worseThan that YOUR half and HIS halfShould lie in the Shepherd's Purse.
At the end of the song he spun the penny so high that it fell into the Well-House; and endeavoring to catch it he flung the spire of wild-flower after it, and so lost both. And nobody took the least notice of his song or his loss.
Then Martin said, "Who cares?" and took a new clay pipe and a little packet from his pocket; and he wandered about the orchard till he had found an old tin pannikin, and he scooped up some water from the duckpond and made a lather in it with the soap in the packet, and sat on the gate and blew bubbles. The first bubble in the pipe was always crystal, and sometimes had a jewel hanging from it which made it fall to the earth; and the second was tinged with color, and the third gleamed like sunset, or like peacocks' wings, or rainbows, or opals. All the colors of earth and heaven chased each other on their surfaces in all the swift and changing shapes that tobacco smoke plays at on the air; but of all their colors they take the deepest glow of one or two, and now Martin would blow a world of flame and orange through the trees, or one of blue and gold, or another of green and rose. And, as he might have watched his dreams, he watched the bubbles float away; and break. But one of the loveliest at last sailed over the Well-House and between the ropes of the swing and among the fruit-laden boughs, miraculously escaping all perils; and over the hedge, where a small wind bore it up and up out of sight. And Martin, who had been looking after it with a rapt gaze, sighed, "Oh!" And six other "Ohs!" echoed his. Then he looked up and saw the six milkmaids standing quite close to him, full of hesitation and longing. So he took six more pipes from his pockets, and soon the air was glistening with bubbles, big and little. Sometimes they blew the bubbles very quickly, shaking the tiny globes as fast as they could from the bowl, till the air was filled with a treasure of opals and diamonds and moonstones and pearls, as though the king of the east had emptied his casket there. And sometimes they blew steadily and with care, endeavoring to create the best and biggest bubble of all; but generally they blew an instant too long, and the bubble burst before it left the pipe. Whenever a great sphere was launched the blower cried in ecstasy, "Oh, look at mine!" and her comrades, merely glancing, cried in equal ecstasy, "Yes, but see mine!" And each had a moment's delight in the others' bubbles, but everlasting joy in her own, and was secretly certain that of all the bubbles hers were the biggest and brightest. The biggest and brightest of all was really blown by little Joan: as Martin, in a whisper, assured her. He whispered the same thing, however, to each of her friends, and for one truth told five lies. Sometimes they played together, taking their bubbles delicately from one pipe to another, and sometimes blew their bubbles side by side till they united, and made their venture into the world like man and wife. And often they put all their pipes at once into the pannikin, and blew in the water, rearing a great palace of crystal hemispheres, that rose until it hit their chins and cheeks and the tips of their noses, and broke on them, leaving on their fair skin a trace of glistening foam. And as the six laughing faces bent over the pannikin on his knees, Martin observed that Joscelyn's hair was coiled like two great lovely roses over her ears, and that Joyce's was in clusters of ringlets, and that Jane's was folded close and smooth and shining round her small head, and that Jessica's was tucked under like a boy's, while Jennifer's lay in a soft knot on her neck. But little Joan's was hanging still in its plaits over her shoulders, and one thick plait was half undone, and the loose hair got in her own and everybody's way, and was such a nuisance that Martin was obliged at last to gather it in his hand and hold it aside for the sake of the bubble-blowers. And when they lifted their heads he was looking at them so gravely that Joyce laughed, and Jessica's eyes were a question, and Jane looked demure, and Jennifer astonished, and Joscelyn extremely composed and indifferent. And little Joan blushed. To cover her blushing she offered him another penny.
"I was thinking," said Martin, "how strange it is that girls are so absolutely different."
Then six demure shadows appeared at the very corners of their mouths, and they rose from their knees and said with one accord, "It must be dinner-time." And it was.
"Bread is a good thing," said Martin, twirling a buttercup as he swallowed his last crumb, "but I also like butter. Do not you, Mistress Joscelyn?"
"It depends on who makes it," said she. "There is butter and butter."
"I believe," said Martin, "that you do not like butter at all."
"I do not like other people's butter," said Joscelyn.
"Let us be sure," said Martin. And he twirled his buttercup under her chin. "Fie, Mistress Joscelyn!" he cried. "What a golden chin! I never saw any one so fond of butter in all my days."
"Is it very gold?" asked Joscelyn, and ran to the duckpond to look, but couldn't see because she was on the wrong side of the gate.
"Do I like butter?" cried Jessica.
"Do I?" cried Jennifer.
"Do I?" cried Joyce.
"Do I?" cried Jane.
"Oh, do I?" cried Joan.
"We'll soon find out," said Martin, and put buttercups under all their chins, turn by turn. And they all liked butter exceedingly.
"Do YOU like butter, Master Pippin?" asked little Joan.
"Try me," said he.
And six buttercups were simultaneously presented to his chin, and it was discovered that he liked butter the best of them all.
Then every girl had to prove it on every other girl, and again on Martin one at a time, and he on them again. And in this delicious pastime the afternoon wore by, and evening fell, and they came golden-chinned to dinner.
Supper was scarcely ended—indeed, her mouth was still full—when Jessica, looking straight at Martin, said, "I'm dying to swing."
"I never saved a lady's life easier," said Martin; and in one moment she found herself where she wished to be, and in the next saw him close beside her on the apple-bough. The five other girls went to their own branches as naturally as hens to the roost. Joscelyn inspected them like a captain marshalling his men, and when each was armed with an apple she said:
"We are ready now, Master Pippin."
"I wish I were too," said he, "but my tale has taken a fit of the shivers on the threshold, like an unexpected guest who doubts his welcome."
"Are we not all bidding it in?" said Joscelyn impatiently.
"Yes, like sweet daughters of the house," said Martin. "But what of the mistress?" And he looked across at Gillian by the well, but she looked only into the grass and her thoughts.
"Let the daughters do to begin with," said Joscelyn, "and make it your business to stay till the mistress shall appear."
"That might be to outstay my welcome," said Martin, "and then her appearance would be my discomfiture. For a hostess has, according to her guests, as many kinds of face as a wildflower, according to its counties, names."
"Some kinds have only one name," said Jessica, plucking a stalk crowned with flowers as fine as spray. "What would you call this but Cow Parsley?"
"If I were in Anglia," said Martin, "I would call it Queen's Lace."
"That's a pretty name," said Jessica.
"Pretty enough to sing about," said Martin; and looking carelessly at the Well-House he thrummed his lute and sang—
The Queen netted laceOn the first April day,The Queen wore her laceIn the first week of May,The Queen soiled her laceEre May was out again,So the Queen washed her laceIn the first June rain.The Queen bleached her laceOn the first of July,She spread it in the orchardAnd left it there to dry,But on the first of AugustIt wasn't in its placeBecause my sweetheart picked it upAnd hung it o'er her face.She laughed at me, she blushed at me,With such a pretty graceThat I kissed her in SeptemberThrough the Queen's own lace.
At the end of the song Gillian sat up in the grass, and looked with all her heart over the duckpond.
Joscelyn: I find your songs singularly lacking in point, singer.
Martin: You surprise me, Mistress Joscelyn. The kiss was the point.
Joscelyn: It is like you to think so. It is just like you to think a—a—a—
Martin: —kiss—
Joscelyn: Sufficient conclusion to any circumstances.
Martin: Isn't it?
Joscelyn: My goodness! You might as soon ask, is a peardrop sufficient for a body's dinner.
Martin: It would suffice me. I love peardrops. But then I am a man. Women doubtless need more substance, being in themselves more insubstantial. Now as to your quarrel with my song—
Joscelyn: It is of no consequence. You raise expectations which you do not fulfill. But it is not of the least consequence.
Martin: Dear Mistress Joscelyn, my only desire is to please you. We will not conclude on a kiss. You shall fulfill your own expectations.
Joscelyn: Mine?—I have no expectations whatever.
Martin: But I have disappointed you. What shall I do with my sweetheart? Shall she be whipped for her theft? Shall she be shut in a dungeon? Shall she be thrown before elephants? Choose your conclusion.
Joan: But, Master Pippin!—why must the poor sweetheart be punished? I am sure Joscelyn never wished her to be punished. There are other conclusions.
Martin: Dunderhead that I am, I can't think of any! What, Mistress Joscelyn, was the conclusion you expected?
Joscelyn: I tell you, I expected none!
Joan: Why, Master Pippin! I should have fancied that, seeing the dear sweetheart had hung the veil over her face, she might—
Martin: Yes?
Joan: Be expected—
Martin: Yes!
Joan: To be about to be—
Joscelyn: I am sick to death of this silly sweetheart. And since our mistress appears to be listening with both her ears, it would be more to the point to begin whatever story you propose to relate to-night, and be done with it.
Martin: You are always right. Therefore add your ears to hers, while I tell you the tale of Open Winkins.
There were once, dear maidens, five lords in the east of Sussex, who owned between them a single Burgh; for they were brothers. Their names were Lionel and Hugh and Heriot and Ambrose and Hobb. Lionel was ten years of age and Hobb was twenty-two, there being exactly three years all but a month between the birthdays of the brothers. And Lionel had a merry spirit, and Hugh great courage and daring, and Heriot had beauty past any man's share, and Ambrose had a wise mind; but Hobb had nothing at all for the world's praise, for he only had a loving heart, which he spent upon his brothers and his garden. And since love begets love, they all loved him dearly, and leaned heavily on his affection, though neither they nor any man looked up to him because he was a lord. Although he was the eldest, and in his quiet way administered the affairs of the Burgh and of the people of Alfriston under the Burgh, it was Ambrose who was always thinking of new schemes for improvement, and Heriot who undertook the festivities. As for the younger boys, they kept the old place alive with their youth and spirits; and it was evident that later on Hugh would win honor to the Burgh in battle and adventure, and Lionel would draw the world thither with his charm. But Hobb, to whom they all brought their shapeless dreams white-hot, since sympathy helps us to create bodies for the things which begin their existence as souls—Hobb differed from the four others not only in his name, but in his plain appearance and simple tastes. And all these things, as well as his tender heart, he got from his mother, who was the only daughter of a gardener of Alfriston. The gardener, to whom she was the very apple of his eye, had kept her privately in a place on a hill, fearing lest in her youth and inexperience she should fall to the lot of some man not worthy of her; for her knew, or believed, that a young girl of her sweetness and tenderness and devotedness of disposition would by her sweetness attract a lover too early, and by her tenderness respond to him too readily, and by her devotedness follow him too blindly, before she had time to know herself or men. And he also knew, or believed, that first love is as often a will-o'-the-wisp as the star for which all young things take it. Five days in the week he tended the gardens of Alfriston, the sixth he gave to the Lord of the Burgh that lay among the hills, and the seventh he kept for his daughter on the hill a few miles distant, which was afterwards known as Hobb's Hawth. She on her part spent her week in endeavoring to grow a perfect rose of a certain golden species, and her heart was given wholly to her father and her flower. And he watched her efforts with interest and advice, and for the first she thanked him but of the second took no heed. "For," said she, "this is MY garden, father, and MY rose, and I will grow it in my own way or not at all. Have you not had a lifetime of gardens and roses which you have brought to perfection? And would you let any man take your own upon his shoulders, even your own mistakes, and shoulder at last the praise after the blame?" Then Hobb, her father, laughed at her indulgently and said, "Nay, not any man; yet once I let a woman, and without her aid I would never have brought my rarest and dearest flower to perfection. So if I should let a woman help me, why not you a man?" "Was the woman your mother?" said she. And her father was silent. Then a day came when he trudged up and down the hills from Alfriston, and standing at the gate of her garden saw his child in the arms of a stranger; and her face, as it lay against his heart, seemed to her father also to be the face of a stranger, and not of his child. He recognized in the stranger the Lord of the Burgh. And he saw that what he had feared had come to pass, and that his daughter's heart would be no more divided between her father and her flower, for it was given whole to the lover who had first assailed it. Hobb came into the garden, and they looked up as the gate clicked, and their faces grew as red as though one had caught the reflection from the other. But both looked straight into his eyes. And his daughter, pointing to her bush, said, "Father, my rose is grown at last," and he saw that the bush was crowned with a glorious golden bloom, perfect in every detail. Then it was the turn of the Lord of the Burgh, and he said, "Sir, I ask leave to rob your garden of its rose." "Do robbers ask leave?" said Hobb. And he shook his head, adding, "Nay, when the thief and the theft are in collusion, what say is left to the owner of the treasure? Yet I do not like this. Sir, have you considered that she is a gardener's child? Daughter, have you considered that he is a lord?" And neither of them had considered these questions, and they did not propose to do so. Then Hobb shook his head again and said, "I will not waste words. I know when a plant can drink no more water. And though you pretend to ask my leave, I know that you are prepared to dispense with it. But by way of consent I will say this: whatever you may call your other sons, you shall call your first Hobb, to remind you to-morrow of what you will not consider to-day. For my daughter, when she is a lord's wife, will none the less still be a gardener's daughter, and your children will be grafted of two stocks. And if this seems to you a hard condition, then kiss and bid farewell." And they both laughed with joy at the lightness of the condition; but the gardener did not laugh. And so the Lord of the Burgh married the gardener's daughter, and they called their first son Hobb. He was born on a first of August, and thirty-five months later Ambrose was born on the first of July, and in due course Heriot in June, and Hugh in May, and Lionel in April. And the Lord, loving his sons equally, made them equal possessors of the Burgh when in time it should pass out of his hands. Which, since men are mortal, presently came to pass, and there were five lords instead of one.
It happened on a roaring night of March, when the wind was blustering over the barren ocean of the east Downs, and Lionel was still a boy of ten, but soon to be eleven, that the five brothers sat clustered about the great hearth in the hall, roasting apples and talking of this and that. But their talk was fitful, and had long pauses in which they listened to the gusty night, which had so much more to say than they. And after one of the silences Lionel shuddered slightly, and drawing his little stool close to Hobb he said:
"It sounds like witches." Hobb put his big hand round the child's head and face, and Lionel pressed his cheek against his brother's knee.
"Or lions," said Hugh, jumping up and running to the window, where he flattened his nose to stare into the night. "I wish it were lions coming over the Downs."
"What would you do with them?" said Hobb, smiling broadly.
"Fight them," said Hugh, "and chain them up. I should like to have lions instead of dogs—a red lion and a white one."
"I never heard tell of lions of those colors," said Hobb. "But perhaps Ambrose has with all his reading."
"Not I," said Ambrose, "but I haven't read half the books yet. The wind still knows more than I, and it may be that he knows where red and white lions are to be found. For he knows everything."
"And has seen everything," murmured Heriot, watching a lovely flame of blue and green that flickered among the red and gold on the hearth.
"And has been everywhere," muttered Hugh. "If I could find and catch him, I'd ask him for a red and a white lion."
"I'd rather have peacocks," said Heriot, his eyes on the fire.
"What would you choose, Ambrose?" asked Hobb.
"Nothing," said he, "but it's the hardest of all things to have, and I doubt if I'd get it. But what business have we to be choosing presents? That is Lionel's right before ours, for isn't his birthday next month? What will you ask of the wind for your birthday, Lal?"
Then Lionel, who was getting very drowsy, smiled a sleepy smile, and said, "I'd like a farm of my own in the Downs, a very little farm with pink pigs and black cocks and white donkeys and chestnut horses no bigger than grasshoppers and mice, and a very little well as big as my mug to draw up my water from, and a little green paddock the size of my pocket-handkerchief, and another of yellow corn, and another of crimson trefoil. And I would have a blue farm-wagon no larger than Hobb's shoe, and a haystack half as big as a seed-cake, and a duckpond that I could cover with my platter. And I'd live there and play with it all day long, if only I knew where the wind lives, and could ask him how to get it."
"Don't start till to-morrow," jested Ambrose, "to-night you're too sleepy to find the way."
Then he turned to his book, and Hugh was still at the window, and Heriot gazing into the fire. And as he felt the child's head droop in his hand, Hobb picked him up in his arms and carried him to bed. And he alone of all those brothers had made no choice, nor had they thought to ask him, so accustomed were they to see him jog along without the desires that lead men to their goals—such as Ambrose's thirst for knowledge, and Heriot's passion for beauty, and Hugh's lust for adventure, and Lionel's pursuit of delight. And yet, unknown to them all, he had a heartfelt wish, which, among other things, he had inherited from his mother. For on a height west of the Burgh he had made a garden where, like her, he labored to produce a perfect golden rose. But so far luck was against him, though his height, which was therefore spoken of as the Gardener's Hill, bloomed with the loveliest flowers of all sorts imaginable. But year by year his rose was attacked by a special pest, the nature of which he had not succeeded in discovering. Yet his patience was inexhaustible, and his brothers who sometimes came to his garden when they needed a listener for their achieved or unachieved ambitions, never suspected that he too had an ambition he had not realized, for they saw only a lovely garden of his creating, where wisdom, beauty, adventure, and delight were made equally welcome by the gardener.
Now on the March day following the night of the brothers' windy talk—
(But suddenly Martin, with a nimble movement, stood upright on his bough, and grasping that to which the swing was attached, shook it with such frenzy that a tempest seemed to pass through the tree, and the girls shrieked and clung to the trunk, and leaves and apples flew in all directions; and Jessica, between clutching at her ropes, and letting go to ward off the cannonade of fruit, gasped in a tumult of laughter and indignation.
Jessica: Have you gone mad, Master Pippin? have you gone mad?
Martin: Mad, Mistress Jessica, stark staring mad! March hares are pet rabbits to me!
Jessica: Sit down this instant! do you hear? this instant! That's better. What fun it was! Aha, you thought you could shake me off, but you didn't. Are you still mad?
Martin: Melancholy mad, since you will not let me rave.
Jessica: You are the less dangerous. But I hate you to be melancholy.
Martin: It is no one's fault but yours. How can I be jolly when my story upsets you?
Jessica: How do you know it upsets me?
Martin: You put out your tongue at me.
Jessica: Did I?
Martin: Yes, without reason. So what could I do but whistle mine to the winds?
Jessica: You were too hasty, for I had my reason.
Martin: If it was a good one I'll whistle mine back again.
Jessica: It was this. That no man in a love-tale should be wiser or braver or more beautiful or more happy than the hero; or how can he be the hero? Yet I am sure Hobb is the hero and none of the others, because he is the only one old enough to be married.
Martin: Ambrose in nineteen, and will very soon be twenty.
Jessica: What's nineteen, or even twenty, in a man? Fie! a man's not a man till he comes of age, and the hero's not Ambrose for all his wisdom, though wisdom becomes a hero. Nor Heriot for all his beauty, though a hero should be beautiful. Nor Hugh, who will one day be brave enough for any hero, though now he's but a boy. Nor the happy Lionel, who is only a child—yet I love a gay hero. It's none of these, full though they be of the qualities of heroes. And here is your Hobb with nothing to show but a fondness for roses.
Martin: You deserve to be stood in a corner for that nothing, Mistress Jessica. Your reason was such a bad one that I see I must return to sense if only to teach you a little of it. Did I not say Hobb had a loving heart?
Jessica: But he was plain and simple and patient and contented. Are these things for a hero?
Martin: Mistress Jessica, I will ask you a riddle. What is it—? Oh, but first, I take it you love apple-trees?
Jessica: Who doesn't?
Martin: What is it, then, you love in an apple-tree? Is it the dancing of the leaves in the wind? Is it the boldness of the boughs? Or perhaps the loveliness of the flower in spring? Or again the fruit that ripens of the flower amongst the leaves on the boughs? What is it you love in an apple-tree?
Jessica: All riddles are traps. I must consider before I answer.
Martin: You shall consider until the conclusion of my story, and not till you are satisfied that many things can be contained in one, will I require your solution. And as for traps, it is always the solver of riddles who lays his own trap, by looking all round the question and never straight at it. Put on your thinking-cap, I beg, while I go on babbling.)