FOOTNOTES:

"All you men come here." The troopers moved close, and formed on three sides of the table. They stepped quietly, some hint of what was to be having come to them."Got somethin' to tell you. You think you are very smart, doncher? You think you—" he rubbed his forehead reflectively and struggled for words. Whatwasit he wanted to tell them? Oh, yes; that was it. "You think you're smart, doncher?" and he leaned forward on the table, peering around the circle; "but 'cher all damn fools. Me, I'm a smart man," and he indicated the center button of his blouse with his thumb, drawing himself up haughtily."You thought I cabled to the President, din'cher?" he continued, leaning forward again, and returning to his confidential tone. "Not on your life. See, there's the money. What a joke," and he burst into drunken hilarity, reeling from side to side, while the tears ran down his face.The quiet in the room was absolute, except for the officer's unholy mirth, and the steady fall of the rain. At the sound of that laughter, old Jeremiah, who had sat in his corner unmindful of the officer's presence, got up and came forward to the opposite end of the table. There was a dazed look in his face as though he were just waking from a deep sleep. He glanced around at the other negroes, standing silently with wide eyes, then at the drunken officer, and finally at the pile of silver. Then he knew. As soon as Perkins saw the old soldier, he chuckled with renewed glee."Hallo, sergeant, you ole fool. The joke's on you. Yessir, the joke's on you. You thought I cabled to the President; but I did'n'. Nosir, I did'n'." And he went off into renewed peals of laughter.Suddenly he stopped short. He saw that there was no appreciation of his witticisms; only a blur of blank black faces and white, rolling eyes."Why don't you laugh, you damn apes? You damn black idiots, why don't you laugh? You——you——"He ceased quickly, for another voice broke the silence. It was old Sergeant Wilson speaking. No one could tell when he had begun. He stood slightly crouched, with his hands on the edge of the table. His face was absolutely blank and expressionless, while his eyes were fixed on the officer with a tense, glassy stare. His voice was cold and monotonous, without rise or fall, halt or intonation, and seemed to be more the wail of the spirit rising from somewhere deep within him than the voice of the flesh."You heah that, boys? You heah what he says? He calls us apes; us that God made as well as him. 'Cause we ahr black he calls us apes. We ahr no better dan de dirt undah his feet. He tooken ouh money an' fooled us, an'now he is laughin' 'cause he fooled us. He tooken ouh money and lied to us. An' while he wuz a-foolin' us, us apes, dey taken mah boy, mah baby, out an' killed him. Out in de rain. An' ah heered de trap fall, an' de rope snap. An'heheered it, an' laughed when he heered it!"As he spoke, the sergeant never took his eyes from the officer's face, and moved slowly around the table, crouching a little, and creeping stealthily as a beast of prey might move upon an animal that it was attempting to fascinate. And the officer was being fascinated. He stood as though transfixed, his jaw hanging and his straining glance bent on the approaching soldier.The body of troopers was getting restless. Their eyes, too, had taken on a peculiar shine, and were all focused upon the white face of the officer.The wail of that dead, monotonous voice was to these negroes as the call of the wild. It touched a chord in them that antedated the deluge. They moved closer, imperceptibly, and moistened their dry lips with their tongues. There is something mortally appalling in that simple action. The dead voice continued: "An' dey sent me out to bury him, my own baby. An'helaughed when ah went. Ah seen 'im laugh. An' dey tooken mah boy and put 'im in a deep black grave; an' de col', col' watah wuz on 'im an' raoun' 'im, an' ah heerd it splash when dey put 'im thar. An' he is thar now, in de col' black grave, an' de watah is on 'im, an' ah kin feel de watah; an' de dirt is a-weighin' me down. Heah on my ches'. An' dis man is a-laughin' at us an' says hit is a joke!"The old sergeant was now within three feet of the officer. The latter was gray as putty, and sober. It did not take the inclosing circle, the heavy breathing, the wild, staring eyes and tight-drawn lips to tell him his danger. He felt the Presence. The air was pregnant with it. He took a step backward and moved his stiff lips as though to speak; but there was no sound. The voice went on:"He laughed at us; but he won't laugh no moah. God done made 'im to look lak a man; but he ain't no man. He is a snake an' creeps in de grass. God sez in his book dat all snakes mus' be killed an'—" the sergeant took another step; the officer took a step backward, and the crowd surged forward with a quick, hoarse gasp. Then the terror gripped him, and turning, the officer made a dash for the door.Again the circle closed in as the sea surges up upon the land. There were tossing arms; there was the hissing of breath through clenched teeth, the sickening thud of blows, and a gurgling cry of mortal agony. Then the sea surged out again, and there on the floor lay the thing that had been Lieutenant Roger Williams Perkins.The ring of negroes stood fast. Their shoulders rose and fell as their convulsive breaths were indrawn and exhaled. They seemed to be wondering what had happened. Several raised their hands and observed them curiously, first one and then the other, as though they were strange objects never seen before. One placed his fingers to his nose and smelt them furtively. Another tried to rub off the thick, dark stain, but with little success. The "moving finger" had written.When the catastrophe occurred, five or ten of the weak-kneed had rushed from the building, and even as these guilty ones stood there, there was a clatter of arms outside. Some one yelled: "the guahd," and they knew that their deeds had overtaken them.In the momentary pandemonium that followed, old Sergeant Wilson was heard calling above the din: "Out with dem lights! Pile de bunks agin' de doahs an' winders!" They had learned to obey that voice before, in many a tight place, and now it had its old-time ring. So they went and did. A saber hilt rattled on the portal. "Open the door! This is the officer of the guard.""To hell wiff de officah of de guahd. Open hit yo'se'f!" was bellowed in reply. The strain was relieved, and the sally was greeted with a wild yapping from the rest, such as might have risen from a den of trapped wolves. Several ran to the windows. There was a sputtering volley of carbine shots, and Troop "B," 19th U.S. Cavalry, was in open mutiny.Now when a troop of United States cavalry rises against those in authority, incidents begin to occur at once. The times when such a thing has happened can be counted on the fingers of one hand, with some digits to spare. There was, in this case, no room for parley or exchange of flags of truce. The thing with which the ants were already busy there on the floor was an uncontrovertible fact. Consequently, there being no grounds upon which to arbitrate the matter, the mutineers blazed away cheerfully at anything that showed itself on the plaza. They had now nothing to lose.Then, shortly, there sounded from the guard-house, through the rain-drenched night, the call that jerks the soldier out of his bunk, all standing, from any sleep but that of death: the "call to arms."In fifteen minutes "B" Troop's quarters were surrounded on all sides by the other troops of the squadron, the men of which, from safe cover, observed the carbine flashes and wild yellsemanating therefrom with mild surprise, and wondered "what de hell had broke loose."Major Bliss sat under the smoky lantern at the guard-house, surrounded by the officers of the station. He questioned sharply the men who had escaped from "B" Troop's barracks. At intervals he swore mightily and cursed the day that Roger Williams Perkins was born."And to think that old Wilson should be at the head of this! Old Wilson, of all men! Why, he is worth fifty thousand Perkinses, dead or alive. I am only sorry that Perkins didn't get away. I should like to have got hold of him myself, damn him."There was no hesitation in the makeup of Major Bliss. He intended to suppress this outbreak in a manner that would tend to discourage any such ebullitions in the future. Consequently, he made his dispositions with grimness and determination. His plan was simple, his orders being to "rush 'em and give 'em hell." His greatest regret was that the interests of discipline should make such a step necessary, since he was sure that a majority of the mutineers had acted upon impulse, and were already excessively sorry for themselves.In the midst of these untoward events, the "Tarlac," coastwise transport blew into the bay through the murk and rain, and Captain North, of "B" Troop, the "Ole Cap'n," returned to the station. Hearing the shots and yells, he concluded that the Major was "shooting up the town," and splashed hurriedly to his quarters for his saber and revolver. There in the darkness he stumbled over hismuchacho, who had deposited himself at the foot of the steps and was earnestly beseeching his patron saint to have him spared this once; promising an altar cloth and innumerable candles if he should be allowed to exist long enough to secure them, thus putting on that gentleman's intercession a premium that he trusted would be effective. The Captain being naturally impulsive, the accident did not improve his temper to any appreciable extent. Besides this, the matches were wet, and there was no oil in the lamp. Consequently he had to search for his weapons in the dark. After falling over his bunk and numberless chairs, and upsetting his field desk, he found his saber and revolver, only to discover that both, owing to the neglect of that same sanctifiedmuchachoon the stairs, were covered with rust; that the cylinder of the revolver would not revolve; and that at least two strong men and a boy would be required to coax the saber from its scabbard!All this while the shooting and yelling were going on, and by the time he splashed out into the rain once more, the good Captain was what is technically known as "mad as a hornet!" He started on a run to "B" Troop's quarters, to take command of his men, only to be stopped by a sentinel, who informed him that "B" Troop was in no mood to be taken command of, and that he had "bettah go to de guahd-house." Being ordered to the guard-house by a private did not tend to quiet his state of mind any, even when the situation was explained. By the time he burst in on the assembled officers at the post of the guard, Captain North was madder than ever."What the devil is going on here, Bliss? What's this I hear about 'B' Troop's busting loose? This is a hell of a state of affairs.""That is just what I think, North, and very neatly expressed," the Major replied dryly. "Lovely discipline you have in that band of Indians of yours. They've mutinied, no less, and apparently they have got Perkins. A nice——""Mutinied, have they? Why, the infernal black scoundrels," almost roared the irate officer, striding up and down the room. "Mutinied, have they? What the devil do they mean by doing a thing like that without saying anything to me about it? I'll mutiny 'em! Don't you interfere with me, Bliss," he continued, halting in his walk, "don't you interfere with me. This is my troop, and I can handle them. Don't you interfere with me.""My dear North, no one has shown any inclination to interfere with you, has he?""That's right," and the Captain continued his march, "that's right. I can attend to these gentlemen. This plan of rushing them, though, is all wrong, all wrong"; and he stopped again. "They'll fight, fight like the devil. I ought to know. I've seen them do it often enough. You'll lose good men. In opposing them with force you recognize the strength in them. What you need is moral force. One man power. Same principle in training lions. Same principle. If a lion-tamer went into a cage of ten lions with ten men, he'd have trouble on his hands from the jump; but he can go alone and bluff 'em. Same principle here. If I could get into the middle of that bunch over there without their seeing me until Iwasthere, I'd scare them out of ten years' growth. How to get there, that's the question.""Why, North, you are crazy. They'd get you, sure. They'd eat you up, man.""Eatmeup? Why, they'd as soon think of tackling the late Mr. Peter Jackson. They know me. How to get there, that's the question. Walking across the plaza they couldn't tellmefrom any one else.""Beg yoah pahdin', sah," and Private Massay of "B" Troop, who was the commanding officer's orderly for the day, spoke up, "Ef de Cap'n could git in through de little doah inde stoah-room, and go through de kitchen, I speck he could git in widout bein' ketched.""Right, Massay, the very thing. Somebody give me a lantern. Confound it, one of you men get me a lantern, and be quick about it." A member of the guard gave him the required article, and concealing it carefully under his poncho, he went quickly out. The Major and other officers jumped up and followed. All the way down the dreary, rain-swept street the Major attempted to persuade the Captain to give up his foolhardy enterprise, but without result. Finally, when they reached the cordon of surrounding troops, the senior officer said:"Well, North, this is absolutely absurd, and out of the question. If you insist, I shall have to give you an order not to go.""No, you won't do that, Bliss." The Captain's anger had left him now, and he spoke quietly. "We have known each other a long time, and seen a lot of service together. You won't take advantage of your rank to stop me now. I am only doing what you would do in my place. It is my troop. The shame and disgrace are mine. You won't stop me now."The Major hesitated a moment and then spoke slowly, and with evident feeling:"Well—well. Have your way; but be careful, John, be careful."They saw him move quietly along under the shadow of a wall, cross the street, and disappear in a small side door of "B" Troop's quarters. He was not discovered.For the last half hour the silence and the blackness of the grave had existed in "B" Troop's big squad room. The "shouting and the tumult" had died a lingering death. One cannot yell and hurl challenge indefinitely, and shouting up one's courage begins to lose its efficacy if long continued. One big-lunged mutineer had held out with his firing and bellowing until the nerves of the rest could stand it no longer. They then rudely suppressed him. He sounded so absurdly and pathetically foolish. He was typical of their own status. "One nigger shootin' a bluff at de whole United States Army!" They realized that with fifty it was no less idiotic.If it had not been for old Wilson passing stealthily to and fro among them, with that wild light in his eyes, and those crazy mumblings, doubtless there would have, already, been breaks in the ranks. But no; there was that other thing, lying over there where it fell. There was no use now; there could be no looking back. Each turned wearily to his door or window and renewed his wide-eyed effort to pierce the web of blackness over the square. And the everlasting rain still fell.A door swung cautiously somewhere. There was the sound of some one moving with steady, determined step down the center of the room. Then, without warning, their unaccustomed eyes were momentarily blinded by a light taken suddenly from under a poncho; and there in the center of the room stood a lone officer; in one hand a lantern, in the other a big blue revolver.For an instant there was no movement. Then there was a counter reaction. With the snarl of wild animals, the fifty negroes sprang toward the center of the room. Sergeant Wilson was first. With a cry of: "Kill him! kill him!" he bounded over a bunk, and landed within three feet of the officer, revolver upraised. As he did so, the officer lifted the lantern to a level with his own face. The sergeant stopped. The whole circle halted, as though Circe had transfixed them. They had recognized the "Ole Cap'n.""Well, Wilson." At the sound of the voice the old negro's countenance changed instantly. It became the face of a man in mortal anguish, as indeed he was. In that moment the scales had fallen from his vision. He saw his position clearly in the light of the sorrowful glance from the "ole Cap'n's" eyes. It was as though the main pillar of the heavens had been pulled out, and the skies were thundering down about his dazed old ears."Oh, Gawd, oh, Gawd!" he groaned, putting one hand to his head, and rocking it from side to side, as though the pain there were more than he could stand."Oh, Gawd, oh, Gawd." The revolver was lowered slowly from its upraised position, and suddenly, before the officer could stop him, the sergeant turned it against himself. There was a flash, an earsplitting report, and the old soldier sank to the floor. There he stretched himself wearily, as though for a long sleep, and Sergeant Jeremiah Wilson, of the "old Army," was gathered to his fathers.The Captain turned away abruptly. He knew that old Wilson was a good shot."Open the doors," he said to the troopers, as though he had been telling them good morning. Compliance to that voice, raised in command, was to these soldiers a second nature. There was not the slightest hesitation. With eager alacrity they hastened to obey, like children who had been caught misbehaving.In the first faintness of the dawn the tired-faced troopers cheerfully filed out and formed in front of the quarters, each one, as he passed through the door, depositing his arms at the officer's feet. Oh, but it was good to be on the right side again; and the "ole Cap'n" would take care of his own.FOOTNOTES:[4]Art. 17. Any soldier who sells, or through neglect loses or spoils his horse, arms, clothing, or accoutrements, shall be punished as a court martial may adjudge, subject to such humiliations as may be prescribed by the President, by virtue of the power vested in him.Harry and his agentTHE SINGER'S HEARTBYHARRIS MERTON LYONILLUSTRATIONS BY J. B. MASTERS"I never cared for the singer's fame,But, oh, for the singer's heartOnce more—The bleeding, passionate heart!"—"B. V."Theseare a few films from the human biograph of Harry Barnes, old actor. You know, when you are old, you accept life with more or less of a sigh of quiet acquiescence, and by your cozy fire you sit and nod to an inner voice, a gentle old voice which over and over whispers and murmurs—"Once upon a time, once upon a time." And possibly Barnes would have nodded, too, but he lacked the cozy fire. Life has its dramatic unities, it would seem, and if one thing or another is awry we are apt not to perform as the book says we should. No cozy fire, says the Great Stage Manager; no nodding acquiescence, replies the Mummer in the Play.Barnes listened, it is true, over and over to the voice which murmured "Once upon a time," but he sat not by a comfortable open grate, amid grandchildren. Instead, he lurked in East Fourteenth Street amid decaying agents' offices, hunting a chance to do a bad monologue in a worse vaudeville show. He had outlasted his time; he could not get work. He lived on those two heartless things, Hope and Memory. And for all I know he is living on them yet.Now, you will not in your careless youth or your sceptical maturity find beauty in this story, you will not "get under the skin" of it, as the saying is, unless you have stopped sometime in your busy going, to consider, aside and with understanding, the pathos of the old actor. It is a curiously poignant human thing, written about by a few, suffered by many, and ignored by the loud, inordinate world.The old actor out of employment! A target for jokes, a piece of battered, ancient "property" cluttering up a new and very busy stage. You smile at his curious figure, unconscious of the broken misery that aches beneath, where life has died and living goes paradoxically on;and only sometimes late at night do you get a part of that hidden ache when you hear old legs drag weary feet up the boarding-house stairs, past your door and on up into the skylight room on the roof, despondently to bed; and you know that the old man has had another unsuccessful day among the agents and the managers. You can sometimes interpret the querulous little laugh over the thin oatmeal at breakfast, sometimes you can guess the water in the rapidly winking eyes; but of course you do not proclaim your deductions. Civilization is a process of making less noise about things.This is a segment of the life-film of Harry Barnes, old actor, as he traveled the stones of Fourteenth Street. Not the Rialto, where fat men adorned with fat diamonds smoke fat cigars in order to narcotize fat consciences; but Fourteenth Street, grimy with old, sparsely-tenanted buildings, where theatrical offices three flights up bargain for the driblets of trade among the low music-halls and the cheapest vaudeville houses, where niggardly, gray-haired agents have for two generations sat among their dusty contracts and their rusty pens, haggling over bread-and-water salaries with the jetsam of a too-volatile profession.Harry was old and dropsical with drink, a sad hero for a careless story. The only ideal he had ever had, besides one, was to arrive at the fine fame of printer's ink: headlines, bill-boards, critical notices, reproductions of his photograph. But this was long ago. He had longed to be chronicled in his time, preëminent and large; this he had desired with that hungry passion for display which only an actor can feel. But this, remember, was once upon a time. His other ideal—no need to mention it amid Momus and his mimes!—was to sway people with laughter and tears, to burn them with romance, to chasten them with tragedy, to carry them with him in his frenzy, to play upon them with his art.Art! Do you care for a grotesque, serious evening in its humblest presence? Have you time to listen, over beer glass and cigarette, to a broken-down old actor out of a job?HARRY BARNESHARRY BARNES, OLD ACTORBarnes was incongruously named when he was given the name of Harry. It is a flippant name. It calls up merriness, youth, bravado, color, song. Barnes was forty-nine, streaked with grey, heart-sick, pallid, shuffling, timorous, sorry, and forlorn. Three decades of grease paint had made his skin flabby; and three decades of what the grease paint stood for had done likewise by his soul. It was thus that he drifted from doorway to doorway in Fourteenth Street, down by the Elevated, where dry little agents told him in dry little voices that there was nothing for him from day to day. It was thus that he dragged his feet up the boarding-house stairs to his skylight room, night after night, carrying the two heartless fardels, Hope and Memory.It was approaching a certain holiday, a holiday which came on Sunday."Harry," said old Tony Sanderson, after he had finished informing the actor that there was no news for him, "why don't you do a little press-agent work for yourself? Get your name in the paper. That might help you get something to do."The other listened despondently."Now here's a chance," went on the agent, in a confidential tone. "No money in it, of course, but, as I said, there's a chance to get into print. Some sort of a newsboys' benefit bunch is going to get together Sunday night and give a little entertainment fer the kids up in Beals' gymnasium on the Bowery. They're callin' for volunteers among the actors. You take your monologue stunt down there and get onto the program. The newspapers always plays up this newsboy dope strong and you'll get a good mention sure. Clip the notices andthenyou've got somethin' to flash. See?"Barnes stood uneasily by the desk. "I—I don't know, Tony," he answered. "To tell yuh the truth, I'd be a little bit scared to try it. Yuh see, I—well, if you wasn't an old friend of mine, I couldn't say it—but, confidentially, Tony, I—I've kind o' lost my grip. I'm a—a back number, Tony. I'm afraid o' them kids; they're too wise. My old act wouldn't go." He waited, awkwardly; then, as if he hoped he were wrong, he asked: "Would it?"Sanderson snapped his grim eyes. "What're yuh tryin' to put it on fer, at all, then—if yuh think it won't take with a gang ofkids at a free doin's?" Then his tone softened. "Look here, Harry. It'll only be ten or twenty minutes. Go ahead. You'll get through all right. You ain't as much of a dead one as you think you are."Barnes straightened up. It was all right for him to make a slight confession, but Sanderson had wounded his professional vanity. "A dead one!" he exclaimed. "Certainly not. Harry Barnes a dead one! After a thirty years' career in the companies of the best——"The agent shoved a card in his hand and cut him off short. "Go around there and tell 'em to put you down for a monologue." And Harry went, with dignity and misgivings.His misgivings were all the more increased when he saw the list of promised performers: La Belle Marie, the famous little toe dancer in her attractive transformations; the Brothers Zincatello, Risley experts at the Hippodrome; Julian Jokes, "in his inimitable Hebrew monologue"; the Seven Sebastians, the world's most marvelous Herculean acrobatic performers; Mlle. Joujou, the popular singing comedienne, Prima Donna and Star, direct from her unusual and most distinguished triumph at the Palace Theater, London; and a dozen more of the younger and more popular people of the stage, all adorned, with adjectives and hyperbole. Down at the bottom of the list with a trembling pencil he wrote: "Harry Barnes, Singing and Talking." Then he shook hands with the secretary of the organization and walked back to his boarding-house in a mild fever of excitement.In his room he went eagerly about his work. He rehearsed again and again his meager little bag of tricks, his funny Irishman, his Chinaman—no, the Chinaman came first, because he used the queue afterward to wrap around his chin and simulate Irish "galloways"—his Dutch comedian monologue about married life, his old-time songs and dances. He furbished up some old "patter" and injected new anecdotes. And this he kept up morning and evening until the notable Sunday came.Harry on stage, rapt boys enjoying the show"HE GRINNED AND WINKED AND FRISKED AND CAPERED"He was so nervous, this old actor of a thousand parts, that he could eat no supper that night. He almost trotted to the gymnasium in his excitement, and, though his pockets bulged with grease paint, mustaches, wigs, and other paraphernalia, he forgot almost half of his material. At the door he had to push his way through a wriggling, impish mass of small boys who blocked the steps and the sidewalk. Insidethe hall, young faces packed the place to the window-sills. To the old man the newsboys seemed as so many antagonistic bits of the younger generation, the generation which evidently would have none of him, which relegated him carelessly to the warehouse for old scenery and old settings.He stood in dismay behind an extemporized "wing" and peered out at the restless little bodies. He fancied already that he could see grins on their sophisticated faces, ridicule in their eyes; he remembered once hearing a gallery god shout "Twenty-three!" in the middle of an actor's monologue, and what had then seemed humorous precocity now seemed hard, bitter cruelty. He fumbled at his make-up in his pockets, shuffled uneasily, and waited.It was almost time to begin. Where were the other actors who had promised to come? The boys out front were whistling, kicking their feet upon the floor, clapping their hands, and shouting to one another. A distracted official raced here and there among other officials, asking some sort of exasperated question. Barnes could not hear what it was; but telepathically he felt that there was a hitch in the program.At last, after waiting a quarter of an hour, the manager stepped forward and said:"Boys, we had arranged a fine program for you to-night——""Good fer you!" yelled a voice.The speaker held up his hand. "But it seems that actors are betterpromisersthan they areactors." He smiled at his own joke, but the audience gave one long "Aw-w-w!""However," he continued, "we are all here now and we intend to do the best we can. If we make up our mind to, we can have a bully good time just the same. We have with us at least one kind gentleman who appreciates what a celebration like this means to the boys." ... Barnes heard and saw things as if through a fog. The arms of the speaker were gyrating and a voice shouted in the ear of the old actor: "What's your name?""Harry Barnes," he said, moistening his lips. Nobody had shown up except him, he kept thinking over and over to himself: nobody except him. He had the thankless job of "opening the show.""... Harry Barnes," echoed the speaker at the end of some sort of practical talk concerning the newsboys' organization and its management. "Mister Harry Barnes"—he squinted at the program—"in singing and talking."He turned and smiled at the old man, and to Barnes the smile seemed diabolical. Somebody clapped him on the back. There was a hurricane of whistles and shouts, and before he knew it he was in the middle of the rostrum.Mechanically he had made his old comic entrance, tripping his right toe over his left heel, and turning to shake his fist at an imaginary enemy. The boys, determined to be pleased, giggled appreciatively."How—how are you, boys?" Barnes asked, seriously.The audience snickered with delight. He was such a funny-looking old man!"I hope you'll like my work," he went on, desperately, "or else we might as well go home. I guess I'm the whole show, for a little while, at least, as the feller said when he fell out o' the balloon." The house roared with approval."Go wan, Barnesy," shouted a young pair of lungs in the front row.He straightened up, turned his back for a moment, stuck a queer set of mustaches on his upper lip, faced the crowd again, and began: "I was walkin' down the street the other day when my friend J. Pierpoint Morgan stepped up to me an' says, 'Barney, my boy'"....The show had begun. Harry Barnes, singing and talking, had opened his carefully rehearsed bag of tricks.There is some peculiar psychology about humor. If people make up their minds that they are going to laugh and that a performance is bound to be funny, nothing on earth can keep them from enjoying themselves. The most serious remark will be greeted with howls of approval; the most ancient joke takes on a novel and present sprightliness. In the slang of the stage, Barnes' line of patter took.Four hundred boys simpered, smirked, grinned, giggled, tittered, chuckled, and guffawed. A wine of merriment flushed the crowd and mounted to the old mummer's brain and heart. He skipped and danced and sang; he went through all the drollery and tomfoolery, all the old comic business he could recall.The children nudged each other, dug their fists into each other, and cheered: "Oh, you Barnesy!" "Kill it, Kid!" "Whatcha know about dat!" "Sand it down, Barnesy!" The old-timer was doing the famous lock-step jig he had done with Pat Rooney in "Patrice" fifteen or twenty years before. It was so old that it was new. Encore followed encore. The perspiration cascaded through his pores; he grinned and winked and frisked and capered. They would not let him stop. At the end of twenty-five minutes he bowed himself off the stage, and still they called him back. When he gave them, for the "call," the Little Johnny Dugan pantomime from "The Rainmakers," theEast Side children, born since the day of such things, were suffocated with delight.What did Dugan do to him?—They say he was untrue to him.Did Dugan owe him money?—No; he stole McCarthy's wife!Who? Little Johnny Dugan?sang Barnes with a quizzical flirt of his head; and lungs that were wont to fill the city streets with news could not even gasp for laughter.The secretary of the organization followed with a speech about future entertainments; another official read a letter from a prominent financier promising the boys a swimming-pool and a half dozen summer excursions."Somebody bang de box!" suggested a voice, after a pause.Nobody could—except Barnes; and he volunteered. The whole affair was now like one big family circle, each one secure in the amity of the other, and when the old man sat down at the cracked piano, he sang as if he were singing to himself, easily and without restraint. A quiet held the house, and even the children were touched; for Harry Barnes was quavering through the simple lines of "Should Auld Acquaintance Be Forgot." After that he gave them the Lullaby Song from "Erminie," and somehow it did not at all appear incongruous that a careworn mimic of fifty should be singing to careworn workingmen of ten, down on the Bowery, in a gymnasium, a verse about pretty little eyelids and sleeping darlings. The world, fortunately, is not always with us; and the song ended in a silent applause.For two hours the entertainment went on, speeches and official plans interspersed with the antics of Barnes.Harry smiles at his reflection"'OH, YOU DIVVIL, YOU! YOU OLD, BLATHERSKITING DIVVIL'"Was there anything he could not do? He mimicked birds and animals; he imitated a wheezy phonograph playing "When We Were a Couple of Kids"; he recited "The Raven" and "Paul Revere's Ride"; he gave a cutting from Dickens and one from Sheridan Knowles; he showed how Joe Jefferson played Rip Van Winkle, how Sol Smith Russell did "A Poor Relation."And all through his soul and body, as he watched his haphazard audience follow him in his moods and changes, ran the quiet magic of Art Satisfied. It is a noble braggart madness, this glorification of a cheap art by an old actor."Barnes, my boy," he said to himself, with a glow of rapid blood, "you have not lost them yet! See them laugh with you! Feel them cry! What does it matter if you eat watery oatmeal and live in a skylight room; are you not an artist, a resonant instrument of poetry and music and mirth, a true actor of the best parts? You are; and these are matters of the undying soul. A boarding-house is a vulgar, temporal thing. You were right to come here to-night, and do this thing without pay, for Art's sake. You uphold the honor of a calling which is founded upon Art. And, oh, most of all, you have not lost your power, you have not outlived your time! Sanderson intimated that you were a dead one—very well, to-morrow you shall triumphantly cut the acquaintance of Sanderson! To have lived until this evening before the youth of this land; to have caught the right intonation, the proper gesture; to have swept through the hearts of your hearers like a vibration of music—this is to have transcended, this is to have justified yourself! And justified yourself to whom? To Sanderson? To the world? No! You have justified Harry Barnes to Harry Barnes! You carry this human throng over the footlights and into your soul with a Chinaman's queue and a putty nose. Your Art is still that fine, secure Art which you have carried in your memory as you traversed dingy stairways on Fourteenth Street. Barnes, you live, you act, you accomplish! Bravo!"He shook hands abstractedly all aroundwhen the affair came to a close. He remembered bundling his make-up and trinkets into a piece of newspaper and tucking it under his arm. A pleased face presented itself at one time before his eyes and a voice said, confidentially, "Mr. Barnes, I congratulate you; and the dramatic critic of theStarwas here to-night."He found himself at last out in the cool darkness of the street, and he had to stop a moment to think which way his boarding-house lay. Then he walked home, to save carfare. All the way up the silent streets his brain sang with triumph. His blood jumped in gladness; he could hardly keep from running. He declaimed aloud bits of Shakespeare, tag ends of poems; he snapped his fingers and flung out his arms in sheer excess of enthusiasm. He smiled, threw back his head, even made faces at the passersby. He boomed into a solo from an opera, and kicked his foot at a cigar stub on the sidewalk. And had anybody wished to observe when he reached his house, the spectacle would have presented itself of a caricature, funny-paper barn-stormer tramping merrily up the rattling stairs and humming, "The flowers that bloom in the spring, tra-la, have nothing to do with the case."All the next day he did not leave his room, save at meal times; for he wished to be alone and hug his exultation. To the four flat walls he repeated snatches of the things he had done the night before; up and down the rag carpet he smirked and grimaced and laughed and jigged. He sang the songs that had "taken" so well. He went through certain gestures and then deliberately exaggerated them, in a high good-humor. He was as young again as on the day when he had signed his first contract. He puffed out his chest, looked at himself in the glass with mock seriousness, and then, when the pent-up good feeling burst out in his merry eye, he winked it gleefully and said: "Oh, you divvil, you! You old blatherskiting divvil!"At half-past four he went down to the corner and bought a copy of theStar, the late edition which had the dramatic news in it.There it was! He felt like jumping up in the air and whooping the length of the street. On the editorial page it was. His name was in the headlines! Beneath, in the article itself, almost every other word seemed to be Barnes. It praised him here, it admired him there, it thanked him, it congratulated him, it asserted that he had saved the night for four hundred newsboys. He was so anxious to read it through and to read it fast that he skipped from paragraph to paragraph. There was over a column of it! He hurried back up to the room; and then regretted that he had not stopped to buy more copies of the paper. He locked the door and spread the paper out on the little center-table. His heart and breath almost stopped as he read the good words slowly through. When he had finished, he threw the paper aside and bounded into the middle of the room."Press agent, hey?" he laughed. "Press agent! I guess yes! A small matter of a column and a quarter; that's all.Onlya column and a quarter about Harry Barnes! Wonder what Sanderson will think about that? Wonder if he won't get me something to do? Oh, no; I guess not. A column and a quarter!"He sat down again and smoothed out the paper before him. This time he began noticing little niceties of the critic's phrasing ... "entertaining, not to say pathetic rendition," etc., etc.... "Notto say?" Funny; look at it a moment, and it seems to mean it wasn't pathetic. But here it said: "Infectious and heart-tickling old-time Irish humor" ... "excellent characterization of Uriah Heep" ... and so on.Harry stares at the paper"HE SAT STARING INTO THE BLANKNESS OF THE LITTLE ROOM"After a few minutes he ceased reading and sat, picking at the edge of the paper, staring into the blankness of the little room. He stayed thus immovable for a long, long time, and then slowly the tears slipped across his cheeks, down on the forgotten "notice," his throat ached with a tender sobbing, and he bowed his head into the newspaper.He was thinking of the children; he had made them laugh and cry. And this was the thrill, once more, of the singer's heart.THE REPUDIATIONOFJOHNSON'S POLICYBYCARL SCHURZILLUSTRATED WITH PHOTOGRAPHSInconsequence of the threatening situation which the President's reactionary policy had precipitated, the belief grew stronger and stronger in the Northern country that the predominance of the Republican party was—and would be for a few years, at least—necessary for the safety and the honor of the Republic; and steps taken to insure that predominance, even such as would have in less critical times evoked strong criticism, were now looked upon with seductive leniency of judgment. Mr. Stockton of New Jersey was unseated in the Senate upon grounds which would hardly pass muster in ordinary times, to make room for a Republican successor, and even Mr. Fessenden approved the transaction. Advantage was taken in the same body of the sickness or casual absence of some Democratic senator to rush through a vote when a two-thirds majority was required to kill a veto; and other proceedings were resorted to at a pinch which were hardly compatible with the famous "courtesy of the Senate." But there was more thorough and lasting work to be done to prepare for the full restoration of the States lately in rebellion. The Republican majority was by no means of one mind as to the constitutional status of the communities that had been in insurrection against the National Government. I have already spoken of the theory of State-suicide advanced by Mr. Stevens and a comparatively small school of extremists. The theory most popular with most of the Republicans, which was finally formulated by the Joint Committee on Reconstruction, was that the rebel States had not been out of the Union, but had lost their working status inside of the Union, and had to be restored to their regular constitutional relations to the Union by action of Congress, upon such conditions as Congress might deem proper.To meet the dangers which so far had become visible on the horizon, the Joint Committee on Reconstruction devised the Fourteenth Amendment to the Constitution, which was long and laboriously debated in both Houses. In the form in which it was finally adopted it declared (1) that all persons born or naturalized in the United States are citizens of the United States and of the States in which they reside, and that no State shall make or enforce any law abridging the privileges or immunities of citizens, nor deprive any person of life, liberty, or property without due process of law, nor deny to any person the equal protection of the laws; (2) that if in any State the right to vote at anyelection for the choice of national or State officers is denied or in any way abridged, except for participation in rebellion, or other crime, the basis of representation in Congress or the electoral college shall be reduced in the proportion which the number of such male citizens shall bear to the whole number of male citizens twenty-one years of age in such State; (3) that no person who had taken part in the rebellion, having previously, as a national or State officer, military or civil, sworn to support the Constitution of the United States, shall be a Senator or Representative in Congress or hold any office, civil or military, under the United States, or any State, unless relieved of that disability by a two-thirds vote of each house of Congress; (4) that the validity of the public debt of the United States shall not be questioned, nor shall any debt or obligation contracted in aid of rebellion, or any claim for emancipated slaves be paid.The Fourteenth AmendmentThus the Fourteenth Amendment stopped short of the extension of the suffrage to negroes—a subject which many Republicans were still afraid to touch directly. But by implication it punished the States denying that extension by reducing the basis of representation; it excluded from office, unless relieved of the disability by a two-thirds vote of Congress, the most influential class of those who had taken an active part in the rebellion; and it safeguarded the public debt. With only one of its provisions serious fault could be found;—not with that which guaranteed to the freedmen the essential civil rights of free men, nor with that which excluded the freedmen from the basis of representation—so long as they were not permitted to vote. Only the advocates of negro suffrage might logically have objected to this clause; inasmuch as it by implication recognized the right of a State to exclude the colored people from the suffrage if the State paid a certain penalty for such exclusion. Neither could the clause safeguarding the public debt and prohibiting the payment of debts incurred in aid of the rebellion be objected to. The really exceptionable provision was that which excluded so large a class of Southern men from public office, and just that class with which a friendly understanding was most desirable. The provision that their disqualification could be removed by a two-thirds vote in each House of Congress mended the mischief thus done a little, but not enough for the public good.It was not expressly enacted, but it was generally understood, that those of the States lately in rebellion, which ratified the Fourteenth Amendment, would thereby qualify themselves for full restoration in the Union. Tennessee, where a faction of the Union party hostile to President Johnson had gained the ascendency, did so, and was accordingly fully restored by the admission to their seats in Congress of its Senators and Representatives. The full restoration of the other late rebel States would probably have been expedited in the same way, had they followed the example of Tennessee. But President Johnson, as became publicly known in one or two instances, obstinately dissuaded them from doing so, and the fight went on. He also vetoed a second Freedmen's Bureau bill in which some of the provisions he had objected to in his veto of the first were remedied. But things had now come to such a pass between Congress and the President that his veto messages were hardly considered worth listening to, but were promptly overruled almost without debate by two-thirds votes in each House.A Campaign to Destroy a PresidentUnder such circumstances the Congressional election of 1866 came on. The people were to pronounce judgment between the President and Congress. The great quarrel had created excitement so intense as to affect men's balance of mind. About the time of the assembling of Congress Mr. Preston King of New York (the same rotund gentleman with whom, in the National Convention of 1860, I conducted Mr. Ashmun to the chair), who had been a Senator of the United States and had been appointed Collector of Customs by President Johnson, committed suicide by jumping into the North River from a ferry-boat. He had been a Republican of the radical type, and when he took the office he supposed the President to be of the same mind; but Mr. Johnson's course distressed him so much that he became melancholy; his brain gave way, and he sought relief in death. Another suicide which greatly startled the country a few months later, that of Senator Lane of Kansas, was attributed to a similar cause. "Jim" Lane had been one of the most famous free-State fighters in Kansas Territory. Since then he was ranked among the extreme anti-slavery men and as a Senator he was counted upon as a firm opponent of President Johnson's policy. To the astonishment of everybody he voted against the Civil Rights bill. This somewhat mysterious change of front, which nobody seemed able satisfactorily to explain, cost him his confidential intercourse with his former associates in the Senate, and brought upon him stinging manifestations of disapproval from his constituents. He was reported to have expressed profound repentanceof what he had done and finally made away with himself as one lost to hope. He was still in the full vigor of manhood—only fifty-one years old—when he sought the grave.

"All you men come here." The troopers moved close, and formed on three sides of the table. They stepped quietly, some hint of what was to be having come to them.

"Got somethin' to tell you. You think you are very smart, doncher? You think you—" he rubbed his forehead reflectively and struggled for words. Whatwasit he wanted to tell them? Oh, yes; that was it. "You think you're smart, doncher?" and he leaned forward on the table, peering around the circle; "but 'cher all damn fools. Me, I'm a smart man," and he indicated the center button of his blouse with his thumb, drawing himself up haughtily.

"You thought I cabled to the President, din'cher?" he continued, leaning forward again, and returning to his confidential tone. "Not on your life. See, there's the money. What a joke," and he burst into drunken hilarity, reeling from side to side, while the tears ran down his face.

The quiet in the room was absolute, except for the officer's unholy mirth, and the steady fall of the rain. At the sound of that laughter, old Jeremiah, who had sat in his corner unmindful of the officer's presence, got up and came forward to the opposite end of the table. There was a dazed look in his face as though he were just waking from a deep sleep. He glanced around at the other negroes, standing silently with wide eyes, then at the drunken officer, and finally at the pile of silver. Then he knew. As soon as Perkins saw the old soldier, he chuckled with renewed glee.

"Hallo, sergeant, you ole fool. The joke's on you. Yessir, the joke's on you. You thought I cabled to the President; but I did'n'. Nosir, I did'n'." And he went off into renewed peals of laughter.

Suddenly he stopped short. He saw that there was no appreciation of his witticisms; only a blur of blank black faces and white, rolling eyes.

"Why don't you laugh, you damn apes? You damn black idiots, why don't you laugh? You——you——"

He ceased quickly, for another voice broke the silence. It was old Sergeant Wilson speaking. No one could tell when he had begun. He stood slightly crouched, with his hands on the edge of the table. His face was absolutely blank and expressionless, while his eyes were fixed on the officer with a tense, glassy stare. His voice was cold and monotonous, without rise or fall, halt or intonation, and seemed to be more the wail of the spirit rising from somewhere deep within him than the voice of the flesh.

"You heah that, boys? You heah what he says? He calls us apes; us that God made as well as him. 'Cause we ahr black he calls us apes. We ahr no better dan de dirt undah his feet. He tooken ouh money an' fooled us, an'now he is laughin' 'cause he fooled us. He tooken ouh money and lied to us. An' while he wuz a-foolin' us, us apes, dey taken mah boy, mah baby, out an' killed him. Out in de rain. An' ah heered de trap fall, an' de rope snap. An'heheered it, an' laughed when he heered it!"

As he spoke, the sergeant never took his eyes from the officer's face, and moved slowly around the table, crouching a little, and creeping stealthily as a beast of prey might move upon an animal that it was attempting to fascinate. And the officer was being fascinated. He stood as though transfixed, his jaw hanging and his straining glance bent on the approaching soldier.

The body of troopers was getting restless. Their eyes, too, had taken on a peculiar shine, and were all focused upon the white face of the officer.

The wail of that dead, monotonous voice was to these negroes as the call of the wild. It touched a chord in them that antedated the deluge. They moved closer, imperceptibly, and moistened their dry lips with their tongues. There is something mortally appalling in that simple action. The dead voice continued: "An' dey sent me out to bury him, my own baby. An'helaughed when ah went. Ah seen 'im laugh. An' dey tooken mah boy and put 'im in a deep black grave; an' de col', col' watah wuz on 'im an' raoun' 'im, an' ah heerd it splash when dey put 'im thar. An' he is thar now, in de col' black grave, an' de watah is on 'im, an' ah kin feel de watah; an' de dirt is a-weighin' me down. Heah on my ches'. An' dis man is a-laughin' at us an' says hit is a joke!"

The old sergeant was now within three feet of the officer. The latter was gray as putty, and sober. It did not take the inclosing circle, the heavy breathing, the wild, staring eyes and tight-drawn lips to tell him his danger. He felt the Presence. The air was pregnant with it. He took a step backward and moved his stiff lips as though to speak; but there was no sound. The voice went on:

"He laughed at us; but he won't laugh no moah. God done made 'im to look lak a man; but he ain't no man. He is a snake an' creeps in de grass. God sez in his book dat all snakes mus' be killed an'—" the sergeant took another step; the officer took a step backward, and the crowd surged forward with a quick, hoarse gasp. Then the terror gripped him, and turning, the officer made a dash for the door.

Again the circle closed in as the sea surges up upon the land. There were tossing arms; there was the hissing of breath through clenched teeth, the sickening thud of blows, and a gurgling cry of mortal agony. Then the sea surged out again, and there on the floor lay the thing that had been Lieutenant Roger Williams Perkins.

The ring of negroes stood fast. Their shoulders rose and fell as their convulsive breaths were indrawn and exhaled. They seemed to be wondering what had happened. Several raised their hands and observed them curiously, first one and then the other, as though they were strange objects never seen before. One placed his fingers to his nose and smelt them furtively. Another tried to rub off the thick, dark stain, but with little success. The "moving finger" had written.

When the catastrophe occurred, five or ten of the weak-kneed had rushed from the building, and even as these guilty ones stood there, there was a clatter of arms outside. Some one yelled: "the guahd," and they knew that their deeds had overtaken them.

In the momentary pandemonium that followed, old Sergeant Wilson was heard calling above the din: "Out with dem lights! Pile de bunks agin' de doahs an' winders!" They had learned to obey that voice before, in many a tight place, and now it had its old-time ring. So they went and did. A saber hilt rattled on the portal. "Open the door! This is the officer of the guard."

"To hell wiff de officah of de guahd. Open hit yo'se'f!" was bellowed in reply. The strain was relieved, and the sally was greeted with a wild yapping from the rest, such as might have risen from a den of trapped wolves. Several ran to the windows. There was a sputtering volley of carbine shots, and Troop "B," 19th U.S. Cavalry, was in open mutiny.

Now when a troop of United States cavalry rises against those in authority, incidents begin to occur at once. The times when such a thing has happened can be counted on the fingers of one hand, with some digits to spare. There was, in this case, no room for parley or exchange of flags of truce. The thing with which the ants were already busy there on the floor was an uncontrovertible fact. Consequently, there being no grounds upon which to arbitrate the matter, the mutineers blazed away cheerfully at anything that showed itself on the plaza. They had now nothing to lose.

Then, shortly, there sounded from the guard-house, through the rain-drenched night, the call that jerks the soldier out of his bunk, all standing, from any sleep but that of death: the "call to arms."

In fifteen minutes "B" Troop's quarters were surrounded on all sides by the other troops of the squadron, the men of which, from safe cover, observed the carbine flashes and wild yellsemanating therefrom with mild surprise, and wondered "what de hell had broke loose."

Major Bliss sat under the smoky lantern at the guard-house, surrounded by the officers of the station. He questioned sharply the men who had escaped from "B" Troop's barracks. At intervals he swore mightily and cursed the day that Roger Williams Perkins was born.

"And to think that old Wilson should be at the head of this! Old Wilson, of all men! Why, he is worth fifty thousand Perkinses, dead or alive. I am only sorry that Perkins didn't get away. I should like to have got hold of him myself, damn him."

There was no hesitation in the makeup of Major Bliss. He intended to suppress this outbreak in a manner that would tend to discourage any such ebullitions in the future. Consequently, he made his dispositions with grimness and determination. His plan was simple, his orders being to "rush 'em and give 'em hell." His greatest regret was that the interests of discipline should make such a step necessary, since he was sure that a majority of the mutineers had acted upon impulse, and were already excessively sorry for themselves.

In the midst of these untoward events, the "Tarlac," coastwise transport blew into the bay through the murk and rain, and Captain North, of "B" Troop, the "Ole Cap'n," returned to the station. Hearing the shots and yells, he concluded that the Major was "shooting up the town," and splashed hurriedly to his quarters for his saber and revolver. There in the darkness he stumbled over hismuchacho, who had deposited himself at the foot of the steps and was earnestly beseeching his patron saint to have him spared this once; promising an altar cloth and innumerable candles if he should be allowed to exist long enough to secure them, thus putting on that gentleman's intercession a premium that he trusted would be effective. The Captain being naturally impulsive, the accident did not improve his temper to any appreciable extent. Besides this, the matches were wet, and there was no oil in the lamp. Consequently he had to search for his weapons in the dark. After falling over his bunk and numberless chairs, and upsetting his field desk, he found his saber and revolver, only to discover that both, owing to the neglect of that same sanctifiedmuchachoon the stairs, were covered with rust; that the cylinder of the revolver would not revolve; and that at least two strong men and a boy would be required to coax the saber from its scabbard!

All this while the shooting and yelling were going on, and by the time he splashed out into the rain once more, the good Captain was what is technically known as "mad as a hornet!" He started on a run to "B" Troop's quarters, to take command of his men, only to be stopped by a sentinel, who informed him that "B" Troop was in no mood to be taken command of, and that he had "bettah go to de guahd-house." Being ordered to the guard-house by a private did not tend to quiet his state of mind any, even when the situation was explained. By the time he burst in on the assembled officers at the post of the guard, Captain North was madder than ever.

"What the devil is going on here, Bliss? What's this I hear about 'B' Troop's busting loose? This is a hell of a state of affairs."

"That is just what I think, North, and very neatly expressed," the Major replied dryly. "Lovely discipline you have in that band of Indians of yours. They've mutinied, no less, and apparently they have got Perkins. A nice——"

"Mutinied, have they? Why, the infernal black scoundrels," almost roared the irate officer, striding up and down the room. "Mutinied, have they? What the devil do they mean by doing a thing like that without saying anything to me about it? I'll mutiny 'em! Don't you interfere with me, Bliss," he continued, halting in his walk, "don't you interfere with me. This is my troop, and I can handle them. Don't you interfere with me."

"My dear North, no one has shown any inclination to interfere with you, has he?"

"That's right," and the Captain continued his march, "that's right. I can attend to these gentlemen. This plan of rushing them, though, is all wrong, all wrong"; and he stopped again. "They'll fight, fight like the devil. I ought to know. I've seen them do it often enough. You'll lose good men. In opposing them with force you recognize the strength in them. What you need is moral force. One man power. Same principle in training lions. Same principle. If a lion-tamer went into a cage of ten lions with ten men, he'd have trouble on his hands from the jump; but he can go alone and bluff 'em. Same principle here. If I could get into the middle of that bunch over there without their seeing me until Iwasthere, I'd scare them out of ten years' growth. How to get there, that's the question."

"Why, North, you are crazy. They'd get you, sure. They'd eat you up, man."

"Eatmeup? Why, they'd as soon think of tackling the late Mr. Peter Jackson. They know me. How to get there, that's the question. Walking across the plaza they couldn't tellmefrom any one else."

"Beg yoah pahdin', sah," and Private Massay of "B" Troop, who was the commanding officer's orderly for the day, spoke up, "Ef de Cap'n could git in through de little doah inde stoah-room, and go through de kitchen, I speck he could git in widout bein' ketched."

"Right, Massay, the very thing. Somebody give me a lantern. Confound it, one of you men get me a lantern, and be quick about it." A member of the guard gave him the required article, and concealing it carefully under his poncho, he went quickly out. The Major and other officers jumped up and followed. All the way down the dreary, rain-swept street the Major attempted to persuade the Captain to give up his foolhardy enterprise, but without result. Finally, when they reached the cordon of surrounding troops, the senior officer said:

"Well, North, this is absolutely absurd, and out of the question. If you insist, I shall have to give you an order not to go."

"No, you won't do that, Bliss." The Captain's anger had left him now, and he spoke quietly. "We have known each other a long time, and seen a lot of service together. You won't take advantage of your rank to stop me now. I am only doing what you would do in my place. It is my troop. The shame and disgrace are mine. You won't stop me now."

The Major hesitated a moment and then spoke slowly, and with evident feeling:

"Well—well. Have your way; but be careful, John, be careful."

They saw him move quietly along under the shadow of a wall, cross the street, and disappear in a small side door of "B" Troop's quarters. He was not discovered.

For the last half hour the silence and the blackness of the grave had existed in "B" Troop's big squad room. The "shouting and the tumult" had died a lingering death. One cannot yell and hurl challenge indefinitely, and shouting up one's courage begins to lose its efficacy if long continued. One big-lunged mutineer had held out with his firing and bellowing until the nerves of the rest could stand it no longer. They then rudely suppressed him. He sounded so absurdly and pathetically foolish. He was typical of their own status. "One nigger shootin' a bluff at de whole United States Army!" They realized that with fifty it was no less idiotic.

If it had not been for old Wilson passing stealthily to and fro among them, with that wild light in his eyes, and those crazy mumblings, doubtless there would have, already, been breaks in the ranks. But no; there was that other thing, lying over there where it fell. There was no use now; there could be no looking back. Each turned wearily to his door or window and renewed his wide-eyed effort to pierce the web of blackness over the square. And the everlasting rain still fell.

A door swung cautiously somewhere. There was the sound of some one moving with steady, determined step down the center of the room. Then, without warning, their unaccustomed eyes were momentarily blinded by a light taken suddenly from under a poncho; and there in the center of the room stood a lone officer; in one hand a lantern, in the other a big blue revolver.

For an instant there was no movement. Then there was a counter reaction. With the snarl of wild animals, the fifty negroes sprang toward the center of the room. Sergeant Wilson was first. With a cry of: "Kill him! kill him!" he bounded over a bunk, and landed within three feet of the officer, revolver upraised. As he did so, the officer lifted the lantern to a level with his own face. The sergeant stopped. The whole circle halted, as though Circe had transfixed them. They had recognized the "Ole Cap'n."

"Well, Wilson." At the sound of the voice the old negro's countenance changed instantly. It became the face of a man in mortal anguish, as indeed he was. In that moment the scales had fallen from his vision. He saw his position clearly in the light of the sorrowful glance from the "ole Cap'n's" eyes. It was as though the main pillar of the heavens had been pulled out, and the skies were thundering down about his dazed old ears.

"Oh, Gawd, oh, Gawd!" he groaned, putting one hand to his head, and rocking it from side to side, as though the pain there were more than he could stand.

"Oh, Gawd, oh, Gawd." The revolver was lowered slowly from its upraised position, and suddenly, before the officer could stop him, the sergeant turned it against himself. There was a flash, an earsplitting report, and the old soldier sank to the floor. There he stretched himself wearily, as though for a long sleep, and Sergeant Jeremiah Wilson, of the "old Army," was gathered to his fathers.

The Captain turned away abruptly. He knew that old Wilson was a good shot.

"Open the doors," he said to the troopers, as though he had been telling them good morning. Compliance to that voice, raised in command, was to these soldiers a second nature. There was not the slightest hesitation. With eager alacrity they hastened to obey, like children who had been caught misbehaving.

In the first faintness of the dawn the tired-faced troopers cheerfully filed out and formed in front of the quarters, each one, as he passed through the door, depositing his arms at the officer's feet. Oh, but it was good to be on the right side again; and the "ole Cap'n" would take care of his own.

[4]Art. 17. Any soldier who sells, or through neglect loses or spoils his horse, arms, clothing, or accoutrements, shall be punished as a court martial may adjudge, subject to such humiliations as may be prescribed by the President, by virtue of the power vested in him.

[4]Art. 17. Any soldier who sells, or through neglect loses or spoils his horse, arms, clothing, or accoutrements, shall be punished as a court martial may adjudge, subject to such humiliations as may be prescribed by the President, by virtue of the power vested in him.

Harry and his agent

"I never cared for the singer's fame,But, oh, for the singer's heartOnce more—The bleeding, passionate heart!"—"B. V."

"I never cared for the singer's fame,But, oh, for the singer's heartOnce more—The bleeding, passionate heart!"—"B. V."

Theseare a few films from the human biograph of Harry Barnes, old actor. You know, when you are old, you accept life with more or less of a sigh of quiet acquiescence, and by your cozy fire you sit and nod to an inner voice, a gentle old voice which over and over whispers and murmurs—"Once upon a time, once upon a time." And possibly Barnes would have nodded, too, but he lacked the cozy fire. Life has its dramatic unities, it would seem, and if one thing or another is awry we are apt not to perform as the book says we should. No cozy fire, says the Great Stage Manager; no nodding acquiescence, replies the Mummer in the Play.

Barnes listened, it is true, over and over to the voice which murmured "Once upon a time," but he sat not by a comfortable open grate, amid grandchildren. Instead, he lurked in East Fourteenth Street amid decaying agents' offices, hunting a chance to do a bad monologue in a worse vaudeville show. He had outlasted his time; he could not get work. He lived on those two heartless things, Hope and Memory. And for all I know he is living on them yet.

Now, you will not in your careless youth or your sceptical maturity find beauty in this story, you will not "get under the skin" of it, as the saying is, unless you have stopped sometime in your busy going, to consider, aside and with understanding, the pathos of the old actor. It is a curiously poignant human thing, written about by a few, suffered by many, and ignored by the loud, inordinate world.

The old actor out of employment! A target for jokes, a piece of battered, ancient "property" cluttering up a new and very busy stage. You smile at his curious figure, unconscious of the broken misery that aches beneath, where life has died and living goes paradoxically on;and only sometimes late at night do you get a part of that hidden ache when you hear old legs drag weary feet up the boarding-house stairs, past your door and on up into the skylight room on the roof, despondently to bed; and you know that the old man has had another unsuccessful day among the agents and the managers. You can sometimes interpret the querulous little laugh over the thin oatmeal at breakfast, sometimes you can guess the water in the rapidly winking eyes; but of course you do not proclaim your deductions. Civilization is a process of making less noise about things.

This is a segment of the life-film of Harry Barnes, old actor, as he traveled the stones of Fourteenth Street. Not the Rialto, where fat men adorned with fat diamonds smoke fat cigars in order to narcotize fat consciences; but Fourteenth Street, grimy with old, sparsely-tenanted buildings, where theatrical offices three flights up bargain for the driblets of trade among the low music-halls and the cheapest vaudeville houses, where niggardly, gray-haired agents have for two generations sat among their dusty contracts and their rusty pens, haggling over bread-and-water salaries with the jetsam of a too-volatile profession.

Harry was old and dropsical with drink, a sad hero for a careless story. The only ideal he had ever had, besides one, was to arrive at the fine fame of printer's ink: headlines, bill-boards, critical notices, reproductions of his photograph. But this was long ago. He had longed to be chronicled in his time, preëminent and large; this he had desired with that hungry passion for display which only an actor can feel. But this, remember, was once upon a time. His other ideal—no need to mention it amid Momus and his mimes!—was to sway people with laughter and tears, to burn them with romance, to chasten them with tragedy, to carry them with him in his frenzy, to play upon them with his art.

Art! Do you care for a grotesque, serious evening in its humblest presence? Have you time to listen, over beer glass and cigarette, to a broken-down old actor out of a job?

HARRY BARNESHARRY BARNES, OLD ACTOR

Barnes was incongruously named when he was given the name of Harry. It is a flippant name. It calls up merriness, youth, bravado, color, song. Barnes was forty-nine, streaked with grey, heart-sick, pallid, shuffling, timorous, sorry, and forlorn. Three decades of grease paint had made his skin flabby; and three decades of what the grease paint stood for had done likewise by his soul. It was thus that he drifted from doorway to doorway in Fourteenth Street, down by the Elevated, where dry little agents told him in dry little voices that there was nothing for him from day to day. It was thus that he dragged his feet up the boarding-house stairs to his skylight room, night after night, carrying the two heartless fardels, Hope and Memory.

It was approaching a certain holiday, a holiday which came on Sunday.

"Harry," said old Tony Sanderson, after he had finished informing the actor that there was no news for him, "why don't you do a little press-agent work for yourself? Get your name in the paper. That might help you get something to do."

The other listened despondently.

"Now here's a chance," went on the agent, in a confidential tone. "No money in it, of course, but, as I said, there's a chance to get into print. Some sort of a newsboys' benefit bunch is going to get together Sunday night and give a little entertainment fer the kids up in Beals' gymnasium on the Bowery. They're callin' for volunteers among the actors. You take your monologue stunt down there and get onto the program. The newspapers always plays up this newsboy dope strong and you'll get a good mention sure. Clip the notices andthenyou've got somethin' to flash. See?"

Barnes stood uneasily by the desk. "I—I don't know, Tony," he answered. "To tell yuh the truth, I'd be a little bit scared to try it. Yuh see, I—well, if you wasn't an old friend of mine, I couldn't say it—but, confidentially, Tony, I—I've kind o' lost my grip. I'm a—a back number, Tony. I'm afraid o' them kids; they're too wise. My old act wouldn't go." He waited, awkwardly; then, as if he hoped he were wrong, he asked: "Would it?"

Sanderson snapped his grim eyes. "What're yuh tryin' to put it on fer, at all, then—if yuh think it won't take with a gang ofkids at a free doin's?" Then his tone softened. "Look here, Harry. It'll only be ten or twenty minutes. Go ahead. You'll get through all right. You ain't as much of a dead one as you think you are."

Barnes straightened up. It was all right for him to make a slight confession, but Sanderson had wounded his professional vanity. "A dead one!" he exclaimed. "Certainly not. Harry Barnes a dead one! After a thirty years' career in the companies of the best——"

The agent shoved a card in his hand and cut him off short. "Go around there and tell 'em to put you down for a monologue." And Harry went, with dignity and misgivings.

His misgivings were all the more increased when he saw the list of promised performers: La Belle Marie, the famous little toe dancer in her attractive transformations; the Brothers Zincatello, Risley experts at the Hippodrome; Julian Jokes, "in his inimitable Hebrew monologue"; the Seven Sebastians, the world's most marvelous Herculean acrobatic performers; Mlle. Joujou, the popular singing comedienne, Prima Donna and Star, direct from her unusual and most distinguished triumph at the Palace Theater, London; and a dozen more of the younger and more popular people of the stage, all adorned, with adjectives and hyperbole. Down at the bottom of the list with a trembling pencil he wrote: "Harry Barnes, Singing and Talking." Then he shook hands with the secretary of the organization and walked back to his boarding-house in a mild fever of excitement.

In his room he went eagerly about his work. He rehearsed again and again his meager little bag of tricks, his funny Irishman, his Chinaman—no, the Chinaman came first, because he used the queue afterward to wrap around his chin and simulate Irish "galloways"—his Dutch comedian monologue about married life, his old-time songs and dances. He furbished up some old "patter" and injected new anecdotes. And this he kept up morning and evening until the notable Sunday came.

Harry on stage, rapt boys enjoying the show"HE GRINNED AND WINKED AND FRISKED AND CAPERED"

He was so nervous, this old actor of a thousand parts, that he could eat no supper that night. He almost trotted to the gymnasium in his excitement, and, though his pockets bulged with grease paint, mustaches, wigs, and other paraphernalia, he forgot almost half of his material. At the door he had to push his way through a wriggling, impish mass of small boys who blocked the steps and the sidewalk. Insidethe hall, young faces packed the place to the window-sills. To the old man the newsboys seemed as so many antagonistic bits of the younger generation, the generation which evidently would have none of him, which relegated him carelessly to the warehouse for old scenery and old settings.

He stood in dismay behind an extemporized "wing" and peered out at the restless little bodies. He fancied already that he could see grins on their sophisticated faces, ridicule in their eyes; he remembered once hearing a gallery god shout "Twenty-three!" in the middle of an actor's monologue, and what had then seemed humorous precocity now seemed hard, bitter cruelty. He fumbled at his make-up in his pockets, shuffled uneasily, and waited.

It was almost time to begin. Where were the other actors who had promised to come? The boys out front were whistling, kicking their feet upon the floor, clapping their hands, and shouting to one another. A distracted official raced here and there among other officials, asking some sort of exasperated question. Barnes could not hear what it was; but telepathically he felt that there was a hitch in the program.

At last, after waiting a quarter of an hour, the manager stepped forward and said:

"Boys, we had arranged a fine program for you to-night——"

"Good fer you!" yelled a voice.

The speaker held up his hand. "But it seems that actors are betterpromisersthan they areactors." He smiled at his own joke, but the audience gave one long "Aw-w-w!"

"However," he continued, "we are all here now and we intend to do the best we can. If we make up our mind to, we can have a bully good time just the same. We have with us at least one kind gentleman who appreciates what a celebration like this means to the boys." ... Barnes heard and saw things as if through a fog. The arms of the speaker were gyrating and a voice shouted in the ear of the old actor: "What's your name?"

"Harry Barnes," he said, moistening his lips. Nobody had shown up except him, he kept thinking over and over to himself: nobody except him. He had the thankless job of "opening the show."

"... Harry Barnes," echoed the speaker at the end of some sort of practical talk concerning the newsboys' organization and its management. "Mister Harry Barnes"—he squinted at the program—"in singing and talking."

He turned and smiled at the old man, and to Barnes the smile seemed diabolical. Somebody clapped him on the back. There was a hurricane of whistles and shouts, and before he knew it he was in the middle of the rostrum.

Mechanically he had made his old comic entrance, tripping his right toe over his left heel, and turning to shake his fist at an imaginary enemy. The boys, determined to be pleased, giggled appreciatively.

"How—how are you, boys?" Barnes asked, seriously.

The audience snickered with delight. He was such a funny-looking old man!

"I hope you'll like my work," he went on, desperately, "or else we might as well go home. I guess I'm the whole show, for a little while, at least, as the feller said when he fell out o' the balloon." The house roared with approval.

"Go wan, Barnesy," shouted a young pair of lungs in the front row.

He straightened up, turned his back for a moment, stuck a queer set of mustaches on his upper lip, faced the crowd again, and began: "I was walkin' down the street the other day when my friend J. Pierpoint Morgan stepped up to me an' says, 'Barney, my boy'"....

The show had begun. Harry Barnes, singing and talking, had opened his carefully rehearsed bag of tricks.

There is some peculiar psychology about humor. If people make up their minds that they are going to laugh and that a performance is bound to be funny, nothing on earth can keep them from enjoying themselves. The most serious remark will be greeted with howls of approval; the most ancient joke takes on a novel and present sprightliness. In the slang of the stage, Barnes' line of patter took.

Four hundred boys simpered, smirked, grinned, giggled, tittered, chuckled, and guffawed. A wine of merriment flushed the crowd and mounted to the old mummer's brain and heart. He skipped and danced and sang; he went through all the drollery and tomfoolery, all the old comic business he could recall.

The children nudged each other, dug their fists into each other, and cheered: "Oh, you Barnesy!" "Kill it, Kid!" "Whatcha know about dat!" "Sand it down, Barnesy!" The old-timer was doing the famous lock-step jig he had done with Pat Rooney in "Patrice" fifteen or twenty years before. It was so old that it was new. Encore followed encore. The perspiration cascaded through his pores; he grinned and winked and frisked and capered. They would not let him stop. At the end of twenty-five minutes he bowed himself off the stage, and still they called him back. When he gave them, for the "call," the Little Johnny Dugan pantomime from "The Rainmakers," theEast Side children, born since the day of such things, were suffocated with delight.

What did Dugan do to him?—They say he was untrue to him.Did Dugan owe him money?—No; he stole McCarthy's wife!Who? Little Johnny Dugan?

What did Dugan do to him?—They say he was untrue to him.Did Dugan owe him money?—No; he stole McCarthy's wife!Who? Little Johnny Dugan?

sang Barnes with a quizzical flirt of his head; and lungs that were wont to fill the city streets with news could not even gasp for laughter.

The secretary of the organization followed with a speech about future entertainments; another official read a letter from a prominent financier promising the boys a swimming-pool and a half dozen summer excursions.

"Somebody bang de box!" suggested a voice, after a pause.

Nobody could—except Barnes; and he volunteered. The whole affair was now like one big family circle, each one secure in the amity of the other, and when the old man sat down at the cracked piano, he sang as if he were singing to himself, easily and without restraint. A quiet held the house, and even the children were touched; for Harry Barnes was quavering through the simple lines of "Should Auld Acquaintance Be Forgot." After that he gave them the Lullaby Song from "Erminie," and somehow it did not at all appear incongruous that a careworn mimic of fifty should be singing to careworn workingmen of ten, down on the Bowery, in a gymnasium, a verse about pretty little eyelids and sleeping darlings. The world, fortunately, is not always with us; and the song ended in a silent applause.

For two hours the entertainment went on, speeches and official plans interspersed with the antics of Barnes.

Harry smiles at his reflection"'OH, YOU DIVVIL, YOU! YOU OLD, BLATHERSKITING DIVVIL'"

Was there anything he could not do? He mimicked birds and animals; he imitated a wheezy phonograph playing "When We Were a Couple of Kids"; he recited "The Raven" and "Paul Revere's Ride"; he gave a cutting from Dickens and one from Sheridan Knowles; he showed how Joe Jefferson played Rip Van Winkle, how Sol Smith Russell did "A Poor Relation."

And all through his soul and body, as he watched his haphazard audience follow him in his moods and changes, ran the quiet magic of Art Satisfied. It is a noble braggart madness, this glorification of a cheap art by an old actor.

"Barnes, my boy," he said to himself, with a glow of rapid blood, "you have not lost them yet! See them laugh with you! Feel them cry! What does it matter if you eat watery oatmeal and live in a skylight room; are you not an artist, a resonant instrument of poetry and music and mirth, a true actor of the best parts? You are; and these are matters of the undying soul. A boarding-house is a vulgar, temporal thing. You were right to come here to-night, and do this thing without pay, for Art's sake. You uphold the honor of a calling which is founded upon Art. And, oh, most of all, you have not lost your power, you have not outlived your time! Sanderson intimated that you were a dead one—very well, to-morrow you shall triumphantly cut the acquaintance of Sanderson! To have lived until this evening before the youth of this land; to have caught the right intonation, the proper gesture; to have swept through the hearts of your hearers like a vibration of music—this is to have transcended, this is to have justified yourself! And justified yourself to whom? To Sanderson? To the world? No! You have justified Harry Barnes to Harry Barnes! You carry this human throng over the footlights and into your soul with a Chinaman's queue and a putty nose. Your Art is still that fine, secure Art which you have carried in your memory as you traversed dingy stairways on Fourteenth Street. Barnes, you live, you act, you accomplish! Bravo!"

He shook hands abstractedly all aroundwhen the affair came to a close. He remembered bundling his make-up and trinkets into a piece of newspaper and tucking it under his arm. A pleased face presented itself at one time before his eyes and a voice said, confidentially, "Mr. Barnes, I congratulate you; and the dramatic critic of theStarwas here to-night."

He found himself at last out in the cool darkness of the street, and he had to stop a moment to think which way his boarding-house lay. Then he walked home, to save carfare. All the way up the silent streets his brain sang with triumph. His blood jumped in gladness; he could hardly keep from running. He declaimed aloud bits of Shakespeare, tag ends of poems; he snapped his fingers and flung out his arms in sheer excess of enthusiasm. He smiled, threw back his head, even made faces at the passersby. He boomed into a solo from an opera, and kicked his foot at a cigar stub on the sidewalk. And had anybody wished to observe when he reached his house, the spectacle would have presented itself of a caricature, funny-paper barn-stormer tramping merrily up the rattling stairs and humming, "The flowers that bloom in the spring, tra-la, have nothing to do with the case."

All the next day he did not leave his room, save at meal times; for he wished to be alone and hug his exultation. To the four flat walls he repeated snatches of the things he had done the night before; up and down the rag carpet he smirked and grimaced and laughed and jigged. He sang the songs that had "taken" so well. He went through certain gestures and then deliberately exaggerated them, in a high good-humor. He was as young again as on the day when he had signed his first contract. He puffed out his chest, looked at himself in the glass with mock seriousness, and then, when the pent-up good feeling burst out in his merry eye, he winked it gleefully and said: "Oh, you divvil, you! You old blatherskiting divvil!"

At half-past four he went down to the corner and bought a copy of theStar, the late edition which had the dramatic news in it.

There it was! He felt like jumping up in the air and whooping the length of the street. On the editorial page it was. His name was in the headlines! Beneath, in the article itself, almost every other word seemed to be Barnes. It praised him here, it admired him there, it thanked him, it congratulated him, it asserted that he had saved the night for four hundred newsboys. He was so anxious to read it through and to read it fast that he skipped from paragraph to paragraph. There was over a column of it! He hurried back up to the room; and then regretted that he had not stopped to buy more copies of the paper. He locked the door and spread the paper out on the little center-table. His heart and breath almost stopped as he read the good words slowly through. When he had finished, he threw the paper aside and bounded into the middle of the room.

"Press agent, hey?" he laughed. "Press agent! I guess yes! A small matter of a column and a quarter; that's all.Onlya column and a quarter about Harry Barnes! Wonder what Sanderson will think about that? Wonder if he won't get me something to do? Oh, no; I guess not. A column and a quarter!"

He sat down again and smoothed out the paper before him. This time he began noticing little niceties of the critic's phrasing ... "entertaining, not to say pathetic rendition," etc., etc.... "Notto say?" Funny; look at it a moment, and it seems to mean it wasn't pathetic. But here it said: "Infectious and heart-tickling old-time Irish humor" ... "excellent characterization of Uriah Heep" ... and so on.

Harry stares at the paper"HE SAT STARING INTO THE BLANKNESS OF THE LITTLE ROOM"

After a few minutes he ceased reading and sat, picking at the edge of the paper, staring into the blankness of the little room. He stayed thus immovable for a long, long time, and then slowly the tears slipped across his cheeks, down on the forgotten "notice," his throat ached with a tender sobbing, and he bowed his head into the newspaper.

He was thinking of the children; he had made them laugh and cry. And this was the thrill, once more, of the singer's heart.

Inconsequence of the threatening situation which the President's reactionary policy had precipitated, the belief grew stronger and stronger in the Northern country that the predominance of the Republican party was—and would be for a few years, at least—necessary for the safety and the honor of the Republic; and steps taken to insure that predominance, even such as would have in less critical times evoked strong criticism, were now looked upon with seductive leniency of judgment. Mr. Stockton of New Jersey was unseated in the Senate upon grounds which would hardly pass muster in ordinary times, to make room for a Republican successor, and even Mr. Fessenden approved the transaction. Advantage was taken in the same body of the sickness or casual absence of some Democratic senator to rush through a vote when a two-thirds majority was required to kill a veto; and other proceedings were resorted to at a pinch which were hardly compatible with the famous "courtesy of the Senate." But there was more thorough and lasting work to be done to prepare for the full restoration of the States lately in rebellion. The Republican majority was by no means of one mind as to the constitutional status of the communities that had been in insurrection against the National Government. I have already spoken of the theory of State-suicide advanced by Mr. Stevens and a comparatively small school of extremists. The theory most popular with most of the Republicans, which was finally formulated by the Joint Committee on Reconstruction, was that the rebel States had not been out of the Union, but had lost their working status inside of the Union, and had to be restored to their regular constitutional relations to the Union by action of Congress, upon such conditions as Congress might deem proper.

To meet the dangers which so far had become visible on the horizon, the Joint Committee on Reconstruction devised the Fourteenth Amendment to the Constitution, which was long and laboriously debated in both Houses. In the form in which it was finally adopted it declared (1) that all persons born or naturalized in the United States are citizens of the United States and of the States in which they reside, and that no State shall make or enforce any law abridging the privileges or immunities of citizens, nor deprive any person of life, liberty, or property without due process of law, nor deny to any person the equal protection of the laws; (2) that if in any State the right to vote at anyelection for the choice of national or State officers is denied or in any way abridged, except for participation in rebellion, or other crime, the basis of representation in Congress or the electoral college shall be reduced in the proportion which the number of such male citizens shall bear to the whole number of male citizens twenty-one years of age in such State; (3) that no person who had taken part in the rebellion, having previously, as a national or State officer, military or civil, sworn to support the Constitution of the United States, shall be a Senator or Representative in Congress or hold any office, civil or military, under the United States, or any State, unless relieved of that disability by a two-thirds vote of each house of Congress; (4) that the validity of the public debt of the United States shall not be questioned, nor shall any debt or obligation contracted in aid of rebellion, or any claim for emancipated slaves be paid.

Thus the Fourteenth Amendment stopped short of the extension of the suffrage to negroes—a subject which many Republicans were still afraid to touch directly. But by implication it punished the States denying that extension by reducing the basis of representation; it excluded from office, unless relieved of the disability by a two-thirds vote of Congress, the most influential class of those who had taken an active part in the rebellion; and it safeguarded the public debt. With only one of its provisions serious fault could be found;—not with that which guaranteed to the freedmen the essential civil rights of free men, nor with that which excluded the freedmen from the basis of representation—so long as they were not permitted to vote. Only the advocates of negro suffrage might logically have objected to this clause; inasmuch as it by implication recognized the right of a State to exclude the colored people from the suffrage if the State paid a certain penalty for such exclusion. Neither could the clause safeguarding the public debt and prohibiting the payment of debts incurred in aid of the rebellion be objected to. The really exceptionable provision was that which excluded so large a class of Southern men from public office, and just that class with which a friendly understanding was most desirable. The provision that their disqualification could be removed by a two-thirds vote in each House of Congress mended the mischief thus done a little, but not enough for the public good.

It was not expressly enacted, but it was generally understood, that those of the States lately in rebellion, which ratified the Fourteenth Amendment, would thereby qualify themselves for full restoration in the Union. Tennessee, where a faction of the Union party hostile to President Johnson had gained the ascendency, did so, and was accordingly fully restored by the admission to their seats in Congress of its Senators and Representatives. The full restoration of the other late rebel States would probably have been expedited in the same way, had they followed the example of Tennessee. But President Johnson, as became publicly known in one or two instances, obstinately dissuaded them from doing so, and the fight went on. He also vetoed a second Freedmen's Bureau bill in which some of the provisions he had objected to in his veto of the first were remedied. But things had now come to such a pass between Congress and the President that his veto messages were hardly considered worth listening to, but were promptly overruled almost without debate by two-thirds votes in each House.

Under such circumstances the Congressional election of 1866 came on. The people were to pronounce judgment between the President and Congress. The great quarrel had created excitement so intense as to affect men's balance of mind. About the time of the assembling of Congress Mr. Preston King of New York (the same rotund gentleman with whom, in the National Convention of 1860, I conducted Mr. Ashmun to the chair), who had been a Senator of the United States and had been appointed Collector of Customs by President Johnson, committed suicide by jumping into the North River from a ferry-boat. He had been a Republican of the radical type, and when he took the office he supposed the President to be of the same mind; but Mr. Johnson's course distressed him so much that he became melancholy; his brain gave way, and he sought relief in death. Another suicide which greatly startled the country a few months later, that of Senator Lane of Kansas, was attributed to a similar cause. "Jim" Lane had been one of the most famous free-State fighters in Kansas Territory. Since then he was ranked among the extreme anti-slavery men and as a Senator he was counted upon as a firm opponent of President Johnson's policy. To the astonishment of everybody he voted against the Civil Rights bill. This somewhat mysterious change of front, which nobody seemed able satisfactorily to explain, cost him his confidential intercourse with his former associates in the Senate, and brought upon him stinging manifestations of disapproval from his constituents. He was reported to have expressed profound repentanceof what he had done and finally made away with himself as one lost to hope. He was still in the full vigor of manhood—only fifty-one years old—when he sought the grave.

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