[A]
The poem "Doughnutting Time," from "Boys and Girls," published by E.P. Dutton, by permission of the author, James W. Foley.
The poem "Doughnutting Time," from "Boys and Girls," published by E.P. Dutton, by permission of the author, James W. Foley.
The Professor's wife gave Mary what she called her most useful recipe. She said, "Mary, this recipe was almost invaluable to me when I was a young housekeeper and the strictest economy was necessary. Sift into a bowl, one cup of flour, one even teaspoonful of baking powder (I use other baking powders occasionally, but prefer 'Royal'), then cut through the flour either one tablespoonful of butter or lard, add a pinch of salt, and mix into a soft dough with about one-half cup of sweet milk. Mix doughquickly and lightly, handling as little as possible. Drop large spoonfuls of the batter in muffin pans and bake in a quick oven for tea biscuits; or, sift flour thickly over the bread board, turn out the dough, roll several times in the flour, give one quick turn with the rolling-pin to flatten out dough, and cut out with small cake cutter, (I prefer using a small, empty tin, ½ pound baking powder can, to cut out cakes.) Place close together in an agate pan and bake, or bake in one cake in a pie tin and for shortcake; or place spoonfuls of the dough over veal or beef stew and potatoes or stewed chicken, and cook, closely covered, about fifteen minutes. Of course, you will have sufficient water in the stew pan to prevent its boiling away before the pot-pie dumplings are cooked, and, of course, you know, Mary, the meat and potatoes must be almost ready to serve when this dough is added. Then I frequently add one teaspoonful of sugar to the batter and place spoonfuls over either freshly stewed or canned sour cherries, plums, rhubarb or apples. In fact, any tart fruit may be used, and steam, closely covered, or place large tablespoonful of any fruit, either canned or stewed, in small custard cups, place tablespoonfuls of batter on top and steam or bake, and serve with either some of the stewed fruit and fruit juice, sugar and cream, or any sauce preferred."
"The varieties of puddings which may be evolved from this one formula," continued the Professor's wife, "are endless, and, Mary, I should advise you to make a note of it. This quantity of flour will make enough to serve two at a meal, and the proportions may be easily doubled if you wish to serve a large family."
"Then, Mary, I have a recipe taken from the 'Farmers' Bulletin' for dumplings, which I think fine. You must try it some time. Your Aunt Sarah thinks them 'dreadfully extravagant.' They call for four teaspoonfuls of baking powder to two cups of flour, but they are perfect puff balls, and this is such a fast age, why not use more baking powder if an advantage? I am always ready to try anything new I hear about."
"Yes," replied Mary, "I just love to try new recipes, I will experiment with the dumplings one of these days. Aunt Sarah says I will never use half the recipes I have; but so many of them have been given me by excellent and reliable old Bucks County cooks, I intend to copy them all in a book, and keep for reference after I leave the farm."
One day, looking through the old corner cupboard, Mary exclaimed, "Aunt Sarah, you certainly possess the finest collection of quaint old china dishes I have ever seen. I just love those small saucers and cups without handles; yes, and you have plates to match decorated with pinkish, lavender peacock feathers, and those dear little cups and saucers, decorated inside with pink and outside with green flowers, are certainly odd; and this queerly-shaped cream jug, sugar bowl and teapot, with pale green figures, and those homely plates, with dabs of bright red and green, they surely must be very old!"
Old Earthenware Dish
Old Earthenware Dish
"Yes, dear, they all belonged to either John's mother or mine. All except this one large, blue plate, which is greatly valued by me, as it was given me many years ago by a dear old friend, Mary Butler, a descendant of one of the oldest families in Wyoming Valley, whose, forefathers date back to the time of the 'Wyoming Massacre,' about which so much has been written in song and story.
"The very oddest plates in your collection are those two large earthenware dishes, especially that large circular dish, with sloping sides and flat base, decorated with tulips."
SGRAFFITO PLATE Manufactured by One of the Oldest Pennsylvania German Potterers in 1786
SGRAFFITO PLATE Manufactured by One of the Oldest Pennsylvania German Potterers in 1786
"Yes, Mary, and it is the one I value most highly. It is called sgraffito ware. A tulip decoration surrounds a large red star inthe centre of the plate. This belonged to my mother, who said it came from the Headman pottery at Rockhill Township, about the year 1808. I know of only two others in existence at the present time; one is in a museum in the city of Philadelphia and the other one is in the Bucks County Historical Society at Doylestown, Pa. The other earthenware plate you admire, containing marginal inscription in German which when translated is 'This plate is made of earth, when it breaks the potter laughs,' is the very oldest in my collection, the date on it, you see, is 1786. Those curved, shallow earthenware pie plates, or 'Poi Schissel,' as they are frequently called in this part of Bucks County, I value, even if they are quite plain and without decoration, as they were always used by my mother when baking pies, and I never thought pies baked in any other shaped dish tasted equally as good as hers. These pie plates were manufactured at one of the old potteries near her home. All the old potters have passed away, and the buildings have crumbled to the ground. Years ago, your mother and I, when visiting the old farm where the earlier years of our childhood were passed, stopped with one of our old-time friends, who liveddirectly opposite the old Herstine pottery, which was then in a very dilapidated condition; it had formerly been operated by Cornelius Herstine (we always called him 'Neal' Herstine)."
OLD PLATES FOUND IN AUNT SARAH'S CORNER CUPBOARD
OLD PLATES FOUND IN AUNT SARAH'S CORNER CUPBOARD
"Together we crossed the road, forced our way through tangled vines and underbrush, and, peering through windows guiltless of glass, we saw partly-finished work of the old potters crumbling on the ground. The sight was a sad one. We realized the hand of time had crumbled to dust both the potter and his clay. Still nearer my old home was the McEntee pottery. From earliest childhood our families were friends. We all attended the 'Crossroads' School, where years later a more modern brick structure was built, under the hill; not far distant from 'The Narrows' and the 'Ringing Rocks.' Yes, Mary, my memory goes back to the time when the McEntee pottery was a flourishing industry, operated by three brothers, John, Patrick and Michael. When last I visited them but few landmarks remained."
"Was there a pottery on your father's farm, Aunt Sarah?" inquired Mary.
"No. The nearest one was the McEntee pottery, but the grandson of the old man who purchased our old farm at my father's death had a limekiln for the purpose of burning lime, and several miles distant, at the home of my uncle, was found clay suitable for the manufacture of bricks. Only a few years ago this plant was still in operation. My father's farm was situated in the upper part of Bucks County, in what was then known as the Nockamixon Swamp, and at one time there were in that neighborhood no less than seven potteries within two miles of each other."
"Why," exclaimed Mary, "were there so many potteries in that locality?"
"'Twas due, no doubt, to the large deposits of clay found there, well suited to the manufacture of earthenware. The soil is a clayey loam, underlaid with potter's clay. The old German potters, on coming to this country, settled mostly in Eastern Pennsylvania, in the counties of Bucks and Montgomery. The numerous small potteries erected by the early settlers were for the manufacture of earthenware dishes, also pots of graded sizes. These were called nests, and were used principally on the farm for holding milk, cream and apple-butter. Jugs and pie plates were also manufactured. The plates were visually quite plain, but they produced occasionally plates decorated with conventionalized tulips, and some, more elaborate, contained besides figures of animals, birds and flowers. Marginal inscriptions in English and German decorate many of the old plates, from which may be learned many interesting facts concerning the life and habits of the early settlers. I think, judging from the inscriptions I have seen on some old plates, it must have taxed the ingenuity of the old German potters to think up odd, original inscriptions for their plates."
"Aunt Sarah, how was sgraffito ware made? Is it the same as slip-decorated pottery?"
"No, my dear, the two are quite different. The large plate you so greatly admired is called sgraffito or scratched work, sometimes called slip engraving. It usually consists of dark designs on a cream-colored ground. After the plates had been shaped over the mold by the potter, the upper surface was covered by a coating of white slip, and designs were cut through this slip to show the earthenware underneath. This decoration was more commonly used by the old potters than slip decorating, which consisted in mixing white clay and water until the consistency of cream. The liquid clay was then allowed to run slowly through a quill attached to a small cup, over the earthenware (before burning it in a kiln) to produce different designs. The process is similar to that used when icing a cake, when you allow the icing to run slowly from a pastry tube to form fanciful designs. I have watched the old potters at their work many a time when a child. The process employed in the manufacture of earthenware is almost the same today as it was a century ago, but the appliances of the present day workmen are not so primitive as were those of the old German potters. Mary, a new pottery works has been started quite lately in the exact locality where, over one hundred years ago, were situated the Dichl and Headman potteries, where my highly-prized, old sgraffito plate was manufactured. I hear the new pottery has improved machinery for the manufacture of vases, flower pots, tiles, etc. They intend manufacturing principally 'Spanish tiles' from the many acres of fine clay found at that place. The clay, it is said, burns a beautiful dark, creamy red. As you are so much interested in this subject, Mary, we shall visit this new pottery some day in the near future, in company with your Uncle John. It is no great distance from the farm. Quite an interesting story I have heard in connection with a potteryowned by a very worthy Quaker in a near-by town may interest you, as your father was a Philadelphia Quaker and Ralph's parents were Quakers also."
"Yes, indeed, Aunt Sarah! I'd love to hear the story."
"This Quaker sympathized with the colored race, or negroes, in the South. This was, of course, before slavery was abolished. You don't remember that time, Mary, You are too young. It is only history to you, but I lived it, and when the slaves ran away from their owners and came North to Philadelphia they were sent from there, by sympathizers, to this Quaker, who kept an underground station. The slaves were then placed, under his direction, in a high 'pot wagon,' covered with layers or nests of earthenware pots of graduated sizes. I heard the driver of one of these pot wagons remark one time that when going down a steep hill, he put on the brake and always held his breath until the bottom of the hill was reached, fearing the pots might all be broken. The wagon-load containing earthenware and slaves was driven to Stroudsburg, where the pots were delivered to a wholesale customer. Here the runaways were released from their cramped quarters and turned over to sympathizing friends, who assisted them in reaching Canada and safety. I have frequently met the fine-looking, courtly old gentleman who owned the pottery, and old Zacariah Mast, the skilled German potter whom he employed. They were for many years familiar figures in the little Quaker town, not many miles distant. Both passed away many years ago."
Mary, who still continued her explorations of the corner cupboard, exclaimed: "Oh! Aunt Sarah! Here is another odd, old plate, way back on the top shelf, out of sight."
"Yes, dear, that belonged to your Uncle John's mother. It has never been used and was manufactured over one hundred years ago at an old pottery in Bedminister Township, Bucks County. Some of those other quaint, old-fashioned plates also belonged to John's mother. Your Uncle loves old dishes and especially old furniture; he was so anxious to possess his grandfather's old 'Solliday' clock. In the centre of the face of the clock a hand indicated the day of the month and pictures of two large, round moons on the upper part of the clock's face (resembling nothing so much as large, ripe peaches) represented the different phases of the moon. If new moon, or the first or last quarter, it appeared, then disappeared from sight. It was valued highly, being the last clock made by the old clockmaker; but John never came into possession of it, as it was claimed by an elder sister. I value the old clock which stands in the parlor because 'twas my mother's, although it is very plain. This old cherry, corner cupboard was made for my grandmother by her father, a cabinetmaker, as a wedding gift, and was given me by my mother. Did you notice the strong, substantial manner in which it is made? It resembles mission furniture."
"Do tell me, Aunt, what this small iron boat, on the top shelf, was ever used for? It must be of value, else 'twould not occupy a place in the cupboard with all your pretty dishes."
"Yes, dearie, 'twas my grandmother's lamp, called in old times a 'Schmutz Amschel' which, translated, means a grease robin, or bird. I have two of them. I remember seeing my grandmother many a time, when the 'Amschel' was partly filled with melted lard or liquid fat, light a piece of lamp wick hanging over the little pointed end or snout of the lamp. The lamp was usually suspended from a chain fastened to either side. A spike on the chain was stuck into the wall, which was composed of logs. This light, by the way, was not particularly brilliant, even when one sat close beside it, and could not be compared with the gas and electric lights of our present day and generation. That was a very primitive manner of illumination used by our forefathers.
"Mary, did you notice the gayly-decorated, old-fashioned coffee pot and tea caddy in the corner cupboard? They belonged to my grandmother; also that old-fashioned fluid lamp, used before coal-oil or kerosene came into use; and that old, perforated tin lantern also is very ancient.
"Mary, have you ever read the poem, The Potter and the Clay?' No? Then read it to me, dear, I like it well; 'tis a particular favorite of mine, I do not remember by whom it was written."
THE POTTER AND THE CLAY.
(Jeremiah xviii 2-6.)
The potter wrought a work in clay, upon his wheel;He moulded it and fashioned it, and made it feel,In every part, his forming hand, his magic skill,Until it grew in beauty fair beneath his will.When lo! through some defect, 'twas marred and broken lay,Its fair proportions spoiled, and it but crumbling clay;Oh, wondrous patience, care and love, what did he do?He stooped and gathered up the parts and formed anew.He might have chosen then a lump of other clayOn which to show his skill and care another day,But no; he formed it o'er again, as seemed him good;And who has yet his purpose scanned, his will withstood?Learn thou from this a parable of God's great graceToward the house of Israel, His chosen race;He formed them for His praise; they fell and grieved Him sore,But He will yet restore and bless them evermore.And what He'll do for Israel, He'll do for thee;Oh soul, so marred and spoiled by sin, thou yet shall seeThat He has power to restore, He will receive,And thou shall know His saving grace, only believe.Despair not, He will form anew thy scattered life,And gather up the broken parts, make peace from strife;Only submit thou to His will of perfect love,And thou shall see His fair design in Heaven above.
The potter wrought a work in clay, upon his wheel;He moulded it and fashioned it, and made it feel,In every part, his forming hand, his magic skill,Until it grew in beauty fair beneath his will.
When lo! through some defect, 'twas marred and broken lay,Its fair proportions spoiled, and it but crumbling clay;Oh, wondrous patience, care and love, what did he do?He stooped and gathered up the parts and formed anew.
He might have chosen then a lump of other clayOn which to show his skill and care another day,But no; he formed it o'er again, as seemed him good;And who has yet his purpose scanned, his will withstood?
Learn thou from this a parable of God's great graceToward the house of Israel, His chosen race;He formed them for His praise; they fell and grieved Him sore,But He will yet restore and bless them evermore.
And what He'll do for Israel, He'll do for thee;Oh soul, so marred and spoiled by sin, thou yet shall seeThat He has power to restore, He will receive,And thou shall know His saving grace, only believe.
Despair not, He will form anew thy scattered life,And gather up the broken parts, make peace from strife;Only submit thou to His will of perfect love,And thou shall see His fair design in Heaven above.
"Yes, my dear," said Frau Schmidt (continuing a conversation which had occurred several days previously between herself and Mary), "we will have more healthful living when the young housewife of the present day possesses a knowledge of different food values (those food products from which a well-balanced meal may be prepared) for the different members of her household. She should endeavor to buy foods which are most nourishing and wholesome; these need not necessarily consist of the more expensive food products. Cheaper food, if properly cooked, may have as fine a flavor and be equally as nutritious as that of higher price.
"And, Mary, when you marry and have a house to manage, if possible, do your own marketing, and do not make the mistake common to so many young, inexperienced housewives, of buying more expensive food than, your income will allow. Some think economy in purchasing food detrimental to their dignity and to the well-being of their families; often the ones most extravagant in this respect are those least able to afford it. Frequently the cause of this is a lack of knowledge of the value of different foods. The housewife with a large family and limited means should purchase cheaper cuts of meat, which become tender and palatable by long simmering. Combine them with different vegetables, cooked in the broth, and serve as the principal dish at a meal, or occasionally serve dumplings composed of a mixture of flour and milk, cooked in the broth, to extend the meat flavor. Frequently serve a dish of rice, hominy, cornmeal and oatmeal, dried beans and peas. These are all nutritious, nourishing foods when properly cooked and attractively served. And remember, Mary, to always serve food well seasoned. Many a well-cooked meal owes its failure to please to a lack of proper seasoning. This is a lesson a young cook must learn. Neither go to the other extreme and salt food too liberally. Speaking of salt, my dear, have you read the poem, 'The King's Daughters,' by Margaret Vandegrift? If not, read it, and then copy it in your book of recipes."
"THE KING'S DAUGHTERS."
The King's three little daughters, 'neath the palace window straying,Had fallen into earnest talk that put an end to playing;And the weary King smiled once again to hear what they were saying;"It is I who love our father best," the eldest daughter said;"I am the oldest princess," and her pretty face grew red;"What is there none can do without? I love him more than bread."Then said the second princess, with her bright blue eyes aflame;"Than bread, a common thing like bread! Thou hast not any shame!Glad am I, it is I, not thou, called by our mother's name;I love him with a better love than one so tame as thine,More than—Oh! what then shall I say that is both bright and fine?And is not common? Yes, I know. I love him more than wine."Then the little youngest daughter, whose speech would sometimes halt,For her dreamy way of thinking, said, "Nay, you are both in fault.'Tis I who love our father best, I love him more than salt."Shrill little shrieks of laughter greeted her latest word,As the two joined hands exclaiming. "But this is most absurd!"And the King, no longer smiling, was grieved that he had heard,For the little youngest daughter, with her eyes of steadfast grey,Could always move his tenderness, and charm his care away;"She grows more like her mother dead," he whispered day by day,"But she is very little and I will find no fault,That while her sisters strive to see who most shall me exalt,She holds me nothing dearer than a common thing like salt."The portly cook was standing in the courtyard by the spring,He winked and nodded to himself, "That little quiet thingKnows more than both the others, as I will show the King."That afternoon, at dinner, there was nothing fit to eat.The King turned angrily away from soup and fish and meat,And he found a cloying sweetness in the dishes that were sweet;"And yet," he muttered, musing, "I cannot find the fault;Not a thing has tasted like itself but this honest cup of malt."Said the youngest princess, shyly: "Dear father, they want salt."A sudden look of tenderness shone on the King's dark face,As he sat his little daughter in the dead queen's vacant place,And he thought: "She has her mother's heart; Ay, and her mother's grace;Great love through channels will find its surest way.It waits not state occasions, which may not come or may;It comforts and it blesses, hour by hour, and day by day."
The King's three little daughters, 'neath the palace window straying,Had fallen into earnest talk that put an end to playing;And the weary King smiled once again to hear what they were saying;"It is I who love our father best," the eldest daughter said;"I am the oldest princess," and her pretty face grew red;"What is there none can do without? I love him more than bread."Then said the second princess, with her bright blue eyes aflame;"Than bread, a common thing like bread! Thou hast not any shame!Glad am I, it is I, not thou, called by our mother's name;I love him with a better love than one so tame as thine,More than—Oh! what then shall I say that is both bright and fine?And is not common? Yes, I know. I love him more than wine."Then the little youngest daughter, whose speech would sometimes halt,For her dreamy way of thinking, said, "Nay, you are both in fault.'Tis I who love our father best, I love him more than salt."Shrill little shrieks of laughter greeted her latest word,As the two joined hands exclaiming. "But this is most absurd!"And the King, no longer smiling, was grieved that he had heard,For the little youngest daughter, with her eyes of steadfast grey,Could always move his tenderness, and charm his care away;"She grows more like her mother dead," he whispered day by day,"But she is very little and I will find no fault,That while her sisters strive to see who most shall me exalt,She holds me nothing dearer than a common thing like salt."
The portly cook was standing in the courtyard by the spring,He winked and nodded to himself, "That little quiet thingKnows more than both the others, as I will show the King."That afternoon, at dinner, there was nothing fit to eat.The King turned angrily away from soup and fish and meat,And he found a cloying sweetness in the dishes that were sweet;"And yet," he muttered, musing, "I cannot find the fault;Not a thing has tasted like itself but this honest cup of malt."Said the youngest princess, shyly: "Dear father, they want salt."
A sudden look of tenderness shone on the King's dark face,As he sat his little daughter in the dead queen's vacant place,And he thought: "She has her mother's heart; Ay, and her mother's grace;Great love through channels will find its surest way.It waits not state occasions, which may not come or may;It comforts and it blesses, hour by hour, and day by day."
"Aunt Sarah," questioned Mary one day, "will you tell me how it is possible to evolve a number of cakes from one recipe?"
"Certainly I will, my dear," said her Aunt. "For instance, take the simple recipe from which I have for years baked layer cake. You may have other recipes given you, equally as good, but I feel positive none better. The cake made from this recipe is not rich enough to be unwholesome, but a good, reliable, inexpensive, easily-made cake, with which I have never had a failure.
"The recipe, as you know, consists of 1¼ cups of granulated sugar, ½ cup of a mixture of butter and sweet lard (or use all butter), ½ cup sweet milk, 2 cups flour and 2 teaspoonfuls baking powder. 3 eggs.
"The simplest manner of baking this cake is in two square cake pans. When baked, take from pans and ice each cake with a boiled chocolate icing and put together as a layer cake, or ice each cake with a plain, boiled white icing and, when this is cold, you may spread over top of each cake unsweetened chocolate, which has been melted over steam after being grated. When cake is to be served, cut in diamonds or squares. Or add to the batter 1 cup of chopped hickory nut meats, bake in 2 layers and cut in squares.
"For a chocolate loaf cake, add two generous tablespoonfuls of unsweetened melted chocolate to the batter just before baking. If you wish a chocolate layer cake, use the same batter as for the chocolate loaf cake, bake in two layer pans and put together with white boiled icing.
"Or, add to this same batter one scant teaspoonful of cinnamon, ginger, ½ teaspoonful of grated nutmeg and cloves, a cup of raisins or dried currants, and you have a small fruit cake.
"Or, add a small quantity of thinly-shaved citron to the original recipe, flavor with lemon, bake in a loaf and spread a whiteicing flavored with lemon extract over top of cake, and you have a lemon cake.
"Or, add chocolate and spices to one-half the batter (about one-half as much chocolate and spices as were used in batter for fruit cake) and place spoonfuls of the light and dark batter alternately in a cake pan, until all batter has been used, and you will have a cheap, old-fashioned Marble cake.
"Or, bake cake over original recipe, in two-layer pans, placing between layers either tart jelly, a creamy cornstarch filling, grated cocoanut, apple cream filling, or you might even use half the recipe given for the delicious icing or filling for Lady Baltimore cake.
"Lastly, bake small cakes from this same recipe. Mary, you should have small pans for baking these delicious little cakes, similar to those I possess, which I ordered made at the tinsmith's. I took for a pattern one Frau Schmidt loaned me. They are the exact size of one-quarter pound boxes of Royal baking powder. Cut the box in three pieces of equal height, and your cakes will be equally as large in diameter as the baking powder box, but only one-third as high. I think I improved on Frau Schmidt's cake tins, as hers were all separate, I ordered twelve tins, similar to hers, to be fastened to a piece of sheet iron. I had two of these iron sheets made, containing twenty-four little pans. I place a generous tablespoonful of the batter in each of the twenty-four small pans, and cakes rise to the top of pans. Usually I have batter remaining after these are filled. Ice all the cake except the top with a white boiled icing or chocolate icing. These small cakes keep exceedingly well, and are always liked by young folks and are particularly nice for children's parties".
"Speaking of cakes, Aunt Sarah," said Mary, "have you ever used Swansdown cake flour? I have a friend in the city who uses it for making the most delicious Angel cake, and she gave me a piece of Gold cake made over a recipe in 'Cake Secrets,' which comes with the flour, and it was fine. I'll get a package of the flour for you the first time I go to the city. The flour resembles a mixture of ordinary flour and cornstarch. It is not a prepared flour, to be used without baking powder, and you use it principally for baking cakes. I have the recipe for both the Gold and Angel cakes, with the instructions for baking same. They are as follows:"
ANGEL CAKE.
"For the Angel cake, use one even cupful of the whites of egg (whites of either eight large or nine small eggs); a pinch of salt, if added when beating eggs, hastens the work. One and one-quarter cups granulated sugar, 1 cup of Iglehart's Swansdown cake flour. Sift flour once, then measure and sift three times. Beat whites of eggs about half, add ½ teaspoonful of cream of tartar then beat whites of eggs until they will stand of their own weight. Add sugar, then flour, not by stirring, but by folding over and over, until thoroughly mixed. Flavor with ½ teaspoonful of vanilla or a few drops of almond extract. As much care should be taken in baking an Angel Food cake as in mixing. Bake in an ungreased patent pan. Place the cake in an oven that is just warm enough to know there is a fire inside the range. Let the oven stay just warm through until the batter has raised to the top of the cake pan, then increase the heat gradually until the cake is well browned over. If by pressing the top of the cake with the finger it will spring back without leaving the impression of the finger, the cake is done through. Great care should be taken that the oven is not too hot to begin with, as the cake will rise too fast and settle or fall in the baking. It should bake in from 35 to 40 minutes' time. When done, invert the pan and let stand until cold before removing it. Should you see cake browning before it rises to top of pan, throw your oven door open and let cold air rush in and cool your oven instantly. Be not afraid. The cold air will not hurt the cake. Two minutes will cool any oven. Watch cake closely. Don't be afraid to open oven door every three or four minutes. This is the only way to properly bake this cake. When cake has raised above top of pan, increase your heat and finish baking rapidly. Baking too long dries out the moisture, makes it tough and dry. When cake is done it begins to shrink. Let it shrink back to level of pan. Watch carefully at this stage and take out of oven and invert immediately. Rest on centre tube of pan. Let hang until perfectly cold, then take cake carefully from pan. When baking Angel cake always be sure the oven bakes good brown under bottom of cake. If cake does not crust under bottom it will fall out when inverted and shrink in the fall."
"I never invert my pans of Angel cake on taking them from oven," said Mary's Aunt, "as the cakes are liable to fall out even ifthe pan is not greased. I think it safer to allow the pans containing the cakes to stand on a rack and cool without inverting the pan.
"Suppose, Mary, we bake a Gold cake over the recipe from 'Cake Secrets,' as eggs are plentiful; but we haven't any Swansdown flour. I think we will wait until we get it from the city."
GOLD CAKE.
Yolks of 8 eggs; 1¼ cups granulated sugar, ¾ cup of butter, ¾ cup water, 2½ cups of Swansdown cake flour, 2 heaping teaspoonfuls of baking powder, ½ teaspoonful lemon extract. Sift flour once, then measure. Add baking powder and sift three times. Cream butter and sugar thoroughly; beat yolks to a stiff froth; add this to creamed butter and sugar, and stir thoroughly through. Add flavor, add water, then flour. Stir very hard. Place in a slow oven at once. Will bake in from 30 to 40 minutes. Invert pan immediately it is taken from oven.
Mary, this batter may also be baked in layers with any kind of filling desired. The Angel cake receipt is very similar to an original recipe Frau Schmidt gave me; she uses cornstarch instead of Swansdown flour and she measures the eggs in a cup instead of taking a certain number; she thinks it more exact.
"Aunt Sarah, did you know Frau Schmidt, instead of using flour alone when baking cakes, frequently uses a mixture of flour and cornstarch? She sifts together, several times, six cups of flour and one cup of cornstarch, and uses this instead of using flour alone.
"I dearly love the Professor's wife—she's been so very good to me," exclaimed Mary.
"Yes," replied her Aunt, "she has very many lovable qualities."
Mary's liking for bright, energetic Frau Schmidt was not greater than the affection bestowed on Mary by the Professor's wife, who frequently entertained Mary with tales of her life when a girl in Germany, to all of which Mary never tired listening. One Aunt, a most estimable woman, held the position of valued and respected housekeeper and cook for the Lord Mayor of the city wherein she resided. Another relative, known as "Schone Anna," for many years kept an inn named "The Four Seasons," noted forthe excellent fare served by the fair chatelaine to her patrons. The inn was made famous by members of the King's household stopping there while in the town during the Summer months, which was certainly a compliment to her good cooking. One of the things in which she particularly excelled was potato cakes raised with yeast. Frau Schmidt had been given a number of these valuable recipes by her mother, all of which she offered to Mary. One recipe she particularly liked was "Fast Nacht Cakes," which the Professor's wife baked always without fail on Shrove Tuesday (or "Fast Nacht" day), the day before the beginning of Lent. This rule was as "unchangeable as the law of Medes and Persians," and it would have been a very important event, indeed, which would have prevented the baking of these toothsome delicacies on that day.
BIRTH AND CHRISTENING CERTIFICATE OLD TAUFSCHIENOLD TAUFSCHIEN
BIRTH AND CHRISTENING CERTIFICATE OLD TAUFSCHIENOLD TAUFSCHIEN
Aunt Sarah had long promised to show Mary her Grandmother's "Taufschien," and she reverently handled the large old family Bible, which contained between its sacred pages the yellowed paper, being the birth and christening certificate of her grandmother, whom we read was born in 1785, in Nockamixon Township, was confirmed in 1802, and was married in 1805 to the man who was later Aunt Sarah's grandfather. The old certificate was signed by a German Reformed minister named Wack, who history tells us was the first young man of that denomination to beordained to the ministry in America. Folded with this "Taufschien" is another which has never been filled out. This is printed in German. Pictures of women, perhaps they are intended to represent angels, with golden wings, clothed in loose-flowing crimson drapery and holding harps in their hands; birds with gayly-colored plumage of bluish green, crimson and yellow, perched on branches of what presumably represent cherry trees, also decorate the page. Religious hymns printed on the "Taufschiens," encircled with gay stripes of light blue and yellow, dotted with green, further embellish them. On one we read:
"Infinite joy or endless woe,Attend on every breath;And yet, how unconcerned we goUpon the brink of death."
"Infinite joy or endless woe,Attend on every breath;And yet, how unconcerned we goUpon the brink of death."
"Mary, this old 'Taufschien' of my grandmother's is one of my most cherished possessions. Would you like to see your Uncle's old deed, which he came into possession of when he inherited the farm from his father?"
Carefully unfolding the stiff old parchment or pigskin deed, yellowed and brown spotted with age, Mary could faintly decipher the writing wherein, beautifully written, old-fashioned penmanship of two hundred years ago stated that a certain piece of land in Bucks County, Beginning at a Chestnut Oak, North to a post; then East to a large rock, and on the South unsettled land, which in later years was conveyed to John Landis.
"This deed," said Mary's Aunt, "was given in 1738, nearly two hundred years ago, by John, Thomas and Richard Penn, sons of William Penn by his second marriage, which occurred in America. His eldest son, John Penn, you have no doubt heard, was called 'The American,' he having been born in this country before William Penn's return to Europe, where he remained fifteen years, as you've no doubt heard."
At the bottom of the deed a blue ribbon has been slipped through cuts in the parchment, forming a diamond which incloses what is supposed to be the signature of Thomas Penn.
"Aunt Sarah, I am not surprised that you value this old deed of the farm and these 'Taufschiens' of your grandmother I should frame them, so they may be preserved by future generations."
Aunt Sarah found in Mary a willing listener when talking of the time in years past when her grandfather kept a small "Country Store" on the Ridge Road in Bucks County. She also remembered, when a child of ten, accompanying her grandfather on one of his trips when he drove to Philadelphia to purchase goods for his store.
"They had no trolley cars in those days?" asked Mary.
"No, my dear, neither did they have steam cars between the different towns and cities as we have now."
"At grandfather's store could be bought both groceries and dry goods. The surrounding farmers' wives brought to the store weekly fresh print butter, eggs, pot cheese and hand-case, crocks of apple-butter, dried sweet corn, beans, cherries, peach and apple 'Snitz,' taking in exchange sugar, starch, coffee, molasses, etc. My father tapped his sugar maples and mother cooked down the syrup until thick, and we used that in place of molasses. They also took in exchange shaker flannel, nankeen, indigo blue and 'Simpson' gray calico, which mother considered superior to any other, both for its washing and wearing qualities. The farmers who came occasionally to the store to shop for different members of the family frequently bought whole pieces of calico of one pattern, and," affirmed Aunt Sarah, "I knew of one farmer who bought several whole pieces of one pattern with rather large figures on a dark wine ground, resembling somewhat the gay figures on an old paisley shawl. He said 'twas a good, serviceable color, and more economical to buy it all alike, and remarked: 'What's the difference, anyway? Calico is calico.' From the same piece of calico his wife made dresses, aprons and sunbonnets for herself and daughters, shirts for the farmer and his sons (the boys were young, fortunately), and patchwork quilts and comfortables from the remainder."
"Rather monotonous, I should think," said Mary. "I am surprised his wife did not make him wear coat and trousers made from the same piece of calico."
THE OLD STORE ON RIDGE ROAD
THE OLD STORE ON RIDGE ROAD
"The dry goods," continued Aunt Sarah, "retained the scent of coffee, cheese and dried fruits some time after being purchased but no one minded that in those days. I still remember how perfectly wonderful to me when a child appeared the large, wide-mouthed glass jars containing candy. There were red and white striped mint sticks, striped yellow and white lemon sticks and hoarhound and clear, wine-colored sticks striped with lines of white, flavored with anise-seed. One jar contained clear lemon-colored 'Sour Balls,' preferred by us children on account of their lasting qualities, as also were the jujubees, which resembled nothing so much as gutta percha, and possessed equally as fine flavor; also pink and yellow sugar-frosted gumdrops. In a case at one end of the counter were squares of thick white paper covered with rows of small pink, also white, 'peppermint buttons,' small sticks, two inches in length, of chewing gum in waxed paper, a white, tasteless, crystalline substance resembling paraffine. What longing eyes I frequently cast at the small scalloped cakes of maplesugar, prohibitive as regards cost. They sold for a nickel, am I was always inordinately fond of maple sugar, but the price was prohibitive. I seldom possessed more than a penny to spend in those days, and not always that. Father raised a large family, money was never plentiful, and we relished the plain, cheap candies usually sold in those days more than many children of the present day do the finest and most expensive cream chocolates, to many of whom in this extravagant age a dollar is not valued more highly than was a penny by us in years gone by. And 'Candy Secrets!' I don't believe you know what they are like. I've not seen any for years. They were small, square pieces of taffy-like candy, wrapped in squares of gilt or silver paper, inclosing a small strip of paper containing a couple of sentimental lines or jingle. Later came 'French Secrets.' They consisted of a small oblong piece of candy about an inch in length, wrapped in tissue paper of different colors, having fringed ends, twisted together at either end. These also inclosed a tiny strip of paper containing a line or two. Small, white candy hearts contained the words in pink letters, 'Little Sweetheart,' 'I Love You,' 'Name the Day,' etc. These were invariably distributed among the young folks at small parties and created no end of merriment."
"Mary, old as I am, I still remember the delight I experienced when a little, rosy-cheeked urchin surreptitiously passed me around the corner of my desk at the old 'Cross Roads School' a 'Secret,' with the words, 'Do you love me?' My grandmother always kept a supply of hoarhound and peppermint lozenges in her knitting basket to give us children should we complain of hoarseness. My, but 'twas astonishing to hear us all cough until grandmother's supply of mints was exhausted. I think. Mary, I must have had a 'sweet tooth' when a child, as my recollections seem to be principally about the candy kept in my grandfather's store. I suppose in those early days of my childhood candy appealed to me more than anything else, as never having had a surfeit of sweets, candy to me was a rare treat. I remember, Mary, when a little child, my thrifty mother, wishing to encourage me to learn to knit my own stockings, she, when winding the skein of German yarn into a ball, occasionally wound a penny in with the yarn. I was allowed to spend the penny only after I had knitted the yarn and the penny had fallen from the ball. What untold wealth that penny represented! And planning how tospend it was greater pleasure still. Many a pair of long old-fashioned, dark blue and red-striped stockings, were finished more quickly than otherwise would have been done without the promised reward. I became proficient in knitting at an early age," continued Aunt Sarah; "a truly feminine occupation, and as I one time heard a wise old physician remark, 'Soothing to the nerves,' which I know to be true, having knitted many a worry into the heel of a sock. I learned at an early age the value of money, and once having acquired the saving habit, it is not possible to be wasteful in later life."
Fritz Schmidt, like many another Bucks County boy, had frequently heard the rural tale of a mythical bird called the "Elbadritchel," supposed to be abroad, particularly on cold, dark, stormy nights, when the wind whistled and blew perfect gales around exposed corners of houses and barns. 'Twas a common saying among "Pennsylvania Germans," at such times, "'Tis a fine night to catch 'Elbadritchels.'"