It was at eleven in the morning that the pale youth-god put collar and chain on Michael, led him out of the segregation ward, and turned him over to a dark youth-god who wasted no time of greeting on him and manifested no friendliness. A captive at the end of a chain, on the way Michael quickly encountered other captives going in his direction. There were three of them, and never had he seen the like. Three slouching, ambling monsters of bears they were, and at sight of them Michael bristled and uttered the lowest of growls; for he knew them, out of his heredity (as a domestic cow knows her first wolf), as immemorial enemies from the wild. But he had travelled too far, seen too much, and was altogether too sensible, to attack them. Instead, walking stiff-legged and circumspectly, but smelling with all his nose the strange scent of the creatures, he followed at the end of his chain his own captor god.
Continually a multitude of strange scents invaded his nostrils. Although he could not see through walls, he got the smells he was later to identify of lions, leopards, monkeys, baboons, and seals and sea-lions. All of which might have stunned an ordinary dog; but the effect on him was to make him very alert and at the same time very subdued. It was as if he walked in a new and monstrously populous jungle and was unacquainted with its ways and denizens.
As he was entering the arena, he shied off to the side more stiff-leggedly than ever, bristled all along his neck and back, and growled deep and low in his throat. For, emerging from the arena, came five elephants. Small elephants they were, but to him they were the hugest of monsters, in his mind comparable only with the cow-whale of which he had caught fleeting glimpses when she destroyed the schoonerMary Turner. But the elephants took no notice of him, each with its trunk clutching the tail of the one in front of it as it had been taught to do in making an exit.
Into the arena, he came, the bears following on his heels. It was a sawdust circle the size of a circus ring, contained inside a square building that was roofed over with glass. But there were no seats about the ring, since spectators were not tolerated. Only Harris Collins and his assistants, and buyers and sellers of animals and men in the profession, were ever permitted to behold how animals were tormented into the performance of tricks to make the public open its mouth in astonishment or laughter.
Michael forgot about the bears, who were quickly at work on the other side of the circle from that to which he was taken. Some men, rolling out stout bright-painted barrels which elephants could not crush by sitting on, attracted his attention for a moment. Next, in a pause on the part of the man who led him, he regarded with huge interest a piebald Shetland pony. It lay on the ground. A man sat on it. And ever and anon it lifted its head from the sawdust and kissed the man. This was all Michael saw, yet he sensed something wrong about it. He knew not why, had no evidence why, but he felt cruelty and power and unfairness. What he did not see was the long pin in the man’s hand. Each time he thrust this in the pony’s shoulder, the pony, stung by the pain and reflex action, lifted its head, and the man was deftly ready to meet the pony’s mouth with his own mouth. To an audience the impression would be that in such fashion the pony was expressing its affection for the master.
Not a dozen feet away another Shetland, a coal-black one, was behaving as peculiarly as it was being treated. Ropes were attached to its forelegs, each rope held by an assistant, who jerked on the same stoutly when a third man, standing in front of the pony, tapped it on the knees with a short, stiff whip of rattan. Whereupon the pony went down on its knees in the sawdust in a genuflection to the man with the whip. The pony did not like it, sometimes so successfully resisting with spread, taut legs and mutinous head-tossings, as to overcome the jerk of the ropes, and, at the same time wheeling, to fall heavily on its side or to uprear as the pull on the ropes was relaxed. But always it was lined up again to face the man who rapped its knees with the rattan. It was being taught merely how to kneel in the way that is ever a delight to the audiences who see only the results of the schooling and never dream of the manner of the schooling. For, as Michael was quickly sensing, knowledge was here learned by pain. In short, this was the college of pain, this Cedarwild Animal School.
Harris Collins himself nodded the dark youth-god up to him, and turned an inquiring and estimating gaze on Michael.
“The Del Mar dog, sir,” said the youth-god.
Collins’s eyes brightened, and he looked Michael over more carefully.
“Do you know what he can do?” he queried.
The youth shook his head.
“Harry was a keen one,” Collins went on, apparently to the youth-god but mostly for his own benefit, being given to thinking aloud. “He picked this dog as a winner. And now what can he do? That’s the question. Poor Harry’s gone, and we don’t know what he can do.—Take off the chain.”
Released Michael regarded the master-god and waited for what might happen. A squall of pain from one of the bears across the ring hinted to him what he might expect.
“Come here,” Collins commanded in his cold, hard tones.
Michael came and stood before him.
“Lie down!”
Michael lay down, although he did it slowly, with advertised reluctance.
“Damned thoroughbred!” Collins sneered at him. “Won’t put any pep into your motions, eh? Well, we’ll take care of that.—Get up!—Lie down!—Get up!—Lie down!—Get up!”
His commands were staccato, like revolver shots or the cracks of whips, and Michael obeyed them in his same slow, reluctant way.
“Understands English, at any rate,” said Collins.
“Wonder if he can turn the double flip,” he added, expressing the golden dream of all dog-trainers. “Come on, we’ll try him for a flip. Put the chain on him. Come over here, Jimmy. Put another lead on him.”
Another reform-school graduate youth obeyed, snapping a girth about Michael’s loins, to which was attached a thin rope.
“Line him up,” Collins commanded. “Ready?—Go!”
And the most amazing, astounding indignity was wreaked upon Michael. At the word “Go!”, simultaneously, the chain on his collar jerked him up and back in the air, the rope on his hindquarters jerked that portion of him under, forward, and up, and the still short stick in Collins’s hand hit him under the lower jaw. Had he had any previous experience with the manoeuvre, he would have saved himself part of the pain at least by springing and whirling backward in the air. As it was, he felt as if being torn and wrenched apart while at the same time the blow under his jaw stung him and almost dazed him. And, at the same time, whirled violently into the air, he fell on the back of his head in the sawdust.
Out of the sawdust he soared in rage, neck-hair erect, throat a-snarl, teeth bared to bite, and he would have sunk his teeth into the flesh of the master-god had he not been the slave of cunning formula. The two youths knew their work. One tightened the lead ahead, the other to the rear, and Michael snarled and bristled his impotent wrath. Nothing could he do, neither advance, nor retreat, nor whirl sideways. The youth in front by the chain prevented him from attacking the youth behind, and the youth behind, with the rope, prevented him from attacking the youth in front, and both prevented him from attacking Collins, whom he knew incontrovertibly to be the master of evil and hurt.
Michael’s wrath was as superlative as was his helplessness. He could only bristle and tear his vocal chords with his rage. But it was a very ancient and boresome experience to Collins. He was even taking advantage of the moment to glance across the arena and size up what the bears were doing.
“Oh, you thoroughbred,” he sneered at Michael, returning his attention to him. “Slack him! Let go!”
The instant his bonds were released, Michael soared at Collins, and Collins, timing and distancing with the accuracy of long years, kicked him under the jaw and whirled him back and down into the sawdust.
“Hold him!” Collins ordered. “Line him out!”
And the two youths, pulling in opposite directions with chain and rope, stretched him into helplessness.
Collins glanced across the ring to the entrance, where two teams of heavy draft-horses were entering, followed by a woman dressed to over-dressedness in the last word of a stylish street-costume.
“I fancy he’s never done any flipping,” Collins remarked, coming back to the problem of Michael for a moment. “Take off your lead, Jimmy, and go over and help Smith.—Johnny, hold him to one side there and mind your legs. Here comes Miss Marie for her first lesson, and that mutt of a husband of hers can’t handle her.”
Michael did not understand the scene that followed, which he witnessed, for the youth led him over to look on at the arranging of the woman and the four horses. Yet, from her conduct, he sensed that she, too, was captive and ill-treated. In truth, she was herself being trained unwillingly to do a trick. She had carried herself bravely right to the moment of the ordeal, but the sight of the four horses, ranged two and two opposing her, with the thing patent that she was to hold in her hands the hooks on the double-trees and form the link that connected the two spans which were to pull in opposite directions—at the sight of this her courage failed her and she shrank back, drooping and cowering, her face buried in her hands.
“No, no, Billikens,” she pleaded to the stout though youthful man who was her husband. “I can’t do it. I’m afraid. I’m afraid.”
“Nonsense, madam,” Collins interposed. “The trick is absolutely safe. And it’s a good one, a money-maker. Straighten up a moment.” With his hands he began feeling out her shoulders and back under her jacket. “The apparatus is all right.” He ran his hands down her arms. “Now! Drop the hooks.” He shook each arm, and from under each of the fluffy lace cuffs fell out an iron hook fast to a thin cable of steel that evidently ran up her sleeves. “Not that way! Nobody must see. Put them back. Try it again. They must come down hidden in your palms. Like this. See.—That’s it. That’s the idea.”
She controlled herself and strove to obey, though ever and anon she cast appealing glances to Billikens, who stood remote and aloof, his brows wrinkled with displeasure.
Each of the men driving the harnessed spans lifted up the double-trees so that the girl could grasp the hooks. She tried to take hold, but broke down again.
“If anything breaks, my arms will be torn out of me,” she protested.
“On the contrary,” Collins reassured her. “You will lose merely most of your jacket. The worst that can happen will be the exposure of the trick and the laugh on you. But the apparatus isn’t going to break. Let me explain again. The horses do not pull against you. They pull against each other. The audience thinks that they are pulling against you.—Now try once more. Take hold the double-trees, and at the same moment slip down the hooks and connect.—Now!”
He spoke sharply. She shook the hooks down out of her sleeves, but drew back from grasping the double-trees. Collins did not betray his vexation. Instead, he glanced aside to where the kissing pony and the kneeling pony were leaving the ring. But the husband raged at her:
“By God, Julia, if you throw me down this way!”
“Oh, I’ll try, Billikens,” she whimpered. “Honestly, I’ll try. See! I’m not afraid now.”
She extended her hands and clasped the double-trees. With a thin writhe of a smile, Collins investigated the insides of her clenched hands to make sure that the hooks were connected.
“Now brace yourself! Spread your legs. And straighten out.” With his hands he manipulated her arms and shoulders into position. “Remember, you’ve got to meet the first of the strain with your arms straight out. After the strain is on, you couldn’t bend ’em if you wanted to. But if the strain catches them bent, the wire’ll rip the hide off of you. Remember, straight out, extended, so that they form a straight line with each other and with the flat of your back and shoulders. That’s it. Ready now.”
“Oh, wait a minute,” she begged, forsaking the position. “I’ll do it—oh, I will do it, but, Billikens, kiss me first, and then I won’t care if my arms are pulled out.”
The dark youth who held Michael, and others looking on, grinned. Collins dissembled whatever grin might have troubled for expression, and murmured:
“All the time in the world, madam. The point is, the first time must come off right. After that you’ll have the confidence.—Bill, you’d better love her up before she tackles it.”
And Billikens, very angry, very disgusted, very embarrassed, obeyed, putting his arms around his wife and kissing her neither too perfunctorily nor very long. She was a pretty young thing of a woman, perhaps twenty years old, with an exceedingly childish, girlish face and a slender-waisted, generously moulded body of fully a hundred and forty pounds.
The embrace and kiss of her husband put courage into her. She stiffened and steeled herself, and with compressed lips, as he stepped clear of her, muttered, “Ready.”
“Go!” Collins commanded.
The four horses, under the urge of the drivers, pressed lazily into their collars and began pulling.
“Give ’em the whip!” Collins barked, his eyes on the girl and noting that the pull of the apparatus was straight across her.
The lashes fell on the horses’ rumps, and they leaped, and surged, and plunged, with their huge steel-shod hoofs, the size of soup-plates, tearing up the sawdust into smoke.
And Billikens forgot himself. The terribleness of the sight painted the honest anxiety for the woman on his face. And her face was a kaleidoscope. At the first, tense and fearful, it was like that of a Christian martyr meeting the lions, or of a felon falling through the trap. Next, and quickly, came surprise and relief in that there was no hurt. And, finally, her face was proudly happy with a smile of triumph. She even smiled to Billikens her pride at making good her love to him. And Billikens relaxed and looked love and pride back, until, on the spur of the second, Harris Collins broke in:
“This ain’t a smiling act! Get that smile off your face. The audience has got to think you’re carrying the pull. Show that you are. Make your face stiff till it cracks. Show determination, will-power. Show great muscular effort. Spread your legs more. Bring up the muscles through your skirt just as if you was really working. Let ’em pull you this way a bit and that way a bit. Give ’em to. Spread your legs more. Make a noise on your face as if you was being pulled to pieces an’ that all that holds you is will-power.—That’s the idea! That’s the stuff! It’s a winner, Bill! It’s a winner!—Throw the leather into ’em! Make ’m jump! Make ’m get right down and pull the daylights out of each other!”
The whips fell on the horses, and the horses struggled in all their hugeness and might to pull away from the pain of the punishment. It was a spectacle to win approval from any audience. Each horse averaged eighteen hundredweight; thus, to the eye of the onlooker, seven thousand two hundred pounds of straining horse-flesh seemed wrenching and dragging apart the slim-waisted, delicately bodied, hundred-and-forty pound woman in her fancy street costume. It was a sight to make women in circus audiences scream with terror and turn their faces away.
“Slack down!” Collins commanded the drivers.
“The lady wins,” he announced, after the manner of a ringmaster.—“Bill, you’ve got a mint in that turn.—Unhook, madam, unhook!”
Marie obeyed, and, the hooks still dangling from her sleeves, made a short run to Billikens, into whose arms she threw herself, her own arms folding him about the neck as she exclaimed before she kissed him:
“Oh, Billikens, I knew I could do it all the time! I was brave, wasn’t I!”
“A give-away,” Collins’s dry voice broke in on her ecstasy. “Letting all the audience see the hooks. They must go up your sleeves the moment you let go.—Try it again. And another thing. When you finish the turn, no chestiness. No making out how easy it was. Make out it was the very devil. Show yourself weak, just about to collapse from the strain. Give at the knees. Make your shoulders cave in. The ringmaster will half step forward to catch you before you faint. That’s your cue. Beat him to it. Stiffen up and straighten up with an effort of will-power—will-power’s the idea, gameness, and all that, and kiss your hands to the audience and make a weak, pitiful sort of a smile, as though your heart’s been pulled ’most out of you and you’ll have to go to the hospital, but for right then that you’re game an’ smiling and kissing your hands to the audience that’s riping the seats up and loving you.—Get me, madam? You, Bill, get the idea! And see she does it.—Now, ready! Be a bit wistful as you look at the horses.—That’s it! Nobody’d guess you’d palmed the hooks and connected them.—Straight out!—Let her go!”
And again the thirty-six-hundredweight of horses on either side pitted its strength against the similar weight on the other side, and the seeming was that Marie was the link of woman-flesh being torn asunder.
A third and a fourth time the turn was rehearsed, and, between turns, Collins sent a man to his office, for the Del Mar telegram.
“You take her now, Bill,” he told Marie’s husband, as, telegram in hand, he returned to the problem of Michael. “Give her half a dozen tries more. And don’t forget, any time any jay farmer thinks he’s got a span that can pull, bet him on the side your best span can beat him. That means advance advertising and some paper. It’ll be worth it. The ringmaster’ll favour you, and your span can get the first jump. If I was young and footloose, I’d ask nothing better than to go out with your turn.”
Harris Collins, in the pauses gazing down at Michael, read Del Mar’s Seattle telegram:
“Sell my dogs. You know what they can do and what they are worth. Am done with them. Deduct the board and hold the balance until I see you. I have the limit of a dog. Every turn I ever pulled is put in the shade by this one. He’s a ten strike. Wait till you see him.”
“Sell my dogs. You know what they can do and what they are worth. Am done with them. Deduct the board and hold the balance until I see you. I have the limit of a dog. Every turn I ever pulled is put in the shade by this one. He’s a ten strike. Wait till you see him.”
Over to one side in the busy arena, Collins contemplated Michael.
“Del Mar was the limit himself,” he told Johnny, who held Michael by the chain. “When he wired me to sell his dogs it meant he had a better turn, and here’s only one dog to show for it, a damned thoroughbred at that. He says it’s the limit. It must be, but in heaven’s name, what is its turn? It’s never done a flip in its life, much less a double flip. What do you think, Johnny? Use your head. Suggest something.”
“Maybe it can count,” Johnny advanced.
“And counting-dogs are a drug on the market. Well, anyway, let’s try.”
And Michael, who knew unerringly how to count, refused to perform.
“If he was a regular dog, he could walk anyway,” was Collins’ next idea. “We’ll try him.”
And Michael went through the humiliating ordeal of being jerked erect on his hind legs by Johnny while Collins with the stick cracked him under the jaw and across the knees. In his wrath, Michael tried to bite the master-god, and was jerked away by the chain. When he strove to retaliate on Johnny, that imperturbable youth, with extended arm, merely lifted him into the air on his chain and strangled him.
“That’s off,” quoth Collins wearily. “If he can’t stand on his hind legs he can’t barrel-jump—you’ve heard about Ruth, Johnny. She was a winner. Jump in and out of nail-kegs, on her hind legs, without ever touching with her front ones. She used to do eight kegs, in one and out into the next. Remember when she was boarded here and rehearsed. She was a gold-mine, but Carson didn’t know how to treat her, and she croaked off with penumonia at Cripple Creek.”
“Wonder if he can spin plates on his nose,” Johnny volunteered.
“Can’t stand up on hind legs,” Collins negatived. “Besides, nothing like the limit in a turn like that. This dog’s got a specially. He ain’t ordinary. He does some unusual thing unusually well, and it’s up to us to locate it. That comes of Harry dying so inconsiderately and leaving this puzzle-box on my hands. I see I just got to devote myself to him. Take him away, Johnny. Number Eighteen for him. Later on we can put him in the single compartments.”
Number Eighteen was a big compartment or cage in the dog row, large enough with due comfort for a dozen Irish terriers like Michael. For Harris Collins was scientific. Dogs on vacation, boarding at the Cedarwild Animal School, were given every opportunity to recuperate from the hardships and wear and tear of from six months to a year and more on the road. It was for this reason that the school was so popular a boarding-place for performing animals when the owners were on vacation or out of “time.” Harris Collins kept his animals clean and comfortable and guarded from germ diseases. In short, he renovated them against their next trips out on vaudeville time or circus engagement.
To the left of Michael, in Number Seventeen, were five grotesquely clipped French poodles. Michael could not see them, save when he was being taken out or brought back, but he could smell them and hear them, and, in his loneliness, he even started a feud of snarling bickeringness with Pedro, the biggest of them who acted as clown in their turn. They were aristocrats among performing animals, and Michael’s feud with Pedro was not so much real as play-acted. Had he and Pedro been brought together they would have made friends in no time. But through the slow monotonous drag of the hours they developed a fictitious excitement and interest in mouthing their quarrel which each knew in his heart of hearts was no quarrel at all.
In Number Nineteen, on Michael’s right, was a sad and tragic company. They were mongrels, kept spotlessly and germicidally clean, who were unattached and untrained. They composed a sort of reserve of raw material, to be worked into established troupes when an extra one or a substitute was needed. This meant the hell of the arena where the training went on. Also, in spare moments, Collins, or his assistants, were for ever trying them out with all manner of tricks in the quest of special aptitudes on their parts. Thus, a mongrel semblance to a cooker spaniel of a dog was tried out for several days as a pony-rider who would leap through paper hoops from the pony’s back, and return upon the back again. After several falls and painful injuries, it was rejected for the feat and tried out as a plate-balancer. Failing in this, it was made into a see-saw dog who, for the rest of the turn, filled into the background of a troupe of twenty dogs.
Number Nineteen was a place of perpetual quarrelling and pain. Dogs, hurt in the training, licked their wounds, and moaned, or howled, or were irritable to excess on the slightest provocation. Always, when a new dog entered—and this was a regular happening, for others were continually being taken away to hit the road—the cage was vexed with quarrels and battles, until the new dog, by fighting or by non resistance, had commanded or been taught its proper place.
Michael ignored the denizens of Number Nineteen. They could sniff and snarl belligerently across at him, but he took no notice, reserving his companionship for the play-acted and perennial quarrel with Pedro. Also, Michael was out in the arena more often and far longer hours than any of them.
“Trust Harry not to make a mistake on a dog,” was Collins’s judgment; and constantly he strove to find in Michael what had made Del Mar declare him a ten strike and the limit.
Every indignity, in the attempt to find out, was wreaked upon Michael. They tried him at hurdle-jumping, at walking on forelegs, at pony-riding, at forward flips, and at clowning with other dogs. They tried him at waltzing, all his legs cord-fastened and dragged and jerked and slacked under him. They spiked his collar in some of the attempted tricks to keep him from lurching from side to side or from falling forward or backward. They used the whip and the rattan stick; and twisted his nose. They attempted to make a goal-keeper of him in a football game between two teams of pain-driven and pain-bitten mongrels. And they dragged him up ladders to make him dive into a tank of water.
Even they essayed to make him “loop the loop”—rushing him down an inclined trough at so high speed of his legs, accelerated by the slash of whips on his hindquarters, that, with such initial momentum, had he put his heart and will into it, he could have successfully run up the inside of the loop, and across the inside of the top of it, back-downward, like a fly on the ceiling, and on and down and around and out of the loop. But he refused the will and the heart, and every time, when he was unable at the beginning to leap sideways out of the inclined trough, he fell grievously from the inside of the loop, bruising and injuring himself.
“It isn’t that I expect these things are what Harry had in mind,” Collins would say, for always he was training his assistants; “but that through them I may get a cue to his specially, whatever in God’s name it is, that poor Harry must have known.”
Out of love, at the wish of his love-god, Steward, Michael would have striven to learn these tricks and in most of them would have succeeded. But here at Cedarwild was no love, and his own thoroughbred nature made him stubbornly refuse to do under compulsion what he would gladly have done out of love. As a result, since Collins was no thoroughbred of a man, the clashes between them were for a time frequent and savage. In this fighting Michael quickly learned he had no chance. He was always doomed to defeat. He was beaten by stereotyped formula before he began. Never once could he get his teeth into Collins or Johnny. He was too common-sensed to keep up the battling in which he would surely have broken his heart and his body and gone dumb mad. Instead, he retired into himself, became sullen, undemonstrative, and, though he never cowered in defeat, and though he was always ready to snarl and bristle his hair in advertisement that inside he was himself and unconquered, he no longer burst out in furious anger.
After a time, scarcely ever trying him out on a new trick, the chain and Johnny were dispensed with, and with Collins he spent all Collins’s hours in the arena. He learned, by bitter lessons, that he must follow Collins around; and follow him he did, hating him perpetually and in his own body slowly and subtly poisoning himself by the juices of his glands that did not secrete and flow in quite their normal way because of the pressure put upon them by his hatred.
The effect of this, on his body, was not perceptible. This was because of his splendid constitution and health. Wherefore, since the effect must be produced somewhere, it was his mind, or spirit, or nature, or brain, or processes of consciousness, that received it. He drew more and more within himself, became morose, and brooded much. All of which was spiritually unhealthful. He, who had been so merry-hearted, even merrier-hearted than his brother Jerry, began to grow saturnine, and peevish, and ill-tempered. He no longer experienced impulses to play, to romp around, to run about. His body became as quiet and controlled as his brain. Human convicts, in prisons, attain this quietude. He could stand by the hour, to heel to Collins, uninterested, infinitely bored, while Collins tortured some mongrel creature into the performance of a trick.
And much of this torturing Michael witnessed. There were the greyhounds, the high-jumpers and wide-leapers. They were willing to do their best, but Collins and his assistants achieved the miracle, if miracle it may be called, of making them do better than their best. Their best was natural. Their better than best was unnatural, and it killed some and shortened the lives of all. Rushed to the springboard and the leap, always, after the take-off, in mid-air, they had to encounter an assistant who stood underneath, an extraordinarily long buggy-whip in hand, and lashed them vigorously. This made them leap from the springboard beyond their normal powers, hurting and straining and injuring them in their desperate attempt to escape the whip-lash, to beat the whip-lash in the air and be past ere it could catch their flying flanks and sting them like a scorpion.
“Never will a jumping dog jump his hardest,” Collins told his assistants, “unless he’s made to. That’s your job. That’s the difference between the jumpers I turn out and some of these dub amateur-jumping outfits that fail to make good even on the bush circuits.”
Collins continually taught. A graduate from his school, an assistant who received from him a letter of recommendation, carried a high credential of a sheepskin into the trained-animal world.
“No dog walks naturally on its hind legs, much less on its forelegs,” Collins would say. “Dogs ain’t built that way.They have to be made to, that’s all. That’s the secret of all animal training. They have to. You’ve got to make them. That’s your job. Make them. Anybody who can’t, can’t make good in this factory. Put that in your pipe and smoke it, and get busy.”
Michael saw, without fully appreciating, the use of the spiked saddle on the bucking mule. The mule was fat and good-natured the first day of its appearance in the arena. It had been a pet mule in a family of children until Collins’s keen eyes rested on it; and it had known only love and kindness and much laughter for its foolish mulishness. But Collins’s eyes had read health, vigour, and long life, as well as laughableness of appearance and action in the long-eared hybrid.
Barney Barnato he was renamed that first day in the arena, when, also, he received the surprise of his life. He did not dream of the spike in the saddle, nor, while the saddle was empty, did it press against him. But the moment Samuel Bacon, a negro tumbler, got into the saddle, the spike sank home. He knew about it and was prepared. But Barney, taken by surprise, arched his back in the first buck he had ever made. It was so prodigious a buck that Collins eyes snapped with satisfaction, while Sam landed a dozen feet away in the sawdust.
“Make good like that,” Collins approved, “and when I sell the mule you’ll go along as part of the turn, or I miss my guess. And it will be some turn. There’ll be at least two more like you, who’ll have to be nervy and know how to fall. Get busy. Try him again.”
And Barney entered into the hell of education that later won his purchaser more time than he could deliver over the best vaudeville circuits in Canada and the United States. Day after day Barney took his torture. Not for long did he carry the spiked saddle. Instead, bare-back, he received the negro on his back, and was spiked and set bucking just the same; for the spike was now attached to Sam’s palm by means of leather straps. In the end, Barney became so “touchy” about his back that he almost began bucking if a person as much as looked at it. Certainly, aware of the stab of pain, he started bucking, whirling, and kicking whenever the first signal was given of some one trying to mount him.
At the end of the fourth week, two other tumblers, white youths, being secured, the complete, builded turn was performed for the benefit of a slender, French-looking gentleman, with waxed moustaches. In the end he bought Barney, without haggling, at Collins’s own terms and engaged Sammy and the other two tumblers as well. Collins staged the trick properly, as it would be staged in the theatre, even had ready and set up all the necessary apparatus, and himself acted as ringmaster while the prospective purchaser looked on.
Barney, fat as butter, humorous-looking, was led into the square of cloth-covered steel cables and cloth-covered steel uprights. The halter was removed and he was turned loose. Immediately he became restless, the ears were laid back, and he was a picture of viciousness.
“Remember one thing,” Collins told the man who might buy. “If you buy him, you’ll be ringmaster, and you must never, never spike him. When he comes to know that, you can always put your hands on him any time and control him. He’s good-natured at heart, and he’s the gratefullest mule I’ve ever seen in the business. He’s just got to love you, and hate the other three. And one warning: if he goes real bad and starts biting, you’ll have to pull out his teeth and feed him soft mashes and crushed grain that’s steamed. I’ll give you the recipe for the digestive dope you’ll have to put in. Now—watch!”
Collins stopped into the ring and caressed Barney, who responded in the best of tempers and tried affectionately to nudge and shove past on the way out of the ropes to escape what he knew was coming.
“See,” Collins exposited. “He’s got confidence in me. He trusts me. He knows I’ve never spiked him and that I always save him in the end. I’m his good Samaritan, and you’ll have to be the same to him if you buy him.—Now I’ll give you your spiel. Of course, you can improve on it to suit yourself.”
The master-trainer walked out of the rope square, stepped forward to an imaginary line, and looked down and out and up as if he were gazing at the pit of the orchestra beneath him, across at the body of the house, and up into the galleries.
“Ladies and gentlemen,” he addressed the sawdust emptiness before him as if it were a packed audience, “this is Barney Barnato, the biggest joker of a mule ever born. He’s as affectionate as a Newfoundland puppy—just watch—”
Stepping back to the ropes, Collins extended his hand across them, saying: “Come here, Barney, and show all these people who you love best.”
And Barney twinkled forward on his small hoofs, nozzled the open hand, and came closer, nozzling up the arm, nudging Collins’s shoulders with his nose, half-rearing as if to get across the ropes and embrace him. What he was really doing was begging and entreating Collins to take him away out of the squared ring from the torment he knew awaited him.
“That’s what it means by never spiking him,” Collins shot at the man with the waxed moustaches, as he stepped forward to the imaginary line in the sawdust, above the imaginary pit of the orchestra, and addressed the imaginary house.
“Ladies and gentlemen, Barney Barnato is a josher. He’s got forty tricks up each of his four legs, and the man don’t live that he’ll let stick on big back for sixty seconds. I’m telling you this in fair warning, before I make my proposition. Looks easy, doesn’t it?—one minute, the sixtieth part of an hour, to be precise, sixty seconds, to stick on the back of an affectionate josher mule like Barney. Well, come on you boys and broncho riders. To anybody who sticks on for one minute I shall immediately pay the sum of fifty dollars; for two whole, entire minutes, the sum of five hundred dollars.”
This was the cue for Samuel Bacon, who advanced across the sawdust, awkward and grinning and embarrassed, and apparently was helped up to the stage by the extended hand of Collins.
“Is your life insured?” Collins demanded.
Sam shook his head and grinned.
“Then what are you tackling this for?”
“For the money,” said Sam. “I jes’ naturally needs it in my business.”
“What is your business?”
“None of your business, mister.” Here Sam grinned ingratiating apology for his impertinence and shuffled on his legs. “I might be investin’ in lottery tickets, only I ain’t. Do I get the money?—that’sourbusiness.”
“Sure you do,” Collins replied. “When you earn it. Stand over there to one side and wait a moment.—Ladies and gentlemen, if you will forgive the delay, I must ask for more volunteers.—Any more takers? Fifty dollars for sixty seconds. Almost a dollar a second . . . if you win. Better! I’ll make it a dollar a second. Sixty dollars to the boy, man, woman, or girl who sticks on Barney’s back for one minute. Come on, ladies. Remember this is the day of equal suffrage. Here’s where you put it over on your husbands, brothers, sons, fathers, and grandfathers. Age is no limit.—Grandma, do I get you?” he uttered directly to what must have been a very elderly lady in a near front row.—“You see,” (to the prospective buyer), “I’ve got the entire patter for you. You could do it with two rehearsals, and you can do them right here, free of charge, part of the purchase.”
The next two tumblers crossed the sawdust and were helped by Collins up to the imaginary stage.
“You can change the patter according to the cities you’re in,” he explained to the Frenchman. “It’s easy to find out the names of the most despised and toughest neighbourhoods or villages, and have the boys hail from them.”
Continuing the patter, Collins put the performance on. Sam’s first attempt was brief. He was not half on when he was flung to the ground. Half a dozen attempts, quickly repeated, were scarcely better, the last one permitting him to remain on Barney’s back nearly ten seconds, and culminating in a ludicrous fall over Barney’s head. Sam withdrew from the ring, shaking his head dubiously and holding his side as if in pain. The other lads followed. Expert tumblers, they executed most amazing and side-splitting fails. Sam recovered and came back. Toward the last, all three made a combined attack on Barney, striving to mount him simultaneously from different slants of approach. They were scattered and flung like chaff, sometimes falling heaped together. Once, the two white boys, standing apart as if recovering breath, were mowed down by Sam’s flying body.
“Remember, this is a real mule,” Collins told the man with the waxed moustaches. “If any outsiders butt in for a hack at the money, all the better. They’ll get theirs quick. The man don’t live who can stay on his back a minute . . . if you keep him rehearsed with the spike. He must live in fear of the spike. Never let him slow up on it. Never let him forget it. If you lay off any time for a few days, rehearse him with the spike a couple of times just before you begin again, or else he might forget it and queer the turn by ambling around with the first outside rube that mounts him.
“And just suppose some rube, all hooks of arms and legs and hands, is managing to stick on anyway, and the minute is getting near up. Just have Sam here, or any of your three, slide in and spike him from the palm. That’ll be good night for Mr. Rube. You can’t lose, and the audience’ll laugh its fool head off.
“Now for the climax! Watch! This always brings the house down. Get busy you two!—Sam! Ready!”
While the white boys threatened to mount Barney from either side and kept his attention engaged, Sam, from outside, in a sudden fit of rage and desperation, made a flying dive across the ropes and from in front locked arms and legs about Barney’s neck, tucking his own head close against Barney’s head. And Barney reared up on his hind legs, as he had long since learned from the many palm-spikings he had received on head and neck.
“It’s a corker,” Collins announced, as Barney, on his hind legs, striking vainly with his fore, struggled about the ring. “There’s no danger. He’ll never fall over backwards. He’s a mule, and he’s too wise. Besides, even if he does, all Sam has to do is let go and fall clear.”
The turn over, Barney gladly accepted the halter and was led out of the square ring and up to the Frenchman.
“Long life there—look him over,” Collins continued to sell. “It’s a full turn, including yourself, four performers, besides the mule, and besides any suckers from the audience. It’s all ready to put on the boards, and dirt cheap at five thousand.”
The Frenchman winced at the sum.
“Listen to arithmetic,” Collins went on. “You can sell at twelve hundred a week at least, and you can net eight hundred certain. Six weeks of the net pays for the turn, and you can book a hundred weeks right off the bat and have them yelling for more. Wish I was young and footloose. I’d take it out on the road myself and coin a fortune.”
And Barney was sold, and passed out of the Cedarwild Animal School to the slavery of the spike and to be provocative of much joy and laughter in the pleasure-theatre of the world.
“The thing is, Johnny, you can’t love dogs into doing professional tricks, which is the difference between dogs and women,” Collins told his assistant. “You know how it is with any dog. You love it up into lying down and rolling over and playing dead and all such dub tricks. And then one day you show him off to your friends, and the conditions are changed, and he gets all excited and foolish, and you can’t get him to do a thing. Children are like that. Lose their heads in company, forget all their training, and throw you down.”
“Now on the stage, they got real tricks to do, tricks they don’t do, tricks they hate. And they mightn’t be feeling good—got a touch of cold, or mange, or are sour-balled. What are you going to do? Apologize to the audience? Besides, on the stage, the programme runs like clockwork. Got to start performing on the tick of the clock, and anywhere from one to seven turns a day, all depending what kind of time you’ve got. The point is, your dogs have got to get right up and perform. No loving them, no begging them, no waiting on them. And there’s only the one way. They’ve got to know when you start, you mean it.”
“And dogs ain’t fools,” Johnny opined. “They know when you mean anything, an’ when you don’t.”
“Sure thing,” Collins nodded approbation. “The moment you slack up on them is the moment they slack up in their work. You get soft, and see how quick they begin making mistakes in their tricks. You’ve got to keep the fear of God over them. If you don’t, they won’t, and you’ll find yourself begging for spotted time on the bush circuits.”
Half an hour later, Michael heard, though he understood no word of it, the master-trainer laying another law down to another assistant.
“Cross-breds and mongrels are what’s needed, Charles. Not one thoroughbred in ten makes good, unless he’s got the heart of a coward, and that’s just what distinguishes them from mongrels and cross-breds. Like race-horses, they’re hot-blooded. They’ve got sensitiveness, and pride. Pride’s the worst. You listen to me. I was born into the business and I’ve studied it all my life. I’m a success. There’s only one reason I’m a success—I KNOW. Get that. I KNOW.”
“Another thing is that cross-breds and mongrels are cheap. You needn’t be afraid of losing them or working them out. You can always get more, and cheap. And they ain’t the trouble in teaching. You can throw the fear of God into them. That’s what’s the matter with the thoroughbreds. You can’t throw the fear of God into them.”
“Give a mongrel a real licking, and what’s he do? He’ll kiss your hand, and be obedient, and crawl on his belly to do what you want him to do. They’re slave dogs, that’s what mongrels are. They ain’t got courage, and you don’t want courage in a performing dog. You want fear. Now you give a thoroughbred a licking and see what happens. Sometimes they die. I’ve known them to die. And if they don’t die, what do they do? Either they go stubborn, or vicious, or both. Sometimes they just go to biting and foaming. You can kill them, but you can’t keep them from biting and foaming. Or they’ll go straight stubborn. They’re the worst. They’re the passive resisters—that’s what I call them. They won’t fight back. You can flog them to death, but it won’t buy you anything. They’re like those Christians that used to be burned at the stake or boiled in oil. They’ve got their opinions, and nothing you can do will change them. They’ll die first. . . . And they do. I’ve had them. I was learning myself . . . and I learned to leave the thoroughbred alone. They beat you out. They get your goat. You never get theirs. And they’re time-wasters, and patience-wasters, and they’re expensive.”
“Take this terrier here.” Collins nodded at Michael, who stood several feet back of him, morosely regarding the various activities of the arena. “He’s both kinds of a thoroughbred, and therefore no good. I’ve never given him a real licking, and I never will. It would be a waste of time. He’ll fight if you press him too hard. And he’ll die fighting you. He’s too sensible to fight if you don’t press him too hard. And if you don’t press him too hard, he’ll just stay as he is, and refuse to learn anything. I’d chuck him right now, except Del Mar couldn’t make a mistake. Poor Harry knew he had a specially, and a crackerjack, and it’s up to me to find it.”
“Wonder if he’s a lion dog,” Charles suggested.
“He’s the kind that ain’t afraid of lions,” Collins concurred. “But what sort of a specially trick could he do with lions? Stick his head in their mouths? I never heard of a dog doing that, and it’s an idea. But we can try him. We’ve tried him at ’most everything else.”
“There’s old Hannibal,” said Charles. “He used to take a woman’s head in his mouth with the old Sales-Sinker shows.”
“But old Hannibal’s getting cranky,” Collins objected. “I’ve been watching him and trying to get rid of him. Any animal is liable to go off its nut any time, especially wild ones. You see, the life ain’t natural. And when they do, it’s good night. You lose your investment, and, if you don’t know your business, maybe your life.”
And Michael might well have been tried out on Hannibal and have lost his head inside that animal’s huge mouth, had not the good fortune of apropos-ness intervened. For, the next moment, Collins was listening to the hasty report of his lion-and-tiger keeper. The man who reported was possibly forty years of age, although he looked half as old again. He was a withered-faced man, whose face-lines, deep and vertical, looked as if they had been clawed there by some beast other than himself.
“Old Hannibal is going crazy,” was the burden of his report.
“Nonsense,” said Harris Collins. “It’s you that’s getting old. He’s got your goat, that’s all. I’ll show it to you.—Come on along, all of you. We’ll take fifteen minutes off of the work, and I’ll show you a show never seen in the show-ring. It’d be worth ten thousand a week anywhere . . . only it wouldn’t last. Old Hannibal would turn up his toes out of sheer hurt feelings.—Come on everybody! All hands! Fifteen minutes recess!”
And Michael followed at the heels of his latest and most terrible master, the twain leading the procession of employees and visiting professional animal men who trooped along behind. As was well known, when Harris Collins performed he performed only for the élite, for the hoi-polloi of the trained-animal world.
The lion-and-tiger man, who had clawed his own face with the beast-claws of his nature, whimpered protest when he saw his employer’s preparation to enter Hannibal’s cage; for the preparation consisted merely in equipping himself with a broom-handle.
Hannibal was old, but he was reputed the largest lion in captivity, and he had not lost his teeth. He was pacing up and down the length of his cage, heavily and swaying, after the manner of captive animals, when the unexpected audience erupted into the space before his cage. Yet he took no notice whatever, merely continuing his pacing, swinging his head from side to side, turning lithely at each end of his cage, with all the air of being bent on some determined purpose.
“That’s the way he’s been goin’ on for two days,” whimpered his keeper. “An’ when you go near ’m, he just reaches for you. Look what he done to me.” The man held up his right arm, the shirt and undershirt ripped to shreds, and red parallel grooves, slightly clotted with blood, showing where the claws had broken the skin. “An’ I wasn’t inside. He did it through the bars, with one swipe, when I was startin’ to clean his cage. Now if he’d only roar, or something. But he never makes a sound, just keeps on goin’ up an’ down.”
“Where’s the key?” Collins demanded. “Good. Now let me in. And lock it afterward and take the key out. Lose it, forget it, throw it away. I’ll have all the time in the world to wait for you to find it to let me out.”
And Harris Collins, a sliver of a less than a light-weight man, who lived in mortal fear that at table the mother of his children would crown him with a plate of hot soup, went into the cage, before the critical audience of his employees and professional visitors, armed only with a broom-handle. Further, the door was locked behind him, and, the moment he was in, keeping a casual but alert eye on the pacing Hannibal, he reiterated his order to lock the door and remove the key.
Half a dozen times the lion paced up and down, declining to take any notice of the intruder. And then, when his back was turned as he went down the cage, Collins stepped directly in the way of his return path and stood still. Coming back and finding his way blocked, Hannibal did not roar. His muscular movements sliding each into the next like so much silk of tawny hide, he struck at the obstacle that confronted his way. But Collins, knowing ahead of the lion what the lion was going to do, struck first, with the broom-handle rapping the beast on its tender nose. Hannibal recoiled with a flash of snarl and flashed back a second sweeping stroke of his mighty paw. Again he was anticipated, and the rap on his nose sent him into recoil.
“Got to keep his head down—that way lies safety,” the master-trainer muttered in a low, tense voice.
“Ah, would you? Take it, then.”
Hannibal, in wrath, crouching for a spring, had lifted his head. The consequent blow on his nose forced his head down to the floor, and the king of beasts, nose still to floor, backed away with mouth-snarls and throat-and-chest noises.
“Follow up,” Collins enunciated, himself following, rapping the nose again sharply and accelerating the lion’s backward retreat.
“Man is the boss because he’s got the head that thinks,” Collins preached the lesson; “and he’s just got to make his head boss his body, that’s all, so that he can think one thought ahead of the animal, and act one act ahead. Watch me get his goat. He ain’t the hard case he’s trying to make himself believe he is. And that idea, which he’s just starting, has got to be taken out of him. The broomstick will do it. Watch.”
He backed the animal down the length of the cage, continually rapping at the nose and keeping it down to the floor.
“Now I’m going to pile him into the corner.”
And Hannibal, snarling, growling, and spitting, ducking his head and with short paw-strokes trying to ward off the insistent broomstick, backed obediently into the corner, crumpled up his hind-parts, and tried to withdraw his corporeal body within itself in a pain-urged effort to make it smaller. And always he kept his nose down and himself harmless for a spring. In the thick of it he slowly raised his nose and yawned. Nor, because it came up slowly, and because Collins had anticipated the yawn by being one thought ahead of Hannibal in Hannibal’s own brain, was the nose rapped.
“That’s the goat,” Collins announced, for the first time speaking in a hearty voice in which was no vibration of strain. “When a lion yawns in the thick of a fight, you know he ain’t crazy. He’s sensible. He’s got to be sensible, or he’d be springing or lashing out instead of yawning. He knows he’s licked, and that yawn of his merely says: ‘I quit. For the I love of Mike leave me alone. My nose is awful sore. I’d like to get you, but I can’t. I’ll do anything you want, and I’ll be dreadful good, but don’t hit my poor sore nose.’
“But man is the boss, and he can’t afford to be so easy. Drive the lesson home that you’re boss. Rub it in. Don’t stop when he quits. Make him swallow the medicine and lick the spoon. Make him kiss your foot on his neck holding him down in the dirt. Make him kiss the stick that’s beaten him.—Watch!”
And Hannibal, the largest lion in captivity, with all his teeth, captured out of the jungle after he was full-grown, a veritable king of beasts, before the menacing broomstick in the hand of a sliver of a man, backed deeper and more crumpled together into the corner. His back was bowed up, the very opposite muscular position to that for a spring, while he drew his head more and more down and under his chest in utter abjectness, resting his weight on his elbows and shielding his poor nose with his massive paws, a single stroke of which could have ripped the life of Collins quivering from his body.
“Now he might be tricky,” Collins announced, “but he’s got to kiss my foot and the stick just the same. Watch!”
He lifted and advanced his left foot, not tentatively and hesitantly, but quickly and firmly, bringing it to rest on the lion’s neck. The stick was poised to strike, one act ahead of the lion’s next possible act, as Collins’s mind was one thought ahead of the lion’s next thought.
And Hannibal did the forecasted and predestined. His head flashed up, huge jaws distended, fangs gleaming, to sink into the slender, silken-hosed ankle above the tan low-cut shoes. But the fangs never sank. They were scarcely started a fifth of the way of the distance, when the waiting broomstick rapped on his nose and made him sink it in the floor under his chest and cover it again with his paws.
“He ain’t crazy,” said Collins. “He knows, from the little he knows, that I know more than him and that I’ve got him licked to a fare-you-well. If he was crazy, he wouldn’t know, and I wouldn’t know his mind either, and I wouldn’t be that one jump ahead of him, and he’d get me and mess the whole cage up with my insides.”
He prodded Hannibal with the end of the broom-handle, after each prod poising it for a stroke. And the great lion lay and roared in helplessness, and at each prod exposed his nose more and lifted it higher, until, at the end, his red tongue ran out between his fangs and licked the boot resting none too gently on his neck, and, after that, licked the broomstick that had administered all the punishment.
“Going to be a good lion now?” Collins demanded, roughly rubbing his foot back and forth on Hannibal’s neck.
Hannibal could not refrain from growling his hatred.
“Going to be a good lion?” Collins repeated, rubbing his foot back and forth still more roughly.
And Hannibal exposed his nose and with his red tongue licked again the tan shoe and the slender, tan-silken ankle that he could have destroyed with one crunch.
One friend Michael made among the many animals he encountered in the Cedarwild School, and a strange, sad friendship it was. Sara she was called, a small, green monkey from South America, who seemed to have been born hysterical and indignant, and with no appreciation of humour. Sometimes, following Collins about the arena, Michael would meet her while she waited to be tried out on some new turn. For, unable or unwilling to try, she was for ever being tried out on turns, or, with little herself to do, as a filler-in for more important performers.
But she always caused confusion, either chattering and squealing with fright or bickering at the other animals. Whenever they attempted to make her do anything, she protested indignantly; and if they tried force, her squalls and cries excited all the animals in the arena and set the work back.
“Never mind,” said Collins finally. “She’ll go into the next monkey band we make up.”
This was the last and most horrible fate that could befall a monkey on the stage, to be a helpless marionette, compelled by unseen sticks and wires, poked and jerked by concealed men, to move and act throughout an entire turn.
But it was before this doom was passed upon her that Michael made her acquaintance. Their first meeting, she sprang suddenly at him, a screaming, chattering little demon, threatening him with nails and teeth. And Michael, already deep-sunk in habitual moroseness merely looked at her calmly, not a ripple to his neck-hair nor a prick to his ears. The next moment, her fuss and fury quite ignored, she saw him turn his head away. This gave her pause. Had he sprung at her, or snarled, or shown any anger or resentment such as did the other dogs when so treated by her, she would have screamed and screeched and raised a hubbub of expostulation, crying for help and calling all men to witness how she was being unwarrantably attacked.
As it was, Michael’s unusual behaviour seemed to fascinate her. She approached him tentatively, without further racket; and the boy who had her in charge slacked the thin chain that held her.
“Hope he breaks her back for her,” was his unholy wish; for he hated Sara intensely, desiring to be with the lions or elephants rather than dancing attendance on a cantankerous female monkey there was no reasoning with.
And because Michael took no notice of her, she made up to him. It was not long before she had her hands on him, and, quickly after that, an arm around his neck and her head snuggled against his. Then began her interminable tale. Day after day, catching him at odd times in the ring, she would cling closely to him and in a low voice, running on and on, never pausing for breath, tell him, for all he knew, the story of her life. At any rate, it sounded like the story of her woes and of all the indignities which had been wreaked upon her. It was one long complaint, and some of it might have been about her health, for she sniffed and coughed a great deal and her chest seemed always to hurt her from the way she had of continually and gingerly pressing the palm of her hand to it. Sometimes, however, she would cease her complaining, and love and mother him, uttering occasional series of gentle mellow sounds that were like croonings.
Hers was the only hand of affection that was laid on him at Cedarwild, and she was ever gentle, never pinching him, never pulling his ears. By the same token, he was the only friend she had; and he came to look forward to meeting her in the course of the morning work—and this, despite that every meeting always concluded in a scene, when she fought with her keeper against being taken away. Her cries and protests would give way to whimperings and wailings, while the men about laughed at the strangeness of the love-affair between her and the Irish terrier.
But Harris Collins tolerated, even encouraged, their friendship.
“The two sour-balls get along best together,” he said. “And it does them good. Gives them something to live for, and that way lies health. But some day, mark my words, she’ll turn on him and give him what for, and their friendship will get a terrible smash.”
And half of it he spoke with the voice of prophecy, and, though she never turned on Michael, the day in the world was written when their friendship would truly receive a terrible smash.
“Now seals are too wise,” Collins explained one day, in a sort of extempore lecture to several of his apprentice trainers. “You’ve just got to toss fish to them when they perform. If you don’t, they won’t, and there’s an end of it. But you can’t depend on feeding dainties to dogs, for instance, though you can make a young, untrained pig perform creditably by means of a nursing bottle hidden up your sleeve.”
“All you have to do is think it over. Do you think you can make those greyhounds extend themselves with the promise of a bite of meat? It’s the whip that makes them extend.—Look over there at Billy Green. There ain’t another way to teach that dog that trick. You can’t love her into doing it. You can’t pay her to do it. There’s only one way, and that’smakeher.”
Billy Green, at the moment, was training a tiny, nondescript, frizzly-haired dog. Always, on the stage, he made a hit by drawing from his pocket a tiny dog that would do this particular trick. The last one had died from a wrenched back, and he was now breaking in a new one. He was catching the little mite by the hind-legs and tossing it up in the air, where, making a half-flip and descending head first, it was supposed to alight with its forefeet on his hand and there balance itself, its hind feet and body above it in the air. Again and again he stooped, caught her hind-legs and flung her up into the half-turn. Almost frozen with fear, she vainly strove to effect the trick. Time after time, and every time, she failed to make the balance. Sometimes she fell crumpled; several times she all but struck the ground: and once, she did strike, on her side and so hard as to knock the breath out of her. Her master, taking advantage of the moment to wipe the sweat from his streaming face, nudged her about with his toe till she staggered weakly to her feet.
“The dog was never born that’d learn that trick for the promise of a bit of meat,” Collins went on. “Any more than was the dog ever born that’d walk on its forelegs without having its hind-legs rapped up in the air with the stick a thousand times. Yet you take that trick there. It’s always a winner, especially with the women—so cunning, you know, so adorable cute, to be yanked out of its beloved master’s pocket and to have such trust and confidence in him as to allow herself to be tossed around that way. Trust and confidence hell! He’s put the fear of God into her, that’s what.”
“Just the same, to dig a dainty out of your pocket once in a while and give an animal a nibble, always makes a hit with the audience. That’s about all it’s good for, yet it’s a good stunt. Audiences like to believe that the animals enjoy doing their tricks, and that they are treated like pampered darlings, and that they just love their masters to death. But God help all of us and our meal tickets if the audiences could see behind the scenes. Every trained-animal turn would be taken off the stage instanter, and we’d be all hunting for a job.”
“Yes, and there’s rough stuff no end pulled off on the stage right before the audience’s eyes. The best fooler I ever saw was Lottie’s. She had a bunch of trained cats. She loved them to death right before everybody, especially if a trick wasn’t going good. What’d she do? She’d take that cat right up in her arms and kiss it. And when she put it down it’d perform the trick all right all right, while the audience applauded its silly head off for the kindness and humaneness she’d shown. Kiss it? Did she? I’ll tell you what she did. She bit its nose.”
“Eleanor Pavalo learned the trick from Lottie, and used it herself on her toy dogs. And many a dog works on the stage in a spiked collar, and a clever man can twist a dog’s nose and nobody in the audience any the wiser. But it’s the fear that counts. It’s what the dog knows he’ll get afterward when the turn’s over that keeps most of them straight.”
“Remember Captain Roberts and his great Danes. They weren’t pure-breds, though. He must have had a dozen of them—toughest bunch of brutes I ever saw. He boarded them here twice. You couldn’t go among them without a club in your hand. I had a Mexican lad laid up by them. He was a tough one, too. But they got him down and nearly ate him. The doctors took over forty stitches in him and shot him full of that Pasteur dope for hydrophobia. And he always will limp with his right leg from what the dogs did to him. I tell you, they were the limit. And yet, every time the curtain went up, Captain Roberts brought the house down with the first stunt. Those dogs just flocked all over him, loving him to death, from the looks of it. And were they loving him? They hated him. I’ve seen him, right here in the cage at Cedarwild, wade into them with a club and whale the stuffing impartially out of all of them. Sure, they loved him not. Just a bit of the same old aniseed was what he used. He’d soak small pieces of meat in aniseed oil and stick them in his pockets. But that stunt would only work with a bunch of giant dogs like his. It was their size that got it across. Had they been a lot of ordinary dogs it would have looked silly. And, besides, they didn’t do their regular tricks for aniseed. They did it for Captain Roberts’s club. He was a tough bird himself.”
“He used to say that the art of training animals was the art of inspiring them with fear. One of his assistants told me a nasty one about him afterwards. They had an off month in Los Angeles, and Captain Roberts got it into his head he was going to make a dog balance a silver dollar on the neck of a champagne bottle. Now just think that over and try to see yourself loving a dog into doing it. The assistant said he wore out about as many sticks as dogs, and that he wore out half a dozen dogs. He used to get them from the public pound at two and a half apiece, and every time one died he had another ready and waiting. And he succeeded with the seventh dog. I’m telling you, it learned to balance a dollar on the neck of a bottle. And it died from the effects of the learning within a week after he put it on the stage. Abscesses in the lungs, from the stick.”
“There was an Englishman came over when I was a youngster. He had ponies, monkeys, and dogs. He bit the monkey’s ears, so that, on the stage, all he had to do was to make a move as if he was going to bite and they’d quit their fooling and be good. He had a big chimpanzee that was a winner. It could turn four somersaults as fast as you could count on the back of a galloping pony, and he used to have to give it a real licking about twice a week. And sometimes the lickings were too stiff, and the monkey’d get sick and have to lay off. But the owner solved the problem. He got to giving him a little licking, a mere taste of the stick, regular, just before the turn came on. And that did it in his case, though with some other case the monkey most likely would have got sullen and not acted at all.”
It was on that day that Harris Collins sold a valuable bit of information to a lion man who needed it. It was off time for him, and his three lions were boarding at Cedarwild. Their turn was an exciting and even terrifying one, when viewed from the audience; for, jumping about and roaring, they were made to appear as if about to destroy the slender little lady who performed with them and seemed to hold them in subjection only by her indomitable courage and a small riding-switch in her hand.
“The trouble is they’re getting too used to it,” the man complained. “Isadora can’t prod them up any more. They just won’t make a showing.”
“I know them,” Collins nodded. “They’re pretty old now, and they’re spirit-broken besides. Take old Sark there. He’s had so many blank cartridges fired into his ears that he’s stone deaf. And Selim—he lost his heart with his teeth. A Portuguese fellow who was handling him for the Barnum and Bailey show did that for him. You’ve heard?”
“I’ve often wondered,” the man shook his head. “It must have been a smash.”
“It was. The Portuguese did it with an iron bar. Selim was sulky and took a swipe at him with his paw, and he whopped it to him full in the mouth just as he opened it to let out a roar. He told me about it himself. Said Selim’s teeth rattled on the floor like dominoes. But he shouldn’t have done it. It was destroying valuable property. Anyway, they fired him for it.”
“Well, all three of them ain’t worth much to me now,” said their owner. “They won’t play up to Isadora in that roaring and rampaging at the end. It really made the turn. It was our finale, and we always got a great hand for it. Say, what am I going to do about it anyway? Ditch it? Or get some young lions?”
“Isadora would be safer with the old ones,” Collins said.
“Too safe,” Isadora’s husband objected. “Of course, with younger lions, the work and responsibility piles up on me. But we’ve got to make our living, and this turn’s about busted.”
Harris Collins shook his head.
“What d’ye mean?—what’s the idea?” the man demanded eagerly.
“They’ll live for years yet, seeing how captivity has agreed with them,” Collins elucidated. “If you invest in young lions you run the risk of having them pass out on you. And you can go right on pulling the trick off with what you’ve got. All you’ve got to do is to take my advice . . . ”
The master-trainer paused, and the lion man opened his mouth to speak.
“Which will cost you,” Collins went on deliberately, “say three hundred dollars.”
“Just for some advice?” the other asked quickly.
“Which I guarantee will work. What would you have to pay for three new lions? Here’s where you make money at three hundred. And it’s the simplest of advice. I can tell it to you in three words, which is at the rate of a hundred dollars a word, and one of the words is ‘the.’”
“Too steep for me,” the other objected. “I’ve got a make a living.”
“So have I,” Collins assured him. “That’s why I’m here. I’m a specialist, and you’re paying a specialist’s fee. You’ll be as mad as a hornet when I tell you, it’s that simple; and for the life of me I can’t understand why you don’t already know it.”
“And if it don’t work?” was the dubious query.
“If it don’t work, you don’t pay.”
“Well, shoot it along,” the lion man surrendered.
“Wire the cage,” said Collins.
At first the man could not comprehend; then the light began to break on him.
“You mean . . . ?”
“Just that,” Collins nodded. “And nobody need be the wiser. Dry batteries will do it beautifully. You can install them nicely under the cage floor. All Isadora has to do when she’s ready is to step on the button; and when the electricity shoots through their feet, if they don’t go up in the air and rampage and roar around to beat the band, not only can you keep the three hundred, but I’ll give you three hundred more. I know. I’ve seen it done, and it never misses fire. It’s just as though they were dancing on a red-hot stove. Up they go, and every time they come down they burn their feet again.