Abbott, Emma, inCamille,70;meeting with,272-275;320Academy of Music, the,débutof Kellogg at,33;stage conditions at,37;director of,40;winter season at,91;benefit at,92;return to,201;258,259,263Adam, Mme.,304Adamowski, Timothie,358Adams, Charles,298Adams, Maud, inJoan of Arc,66Aïda,292,301,302,307Albani, Mme.,235Albertini,294Albites, suggestion of,102Alboni, Mme., Rovere and,94;anecdote of,175Aldrich, Thomas Bailey,47,48Alexander, John,281Amina, therôleof,64;the opera of,65;Murska as,296Amodio,13;personal appearance of,14;inDon Giovanni,74Amonasro,307Andrede, Joseph,300Annetta,91;contrast between Marguerite and,93;Malibran as,94;Grisi as,94;Kellogg as,93,94,96Anschutz,Faustand,78Appleton, Tom,46,47Arditi,135,138,162-164,168,171,173Armitage, Sir George,195-198Association, Peace Jubilee,235Azucena,249Babcock, William,7Bachert, Pond and,358Balfe,261,262Ballo in Maschera,55,62,329, 338Banjo, first mention of,8;music of,9;old man and the,217,218;accompaniment of,358Barbiere, Il, realistic performance of,38;56,91,97,167,277Barbizon School,306Barlow, Judge Peter,102Barlow, Mrs. Samuel,276-279Bateman concerts,101Beecher, Henry Ward,214Beethoven,78;Jubilee,209;Okakura and music of,219;reference to,366Behrens, Siegfried,263,264,267Bellini,54;traditions of,67;music of,80Benedict, Sir Jules,6,197,261,262Bennett, James Gordon,251,303Bennett, Mr.,164,174,238Bentinck, Mrs. Cavendish,190Bernhardt,208Beware, Longfellow and,46;singing of,175,178,197Bey, Khalil,156,157Biachi as Mephistopheles,86Bianchi, Mlle.,329Bierstadt, Albert,160Bizet,305Black, Valentine,305Bohème, La,91Bohemian Girl, The,257,259Booth, Edwin, letter from,16;on stage traditions,366Booth, Wilkes,111Borde, Mme. de la, inLes Huguenots,13;voice of,13Borgia, Lucretia, Grisi as,159Bososio, Mlle., as Prascovia,102Boucicault, Dion,15, 262Brignoli,13,14;tour with,22;temper of,22,23;origin of,24;mascot of,24,165;point of view of,24;anecdote of,25;death of,25;inI Puritani,29;in opera with,36;difficulties with,41;in Boston with,44;farewell performance for,64;Americanisation of,71;inPoliuto,72;Gottschalk and,107;mention of,294,358Brougham, John,15Bulow, Von,298Burnett, Mrs. Frances Hodgson,281Burroughs, John, reference to,288Butterfly, Madame,255Cabanel,306Cable, George,281Callender, May,276,277Calvé,81;as Carmen,291Camille, Matilda Heron in,15;public attitude toward,69;mention of,70;libretto of,135Campanini, Italo,236,237,261,295Capoul,184,236,237,295Carlton, William,258-261,265,268,275;Marie Roze and,290Carmen,73,91;Minnie Hauck as,102;Kellogg in,231,236;in English,254;Marie Roze as,290;therôleof,291;Calvé as,291;music of,305Carvalho, Mme. Miolan-,77;wig of,82,140;as Marguerite,84Cary, Annie Louise,193;Kellogg and,289,292-294,298,304Castille, The Rose of,257Castle,257,269,270Catherine, inStar of the North,102;jewels for,104;incident when singing,267Châtelet, Théâtre,140Christina, ex-Queen,143,144Clarke, James Freeman,50Clarkson, Bishop,300Clover, Lieutenant,357Club, Stanley,305Colson, Pauline, tour with,22;advice of,26;example in costuming of,27;illness of,27Combermere, Viscountess,125;anecdote of,128Comédie Française, 15Concerts, private,168;Buckingham Palace,179-186,302;Benedict's,197;tours,200-203,208,227-230;trials of,232-234;in Russia,346Conklin, Ellen, effect of slavery on,58,59Conly, George,256,258,275Connaught, Duke of,183,184Contessa, incident in Titjien'srôleof,169,170,239Cook, W. H.,124Coquelin,304Costa, Sir Michael,169,170,194,238,267Cotogni,235,337Coulsen,294Crinkle, Nym,seeWheelerCrispino e la Comare,91,94;Cobbler in,94;mention of,97,249Curiose, Le Donne,91Cushman, Charlotte, attendance at theatre by,33;evening in Boston with,50,52;in Rome with,160;as Queen Katherine,270,271Cusins,176,178Custer,57,58Czar, the, Ronconi and,95;daughter of,182,183;signature of,335;physician of,337;Nihilists and,338,343;mourning of,342;sight of,350,351;assassination of,354,355Dahlgren, Admiral,183,357Dame Blanche, La,96D'Angri,13Daniel Deronda, quotation from,315-316Davidson,167,190,195Davis, Jefferson, at West Point,19;son of,19;wife of,20Davis, Will,256Debussy,79Deland, Conly as,258de Reszke, Jean, inL'Africaine,40;Sbriglia and,313,314de Reszke, Josephine,306Diavolo, Fra,16,91;benefit performance of,92,93;fondness for,97;scenes from,159;Lucca in,174,249;Conly in,256;mention of,261;Habelmann as, 269Dickens, house of,241Donizetti,56;opera ofBetlyby,68;Poliutoby,71;music of,80Donna Anna,rôleof,74,137;Titjiens as,169,170,173;Kellogg as,249Doria, Clara,246Douglass, William,126,203Duc de Morney,360Dudley, Lord,189Dufferin, Lord and Lady,353Dukas,79Duse,208Dutchman, The Flying,257,258,263-265Eames, Mme.,83Edinburgh, Duchess of,182,183Edward, Miss,121,137Ehn, Mme.,329Elssler, Fanny,330Elvira, Donna,137,170,173Emerson,45,221Emory, Lieutenant,357Ernani, Patti in,148,155Errani,11Eugénie, Empress,149,150Evans, Dr.,150Fabri, Count,244Falstaff,91Farragut, Admiral,157,158Farrar, Geraldine, as Marguerite,81,83,89Faure,145,147,178,179,184,235,323Faust, first suggestion of Kellogg in,40;anecdote about,46;public attitude toward,68;decision of Maretzek about,75;on the Continent,77;criticism of78;estimate of79;early effect on public of,81,89;Alice Neilson in82;Poliutoand,88;liberties with score of,88,89;Santley in,132;French treatment of,140;in America,240;mention of,244,307;Lucca in,249,250;Carlton in,260;Drury Lane and,132,135,137,162,174,189,261;Mike and,266;Emma Abbott in,274;testimonial,298;libretto of,333;mention of, 359Fechter, Mr.,168Federici as Marguerite,80Felina,251-253,331,358Ferri, tour with,22;as Rigoletto,33;blindness of,33,41Fidelio, Titjiens as,169Field, Eugene,271Field, Mrs. Marshall,279Fields, James T., home of,45;anecdote of,46;friends of,47,48;opinion of "copy" of Mrs. Stowe,49;hospitality of,50;letter to,89Fioretti,195Fischoff,326,332Flotow, opera ofMarthaby,73Flute, playing of,2;Lanier and,51;Wagner's use of,52Flute, The Magic,74,146,366;song fromThe Starin,173Foley, Walter,131,167,236Foster, Mr.,338,339Franceschetti,322Frapoli,299Freischütz, Der,254French, art of the,140Fursch-Nadi,310Gaiety,93,94;Italian,160Gannon, Mary,15Garden, Covent,129,135,167,171,172,178,194-196,235Garden, Mary, artistic spirit of,40;English opera and,255Gazza Ladra, La,166-168,173Gazzaniga, Mme.,294Gerster,303,329Giatano, Nita,242,243Gilda, study of therôleof,29;appearance in,34,35,63;comparison with Marguerite of,79;Kellogg as,81Gilder, Jeannette,193,280,282;Ellen Terry and,283Gilder, Richard Watson,192,219,221;Mrs.,279,281;studio of,280-282Gilder, Rodman,281Gilder, William H.,280Gilmore, Patrick,309Giovanni, Don,62;under Grau in,74;at Her Majesty's,137,167,170,173,174,197,198;mention of,249,296,342Godard, 305Goddard, Mr.,190Goethe,254Goodwin,168,197Götterdämmerung, Die,91Gottschalk,106,107,295Gounod, new opera by,75;as revolutionist,78,79;mention of,132;reference to,133;in London,140,240-244;Gounod, Madame,243Grange, Mme. de la, inLes Huguenots,13;inSonnambula,38;inThe Star of the North,102Grant, General, in Chicago,114,115;President and Mrs.,266Grau, Maurice,67;Traviataand,69;