The Project Gutenberg eBook ofMisrepresentative Men

The Project Gutenberg eBook ofMisrepresentative MenThis ebook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this ebook or online atwww.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.Title: Misrepresentative MenAuthor: Harry GrahamIllustrator: F. StrothmannRelease date: June 3, 2011 [eBook #36321]Most recently updated: January 7, 2021Language: EnglishCredits: Produced by Mark C. Orton, David E. Brown and the OnlineDistributed Proofreading Team at https://www.pgdp.net (Thisbook was produced from scanned images of public domainmaterial from the Google Print project.)*** START OF THE PROJECT GUTENBERG EBOOK MISREPRESENTATIVE MEN ***

This ebook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this ebook or online atwww.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

Title: Misrepresentative MenAuthor: Harry GrahamIllustrator: F. StrothmannRelease date: June 3, 2011 [eBook #36321]Most recently updated: January 7, 2021Language: EnglishCredits: Produced by Mark C. Orton, David E. Brown and the OnlineDistributed Proofreading Team at https://www.pgdp.net (Thisbook was produced from scanned images of public domainmaterial from the Google Print project.)

Title: Misrepresentative Men

Author: Harry GrahamIllustrator: F. Strothmann

Author: Harry Graham

Illustrator: F. Strothmann

Release date: June 3, 2011 [eBook #36321]Most recently updated: January 7, 2021

Language: English

Credits: Produced by Mark C. Orton, David E. Brown and the OnlineDistributed Proofreading Team at https://www.pgdp.net (Thisbook was produced from scanned images of public domainmaterial from the Google Print project.)

*** START OF THE PROJECT GUTENBERG EBOOK MISREPRESENTATIVE MEN ***

MisrepresentativeMen

MISREPRESENTATIVEMEN

ByHarry Graham("Col. D. Streamer")

Author of "Ruthless Rhymesfor Heartless Homes," etc., etc.

ILLUSTRATED BYF. Strothmann

NEW YORKFox, Duffield & CompanyMCMV

Copyright, 1904, byFOX, DUFFIELD & COMPANYPublished, September, 1904Printed in America

These Verses areGratefully Dedicatedto

"FROM quiet home and first beginning,Out to the undiscovered ends,There's nothing worth the wear of winning,But laughter and the love of friends."

MY verses in Your path I lay,And do not deem me indiscreet,If I should say that surely theyCould find no haven half so sweetAs at Your feet.Unworthy little rhymes are these,Tread tenderly upon them, please!One single favour do I crave,Which is that You regard my penAs Your devoted humble slave.Most fortunate shall I be thenOf mortal men;For what more happiness ensuresThan work in service such as Yours?Should You be pleased, at any time,To dip into this shallow brookOf simple, unpretentious rhyme,Or chance with fav'ring smile to lookUpon my book;Don't mention such a fact out loud,Or haply I shall grow too proud!Accept these verses then, I pray,Disarming press and public too,For what can hostile critics say?What else is left for them to do,Because of You,But view with kindness this collection,Which bears the seal of Your protection?

Contents

List of Illustrations

Foreword

ALL great biographers possess,Besides a thirst for information,That talent which commands success,I mean of course Imagination;Combining with excessive TactA total disregard for Fact.Boswell and Froude, and all the rest,With just sufficient grounds to go on,Could only tell the world, at best,What Great Men did, and thought—and so on.But I, of course, can speak to youAbout the things they didn't do.I don't rely on breadth of mind,On wit or pow'rs of observation;Carnegie's libraries I findA fruitful source of inspiration;The new Encyclopædia Brit.Has helped me, too, a little bit.In any case I cannot fail,With such a range of mental vision,So deep a passion for detail,And such meticulous precision.I pity men like Sidney Lee;How jealous they must be of me!'Tis easy work to be exact,(I have no fear of contradiction),Since it has been allowed that FactIs stranger far than any Fiction;But what demands the truest witIs knowing what one should omit.Carlyle, for instance, finds no placeAmong my list of lucubrations;Because I have no wish to faceThe righteous wrath of his relations.Whatever feud they have with Froude,No one can say thatIwas rude.This work is written to supplyA long-felt want among Beginners;A handbook where the student's eyeMay read the lives of saints and sinners,And learn, without undue expense,The fruits of their experience.A book to buy and give away,To fill the youthful with ambition,For even they may hope, some day,To share the Author's erudition;So not in vain, nor void of gain,The work of his colossal brain.

Theodore Roosevelt

ALERT as bird or early worm,Yet gifted with those courtly waysWhich connoisseurs correctly termThetout-c'qu'-il-y-a de Louis seize;He reigns, by popular assent,The People's peerless President!Behold him! Squarely built and small;With hands that would resemble Liszt's,Did they not forcibly recallThe contour of Fitzsimmons' fists;Beneath whose velvet gloves you feelThe politician's grip of steel.Accomplished as a King should be,And autocratic as a Czar,To him all classes bow the knee,In spotless Washington afar;And while his jealous rivals scoff,He wears the smile-that-won't-come-off.

"The politician's grip of steel."

"At six A. M. he shoots a bear."

Bacon

IN far Elizabethan days(Ho! By my Halidome! Gadzooks!)Lord Bacon wrote his own essays,And lots of other people's books;Annexing as a pseudonymEach author's name that suited him.All notoriety he'd shirk,Nor sought for literary credit,Although the best of Shakespeare's workWas his. (For Mrs. Gallup said it,And she, poor lady, I suppose,Has read the whole of it, and knows.)Such was his kind, unselfish plan,That he allowed a rude, unshaven,Ill-educated actor manTo style himself the Bard of Avon;Altho' 'twasheand not this fellowWho wrote "The Tempest" and "Othello."For right throughout his works there isA cipher hid, which makes it certainThat all Pope's "Iliad" is his,And the "Anatomy" of Burton;There's not a volume you can nameTo which he has not laid a claim.He is responsible, I wot,For Euclid's lucid demonstrations,The early works of Walter Scott,And the Aurelian "Meditations";Also "The House with Seven Gables"And most of Æsop's (so-called) Fables.And once, when he annoyed the Queen,And wished to gain the royal pardon,He wrote his masterpiece; I meanThat work about her German Garden;And published, just before his death,The "Visits of Elizabeth."Yet peradventure we are wrong,For just as probable the chance isThat all these volumes may belongTo someone else, and not to Francis.I think,—tho' I may be mistaken,—That Shakespeare wrote the works of Bacon.

Adam

IN History he holds a placeUnique, unparalleled, sublime;"The First of all the Human Race!"Yes, that was Adam, all the time.It didn't matter if he burst,He simplyhadto get there first.A simple Child of Nature he,Whose life was primitive and rude;His wants were few, his manners free,All kinds of clothing he eschewed,—He might be seen in any weather,In what is called "the Altogether!"The luxuries that we enjoyHe never had, so never missed;Appliances that we employFor saving work did not exist;He would have found them useless too,Not having any work to do.He never wrote a business note;He had no creditors to pay;He was not pestered for his vote,Not having one to give away;And, living utterly alone,He did not need a telephone.The joys of indolence he knew,In his remote and peaceful clime,He did just what he wanted to,Nor ever said he "hadn't time!"(And this was natural becosHe had whatever time there was.)His pulse was strong, his health was good,He had no fads of meat or drink,Of tonic waters, Breakfast Food,Or Pills for Persons who are Pink;No cloud of indigestion layAcross the sunshine of his day.And, when he went to bed each night,He made his couch upon the soil;The glow-worms gave him all his light,(He hadn't heard of Standard Oil);—At dawn he woke,—then slept again,Henever had to catch a train!

"When Eve appeared upon the scene."

Joan of Arc

FROM Pimlico to Central Park,From Timbuctoo to Rotten Row,Who has not heard of Joan of Arc,His tragic tale who does not know?And how he put his life to stake,For Principle and Country's sake?This simple person of LorraineHad thoughts for nothing but Romance,And longed to see a king againUpon the battered throne of France;(With Charles the Seventh crowned at Rheims,He realized his fondest dreams.)Then came the fight at Compiègne,Where he was captured by the foe,And lots of vulgar foreign menCaught hold and wouldn't let him go."Please don't!" he begged them, in despair,"You're disarranging all my hair."Unmoved by grace of form or face,These brutes, whose hearts were quite opaque,At Rouen, in the market-place,Secured him tightly to a stake;(Behaviour which cannot be viewedAs other than extremely rude.)Poor Joan of Arc, of course, was boundTo be the centre of the show,When, having piled the faggots round,They lit him up and let him go.(Which surely strikes the modern mindAs thoughtless, not to say unkind.)But tho' he died, his deathless nameIn Hist'ry holds a noble place,And brings the blush of conscious shameTo any Anglo-Saxon face.Perfidious truly was the nationWhich caused his premature cremation!∗       ∗       ∗I showed these verses to a friend,Inviting him to criticise;He read them slowly to the end,Then asked me, with a mild surprise,"What was your object," he began,"In making Joan of Arc a man?"I hastened to the libraryWhich kind Carnegie gave the town,Searched Section B. (Biography.)And took six bulky volumes down;Then studied all one livelong night,And found (alas!) my friend was right.I'm sorry; for it gives me painTo think of such a waste of rhyme.I'd write the poem all again,Only I can't afford the time;It's rather late to change it now,—I can't be bothered anyhow.

Paderewski

WHILE other men of "note" have hadA certain local reputation,They never could compare with Pad,—(Forgive this terse abbreviation),—Loot: Orpheus may have been All Right;Cap: Paderewski's Out of Sight!No lunatic, competing inThe game of Arctic exploration,Can ever really hope to winMore pleasures of anticipationThan he who fixes as his goalSo satisfactory a Pole.The grand piano is his forte,And when he treads upon its pedals,Weak women weep, and strong men snort,While Cuban veterans (with medals)Grow kind of bleary-eyed and soppy;And journalists forget their "copy."And as he makes the key-board smart,Or softly on its surface lingers,He plays upon the public's heart,And holds it there beneath his fingers;Caresses, teases, pokes or squeezes,—Does just exactly as he pleases.And oh! the hair upon his head!Hay-coloured, with a touch of Titian!He's under contract, so 'tis said,To keep it in this wild condition;All those who wish for thatch like Pad'sShould buy—(This space To Let for Ads.)On concert platforms he performs,Where ladies, (matrons, maids or misses),Surround his feet in perfect swarms,And try to waft him fat damp kisses;Till he takes refuge in his hair,And sits serenely smiling there.He draws the tear-drop to the eyeOf dullest dude or quaintest Quaker;The instrument he plays is byThe very best piano-maker,Whose name, I hope you won't forget,Is—(Once again, this space To Let.)

"On concert platforms he performs."

William Tell

ALL persons who, by way of joke,Point loaded guns at one another,(A state of things which ends in smoke,And murder of an aunt or brother,)Will find that it repays them wellTo note the tale of William Tell.He was a patriotic Swiss,Whose skill was such with bow and arrow,He never had been known to missA target, howsoever narrow;His archery could well defyThe needle or the camel's eye.And when the hated AustrianInvaded his belovéd country,This simple man at once beganTo treat the foe with calm effront'ry,And gave a sporting exhibition,To which he charged ten cents admission.He set his son against a tree,Upon his head an apple placing,Next measured paces thirty-three,And turned about, his offspring facing,Then chose an arrow, drew his bow,—(And all the people murmured "Oh!")No sound disturbed the morning air,(You could have heard a tea-tray falling,)Save in the virgin forest, whereA chipmunk to his mate was calling,Where sang the giddy martingale,Or snaffle woo'd the genial quail.But, drowning cry of beast or bird,There rose the hush of expectation;No whispered converse, not a wordFrom the surrounding population;A tactful silence, as of death,While people held each other's breath.The bow rang out, the arrow sped!Before a man could turn completely,All scatheless shone the offspring's head,The apple lay divided neatly!The ten-cent public gave a roar,And appleplectic shrieked "En-core."They kissed the hero, clasped his hand,In search of autographs pursued him,Escorted with the local band,Cheered, banqueted and interviewed him,Demanding how he shot so well;But simple William would not Tell.The Austrians, without a word,Retired at once across the border,And thence on William they conferredTwo medals and a foreign order,(And tactfully addressed the bill"Hereditary Arch-Duke Will.")And, in the piping times of peace,Such luxury his life was wrapt in,He got the chief-ship of police,(And made his son a Precinct Captain),Wore celluloid white cuffs and collars,And absolutely rolled in dollars.Still, to the end, whenever WillWith fiscal problems had to grapple,He called to mind his offspring's skillAt balancing the homely apple,And made him use his level headAt balancing accounts instead.

Diogenes

HE stopped inside a tub, from choice,But otherwise was well-conducted,Altho' he raised a rasping voiceTo persons who his view obstructed,And threw a boot at anyoneWho robbed him of his patch of sun.And thus he lived, without expense,Arrayed in somewhat scant apparel,His customary residenceThe limits of an empty barrel;(His spirits would perforce be good,Maturing slowly "in the wood.")With lamp alight he sought at nightFor honest men, his ruling passion;But either he was short of sight,Or honest men were out of fashion;He never found one, so he said;—They probably were all in bed.

"Altho' he raised a rasping voice to persons who his view obstructed."

Sir Thomas Lipton

OF all the sportsmen now afloatUpon the waters of this planet,No better ever manned a boat,(Or paid another man to man it,)And won a kindly public's heartLike dear Sir Thomas Lipton, Bart.Behind a counter, as a child,He woo'd Dame Fortune, fair but fickle,Until at last one day she smiledUpon his spices and his pickle;And all the world rejoiced to seePlain Thomas Lipton made "Sir Tea."He won the trade, his name was made;In country-house or London gutter,All classes found his marmaladeA perfect "substitute for butter."His jam in loudest praise was sung,His sauces were on ev'ry tongue.He built a yacht; that is to say,He paid another man to build it;With all the patents of the day,Regardless of the cost, he filled it;And hired, which was expensive too,At least three Captains and a crew.And, being properly brought up,A member of that sober nation,Which ever loves to raise the cupThat cheers without inebriation,He saw an op'ning if he tookHis lifting pow'rs to Sandy Hook.And there his hospitalityWas always welcome to the masses;As on the good ship "Erin" heProvided luncheons for all classes;Where poets, publicans and peers,Retained his spoons as souvenirs.But tho' each boat of his that sailedWas like the last one, only better,To lift the cup she always failed,—Because the Yankees wouldn't let her.(A state of things which was not quite,What Englishmen would term, polite!)His efforts were alas! in vain,He couldn't beat the pot defender,Again he tried, and yet again,—He might as well have sailed a tender!At last he cried "I give it up!America can keep her cup!""For She, and she alone, has gotThe proper breed of modern Yachtsmen!If onlyIhad hired a lotOf Swedes, Norwegians and Scotsmen,I might have met, with calm defiance,The crew on whichSheplaced Reliance."But, as the matter stands, insteadOf knowing what a well-fought fight is,I'm fêted, dined and banqueted,Until I get appendicitis!And probably shall end my lifeBy marrying a Yankee wife!"I felt it when the line was crost,I hold it true, whate'er befall,'Tis better to have luffed and lost,Than never to have luffed at all!My shareholders must be contentWith such a good advertisement."

Marat

IT is impossible to doThree diff'rent kinds of things at once;A fact that must be patent toThe brain-pan of the dullest dunce;Yet Marat somehow never knew it,And died in an attempt to do it.A Revolutionist was he;The People's Friend,—they called him so,—And many such there used to beIn France, a hundred years ago.(For further notice see Carlyle,—If you can grapple with his style.)His manners were so debonnair,He took a hip-bath ev'ry day;Would sit and write his letters there,In quite an unselfconscious way;And, if you wished to interview him,His housekeeper would take you to him.


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