So much for the person. As to the time, the place, and the tools, I have many things to say, which at present I have no room for. The good sense of the practitioner has usually directed him to night and privacy. Yet there have not been wanting cases where this rule was departed from with excellent effect. In respect to time, Mrs. Ruscombe's case is a beautiful exception, which I have already noticed; and in respect both to time and place, there is a fine exception in the annals of Edinburgh, (year 1805,) familiar to every child in Edinburgh, but which has unaccountably been defrauded of its due portion of fame amongst English amateurs. The case I mean is that of a porter to one of the banks, who was murdered whilst carrying a bag of money, in broad daylight, on turning out of the High Street, one of the most public streets in Europe, and the murderer is to this hour undiscovered.
"Sed fugit interea, fugit irreparabile tcmpus,Singula dum capti circumvectamur amore."
And now, gentlemen, in conclusion, let me again solemnly disclaim all pretensions on my own part to the character of a professional man. I never attempted any murder in my life, except in the year 1801, upon the body of a tom-cat; andthatturned out differently from my intention. My purpose, I own, was downright murder. "Semper ego auditor tantum?" said I, "nunquamne reponam?" And I went down stairs in search of Tom at one o'clock on a dark night, with the "animus," and no doubt with the fiendish looks, of a murderer. But when I found him, he was in the act of plundering the pantry of bread and other things. Now this gave a new turn to the affair; for the time being one of general scarcity, when even Christians were reduced to the use of potato-bread, rice-bread, and all sorts of things, it was downright treason in a tom-cat to be wasting good wheaten-bread in the way he was doing. It instantly became a patriotic duty to put him to death; and as I raised aloft and shook the glittering steel, I fancied myself rising like Brutus, effulgent from a crowd of patriots, and, as I stabbed him, I
"called aloud on Tully's name, And bade the father of his country hail!"
Since then, what wandering thoughts I may have had of attempting the life of an ancient ewe, of a superannuated hen, and such "small deer," are locked up in the secrets of my own breast; but for the higher departments of the art, I confess myself to be utterly unfit. My ambition does not rise so high. No, gentlemen, in the words of Horace,
"—-fungos vice cotis, excutum Reddere ere quæ ferrum valet, exsors ipsa secandi."
DOCTOR NORTH: You are a liberal man: liberal in the true classical sense, not in the slang sense of modern politicians and education-mongers. Being so, I am sure that you will sympathize with my case. I am an ill-used man, Dr. North—particularly ill used; and, with your permission, I will briefly explain how. A black scene of calumny will be laid open; but you, Doctor, will make all things square again. One frown from you, directed to the proper quarter, or a warning shake of the crutch, will set me right in public opinion, which at present, I am sorry to say, is rather hostile to me and mine—all owing to the wicked arts of slanderers. But you shall hear.
A good many years ago you may remember that I came forward in the character of adilettantein murder. Perhapsdilettantemay be too strong a word.Connoisseuris better suited to the scruples and infirmity of public taste. I suppose there is no harm inthatat least. A man is not bound to put his eyes, ears, and understanding into his breeches pocket when he meets with a murder. If he is not in a downright comatose state, I suppose he must see that one murder is better or worse than another in point of good taste. Murders have their little differences and shades of merit as well as statues, pictures, oratorios, cameos, intaglios, or what not. You may be angry with the man for talking too much, or too publicly, (as to the too much, that I deny—a man can never cultivate his taste too highly;) but you must allow him to think, at any rate; and you, Doctor, you think, I am sure, both deeply and correctly on the subject. Well, would you believe it? all my neighbors came to hear of that little æsthetic essay which you had published; and, unfortunately, hearing at the very same time of a club that I as connected with, and a dinner at which I presided—both tending to the same little object as the essay, viz., the diffusion of a just taste among her majesty's subjects, they got up the most barbarous calumnies against me. In particular, they said that I, or that the club, which comes to the same thing, had offered bounties on well conducted homicides—with a scale of drawbacks, in case of any one defect or flaw, according to a table issued to private friends. Now, Doctor, I'll tell you the whole truth about the dinner and the club, and you'll see how malicious the world is. But first let me tell you, confidentially, what my real principles are upon the matters in question.
As to murder, I never committed one in my life. It's a well known thing amongst all my friends. I can get a paper to certify as much, signed by lots of people. Indeed, if you come to that, I doubt whether many people could produce as strong a certificate. Mine would be as big as a table-cloth. There is indeed one member of the club, who pretends to say that he caught me once making too free with his throat on a club night, after every body else had retired. But, observe, he shuffles in his story according to his state of civilation. When not far gone, he contents himself with saying that he caught me ogling his throat; and that I was melancholy for some weeks after, and that my voice sounded in a way expressing, to the nice ear of a connoisseur,the sense of opportunities lost—but the club all know that he's a disappointed man himself, and that he speaks querulously at times about the fatal neglect of a man's coming abroad without his tools. Besides, all this is an affair between two amateurs, and every body makes allowances for little asperities and sorenesses in such a case. "But," say you, "If no murderer, my correspondent may have encouraged, or even have bespoke a murder." No, upon my honor—nothing of the kind. And that was the very point I wished to argue for your satisfaction. The truth is, I am a very particular man in everything relating to murder; and perhaps I carry my delicacy too far. The Stagyrite most justly, and possibly with a view to my case, placed virtue in the [Greek: to meson] or middle point between two extremes. A golden mean is certainly what every man should aim at. But it is easier talking than doing; and, my infirmity being notoriously too much milkiness of heart, I find it difficult to maintain that steady equatorial line between the two poles of too much murder on the one hand, and too little on the other. I am too soft—Doctor, too soft; and people get excused through me—nay, go through life without an attempt made upon them, that ought not to be excused. I believe if I had the management of things, there would hardly be a murder from year's end to year's end. In fact I'm for virtue, and goodness, and all that sort of thing. And two instances I'll give you to what an extremity I carry my virtue. The first may seem a trifle; but not if you knew my nephew, who was certainly born to be hanged, and would have been so long ago, but for my restraining voice. He is horribly ambitious, and thinks himself a man of cultivated taste in most branches of murder, whereas, in fact, he has not one idea on the subject, but such as he has stolen from me. This is so well known, that the club has twice blackballed him, though every indulgence was shown to him as my relative. People came to me and said—"Now really, President, we would do much to serve a relative of yours. But still, what can be said? You know yourself that he'll disgrace us. If we were to elect him, why, the next thing we should hear of would be some vile butcherly murder, by way of justifying our choice. And what sort of a concern would it be? You know, as well as we do, that it would be a disgraceful affair, more worthy of the shambles than of an artist'sattelier. He would fall upon some great big man, some huge farmer returning drunk from a fair. There would be plenty of blood, andthathe would expect us to take in lieu of taste, finish, scenical grouping. Then, again, how would he tool? Why, most probably with a cleaver and a couple of paving stones: so that the wholecoup d'oeilwould remind you rather of some hideous ogre or cyclops, than of the delicate operator of the nineteenth century." The picture was drawn with the hand of truth;thatI could not but allow, and, as to personal feelings in the matter, I dismissed them from the first. The next morning I spoke to my nephew—I was delicately situated, as you see, but I determined that no consideration should induce me to flinch from my duty. "John," said I, "you seem to me to have taken an erroneous view of life and its duties. Pushed on by ambition, you are dreaming rather of what it might be glorious to attempt, than what it would be possible for you to accomplish. Believe me, it is not necessary to a man's respectability that he should commit a murder. Many a man has passed through life most respectably, without attempting any species of homicide—good, bad, or indifferent. It is your first duty to ask yourself,quid valeant humeri, quid ferre recusent? we cannot all be brilliant men in this life. And it is for your interest to be contented rather with a humble station well filled, than to shock every body with failures, the more conspicuous by contrast with the ostentation of their promises." John made no answer, he looked very sulky at the moment, and I am in high hopes that I have saved a near relation from making a fool of himself by attempting what is as much beyond his capacity as an epic poem. Others, however, tell me that he is meditating a revenge upon me and the whole club. But let this be as it may,liberavi animam meam; and, as you see, have run some risk with a wish to diminish the amount of homicide. But the other case still more forcibly illustrates my virtue. A man came to me as a candidate for the place of my servant, just then vacant. He had the reputation of having dabbled a little in our art; some said not without merit. What startled me, however, was, that he supposed this art to be part of his regular duties in my service. Now that was a thing I would not allow; so I said at once, "Richard (or James, as the case might be,) you misunderstand my character. If a man will and must practise this difficult (and allow me to add, dangerous) branch of art—if he has an overruling genius for it, why, he might as well pursue his studies whilst living in my service as in another's. And also, I may observe, that it can do no harm either to himself or to the subject on whom he operates, that he should be guided by men of more taste than himself. Genius may do much, but long study of the art must always entitle a man to offer advice. So far I will go—general principles I will suggest. But as to any particular case, once for all I will have nothing to do with it. Never tell me of any special work of art you are meditating—I set my face against itin toto. For if once a man indulges himself in murder, very soon he comes to think little of robbing; and from robbing he comes next to drinking and Sabbath-breaking, and from that to incivility and procrastination. Once begin upon this downward path, you never know where you are to stop. Many a man has dated his ruin from some murder or other that perhaps he thought little of at the time.Principiis obsta—that's my rule." Such was my speech, and I have always acted up to it; so if that is not being virtuous, I should be glad to know what is. But now about the dinner and the club. The club was not particularly of my creation; it arose pretty much as other similar associations, for the propagation of truth and the communication of new ideas, rather from the necessities of things than upon any one man's suggestion. As to the dinner, if any man more than another could be held responsible for that, it was a member known amongst us by the name ofToad-in-the-hole. He was so called from his gloomy misanthropical disposition, which led him into constant disparagements of all modern murders as vicious abortions, belonging to no authentic school of art. The finest performances of our own age he snarled at cynically; and at length this querulous humor grew upon him so much, and he became so notorious as alaudator tentporis acti, that few people cared to seek his society. This made him still more fierce and truculent. He went about muttering and growling; wherever you met him he was soliloquizing and saying, "despicable pretender—without grouping—without two ideas upon handling—without"—and there you lost him. At length existence seemed to be painful to him; he rarely spoke, he seemed conversing with phantoms in the air, his housekeeper informed us that his reading was nearly confined toGod's Revenge upon Murder, by Reynolds, and a more ancient book of the same title, noticed by Sir Walter Scott in hisFortunes of Nigel. Sometimes, perhaps, he might read in the Newgate Calendar down to the year 1788, but he never looked into a book more recent. In fact, he had a theory with regard to the French Revolution, as having been the great cause of degeneration in murder. "Very soon, sir," he used to say, "men will have lost the art of killing poultry: the very rudiments of the art will have perished!" In the year 1811 he retired from general society. Toad-in-the-hole was no more seen in any public resort. We missed him from his wonted haunts—nor up the lawn, nor at the wood was he. By the side of the main conduit his listless length at noontide he would stretch, and pore upon the filth that muddled by. "Even dogs are not what they were, sir—not what they should be. I remember in my grandfather's time that some dogs had an idea of murder. I have known a mastiff lie in ambush for a rival, sir, and murder him with pleasing circumstances of good taste. Yes, sir, I knew a tom-cat that was an assassin. But now"—and then, the subject growing too painful, he dashed his hand to his forehead, and went off abruptly in a homeward direction towards his favorite conduit, where he was seen by an amateur in such a state that he thought it dangerous to address him. Soon after he shut himself entirely up; it was understood that he had resigned himself to melancholy; and at length the prevailing notion was, that Toad-in-the-hole had hanged himself.
The world was wrongthere, as it has been on some other questions. Toad-in-the-hole might be sleeping, but dead he was not; and of that we soon had ocular proof. One morning in 1812, an amateur surprised us with the news that he had seen Toad-in-the-hole brushing with hasty steps the dews away to meet the postman by the conduit side. Even that was something: how much more, to hear that he had shaved his beard—had laid aside his sad-colored clothes, and was adorned like a bridegroom of ancient days. What could be the meaning of all this? Was Toad-in-the-hole mad? or how? Soon after the secret was explained—in more than a figurative sense "the murder was out." For in came the London morning papers, by which it appeared that but three days before a murder, the most superb of the century by many degrees had occurred in the heart of London. I need hardly say, that this was the great exterminatingchef-d'oeuvreof Williams at Mr. Marr's, No. 29, Ratcliffe Highway. That was thedébutof the artist; at least for anything the public knew. What occurred at Mr. Williamson's twelve nights afterwards—the second work turned out from the same chisel—some people pronounced even superior. But Toad-in-the-hole always "reclaimed"—he was even angry at comparisons. "This vulgargout de comparaison, as La Bruyère calls it," he would often remark, "will be our ruin; each work has its own separate characteristics—each in and for itself is incomparable. One, perhaps, might suggest theIliad—the other theOdyssey: what do you get by such comparisons? Neither ever was, or will be surpassed; and when you've talked for hours, you must still come back to that." Vain, however, as all criticism might be, he often said that volumes might be written on each case for itself; and he even proposed to publish in quarto on the subject.
Meantime, how had Toad-in-the-hole happened to hear of this great work of art so early in the morning? He had received an account by express, dispatched by a correspondent in London, who watched the progress of art OnToady'sbehalf, with a general commission to send off a special express, at whatever cost, in the event of any estimable works appearing—how much more upon occasion of ane plus ultrain art! The express arrived in the night-time; Toad-in-the-hole was then gone to bed; he had been muttering and grumbling for hours, but of course he was called up. On reading the account, he threw his arms round the express, called him his brother and his preserver; settled a pension upon him for three lives, and expressed his regret at not having it in his power to knight him. We, on our part—we amateurs, I mean—having heard that he was abroad, and therefore hadnothanged himself, made sure of soon seeing him amongst us. Accordingly he soon arrived, knocked over the porter on his road to the reading-room; he seized every man's hand as he passed him—wrung it almost frantically, and kept ejaculating, "Why, now here's something like a murder!—this is the real thing—this is genuine—this is what you can approve, can recommend to a friend: this—says every man, on reflection—this is the thing that ought to be!" Then, looking at particular friends, he said—"Why, Jack, how are you? Why, Tom, how are you? Bless me, you look ten years younger than when I last saw you." "No, sir," I replied, "It is you who look ten years younger." "Do I? well, I should'nt wonder if I did; such works are enough to make us all young." And in fact the general opinion is, that Toad-in-the-hole would have died but for this regeneration of art, which he called a second age of Leo the Tenth; and it was our duty, he said solemnly, to commemorate it. At present, anden attendant—rather as an occasion for a public participation in public sympathy, than as in itself any commensurate testimony of our interest—he proposed that the club should meet and dine together. A splendid public dinner, therefore, was given by the club; to which all amateurs were invited from a distance of one hundred miles.
Of this dinner there are ample short-hand notes amongst the archives of the club. But they are not "extended," to speak diplomatically; and the reporter is missing—I believe, murdered. Meantime, in years long after that day, and on an occasion perhaps equally interesting, viz., the turning up of Thugs and Thuggism, another dinner was given. Of this I myself kept notes, for fear of another accident to the short-hand reporter. And I here subjoin them. Toad-in-the-hole, I must mention, was present at this dinner. In fact, it was one of its sentimental incidents. Being as old as the valleys at the dinner of 1812, naturally he was as old as the hills at the Thug dinner of 1838. He had taken to wearing his beard again; why, or with what view, it passes my persimmon to tell you. But so it was. And his appearance was most benign and venerable. Nothing could equal the angelic radiance of his smile as he inquired after the unfortunate reporter, (whom, as a piece of private scandal, I should tell you that he was himself supposed to have murdered, in a rapture of creative art:) the answer was, with roars of laughter, from the under-sheriff of our county—"Non est inventus." Toad-in-the-hole laughed outrageously at this: in fact, we all thought he was choking; and, at the earnest request of the company, a musical composer furnished a most beautiful glee upon the occasion, which was sung five times after dinner, with universal applause and inextinguishable laughter, the words being these, (and the chorus so contrived, as most beautifully to mimic the peculiar laughter of Toad-in-the-hole:)—
"Et interrogatum est à Toad-in-the hole—Ubi est ille reporter?Et responsum est cum cachinno—Non est inventus."
"Deinde iteratum est ab omnibus, cum cachinnatione undulante—Non est inventus."
Toad-in-the-hole, I ought to mention, about nine years before, when an express from Edinburgh brought him the earliest intelligence of the Burke-and-Hare revolution in the art, went mad upon the spot; and, instead of a pension to the express for even one life, or a knighthood, endeavored to burke him; in consequence of which he was put into a strait waistcoat. And that was the reason we had no dinner then. But now all of us were alive and kicking, strait-waistcoaters and others; in fact, not one absentee was reported upon the entire roll. There were also many foreign amateurs present.
Dinner being over, and the cloth drawn, there was a general call made for the new glee ofNon est inventus; but, as this would have interfered with the requisite gravity of the company during the earlier toasts, I overruled the call. After the national toasts had been given, the first official toast of the day was,The Old Man of the Mountains—drunk in solemn silence.
Toad-in-the-hole returned thanks in a neat speech. He likened himself to the Old Man of the Mountains, in a few brief allusions, that made the company absolutely yell with laughter; and he concluded with giving the health of
Mr. Von Hammer, with many thanks to him for his learned History of the Old Man and his subjects the assassins.
Upon this I rose and said, that doubtless most of the company were aware of the distinguished place assigned by orientalists to the very learned Turkish scholar Von Hammer the Austrian; that he had made the profoundest researches into our art as connected with those early and eminent artists the Syrian assassins in the period of the Crusaders; that his work had been for several years deposited, as a rare treasure of art, in the library of the club. Even the author's name, gentlemen, pointed him out as the historian of our art—Von Hammer—
"Yes, yes," interrupted Toad-in-the-hole, who never can sit still—"Yes, yes, Von Hammer—he's the man for amalleus hæreticorum: think rightly of our art, or he's the man to tickle your catastrophes. You all know what consideration Williams bestowed on the hammer, or the ship carpenter's mallet, which is the same thing. Gentlemen, I give you another great hammer—Charles the Hammer, the Marteau, or, in old French, the Martel—he hammered the Saracens till they were all as dead as door-nails—he did, believe me."
"Charles Martel, with all the honors."
But the explosion of Toad-in-the-hole, together with the uproarious cheers for the grandpapa of Charlemagne, had now made the company unmanageable. The orchestra was again challenged with shouts the stormiest for the new glee. I made again a powerful effort to overrule the challenge. I might as well have talked to the winds. I foresaw a tempestuous evening; and I ordered myself to be strengthened with three waiters on each side; the vice-president with as many. Symptoms of unruly enthusiasm were beginning to show out; and I own that I myself was considerably excited as the orchestra opened with its storm of music, and the impassioned glee began—"Et interrogatum est à Toad-in-the-hole—Ubi est ille Reporter?" And the frenzy of the passion became absolutely convulsing, as the full chorus fell in—"Et iteratum est ab omnibus—Non est inventus"
By this time I saw how things were going: wine and music were making most of the amateurs wild. Particularly Toad-in-the-hole, though considerably above a hundred years old, was getting as vicious as a young leopard. It was a fixed impression with the company that he had murdered the reporter in the year 1812; since which time (viz. twenty-six years) "ille reporter" had been constantly reported "Non est inventus." Consequently, the glee about himself, which of itself was most tumultuous and jubilant, carried him off his feet. Like the famous choral songs amongst the citizens of Abdera, nobody could hear it without a contagious desire for falling back into the agitating music of "Et interrogatum est à Toad-in-the-hole," &c. I enjoined vigilance upon my assessors, and the business of the evening proceeded.
The next toast was—The Jewish Sicarii.
Upon which I made the following explanation to the company:—"Gentlemen, I am sure it will interest you all to hear that the assassins, ancient as they were, had a race of predecessors in the very same country. All over Syria, but particularly in Palestine, during the early years of the Emperor Nero, there was a band of murderers, who prosecuted their studies in a very novel manner. They did not practise in the night-time, or in lonely places; but justly considering that great crowds are in themselves a sort of darkness by means of the dense pressure and the impossibility of finding out who it was that gave the blow, they mingled with mobs everywhere; particularly at the great paschal feast in Jerusalem; where they actually had the audacity, as Josephus assures us, to press into the temple,—and whom should they choose for operating upon but Jonathan himself, the Pontifex Maximus? They murdered him, gentlemen, as beautifully as if they had had him alone on a moonless night in a dark lane. And when it was asked, who was the murderer, and where he was"—
"Why, then, it was answered," interrupted Toad-in-the-hole, "Non est inventus." And then, in spite of all I could do or say, the orchestra opened, and the whole company began—"Et interrogatum est à Toad-in-the-hole—Ubi est ille Sicarius? Et responsum est ab omnibus—Non est inventus."
When the tempestuous chorus had subsided, I began again:—"Gentlemen, you will find a very circumstantial account of the Sicarii in at least three different parts of Josephus; once in Book XX. sect. v. c. 8, of hisAntiquities; once in Book I. of hisWars: but in sect. 10 of the chapter first cited you will find a particular description of their tooling. This is what he says—'They tooled with small scymetars not much different from the Persianacinacæ, but more curved, and for all the world most like the Roman sickles orsicæ.' It is perfectly magnificent, gentlemen, to hear the sequel of their history. Perhaps the only case on record where a regular army of murderers was assembled, ajustus exercitus, was in the case of theseSicarii. They mustered in such strength in the wilderness, that Festus himself was obliged to march against them with the Roman legionary force."
Upon which Toad-in-the-hole, that cursed interrupter, broke out a-singing—"Et interrogatum est à Toad-in-the-hole—Ubi est ille exercitus? Et responsum est ab omnibus—Non est inventus."
"No, no, Toad—you are wrong for once: that armywasfound, and was all cut to pieces in the desert. Heavens, gentlemen, what a sublime picture! The Roman legions—the wilderness—Jerusalem in the distance—an army of murderers in the foreground!"
Mr. R., a member, now gave the next toast—"To the further improvement ofTooling, and thanks to the Committee for their services."
Mr. L., on behalf of the committee who had reported on that subject, returned thanks. He made an interesting extract from the report, by which it appeared how very much stress had been laid formerly on the mode of tooling, by the fathers, both Greek and Latin. In confirmation of this pleasing fact, he made a very striking statement in reference to the earliest work of antediluvian art. Father Mersenne, that learned Roman Catholic, in page one thousand four hundred and thirty-one[1] of his operose Commentary on Genesis, mentions, on the authority of several rabbis, that the quarrel of Cain with Abel was about a young woman; that, by various accounts, Cain had tooled with his teeth, [Abelem fuissemorsibusdilaceratum à Cain;] by many others, with the jaw-bone of an ass; which is the tooling adopted by most painters. But it is pleasing to the mind of sensibility to know that, as science expanded, sounder views were adopted. One author contends for a pitchfork, St. Chrysostom for a sword, Irenæus for a scythe, and Prudentius for a hedging-bill. This last writer delivers his opinion thus:—
"Frater, probatæ sanctitatis æmulus,Germana curvo colla frangit sarculo:"
i.e. his brother, jealous of his attested sanctity, fractures his brotherly throat with a curved hedging-bill. "All which is respectfully submitted by your committee, not so much as decisive of the question, (for it is not,) but in order to impress upon the youthful mind the importance which has ever been attached to the quality of the tooling by such men as Chrysostom and Irenæus."
[Footnote 1: "Page one thousand four hundred and thirty-one"—literally, good reader, and no joke at all.]
"Dang Irenæus!" said Toad-in-the-hole, who now rose impatiently to give the next toast:—"Our Irish friends; and a speedy revolution in their mode of tooling, as well as everything else connected with the art!"
"Gentlemen, I'll tell you the plain truth. Every day of the year we take up a paper, we read the opening of a murder. We say, this is good, this is charming, this is excellent! But, behold you! scarcely have we read a little farther, before the word Tipperary or Ballina-something betrays the Irish manufacture. Instantly we loath it; we call to the waiter; we say, Waiter, take away this paper; send it out of the house; it is absolutely offensive to all just taste.' I appeal to every man whether, on finding a murder (otherwise perhaps promising enough) to be Irish, he does not feel himself as much insulted as when Madeira being ordered, he finds it to be Cape; or when, taking up what he takes to be a mushroom, it turns out what children call a toad-stool. Tithes, politics, or something wrong in principle, vitiate every Irish murder. Gentlemen, this must be reformed, or Ireland will not be a land to live in; at least, if we do live there, we must import all our murders, that's clear." Toad-in-the-hole sat down growling with suppressed wrath, and the universal "Hear, hear!" sufficiently showed that he spoke the general feeling.
The next toast was—"The sublime epoch of Burkism and Harism!"
This was drunk with enthusiasm; and one of the members, who spoke to the question, made a very curious communication to the company:—"Gentlemen, we fancy Burkism to be a pure invention of our own times: and in fact no Pancirollus has ever enumerated this branch of art when writingde rebus deperditis. Still I have ascertained that the essential principle of the artwasknown to the ancients, although like the art of painting upon glass, of making the myrrhine cups, &c., it was lost in the dark ages for want of encouragement. In the famous collection of Greek epigrams made by Planudes is one upon a very charming little case of Burkism: it is a perfect little gem of art. The epigram itself I cannot lay my hand upon at this moment, but the following is an abstract of it by Salmasius, as I find it in his notes on Vopiscus: 'Est et elegans epigramma Lucilii, (well he might call it "elegans!") ubi medicus et pollinctor de compacto sic egerunt, ut medicus ægros omnes curæ suæ commissos occideret:' this was the basis of the contract, you see, that on the one part the doctor, for himself and his assigns, doth undertake and contract duly and truly to murder all the patients committed to his charge: but why? There lies the beauty of the case—'Et ut pollinctori amico suo traderet pollingendos.' Thepollinctor, you are aware, was a person whose business it was to dress and prepare dead bodies for burial. The original ground of the transaction appears to have been sentimental: 'He was my friend,' says the murderous doctor; 'he was dear to me,' in speaking of the pollinctor. But the law, gentlemen, is stern and harsh: the law will not hear of these tender motives: to sustain a contract of this nature in law, it is essential that a 'consideration' should be given. Now whatwasthe consideration? For thus far all is on the side of the pollinctor: he will be well paid for his services; but, meantime, the generous, the noble-minded doctor gets nothing. Whatwasthe little consideration again, I ask, which the law would insist on the doctor's taking? You shall hear: 'Et ut pollinctor vicissim [Greek: telamonas] quos furabatur de pollinctione mortuorum medico mitteret doni ad alliganda vulnera eorurn quos curabat.' Now, the case is clear: the whole went on a principle of reciprocity which would have kept up the trade for ever. The doctor was also a surgeon: he could not murderallhis patients: some of the surgical patients must be retained intact;re infectâ. For these he wanted linen bandages. But, unhappily, the Romans wore woollen, on which account they bathed so often. Meantime, therewaslinen to be had in Rome; but it was monstrously dear; and the [Greek: telamones] or linen swathing bandages, in which superstition obliged them to bind up corpses, would answer capitally for the surgeon. The doctor, therefore, contracts to furnish his friend with a constant succession of corpses, provided, and be it understood always, that his said friend in return should supply him with one half of the articles he would receive from the friends of the parties murdered or to be murdered. The doctor invariably recommended his invaluable friend the pollinctor, (whom let us call the undertaker;) the undertaker, with equal regard to the sacred rights of friendship, uniformly recommended the doctor. Like Pylades and Orestes, they were models of a perfect friendship: in their lives they were lovely, and on the gallows, it is to be hoped, they were not divided.
"Gentlemen, it makes me laugh horribly, when I think of those two friends drawing and redrawing on each other: 'Pollinctor in account with Doctor, debtor by sixteen corpses; creditor by forty-five bandages, two of which damaged.' Their names unfortunately are lost; but I conceive they must have been Quintus Burkius and Publius Harius. By the way, gentlemen, has anybody heard lately of Hare? I understand he is comfortably settled in Ireland, considerably to the west, and does a little business now and then; but, as he observes with a sigh, only as a retailer—nothing like the fine thriving wholesale concern so carelessly blown up at Edinburgh. 'You see what comes of neglecting business,'—is the chief moral, the [Greek: epimutheon], as Æsop would say, which he draws from his past experience."
At length came the toast of the day—Thugdom in all its branches.
The speechesattemptedat this crisis of the dinner were past all counting. But the applause was so furious, the music so stormy, and the crashing of glasses so incessant, from the general resolution never again to drink an inferior toast from the same glass, that my power is not equal to the task of reporting. Besides which, Toad-in-the-hole now became quite ungovernable. He kept firing pistols in every direction; sent his servant for a blunderbuss, and talked of loading with ball-cartridge. We conceived that his former madness had returned at the mention of Burke and Hare; or that, being again weary of life, he had resolved to go off in a general massacre. This we could not think of allowing: it became indispensable, therefore, to kick him out, which we did with universal consent, the whole company lending their toesuno pede, as I may say, though pitying his gray hairs and his angelic smile. During the operation the orchestra poured in their old chorus. The universal company sang, and (what surprised us most of all) Toad-in-the-hole joined us furiously in singing—
"Et interrogatum est ab omnibus—Ubi est ille Toad-in-the-holeEt responsum est ab omnibus—Non est inventus."
What is to be thought ofher? What is to be thought of the poor shepherd girl from the hills and forests of Lorraine, that—like the Hebrew shepherd boy from the hills and forests of Judæa—rose suddenly out of the quiet, out of the safety, out of the religious inspiration, rooted in deep pastoral solitudes, to a station in the van of armies, and to the more perilous station at the right hand of kings? The Hebrew boy inaugurated his patriotic mission by anact, by a victoriousact, such as no man could deny. But so did the girl of Lorraine, if we read her story as it was read by those who saw her nearest. Adverse armies bore witness to the boy as no pretender: but so they did to the gentle girl. Judged by the voices of all who saw themfrom a station of good will, both were found true and loyal to any promises involved in their first acts. Enemies it was that made the difference between their subsequent fortunes. The boy rose—to a splendor and a noon-day prosperity, both personal and public, that rang through the records of his people, and became a byeword amongst his posterity for a thousand years, until the sceptre was departing from Judah. The poor, forsaken girl, on the contrary, drank not herself from that cup of rest which she had secured for France. She never sang together with the songs that rose in her native Domrémy, as echoes to the departing steps of invaders. She mingled not in the festal dances at Vaucouleurs which celebrated in rapture the redemption of France. No! for her voice was then silent: No! for her feet were dust. Pure, innocent, noble-hearted girl! whom, from earliest youth, ever I believed in as full of truth and self-sacrifice, this was amongst the strongest pledges forthyside, that never once—no, not for a moment of weakness—didst thou revel in the vision of coronets and honor from man. Coronets for thee! O no! Honors, if they come when all is over, are for those that share thy blood.[2] Daughter of Domrémy, when the gratitude of thy king shall awaken, thou wilt be sleeping the sleep of the dead. Call her, King of France, but she will not hear thee! Cite her by thy apparitors to come and receive a robe of honor, but she will be founden contumace. When the thunders of universal France, as even yet may happen, shall proclaim the grandeur of the poor shepherd girl that gave up all for her country—thy ear, young shepherd girl, will have been deaf for five centuries. To suffer and to do, that was thy portion in this life; todo—never for thyself, always for others; tosuffer—never in the persons of generous champions, always in thy own—that was thy destiny; and not for a moment was it hidden from thyself. Life, thou saidst, is short: and the sleep which is in the grave, is long! Let me use that life, so transitory, for the glory of those heavenly dreams destined to comfort the sleep which is so long. This pure creature—pure from every suspicion of even a visionary self-interest, even as she was pure in senses more obvious—never once did this holy child, as regarded herself, relax from her belief in the darkness that was travelling to meet her. She might not prefigure the very manner of her death; she saw not in vision, perhaps, the aërial altitude of the fiery scaffold, the spectators without end on every road pouring into Rouen as to a coronation, the surging smoke, the volleying flames, the hostile faces all around, the pitying eye that lurked but here and there until nature and imperishable truth broke loose from artificial restraints; these might not be apparent through the mists of the hurrying future. But the voice that called her to death,thatshe heard for ever.
Great was the throne of France even in those days, and great was he that sate upon it: but well Joanna knew that not the throne, nor he that sate upon it, was forher; but, on the contrary, that she was forthem; not she by them, but they by her, should rise from the dust. Gorgeous were the lilies of France, and for centuries had the privilege to spread their beauty over land and sea, until, in another century, the wrath of God and man combined to wither them; but well Joanna knew, early at Domrémy she had read that bitter truth, that the lilies of France would decorate no garland forher. Flower nor bud, bell nor blossom, would ever bloom forher.
But stop. What reason is there for taking up this subject of Joanna precisely in this spring of 1847? Might it not have been left till the spring of 1947? or, perhaps, left till called for? Yes, but itiscalled for; and clamorously. You are aware, reader, that amongst the many original thinkers, whom modern France has produced, one of the reputed leaders is M. Michelet. All these writers are of a revolutionary cast; not in a political sense merely, but in all senses; mad, oftentimes, as March hares; crazy with the laughing-gas of recovered liberty; drunk with the wine-cup of their mighty Revolution, snorting, whinnying, throwing up their heels, like wild horses in the boundless pampas, and running races of defiance with snipes, or with the winds, or with their own shadows, if they can find nothing else to challenge. Some time or other, I, that have leisure to read, may introduceyou, that have not, to two or three dozen of these writers; of whom I can assure you beforehand that they are often profound, and at intervals are even as impassioned as if they were come of our best English blood, and sometimes (because it is not pleasant that people should be too easy to understand) almost as obscure as if they had been suckled by transcendental German nurses. But now, confining our attention to M. Michelet—who is quite sufficient to lead a man into a gallop, requiring two relays, at least, of fresh readers,—we in England—who know him best by his worst book, the book against Priests, &c., which has been most circulated—know him disadvantageously. That book is a rhapsody of incoherence. M. Michelet was light-headed, I believe, when he wrote it: and it is well that his keepers overtook him in time to intercept a second part. But hisHistory of Franceis quite another thing. A man, in whatsoever craft he sails, cannot stretch away out of sight when he is linked to the windings of the shore by towing ropes of history. Facts, and the consequences of facts, draw the writer back to the falconer's lure from the giddiest heights of speculation. Here, therefore—in hisFrance,—if not always free from flightiness, if now and then off like a rocket for an airy wheel in the clouds, M. Michelet, with natural politeness, never forgets that he has left a large audience waiting for him on earth, and gazing upwards in anxiety for his return: return, therefore, he does. But History, though clear of certain temptations in one direction, has separate dangers of its own. It is impossible so to write a History of France, or of England—works becoming every hour more indispensable to the inevitably-political man of this day—without perilous openings for assault. If I, for instance, on the part of England, should happen to turn my labors into that channel, and (on the model of Lord Percy going to Chevy Chase)—
——"A vow to God should makeMy pleasure in the Michelet woodsThree summer days to take,"
—probably from simple delirium, I might hunt M. Michelet intodelirium tremens. Two strong angels stand by the side of History, whether French History or English, as heraldic supporters: the angel of Research on the left hand, that must read millions of dusty parchments, and of pages blotted with lies; the angel of Meditation on the right hand, that must cleanse these lying records with fire, even as of old the draperies ofasbestoswere cleansed, and must quicken them into regenerated life. Willingly I acknowledge that no man will ever avoid innumerable errors of detail: with so vast a compass of ground to traverse, this is impossible: but such errors (though I have a bushel on hand, at M. Michelet's service) are not the game I chase: it is the bitter and unfair spirit in which M. Michelet writes against England. Eventhat, after all, is but my secondary object: the real one is Joanna, the Pucelle d'Orleans for herself.
I am not going to write the History ofLa Pucelle: to do this, or even circumstantially to report the history of her persecution and bitter death, of her struggle with false witnesses and with ensnaring judges, it would be necessary to have before usallthe documents, and, therefore, the collection only now forthcoming in Paris. Butmypurpose is narrower. There have been great thinkers, disdaining the careless judgments of contemporaries, who have thrown themselves boldly on the judgment of a far posterity, that should have had time to review, to ponder, to compare. There have been great actors on the stage of tragic humanity that might, with the same depth of confidence, have appealed from the levity of compatriot friends—too heartless for the sublime interest of their story, and too impatient for the labor of sifting its perplexities—to the magnanimity and justice of enemies. To this class belongs the Maid of Arc. The Romans were too faithful to the ideal of grandeur in themselves not to relent, after a generation or two, before the grandeur of Hannibal. Mithridates—a more doubtful person—yet, merely for the magic perseverance of his indomitable malice, won from the same Romans the only real honor that ever he received on earth. And we English have ever shown the same homage to stubborn enmity. To work unflinchingly for the ruin of England; to say through life, by word and by deed—Delenda est Anglia Victrix! that one purpose of malice, faithfully pursued, has quartered some people upon our national funds of homage as by a perpetual annuity. Better than an inheritance of service rendered to England herself, has sometimes proved the most insane hatred to England. Hyder Ali, even his far inferior son Tippoo, and Napoleon, have all benefited by this disposition amongst ourselves to exaggerate the merit of diabolic enmity. Not one of these men was ever capable, in a solitary instance, of praising an enemy—[what do you say tothat, reader?] and yet intheirbehalf, we consent to forget, not their crimes only, but (which is worse) their hideous bigotry and anti-magnanimous egotism; for nationality it was not. Suffrein, and some half dozen of other French nautical heroes, because rightly they did us all the mischief they could, [which was really great] are names justly reverenced in England. On the same principle, La Pucelle d'Orleans, the victorious enemy of England, has been destined to receive her deepest commemoration from the magnanimous justice of Englishmen.
Joanna, as we in England should call her, but, according to her own statement, Jeanne (or, as M. Michelet asserts, Jean[3]) d'Arc, was born at Domrémy, a village on the marshes of Lorraine and Champagne, and dependent upon the town of Vaucouleurs. I have called her a Lorrainer, not simply because the word is prettier, but because Champagne too odiously reminds us English of what are forusimaginary wines, which, undoubtedly,La Pucelletasted as rarely as we English; we English, because the Champagne of London is chiefly grown in Devonshire;La Pucelle, because the Champagne of Champagne never, by any chance, flowed into the fountain of Domrémy, from which only she drank. M. Michelet will have her to be aChampenoise, and for no better reason than that she "took after her father," who happened to be aChampenoise. I am sure she didnot: for her father was a filthy old fellow, whom I shall soon teach the judicious reader to hate. But, (says M. Michelet, arguing the case physiologically) "she had none of the Lorrainian asperity;" no, it seems she had only "the gentleness of Champagne, its simplicity mingled with sense and acuteness, as you find it in Joinville." All these things she had; and she was worth a thousand Joinvilles, meaning either the prince so called, or the fine old crusader. But still, though I love Joanna dearly, I cannot shut my eyes entirely to the Lorraine element of "asperity" in her nature. No; really now, she must have had a shade ofthat, though very slightly developed—a mere soupçon, as French cooks express it in speaking of cayenne pepper, when she caused so many of our English throats to be cut. But could she do less? No; I always say so; but still you never saw a person kill even a trout with a perfectly "Champagne" face of "gentleness and simplicity," though, often, no doubt, with considerable "acuteness." All your cooks and butchers wear aLorrainecast of expression.
These disputes, however, turn on refinements too nice. Domrémy stood upon the frontiers; and, like other frontiers, produced amixedrace representing thecisand thetrans. A river (it is true) formed the boundary line at this point—the river Meuse; andthat, in old days, might have divided the populations; but in these days it did not—there were bridges, there were ferries, and weddings crossed from the right bank to the left. Here lay two great roads, not so much for travellers, that were few, as for armies that were too many by half. These two roads, one of which was the great high road between France and Germany,decussatedat this very point; which is a learned way of saying that they formed a St. Andrew's cross, or letter X. I hope the compositor will choose a good large X, in which case the point of intersection, thelocusof conflux for these four diverging arms, will finish the reader's geographical education, by showing him to a hair's breadth where it was that Domrémy stood. These roads, so grandly situated, as great trunk arteries between two mighty realms,[4] and haunted for ever by wars or rumors of wars, decussated (for anything I know to the contrary) absolutely under Joanna's bed-room window; one rolling away to the right, past Monsieur D'Arc's old barn, and the other unaccountably preferring (but there's no disputing about tastes) to sweep round that odious man's odious pigstye to the left.
Things being situated as is here laid down, viz. in respect of the decussation, and in respect of Joanna's bed-room; it follows that, if she had dropped her glove by accident from her chamber window into the very bull's eye of the target, in the centre of X, not one of several great potentates could (though all animated by the sincerest desires for the peace of Europe) have possibly come to any clear understanding on the question of whom the glove was meant for. Whence the candid reader perceives at once the necessity for at least four bloody wars. Falling indeed a little farther, as, for instance, into the pigstye, the glove could not have furnished to the most peppery prince any shadow of excuse for arming: he would not have had a leg to stand upon in taking such a perverse line of conduct. But, if it fell (as by the hypothesis it did) into the one sole point of ground common to four kings, it is clear that, instead of no leg to stand upon, eight separate legs would have had no ground to stand upon unless by treading on each other's toes. The philosopher, therefore, sees clearly the necessity of a war, and regrets that sometimes nations do not wait for grounds of war so solid.
In the circumstances supposed, though the four kings might be unable to see their way clearly without the help of gunpowder to any decision upon Joanna's intention, she—poor thing!—never could mistake her intentions for a moment. All her love was for France; and, therefore, any glove she might drop into thequadriviummust be wickedly missent by the post-office, if it found its way to any king but the king of France.
On whatever side of the border chance had thrown Joanna, the same love to France would have been nurtured. For it is a strange fact, noticed by M. Michelet and others, that the Dukes of Bar and Lorraine had for generations pursued the policy of eternal warfare with France on their own account, yet also of eternal amity and league with France in case anybody else presumed to attack her. Let peace settle upon France, and before long you might rely upon seeing the little vixen Lorraine flying at the throat of France. Let Franco be assailed by a formidable enemy, and instantly you saw a Duke of Lorraine or Bar insisting on having his throat cut in support of France; which favor accordingly was cheerfully granted to them in three great successive battles by the English and by the Turkish sultan, viz., at Crécy, at Nicopolis, and at Agincourt.
This sympathy with France during great eclipses, in those that during ordinary seasons were always teasing her with brawls and guerilla inroads, strengthened the natural piety to France of those that were confessedly the children of her own house. The outposts of France, as one may call the great frontier provinces, were of all localities the most devoted to the Flours de Lys. To witness, at any great crisis, the generous devotion to these lilies of the little fiery cousin that in gentler weather was for ever tilting at her breast, could not bin fan the zeal of the legitimate daughter: whilst to occupy a post of honor on the frontiers against an old hereditary enemy of France, would naturally have stimulated this zeal by a sentiment of martial pride, had there even been no other stimulant to zeal by a sense of danger always threatening, and of hatred always smouldering. That great four-headed road was a perpetual memento to patriotic ardor. To say, this way lies the road to Paris—and that other way to Aix-la-Chapelle, this to Prague, that to Vienna—nourished the warfare of the heart by daily ministrations of sense. The eye that watched for the gleams of lance or helmet from the hostile frontier, the ear that listened for the groaning of wheels, made the high road itself, with its relations to centres so remote, into a manual of patriotic enmity.
The situation, therefore,locallyof Joanna was full of profound suggestions to a heart that listened for the stealthy steps of change and fear that too surely were in motion. But if the place were grand, the times, the burthen of the times, was far more so. The air overhead in its upper chambers werehurtlingwith the obscure sound; was dark with sullen fermenting of storms that had been gathering for a hundred and thirty years. The battle of Agincourt in Joanna's childhood had re-opened the wounds of France. Crécy and Poictiers, those withering overthrows for the chivalry of France, had been tranquillized by more than half a century; but this resurrection of their trumpet wails made the whole series of battles and endless skirmishes take their stations as parts in one drama. The graves that had closed sixty years ago, seemed to fly open in sympathy with a sorrow that echoed their own. The monarchy of France labored in extremity, rocked and reeled like a ship fighting with the darkness of monsoons. The madness of the poor king (Charles VI.) falling in at such a crisis, like the case of women laboring in childbirth during the storming of a city, trebled the awfulness of the time. Even the wild story of the incident which had immediately occasioned the explosion of this madness—the case of a man unknown, gloomy, and perhaps maniacal himself, coming out of a forest at noon-day, laying his hand upon the bridle of the king's horse, checking him for a moment to say, "Oh, King, thou art betrayed," and then vanishing no man knew whither, as he had appeared for no man knew what—fell in with the universal prostration of mind that laid France on her knees as before the slow unweaving of some ancient prophetic doom. The famines, the extraordinary diseases, the insurrections of the peasantry up and down Europe, these were chords struck from the same mysterious harp; but these were transitory chords. There had been others of deeper and more sonorous sound. The termination of the Crusades, the destruction of the Templars, the Papal interdicts, the tragedies caused or suffered by the House of Anjou, by the Emperor—these were full of a more permanent significance; but since then the colossal figure of feudalism was seen standing as it were on tiptoe at Crécy for flight from earth: that was a revolution unparalleled; yetthatwas a trifle by comparison with the more fearful revolutions that were mining below the Church. By her own internal schisms, by the abominable spectacle of a double Pope—so that no man, except through political bias, could even guess which was Heaven's vicegerent, and which the creature of hell—she was already rehearsing, as in still earlier forms she had rehearsed, the first rent in her foundations (reserved for the coming century) which no man should ever heal.
These were the loftiest peaks of the cloudland in the skies, that to the scientific gazer first caught the colors of thenewmorning in advance. But the whole vast range alike of sweeping glooms overhead, dwelt upon all meditative minds, even those that could not distinguish the altitudes nor decipher the forms. It was, therefore, not her own age alone, as affected by its immediate calamities, that lay with such weight upon Joanna's mind; but her own age, as one section in a vast mysterious drama, unweaving through a century back, and drawing nearer continually to crisis after crisis. Cataracts and rapids were heard roaring ahead; and signs were seen far back, by help of old men's memories, which answered secretly to signs now coming forward on the eye, even as locks answer to keys. It was not wonderful that in such a haunted solitude, with such a haunted heart, Joanna should see angelic visions, and hear angelic voices. These voices whispered to her the duty imposed upon herself, of delivering France. Five years she listened to these monitory voices with internal struggles. At length she could resist no longer. Doubt gave way; and she left her home in order to present herself at the Dauphin's court.
The education of this poor girl was mean according to the present standard: was ineffably grand, according to a purer philosophic standard; and only not good for our age, because for us it would be unattainable. She read nothing, for she could not read; but she had heard others read parts of the Roman martyrology. She wept in sympathy with the sadMisereresof the Romish chaunting; she rose to heaven with the glad triumphantGloria in Excelcis: she drew her comfort and her vital strength from the rites of her church. But, next after these spiritual advantages, she owed most to the advantages of her situation. The fountain of Domrémy was on the brink of a boundless forest; and it was haunted to that degree by fairies that the parish priest (curé) was obliged to read mass there once a year, in order to keep them in any decent bounds. Fairies are important, even in a statistical view; certain weeds mark poverty in the soil, fairies mark its solitude. As surely as the wolf retires before cities, does the fairy sequester herself from the haunts of licensed victuallers. A village is too much for her nervous delicacy: at most, she can tolerate a distant view of a hamlet. We may judge, therefore, by the uneasiness and extra trouble which they gave to the parson, in what strength the fairies mustered at Domrémy, and, by a satisfactory consequence, how thinly sown with men and women must have been that region even in its inhabited spots. But the forests of Domrémy—those were the glories of the land: for, in them abode mysterious powers and ancient secrets that towered into tragic strength. "Abbeys there were, and abbey windows, dim and dimly seen—as Moorish temples of the Hindoos," that exercised even princely power both in Lorraine and in the German Diets. These had their sweet bells that pierced the forests for many a league at matins or vespers, and each its own dreamy legend. Few enough, and scattered enough, were these abbeys, in no degree to disturb the deep solitude of the region; many enough to spread a network or awning of Christian sanctity over what else might have seemed a heathen wilderness. This sort of religious talisman being secured, a man the most afraid of ghosts (like myself, suppose, or the reader) becomes armed into courage to wander for days in their sylvan recesses. The mountains of the Vosges on the eastern frontier of France, have never attracted much notice from Europe, except in 1813-14, for a few brief months, when they fell within Napoleon's line of defence against the Allies. But they are interesting for this, amongst other features—that they do not, like some loftier ranges, repel woods: the forests and they are on sociable terms.Live and let liveis their motto. For this reason, in part, these tracts in Lorraine were a favorite hunting ground with the Carlovingian princes. About six hundred years before Joanna's childhood, Charlemagne was known to have hunted there. That, of itself, was a grand incident in the traditions of a forest or a chase. In these vast forests, also, were to be found (if the race was not extinct) those mysterious fawns that tempted solitary hunters into visionary and perilous pursuits. Here was seen, at intervals, that ancient stag who was already nine hundred years old, at the least, but possibly a hundred or two more, when met by Charlemagne; and the thing was put beyond doubt by the inscription upon his golden collar. I believe Charlemagne knighted the stag; and, if ever he is met again by a king, he ought to be made an earl—or, being upon the marches of France, a marquess. Observe, I don't absolutely vouch for all these things: my own opinion varies. On a fine breezy forenoon I am audaciously sceptical; but as twilight sets in, my credulity becomes equal to anything that could be desired. And I have heard candid sportsmen declare that, outside of these very forests near the Vosges, they laughed loudly at all the dim tales connected with their haunted solitudes; but, on reaching a spot notoriously eighteen miles deep within them, they agreed with Sir Roger de Coverley that a good deal might be said on both sides.
Such traditions, or any others that (like the stag) connect distant generations with each other, are, for that cause, sublime; and the sense of the shadowy, connected with such appearances that reveal themselves or not according to circumstances, leaves a coloring of sanctity over ancient forests, even in those minds that utterly reject the legend as a fact.
But, apart from all distinct stories of that order, in any solitary frontier between two great empires, as here, for instance, or in the desert between Syria and the Euphrates, there is an inevitable tendency, in minds of any deep sensibility to people the solitudes with phantom images of powers that were of old so vast. Joanna, therefore, in her quiet occupation of a shepherdess, would be led continually to brood over the political condition of her country, by the traditions of the past no less than by the mementoes of the local present.
M. Michelet, indeed, says that La Pucelle wasnota shepherdess. I beg his pardon: shewas. What he rests upon, I guess pretty well: it is the evidence of a woman called Haumette, the most confidential friend of Joanna. Now, she is a good witness, and a good girl, and I like her; for she makes a natural and affectionate report of Joanna's ordinary life. But still, however good she may be as a witness, Joanna is better; and she, when speaking to the Dauphin, calls herself in the Latin reportBergereta. Even Haumette confesses that Joanna tended sheep in her girlhood. And I believe, that, if Miss Haumette were taking coffee alone with me this very evening (February 12, 1847)—in which there would be no subject for scandal or for maiden blushes, because I am an intense philosopher, and Miss H. would be hard upon four hundred and fifty years old—she would admit the following comment upon her evidence to be right. A Frenchman, about thirty years ago, M. Simond, in hisTravels, mentioned incidentally the following hideous scene as one steadily observed and watched by himself in France at a period some trifle before the French Revolution:—A peasant was ploughing; and the team that drew his plough was a donkey and a woman. Both were regularly harnessed: both pulled alike. This is bad enough: but the Frenchman adds, that, in distributing his lashes, the peasant was obviously desirous of being impartial: or, if either of the yoke-fellows had a right to complain, certainly it was not the donkey. Now, in any country, where such degradation of females could be tolerated by the state of manners, a woman of delicacy would shrink from acknowledging, either for herself or her friend, that she had ever been addicted to any mode of labor not strictly domestic; because, if once owning herself a prædial servant, she would be sensible that this confession extended by probability in the hearer's thoughts to having incurred indignities of this horrible kind. Haumette clearly thinks it more dignified for Joanna to have been darning the stockings of her horny-hoofed father, Monsieur D'Arc, than keeping sheep, lest she might then be suspected of having ever done something worse. But, luckily, there was no danger ofthat: Joanna never was in service; and my opinion is that her father should have mended his own stockings, since probably he was the party to make the holes in them, as many a better man than D'Arc does; meaning bythatnot myself, because, though certainly a better man than D'Arc, I protest against doing anything of the kind. If I lived even with Friday in Juan Fernandez, either Friday must do all the darning, or else it must go undone. The better men that I meant were the sailors in the British navy, every man of whom mends his own stockings. Who else is to do it? Do you suppose, reader, that the junior lords of the admiralty are under articles to darn for the navy?
The reason, meantime, for my systematic hatred of D'Arc is this. There was a story current in France before the Revolution, framed to ridicule the pauper aristocracy, who happened to have long pedigrees and short rent rolls, viz., that a head of such a house, dating from the Crusades, was overheard saying to his son, a Chevalier of St. Louis, "Chevalier, as-tu donné au cochon à manger!" Now, it is clearly made out by the surviving evidence, that D'Arc would much have preferred continuing to say—"Ma fille as-tu donné au cochon à manger?" to saying "Pucelle d'Orléans, as-tu sauvé les fleurs-de-lys?" There is an old English copy of verses which argues thus:—
"If the man, that turnips cries,Cry not when his father dies—Then 'tis plain the man had ratherHave a turnip than his father."
I cannot say that the logic of these verses was everentirelyto my satisfaction. I do not see my way through it as clearly as could be wished. But I see my way most clearly through D'Arc; and the result is—that he would greatly have preferred not merely a turnip to his father, but the saving a pound or so of bacon to saving the Oriflamme of France.
It is probable (as M. Michelet suggests) that the title of Virgin, orPucelle, had in itself, and apart from the miraculous stones about her, a secret power over the rude soldiery and partisan chiefs of that period; for, in such a person, they saw a representative manifestation of the Virgin Mary, who, in a course of centuries, had grown steadily upon the popular heart.
As to Joanna's supernatural detection of the Dauphin (Charles VII.) amongst three hundred lords and knights. I am surprised at the credulity which could ever lend itself to that theatrical juggle. Who admires more than myself the sublime enthusiasm, the rapturous faith in herself, of this pure creature? But I admire not stage artifices, which notLa Pucelle, but the Court, must have arranged; nor can surrender myself a dupe to a conjuror'sleger-de-main, such as may be seen every day for a shilling. Southey's "Joan of Arc" was published in 1796. Twenty years after, talking with Southey, I was surprised to find him still owning a secret bias in favor of Joan, founded on her detection of the Dauphin. The story, for the benefit of the reader new to the case, was this:—La Pucellewas first made known to the Dauphin, and presented to his court, at Chinon: and here came her first trial. She was to find out the royal personage amongst the whole ark of clean and unclean creatures. Failing in thiscoup d'essai, she would not simply disappoint many a beating heart in the glittering crowd that on different motives yearned for her success, but she would ruin herself—and, as the oracle within had told her, would ruin France. Our own sovereign lady Victoria rehearses annually a trial not so severe in degree, but the same in kind. She "pricks" for sheriffs. Joanna pricked for a king. But observe the difference: our own lady pricks for two men out of three; Joanna for one man out of three hundred. Happy Lady of the islands and the orient!—shecango astray in her choice only by one half; to the extent of one half shemusthave the satisfaction of being right. And yet, even with these tight limits to the misery of a boundless discretion, permit me, liege Lady, with all loyalty, to submit—that now and then you prick with your pin the wrong man. But the poor child from Domrémy, shrinking under the gaze of a dazzling court—not because dazzling (for in visions she had seen those that were more so,) but because some of them wore a scoffing smile on their features—how shouldshethrow her line into so deep a river to angle for a king, where many a gay creature was sporting that masqueraded as kings in dress? Nay, even more than any true king would have done: for, in Southey's version of the story, the Dauphin says, by way of trying the virgin's magnetic sympathy with royalty,
——"on the throne, I the while mingling with the menial throng, Some courtier shall he seated."
This usurper is even crowned: "the jeweled crown shines on a menial's head." But really, that is "un peu fort;" and the mob of spectators might raise a scruple whether our friend the jackdaw upon the throne, and the Dauphin himself, were not grazing the shins of treason. For the Dauphin could not lend more than belonged to him. According to the popular notion, he had no crown for himself, but, at most, apetit ecu, worth thirty pence; consequently none to lend, on any pretence whatever, until the consecrated Maid should take him to Rheims. This was thepopularnotion in France. The same notion as to the indispensableness of a coronation prevails widely in England. But, certainly, it was the Dauphin's interest to support the popular notion, as he meant to use the services of Joanna. For, if he were king already, what was it that she could do for him beyond Orleans? And above all, if he were king without a coronation, and without the oil from the sacred ampulla, what advantage was yet open to him by celerity above his competitor the English boy? Now was to be a race for a coronation: he that should winthatrace, carried the superstition of France along with him. Trouble us not, lawyer, with your quillets. We are illegal blockheads; so thoroughly without law, that we don't know even if we have a right to be blockheads; and our mind is made up—that the first man drawn from the oven of coronation at Rheims, is the man that is baked into a king. All others are counterfeits, made of base Indian meal, damaged by sea-water.
La Pucelle, before she could be allowed to practise as a warrior, was put through her manual and platoon exercise, as a juvenile pupil in divinity, before six eminent men in wigs. According to Southey (v. 393, Book III., in the original edition of his "Joan of Arc") she "appall'd the doctors." It's not easy to dothat: but they had some reason to feel bothered, as that surgeon would assuredly feel bothered, who, upon proceeding to dissect a subject, should find the subject retaliating as a dissector upon himself, especially if Joanna ever made the speech to them which occupies v. 354-391, B. III. It is a double impossibility; 1st, because a piracy from Tindal'sChristianity as Old as the Creation:now a piracyà parte postis common enough; but a piracyà parte ante, and by three centuries, would (according to our old English phrase[5]) drive a coach-and-six through any copyright act that man born of woman could frame. 2dly, it is quite contrary to the evidence on Joanna's trial; for Southey's "Joan" of A. Dom. 1796 (Cottle, Bristol), tells the doctors, amongst other secrets, that she never in her life attended—1st, Mass; nor 2d, the Sacramental table; nor 3d, Confession. Here's a precious windfall for the doctors; they, by snaky tortuosities, had hoped, through the aid of a corkscrew, (which every D. D. or S.T.P. is said to carry in his pocket,) for the happiness of ultimately extracting from Joanna a few grains of heretical powder or small shot, which might have justified their singeing her a little. And just at such a crisis, expressly to justify their burning her to a cinder, up gallops Joanna with a brigade of guns, unlimbers, and serves them out with heretical grape and deistical round-shot enough to lay a kingdom under interdict. Any miracles, to which Joanna might treat the grim D. Ds. afterthat, would go to the wrong side of her little account in the clerical books. Joanna would be created aDr. herself, but not of Divinity. For in the Joanna page of the ledger the entry would be—"Miss Joanna, in acct. with the Church,Dr.by sundry diabolic miracles, she having publicly preached heresy, shown herself a witch, and even tried hard to corrupt the principles of six church pillars." In the mean time, all this deistical confession of Joanna's, besides being suicidal for the interest of her cause, is opposed to the depositions uponbothtrials. The very best witness called from first to last deposes that Joanna attended these rites of her Church even too often; was taxed with doing so; and, by blushing, owned the charge as a fact, though certainly not as a fault. Joanna was a girl of natural piety, that saw God in forests, and hills, and fountains; but did not the less seek him in chapels and consecrated oratories.
This peasant girl was self-educated through her own natural meditativeness. If the reader turns to that divine passage inParadise Regained, which Milton has put into the mouth of our Saviour when first entering the wilderness, and musing upon the tendency of those great impulses growing within himself—
"Oh, what a multitude of thoughts arise!" &c.
he will have some notion of the vast reveries which brooded over the heart of Joanna in early girlhood, when the wings were budding that should carry her from Orleans to Rheims; when the golden chariot was dimly revealing itself that should carry her from the kingdom ofFrance Deliveredto the eternal kingdom.
It is not requisite, for the honor of Joanna, nor is there, in this place, room to pursue her brief career ofaction. That, though wonderful, forms the earthly part of her story: the intellectual part is, the saintly passion of her imprisonment, trial, and execution. It is unfortunate, therefore, for Southey's "Joan of Arc," (which however should always be regarded as ajuvenileeffort,) that, precisely when her real glory begins, the poem ends. But this limitation of the interest grew, no doubt, from the constraint inseparably attached to the law of epic unity. Joanna's history bisects into two opposite hemispheres, and both could not have been presented to the eye in one poem, unless by sacrificing all unity of theme, or else by involving the earlier half, as a narrative episode, in the latter;—this might have been done—it might have been communicated to a fellow-prisoner, or a confessor, by Joanna herself, in the same way that Virgil has contrived to acquaint the reader, through the hero's mouth, with earlier adventures that, if told by the poet speaking in his own person, would have destroyed the unity of his fable. The romantic interest of the early andirrelateincidents (last night of Troy, &c.) is thrown as an affluent into the general river of the personal narrative, whilst yet the capital current of theepos, as unfolding ihe origin andincunabulaof Rome, is not for a moment suffered to be modified by events so subordinate and so obliquely introduced. It is sufficient, as concernsthissection of Joanna's life to say—that she fulfilled, to the height of her promises, the restoration of the prostrate throne. France had become a province of England; and for the ruin of both, if such a yoke could be maintained. Dreadful pecuniary exhaustion caused the English energy to droop; and that critical openingLa Pucelleused with a corresponding felicity of audacity and suddenness (that were in themselves portentous) for introducing the wedge of French native resources, for rekindling the national pride, and for planting the Dauphin once more upon his feet. When Joanna appeared, he had been on the point of giving up the struggle with the English, distressed as they were, and of flying to the south of France. She taught him to blush for such abject counsels. She liberated Orleans, that great city, so decisive by its fate for the issue of the war, and then beleaguered by the English with an elaborate application of engineering skill unprecedented in Europe. Entering the city after sunset, on the 29th of April, she sang mass on Sunday, May 8, for the entire disappearance of the besieging force. On the 29th of June, she fought and gained over the English the decisive battle of Patay; on the 9th of July, she took Troyes by a coup-de-main from a mixed garrison of English and Burgundians; on the 15th of that month, she carried the Dauphin into Rheims; on Sunday the 17th, she crowned him; and there she rested from her labor of triumph. What remained was—to suffer.