Alexandre, A.Histoire populaire de la peinture: école italienne. (Paris, 1894)—Baldinucci, F.Notizie dei professori del disegno da Cimabue in quà. (Florence, 1681)—Berenson, B.Florentine Painters of the Renaissance. (New York, 1896)—Blashfield, E. H. and E. W.Italian Cities. (New York, 1900)—Breton, E.Ambrogio Bondone dit le Giotto. (St. Germain-en-Laye, 1851)—Burckhardt, J.Der Cicerone, edited by W. Bode. (Leipsic, 1898)—Callcott, Lady.Description of the Chapel of the Annunziata dell' Arena in Padua. (London, 1835)—Cartwright, J.The Painters of Florence. (London, 1901)—Cennini, C.Treatise on Painting: Trans. by Mrs. Merrifield. (London, 1844)—Colvin, S.'Giotto' in 'Encyclopædia Britannica.' (Edinburgh, 1883)—Crowe, J. A., and Cavalcaselle, G. B.History of Painting in Italy. (London, 1866)—Dobbert, E.'Giotto' in 'Dohme's Kunst und Künstler,' etc. (Leipsic, 1878)—Fea, C.Descrizione della cappella di S. Francesco d'Assisi. (Rome, 1820)—Förster, E.Beiträge zur neuern Kunstgeschichte. (Leipsic, 1835)—Frantz, E.Geschichte der christlichen Malerei. (Freiburg im Breisgau, 1887-94)—Ghiberti, L.Commentario sulle arti. (Extracts from manuscript copy are quoted by Milanesi, Cicognara, Perkins, and Frey)—Gordon, L. D.The Story of Assisi. (London, 1900)—Hoppin, J. M.Great Epochs in Art History. (Boston, 1901)—Jameson, A.Memoirs of Italian Painters. (Boston, 1896)—Janitschek, H.Die Kunstlehre Dante's und Giotto's Kunst. (Leipsic, 1892)—Kugler, F. T.Italian Schools of Painting. Revised by A. H. Layard. (London, 1900)—Kuhn, P. A.Allgemeine Kunst-Geschichte. (Einsiedeln, 1891 et seq.)—Lee, V.Euphorion. (London, 1884)—Lindsay, Lord.Sketches of the History of Christian Art. (London, 1885)—Lübke, W.History of Art. (New York, 1878)—Mantz, P.Chefs-d'œuvre de la peinture italienne. (Paris, 1870)—Müntz, E.Histoire de l' Art pendant la Renaissance: Les Primitifs. (Paris, 1889)—Oliphant, Mrs.The Makers of Florence. (London, 1888)—Perkins, F. M.Giotto. (London, 1901)—Quilter, H.Giotto. (London, 1880)—Rio, A. F.De l' Art chrétien. (Paris, 1861-7)—Rumohr, C. F. v.Italienische Forschungen. (Berlin, 1827)—Ruskin, J.Giotto and his Works in Padua. (London, 1854)—Ruskin, J.Fors Clavigera. (Orpington, 1883)—Ruskin, J.Mornings in Florence. (Orpington, 1875)—Ruskin, J.Modern Painters. (London, 1846-60)—Sacchetti, F.Delle Novelle. (Florence, 1724)—Schnaase, C.Geschichte der bildenden Künste. (Düsseldorf, 1843-4)—Selvatico, P. E.Sulla cappellina degli Scrovegni nell' Arena di Padova. (Padua, 1836)—Stillman, W. J.Old Italian Masters. (New York, 1892)—Symonds, J. A.Renaissance in Italy. (London, 1875)—Taine, H.Voyage en Italie. (Paris, 1866)—Thode, H.Franz von Assisi. (Berlin, 1885)—Thode, H.Giotto. (Leipsic, 1899)—Tikkanen, J. J.Der Malerische Styl Giotto's. (Helsingfors, 1884)—Vasari, G.Lives of the Painters. (New York, 1897)—Woltmann, A., and Woermann, K.History of Painting: Trans. by Clara Bell. (New York, 1895)—Zimmermann, M. G.Giotto und die Kunst Italiens in Mittelalter. (Leipsic, 1899).
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By PHILIP L. HALE
Three valuable handbooks on great portraits and Madonnas of the world. Printed in beautiful type, on heavy antique paper with broad margins, and daintily bound in buckram of special weave, with title-design stamped in gold. Each book contains about 80 pages 8 × 11 inches in size, including twenty exquisite full-page reproductions of famous paintings, some of which have rarely been reproduced.
The author, Mr. Philip L. Hale, a son of the late Edward Everett Hale, is himself a painter and art critic of reputation. The text is unique, comprising a critical analysis and comparison of the work of the master painters, not from the too common view-point of a critic who walks the galleries, but from that of a painter, who with brushes in hand is even now working on the same problems those he writes about have worked on. It has all the charm and spontaneity of an informal studio chat; and gives a new and fresh appreciation of art.
Price, Each, Boxed and Postage Prepaid, $1.50
A critical analysis of the way the master painters pictured the Madonna, illustrated with full-page reproductions of the following masterpieces:
Sistine Madonna, Madonna of the Chair, Madonna of the House of Alba, Raphael; Virgin of the Rocks, St. Anne, the Virgin, and Christ-child, Da Vinci; Assumption of the Virgin, Madonna of the Pesaro Family, Madonna with the Cherries, Titian; Virgin adoring the Christ-child, Correggio; Madonna of the Sack, Del Sarto; Immaculate Conception, Murillo; Virgin and Child, Crivelli; Nativity, Correggio; Meyer Madonna, Holbein; Madonna of Castelfranco, Giorgione; Madonna of the Two Trees, Bellini; Vow of Louis XIII., Ingres; Coronation of the Virgin, Botticelli; Madonna and Child with Two Angels, Fra Filippo Lippi; Madonna and Three Dominican Saints, Tiepolo.
An essay on the painting of women's portraits, illustrated by twenty full-page plates reproducing the following great portraits:
Mona Lisa, Da Vinci; Countess Potocka, Artist Unknown; Mrs. Sheridan, Mrs. Siddons, Gainsborough; Nelly O'Brien, Reynolds; Unknown Princess, Da Vinci; Bust of Unknown Lady, in Louvre; Parson's Daughter, Romney; Sarah Bernhardt, Bastien-Lepage; His Mother, Whistler; Madame Destouches, Ingres; Madame Molé-Raymond, Lebrun; Miss Farren, Lawrence; Shrimp Girl, Hogarth; Madame Récamier, David; Violante, Palma Vecchio; Doña Isabel Corbo de Porcel, Goya; Princess Christina, Holbein; His Daughter Lavinia, Titian; Queen Henrietta, Van Dyck.
A treatment of the subject of children's portraits similar to that of women's portraits, with twenty full-page plates of these beautiful canvases:
Portrait of Countess Mollien, Greuse; Louis, Dauphin of France, La Tour; Madame Louise of France, Nattier; Rubens's Sons, Rubens; The Blue Boy, Gainsborough; Don Garcia with a Bird, Bronzino; Queen of Sicily, Goya; Boy with a Sword, Manet; Strawberry Girl, Reynolds; St. John the Baptist, Donatello; William II. of Nassau, Van Dyck; Holbein's Wife and Children, Holbein; Madame Vigée Lebrun and Daughter, Lebrun; The Broken Pitcher, Greuse; Portrait of Miss Alexander, Whistler; King of Rome, Lawrence; Infanta Margarita, Maids of Honor, Don Baltasar Carlos on Horseback, Velasquez; Child with Blond Hair, Fragonard.
BATES & GUILD COMPANY
144 Congress St., Boston, Mass.
The German Series of Art Monographs
Each volume contains practically the complete work of the painter to whom it is devoted, with a biographical sketch (in German). We recommend these books, on account of their completeness in the way of illustrations, as supplementary to MASTERS IN ART.
Prices given are net, and on mail orders postage must be added. The list to date follows. New volumes are constantly being published, and prices of these will be sent on request.
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