Towards seven o'clock the following evening, Maurice loitered about the vestibule of the Conservatorium. In spite of his attempt to time himself, he had arrived too early, and his predecessor on the programme had still to play two movements of a sonata by Beethoven.
As he stood there, Madeleine entered by the street-door.
"Is that you?" she asked, in the ironical tone she now habitually used to him. "You look just as if you were posing for the John in a Rubens Crucifixion.—Feel shaky? No? You ought to, you know. One plays all the better for it.—Well, good luck to you! I'll hold my thumbs."
He went along the passage to the little green-room, at the heels of his string-players. On seeing them go by, it had occurred to him that he might draw their attention to a passage in the VARIATIONS, with which he had not been satisfied at rehearsal that day. But when he caught them up, they were so deep in talk that he hesitated to interrupt. The 'cellist, a greasy, little fellow with a mop of touzled hair, was relating an adventure he had had the night before. His droll way of telling it was more amusing than the long-winded story, and he himself was more tickled by it than was the violinist, a lanky German-American boy, with oily black hair and a pimpled face. Throughout, both tuned their instruments assiduously, with that air of inattention common to string-players.
Meanwhile, the sonata by Beethoven ran its course. While the story-teller still smacked his lips, it came to an end, and the performer, a tall, Polish girl, with a long, sallow, bird-like neck, round which was wound a piece of black velvet, descended the steps. Behind her was heard the applause of many hands. As this showed no sign of ceasing, Schwarz, who had come out of the hall by a lower door, bade her return and bow her thanks. At his words, the girl burst into tears.
"NA, NA, NA!" he said soothingly. "What's all this about? You did excellently."
She seized his hand and clung to it. The 'cellist ran to fetch water; the other two young men were embarrassed, and looked away.
Here, however, several friends burst into the room, and bore Fraulein Prybowski off. Schwarz gave the signal, the stringplayers picked up their instruments, and the little procession, with Maurice at its head, mounted the steps to the platform.
Although before an audience for the first time in his life, Maurice had never felt more composed. Passing by the organ, and the empty seats of the orchestra, he descended to the front of the platform, where two grand pianos stood side by side; and, as he went, he noted that the hall was exceptionally well filled. He let down the lid of the piano to the peg for chambermusic; he lowered the piano-chair, and flicked the keys with his handkerchief. And Schwarz, sitting by him, to turn the pages of the music, felt so sure of this pupil's coolness that he yawned, and stroked the insides of his trouser-legs.
Maurice was just ready for the start, when the 'cellist, who was restless, discovered that the stand which had been placed for him was insecure; rising from his scat, he went to fetch another from the back of the platform. In the delay that ensued, Maurice looked round at the audience. He saw innumerable heads and faces, all turned expectantly towards him, like lines of globular fruits. His eye ranged indifferently over the occupants of the front seats—strange faces, which told him nothing—until his attention was arrested by a face almost directly beneath him, in the second row. For the flash of a second, he thought he knew the person to whom it belonged, and struggled to recall a name. Then, almost as swiftly, he dismissed the idea. It was, however, a face of that kind which, once seen, is never forgotten—a frog-like face, with protruding eyes, and the frog's expressive leer. Somewhere, not very long ago, this face had been before him, and had stared at him in the same disconcerting manner—but where? when? In the few seconds that remained, his brain worked furiously, sped back in desperate haste over all the likely places where he might have seen it. And a restaurant evolved itself; a table in a secluded corner; chrysanthemums and their acrid scent; a screen, round which this repulsive face had peered. It had fixed them both, with such malevolence that it had destroyed his pleasure, and he had persuaded Louise to go home. His memory was now so alert that he could recall the man's two companions as well.
The scene built itself up with inconceivable rapidity. And while he was still absorbed by it, Schwarz raised a decisive hand. It was the signal to begin; he obeyed unthinkingly; and was at the bottom of the first page before he knew it.
Throughout the whole of the opening movement, he was not rightly awake to what he was doing. His fingers, like well-drilled soldiers, went automatically through their work, neither blundering nor forgetting; but the mind which should have controlled them was unable to concentrate itself: he heard himself play as though he were listening to some one else. He was only roused by the burst of applause that succeeded the final chords. As he struck the first notes of the ANDANTE WITH VARIATIONS, he nerved himself for an effort; but now, as if it were the result of his previous inattention, an odd uneasiness beset him; and his beginning to weigh each note as he played it, his fingers hesitated and grew less sure. Having failed, through over-care, in the rounding of a turn, he resolved to let things go as they would, and his thoughts wander at will. The movements of the trio succeeded one another; the VARIATIONS ceased, and were followed by the crisp gaiety of the MINUET. The lights above his head were reflected in the shining ebony of the piano; regularly, every moment or two, he was struck by the appearance of Schwarz's broad, fat hand, which crossed his range of vision to turn a leaf; he meditated absently on a sharp uplifting of this hand that occurred, as though the master were dissatisfied with the rhythm—the 'cellist's fault, no doubt: he had been inexact at rehearsal, and, this evening, was too much taken up with his own witticisms beforehand, to think about what he had to do. And thus the four divisions of the trio slipped past, separated by a disturbing noise of hands, which continued to seem as unreal to Maurice as everything else. Only as the last notes of the PRESTISSIMO died away, in the disappointing, ineffectual scales in C major, with which the trio closed—not till then did he grasp that the event to which he had looked forward for many weeks was behind him, and also that no one present knew less of how it had passed off than he himself.
With his music in his hand, he turned to Schwarz, to learn what success he had had, from the master's face. According to custom, Schwarz shook hands with him; he also nodded, but he did not smile. He was, however, in a hurry; the old: white-haired director had left his seat, and stood waiting to speak to him. Both 'cellist and violinist had vanished on the instant; the audience, eager as ever at the end of a concert to shake off an imposed restraint, had risen while Maurice still played the final notes; and, by this time, the hall was all but empty.
He slowly ascended the platform. Now that it was over, he felt how tired he was; his very legs were tired, as though he had walked for miles. The green-room was deserted; the gas-jet had been screwed down to a peep. None of his friends had come to say a word to him. He had really hardly expected it; but, all the same, a hope had lurked in him that Krafft would perhaps afterwards make some sign—even Madeleine. As, however, neither of them appeared, he seemed to read a confirmation of his failure in their absence, and he loitered for some time in the semi-darkness, unwilling to face the dispersing crowd. When at length he went down the passage, only a few stragglers remained. One or two acquaintances congratulated him in due form, but he knew neither well enough to try to get at the truth. As he was nearing the street-door, however, Dove came out of the BUREAU. He made for Maurice at once; his manner was eager, his face bore the imprint of interesting news.
"I say, Guest!" he cried, while still some way off. "An odd coincidence. Young Leumann is to play this very same trio next week. A little chap in knickerbockers, you know—pupils of Rendel's. He is said to have a glorious LEGATO—just the very thing for the VARIATIONS."
"Indeed?" said Maurice with a well-emphasised dryness. His tone nudged Dove's memory.
"By the way, all congratulations, of course," he hastened to add. "Never heard you play better. Especially the MENUETTO. Some people sitting behind me were reminded of Rubinstein."
"Well, good-night, I'm off," said Maurice, and, even as he spoke, he shot away, leaving his companion in some surprise.
Once out of Dove's sight, he took off his hat and passed his hand over his forehead. Any slender hope he might have had was now crushed; his playing had been so little remarkable that even Dove had been on the point of overlooking it altogether.
Louise threw herself into his arms. At last! she exulted to herself. But his greeting had not its usual fervour; instead of kissing her, he laid his face against her hair. Instantly, she became uncertain. She did not quite know what she had been expecting; perhaps it had been something of the old, pleasurable excitement that she had learnt to associate with an occasion like the present. She put back her head and looked at him, and her look was a question.
"Yes. At least it's over, thank goodness!" he said in reply.
Not knowing what answer to make to this, she led him to the sofa. They sat down, and, for a few minutes, neither spoke. Then, he did what on the way there, he had imagined himself doing: laid his head on her lap, and himself placed her hands on his hair. She passed them backwards and forwards; her sense of having been repulsed, yielded, and she tried to change the current of his thoughts.
"Did you notice, Maurice, as you came along, how full the air was of different scents to-night?" she asked as her cool hands went to and fro. "It was like an evening in July. I was at the window trying to make them out. But the roses were too strong for them; for you see—or rather you have not seen—all the roses I have got for you—yes, just dark red roses. This afternoon I went to the little shop at the corner, and bought all they had. The pretty girl served me—do you remember the pretty girl with the yellow hair, who tried to make friends with you last summer? You like roses, too, don't you? Though not as much as I do. They were always my favourite flowers. As a child, I used to imagine what it would be like to gather them for a whole day, without stopping. But, like all my wishes then, this had to be postponed, too, till that wonderful future, which was to bring me all I wanted. There were only a few bushes where I lived; it was too dry for them. But the smell of them takes me back—always. I have only to shut my eyes, and I am full of the old extravagant longings—the childish impatience with time, which seemed to crawl so slowly ... even to stand still."
"Tell me all about it," he murmured, without raising his head.
She smiled and humoured him.
"I like flowers best for their scents," she went on. "No matter what beautiful colours they have. A camelia is a foolish flower; like a blind man's face—the chief thing is wanting. But then, of course, the smell must remind one of pleasant things. It's strange, isn't it, how much association has to do with pleasure?—or pain. Some things affect me so strongly that they make me wretched. There's music I can't listen to; I have to put my hands to my ears, and run away from it; and all because it takes me back to an unhappy hour, or to a time of my life that I hated. There are streets I never walk through, even words I dread to hear anyone say, because they are connected with some one I disliked, or a day I would rather not have lived. And it is just the same with smells. Wood smouldering outside!—and all the country round is smoky with bush fires. Mimosa in the room—and I can feel the sun beating down on deserted shafts and the stillness of the bush. Rotting leaves and the smell of moist earth, and I am a little girl again, in short dresses, standing by a grave—my father's to which I was driven in a high buggy, between two men in black coats. I can't remember crying at all, or even feeling sorry; I only smelt the earth—it was in the rainy season and there was water in the grave.—But flowers give me my pleasantest memories. Passion-flowers and periwinkles—you will say they have no smell, but it's not true. Flat, open passionflowers—red or white—with purplish-fringed centres, have a honey-smell, and make me think of long, hot, cloudless days, which seemed to have neither beginning nor end. And little periwinkles have a cool green smell; for they grew along an old paling fence, which was shady and sometimes even damp. And violets? I never really cared for violets; not till ... I mean ... I never ..."
She had entangled herself, and broke off so abruptly that he moved. He was afraid this soothing flow of words was going to cease.
"Yes, yes, go on, tell me some more—about violets."
She hastened to recover herself. "They are silly little flowers. Made to wither in one's dress ... or to be crushed. Unless one could have them in such masses that they filled the room. But lilac, Maurice, great sprays and bunches of lilac-white and purple—you know, don't you, who will always be associated with lilac for me? Do you remember some of those evenings at the theatre, on the balcony between the acts? The gallery was so hot, and out there it seemed as if the whole town were steeped in lilac. Or walking home—those glorious nights—when some one was so silent ... so moody—do you remember?"
At the peculiar veiled tone that had come into her voice; at this reminder of a past day of alternate rapture and despair, so different from the secured happiness of the present; at the thought of this common memory that had built itself up for them round a flower's scent, a rush of grateful content overcame Maurice, and, for the first time since entering the room, he looked up at her with a lover's eyes.
Safe, with her arms round him, he was strong enough to face the worst. "How good you are to me, dearest! And I don't deserve it. To-night, you might just have sent me away again, when I came. For I was in a disagreeable mood—and still am. But you won't give me up just yet for all that, will you? However despondent I get about myself? For you are all I have, Louise—in the whole world. Yes, I may as well confess it to you, to-night was a failure—not a noisy, open one but all the same, it's no use calling it anything else."
He had laid his head on her lap again, so did not see her face. While he spoke, Louise looked at him, in a kind of unwilling surprise. Instinctively, she ceased to pass her hands over his hair.
"Oh, no, Maurice," she then protested, but weakly, without conviction.
"Yes—failure," he repeated, and put more emphasis than before on the word. "It's no good beating about the bush.—And do you realise what it—what failure means for us, Louise?"
"Oh, no," she said again, vaguely trying to ward off what she foresaw was coming. "And why talk about it to-night? You are tired. Things will seem different in the morning. Shut your eyes again, and lie quite still."
But, the ice once broken, he felt the need of speaking—of speaking out relentlessly all that was in him. And, as he talked, he found it impossible to keep still; he paced the room. He was very pale and very voluble, and made a clean breast of everything that troubled him; not so much, however, with the idea of confessing it to her, as of easing his own mind. And now, again, he let her see into his real self, and, unlike the previous occasion, it was here more than a glimpse that she caught. He was distressingly frank with her. She heard now, for the first time, of the foolish ambitions with which he had begun his studies in Leipzig; heard of their gradual subsidence, and his humble acceptance of his inferiority, as well as of his present fear that, when his time came to an end, he would have nothing to show for it—and under the influence of what had just happened, this fear grew more vivid. It was one thing, he made clear to her, and unpleasant enough at best, to have to find yourself to rights as a mediocrity, when you had hoped with all your heart that you were something more. But what if, having staked everything on it, you should discover that you had mistaken your calling altogether?
"To-night, you see, I think I should have been a better chimney-sweep. The real something that makes the musician—even the genuinely musical outsider—is wanting in me. I've learnt to see that, by degrees, though I don't know in the least what it is.—But even suppose I were mistaken—who could tell me that I was? One's friends are only too glad to avoid giving a downright opinion, and then, too, which of them would one care to trust? I believe in the end I shall go straight to Schwarz, and get him to tell me what he thinks of me—whether I'm making a fool of myself or not."
"Oh, I wouldn't do that," Louise said quickly.
It was the first time she had interrupted him. She had sat and followed his restless movements with a look of apprehension. A certain board in the floor creaked when he trod on it, and she found herself listening, each time, for the creaking of this board. She was sorry for him, but she could not attach the importance he did to his assumed want of success, nor was she able to subdue the feeling of distaste with which his doubtings inspired her. It was so necessary, too, this outpouring; she had never felt curious about the side of his nature which was not the lover's side. Tonight, it became clear to her that she would have preferred to remain in ignorance of it. And besides, what he said was so palpable, so undeniable, that she could not understand his dragging the matter to the surface: she had never thought of him but as one of the many honest workers, who swell the majority, and are not destined to rise above the crowd. She had not dreamed of his considering himself in another light, and it was painful to her now, to find that he had done so. To put an end to such embarrassing confidences, she went over to him, and, with her hands on his shoulders, her face upturned, said all the consoling words she could think of, to make him forget. They had never yet failed in their effect. But to-night too much was at work in Maurice, for him to be influenced by them. He kissed her, and touched her cheek with his hand, then began anew; and she moved away, with a slight impatience, which she did not try to conceal.
"You brood too much, Maurice ... and you exaggerate things, too. What if every one took himself so seriously?—and talked of failure because on a single occasion he didn't do himself justice?"
"It's more than that with me, dear.—But it's a bad habit, I know—not that I really mean to take myself too seriously; but all my life I have been forced to worry about things, and to turn them over."
"It's unhealthy always to be looking into yourself. Let things go more, and they'll carry you with them."
He took her hands. "What wise-sounding words! And I'm in the wrong, I know, as usual. But, in this case, it's impossible not to worry. What happened this evening seems a trifle to you, and no doubt would to every one else, too. But I had made a kind of touchstone of it; it was to help to decide the future—that hideously uncertain future of ours! I believe now, as far as I'm concerned, I don't care whether I ever come to anything or not. Of course, I should rather have been a success—we all would!—but caring for you has swallowed up the ridiculous notions I once had. For your sake—it's you I torment myself about. WHAT is to become of us?"
"If that's all, Maurice! Something will turn up, I'm sure it will. Have a little patience, and faith in luck ... or fate ... or whatever you like to call it."
"That's a woman's way of looking at things."
He was conscious of speaking somewhat unkindly; but he was hurt by her lack of sympathy. Instead, however, of smoothing things over, he was impelled, by an unconquerable impulse, to disclose himself still further. "Besides, that's not all," he said, and avoided her eyes. "There's something else, and I may just as well make a clean breast of it. It's not only that the future is every bit as shadowy to-night as it has always been: I haven't advanced it by an inch. But I feel to-night that if I could have been what I once hoped to be—no, how shall I put it? You know, dear, from the very beginning there has been something wrong, a kind of barrier between us hasn't there? How often I've tried to find out what it is! Well, to-night I seem to know. If I were not such an out-and-out mediocrity, if I had really been able to achieve something, you would care for me—yes, that's it!—as you can't possibly care now. You would have to; you wouldn't be able to help yourself."
Her first impulsive denial died on her lips; as he continued to speak, she seemed to feel in his words an intention to wound her, or, at least, to accuse her of want of love. When she spoke, it was in a cool voice, as though she were on her guard against being touched too deeply.
"That has nothing whatever to do with it," she said. "It's you yourself, Maurice, I care for—not what you can or can't do."
But these words added fuel to his despondency. "Yes, that's just it," he answered. "For you, I'm in two parts, and one of them means nothing to you. I've felt it, often enough, though I've never spoken of it till to-night. Only one side of me really matters to you. But if I'd been able to accomplish what I once intended—to make a name for myself, or something of that sort—then it would all have been different. I could have forced you to be interested in every single thing I did—not only in the me that loves you, but in every jot of my outside life as well."
Louise did not reply: she had a moment of genuine despondency. The staunch tenderness she had been resolved to feel for him this evening, collapsed and shrivelled up; for the morbid self-probing in which he was indulging made her see him with other eyes. What he said belonged to that category of things which are too true to be put into words: why could not he, like every one else, let them rest, and act as if they did not exist? It was as clear as day: if he were different, the whole story of their relations would be different, too. But as he could not change his nature, what was the use of talking about it, and of turning out to her gaze, traits of mind with which she could not possibly sympathise? Standing, a long white figure, beside the piano, she let her arms hang weakly at her sides. She did not try to reason with him again, or even to comfort him; she let him go on and on, always in the same strain, till her nerves suddenly rebelled at the needless irritation.
"Oh, WHY must you be like this to-night?" she broke in on him. "Why try to destroy such happiness as we have? Can you never be content?"
From the way in which he seized upon these words, it seemed as if he had only been waiting for her to say them. "Such happiness as we have!" he repeated. "There!—listen!—you yourself admit it. Admit all I've been saying.—And do you think I can realise that, and be happy? No, I've suffered under it from the first day. Oh, why, loving you as I do, could I not have been different?—more worthy of you. Why couldn't I, too, be one of those favoured mortals ...? Listen to me," he said lowering his voice, and speaking rapidly. "Let me make another confession. Do you know why to-night is doubly hard to bear? It's because—yes, because I know you must be forced—and not to-night only, but often—to compare me what I am and what I can do—with ... with ... you know who I mean. It's inevitable—the comparison must be thrust on you every day of your life. But does that, do you think, make it any the easier for me?"
As the gist of what he was trying to say was borne in upon her, Louise winced. Her face lost its tired expression, and grew hard. "You are breaking your word," she said, in a tone she had never before used to him. "You promised me once, the past should never be mentioned between us."
"I'm not blind, Louise," he went on, as though she had not spoken. "Nor am I in a mood to-night to make myself any illusions. The remembrance of what he was—he was never doubtful of himself, was he?—must always—HAS always stood between us, while I have racked my brains to discover what it was. To-night it came over me like a flash that it was he—that he ... he spoiled you utterly for anyone else; made it impossible for you to care for anyone who wasn't made of the same stuff as he was. It would never have occurred to him, would it, to torment you and make you suffer for his own failure? For the very good reason that he never was a failure. Oh, I haven't the least doubt what a sorry figure I must cut beside him!"
The unhappy words came out slowly, and seemed to linger in the air. Louise did not break the pause that followed, and by her silence, assented to what he said. She still stood motionless beside the piano.
"Or tell me," Maurice cried abruptly, with a ray of hope; "tell me the truth about it all, for once. Was it mere exaggeration, or was he really worth so much more than all the rest of us? Of course he could play—I know that—but so can many a fool. But all the other part of it—his incredible talent, or luck in everything he touched—was it just report, or was it really something else?—Tell me."
"He was a genius," she answered, very coldly and distinctly; and her voice warned him once more that he was trespassing on ground to which he had no right. But he was too excited to take the warning.
"A genius!" he echoed. "He was a genius! Yes, what did I tell you? Your very words imply a comparison as you say them. For I?—what am I? A miserable bungler, a wretched dilettant—or have you another word for it? Oh, never mind—don't be afraid to say it!—I'm not sensitive tonight. I can bear to hear your real opinion of me; for it could not possibly be lower than my own. Let us get at the truth for once, by all means!—But what I want to know," he cried a moment later, "is, why one should be given so much and the other so little. To one all the talents and all your love; and the other unhappy wretch remains an outsider his whole life long. When you speak in that tone about him, I could wish with all my heart that he had been no better than I am. It would give me pleasure to know that he, too, had only been a dabbling amateur—the victim of a pitiable wish to be what he hadn't the talent for."
He could not face her amazement; he stared at the yellow globe of the lamp till his eyes smarted.
"It no doubt seems despicable to you," he went on, "but I can't help it. I hate him for the way he was able to absorb you. He's my worst enemy, for he has made it impossible for you—the woman I love—to love me wholly in return.—Of course, you can't—you WON'T understand. You're only aghast at what you think my littleness. Of all I've gone through, you know nothing, and don't want to know. But with him, it was different; you had no difficulty in understanding him. He had the power over you. Look!—at this very moment, you are siding, not with me, but with him. All my struggling and striving counts for nothing.—Oh, if I could only understand you!" He moved to and fro in his agitation. "Why is a woman so impossible? Does nothing matter to her but tangible success? Do care and consideration carry no weight? Even matched against the blackguardly egoism of what you call genius?—Or will you tell me that he considered you? Didn't he treat you from beginning to end like the scoundrel he was?"
She raised hostile eyes. "You have no right to say that," she said in a small, icy voice, which seemed to put him at an infinite distance from her. "You are not able to judge him. You didn't know him as ... as I did."
With the last words a deeper note came into her voice, and this was all Maurice heard. A frenzied fear seized him.
"Louise!" he cried violently. "You care for him still!"
She started, and raised her arms, as if to ward off a blow. "I don't ... I don't ... God knows I don't! I hate him—you know I do!" She had clapped both hands to her face, and held them there. When she looked up again, she was able to speak as quietly as before. "But do you want to make me hate you, too? Do you think it gives me a higher opinion of you, to hear you talk like that about some one I once cared for? How can I find it anything but ungenerous?—Yes, you are right, he WAS different—in every way. He didn't know what it meant to be envious of anyone. He was as different from you as day from night."
Maurice was hurt to the quick. "Now I know your real opinion of me! Till now you have been considerate enough to hide it. But to-night I have heard it from your own lips. You despise me!"
"Well, you drove me to say it," she burst out, wounded in her turn. "I should never have said it of my own accord—never! Oh, how ungenerous you are! It's not the first time you've goaded me into saying something, and then turned round on me for it. You seem to enjoy finding out things you can feel hurt by.—But have I ever complained? Did I not take you just as you were, and love you—yes, love you! I knew you couldn't be different—that it wasn't your fault if you were faint-hearted and ... and—But you?—what do you do? You talk as if you worship the ground I walk on: but you can't let me alone. You are always trying to change me—to make me what you think I ought to be."
Her words came in haste, stumbling one over the other, as it became plain to her how deeply this grievance, expressed now for the first time, had eaten into her soul. "You've never said to yourself, she's what she is because it's her nature to be. You want to remake my nature and correct it. You are always believing something is wrong. You knew very well, long ago, that the best part of me had belonged to some one else. You swore it didn't matter. But to-night, because there's absolutely nothing else you can cavil at, you drag it up again—in spite of your promises. I have always been frank with you. Do you thank me for it? No, it's been my old fault of giving everything, when it would have been wiser to keep something back, or at least to pretend to. I might have taken a lesson from you, in parsimonious reserve. For there's a part of you, you couldn't give away—not if you lived with a person for a hundred years."
Of all she said, the last words stung him most.
"Yes, and why?" he cried. "Ask yourself why I You are unjust, as only a woman can be. You say there's a part of me you don't know. If that's true, what does it mean? It means you don't want to know it. You don't want it even to exist. You want everything to belong to you. You don't care for me well enough to be interested in that side of my life which has nothing to do with you. Your love isn't strong enough for that."
"Love!—need we talk about love?" Her face was so unhappy that it seemed to have grown years older. "Love is something quite different. It takes everything just as it is. You have never really loved me.".
"I have never really loved you?"
He repeated the words after her, as if he did not understand them, and with his right hand grasped the table; the ground seemed to be slipping from under his feet. But Louise did not offer to retract what she had said, and Maurice had a moment of bewilderment: there, not three yards from him, sat the woman who was the centre of his life; Louise sat there, and with all appearance of believing it, could cast doubts on his love for her. At the thought of it, he was exasperated.
"I not love you!"
His voice was rough, had escaped control. "You have only to lift your finger, and I'll throw myself from that window on to the pavement."
Louise sat as if turned to stone.
"Don't you hear?" he cried more loudly. "Look up! ... tell me to do it!"
Still she did not move.
"Louise, Louise!" he implored, throwing himself down before her. "Speak to me! Don't you hear me?—Louise!"
"Oh, yes, I hear," she said at last. "I hear how ready you are with promises you know you will not be asked to keep. But the small, everyday things—those are what you won't do for me."
"Tell me ... tell me what I shall do!"
"All I ask of you is to be happy. And to let me be happy, too."
He stammered promises and entreaties. Never, never again!—if only this once she would forgive him; if only she would smile at him, and let the light come back to her eyes. He had not been responsible for his actions this evening.
"It was more of a strain than I knew. And after it was over, I had to vent my disappointment somehow; and it was you, poor darling, who suffered. Forgive me, Louise!—But try, dear, a little to understand why it was. Can't you see that I was only like that through fear—yes, fear!—that somehow you might slip from me. I can't help feeling, one day you will have had enough of me, and will see me for what I really am."
He tried to put his arms round her, but she held back: she had no desire to be reconciled. The sole response she made to his beseeching words was: "I want to be happy."
"But you shall.—Do you think I live for anything else? Only forgive me! Remember the happiest hours we have spent together. Come back to me; be mine again! Tell me I am forgiven."
He was in despair; he could not get at her, under her coating of insensibility. And since his words had no power to move her, he took to kissing her hands. She left them limply in his; she did not resist him. From this, he drew courage: he began to treat her more inconsiderately, compelling her to bend down to him, making her feel his strength; and he did not cease his efforts till her head had sunk forward, heavy and submissive, on his shoulder.
They were at peace again: and the joys of reconciliation seemed almost worth the price they had paid for them.
The following morning, having drunk his coffee, Maurice pushed back the metal tray on which the delf-ware stood, and remained sitting idle with his hands before him. It was nine o'clock, and the houses across the road were beginning to catch stray sunbeams. By this time, his daily work was as a rule in full swing; but to-day he was in no hurry to commence. He was even more certain now than he had been on the night before, of his lack of success; and the idea of starting anew on the dull round filled him with distaste. He had been so confident that his playing would, in some way or other, mark a turning-point in his musical career; and lo! it had gone off with as little fizz and effect as a damp rocket. Lighting a cigarette, he indulged in ironical reflections. But, none the less, he heard the minutes ticking past, and as he was not only a creature of habit, but had also a troublesome northern conscience, he rose before the cigarette had formed its second spike of ash, and went to the piano: no matter how rebellious he felt, this was the only occupation open to him; and so he set staunchly out on the unlovely mechanical exercising, which no pianist can escape. Meanwhile, he recapitulated the scene in the concert hall, from the few anticipatory moments, when the 'cellist related amatory adventures, to the abrupt leave he had taken of Dove at the door of the building. And in the course of doing this, he was invaded by a mild and agreeable doubt. On such shadowy impressions as these had he built up his assumption of failure! Was it possible to be so positive? The unreal state of mind in which he had played, hindered him from acting as his own judge. The fact that Schwarz had not been effusive, and that none of his friends had sought him out, admitted of more than one interpretation. The only real proof he had was Dove's manner to him; and was not Dove always too full of his own affairs, or, at least, the affairs of those who were not present at the moment, to have any attention to spare for the person he was actually with? At the idea that he was perhaps mistaken, Maurice grew so unsettled that he rose from the piano. But, by the time he took his seat again, he had wavered; say what he would, he could not get rid of the belief that if he had achieved anything out of the common, Madeleine would not have made it her business to avoid him. After this, however, his fluctuating hopes rallied, then sank once more, until it ended in his leaving the piano. For it was of no use trying to concentrate his thoughts until he knew.
Even as he said this to himself, his resolution was taken. There was only one person to whom he could apply, and that was Schwarz. The proceeding might be unusual, but then the circumstances in which he was placed were unusual, too. Besides, he asked neither praise nor flattery, merely a candid opinion.
If, however, he faced Schwarz on this point, there were others on which he might as well get certainty at the same time. The matter of the PRUFUNG, for instance, had still to be decided. So much depended on the choice of piece. His fingers itched towards Chopin or Mendelssohn, for the sole reason that the technique of these composers was in his blood. Whereas Beethoven!—he knew from experience how difficult it was to get a satisfactory effect out of the stern barenesses of Beethoven. They demanded a skill he could never hope to possess.
Between five and six that afternoon, he made his way to the SEBASTIAN BACH-STRASSE, where Schwarz lived. It was hot in the new, shadeless streets through which he passed, and also in crossing the JOHANNAPARK; hardly a hint of September was in the air. He walked at a slow pace, in order not to arrive too early, and, for some reason unclear to himself, avoided stepping on the joins of the paving-stones.
On hearing that he had not come for a lesson, the dirty maidservant, who opened the third-floor door to him, showed him as a visitor into the best sitting-room. Maurice remained standing, in prescribed fashion. But he had no sooner crossed the threshold than he was aware of loud voices in the adjoining room, separated from the one he was in by large foldingdoors.
"If you think," said a woman's voice, and broke on "think"—"if you think I'm going to endure a repetition of what happened two years ago, you're mistaken. Never again shall she enter this house! Oh, you pig, you wretch! Klara has told me; she saw you through the keyhole—with your arm round her waist. And I know myself, scarcely a note was struck in the hour. You have her here on any pretext; you keep her in the class after all the others have gone. But this time I'm not going to sit still till the scandal comes out, and she has to leave the place. A man of your age!—the father of four children!—and this ugly little hussy of seventeen! Was there ever such a miserable woman as I am! No, she shall never enter this house again."
"And I say she shall!" came from Schwarz so fiercely that the listener started. "Aren't you ashamed, woman, at your age, to set a servant spying at keyholes?—or, what is more likely, spying yourself? Keep to your kitchen and your pots, and don't dictate to me. I am the master of the house."
"Not in a case like this. It concerns me. It concerns the children. I say she shall never enter the door again."
"And I say she shall. Go out of the room!"
A chair grated roughly on a bare floor; a door banged with such violence that every other door in the house vibrated.
In the silence that ensued, Maurice endeavoured to make his presence known by walking about. But no one came. His eyes ranged round the room. It was, with a few slight differences, the ordinary best room of the ordinary German house. The windows were heavily curtained, and, in front of them, to the further exclusion of light and air, stood respectively a flower-table, laden with unlovely green plants, and a room-aquarium. The plush furniture was stiffly grouped round an oblong table and dotted with crochet-covers; under a glass shade was a massy bunch of wax flowers; a vertikow, decorated with shells and grasses, stood cornerwise beside the sofa; and, at the door, rose white and gaunt a monumental Berlin stove. But, in addition to this, which was DE RIGUEUR, there were personal touches: on the walls, besides the usual group of family photographs, in oval frames, hung the copy of a Madonna by Gabriel Max, two etchings after Defregger, several large group-photographs of Schwarz's classes in different years, a framed concert programme, yellow with age, and a silhouette of Schumann. Over one of the doors hung a withered laurelwreath of imposing dimensions, and with faded silken ends, on which the inscription was still legible: DEM GROSSEN KUNSTLER, JOHANNES SCHWARZ!—Open on a chair, with an embroidered book-marker between its pages, lay ATTA TROLL; and by the stove, a battered wooden doll sat against the wall, in a relaxed attitude, with a set leer on its painted face.
Maurice waited, in growing embarrassment. He had unconsciously fixed his eyes on the doll; and, in the dead silence of the house, the senseless face of the creature ruffled his nerves; crossing the room, he knocked it over with his foot, so that its head fell with a bump on the parquet floor, where it lay in a still more tipsy position. There was no doubt that he had arrived at a most inopportune moment; it seemed, too, as if the servant had forgotten even to announce him.
On cautiously opening the door, with the idea of slipping away, he heard a child screaming in a distant room, and the mother's voice sharp in rebuke. The servant was clattering pots and pans in the kitchen, but she heard Maurice, and put her head out of the door. Her face was red and swollen with crying.
"What!—you still here?" she said rudely. "I'd forgotten all about you."
"It doesn't matter—another time," murmured Maurice.
But the girl had spoken in a loud voice to make herself heard above the screaming, which was increasing in volume, and, at her words, a door at the end of the passage, and facing down it, was opened by about an inch, and Frau Schwarz peered through the slit.
"Who is it?"
The servant tossed her head, and made no reply. She went back into her kitchen, and, after a brief absence, during which Frau Schwarz continued surreptitiously to scrutinise Maurice, came out carrying a large plateful of BERLINER PFANNKUCHEN. With these she crossed to an opposite room, and, as she there planked the plate down on the table, she announced the visitor. A surly voice muttered something in reply. As, however, the girl insisted in her sulky way, on the length of time the young man had waited, Schwarz called out stridently: "Well, then, in God's name, let him come in! And Klara, you tell my wife, if that noise isn't stopped, I'll throw either her or you downstairs."
Klara appeared again, scarlet with anger, jerked her arm at Maurice, to signify that he might do the rest for himself, and, retreating into her kitchen, slammed the door. Left thus, with no alternative, Maurice drew his heels together, gave the customary rap, and went into the room.
Schwarz was sitting at the table with his head on his hand, tracing the pattern of the cloth with the blade of his knife. A coffee-service stood on a tray before him; he had just refilled his cup, and helped himself from the dish of PFANNKUCHEN, which, freshly baked, sent an inviting odour through the room. He hardly looked up on Maurice's entrance, and cut short the young man's apologetic beginnings.
"Well, what is it? What brings you here?"
As Maurice hesitated before the difficulty of plunging offhand into the object of his visit, Schwarz pointed with his knife at a chair: he could not speak, for he had just put the best part of a PFANNKUCHEN in his mouth, and was chewing hard. Maurice sat down, and holding his hat by the brim, proceeded to explain that he had called on a small personal matter, which would not occupy more than a minute of the master's time.
"It's in connection with last night that I wished to speak to you, Herr Professor," he said: the title, which was not Schwarz's by right, he knew to be a sop. "I should be much obliged to you if you would give me your candid opinion of my playing. It's not easy to judge oneself—although I must say, both at the time, and afterwards, I was not too well pleased with what I had done—that is to say ..."
"WIE? WAS?" cried Schwarz, and threw a hasty glance at his pupil, while he helped himself anew from the dish.
Maurice uncrossed his legs, and crossed them again, the same one up.
"My time here comes to an end at Easter, Herr Professor. And it's important for me to learn what you think of the progress I have made since being with you. I don't know why," he added less surely, "but of late I haven't felt satisfied with myself. I seem to have got a certain length and to have stuck there. I should like to know if you have noticed it, too. If so, does the fault lie with my want of talent, or—"
"Or with ME, perhaps?" broke in Schwarz, who had with difficulty thus far restrained himself. He laughed offensively. "With ME—eh?" He struck himself on the chest, several times in succession, with the butt-end of his knife, that there might be no doubt to whom he referred. "Upon my soul, what next I wonder!—what next!" He ceased to laugh, and grew ungovernably angry. "What the devil do you mean by it? Do you think I've nothing better to do, at the end of a hard day's work, than to sit here and give candid opinions, and discuss the progress made by each strummer who comes to me twice a week for a lesson? Oho, if you are of that opinion, you may disabuse your mind of it! I'm at your service on Tuesday and Friday afternoon, when I am paid to be; otherwise, my time is my own."
He laid two of the cakes on top of each other, sliced them through, and put one of the pieces thus obtained in his mouth. Maurice had risen, and stood waiting for the breathing-space into which he could thrust words of apology.
"I beg your pardon, Herr Professor," he now began. "You misunderstand me. Nothing was further from my mind than——"
But Schwarz had not finished speaking; he rapped the table with his knife-handle, and, working himself up to a white heat, continued: "But plain and plump, I'll tell you this, Herr Guest"—he pronounced it "Gvest." "If you are not satisfied with me, and my teaching, you're at liberty to try some one else. If this is a preliminary to inscribing yourself under that miserable humbug, that wretched charlatan, who pretends to teach the piano, do it, and have done with it! No one will hinder you—certainly not I. You're under no necessity to come here beforehand, and apologise, and give your reasons—none of the others did. Slink off like them, without a word! it's the more decent way in the long run. They at least knew they were behaving like blackguards."
"You have completely misunderstood me, Herr Schwarz. If you will give me a moment to explain——"
But Schwarz was in no mood for explanations; he went on again, paying no heed to Maurice's interruption.
"Who wouldn't rather break stones by the roadside than be a teacher?" he asked, and sliced and ate, sliced and ate. "Look at the years of labour I have behind me—twenty and more!—in which I've toiled to the best of my ability, eight and nine hours, day after day, and eternally for ends that weren't my own!—And what return do I get for it? A new-comer only needs to wave a red flag before them, and all alike rush blindly to him. A pupil of Liszt?—bah! Who was Liszt? A barrel-organ of execution; a perverter of taste; a worthy ally of that upstart who ruined melody, harmony, and form. Don't talk to me of Liszt!"
He spoke in spurts, blusteringly, but indistinctly, owing to the fullness of his mouth.
"But I'm not to be imposed on. I know their tricks. Haven't I myself had pupils turn to me from Bulow and Rubinstein? Is that not proof enough? Would they have come if they hadn't known what my method was worth? And I took them, and spared no pains to make something of them. Haven't I a right to expect some gratitude from them in return?—Gratitude? Such a thing doesn't exist; it's a word without meaning, a puffing of the air. Look at him for whom I did more than for all the rest. Did I take a pfennig from him in payment?—when I saw that he had talent? Not I! And I did it all. When he came to me, he couldn't play a scale. I gave him extra lessons without charge, I put pupils in his way, I got him scholarships, I enabled him to support his family—they would have been beggars in the street, but for me. And now soon will be! Yes, I have had his mother here, weeping at my feet, imploring me to reason with him and bring him back to his senses. SHE sees where his infamy will land them. But I? I snap my fingers in his face. He has sown, and he shall reap his sowing.—But the day will come, I know it, when he will return to me, and all the rest will follow him, like the sheep they are. Let them come! They'll see then whether I have need of them or not. They'll see then what they were worth to me. For I can produce others others, I say!—who will put him and his fellows out of the running. Do they think I'm done for, because of this? I'll show them the contrary. I'll show them! Why, I set no more store by the lot of you than I do by this plate of cakes!"
Again he ate voraciously, and for a few moments, the noise his jaws made in working was the only sound in the room. Maurice stood in the same attitude, with his hat in his hand.
"I regret more than I can express, having been the cause of annoying you, Herr Professor," he said at length with stiff formality. "But I should like to repeat, once more, that my only object in coming here was to speak to you about last night. I felt dissatisfied with myself and ..."
"Dissatisfied?" echoed Schwarz, bringing his jaws together with a snap. "And what business of yours is it to feel dissatisfied, I'd like to know? Leave that to me! You'll hear soon enough, I warrant you, when I have reason to be dissatisfied. Until then, do me the pleasure of minding your own business."
"Excuse me," said Maurice with warmth, "if this isn't my own business! ... As I see it, it's nobody's but mine. And it seemed to me natural to appeal to you, as the only person who could decide for me whether I should have anything further to do with art, or whether I should throw it up altogether."
Schwarz, who was sometimes not averse to a spirited opposition, caught at the one unlucky word on which he could hang his scorn.
"ART!" he repeated with jocose emphasis—he had finished the plate of cakes, risen from the table, and was picking teeth at the window. "Art!—pooh, pooh!—what's art got to do with it? In your place, I should avoid taking such highflown words on my tongue. Call it something else. Do you think it makes a jot of difference whether you call it art or ... pludderdump? Not so much"—and he snapped his fingers—"will be changed, though you never call it anything! Vanity!—it's nothing but vanity! A set of raw youths inflate themselves like frogs, and have opinions on art, as on what they have eaten for their dinner.—Do your work and hold your tongue! A scale well played is worth all the words that were ever said—and that, the majority of you can't do."
He closed his toothpick with a snap, spat dexterously at a spittoon which stood in a corner of the room, and the interview was over.
As Maurice descended the spiral stair, he said to himself that, no matter how long he remained in Leipzig, he would never trouble Schwarz with his presence again. The man was a loose-mouthed bully. But in future he might seek out others to be the butt of his clumsy wit. He, Maurice, was too good for that.—And squaring his shoulders, he walked erectly down the street, and across the JOHANNAPARK.
But none the less, he did not go straight home. For, below the comedy of intolerance at which he was playing, lurked, as he well knew, the consciousness that his true impression of the past hour had still to be faced. He might postpone doing this; he could not shirk it. It was all very well: he might repeat to himself that he had happened on Schwarz at an inopportune moment. That did not count. For him, Maurice, the opportune moment simply did not exist; he was one of those people who are always inopportune, come and go as they will. He might have waited for days; he would never have caught Schwarz in the right mood, or in the nick of time. How he envied those fortunate mortals who always arrived at the right moment, and instinctively said the right thing! That talent had never been his. With him it was blunder.
One thing, though, that still perplexed him, was that not once, since he had been in Leipzig, had he caught a glimpse of that native goodness of heart, for which he had heard Schwarz lauded. The master had done his duty by him—nothing more. Neither had had any personal feeling for the other; and the words Schwarz had used this afternoon had only been the outcome of a long period of reserve, even of distrust. At this moment, when he was inclined to take the onus of the misunderstanding on his own shoulders, Maurice admitted, besides his constant preoccupation—or possibly just because of it—an innate lack of sympathy in himself, an inability, either of heart or of imagination, to project himself into the lives and feelings of people he did not greatly care for. Otherwise, he would not have gone to Schwarz on such an errand as today's; he would have remembered that the master was likely to be sore and suspicious. And, from now on, things would be worse instead of better. Schwarz had no doubt been left under the impression that Maurice had wished to complain of his teaching; and impressions of this nature were difficult to erase.
There was nothing to be done, however, but to plod along in the familiar rut. He must stomach aspersions and injuries, behave as if nothing had happened. His first hot intention of turning his back on Schwarz soon yielded to more worldly-wise thoughts. Every practical consideration was against it. He might avenge himself, if he liked, by running to the rival teacher like a crossed child; Schrievers would undoubtedly receive him with open arms, and promise him all he asked. But what could he hope to accomplish, under a complete change of method, in the few months that were left? He would also have to forfeit his fees for the coming term, which were already paid. Schrievers' lessons were expensive, and out of the small sum that remained to him to live on, it would be impossible to take more than half a dozen. Another than he might have appealed to Schrievers' satisfaction in securing a fresh convert; but Maurice had learnt too thoroughly by now, that he was not one of those happy exceptions—exceptions by reason of their talent or their temperament—to whom a master was willing to devote his time free of charge.
Over these reflections night had fallen; and rising, he walked speedily back by the dark wood-paths. But before he reached the meadows, from which he could see lights blinking in the scattered villas, his steps had lagged again. His discouragement had nothing chimerical in it at this moment; it was part and parcel of himself.—The night was both chilly and misty, and it was late. But a painful impression of the previous evening lingered in his mind. Louise would be annoyed with him for keeping her waiting; and he shrank, in advance, from the thought of another disagreeable scene. He was not in the mood to-night, to soothe and console.
As he entered the MOZARTSTRASSE, he saw that there was a light in Madeleine's window. She was at home, then. He imagined her sitting quiet and busy in her pleasant room, which, except for the ring of lamplight, was sunk in peaceful shadow. This was what he needed: an hour's rest, dim light, and Madeleine's sympathetic tact.
Without giving himself time for thought, he mounted the stair and pressed the bell-knob on the third floor.
On seeing who her visitor was, Madeleine rose with alacrity from the writing-table.
"Maurice! Is it really you?"
"I was passing. I thought I would run up ... you're surprised to see me?"
"Oh, well—you're a stranger now, you know."
She was vexed with herself for showing astonishment. Moving some books, she made room for him to sit down on the sofa, and, as he was moody, and seemed in no hurry to state why he had come, she asked if she might finish the letter she was writing.
"Make yourself comfortable. Here's a cushion for your head."
Through half-closed eyes, he watched her hand travelling across the sheet of note-paper, and returning at regular intervals, with a sure swoop, to begin a fresh line. There was no sound except the gentle scratching of her pen.
Madeleine did not look up till she had finished her letter and addressed the envelope. Maurice had shut his eyes.
"Are you asleep?" she roused him. "Or only tired?"
"I've a headache."
"I'll make you some tea."
He watched her preparing it, and, by the time she handed him his cup, he was in the right mood for making her his confidant.
"Look here, Madeleine," he said; "I came up to-night—The fact is, I've done a foolish thing. And I want to talk to some one about it."
Her eyes grew more alert.
"Let me see if I can help you."
He shook his head. "I'm afraid you can't. But first of all, tell me frankly, how you thought I got on last night."
"How you got on?" echoed Madeleine, unclear what this was to lead to. "Why, all right, of course.—Oh, well, if you insist on the truth!—The fact is, Maurice, you did no better and no worse than the majority of those who fill the ABEND programmes. What you didn't do, was to reach the standard your friends had set up for you."
"Thanks. Now listen," and he related to her in detail his misadventure of the afternoon.
Madeleine followed with close attention. But more distinctly than what he said, she heard what he did not say. His account of the two last days, with the unintentional sidelight it threw on just those parts he wished to keep in darkness, made her aware how complicated and involved his life had become. But before he finished speaking, she brought all her practical intelligence to bear on what he said.
"Maurice!" she exclaimed, with a consternation that was three parts genuine. "I should like to shake you. How COULD you!—what induced you to do such a foolish thing?" And, as he did not speak: "If only you had come to me before, instead of after! I should have said: hold what ridiculous opinions you like yourself, but for goodness' sake keep clear of Schwarz with them. Yes, ridiculous, and offensive, too. Anyone would have taken your talk about being dissatisfied just as he did. And after the way he has been treated of late, he's of course doubly touchy."
"I knew that, when it was too late. But I meant merely to speak straight out to him, Madeleine—one man to another. You surely don't want to say he's incapable of allowing one to have an independent opinion? If that's the case, then he's nothing but the wretched little tyrant Heinz declares him to be."
"Wait till you have taught as long as he has," said Madeleine, and, at his muttered: "God forbid!" she continued with more warmth: "You'll know then, too, that it doesn't matter whether your pupils have opinions or not. He has seen this kind of thing scores of times before, and knows it must be kept down."
She paused, and looked at him. "To get on in life, one must have a certain amount of tact. You are too naive, Maurice, too unsuspecting—one of those people who would like to carry on social intercourse on a basis of absolute truth, and then be surprised that it came to an end. You are altogether a very difficult person to deal with. You are either too candid, or too reserved. There's no middle way in you. I haven't the least doubt that Schwarz finds you both perplexing and irritating; he takes the candour for impertinence, and the reserve for distrust."
Maurice smiled faintly. "Go on—don't spare me. No one ever troubled before to tell me my failings."
"Oh, I'm quite in earnest. As I look at it, it's entirely your own fault that you don't stand better with Schwarz. You have never condescended to humour him, as you ought to have done. You thought it was enough to be truthful and honest, and to leave the rest to him. Well, it wasn't. I won't hear a word against Schwarz; he's goodness itself to those who deserve it. A little bluff and rude at times; but he's too busy to go about in kid gloves for fear of hurting sensitive people's feelings."
"Why did you never take private lessons from him?" was her next question. "I told you months ago, you remember, that you ought to.—Oh, yes, you said they were too expensive, I know, but you could have scraped a few marks together somehow. You managed to buy books, and books were quite unnecessary. One lesson a fortnight would have brought you' more into touch with Schwarz than all you have had in the class. As it is, you don't know him any better than he knows you." And as she refilled his tea-cup, she added: "You quoted Heinz to me just now. But you and I can't afford to measure people by the same standards as Heinz. We are everyday mortals, remember.—Besides, in all that counts, he is not worth Schwarz's little finger."
"You're a warm advocate, Madeleine."
"Yes, and I've reason to be. No one here has been as kind to me as Schwarz. I came, a complete stranger, and with not more than ordinary talent. But I went to him, and told him frankly what I wanted to do, how long I could stay, and how much money I had to spend. He helped me and advised me. He has let me study what will be of most use to me afterwards, and he takes as much interest in my future as I do myself. How can I speak anything but well of him?—What I certainly didn't do, was to go to him and talk ambiguously about feeling dissatisfied with him ..."
"With myself, Madeleine. Haven't I made that clear?"
But Madeleine only sniffed.
"Well, it's over and done with now," she said after a pause. "And talking about it won't mend it.—Tell me, rather, what you intend to do. What are your plans?"
"Plans? I don't know. I haven't any. Sufficient unto the day, etc."
But of this she disapproved with open scorn. "Rubbish! When your time here is all but up! And no plans!—One thing, I can tell you anyhow, is, after to-day you needn't rely on Schwarz for assistance. You've spoilt your chances with him. The only way of repairing the mischief would be the lesson I spoke of—one a week as long as you re here."
"I couldn't afford it."
"No, I suppose not," she said sarcastically, and tore a piece of paper that came under her fingers into narrow strips. "Tell me," she added a moment later, in a changed tone: "where do you intend to settle when you return to England? And have you begun to think of advertising yourself yet?"
He waved his hand before his face as if he were chasing away a fly. "For God's sake, Madeleine! ... these alluring prospects!"
"Pray, what else do you expect to do?"
"Well, the truth is, I ... I'm not going back to England at all. I mean to settle here."
Madeleine repressed the exclamation that rose to her lips, and stooped to brush something off the skirt of her dress. Her face was red when she raised it. She needed no further telling; she understood what his words implied as clearly as though it were printed black on white before her. But she spoke in a casual tone.
"However are you going to make that possible?"
He endeavoured to explain.
"I don't envy you," she said drily, when he had finished. "You hardly realise what lies before you, I think. There are people here who are glad to get fifty pfennigs an hour, for piano lessons. Think of plodding up and down stairs, all day long, for fifty pfennigs an hour!"
He was silent.
"While in England, with a little tact and patience, you would soon have more pupils than you could take at five shillings."
"Tact and patience mean push and a thick skin. But don't worry! I shall get on all right. And if I don't—life's short, you know."
"But you are just at: the beginning of it—and ridiculously young at that! Good Heavens, Maurice!" she burst out, unable to contain herself. "Can't you see that after you've been at home again for a little while, things that have seemed so important here will have shrunk into their right places? You'll be glad to have done with them then, when you are in orderly circumstances again."
"I'm afraid not," answered the young man. "I'm not a good forgetter."
"A good forgetter!" repeated Madeleine, and laughed sarcastically. She was going on to say more, but, just at this moment, a clock outside struck ten, and Maurice sprang to his feet.
"So late already? I'd no idea. I must be off."
She stood by, and watched him look for his hat.
"Here it is." She picked it up, and handed it to him, with an emphasised want of haste.
"Good night, Madeleine. Thanks for the truth. I knew I could depend on you."
"It was well meant. And the truth is always beneficial, you know. Good night.—Come again, soon."
He heard her last words half-way down the stairs, which he took two at a time.
The hour he had now to face was a painful ending to an unpleasant day. It was not merely the fact that he had kept Louise waiting, in aching suspense, for several hours. It now came out that, after their disagreement of the previous night, she had confidently expected him to return to her early in the day, had expected contrition and atonement. That he had not even suspected this made her doubly bitter against him. In vain he tried to excuse himself, to offer explanations. She would not listen to him, nor would she let him touch her. She tore her dress from between his fingers, brushed his hand off her arm; and, retreating into a corner of the room, where she stood like an animal at bay, she poured out over him her accumulated resentment. All she had ever suffered at his hands, all the infinitesimal differences there had been between them, from the beginning, the fine points in which he had failed—things of which he had no knowledge—all these were raked up and cast at him till, numb with pain, he lost even the wish to comfort her. Sitting down at the table, he laid his head on his folded arms.
At his feet were the fragments of the little clock, which, in her anger at his desertion of her, she had trodden to pieces.